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| 1. The Invisible Maniac Director: Adam Rifkin | |
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(price subject to change: see help) Asin: 6301736370 Catlog: Video Sales Rank: 26867 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (7)
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| 2. The Dark Backward Director: Adam Rifkin | |
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Reviews (19)
Marty Malt (Judd Nelson) is the worst stand-up comic in the entire world. He is equally terrible at his day job, a garbage collector. It seems that Marty is not destined for stardom ... until one day something strange happens that changes his life forever. His accordian playing, garbage-collecting co-worker, Gus (Bill Paxton), notices a lump growing out of Marty's back while they are doing the rounds. This odd growth is diagnosed by the disturbingly incompetent Doctor Scurvey (James Caan) as a third arm. What would normally be an embarrassingly freakish human deformity, turns out to be Marty's comedic calling. Before, Gus was his sole fan; now he has a mass following. Enter the slimy Dirk Delta (Rob Lowe), who offers Marty the chance of Holywood stardom. So begins a successful career in comedy ... ? Seemingly straight out of a Ray Bradbury short tale, Rifkin's film is furnished with carnivalesque characters. You will be astounded and revolted by characters like 'the fat woman', 'the muscle man', and 'the human xylophones'. Rob Lowe is unrecognizable in his role as slick Hollywood bigwig (a role he would later reprise in 'Wayne's World' and 'Tommy Boy'). James Caan is frighteningly brilliant as Dr. Scurvey, and leading man, Judd Nelson, puts in his best performance since 'St. Elmo's Fire' and 'The Breakfast Club' (look out for Judd's oddball cameo in Rifkin's 'Never on a Tuesday'). 'The Dark Backwards' is arguably Rifkin's best film, not having directed anything since to equal it. It is certainly his strangest movie since 'Never on a Tuesday'. If you are a fan of cult movie directors like David Lynch and John Waters, check this film out. If you are afraid of zombies, freaks, midgets and men with three arms I suggest you look elsewhere. Cast: Judd Nelson, Bill Paxton, Rob Lowe, James Caan, Lara Flynn Boyle, Wayne Newton, et al
Marty and Gus work as Trash Collectors during the day, and while working Gus spies a lump on Marty's back, like a boil. Marty goes to visit Dr. Scurvy, outlandishly played by James Caan, who puts a band-aid over it and charges Marty $200.00. Gus manages to bring talent scout Jackie Chrome (played by Wayne Newton) in to hear Marty's routine, and Jackie walks out on it, telling Gus that Marty is the worst comedian he has ever heard. Marty is crushed but Gus keeps his good spirits about it all. Marty's "lump" grows some more, and Gus discovers he now has a hand growing out of his back, like a baby's hand. When Marty goes to see Dr. Scurvy again, Dr. Scurvy again places a band-aid over the baby hand and accuses Marty of "picking at it". Marty's waitress girlfriend, Rosarita, played by Laura Flynn Boyle, leaves him because she can't date a man with a three hands. The hand grows into a full sized arm, and Jackie Chrome winds out taking on Marty as a client, turning him into Desi The Three Armed Wonder Comedian. Gus joins up as a sidekick to play his accordion inbetween Marty's terrible jokes. Watch for Rob Lowe to show up in a cameo role as Hollywood Bigwig Dirk Delta. This is a tongue in cheek, very dark comedy with scenes of pure grossness. The entire background of the film is seedy, filthy, and nauseating. From the grimy offices of Dr. Scurvy to Marty's mother's apartment where he clips her toenails while she chainsmokes though on oxygen, to the trash filled streets they are supposed to be cleaning, to the seedy bars and lounges, it is plain that there is a great amount of detail focused onto the overall atmosphere of the film, setting the perfect mood for the plot. Pay attention! All throughout the movie we see the omnipresent Blump's, a company so encompassing that it owns the garbage company Gus and Marty work for, and also manufactures such delicacies as Liquid Bacon. Go ahead and make the connection, I did. Gus is the grossest imaginable character, even finding an old lunch pail in the landfill, opening it up, and eating the sandwich that was inside. Gus will eat anything. Also not to be missed is Marjorie Zipp and the Human Xylophone as they audition in Jackie Chrome's office. There are some hilarious twists in the plot, and an ironic ending, and some amazingly good acting throughout from this stellar cast. The overall filth of the atmosphere and the disgusting physical and mental attributes of the characters make for one bizarre flick. Very funny movie, but only for those with sick and twisted funny bones. I wish it was available on DVD. Enjoy!
