Amazon.com essential video

This likable 1976 comedy gently skewers the whole post- Rocky mania for movies about losers who find their mettle or salvation or purpose in life in competitive sport. Walter Matthau stars as a drunk who becomes manager of a pathetic little-league baseball team. When he brings in a talented girl pitcher (Tatum O'Neal), the crew have an actual chance at winning some games and maybe a championship. But director Michael Ritchie(Downhill Racer) undercuts the romance of it all with the team's foul-mouthed tendencies and Matthau's own decadent spin on mentor-coachdom. Similarly to Ritchie's wicked comedySmile --which lampooned the fervor surrounding beauty pageants--The Bad News Bears pokes fun at another American institution.--Tom Keogh ... Read more

Reviews (34)

A Matthau Gem... Shall We Say "Diamond?"
The great Walter Matthau (all saggy jowls) plays Buttermaker, an ex-pitcher turned pool cleaner who tools around all day on his jobs in a chop-top station wagon with a cooler of beer in the backseat. A local businessman talks (with money) Buttermaker into coaching a youth-league team of castaways. Seems this is one community that takes its youth league baseball seriously. A little too seriously.

What follows is the familiar plot of a bunch of underdog kids coming together as the "Team Nobody Believed In" and contending for the championship against a team that represents everything that's wrong when parents spoil simple pleasures for their children (the Yankees, coached by Vic Morrow, in a neatly-observed performance). Look, I don't know if "Bears" even did it first, but this movie certainly does it best, and without the labored sentimentality of its progeny.

"Bears" never turns cartoonish. It captures just the right atmosphere- slanting, late afternoon sunlight during the games, the bikes parked behind the dugouts, the post-game chants. The kids, led by Tatum O'Neal and Jackie Earle Haley all perform well, and each has a sharply defined personality. Even Morrow, as Buttermaker's antagonist, isn't portrayed as bad or evil- just a guy with misplaced priorities that make him act like a jerk.

But Matthau makes this movie, conning kids into making martinis for him and cleaning pools while he regales them with increasingly drunken stories of his baseball glory days... until he passes out on the mound in a litter of beer cans. Matthau plays Buttermaker as a modern day loser who discovers (eventually) he still has a better nature.

Bright, smart and funny, "The Bad News Bears" is a joy to watch, full of quick-witted exchanges and even heartbreak. If you've seen one too many "Mighty Ducks" flicks, do yourself a favor and watch this one. It goes down as smooth as one of Buttermaker's ice cold ones on a hot afternoon.

And look for that kid who played Eddie in "The Courtship of Eddie's Father" as Morrow's son and the Yankees' star pitcher. He has a ballpark epiphany that's true and heartbreaking. Just another aspect of this marvelous little movie.

Good News for the Bad News Bears
A great movie that hits it mark..unfortunately sprung two terrible sequels. THE BAD NEWS BEARS is a social commentary about when kids are taken out of the sandlot (which is more fun when kids are left to play among themselves) and organized by adults to play little league baseball and the result is chaos. Walter Matthau in one of his signature roles as coach Buttermaker (he even reprised the role in a parody of the film on SATURDAY NIGHT LIVE, in the now classic and hilarious BAD NEWS BEES sketch). Matthau is hilarious as the drunken, ex-big league ballplayer/pool cleaner hired by one of the parents to coach a bunch of losers in a competetive and elite Los Angeles little league organization. The kids are innocent, but honestly brutal in their depiction. Standout performances from Jackie Earl Haley (BREAKING AWAY)as Kelly Leak, the motorcycle riding punk who is also a great athlete, Chris Barnes as tough little Tanner Boyle (who supposedly takes on the whole seventh grade when he is humilated in the embarrassing first game loss), and of course Tatum O'Neal as the tough girl pitcher whose curve ball breaks 2 feet. All this works on a level of a family movie, but some situations are adult oriented. Watch the film on network television and it is butchered beyond recognition. On DVD and cable, it it way better because you see why some of the situations occur. One example is the scene when pitcher Joey Turner (Brandon Cruz -tv's COURTSHIP OF EDDIE'S FATHER) throws at the head of batter Engelberg (Gary Lee Cavagnaro) and you'll know why. Actor Vic Morrow continues his string of bad guy roles even in this film as Coach Roy Turner and even the Yankees (a metaphor for elitistism) is used as a name of one of the teams as the arch rival of the Bears. Overall, entertaining and authentic with great casting.

Dear Luper
Dear Luper Ronsogni makes me sick, he cant even pitch nobody thinks we can win, ps I saw a good movie the other night, youd like it. Your friend, tanner boyle

I Loved This Movie!
I remember my mother taking me to see The Bad News Bears when it was playing in movie theaters, I was about 10 1/2 years old and I loved the movie and thought it was a lot of fun to watch and I thought that the cast was great, Tatum O'Neal, Walter Matthau, Vic Morrow, Jackie Earle Haley, etc and when HBO started showing The Bad News Bears I watched it to many times to count. I see some reviewers have complained about bad language but honestly I have heard much worse langague in movies that are being made these days and I still have to highly recommend The Bad News Bears.

Classic, realistic, non-syrupy story of Little League
Don't listen to other reviewers who impose today's political correctness on a movie that came out in 1976. My parents took me to see this film when it came out (I was nine) and it was a good film. It has lessons about winning, losing and sportsmanship. It touches upon characters we all know: the winning coach (played wonderfully by the late Vic Morrow) who values winning above all else - even his own son. A realistic film from the 1970s, reflecting divorced parents, precocious kids, bullies, all of it is in here. Above all, it is a positive statement about self-respect and accomplishment. While Matthau's ways of coaching would probably be protested today (i.e., giving the kids beer after the final game of the season) it was seen as true to his character and one of the funny touches. Some of the material is mature but it may spark some positive conversations in a family. It isn't watered down, squeaky-clean family fare that people expect today, but it does have a good message and is fun. Excellent performances by a great cast, realistic baseball playing (sometimes painful) and great moments. A classic 1970s film that is often overlooked. ... Read more

Reviews (7)

One of the greatest films of all time
I want to thank Mr. Ritchie for a film that will be with me for the rest of my life. I only hope that it comes out on DVD sometime.

I have a hard time believing that anyone could walk away from this film and think that you have to love skiing to enjoy this film. I hate to ski and I hate snow.

Loneliness of the Downhill American Ski Champ
This film caught my attention immediately because of the writer, James Salter, so I was surprised at how little dialogue or actual talking goes on. Its one of the most physical films I've ever seen which is certainly appropriate given the subject matter, downhill ski racing. Redford came to this fresh off of Butch Cassidy and the Sundance Kid but he looks much younger without the moustache. The topic of ski competition is exciting and fun as most of the film takes place on the mountain with great ski footage or in ski lodges in Europe which are romantic to say the least. Also attractive is Redfords European girlfriend. She gives the film another dimension completely as the embodiment of the experienced and scrupulous European versus the innocent and clumsy(and socially naive)American. Gene Hackman as the coach is absolutely great as he tries to instill more than just athletic virtues into his team members. There are also scenes of Redford, the rising star of the team, visiting home in the American midwest somewhere which I suppose tells us both why winning is so important to him and why he is so clumsy socially. Its not a perfect film( the midwest scenes seem a little too simplistic for such an otherwise smart and uncliched film) but one that tells a great sort of story rare in 69 in that it puts forth a value system instead of knocking one down. Redford has called the film an examination of American ideals about success. It is that. The ski scenes capture the excitement of the sport, and the hotel scenes capture the rewards given to success. But success in sport as in all fields is fleeting and you best enjoy the prize while at the top because if you finish second you are nobody again and all the rewards vanish as quickly as they were given. Effective cutting technique throughout the film emphasizes the ruthless pace and nature of a life forged in the heat of competition. Redford is caught surprise by the transient nature of this life. But the film has a great sort of ethic being put forth, that being that in a world where everything can be gained or lost in a split second one must not focus so keenly on the prize immediately at stake that one loses sight of those things which sustain us through both ups and downs, ie friends, coach, Dad, old girlfriend, dog.

Dated, but worth a look
"Downhill Racer" is either a skier's movie with a better plot than the average ski flick (Warren Miller notwithstanding), or it's a drama of sorts with skiing and romance mixed in. It's in the same league as "Bobby Deerfield," with Al Pacino as a race car driver looking for success both on and off the track.

