Reviews (11)

ONE OF THE BEST DOCUMENTARIES OF ALL-TIME.
"Olympia" is a documentary with innovative film techniques, despite the fact that it's over 65 years old, it's easy to recognize the influence that "Olympia" had not only in the documentary genre, but in the movies and TV transmissions as well.

The opening scene could be considered as an art film scene because it has many camera angles, slow motion, beautiful photography and background music. After this scene, the narration of the 1936 Olympic Games begins, and it's impressive to see how many swastikas were at sight in the games, it's in flags and in the uniforms of the german athletes.

One might think that the athletes in 1936 were very inferior to the current athletes, but "Olympia" shows how great those athletes were, in most of the disciplines they look as impressive as the current athletes. The use of different camera speeds and angles, can make you feel very close to the athletes. You can see their effort and competitive spirit thanks to the excellent use of the cameras.

Definitely "Olympia" is one of the best documentaries ever made. Absolutely recommendable.

landmark film
This is a landmark in sports documentary films. It is over-long for today's taste (115 mins) - one tires of watching the heats of the decathlon - but this is balanced by many superb moments.

Unfortunately the version available here omits many of the classic sequences mentioned in reviews and monographs. The arrival of the Olympic torch in Berlin and its stunning entrance into the stadium is nowhere to be seen. Neither is the footage of the Hindenburg airship passing over the stadium during the opening ceremony.

It seems to me that the source film print used for this video has been tampered with, and many of the key sequences removed, perhaps by a selfish individual for personal use at some point during the history of the print. These sequences certainly wouldn't have been removed by a competent editor familiar with the full original version.

"Olympia: Oh how film becomes reality!" by RexCurry.net
This is a show stopper. Olympia (1938) is from Leni Riefenstahl, and also see Triumph of the Will (1935). In fact you should view these four films also: the American "Ben-Hur" (1907), the Italian "Nerone" (1908), "Spartaco" (1914), and "Cabiria" (1914). Those films were the origin of the "Roman salute" myth because these films show examples of a straight-arm salute.

The "Roman salute" myth is the myth that the straight-arm salute was an ancient Roman custom, later borrowed by Mussolini and the National Socialist German Workers' Party. The myth arose because of the made-up Hollywood-style portrayals in those films. Those films are notable also because they led to the historic discovery by the journalist and historian Rex Curry that the U.S. Pledge of Allegiance was the origin of the salute of the monstrous National Socialist German Workers' Party (Nazi Party).

The "Roman Salute" myth grew because the viewing public forgot that the U.S. Pledge of Allegiance originally used the straight-arm salute. The creator of the U.S. Pledge of Allegiance was a National Socialist in the U.S. (Francis Bellamy). The salute is not in any Roman art or text.

Dr. Martin Winkler of the American Philological Association has written that in imitation of such films, self-styled Italian "Consul" Gabriele D 'Annunzio borrowed the salute as a propaganda tool for his political ambitions upon his occupation of Fiume in 1919. Earlier, D'Annunzio had worked with Giovanni Pastrone in his colossal epic Cabiria (1914). Mussolini worked with D'Annunzio. Even so, evidence shows that the National Socialist German Workers' Party officially adopted the salute before Mussolini did, not vice versa. For example, "Triumph of Will" is in 1935 and Carmine Gallone's film "Scipione l'Africano" uses the raised-arm salute as one of its chief visual means to turn Mussolini into a new Scipio.

Dr. Winkler didn't know about the original U.S. flag salute (1892) that inspired the films, and that the National Socialist German Workers' Party was inspired by the films and by the Pledge of Allegiance. The U.S. changed the salute during WWII.

Bud Greenspan and Reifenstahl
Bud Greenspan, the Olympic documentary-maker, called this movie one of his great inspirations. "Olympia" is in the same vein as Greenspan's films, but far better. The triple jump scene is the greatest treatment of the event I have ever seen.

Greenspan said that when he was in West Germany premeiring his 1964 film "Jesse Owens Returns to Berlin", Owens called Reifenstahl the woman who made him famous, thanked her, and called her up on stage. The audience was dumbfounded and did not know how to respond until Owens' wife began a standing ovation. Such was the attitude towards Reifenstahl: the Germans knew she was a national treasure, yet they were very uncomfortable with some of the things she put on film.

Coming of Age
Leni Riefenstahl will soon turn 100 years and is not forgotten by those who love filmmaking. She carries the stigma of being the most celebrated filmmaker of the Nazi regime but this doesnt obscure her merits. She never belonged to the party and was always candid about politics. "My films are aesthetic not ideological", she once said. She was a wholesome artist.
In this movie she stood against Goebbels, who wanted Jesse Owens performance deleted from the film, and won. She went to Hitler himself with her refusal and got away with it.
In this historical document of the Berlin Olympic games she employed 150 collaborators and even invented a catapult-camera. She made many films but this is her finest and although it can be purchased in VHS it should be released in DVD, specially now that the lady turns 100. ... Read more

Reviews (3)

Wonderful follow-up to Part One.
Not as perfect as Part One...but close. Extraordinary footage, especially given the time and circumstances surrounding its filming. Riefenstahl is a master (mistress?!) of her craft and the spirit of athleticism is wonderfully captured. A must-have for your video library.

The photography lures you, action holds you.
I can not speak for other versions for this is the one I saw. As you can see from the front cover that this film has been digitally remastered under the supervision of Leni Riefenstahl.