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| 3. The Chase Director: Adam Rifkin | |
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Reviews (24)
There are a number of great cameos in the film, including Chili Peppers Anthony Kiedis and Flea, along with Cary Ewes. But the best thing about this movie are the two bonehead cops, played brilliantly by Josh Mostel and Henry Rollins, who's got the best lines in the film As a comedy its alternately funny and silly, but definitely worth a rental. At just about 90 minutes in length, you won't be rubbing your eyes or your ribs, but you could do much worse.
As it turns out, midway through the freeway car chase, Hammond was found guilty of a crime that he didn't commit. And he does anything and everything to keep from getting caught. The movie does provide for a few satisfactory surprises, but for the most part you'll know what's going to happen. And while all this is going on--the fighting between Hammond and Natalie Voss (Swanson)--they begin to fall in love. And if you think that sounds impractical or just plain stupid, you're right. But you have to realize: without the cheap love you really have no movie. So you must look beyond the sometimes too-fake plot in order to enjoy the movie. As you can imagine, you'll find yourself saying "yeah right" during certain parts of the movie. And the 'sex' scene (if you want to call it that) is so horrible you will laugh out loud. I won't spoil the fun for you, though. All in all, 'The Chase' is a pretty average film with no plotline. But on a brighter note, the cast is very diverse. Aside from Sheen and Swanson, you have Henry Rollins (singer of Rollins' Band) and Josh Mostel (who you may remember from smaller parts in 'Big Daddy' and 'Billy Madison'); both of which who play the cops following the car. Also, there's Red Hot Chili Peppers' Flea and Anthony Kiedis. 'The Chase' is a decent movie, one that may go overlooked. But if you enjoy Charlie Sheen's work, or have always been intrigued by those infamous high-speed chases, you will enjoy this movie. It got 3 stars from me because there's really no plot and it's mostly unoriginal. Yet 3 stars still makes a movie worth seeing; and you should look into this one.
The Soundtrack is as follows: 1. Breakdown - One Dove
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| 4. Detroit Rock City Director: Adam Rifkin | |
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Reviews (114)
The script has a good story, but the dialogue is mediocre most of the time. Having the script polished up by a veteran writer would have made this a fantastic movie. There's not enough character development and too many predictible "Oops-there's-another-easily-avoided-circumstance-bound-to-cause-our-heroes-problems" scenarios. Of course, these circumstances are the basis for the whole movie, but they could have been made a bit more plausible. The "bad guys" - notably the anti-Kiss mother, twisted schoolmaster and Catholic priest - are cardboard cutouts of the worst possible stereotypes and are almost impossible to watch. Growing up amidst the hieght of the anti-Kiss crusade, I'll be the first to admit there were some pretty strange folks out there picketing concerts. But they were more frightening than funny. Now the good stuff. The boys are funny. Their exploits - no matter how stupid - are pretty humorous. The scene with our heroes practicing as a Kiss copy band in the basement will certainly tug at the hearts and minds of any Kiss fan. How many guitars have been purchased and played by no-talent fans just because of Ace Frehley? These guys exemplify that spirit in a wonderfully entertaining manner. The accuracy of the period references is another thing that really "makes" this film. From the opening scene where mom is sifting through vinyl (!) recordings of Manilow, the Carpenters, etc., the film is full of tidbits all too familiar to those of us who grew up in the seventies. My personal favorite is the gold Trans-am full of decked-out disco enthusiasts driving down the highway singing and "acting" to David Naughton's tragic "Makin' It." I laughed out loud and any chiold of the 70's will too. The final scene, wherein the boys get into the show (hardly a spoiler here) is good if only for the accuracy of the Love Gun stage show. A great deal of attention to detail obviously went into this scene and it pays off. And Peter Criss actually gets a dramatic moment elusive to his bandmates for a change! The DVD is worth getting for Kiss fans mainly because there's a multi-angle version of the song "Detroit Rock City" in the "Cutting Room" section of special features. With fire-breathing, smoking guitars, and the whole bit compressed into one song, this one special feature does in three minutes what the poorly edited "Kiss Symphony" DVD was unable to do in two hours - capture the magic of a Kiss show from the fans' point of view. Three stars - one for the special feature multi-angle song, one for capturing the true spirit of the average Kiss fan, one for the tasty pop-culture references.