Redford plays a convincingly arrogant, self-absorbed loner from Idaho whose only shot at glory is on the struggling U.S. ski team. Gene Hackman delivers spare yet superb scenes as the team coach. He recognizes Redford's talent on the snow but wrestles with his maverick attitude. I think the film sums up the important themes in small, quiet touches. When another skier carps about Redford's aloofness, his teammate (Dabney Coleman) reminds him that "it's not exactly a team sport, is it?" And when a European journalist asks Redford what his plans are after the Olympics, his nervous and stoic answer is "this is it." He knows there's not much outside of skiing.

Even romance offers no success for Redford's character. His sometime girlfriend back in Idaho is chatty and distracting: she represents all that is holding him back at home. In Austria, he encounters a fast-moving, highly sophisticated woman who leads him on and is more than a match for his self-centeredness. All he can rely on are his skis and his hunger to go faster. What the movie shows in the end (though it's easy to miss) is that the archetypal brash athlete can only win the gold if his heart and mind are there as well as the raw skill (what Hackman's coach calls the "regard for the sport... the desire to learn"). Think of Tom Cruise in "Days of Thunder."

"Downhill Racer" hasn't grown in stature as a drama of sport, but it is worth a viewing. The characters are more contemplative than talkative, and the fashions are dated, but the focus is on the challenge of the hill and what's in one's heart - just like skiing itself.

For visuals only
Downhill Racer is essentially, a movie to see only for the terrific skiing sequences. Although there is a story here, Robert Redford's character, a skier trying to make the U.S. Olympic team, is so bland and unsympathetic that you wonder why to care about him at all. Gene Hackman, in an early performance, adds nicely, but this is a film that could be watched with the sound off, and it wouldn't make much of a difference.

Not one of Redford's better films.
Downhill Racer is a terrible, cheesy film. What little dialogue there is is awful, and the skiing is definitely not Warren Miller. The script is shallow, predictable, a sports story told too many times before and since. ... Read more

Amazon.com

Peter Benchley followed his massively successful novel Jaws with another commercial success--but of an infinitely sillier nature. And the movie, directed by Michael Ritchie, isn't much better. Michael Caine stars as a New York reporter who is following a hot lead about the Bermuda Triangle--and gets his story, if he can only live long enough to report it. Because, in fact, there's nothing supernatural going on--just the descendants of 18th- and 19th-century pirates living on an uncharted island. And, naturally, they're able to wreak havoc with modern sailors because they have the element of surprise on their side--not to mention the willingness to perform unspeakable acts of violence. This is less Hollywood product than byproduct. --Marshall Fine ... Read more

Reviews (11)

Island Horror
I first saw this late night on TV and it genuinely shocked me.

The 'island' is a home of descendants of pirates who continue on their piratic ways, robbing boats, killing the crews, and then heading off with the plunder... they destroy the boats (they are in the Carribean, so this is why all those boats vanish!)

However, because of their secret and isolated nature, they have become inbred. When Michael Caine and his son head out from Miami they are captured rather than killed. David Warner, chief bad pirate wants to adopt Michael Caine's son, and hopes his 'seed' can add to the inbred mix.

This film can be seen as rather silly, 'modern day pirates'? But there are some impactful moments, especially when the pirates take on a Coast Guard vessel.

Grotty modern day pirates loose in the Caribbean.
Peter Benchley's novel about a surviving clan of 18th century era pirates still wreaking havoc in the Caribbean seems even sillier on the big screen than it did as a novel. Michael Caine plays an investigative reporter lucky enough to have the last name of Maynard, who, after practically abducting his estranged son, flies down to the Caribbean to look into some boat disappearances. What he uncovers is the aforementioned island 'society' of inbred pirate remnants who have managed to survive without any real contact with/knowledge of the outside world. That these toothless goons could pose any kind of real threat after such a long period, and with such an arachiac method of attack, never become believable. When The Island was first released in 1980, critics lambasted the film for its excessive violence and ludicrous plotting, you will find no argument from me on those points. But the movie has some things of merit. Albert Whitlock contributes some typically wonderful matte painting work, Ennio Morricone's score has personality to spare, and director Micheal Ritchie choreographs some effective action scenes. None of that makes movie any better, just diverting enough to maintain the bad movie buff's interest.

The Carribbean from a different perspective
I saw this movie for the first time on cable when I was a kid way back in the early 80's While it may not be one of the greatest movies ever made, it certainly is intriguing.If you're like me and like to jaunt down to the Carribbean once in a while, THE ISLAND will put a different perspective and a new spin on that part of the world. It creeped me out as a kid to see pirates who still lived as though they were in the 18th century wreak all that havoc, yet frankly, today I don't know whether to laugh or to be greatly disturbed by it all.With the recent success of PIRATES OF THE CARRIBBEAN, I wouldn't be surprised if people seek out this movie for a comparison.

Not bad at all
My first review. Hello, thanks for coming.

With the arrival of "Pirates of the Caribbean" at this Summer's box office, no doubt some people will be searching out pirate movies of yore....and perhaps this one. Which, to my mind, would not be such a bad choice.

The plusses:

1. To swim against the current of the above reviews, the acting isn't terribly bad at all. There is real fear in both the supporting victims and the major victims (Caine and son). Like so many of the movies from the 70's and early 80's there is no real promise that things will turn out all right, adding to the tension. Perhaps Caine and Son will meet a poor end after all.

Best of all, the Villains, led by David Warner, are wonderfully icky, dangerous and memorable...you just can't wait for them to meet their demise.

A favorite scene is the jerry rigged "trail" of Caine's hapless Maynard. The old crazy pirates have some, er, unique views of legal justice.

2. Though I can't say it is a stellar script, it has a few surprises that unfold rather well.

3. Pacing runs slow at first, building tension, releasing it, then building again. It is clearly not of the MTV generation, so don't expect a rollercoaster ride. It is a slower film, with spurts of great, realistic action.

4. The action. Unlike many of today's movies, the action here is real... so it arupts seldom, but when it does, it is violent and unpleasant for most involved....which is thrilling to me. There are only two (and a half if you count the opening teaser) set pieces, but they are terrific. The drug runners ship scene is paced extremely well. The drug runners are smug and complacent and fight a tragically loosing battle vs. the seasmart band of thugs.

The final storming of the coastguard ship and Maynard's revenge is the favorite. When he glances up and sees a tarp, you can just see the gears in his head working...then, when he pops up and preps the .50 caliber, there's an excellent silence before the storm of retribution upon the foul pirates.

Negatives:

Sure, it isn't perfect.

1) Longish. Even taking into account that this is not a movie of the MTV generation, it could use some trimming.

2) The photography isn't particularly inspired. A reviewer above complained that the night scenes are murky. Well. Welcome to the wonderful world of movies made more than 20 years ago. It was a rare film in those days that shot night for night and still retained sharp details....also, the only available copies are on VHS without remastering, so don't expect too much. When (and if) it is released on DVD, I'd like to see how the transfer improves. Still...the photography is ho hum.

3.) Silliness. A movie about modern day pirates stuck in the 17th/18th century....almost impossible to avoid goofiness.

Interesting but barely watchable actioner
Michael Caine is Blair Maynard, a somewhat too-intelligent-for-his own good writer for the New Yorker who gets caught up with carribean piracy in "The Island". Following up on tales of missing ships in the so-called "Bermuda Triangle", Maynard heads down to the Carribean with his 11 year old son, Justin in tow. Instead of UFO's or other mysterious phenomenon, Maynard finds the missings ships have fallen prey to piracy - in this case, a band of island-hopping cut-throats right out of "Pirates of the Carribean". Though existing into the 20th century (and remembering that there's nothing anachronistic about piracy today), the pirates here really are stuck in the 17th century - along with their clothes, manners and living conditions. Captured by the rogue band - led by David Warner - Maynard is kept alive until he can breed with the band's few women (imagine 300 years of in-breeding and you'll get the idea) while his son is brainwashed until he's led to believe he's one of them. Maynard tries to escape, but the region's natural dangers, an Island doctor who supports the pirates and his own son conspire against him.