By now watching the first tape, "Festival of the nation" spoiled you. Again this film starts out with the ideal and surrounded by Leni's signature clouds. List is leading you to "field hockey, soccer bicycling, equestrian, aquatic and gymnastic events. Highlights are the Pentathlon and the Decathlon." Remember that some countries were still using horses in the military.

It may be unique reasons that brought you to this point such as Leni or photography, or interest in history, or, or, or. But once the action starts you feel that you are there and get lost in the "who will win what and how. " Even being aware of the outcome does not prepare you to "not bite your nails" as you watch each athlete barley besting the next until it is over too soon. I noticed that instead of placing medals over the winners, they used laurel wreaths.

Any way you cut it, this movie is worth watching.

Olympiad: Part I and II
The quality of the transfer from film to tape is not the best but still very viewable. Seems to contain all the footage of the original version. Does not single/freeze frame well on my VCR, making analysis of technique difficult. Event coverage of track and field events is very good, with the flow of the competition preserved, especially in the field events. ... Read more

Amazon.com essential video

Triumph of the Will is one of the most important films ever made.Not because it documents evil--more watchable examples are being made today. And not as a historical example of blind propaganda--those (much shorter) movies are merely laughable now. No, Riefenstahl's masterpiece--and it is a masterpiece, politics aside--combines the strengths of documentary and propaganda into a single, overwhelmingly powerful visual force.

Riefenstahl was hired by the Reich to create an eternal record of the 1934 rally at Nuremberg, and that's exactly what she does. You might not become a Nazi after watching her film, but you will understand too clearly how Germany fell under Hitler's spell. The early crowd scenes remind one of nothing so much as Beatles concert footage (if only their fans were so well behaved!).

Like the fascists it monumentalizes, Triumph of the Will overlooks its own weaknesses--at nearly two hours, the speeches tend to drone on, and the repeated visual motifs are a little over-hypnotic, especially for modern viewers. But the occasional iconic vista (banners lining the streets of Nuremberg, Hitler parting a sea of 200,000 party members standing at attention) will electrify anyone into wakefulness. --Grant Balfour ... Read more

Reviews (89)

Great Historical Film
...He is correct in saying the film is great for history buffs and that is what I am (BA-Hist). This film depicts history. It is an inside look at Nazi Germany. Turn off the lights when you watch it and you will think you have a front row seat at a Nuremburg rally. It may have been produced as propaganda but what it is now is nothing short of historical documentation, regardless of how the images were woven together.

It has great footage and shows all of the regular Nazi Nuts and ones you have never seen or heard before. I loved being able to listen to them in German with subtitles instead of having a narrator. You can have that too. I bought the Special Edition DVD. The quality of this black and white film is the best I have ever seen. Special features include English subtitles and voice-over narration (all optional).

Leni did not hire Industrial Light and Magic to insert millions of regimented Nazi followers. They are the real thing. The Nazi movement clearly stirred nationalistic fervor. You cannot deny the images. They speak for themselves. The German people were caught up in a movement of incredible proportions and this movie shows you what it was like in the early years of the Third Reich. Germans killed millions and millions of Germans died in WW II. This movie will give you a very good idea of what the Allied forces were fighting against.

A most valuable historical record
It's easy to see how this now famous (or infamous) 1934 film by Leni Riefenstal could have helped reinforce Hitler's already dizzying domination of the German psyche. For our own time, it helps reveal the human complexity of the Nazi phenomenon - so much more than just a march of crazed fanatics, as it's often stereotyped today. Triumph of the Will is particularly relevant to current politics - the Austrian controversy, as well as the continued importance of various dictators who still garner so much of the media spotlight.

Sadly, the near-sightedness of the Nazi mentality and its contradictory nature were already glaringly apparent at the time the movie was shot. Hitler's frenzied admonitions to value "peace" but at the same time to cultivate "courage", bristle with contradiction and hypocrisy. Brief allusions to racial purity and clear-cut moral rectitude are darkly ominous, as are the reiterated pledges of allegiance to Hitler , the man. It's instructive to compare Nazi rhetoric with much of today's political hype. Though, as many others have pointed out, nobody else has done it with quite the same elan. Sad to think that had they watched their own film with a more discerning eye, they might have seen what we see.

From an artistic standpoint, I can appreciate why it's cited as one of the most accomplished of all propagandist vehicles. Nazi shortcomings notwithstanding, the film is stunning. Riefenstahl's contribution is self-evident - even if she didn't direct the action herself, she captured and organized it admirably. But for all that, it is still the action which is most spellbinding. The gripping facial expressions, the charismatic speeches, the thundering shouts of allegiance, the enormous scale and choreography - all of this actually took place! Combine that with historical perspective - knowing what all of it would lead to - and the movie acquires a distincively haunting quality.

I not only recommend this film to others, I strongly advise it. It captures the very essence of social fanaticism. Many will instinctively feel its primitive appeal, and then, after putting it into perspective, recognize its inherent madness. Watching this movie, appreciating the feelings it evokes and reflecting on what it all means, will make the viewer a better person.

This Special Edition is good as it gets.
The Synapse DVD Special Edition surpassed all expectations. I had Triumph of the Will on video prior to obtaining this DVD and the video's visual and audio quality was poor. By contrast, this DVD is visually very crisp and sharp and the audio quality is fine The DVD appears to be produced from an excellent original film print. I've seen another DVD of TOTW produced by different company, and its quality was the same as the video version :substandard. Make sure you get the Synapse version. This Special Edition is good as it gets.