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| 5. Something About Sex (aka "Denial") Director: Adam Rifkin | |
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Reviews (9)
I`m only discussing one of the couples, Issacc and Claudia because of Hudson's involvement. Issacc cheats on his wife with various women. In the story we see Eve(Shawnee Free-Jones) a young college girl who he has sex with and believes all his lies and Deborah(HUDSON LEICK) who he and Joel meet at a hockey game. Claudia also cheats on Issacc with Art. She tells him that she and her husband have an agreement on to never ask questions. So when Art meets Issac he gets nervous around him and Issacc asks Claudia why he got psycho, all she does is smile. So he asks her did she sleep with him and she said remember our agreement, so he stops and thinks about his affairs and doesn`t say boo. And they start to play wrestle in bed. In Hudson's performance she plays Deborah. At the hockey game Issac says to Joel that women can't seperate the difference between sex and love. To them it's all the same, but men can seperate the difference. So Deborah, Hudson's character, overhears it and says that it isn`t true. A woman can have a one night stand and forget about it. Also, she tells him that every female he had sex with isn't sitting at home by the phone waiting for him to call. But infact Eve is doing that. Here it shows you that some women are like what Issac said and some women are like what Deborah said. Hence they are both right and both wrong. The next scene of Hudson is that she is in bed with Issac(her first nude scene to best of my knowledge). Issac is trying to feed her the lines he fed Eve and Deborah doesn`t buy it. Deborah tells him to shut up and go back to the sexual intercourse. Overall the movie tried to give a reasonable explaination of what happens in marriages, but it doesn't tell enough. What it does tell is true in some relationships, if not all. The movie to a certain extent can be used as a documentary on the way people interact in mid to late 1990`s. What it lacks is that it isn't diverse enough and it was too positive. At the end there are some marriages that end like that, but many more are different.
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| 6. Never on Tuesday Director: Adam Rifkin | |
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(price subject to change: see help) Asin: 6301415191 Catlog: Video Sales Rank: 12910 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (3)
'Never on a Tuesday' is directed by cult icon, Adam Rifkin (The Dark Backward, The Chase, Detroit Rock City). There is a wealth of talent here, especially the hilarious cameos, whose roles I would like to have seen extended: Charlie Sheen (Thief), Emilio Estevez and Cary Elwes (Tow truck drivers), Nicholas Cage (Guy in sports car), and Judd Nelson (Motorcycle cop). In fact, the film is worth viewing solely for these short segments. A funny, sometimes insightful film, packed with outlandish characters, 'Never on a Tuesday' puts a whole new slant on the theme of being stranded.
