Reviews (12)

The two classic Brady Bunch Marcia, Marcia, Marcia episodes
We are not talking lofty standards here when we recognize the fact that this particular set of episodes from "The Brady Bunch" contains two of the show's signature episodes from the perspective of American pop culture. The common denominator here is the oldest female Brady, Marcia (Maureen McCormick), in what are clearly her two most famous misadventures. "Getting Davy Jones" (Episode #61, December 10, 1971) has Marcia promising to get teenage hearthrob Davy Jones of the Monkees to sing at her school prom. Unfortunately, this appearance is news to Davy. Good thing this is a television comedy otherwise this would end badly for Marcia. Marcia, Marcia, Marcia gets her comeuppance in "The Subject Was Noses" (Episode #90, February 9, 1973), when she gets hit in the nose with a football. The nose swells up like a balloon and because of the disfigurement Marcia's boyfriend Doug Simpson (Nicholas Hammond) ditches her. Obviously no great loss, but it sure bothers little miss vanity. For fan's of neglected sister Jan this has to be the most popular episode of "The Brady Bunch" ever. You do not have to like these episodes let alone "The Brady Bunch," but you do have to at least know about them as touchstones of pop culture. P.S. Pay attention to the guest stars besides Davy Jones on these episodes and their importance in television history. The first one has Marcia Wallace, who went on to success on "The Bob Newhart Show" as receptionist Carol Kester and who know provides the voice for Bart's teacher Edna Krabappel on "The Simpsons." Nicholas Hammond from the other episode ended up as television's "Spider-Man" after being one of the Von Trapp children in "The Sound of Music."

Girl, look what you've done to me ....
Classic Brady! Do you know any girl who, not only got a rock star to play at her prom, but got a date out of him? Only Marcia could pull this off! I remember when it originally aired in the 70's and had dreams of meeting the infamous Monkee (OK, I was 6 years old and hadn't discovered "Tiger Beat" yet). The clothes and hairdews alone make the episode (check out Davey's dorky mananger and Marcia's groovy poncho). On a footnote: did actually meet Davey 15 years later during a Monkees Reunion, a disappointment. Better on tape, than in person.

Of course it's stupid fantasy...
and this video is worth the money just to hear the black girl in the Davy Jones episode ask Marcia (referring to Davy) -- all excited and bubbly -- "is he as neat as he looks?" Yeah, right. I like the end of the episode when Marcia and Davy stand side by side, and you can get an idea of just how short Davy is - he is shorter than Maureen McCormick. The "oh my nose" episode is pure fantasy -- and as for Marcia episode it's right up there with the Romeo and Juliet and braces episode --the family that paints together? Marcia's swollen nose disappears overnight? The Big Man on Campus asks Marcia out? She ultimately chooses Charlie the awkward delivery boy? And in the former episode, Marcia enters Davy's recording studio -- while he's recording no less -- without any problems? If you ask these questions then you definitely won't enjoy it. If you don't care about reality...then this is the best! Crank up "Girl" and drive your neighbors nuts!

A Great Show For Its Pure and Utter Stupidity
The Brady Bunch is a guilty pleasure of mine. It's ridiculously cheesey and stupid and unrealistic, but it's a great show to watch and make fun of. Plus it's a good show to help cheer you up, or to watch when you're sick.

Still, it's pretty stupid. I mean (everyone knows this already) the Brady family is SO perfect, what with the dad always giving horrible speeches everytime the kids say something mean to each other (they don't much, though), but most of the time he just does the ridiculous speeches for no reason. The kids are terriblly happy all the time, and the situations they always get themselves into are just plain dumb!

Carol Brady (Florence Henderson) is only there to say stuff like "Oh, Mike," or "Your father's right." The kids are all very one dimensional yet fun to watch. Alice does nothing but say dumb jokes however I respect Ann B. Davis as an actress (not that she is one anymore).

Of course everyone also know that the late Michael Reed dispised this show, and he had good reason, especially with the way his character acts. Everyone seems to regret starring on this show! Serious. Just watch the E True Hollywood Story on The Brady Bunch, and see. Susan Olsen (Cindy) sais she's been stereotyped ever since. Barry Williams (Greg) claims it's now very hard to get a job, and Florence Henderson sais the show was to unrealistic, and so on.