A GREAT LOOK AT WHAT MODERN USA HAS BECOME
THIS FILM GIVES A GREAT INSIDE LOOK AT HOW THE NOW MODERN USA OPERATES IN ITS POLITICS UNDER GEORGE W BUSH. WHO IS ALOMOST A CLONE OF HITLER. I RECCOMEND THIS FILM TO ANY BUSH SUPPORTER JUST FOR THEM TO SEE HOW ALIKE BUSH AND HITLER REALLY ARE.

An Influential Masterpiece of Cinematic Propaganda
Riefenstahl's documentary made for Adolf Hitler and the NAZI party in the early 1930's. The documentary primarily covers the Nuremburg rallies and the activities that surrounded these events. Again, this is a propaganda film and was designed to stir popular sentiment and political empathy for the infamous political party.

If one understands the socio-political climate of Germany in the late 1920s and early 1930s, one can clearly see what sentiments the film seeks to evoke and hence recognize its significance and brilliant execution. For example, Germany was in a state of shambles because of the global economic depression and many Germans feared an inevitable collapse to anarchy or Bolshevism. The opening scene starts with a Wagnerian piece and shows Hitler in a plane peering down from high above the clouds as he arrives for the rally. The scene sought to reassure a worried public that The Fuhrer was omnipotent, omniscient, and was coming down from the heavens to save a troubled nation in a godlike fashion. When he arrives at the stadium, Hitler is shown walking with his SA escort out of the crowd and towards the podium instead from behind the podium to look down at the crowd; this was to instill the notion that Hitler wasn't just another Berlin bureaucrat from the old failed Weimar Republic coming to talk down to a broken people; it was done to evoke the sense that he was a man of the people for the peole: selflessly arising out of a worried crowd of fellow Germans to lead them to a better and safer future. This particular scene was so influential in film that George Lucas adapted it (and many other scenes) for the closing scene to the original Star Wars when Luke, Han, and Chewy are decorated by Lea. Other scenes of happy German blonde and blue-eyed youths or common laborers performing paramilitary/social tasks were intended to evoke a proud sense of unity, purpose, and safety amongst all true German "volk" in these troubled times. In the background, the narrative voice recites how all German women should should bear many children for the Fatherland; how men should unite for the Fatherland and not Godless Bolshevism; how youths should work to better their nation; etc., etc.

The mass communication techniques of Riefenstahl and Goebbels are still used today by virtually every modern government and media firm. This film is important not only as a histiorical tool in understanding the rise of Nazism and the dynamics of facism, it is a very important landmark in the development of film, mass entertainment and mass communication in general. I strongly believe that every person who seeks to better understand their world and media see this film at least once and study it. ... Read more

Description

Controversial director Leni Riefenstahl, whose Triumph of the Willchronicled the infamous Nuremberg Rally, was commissioned by the Olympic Committee to document the 1936 Berlin Olympiad.Released in April, 1938, after 18 months of editing, Riefenstahl's impressive two-part record of the event was instantly recognized as a masterpiece of photography and sound.Nevertheless, Olympia was shunned by Hollywood--many considered it a hymn to Hitler's beliefs.Undimmed by the passing years, Olympia survives as a majestic celebration of the grandeur of the human body and spirit.Olympia I: Festival of the Nation includes the lighting of the torch at the stadium, track and field events, and the marathon.Adolf Hitler looks on in amazement as American sprint star Jesse Owens wins an unprecedented four Gold Medals. ... Read more

Reviews (11)

ONE OF THE BEST DOCUMENTARIES OF ALL-TIME.
"Olympia" is a documentary with innovative film techniques, despite the fact that it's over 65 years old, it's easy to recognize the influence that "Olympia" had not only in the documentary genre, but in the movies and TV transmissions as well.

The opening scene could be considered as an art film scene because it has many camera angles, slow motion, beautiful photography and background music. After this scene, the narration of the 1936 Olympic Games begins, and it's impressive to see how many swastikas were at sight in the games, it's in flags and in the uniforms of the german athletes.

One might think that the athletes in 1936 were very inferior to the current athletes, but "Olympia" shows how great those athletes were, in most of the disciplines they look as impressive as the current athletes. The use of different camera speeds and angles, can make you feel very close to the athletes. You can see their effort and competitive spirit thanks to the excellent use of the cameras.

Definitely "Olympia" is one of the best documentaries ever made. Absolutely recommendable.

landmark film
This is a landmark in sports documentary films. It is over-long for today's taste (115 mins) - one tires of watching the heats of the decathlon - but this is balanced by many superb moments.

Unfortunately the version available here omits many of the classic sequences mentioned in reviews and monographs. The arrival of the Olympic torch in Berlin and its stunning entrance into the stadium is nowhere to be seen. Neither is the footage of the Hindenburg airship passing over the stadium during the opening ceremony.

It seems to me that the source film print used for this video has been tampered with, and many of the key sequences removed, perhaps by a selfish individual for personal use at some point during the history of the print. These sequences certainly wouldn't have been removed by a competent editor familiar with the full original version.

"Olympia: Oh how film becomes reality!" by RexCurry.net
This is a show stopper. Olympia (1938) is from Leni Riefenstahl, and also see Triumph of the Will (1935). In fact you should view these four films also: the American "Ben-Hur" (1907), the Italian "Nerone" (1908), "Spartaco" (1914), and "Cabiria" (1914). Those films were the origin of the "Roman salute" myth because these films show examples of a straight-arm salute.

The "Roman salute" myth is the myth that the straight-arm salute was an ancient Roman custom, later borrowed by Mussolini and the National Socialist German Workers' Party. The myth arose because of the made-up Hollywood-style portrayals in those films. Those films are notable also because they led to the historic discovery by the journalist and historian Rex Curry that the U.S. Pledge of Allegiance was the origin of the salute of the monstrous National Socialist German Workers' Party (Nazi Party).