So what makes this flick so hard to take? The movie's biggest flaw is that it can't decide if it's playing it straight or as a parody. There's something hysterical about modern-day sailors falling prey to a bunch of primitive castaways - a sentiment that comes to a head when the pirates board a drug-running schooner - and the fact that these guys have been using the same genes for a few centuries is only one more reminder that you're watching "Treasure Island" meets "Deliverance". Also, Ennio Morricone's music is a quick and rousing riff on ye olde Hollywood pirate epics. But the flick is also dead serious and violent - including scenes of Justin shooting people and leading up to a fierce clash (ala Peckinpah) between the pirates and the crew of a Coast Guard cutter. It's jarring and it just doesn't swim. The rest of the movie makes little sense - the pirates appear in every way isolated from modern man. Though they've been scavenging off of us for three centuries, they're stuck with their ancient weapons, and appear clueless as to such things as cocaine (considering the geography, they probably find gobs of the stuff; yet when Caine explains to a pirate that it's a drug, the pirate asks back "what does it cure?") or anything else. Even their lair appears untouched by 3 centuries of loot (Tom Hanks used more in Castway, and he didn't have a bunch of matey's to help him get it). In short, this was a barely watchable movie, slightly redeemed by giving Caine a surprise victory, but otherwise something that should have been left untouched for 300 years. ... Read more

Reviews (7)

Man from uncle are great
The first one is a little more wild than i like but the second on is the best I have seen.They are great guys I like it that the good guys always win at the end.

George Sanders steals Vol 2 in great dichotomous style
Why 5 stars you may ask? This volume really shows us the dichotomy that existed between the First and Second Seasons of "The Man from U.N.C.L.E." television series. "The Man from U.N.C.L.E." was a great extension of the James Bond cinematic phenomena created in the 60s. "The Gazebo in the Maze Affair" and the follow-up "The Yukon Affair" couldn't be more different in tone. But that's what made this series so dynamic. George Sanders steals both episodes.

An UNCLE classic
The first show on this video is the sparkling Gazebo in the Maze affair, featuring the talented George Sanders as Squire G. Emory Partridge. This one is a classic example of how good this show was to begin with. The dialogue is crisp, and not to be missed are Jeanette Nolan's wacky Edith Partridge and Leo G. Carroll in biking attire! Written by Dean Hargrove, who should've done more episodes, this one has the kind of dialogue in it that made the show so popular. Illya is kidnapped by the Squire, who has a grudge against UNCLE, and it's Napoleon to the rescue (well, sort of, since he promptly gets captured as well). The classic line from this one is when they are escaping through the maze, while being chased by a gamekeeper and a very large, nasty looking wolf. When the gamekeeper accidentally is attacked by the wolf, Illya murmurs, "bon appetit!" Definitely a keeper!

The second title brings back the squire, minus his wife, for a less clever episode. It's okay, but it definitely lacks the sparkle of the first. However, Illya manages to kiss the cute little Eskimo, and both agents wind up in the hospital. Not as clever or as imaginative as the Gazebo affair, but not as silly as some of the third season episodes, either.

Gazebo in the Maze and Yukon Affair
Though "The Gazebo in the Maze Affair" and "The Yukon Affair" are something like a two part episode, "The Gazebo in the Maze Affair" appeared in UNCLE's first season while "The Yukon Affair" appeared in UNCLE's second season. If you read on you'll find out why I'm only giving this volume only 3 stars.

Episode 27 "The Gazebo in the Maze Affair": A long time ago, Napoleon and Illya stopped the plan of Squire G. Emory Partridge (George Sanders) to control a small country in South America. Now he wants revenge. He kidnaps Illya and lures Napoleon to his manor in Eastsnout. He captures Napoleon and wants to have Napoleon and Illya convince Mr. Waverly come to Eastsnout to try to bring UNCLE down. They refuse though and Partridge, together with his wife Edith (Jeanette Nolan), torture Napoleon and Illya. Peggy Durance (Bonnie Franklin) helps them escape fortunately. The only thing is, the dungeon is right in the center of a maze in which it is filled with all sorts of deadly traps.* Great episode with a great plot. In the second season of UNCLE, they made it so Partridge returned again, in The Yukon Affair. I definitely prefer this first one with Partridge though. The part when Napoleon, Illya, and Peggy are trying to get out of the maze is really exciting, especially with Partridge, his henchman, and a wolf looking for them.

Episode 43 "The Yukon Affair": Sqire G. Emory Partridge (George Sanders) has returned and has acquired in Alaska a large quantity of Quadrillenium X, a very heavy metal with high magnetic powers which THRUSH wants. Napoleon and Illya are sent there to try to stop him but are immediately captured by Eskimos, but are saved by the chief's daughter Murphy (Tianne Gabrielle). Partridge and his niece Victoria (Marion Thompson) again capture them though. Will Napoleon and Illya be able to escape and find the cache of Quadrillenium X? * Weak and stupid plot, not very high up in my list of favorite UNCLE episodes. The scene in the beginning where Illya and Napoleon are in UNCLE headquarters is the best part of the whole episode, the rest is just too silly.

George Sanders returns twice as G. Emory Partridge
Volume 2 in the "Man from U.N.C.L.E." video collection features George Sanders as that most urbane bad guy, G. Emory Partridge in a pair of episodes from 1965. First up is "The Gazebo in the Maze Affair" (Episode #27: April 5, 1965), where it turns out that Partridge has not really been dead these seven years since last the boys saw him. Partridge kidnaps Kuryakin as a trap for Solo, with the aid of his strange but deadly wife, marvelously played by Jeanette Nolan. Dean Hargrove and Antony Ellis wrote the script for this above average episode, based on a story by Ellis, while Alf Kjellin was the director. Partridge returns in "The Yukon Affair" (Episode 43: December 24, 1965), although I am sad to report Mrs. Partridge does not make an appearance this time around. Like most sequels it is somewhat disappointing, especially since Sanders and Nolan were such an interesting tag team. Anyhow, Partridge tries to kill Solo with a big rock and then Waverly sends the boys off to the Yukon to track him down. While this certainly gives a whole new meaning to the idea of the Cold War, this is an okay episode that is just not as good as "Gazebo." In both of them the cheif charm is the way Sanders proceeds to do his evil deeds with such charm and grace. Marc Siegel wrote the "Yukon" episode, which was also directed by Kjellin. ... Read more

Reviews (2)

Not too hot
"The Gurnius Affair" guest-starred future "Laugh-In"
Sock It to Me gal Judy Carne, but it lacks the lustre which
boosted the popularity of this fad series. "The Master's Voice
Affair" is a typical third-year turkey which forecasted the way
for this show's eventual demise.

Judy Carne and the her master's voice affair
Judy Carne guest stars as professional photographer Terry Cook in the Year 4 offering "The Gurnious Affair" which features a takeover the world theme.Illya really let his hair grow in season 4 and is really trying to be ruthless as a military man impersonator.Judy carne's outfits in the episode really fit her style.
"The Her Master's Voice Affair" is a 3rd season offering in which Estelle Winwood plays Miss Partridge who tries to control her girl students at a private school through Brahms lullaby and it throws into a murderous state of mind.Illya is assigned to tutor and protect an Oriental man's daughter played by Victoria Young who develops a crush on Illya.Victoria Young falls from a rail in the house into Illya's arms kissing his face and he's ready to give her a spanking.Even while they watch a romantic movie she wishes Illya would kiss her like that.Talk about teenage girl crushes on adult men. ... Read more

Amazon.com

Gregory McDonald's lightweight mystery novel about an undercover newspaper reporter cracking a police drug ring is transformed by screenwriter Andrew Bergman (Blazing Saddles, and writer/director of The Freshman and Honeymoon in Vegas) into a fairly sarcastic and occasionally very funny Chevy Chase vehicle. Enjoyment of the film pivots on whether you find Chase's flippant, smart-ass brand of verbal humor funny, or merely egocentric. If you don't like Chase, there's really no one else worth watching (Geena Davis is sadly underused). Chase seems born to play I.M. "Fletch" Fletcher, a disillusioned investigative reporter whose cynicism and detached view on life mirrors the actor's understated approach to comedy. Fletcher offers Chase the opportunity to adopt numerous personas, as his job requires numerous (bad) physical disguises, and much of film's humor centers on the ridiculous idea that any of these phony accents or bad hairpieces could fool anyone. These not-so-clever disguises are put to use when Fletch becomes involved in the film's smart but continually self-mocking two-part mystery. As well as trying to gather drug-smuggling evidence against the LAPD for a long-overdue newspaper story, a rich and apparently terminally ill stranger also offers Fletch a large payoff to kill him. While the film does a fairly good job juggling both of these plots, not to mention tossing in a love interest as well, it's subservient, for better or worse, to Chase's memorable one-liners and disguises. Followed by two forgettable sequels that lack both the original's wit and Chase's attention span. The DVD version includes production notes and a theatrical trailer, and is presented in its original aspect ratio of 1:85 to 1. --Dave McCoy ... Read more