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| 7. Welcome to Hollywood Director: Tony Markes, Adam Rifkin | |
![]() | list price: $106.99
(price subject to change: see help) Asin: B00004WIC3 Catlog: Video Sales Rank: 38946 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (3)
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| 8. Psycho Cop 2 Director: Adam Rifkin | |
![]() | list price: $89.99
(price subject to change: see help) Asin: 6303139140 Catlog: Video Sales Rank: 54279 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (3)
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| 9. Something About Sex Director: Adam Rifkin | |
![]() | list price: $9.98
(price subject to change: see help) Asin: 630574727X Catlog: Video Sales Rank: 60159 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (9)
I`m only discussing one of the couples, Issacc and Claudia because of Hudson's involvement. Issacc cheats on his wife with various women. In the story we see Eve(Shawnee Free-Jones) a young college girl who he has sex with and believes all his lies and Deborah(HUDSON LEICK) who he and Joel meet at a hockey game. Claudia also cheats on Issacc with Art. She tells him that she and her husband have an agreement on to never ask questions. So when Art meets Issac he gets nervous around him and Issacc asks Claudia why he got psycho, all she does is smile. So he asks her did she sleep with him and she said remember our agreement, so he stops and thinks about his affairs and doesn`t say boo. And they start to play wrestle in bed. In Hudson's performance she plays Deborah. At the hockey game Issac says to Joel that women can't seperate the difference between sex and love. To them it's all the same, but men can seperate the difference. So Deborah, Hudson's character, overhears it and says that it isn`t true. A woman can have a one night stand and forget about it. Also, she tells him that every female he had sex with isn't sitting at home by the phone waiting for him to call. But infact Eve is doing that. Here it shows you that some women are like what Issac said and some women are like what Deborah said. Hence they are both right and both wrong. The next scene of Hudson is that she is in bed with Issac(her first nude scene to best of my knowledge). Issac is trying to feed her the lines he fed Eve and Deborah doesn`t buy it. Deborah tells him to shut up and go back to the sexual intercourse. Overall the movie tried to give a reasonable explaination of what happens in marriages, but it doesn't tell enough. What it does tell is true in some relationships, if not all. The movie to a certain extent can be used as a documentary on the way people interact in mid to late 1990`s. What it lacks is that it isn't diverse enough and it was too positive. At the end there are some marriages that end like that, but many more are different.
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| 10. Detroit Rock City Director: Adam Rifkin | |
![]() | list price: $9.94
our price: $9.94 (price subject to change: see help) Asin: 0780628519 Catlog: Video Sales Rank: 66013 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (114)
The script has a good story, but the dialogue is mediocre most of the time. Having the script polished up by a veteran writer would have made this a fantastic movie. There's not enough character development and too many predictible "Oops-there's-another-easily-avoided-circumstance-bound-to-cause-our-heroes-problems" scenarios. Of course, these circumstances are the basis for the whole movie, but they could have been made a bit more plausible. The "bad guys" - notably the anti-Kiss mother, twisted schoolmaster and Catholic priest - are cardboard cutouts of the worst possible stereotypes and are almost impossible to watch. Growing up amidst the hieght of the anti-Kiss crusade, I'll be the first to admit there were some pretty strange folks out there picketing concerts. But they were more frightening than funny. Now the good stuff. The boys are funny. Their exploits - no matter how stupid - are pretty humorous. The scene with our heroes practicing as a Kiss copy band in the basement will certainly tug at the hearts and minds of any Kiss fan. How many guitars have been purchased and played by no-talent fans just because of Ace Frehley? These guys exemplify that spirit in a wonderfully entertaining manner. The accuracy of the period references is another thing that really "makes" this film. From the opening scene where mom is sifting through vinyl (!) recordings of Manilow, the Carpenters, etc., the film is full of tidbits all too familiar to those of us who grew up in the seventies. My personal favorite is the gold Trans-am full of decked-out disco enthusiasts driving down the highway singing and "acting" to David Naughton's tragic "Makin' It." I laughed out loud and any chiold of the 70's will too. The final scene, wherein the boys get into the show (hardly a spoiler here) is good if only for the accuracy of the Love Gun stage show. A great deal of attention to detail obviously went into this scene and it pays off. And Peter Criss actually gets a dramatic moment elusive to his bandmates for a change! The DVD is worth getting for Kiss fans mainly because there's a multi-angle version of the song "Detroit Rock City" in the "Cutting Room" section of special features. With fire-breathing, smoking guitars, and the whole bit compressed into one song, this one special feature does in three minutes what the poorly edited "Kiss Symphony" DVD was unable to do in two hours - capture the magic of a Kiss show from the fans' point of view. Three stars - one for the special feature multi-angle song, one for capturing the true spirit of the average Kiss fan, one for the tasty pop-culture references.