The "Roman Salute" myth grew because the viewing public forgot that the U.S. Pledge of Allegiance originally used the straight-arm salute. The creator of the U.S. Pledge of Allegiance was a National Socialist in the U.S. (Francis Bellamy). The salute is not in any Roman art or text.

Dr. Martin Winkler of the American Philological Association has written that in imitation of such films, self-styled Italian "Consul" Gabriele D 'Annunzio borrowed the salute as a propaganda tool for his political ambitions upon his occupation of Fiume in 1919. Earlier, D'Annunzio had worked with Giovanni Pastrone in his colossal epic Cabiria (1914). Mussolini worked with D'Annunzio. Even so, evidence shows that the National Socialist German Workers' Party officially adopted the salute before Mussolini did, not vice versa. For example, "Triumph of Will" is in 1935 and Carmine Gallone's film "Scipione l'Africano" uses the raised-arm salute as one of its chief visual means to turn Mussolini into a new Scipio.

Dr. Winkler didn't know about the original U.S. flag salute (1892) that inspired the films, and that the National Socialist German Workers' Party was inspired by the films and by the Pledge of Allegiance. The U.S. changed the salute during WWII.

Bud Greenspan and Reifenstahl
Bud Greenspan, the Olympic documentary-maker, called this movie one of his great inspirations. "Olympia" is in the same vein as Greenspan's films, but far better. The triple jump scene is the greatest treatment of the event I have ever seen.

Greenspan said that when he was in West Germany premeiring his 1964 film "Jesse Owens Returns to Berlin", Owens called Reifenstahl the woman who made him famous, thanked her, and called her up on stage. The audience was dumbfounded and did not know how to respond until Owens' wife began a standing ovation. Such was the attitude towards Reifenstahl: the Germans knew she was a national treasure, yet they were very uncomfortable with some of the things she put on film.

Coming of Age
Leni Riefenstahl will soon turn 100 years and is not forgotten by those who love filmmaking. She carries the stigma of being the most celebrated filmmaker of the Nazi regime but this doesnt obscure her merits. She never belonged to the party and was always candid about politics. "My films are aesthetic not ideological", she once said. She was a wholesome artist.
In this movie she stood against Goebbels, who wanted Jesse Owens performance deleted from the film, and won. She went to Hitler himself with her refusal and got away with it.
In this historical document of the Berlin Olympic games she employed 150 collaborators and even invented a catapult-camera. She made many films but this is her finest and although it can be purchased in VHS it should be released in DVD, specially now that the lady turns 100. ... Read more

Amazon.com essential video

There is no other filmmaker remotely like Leni Riefenstahl, which is probably a good thing. The prodigiously gifted Riefenstahl, at Hitler's behest, transformed the 1934 Nuremberg rally into the stunning, terrifying documentary Triumph of the Will. Her next challenge was the 1936 Olympic Games in Berlin, a task she undertook with technical innovations and an unfailing aesthetic eye. The games are of historical interest; Berlin was where the black American runner Jesse Owens dominated his sport, much to Hitler's chagrin. But Riefenstahl's long film (it's often shown in two parts) is more than just a document. Olympia is also a delirious paean to movement, competition, and the human body. The diving meet becomes less a battle for medals and more a dreamlike series of shapes in mesmerizing motion. While Olympia has often been described as Riefenstahl's hymn to beauty, it is also her hymn to the possibilities of cinema, of the sheer magic of camera angle and rhythm and light. After two years of exhausting editing, the film premiered on April 20, 1938--Hitler's birthday. If only Riefenstahl had turned her back on her Führer, she might be remembered as one of the mightiest directors in film history, instead of the most notorious. As it is, Pauline Kael once described Riefenstahl's Triumph and Olympia as "the two greatest films ever directed by a woman." --Robert Horton ... Read more

Reviews (11)

ONE OF THE BEST DOCUMENTARIES OF ALL-TIME.
"Olympia" is a documentary with innovative film techniques, despite the fact that it's over 65 years old, it's easy to recognize the influence that "Olympia" had not only in the documentary genre, but in the movies and TV transmissions as well.

The opening scene could be considered as an art film scene because it has many camera angles, slow motion, beautiful photography and background music. After this scene, the narration of the 1936 Olympic Games begins, and it's impressive to see how many swastikas were at sight in the games, it's in flags and in the uniforms of the german athletes.

One might think that the athletes in 1936 were very inferior to the current athletes, but "Olympia" shows how great those athletes were, in most of the disciplines they look as impressive as the current athletes. The use of different camera speeds and angles, can make you feel very close to the athletes. You can see their effort and competitive spirit thanks to the excellent use of the cameras.

Definitely "Olympia" is one of the best documentaries ever made. Absolutely recommendable.

landmark film
This is a landmark in sports documentary films. It is over-long for today's taste (115 mins) - one tires of watching the heats of the decathlon - but this is balanced by many superb moments.

Unfortunately the version available here omits many of the classic sequences mentioned in reviews and monographs. The arrival of the Olympic torch in Berlin and its stunning entrance into the stadium is nowhere to be seen. Neither is the footage of the Hindenburg airship passing over the stadium during the opening ceremony.

It seems to me that the source film print used for this video has been tampered with, and many of the key sequences removed, perhaps by a selfish individual for personal use at some point during the history of the print. These sequences certainly wouldn't have been removed by a competent editor familiar with the full original version.