Reviews (62)

"I'm afraid I'm goona have to pull rank on you here..."
Fletch is my personal favorite comedy and without a doubt, one of the funniest movies ever made. Chevy Chase is perfectly cast as Irwin Fletcher, a wise cracking newspaper reporter working undercover on a beach to expose a drug running operation. At the same time, he is mistaken for a junkie by shady millionare Alan Stanwyk (Tim Matheson) who asks Fletch to murder him. Fletch agrees but launches an investigation into finding out why this man wants to be killed. This isn't lowbrow humor, it's quick witted and very fast. Fletch requires a few viewings before one is able to grab all the jokes, but it's well worth it. I've seen this movie about 30 times and each and every time I watch, it remains as funny as the first time I saw it. If you've liked Chevy Chase in Caddyshack or National Lampoon's Vacation, than you'll love him here. The dialogue is witty and extremely quotable. Chase's Fletch often disguises himself as he investigates the two mysteries, his cheap disguises and alias' (Ted Nugent, Don Corleone, Dr. Rosenpenis) are hysterical, Chase is a master of deadpan wisecracks, this movie is a perfect showcase for his talent.Aside from the brilliance of Fletch as a comedy, Fletch functions perfectly as a well made mystery movie. I disagree with one reviewer who praised the movie as a comedy but said it wasn't a very good movie. Fletch is a very good movie and aside from Chevy Chase, there are many other reasons for the success of this classic. Screenwriter Andrew Bergman has written one of the trickiest scripts in Hollywood history, it manages to be flat out hilarious, and captivating in the same light. Whenever I watch this film with a new viewer, they are always surprised as to how much the storyline grabbed them. Another plus with this movie is Harold Faltermeyer's superb synthesizer score. It's similar to his earlier Beverly Hills Cop score, maybe even better, it helps set the tone of this movie perfectly. Last but not least, we have the direction, all under the sure hand of Michael Ritchie. He keeps things moving and maintains a comedic tone which occasionally borders on seriousness to help the story progress. Balancing tones isn't easy, in this film it's done so well, it's hardly even noticable.Fletch is all around, an excellent film, but before everything else, it's a VERY funny film. A true cult classic. For audiences whom have seen Beverly Hills Cop, think along those lines, I always thought it would be amusing to see what would happen if Chase's Fletch met with Eddie Murphy's Axel Foley of the Cop films. If you've seen those than you have a good idea of what to expect with Fletch, a film loaded with belly laughs as long as you're willing to pick up on them.

My Favorite Comedy of ALL TIME!!!
GET THIS MOVIE!!! I LOVE THIS MOVIE!!! Chevy Chase made a few bad movies when he got started but this ISN'T one of them. As an undercover investigative reporter, Irwin M. Fletcher looks into the local drug traffic, only to get caught up in insurance fraud, police corruption, embezzlement and another man's suit.

He's Baba au Rum - Holistic Teamster, Magic "Fletch" Christian - Los Angeles Lakers, Ted Nugent - Beach Bum, Igor Stravinsky - Real Estate Developer, Harry S. Truman - Insurance Agent, G. Gordon Liddy - Ajax Supervisor, and a host of of others.

Look for Larry "Flash" Jenkins ("Ferris Bueller's Day Off"), Joe Don Baker, Tim Matheson, and the beautiful Dana Wheeler-Nicholson. Plus Geena Davis, George Wendt ("Cheers"), Richard Libertini ("The In-Laws") and Tony Longo ("Eraser"). M. Emmett Wash is the rubber-gloved doctor who examines his patients VERY thoroughly. And there's William Sanderson of TV's "Newhart". And finally Burton Gilliam of "Blazing Saddles". Whew!!!

Chase's one-liners and trickery are so subtle that it probably confounds most professional movie critics. They're always tuned to either the person he's playing or the role he's fulfilling. The autopsy scene is not to be forgotten, but you may have to turn up the volume for the full effect (sorry about that!).

Learn the one-liners here and you'll have an automatic response for most everday situations. Excellent soundtrack as well.

The F in Fletch is also for Funny
Chevy Chase stars as I.M Fletcher in the 1985 screen adaptation of Gregory McDonald's mystery series Fletch. Fletch is an undercover journalist investigating drug trafficking and the L.A.P.D, when he's approached by a stranger who asks to be killed for money. As the movie progresses, Fletch discovers that there's a connection between the man and the drugs, and the entire ordeal is very funny.

The film relies entirely on the comedic styles of Chevy Chase, as it's he that brings the sarcastic and witty Fletch to life. Through out the film, Fletch incorporates a variety of poor disguises and often introduces himself as different people, such as when he's a drug addict named Ted Nugent. Another highlight is when Fletch fanaticizes about himself playing professional basketball while wearing a giant Afro-wig.

The synthesizer sound track is not as memorable as Beverly Hills Cop's, "Axel F", but it complements the film nicely. Cinematography and directing are usually not aspects focused on in comedies, but in Fletch the two are as high quality as the writing. Fletch is rated PG and relies on clever humor and sight gags rather than raunchy jokes, which makes the comedy smart and inoffensive, unlike recent comedies such as National Lampoons' Van Wilder.

The most important aspect of comedy is the jokes, and the ones in Fletch are great, but its Chase's delivery that makes them fantastic. Whether its Fletch's one-liners, such as distracting a Doberman Pincher with, "Look, defenseless babies!" or instances such as when he claims to be real estate developer Harry S. Truman, the whole movie is outstanding. From start to finish, Chase delivers a performance that's sure to bring a smile to one's face and fill the room with laughter.

2 Paws Up!!!
I watched this with my master today, and boy did he laugh a lot. I like when he laughs because that means he is happy and then he pets me more. The movie had a lot of action, and a lot of humor too! I was a little scared of the Doberman guarding the realtor's office. Those dogs mean business, let me tell you!!! They could easily tear a dog like me in half, so I keep my distance. But yeah, great movie!!!

Retch
The movie is just plain bad, not horrendously so. Chevy Chase has less talent then Anna Kournikova. What plummets this to One Star is that it somehow has gained cult status. Maybe the government is putting doping agents in our water, for whatever reason hundreds or more think this is legendary cinema. They are wrong and I am right. ... Read more

Reviews (10)

U.N.C.L.E. family fun...
THE MAN from U.N.C.L.E. was one of the '60's most popular shows.
Robert Vaughn and David McCallum essayed the "We Spy" team of Napoleon Solo and Illa Kuryakin. Leo G. Carroll--formerly of TOPPER fame--was UN spy master who sent them off to weekly
adventures parodying 007 films which had captured imaginations of the cinema-watching world. Despite "cool head" humor of both Vaughn and McCallum, and appealing sang froid/savoir faire they brought to their characters, the material now strikes as dated in many instances. Not so VOLUME 1. THE STRIGAS AFFAIR,is U.N.C.L.E. at its witty best. Along with genuinely clever plot twists to ensnare war-mongering Werner Klemperer(Colonel Klink of HOGAN'S HEROES),there is a typical series gimmick of featuring classy guest stars. In this instance, William Shatner and Leonard Nimoy of STAR TREK fame.

Episode 2,THE NEVER-NEVER AFFAIR is also serious fun with Barbara Feldon (Agent 99)of GET SMART facing-off against THRUSH, U.N.C.L.E. series' SPECTRE clone led --this time--by Caesar Romero. Some think the best of the BOND spy parodies was OUR MAN FLINT. Some think it was--and remain--Peter Sellers' Jacques Clousea, PINK PANTHER adventures. It's a debate of weight to be sure. Nevertheless: if you were a series fan; thought you were one; or wanted to be part of the U.N.C.L.E. family; Volume I is...in my estimate...a blank-filled, but on target sure-shot.

a great review for a great show!
If you love action, twists, and humor all rolled into one, get this video!! The Man From U.N.C.L.E., Vol. 1 is a great example of how the 60s reinvented cool! In this volume, the episodes are "The Project Strigas Affair" and "The Never Never Affair".