Still, you gotta love the show. How can't you? The people that hate this show have no heart. I'm mean, it's a horrible show, but it's a wonderful show! Sound strange? Sorry, but come on, even you people who bash it here really love it, and you know it. Why? Because it's really entertaining, and some episodes are actually GOOD (the Hawaii episode early in the show).

Don't buy these DVDs, the show is on all the time. But do buy the Brady movies, they're hilarious!

Later

Don't knock him!!
For Pamela, I'm sorry David didn't fulfill your dreams. He is really a wonderful guy - YOU should try to make EVERYONE happy for a while and see how you do at it! David would feel terrible that he hurt your feelings. I've gotten to know him in the last few years, and he is sweet, charming, kind and considerate. Whatever happened at the concert you attended, he had his reasons for his behavior. He's not perfect - but then neither are ANY of us!! Please don't defile his character. He gets enough S**t from fair-weather fans who don't "know" him . He's a very special guy!! Give it another try - things will work out better next time!! Believe me, it's worth the effort!! ... Read more

Reviews (73)

The Monsters Are Due on Maple Street 2 KA
Rod Serling was a very odd person. He went to school to become a P.E. Teacher and ended up wrighting over one hundred stories for T.V. One of these stories is Monsters Are Due on Maple Street. This story, as you've probably guessed, takes place on Maple Street. The characters Charlie, the annoying, smart-mouthed neighbor, and Steve, the actually intelligent neighbor, are two of the lead characters in the story. I think that if Charlie had only listened to Steve a lot of bad things wouldn't have happened.
I don't think this story was very realistic. In a real neighborhood people would go crazy just because the power went out and they certainly wouldn't think it was aliens that did it. People would say, "Oh, there goes the power again." Not "The electricity's off!!"(669). Oh no! The powers out! What are we going to do? (sarcastically) The electricity goes out in our neighborhood at least once every other month. Most people would be in side all day so only about three people would have seen the U.F.O. and they would have been kids. Who would believe them? I think the people in the story really over reacted.
There were a few parts of the story that were unbelievable, like when Mr. Goodman's car started. That was really weird. I really didn't see that coming. There was also when Pete Van Horn got shot. I didn't think anything like that would happen. I knew the ending couldn't be happy. The Twilight Zone never is. The stories always seem to be so tragic. What was Rod Serling thinking? He must have been a troubled child. Any way; I can't believe that Charlie actually thought that Pete Van Horn was a monster. "You killed him Charlie. You shot him dead!"(679) How dumb could he be?
I didn't really pick this story. Ms. Chabot told us to read it. I liked it though. I think it's funny to watch old science fiction shows. I laugh at the cheesy acting and the corny special effects. You can see the strings holding them in the air. I thought it was funny how one little boy made all the neighbors think that aliens were attacking their neighborhood. Nobody would believe that now-days. Maybe people were more easily convinced of those things fifty years ago.
I think the video Monsters Are Due on Maple Street and the teleplay Monsters Are Due on Maple Street are a lot the same. They used most of the same lines and used the same camera angles. Just like this line, "What was that? A meteor?" The story took a lot longer to read though. The video was only a few minutes. The book took days. It had more detail than the video did. Just like when they showed the space ship. You could see at least five strings coming off of it. Every body in the class laughed. It was really funny.

4jk
Rod Serling was a former boxer and a future PE teacher. He takes a path uncommon to jocks and science fiction. He wrote a movie called "The Monsters Are Due On Maple Street." The characters in this movie are: Charlie the wise-cracker know it all, Steve the wise one, Don the laid back one, Tommy the kid who knows what's gonna happen, Sally his mother, and Pete Van Horn a scientist. You don't here a lot about Pete Van Horn because he leaves Maple Street at the beginning of the movie because he goes to another neighborhood to see if the power is on there. It all happens on Maple Street, USA.