"Olympia: Oh how film becomes reality!" by RexCurry.net
This is a show stopper. Olympia (1938) is from Leni Riefenstahl, and also see Triumph of the Will (1935). In fact you should view these four films also: the American "Ben-Hur" (1907), the Italian "Nerone" (1908), "Spartaco" (1914), and "Cabiria" (1914). Those films were the origin of the "Roman salute" myth because these films show examples of a straight-arm salute.

The "Roman salute" myth is the myth that the straight-arm salute was an ancient Roman custom, later borrowed by Mussolini and the National Socialist German Workers' Party. The myth arose because of the made-up Hollywood-style portrayals in those films. Those films are notable also because they led to the historic discovery by the journalist and historian Rex Curry that the U.S. Pledge of Allegiance was the origin of the salute of the monstrous National Socialist German Workers' Party (Nazi Party).

The "Roman Salute" myth grew because the viewing public forgot that the U.S. Pledge of Allegiance originally used the straight-arm salute. The creator of the U.S. Pledge of Allegiance was a National Socialist in the U.S. (Francis Bellamy). The salute is not in any Roman art or text.

Dr. Martin Winkler of the American Philological Association has written that in imitation of such films, self-styled Italian "Consul" Gabriele D 'Annunzio borrowed the salute as a propaganda tool for his political ambitions upon his occupation of Fiume in 1919. Earlier, D'Annunzio had worked with Giovanni Pastrone in his colossal epic Cabiria (1914). Mussolini worked with D'Annunzio. Even so, evidence shows that the National Socialist German Workers' Party officially adopted the salute before Mussolini did, not vice versa. For example, "Triumph of Will" is in 1935 and Carmine Gallone's film "Scipione l'Africano" uses the raised-arm salute as one of its chief visual means to turn Mussolini into a new Scipio.

Dr. Winkler didn't know about the original U.S. flag salute (1892) that inspired the films, and that the National Socialist German Workers' Party was inspired by the films and by the Pledge of Allegiance. The U.S. changed the salute during WWII.

Bud Greenspan and Reifenstahl
Bud Greenspan, the Olympic documentary-maker, called this movie one of his great inspirations. "Olympia" is in the same vein as Greenspan's films, but far better. The triple jump scene is the greatest treatment of the event I have ever seen.

Greenspan said that when he was in West Germany premeiring his 1964 film "Jesse Owens Returns to Berlin", Owens called Reifenstahl the woman who made him famous, thanked her, and called her up on stage. The audience was dumbfounded and did not know how to respond until Owens' wife began a standing ovation. Such was the attitude towards Reifenstahl: the Germans knew she was a national treasure, yet they were very uncomfortable with some of the things she put on film.

Coming of Age
Leni Riefenstahl will soon turn 100 years and is not forgotten by those who love filmmaking. She carries the stigma of being the most celebrated filmmaker of the Nazi regime but this doesnt obscure her merits. She never belonged to the party and was always candid about politics. "My films are aesthetic not ideological", she once said. She was a wholesome artist.
In this movie she stood against Goebbels, who wanted Jesse Owens performance deleted from the film, and won. She went to Hitler himself with her refusal and got away with it.
In this historical document of the Berlin Olympic games she employed 150 collaborators and even invented a catapult-camera. She made many films but this is her finest and although it can be purchased in VHS it should be released in DVD, specially now that the lady turns 100. ... Read more

Reviews (12)

Or 1 star, if a better version ever becomes available
I must agree that the quality of this video is extremely poor, and the music is pretty hysterical. However, the film, itself, is beautiful. All in all, I would say it's worth the very cheap price as I'm pretty sure this is the only version that exists on video. Something that's been bothering me, though --- I could have sworn I'd seen clips from this with synched dialogue --- and it is from the early 30's. Did I dream this or was the soundtrack destroyed or lost at some point? The best things about this film have to be the bizarre and beautiful performance by Leni and the equally bizarre and beautiful photography. The story, itself, is simple, sweet, and heartfelt.

Landmark film
The fascinating, controversial Leni Riefenstahl displays her vast and complex skills as both filmmaker and actress in this enchanting fantasy tale of morality and emotion. Not a great quality print, but its magic remains in tact. Important historically, given Riefenstahl's cult status.

Top Film - Very Low Quality Transcipt
Leni Riefensthal's beauty is only surpassed by the beautiful use of set and locations (the Italian/Austrian Dolomites eastern region of the alps).
The script is perhaps too complex for the average modern audience, but only if you are forcing them to go back to their Freudian schooling. Otherwise it is the story of a beautiful, if not altogether timeless legend of young men being attracted to their doom (The Blue Light of the title) on full moon nights - when it seems only the outcast Junta (Leni) can achieve it unharmed.
This is one of those 'mountain films' that Germany specialized in. Being shot in 1932 (1 year before the Nazi's ascension to political power) it is also the genre at its purest form. Leni Riefenstahl shines at too many levels to be described at length here. But the whole aura of myth about the outcast does not seem to make of her an ideological artist(not a Nazi one at that in 1932, certainly), it does seem to make her a mastermind in dominating light and shadow.
It is only a pity that this film's superlative cinematography has been so poorly translated into the VHS edition. Hope I'm not being sacrilegious if I recommend the german VHS edition available also at amazon.de
In any case I'm awaiting the DVD possibilities in all countries interested in bringing to Amazing Light this early 1930s exquisite piece of cinema

Disappointed to read about the Quality
I am very disappointed to read that this is apparently the shoddy public doman transfer of this film that has been around for years.