In the "Project Strigas Affair" William Shatner and Leonard Nimoy delight us with their first great performance together.(even though they were only in a couple scenes together)The episode sorta has a "Mission Impossible" feel to it. It's full of twists and schemes. We also see Illya test out some of his disguises! A must see!

"The Never Never Affair" has to be my FAVORITE episode of the whole series! In this episode Barbara Feldon (Agent 99 on "Get Smart") guest stars as the innocent Many Stevenson who longs for the glamour and excitment of espionage. Mandy bugs Napoleon to his breaking point, but instead of a real mission he gives her a fake one with the "Evasion Pattern Eight".(You sorta feel sorry for the girl.)He gives her a humadore(spelling?) and tells her to ask a guy at the tobbaco store to open it. Of course, she misleads a scientest into thinking she is a real courier and is handed a microdot(which she cleverly hides). This episode shows how they used humor in the series. My favorite parts were 1.)When Illya and Napoleon go into the movie theater and shoot it out with THRUSH, a guy gets shot and stands in front of someone. The person goes, "Hey, Down in front!"(the dead guy falls into a seat), "Thanks!" 2.)When Mandy goes throughout the streets thinking she's a REAL spy.3.) When Cesar Romero questions her on what the humadore is: CR:"It looks like a hum. and even smells like a hum., what is it?" MS:"Um, ah..humadore?(laughs)" 4.) The Over- The-Shoulder shot!
To make this simple(too late) get this video! You won't be disappointed!

One Of The Best One
This Is the best that i have seen.
Soom of the others i would just like one on the videos but i love them all

The Project Strigas Affair and The Never Never Affair
"The Project Strigas Affair" and "The Never Never Affair" are what I think are the best episodes in all of UNCLE's episodes. You just have to watch these two episodes if you love "Man from UNCLE".

Episode 9 "The Project Strigas Affair": Though usually UNCLE doesn't get involved in politics, Mr. Waverly asks Napoleon and Illya to make some 'diabolical scheme' to bring down a certain Balkan intelligence chief Kurasov (Werner Klemperer), who is trying to enflame America and U.S.S.R. tensions. Kurasov's assistant is (Leonard Nimoy). Napoleon and Illya (him disguised as a KGB spy), with the help of bankrupt couple, (William Shatner and Peggy Ann Garner), make up a fictional gas to catch Kurasov's attention: the gas named Strigas. * This has one of the best plots of all the UNCLE episodes. There are plenty of twists and turns, humor when needed, yet serious at some places. This is another episode of many which shows Illya as the master of disguises. This is the first time for the secondary villain, Woodrow Parfey, to play in the Man from UNCLE show. He would be playing in many more episodes in the time to come. This is also the first time for Star Trek William Shatner and Leonard Nimoy to act together. One of my favorite parts in the show is when says, "But that's absolutely diabolical," to which Napoleon replies, smiling, "We try."

Episode 25 "The Never Never Affair": Mandy Stevenson (Barbara Feldon) is an UNCLE Portuguese translator who wants excitement. Napoleon Solo feels sorry for her so he send her out on a fake mission to get Waverly's tobacco and Mandy mistakenly takes an important microfilm that THRUSH is after. Napoleon and Illya search the streets looking for her before THRUSH gets to her. Eventually, Mandy and Napoleon are caught by THRUSH leader Victor Gervais (Cesar Romero). The only thing is, the microfilm is on a microdot and Mandy has hidden it so well that THRUSH can't find it!* I love, love, love this episode! Everyone's great in here; Robert Vaughn, David McCallum, and especially Barbara Feldon as Mandy Stevenson. She's great! The plot is good, everyone's acting is good, and it's so funny, yet serious where it's supposed to be. Here are a couple of my favorite parts. 1) When Mandy tries to convince Napoleon to give her a mission and Napoleon gives the fake mission and 'evasion pattern number 8', which is a fictional route. 2) When Napoleon tries to explain to Mr. Waverly and Illya about sending Mandy on a fake mission. Especially when Mr. Waverly asks what route she's going by and Napoleon says, "Evasion Pattern 6". The look on Mr. Waverly and Illya's faces are so funny! 3) In the beginning when Illya's trying to get away from THRUSH. 4) When Victor Gervais is trying to convince Mandy to tell him where the microdot is. She tells him, "Let me warn you. I don't crack under pressure." He says, "Not at all?" Mandy replies, "Not... noticeably, no." And basically the rest of the show is great.

Napoleon Solo uses Captain Kirk & 99 to help save the world!
Whoever put together Volume 1 in the "Man From U.N.C.L.E." Collection apparently decided the classic spy spoof series of the Sixties could not be marketed on its own merits and offers a pair of episodes featuring future television icons William Shatner and Leonard Nimoy from "Star Trek" and Barbara Feldon from "Get Smart." However, that does not take away from the surprising discovery that these are two of the best episodes from the show's first season. "The Project Strigas Affair" (Episode #9: November 24, 1964), finds Shatner and Peggy Ann Garner as a couple who are recruited for Napoleon Solo's scheme to stop a diplomat, played by Werner Kemperer of "Hogan's Heroes" fame, who is trying to heat up the Cold War between the U.S. and the Soviet Union. Technically Shatner and Nimoy are in some scenes "together," but they do not really act together. Still, this is there first appearance on screen together. This episode was written by Henry Misrock and directed by Joseph Sargent.

In "The Never-Never Affair" (Episode #25: March 22, 1965), Feldon plays Mandy Stevenson, a translator at U.N.C.L.E. who wants excitement and gets more than she bargained for. Solo sends her out to get more pipe tobacco for Mr. Waverly, but tells her it is a secret mission. Of course she ends up with a microdot containing key information about THRUSH., which means bad guy Victor Gervais (Cesar Romero, the Joker on "Batman") is after poor Mandy. "The Never-Never Affair" is one of the best lighthearted episodes from the series, although Illya Kuryakin again gets little to do. Also directed by Sargent, this was writer Dean Hargrove's first "U.N.C.L.E." episode. Here we have one of the few times Volume 1 of a video collection of a television series actually has nothing but great episodes on it. ... Read more

Reviews (18)

Student Bodies started it all.....
This movie is funny beyond belief....a killa crazy comedy.
Paramount Studios should absolutely finally release this movie on dvd.

When Student Bodies first came out in 1981 it was completely unique, no one had ever done a horror spoof before. Hense the original Movie poster proclaiming "At last The world's first comedy horror movie".

Student Bodies was written and directed by Mickey Rose, who collaborated with Woody Allen on the screenplays for Allen's early films.
The film had a completely unknown and still unknown cast *Kristen Riter* Toby Badger, *Matt Goldsby* Hardy, *Richard Brando* The Breather,
Student Bodies had a notoriously difficult production and producer Michael Ritchie, Ritchie opted to take his name off the picture, instead using the Director's Guild pseudonym.

This movie has become quite popular since it's release on video in the early eighties and is still available on VHS and can be seen sometimes on late night/early morning television becoming a CULT CLASSIC.....BUT WHEN IS THIS CULT CLASSIC GOING TO BE AVAILABLE ON DVD?

This killa Crazy comedy is every teenage horror film you've ever seen from the 70's and 80's and every horror movie cliche is taken to hilarous extremes of laughter. The screams are as frequent as the laughs as a crazy murderer or maybe murderess terrorizes Lamab High.

But the senior class is not going to take it lying down most of all Toby Badger...*KRISTEN RITER*. a mousy good girl you know like in all horror films Toby's the virgin. Toby's putting herslef and her beau in some silly positions so she can find out who's "the breather". a killer who is murdering her non-viriginal friends with a pair of rubber gloves and garbage bags and other unusal weapons of choice.

With help from her boyfriend Hardy...*MATT GOLDSBY*(Student Bodies,Frances) who's the town nerd of sorts who's always there by Toby's side if she needs him. Hardy's trying his best to protect and save Toby. But at the same time trying to protect and save himself.

Toby and Hardy are Ducking such lethal weapons such as paper clips, blackboard erasers and horse-head bookends, they set about trying to find the mysterious "Breather" and other things that go bump in the night.