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| 11. Welcome to Hollywood Director: Tony Markes, Adam Rifkin | |
![]() | list price: $106.99
(price subject to change: see help) Asin: B00004WIC5 Catlog: Video Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (3)
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| 12. Tale of Two Sisters Director: Adam Rifkin | |
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Reviews (2)
You'll find plenty that doesn't make the least bit of sense, and even more that looks like it was only added for "art" value. Much of the film will not make any sense unless you watch the film twice, which I gaurantee isn't something you'll be wanting to do after sitting throught it once. On top of that, because the narrative is so disjointed, and the editing so choppy, you can't fast-forward through the odder parts. Fans of this kind of cinema have supported Peter Greenaway for years, and if you like Greenaway's work, you'll feel quite at home with the efforts of Adam Rifkin and his "A Tale of Two Sisters". Without a linear storyline, it's difficult to describe what happens. In short, younger, poorer, and wilder sister goes to visit older, more stable, and rich sister at her luxurious L.A. condo after a six-year separation. During the visit, they squawk about The Past. Their Mother, a weird cross between Divine, Tammy Faye Bakker, and Dolly Parton, is a destructive and overbearing monster as the girls flash back to childhood events. Their Father is weak and emasculated, and the end result is that younger sister becomes the Rebel and older sister becomes the Stable One. Part of the problem with the film is that you never know just what Rifkin is trying to say, which is the inherent danger with this type of loosely-structured narrative. Without anything to tie the scenes together, you're left with a bunch of artsy camera work and actors struggling to make up what their characters are suppossed to say. Greenaway has this down to a science, so much so that you can tell that he adds weird stuff just to BE weird (I've always suspected Greenaway is having a big laugh on the pretentious art crowd by adding bits of pointless stuff to his films, knowing they'll go nuts trying to figure it out and put "meaning" into it all). Unfortunately, Rifkin is not in the same league as Greenaway, and this film may be why he drifted into more mainstream projects after this one. Besides Claudia Christian of "Babylon 5" fame, "Taxi" alum (and later "B5" alum), Jeff Conaway has a bit part as (what else?), a taxi driver. The only other familiar name in the cast is that of Charlie Sheen, who narrates with his "poetry". Want a sample? "They used to call me Wheezy/ Now they call me Moe./ Busted liver, three-pronged freebase device/ My chin, she is on fire!/ The erosion was fast, the lectures were not./ He pondered high atop the mountain of fig newtons..." Want another? How about this one? "Black and blue skidmark lunchbox drools pasta prima./ Frozen bacon pie suffering from the the heat cries out in salted pork./ FREEZE FRAME!/ Mom and Dad are trying to think, we hope..." This gives you an idea how the film is set up, because Sheen's "poetry" compliments it perfectly. If you sit through it twice, you will only then be able to understand that the tripe Sheen is babbling is somewhat related to the storyline of the film (such as it is). Otherwise, it's pointless, and I think Sheen was just there for name value. And if you think you have a pretentious, bad movie on your hands that's just right for your own MST3k party, forget it! Strangely enough, the film's own disjointed structure (which makes the film almost unviewable for most filmgoers), innoculates it from MSTie-ing. This is too bad, because the characters are just begging for it. For God's sake, there's even a mime! In all fairness, this type of work is for the ultra-serious film buff or "artiste", not the average person. The actors do their best, and the cinematography rocks. I have to give it three stars for that, plus that fact that this is an indie, non-Hollywood effort. There is a place for this kind of cinema, but it is better left to art classes and pretentious art bars in Greenwich Village.
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| 13. Chase Director: Adam Rifkin | |
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our price: $9.98 (price subject to change: see help) Asin: 6304801300 Catlog: Video Sales Rank: 101416 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (1)
The Soundtrack is as follows: 1. Breakdown - One Dove | |
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