The shame is that we *KNOW* that beautiful looking masters of the film ARE in existence because of the documentary THE WONDERFUL HORRIBLE LIFE OF LENI REIFENSTAHL, which presents **gorgeous** looking clips from this film.

I won't be buying this one, because I already own the awful transfer being talked about here.

I had hoped to find a pristine
version like the clips in WHLIFE.

Hopefully someday!
John

quality
The quality of the original film did not survive the transition to VHS. ... Read more

Description

Controversial director Leni Riefenstahl, whose Triumph of the Willchronicled the infamous Nuremberg Rally, was commissioned by the Olympic Committee to document the 1936 Berlin Olympiad.Released in April, 1938, after 18 months of editing, Riefens ... Read more

Reviews (3)

Wonderful follow-up to Part One.
Not as perfect as Part One...but close. Extraordinary footage, especially given the time and circumstances surrounding its filming. Riefenstahl is a master (mistress?!) of her craft and the spirit of athleticism is wonderfully captured. A must-have for your video library.

The photography lures you, action holds you.
I can not speak for other versions for this is the one I saw. As you can see from the front cover that this film has been digitally remastered under the supervision of Leni Riefenstahl.

By now watching the first tape, "Festival of the nation" spoiled you. Again this film starts out with the ideal and surrounded by Leni's signature clouds. List is leading you to "field hockey, soccer bicycling, equestrian, aquatic and gymnastic events. Highlights are the Pentathlon and the Decathlon." Remember that some countries were still using horses in the military.

It may be unique reasons that brought you to this point such as Leni or photography, or interest in history, or, or, or. But once the action starts you feel that you are there and get lost in the "who will win what and how. " Even being aware of the outcome does not prepare you to "not bite your nails" as you watch each athlete barley besting the next until it is over too soon. I noticed that instead of placing medals over the winners, they used laurel wreaths.

Any way you cut it, this movie is worth watching.

Olympiad: Part I and II
The quality of the transfer from film to tape is not the best but still very viewable. Seems to contain all the footage of the original version. Does not single/freeze frame well on my VCR, making analysis of technique difficult. Event coverage of track and field events is very good, with the flow of the competition preserved, especially in the field events. ... Read more

Amazon.com essential video

Triumph of the Will is one of the most important films ever made.Not because it documents evil--more watchable examples are being made today. And not as a historical example of blind propaganda--those (much shorter) movies are merely laughable now. No, Riefenstahl's masterpiece--and it is a masterpiece, politics aside--combines the strengths of documentary and propaganda into a single, overwhelmingly powerful visual force.

Riefenstahl was hired by the Reich to create an eternal record of the 1934 rally at Nuremberg, and that's exactly what she does. You might not become a Nazi after watching her film, but you will understand too clearly how Germany fell under Hitler's spell. The early crowd scenes remind one of nothing so much as Beatles concert footage (if only their fans were so well behaved!).

Like the fascists it monumentalizes, Triumph of the Will overlooks its own weaknesses--at nearly two hours, the speeches tend to drone on, and the repeated visual motifs are a little over-hypnotic, especially for modern viewers. But the occasional iconic vista (banners lining the streets of Nuremberg, Hitler parting a sea of 200,000 party members standing at attention) will electrify anyone into wakefulness. --Grant Balfour ... Read more

Reviews (89)

Great Historical Film
...He is correct in saying the film is great for history buffs and that is what I am (BA-Hist). This film depicts history. It is an inside look at Nazi Germany. Turn off the lights when you watch it and you will think you have a front row seat at a Nuremburg rally. It may have been produced as propaganda but what it is now is nothing short of historical documentation, regardless of how the images were woven together.

It has great footage and shows all of the regular Nazi Nuts and ones you have never seen or heard before. I loved being able to listen to them in German with subtitles instead of having a narrator. You can have that too. I bought the Special Edition DVD. The quality of this black and white film is the best I have ever seen. Special features include English subtitles and voice-over narration (all optional).

Leni did not hire Industrial Light and Magic to insert millions of regimented Nazi followers. They are the real thing. The Nazi movement clearly stirred nationalistic fervor. You cannot deny the images. They speak for themselves. The German people were caught up in a movement of incredible proportions and this movie shows you what it was like in the early years of the Third Reich. Germans killed millions and millions of Germans died in WW II. This movie will give you a very good idea of what the Allied forces were fighting against.

A most valuable historical record
It's easy to see how this now famous (or infamous) 1934 film by Leni Riefenstal could have helped reinforce Hitler's already dizzying domination of the German psyche. For our own time, it helps reveal the human complexity of the Nazi phenomenon - so much more than just a march of crazed fanatics, as it's often stereotyped today. Triumph of the Will is particularly relevant to current politics - the Austrian controversy, as well as the continued importance of various dictators who still garner so much of the media spotlight.

Sadly, the near-sightedness of the Nazi mentality and its contradictory nature were already glaringly apparent at the time the movie was shot. Hitler's frenzied admonitions to value "peace" but at the same time to cultivate "courage", bristle with contradiction and hypocrisy. Brief allusions to racial purity and clear-cut moral rectitude are darkly ominous, as are the reiterated pledges of allegiance to Hitler , the man. It's instructive to compare Nazi rhetoric with much of today's political hype. Though, as many others have pointed out, nobody else has done it with quite the same elan. Sad to think that had they watched their own film with a more discerning eye, they might have seen what we see.