No one is safe from the crazy twists and turns of the looney plot, and a madcap twist of an ending. No one is Safe least of all the student bodies themselves. Football games, pep rallies, parades and senior proms provide background for a movie that leaves no horror movie cliche unexplored.

This movie is Rated R which actually i think is a joke onto itself. cause there is only slight nudity, little Gore, there's only a few bad words said in the entire movie. some lewds jokes but that's the best parts.

This movie is actually quite tame considering all the raunchy teen movies of the 80's and 90's that will follow it. But It is by far the best in my opinion.

Student Bodies was the movie that started the whole horror movie spoofs. This is a great film that I hope will be available on dvd one day. Great laughs, Sharp ,Witty and of course purposely stupidly wonderful. I mean hello it's a comedy not shakespheare.

10...stars TWO thumbs way up.

laugh out loud crazy. student bodies started it all....
PARAMOUNT studios should absolutely release this movie on dvd
I know this is a low budget horror spoof. But this is one of my favorite films ever. this Film is a spoof of all the 70's and 80's horror films. They have ever single horror cliche but it's funny as hell.
unless you are into cult/ low budget fims you may have never heard of this film. it sometimes plays late night on cinemax/hbo. Plus if your not into 70's and 80's horror films you might not get all the jokes but who cares it still funny.
SYNOPSIS:
A small town's resident "heavy breather" victimizes a bevy of sex-crazed students in this comic (and mostly gore-free) Cult Film.
Toby( Kristen Riter) is a sexualy repressed teen. her friends are dropping like flies. Her partner in crime is her equally sexualy repressed boyfriend Hardy(Matt Goldsby). Some how Toby becomes a suspect so toby and Hardy must put themselves in some weird and very hilarous situations to clear her name.
If you loved Scary movie and 80's cult films this movie is for you. This is the original horror comedy spoof.
Before Scary movie there was STUDENT BODIES
This cult movie should absolutely should be finally released on dvd

A Hilarous spoof.
I saw this movie on USA up all night a few years back. I must say I am really glad i did stay up all night. Student Bodies was and still is hilarous. I recently purchased the tape at a video shop. But i was disappointed to find out it is not available on dvd which really sucks. I think paramount should finally make this movie available on dvd.

Talking? During horsehead bookends?
Quite possibly my favorite movie. I have been raving about this movie since I first saw it over ten years ago, I've shown it to all of my friends, and every time I find somebody else who has already seen it, I immediately show it to them! Nothing against mainstream movies, but it's the cult movies that bring people together. If you are reading this and you love offbeat humor but haven't seen this movie, find it! After all, "even the dead love a parade."

Student Bodies started it all.....
Paramount Studios should absolutely finally release this movie on dvd.
When Student Bodies first came out in 1981 it was completely unique, no one had ever done a horror spoof before. Hense the original Movie poster proclaiming "The world's first comedy horror movie".
This movie has become quite popular since it's release on video in the early eighties and is still available on VHS and can be seen sometimes on late night/early morning television becoming a CULT CLASSIC.....BUT WHEN IS THIS CULT CLASSIC GOING TO BE AVAILABLE ON DVD?
This killa Crazy comedy is every teenage horror film you've ever seen from the 70's and 80's and every horror movie cliche is taken to hilarous extremes of laughter. The screams are as frequent as the laughs as a crazy murderer or maybe murderess terrorizes Lamab High.
But the senior class is not going to take it lying down most of all Toby Bager...*KRISTEN RITER*. a mousy good girl you know like in all horror films Toby's the virgin. Toby's putting herslef and her beau in some silly positions so she can find out who's "the breather". a killer who is murdering her non-viriginal friends with a pair of rubber gloves and garbage bags and other unusal weapons of choice.
With help from her boyfriend Hardy...*MATT GOLDSBY*(Student Bodies,Frances) who's the town nerd of sorts who's always there by Toby's side if she needs him. Hardy's trying his best to protect and save Toby. But at the same time trying to protect and save himself.
The characters are Ducking such lethal weapons such as paper clips, blackboard erasers and horse-head bookends, they set about confronting the mysterious "Breather" and other things that go bump in the night.
No one is safe from the hilarious twists and turns of the looney plot, least of all the student bodies themselves.
This movie is Rated R which actually i think is a joke onto itself. cause there is only a bit slight nudity, No Gore, there's only one bad word said in the entire movie. some lewds jokes but that's the best parts.
This movie is actually quite tame from all the spoofs that will follow it. But It is by far the best in my opinion.
Student Bodies was the movie that started the whole horror movie spoofs. This is a great film that I hope will be available on dvd one day. Great laughs, Sharp ,Witty and of course purposely stupidly wonderful. I mean hello it's a comedy not shakespheare.
10********** stars TWO thumbs way up. ... Read more

Reviews (3)

Doesn't have the greatest of plots, but still fun to watch!
Volume 5 has episodes "The Off-Broadway Affair" and "The Take Me To Your Leader Affair", both which appeared on Man from UNCLE's third season. The Man from UNCLE series is one of my favorite TV series ever to watch! But I must confess, these episodes do not have great plot (thus the 3 stars) but still I love the episodes! Lots of funny parts! The main characters are Napoleon Solo (Robert Vaughn, "Bullit" and "The Magnificent Seven") and favorite the enigmatic and quiet Russian, Illya Kuryakin played to perfection by actor David McCallum (another great movie with him is "The Great Escape").

Episode 69 "The Off-Broadway Affair": When an off-broadway actress is killed after trying to contact UNCLE, Napoleon Solo (Robert Vaughn) and Illya Kuryakin (David McCallum) are sent to investigate. They feel that the murdered actress had information about how THRUSH has recently been getting information through UNCLE's main computers. With the help of understudy, Janet Jarrod (Shari Lewis), they go up against THRUSH agents Machina (Leon Askin) and Linda (Joan Huntington) before anymore of UNCLE's valuable information is stolen. * A so-so episode with fun Shari Lewis, who I'm sure everyone knows her from her TV show, "Lamb Chops". We get to see her sing "All God's Children Have Rhythm" and watch her perform the song "Stand Up and March". And what a surprise, we get to see David McCallum perform his own show "A Man is a Horn" while he is working undercover! Lots of funny lines throughout the whole show, my favorite is in the beginning where Illya says, "I seems a trifle unfair Napoleon. You get to dally around with a lush, young actress while I go prowling around in a dirty basement." But the reason this episode is so-so is because of some parts in the plot which were pretty stupid.

Episode 75 "The Take Me to Your Leader Affair": Napoleon Solo and Illya Kuryakin are sent to scientist Adrian Cool's (Woodrow Parfrey) whose instruments are pointing out that a UFO is approaching the earth! When his daughter, Coco (Nancy Sinatra, the great Frank Sinatra's daughter), is kidnapped along with Illya by power-mad millionaire Simon Sparrow (Paul Lambert), it's up to Napoleon Solo to learn why. With the help of Corinne (Whitney Blake), Napoleon learns that Sparrow is going had faked the approaching UFO to secure power for himself. * Another episode which lacks plot, I still love it for some really great parts. UNCLE regular Woodrow Parfey this time gets to play the good guy. I really like all the parts with Illya and Coco. Coco flirts a lot and gets to kiss him! And for David McCallum fans, I'm sure you'll be interested to find that he gets to play the guitar, plus perform a duet with Sinatra the song which he wrote himself! And, of course, not only does Illya get the girl, Napoleon gets his own girl, the very pretty Whitney Blake.

Horrific stuff!
Both episodes were horrible, pure examples why the show went down the drain. Forget the guest stars. They don't save the episodes' silly quality. Save your cash.

The Off-Broadway and Take Me To Your Leader Affairs
In "The Off-Broadway Affair", UNCLE's arch-enemy, THRUSH, has found a way to infiltrate their top secret computer files and wreak havoc with the information they have discovered. Can a musical performance by Illya and help from an aspiring actress (Shari Lewis) save the day or is UNCLE doomed?

In "The Take Me To Your Leader Affair", a unappreciated astronomer discovers an asteroid hurling towards the earth. Napoleon and Illya are deployed to deal with the situation, but Illya is captured while trying to save the scientist's kidnapped daughter (Nancy Sinatra). Features a great singing duet. ... Read more

Reviews (2)

Should've Been Bigger Than Bonanza!
The only reason why I don't buy "Legend Of A General" is because I already have it on tape! If I didn't, you better believe I'd snatch it up in a second! "The Big Valley" is my absolute favortie tv western of all time! ("Dr. Quinn" comes in at a close second.)

For one thing, being from California & living just an hour away from Stockton, I liked the show's locale! Most other westerns take place in Texas, or Arizona, or New Mexico, or Nevada ("Bonanza"), but "The Big Valley" takes place near my home! It was also the first western I ever saw (I first saw it on re-runs when I was nine.) I also found the Barkleys more believable than the Cartwrights. (Ben Cartwright was widowed three times,. for godsakes!) The over-the-top stories with the moral/social lessons are solid (How many times has Lee Majors' "Heath" been falsely arrested by a corrupt sheriff?) & the action-scenes are well-staged. (My favorite was the episode where Nick helps out a boxer. The fight scenes were expertly done!) The characters were also well-defined (except of course, Linda Evans' "Audra", who isn't given much to do, except look pretty.)

If you haven't seen "The Big Valley" & you like westerns, buy this tape! The story concerns the Barkleys helping out an old friend of theirs, an exiled Mexican general, who is being sought after by a corrupt political opponent. (The Barkleys seem to have been involved with every historical figure of the Old West! And like other wealthy tv western families, they care more about what's right than about their vast land & financial holdings! After all, Barbara Stanwyck's "Victoria Barkeley" takes in Lee Major's "Heath" character as a member of the family, even though he is the illigitamate son of her husband & his mistress! If only REAL wealthy ranchers of the Old West were like that!) You may not get an accurate California history lesson by watching "The Big Valley" (the most inaccurate was the episode "Light Foot" with Joe Don Baker as a Modoc Indian, even though the Modocs were nowhere near Stockton!), but you'll get a solid family-drama with great dialogue & fast-paced action!

Like Lee Majors as "Heath" would say, "Boy howdy!"

THE BARKLEY SAGA
Every single episode of this fantastic western series should be available on video! I've met many people who, like myself, are devoted fans of this classic show which originally aired from 1965-1969. There were 112 hour-long episodes of this western filmed and it remains my very favourite show of all-time. As Victoria Barkley, Barbara Stanwyck is nothing less than sensational in her acting technique; as the widow Barkley, she is a curious combination of being both tough and gracious - but above all, Stanwyck was an incredibly NATURAL actress; she won an Emmy for her portrayal in 1966 (she was nominated the remaining three years of the show's run, plus she won other awards such as the Photoplay Medal) and her playing of the proud matriarch has practically made her Victoria Barkley a cult figure. Richard Long is fine as Jarrod, the level-headed eldest lawyer son - while never a great actor by any means, Long had an intensely likeable personna about him. Nick, the tough, egotistical son is played with neccesary verve by Peter Breck and Audra as played by astonishingly beautiful Linda Evans made many a male baby-boomer swoon (I was one of them!). NIGHT OF THE WOLF is a classic episode which lingers in the memory: Nick gets bitten by a rabid wolf and tries to find his lost love, golden-haired Jeannie before he dies; he finds she died from typhoid. Nancy Olson and Ronny Howard play the widowed mother and son who take Nick in and the conclusion is both happy and sad. Stanwyck was such a striking presence in this show (which was envied by many of her peers and was a huge personal triumph) that entire episodes are literally showcases for her acting talent. The youngest son, Eugene (played by the now-forgotton Charles Briles) was mysteriously written out of the show after the first season. The public's very favourite character, however was HEATH (the half-breed b------- from Strawberry) as played by Lee Majors! The rest of the cast was actually peeved and annoyed due to the fact that more stories centered around Heath, and Majors received more fan mail than any other cast member! The guest stars in this terrific western included Julie Harris, Susan Oliver, Colleen Dewhurst (she was terrific), Milton Berle(!), Robert Goulet(!), Pernell Roberts, Cloris Leachman, Buddy Hackett, Adam West, Virginia Christine, among many others. James Gregory worked well with Stanwyck and he was a frequent co-star. The stories were excellently written, the characters were colourful and genuine. The beautifully colourful scenery, the musical score by George Duning (which included the pretty little theme heard at the beginning of many an episode entitled A FUTURE LEFT BEHIND) are all first-rate. If someone doesn't do a book on THE BIG VALLEY..... maybe I WILL!! ... Read more

Reviews (5)

Terrific first season episodes!
Volume 17 has episodes "The Quadripartite Affair" and "The Giuoco Piano Affair", both which appeared on Man from UNCLE's first season and are one of the first episodes. The Man from UNCLE series is one of my favorite TV series ever to watch! The main characters are Napoleon Solo (Robert Vaughn, "Bullit" and "The Magnificent Seven") and my favorite the enigmatic and quiet Russian, Illya Kuryakin played to perfection by actor David McCallum (another great movie with him is "The Great Escape").

EPISODE 3 "THE QUADRIPARTITE AFFAIR": In Yugoslavia, Marion Raven's (Jill Ireland) father is killed because of his discovery of a plot to overthrow governments with the use of a fear gas. Gervaise Ravel (Anne Francis) and Harold Buffington (John Van Dreelen) are behind the plot and have Marion to be watched. Also working for them is Colonel Adam Pattner, (Richard Anderson, from "The Six Million Dollar Man" and "The Bionic Woman" series). Solo and Illya are assigned to find out where the fear gas is being made and to destroy it along with the help of Marion and native Yugoslavian Millan Horth (Roger C. Carmel).

Great episode and this is the first Man from UNCLE tape that I bought. Illya Kuryakin fans will most definitely love this episode since he gets to do a lot, plus he gets a love interest. The thing is that Marion, Jill Ireland, is in real life David McCallum's wife (though unfortunately she doesn't seem to act or do very well in this episode). Besides this episode, she will later on play in also "The Tiger Are Coming Affair" and "The Five Daughters Affair". And since this affair was supposed to be a two-parter with "The Giuoco Piano Affair" but was made into two separate episodes, she will return in her role as Marion Raven along with the same villains Ravel and Bufferton. We also get to see May Featherly as the beautiful UNCLE agent Heather McNabb, who occasionally appeared on UNCLE's first season episodes, one example "The Neptune Affair".

EPISODE 7, "THE GIUOCO PIANO AFFAIR": Gervaise Ravel (Anne Francis) and Harold Buffington (John Van Dreelen) are back again and on the run. UNCLE wants to get them once and for all. Napoleon concocts a plan to use Marion Raven (Jill Ireland) as bait for them. At first Marion is dead set against it but with a little persuasion from Illya (she really does like him!), agrees to help. According to plan, Marion is kidnapped by Ravel and Buffington to be used as a bait to get the UNCLE agents. Of course Napoleon and Illya are ready to catch the crooks and save Marion.

In my opinion, I like this episode better then The Quadripartite Affair. The title of this episode comes from the chess move called the Giuoco Piano where the players force the Queen to make her move (but of coures the White Knight, Illya, comes to the rescue!!!).Jill Ireland does a much better job in this episode, acts her parts just right and says her lines to perfection. She plays a little stronger role, especially in the beginning where she argues with Illya. Throughout the whole episode you can tell she's trying very hard to get Illya's attention! The humor is great and some of the best scenes are both the beginning and end party scenes at Marion's apartment. Some of the guests you can tell are Richard Donner (UNCLE director as a drunk), Norman Felton (UNCLE creator as a chess player), Sam Rolfe (UNCLE pilot scriptwriter as a Texan) and associate producer Joseph Calvelli (UNCLE writer as a writer). When asked how it felt to direct himself, Richard Donner said with a tongue-in-cheek answer, "I was the most versatile actor I've ever worked with" (trivia from "The man from UNCLE book" by John Heitland).

I very much highly recommend this Man from UNCLE Volume 17. For other good first season episodes, I also recommend Volume 1 which includes "The Project Strigas Affair" and "The Never Never Affair". Volume 3 has also two very good second season episode's included, "The Deadly Toys Affair" and "The Minus X Affair". But I should say that all of UNCLE's episodes are good!