From an artistic standpoint, I can appreciate why it's cited as one of the most accomplished of all propagandist vehicles. Nazi shortcomings notwithstanding, the film is stunning. Riefenstahl's contribution is self-evident - even if she didn't direct the action herself, she captured and organized it admirably. But for all that, it is still the action which is most spellbinding. The gripping facial expressions, the charismatic speeches, the thundering shouts of allegiance, the enormous scale and choreography - all of this actually took place! Combine that with historical perspective - knowing what all of it would lead to - and the movie acquires a distincively haunting quality.

I not only recommend this film to others, I strongly advise it. It captures the very essence of social fanaticism. Many will instinctively feel its primitive appeal, and then, after putting it into perspective, recognize its inherent madness. Watching this movie, appreciating the feelings it evokes and reflecting on what it all means, will make the viewer a better person.

This Special Edition is good as it gets.
The Synapse DVD Special Edition surpassed all expectations. I had Triumph of the Will on video prior to obtaining this DVD and the video's visual and audio quality was poor. By contrast, this DVD is visually very crisp and sharp and the audio quality is fine The DVD appears to be produced from an excellent original film print. I've seen another DVD of TOTW produced by different company, and its quality was the same as the video version :substandard. Make sure you get the Synapse version. This Special Edition is good as it gets.

A GREAT LOOK AT WHAT MODERN USA HAS BECOME
THIS FILM GIVES A GREAT INSIDE LOOK AT HOW THE NOW MODERN USA OPERATES IN ITS POLITICS UNDER GEORGE W BUSH. WHO IS ALOMOST A CLONE OF HITLER. I RECCOMEND THIS FILM TO ANY BUSH SUPPORTER JUST FOR THEM TO SEE HOW ALIKE BUSH AND HITLER REALLY ARE.

An Influential Masterpiece of Cinematic Propaganda
Riefenstahl's documentary made for Adolf Hitler and the NAZI party in the early 1930's. The documentary primarily covers the Nuremburg rallies and the activities that surrounded these events. Again, this is a propaganda film and was designed to stir popular sentiment and political empathy for the infamous political party.

If one understands the socio-political climate of Germany in the late 1920s and early 1930s, one can clearly see what sentiments the film seeks to evoke and hence recognize its significance and brilliant execution. For example, Germany was in a state of shambles because of the global economic depression and many Germans feared an inevitable collapse to anarchy or Bolshevism. The opening scene starts with a Wagnerian piece and shows Hitler in a plane peering down from high above the clouds as he arrives for the rally. The scene sought to reassure a worried public that The Fuhrer was omnipotent, omniscient, and was coming down from the heavens to save a troubled nation in a godlike fashion. When he arrives at the stadium, Hitler is shown walking with his SA escort out of the crowd and towards the podium instead from behind the podium to look down at the crowd; this was to instill the notion that Hitler wasn't just another Berlin bureaucrat from the old failed Weimar Republic coming to talk down to a broken people; it was done to evoke the sense that he was a man of the people for the peole: selflessly arising out of a worried crowd of fellow Germans to lead them to a better and safer future. This particular scene was so influential in film that George Lucas adapted it (and many other scenes) for the closing scene to the original Star Wars when Luke, Han, and Chewy are decorated by Lea. Other scenes of happy German blonde and blue-eyed youths or common laborers performing paramilitary/social tasks were intended to evoke a proud sense of unity, purpose, and safety amongst all true German "volk" in these troubled times. In the background, the narrative voice recites how all German women should should bear many children for the Fatherland; how men should unite for the Fatherland and not Godless Bolshevism; how youths should work to better their nation; etc., etc.

The mass communication techniques of Riefenstahl and Goebbels are still used today by virtually every modern government and media firm. This film is important not only as a histiorical tool in understanding the rise of Nazism and the dynamics of facism, it is a very important landmark in the development of film, mass entertainment and mass communication in general. I strongly believe that every person who seeks to better understand their world and media see this film at least once and study it. ... Read more

Description

(1935-Germany.) Directed by LENI RIEFENSTAHL. Until recently, this important Riefenstahl propaganda film was considered lost. A powerful demonstration of Nazi Germanys military might, it was ordered made by the Fuehrer himself, to make up for the virtual absence of the Army in "Triumph Of The Will," Riefenstahls overwhelming film of the 1934 Nazi Party Rally. (Reportedly, the Army had been left out of "Triumph" because this footage was of such poor quality.) Here, under the proud eyes of Hitler, Hess, Goering and others, the Wehrmacht displays the awesome arsenal of weapons and vehicles that would soon be sweeping across Europe. We see the infantry and cavalry in precision drills and formations; processions of jeeps, tanks and planes; and mock battles involving cannons, machine guns and anti-aircraft barrages. As in "Triumph," Riefenstahl masterfully orchestrates images - repeatedly using low angles to pose men and machines heroically against the sky, and intercutting the Nazi emblems, the swastika and eagle. In the finale, "Deutschland Uber Alles" accompanies a montage of flags, clouds and planes, culminating in a shot of aircraft in a swastika formation! A chilling prelude to World War II and propaganda at its most effective. With original music score. No dialogue or narration. 17 minutes. ... Read more

Reviews (89)

Great Historical Film
...He is correct in saying the film is great for history buffs and that is what I am (BA-Hist). This film depicts history. It is an inside look at Nazi Germany. Turn off the lights when you watch it and you will think you have a front row seat at a Nuremburg rally. It may have been produced as propaganda but what it is now is nothing short of historical documentation, regardless of how the images were woven together.

It has great footage and shows all of the regular Nazi Nuts and ones you have never seen or heard before. I loved being able to listen to them in German with subtitles instead of having a narrator. You can have that too. I bought the Special Edition DVD. The quality of this black and white film is the best I have ever seen. Special features include English subtitles and voice-over narration (all optional).