Illya and Napoleon try to stop Harold and Gervaise
Volume 17 of the "Man from U.N.C.L.E." videotape series contains a pair of first-rate episodes from the first season, both directed by Richard Donner. Actually, it is a two-part story, but the two parts did not come in consecutive episode, which is certainly a nice touch. "The Quadripartite Affair" (#3, October 6, 1964), is the first episode where Illya Kuryakin (David McCallum) takes the lead. Four conspirators are trying to seize power in an Eastern European country. Gervaise Ravel (Anne Francis) and Harold Buffington (John Van Dreelen) are the couple running the plan, while McCallum's then wife, Jill Ireland, plays Marion Raven, the innocent young woman caught up in the whole thing. Illya has to over come a fear-inducing gas and while he does derail the plot, the evil couple escapes. The fight continues in "The Giuoco Piano Affair" (#7, November 10, 1964), and is actually the better of the two episodes. Certainly it is the funnier of the pair, especially since Marion gets to have an adventure with Napoleon Solo (Robert Vaughn), while still being sweet on Illya, as his partner tries to finish off the villainous love birds. Meanwhile, Harold and Gervaise are having their own problems since he thinks she does not love him as much as he loves her, even though he finances all her evil plans. You have to love master criminals with marital problems. This is also my favorite title in the series; it refers to the gambit in chess where you force an opponent to move out their Queen. Of course, it describes the plot perfectly, but it is also just a very neat idea. In these episodes everything just clicks.

The Quadripartite Affair and The Giuco Piano Affair
These two episodes were at first going to be made into a two parter but was changed to two different episodes. The two episodes has lots of Illya and his former wife, Jill Ireland. Their both great, and so is Napoleon. I love the party scenes at Marion Raven's (played by Jill Ireland) house in the Giuco Piano Affair!

These episodes for any Illya fan!
The Quadripartite Affair and the Giuoco Piano Affair is a must see! For those who love Illya will enjoy them. Jill Ireland is very funny in the Giuodo Piano affair. I love the party scenes! You'll laugh at the funny parts!

not the best but better than average
These two episodes were filmed and telecast as separate episodes but fit easily into one two-hour show as they were filmed to be released as a two-hour theatrical film. While they don't represent the best efforts of the first season, which was clearly the show's best, they are nevertheless superior to anything in the second and third seasons and much of the fourth. The best scene is Solo's attempt to track Ann Francis on a yacht during a party. ... Read more

Description

Set in America's heartland, this timeless musical tells the story of two young teens who find true love with the help of their fathers, a traveling carnival road show... and, of course, a little magic.This 1995 film was directed by Michael Ritchie and stars Joel Grey, Barnard Hughes, Jean Louisa Kelly, and Joe McIntyre.Based on the long-running off-off-Broadway musical by Tom Jones and Harvey Schmidt. ... Read more

Reviews (53)

An enchanting little film
I am one of the few people in the world who have never actually seen the stage play of "The Fantasticks". I loved this movie. This is a marvelous, magical, spellbinding story. I felt the casting was well done. Jean Louise Kelly makes an adorable Louisa while Joe McIntyre made a sweetly innocent Matt. Joel Grey was not in this movie near enough, but he pulls off a stellar performance with what he has to work with. I thought the dance segment with Jean Louise Kelly was especially touching. El Gallo portrayed by Jonathon Morris put the magical spin on this whole story. I loved El Gallo having this witty yet sexy side to him in addition to being the mystical and wise mastermind bringing these two naive teenagers together.

The extra scenes available on the DVD are terrific. If you watch the "directors comments" you can understand why a few of them were cut. Be sure and watch "It isn't easy to die". This should have been left in. Teller and Barnard Hughes are hilarious, as are Jonathon Morris' reactions to them.

The set design and surrounding scenery are breathtaking. This is a very surreal yet enchanting movie, making it easy to slip in and out of the singing segments. I only wish a soundtrack had been made. It would make a great addition to the other two that are available.

Beautifully done. Beautifully acted.

Charming, but flawed adaptation of a classic
The Fantasticks has a unique place in theatre history, being one of the most performed pieces, both in professional and amateur circuits. The simplicity of the story and orchestrations mask the truly philosophical nature of this piece. The challenge of bringing such a unique work to film, then, is to maintain the originals innocence and simplicity while expanding it to the level that can fill a screen. Michael Ritchie, helped along by the the original writer, has managed to do just that, making a piece that is expansive and beautiful, yet siginificantly more simplified that the original. This process was more evolutionary, than revolutionary, however, since the film production bears a tremendous similarity to the author's revised version toured the country starring Robert Goulet as El Gallo. For the Fantastiks purist, however, all is not lost, but available for viewing on the Bonus materials of the DVD. As with most films, looking at these "outtakes" shows how the thought process of editing brings about a better film. I will admit, however, that this film is an aquired taste, and those who have a pre-disposition to hating musicals should avoid it at all costs. I also fault the producers, somewhat, at their selection of Brad Sullivan as Hucklebee -- his portrayal is too gruff to be the father of Doe-eyed Matt and stands in too stark a contrast from the tone of the rest of the characters. Despite this small flaw, I find the film enchanting as ever and it helps to keep in mind that love is sweeter when it is earned.

My Nominee for worst movie musical of all time.
A complete and utter stinker. Totally lacking in charm. This show has only one good song: Try to Remember. The other songs are the worst show tunes you will ever hear. The clue should be titles like Plant A Radish and The Rape Song. The cast is dismal. Joe McIntyre has no appeal whatsoever. Where did they dig up this guy? I hope to NEVER see him again. There really isn't a plot: two fathers pretend to have a feud so that their children will get together romantically. The children get together but immediately begin fighting. Something vague happens to them and they wind up together. Huh? Boring! It is sad to see a talented performer like Joel Grey completely wasted in a production this pathetic. The Arizona scenery is kind of nice. Avoid this one like the plague.

P. S. This one deserves NO STARS!

Good, but requires an open mind
My friend and I watched this for no other reason than to get a sense of the play because our high school was doing a production of it. We ended up getting, respectively, Matt and El Gallo and when we had our read through, we saw the many differences between the play and the movie. In many regards, the contrast is very much like "Chicago" where the concept behind a very simplistic show was given a new aspect (in Chicago, the little dream sequences, and in this the carnival bit) in order to make the film work. Similar to "Chicago" (which I enjoyed, but remain a much bigger fan of the stage show), the movie works in a way that is different than what makes the play work. Outside of Joel Grey (I highly recommend listening to his performance of Amos Hart in the revival album of "Chicago" - I never want to hear anyone else sing "Mr. Cellophane"...ok, I did it once, but that's beside the point) who is just outstanding in anything he does and Jonathon Morris who made me want the role of El Gallo a thousand times more than I already had, I was not impressed with the cast. Honestly, I didn't care at all about the Matt or Luisa, and Hucklebee and Henry were majorly underacted. However, I also wasn't too impressed with Queen Latifah or John C. Reilly in "Chicago". I do think that this is a very interesting experience, and I actually recommend it, however one must bear in mind that this is not at all the stage version.

The kind of September, when grass was green...
This film version of the wildly popular musical was very nearly scrapped, but the intervention of Francis Ford Coppola gave it a limited release on the big screen followed by the video release. Is it any good? Well, yes and no.

The plot concerns the machinations of two next door neighbors who pretend to have a feud in the hopes that their children will fall in love (the lure forbidden fruit and all that). They enlist the help of a strange traveling circus to aid them in their plan. The first half of the movie is quite decent and somewhat sweet, and I enjoyed it very much. And then, for some reason, the movie completely derails, gets flat out bizarre (and earns its PG rating) before ending on a weird note.

If you are a die-hard fan of the original musical you will probably hate this movie, because the music has been basically butchered. The performances range from good (Joel Grey) to lame (Joe McIntyre) to inexplicable (Vegas magician Teller). But then there is Jonathan Morris. I've never seen him in anything else, but he has an incredible, mesmerizing presence. The script changes his character completely halfway through the film, which is annoying, but his performance continues to stay with me, especially his gentle rendition of "Try to Remember" (which, despite being the most famous song in the musical, is given about one minute of screen time. Grrr.). He made the movie worth seeing (once) for me, but all others beware.

It's really too bad; there was great potential here but the filmmakers muffed it. Maybe they'll try again someday, but until then you can check out the original Broadway soundtrack to see what all the fuss was about in the first place. I give this film version 2.5 stars, which I rounded down to two. Morris is really the only reason to catch this one.

Movie Grade: C/C- ... Read more