Leni did not hire Industrial Light and Magic to insert millions of regimented Nazi followers. They are the real thing. The Nazi movement clearly stirred nationalistic fervor. You cannot deny the images. They speak for themselves. The German people were caught up in a movement of incredible proportions and this movie shows you what it was like in the early years of the Third Reich. Germans killed millions and millions of Germans died in WW II. This movie will give you a very good idea of what the Allied forces were fighting against.

A most valuable historical record
It's easy to see how this now famous (or infamous) 1934 film by Leni Riefenstal could have helped reinforce Hitler's already dizzying domination of the German psyche. For our own time, it helps reveal the human complexity of the Nazi phenomenon - so much more than just a march of crazed fanatics, as it's often stereotyped today. Triumph of the Will is particularly relevant to current politics - the Austrian controversy, as well as the continued importance of various dictators who still garner so much of the media spotlight.

Sadly, the near-sightedness of the Nazi mentality and its contradictory nature were already glaringly apparent at the time the movie was shot. Hitler's frenzied admonitions to value "peace" but at the same time to cultivate "courage", bristle with contradiction and hypocrisy. Brief allusions to racial purity and clear-cut moral rectitude are darkly ominous, as are the reiterated pledges of allegiance to Hitler , the man. It's instructive to compare Nazi rhetoric with much of today's political hype. Though, as many others have pointed out, nobody else has done it with quite the same elan. Sad to think that had they watched their own film with a more discerning eye, they might have seen what we see.

From an artistic standpoint, I can appreciate why it's cited as one of the most accomplished of all propagandist vehicles. Nazi shortcomings notwithstanding, the film is stunning. Riefenstahl's contribution is self-evident - even if she didn't direct the action herself, she captured and organized it admirably. But for all that, it is still the action which is most spellbinding. The gripping facial expressions, the charismatic speeches, the thundering shouts of allegiance, the enormous scale and choreography - all of this actually took place! Combine that with historical perspective - knowing what all of it would lead to - and the movie acquires a distincively haunting quality.

I not only recommend this film to others, I strongly advise it. It captures the very essence of social fanaticism. Many will instinctively feel its primitive appeal, and then, after putting it into perspective, recognize its inherent madness. Watching this movie, appreciating the feelings it evokes and reflecting on what it all means, will make the viewer a better person.

This Special Edition is good as it gets.
The Synapse DVD Special Edition surpassed all expectations. I had Triumph of the Will on video prior to obtaining this DVD and the video's visual and audio quality was poor. By contrast, this DVD is visually very crisp and sharp and the audio quality is fine The DVD appears to be produced from an excellent original film print. I've seen another DVD of TOTW produced by different company, and its quality was the same as the video version :substandard. Make sure you get the Synapse version. This Special Edition is good as it gets.

A GREAT LOOK AT WHAT MODERN USA HAS BECOME
THIS FILM GIVES A GREAT INSIDE LOOK AT HOW THE NOW MODERN USA OPERATES IN ITS POLITICS UNDER GEORGE W BUSH. WHO IS ALOMOST A CLONE OF HITLER. I RECCOMEND THIS FILM TO ANY BUSH SUPPORTER JUST FOR THEM TO SEE HOW ALIKE BUSH AND HITLER REALLY ARE.

An Influential Masterpiece of Cinematic Propaganda
Riefenstahl's documentary made for Adolf Hitler and the NAZI party in the early 1930's. The documentary primarily covers the Nuremburg rallies and the activities that surrounded these events. Again, this is a propaganda film and was designed to stir popular sentiment and political empathy for the infamous political party.

If one understands the socio-political climate of Germany in the late 1920s and early 1930s, one can clearly see what sentiments the film seeks to evoke and hence recognize its significance and brilliant execution. For example, Germany was in a state of shambles because of the global economic depression and many Germans feared an inevitable collapse to anarchy or Bolshevism. The opening scene starts with a Wagnerian piece and shows Hitler in a plane peering down from high above the clouds as he arrives for the rally. The scene sought to reassure a worried public that The Fuhrer was omnipotent, omniscient, and was coming down from the heavens to save a troubled nation in a godlike fashion. When he arrives at the stadium, Hitler is shown walking with his SA escort out of the crowd and towards the podium instead from behind the podium to look down at the crowd; this was to instill the notion that Hitler wasn't just another Berlin bureaucrat from the old failed Weimar Republic coming to talk down to a broken people; it was done to evoke the sense that he was a man of the people for the peole: selflessly arising out of a worried crowd of fellow Germans to lead them to a better and safer future. This particular scene was so influential in film that George Lucas adapted it (and many other scenes) for the closing scene to the original Star Wars when Luke, Han, and Chewy are decorated by Lea. Other scenes of happy German blonde and blue-eyed youths or common laborers performing paramilitary/social tasks were intended to evoke a proud sense of unity, purpose, and safety amongst all true German "volk" in these troubled times. In the background, the narrative voice recites how all German women should should bear many children for the Fatherland; how men should unite for the Fatherland and not Godless Bolshevism; how youths should work to better their nation; etc., etc.

The mass communication techniques of Riefenstahl and Goebbels are still used today by virtually every modern government and media firm. This film is important not only as a histiorical tool in understanding the rise of Nazism and the dynamics of facism, it is a very important landmark in the development of film, mass entertainment and mass communication in general. I strongly believe that every person who seeks to better understand their world and media see this film at least once and study it. ... Read more