My feelings as I read this book were that I couldn't understand why everybody was fighting and blaming each other. It's like you wanna yell " Jiminy Christmas." It's like what Rod serling said, "The tools of conquest do not necessarily come with bombs and explosions and fallout. There are weapons that are simply thoughts, attitudes, and prejudice to be found only in the minds of men. For the record, prejudice can kill and suspicion can destroy and a thoughtless frightened search for scapegoat has a fallout all its own for the children... and the children yet unborn.
Pg [684.]

I wonder why the town is so peaceful, now and days you see kids about 13-16 on the street smoking, drinking and doing drugs. You might see parents telling there kids there grounded and then later you see the kids sneaking out the window. I mean come on who in the right mind would believe that? "Maple Street, U.S.A., late summer. A tree-lined little world of front porch gliders, hopscotch, the laughter of children, and the bell of an ice cream vendor." Pg [668.]

My favorite part of The Monsters are Due on Maple Street, is when everybody was accusing each other of who where the aliens. Everybody was bickering and fussing about this and that and everything that was going on. Tommy came running up the street yelling an alien is coming, so Charlie took his shotgun and shot what was coming up the street. It was Pete Van Horn, Charlie shot Pete Van Horn. [He swings the gun around to point it toward the sidewalk. The dark figure continues to walk towards them. The group stands there, fearful, apprehensive, mothers clutching children, men standing in front of wives. Charlie slowly raises the gun. As the figure gets closer and closer he suddenly pulls the trigger. The sound of it explodes in the stillness. There is a long angle shot looking down at the figure, who suddenly lets out a small cry, stumbles forward onto his knees and then falls forward on his face. Don, Charlie and Steve race forward over to him. Steve is there first and turns the man over. Now the crowd gathers around them.] Pg 679.

I felt that the book was good. It was very weird I wonder what's going to happen to all of the other people in the book. I wonder if the aliens are going to take over the whole world. Like hypnotizing all of the animals in the whole world to attack and kill all the people in the world except for one person to tell them how all humans lived and the aliens will all move down to earth and start living like humans. Then the whole world will never be the same again. Are you wondering what happened to that one guy? Well they kept him alive, and hypnotize him to think that the aliens are really humans and he married an alien, which he thought was a human. Are you wondering what happened to the animals? Well there alive to but the aliens experimented on them and mixed all of them up. It is freaky dude. I just hope that one of you aren't the one left not killed, because if I were I would just not feel right but I couldn't feel right because I would be hypnotized. Well I change my mind I would want to be the one left behind because I would act like I was hypnotized then I would get some weapons and kill all the aliens in the world. Then I would search all over the world and try to find pieces of the people that were killed then I would go to a lab and clone everybody so that all the people in the world would be back to life but they would be clones but I still would be happy because all of my friends, teachers, family members and other people in the world would be alive. But before I could clone people I would have to read the manual on how to work the cloning machine, then after I read that I would have to read the manual on how to clone people. Then I would fix all the animals back together. Wow! Sorry got off the subject there. Well the book was good I like it a lot I hope you like it to. So you have to read "Monsters are Due on Maple Street"

1VJ
"The Monsters are Due on Maple Street," is a classical episode of the Twilight Zone. I like how it showed that we can be prejudice and suspicious. It's also interesting how all the "monsters", or aliens, had to do was flick on and off a few lights to scare the people. Then the rest was the peoples own doing. The movie is very dramatic, and is almost exactly the same as the teleplay. The fact that it is in black and white makes it even more intense, in my opinion. The video and the teleplay both had the same scene of fright where the lights go out and nothing works. This then goes on to mass confusion, foreshadows the coming of aliens, and shows the weak points of the human race.
The plot advances with chaos. The people get scared and confused. They blame each other for having something they don't. This causes mass confusion and general panic. Things only get worse after that. One thing happens after another. The suspicious grows and the people get paranoid, until someone is killed. This person was Pete Van Horn. "You killed him, Charlie. You shot him dead!" (679)
As the plot advances they also foreshow what will come. The aliens are the ones who cause all the lights to fail, but the humans are the ones who became suspicious. This foreshadows the doom of the humans. The aliens plan to go from Maple Street to Maple Street and do the same to cause the fall of humans. "Then I take this place... this Maple Street...is not unique."
Rod Sterling's theme for "Monsters are due on Maple Street" is you shouldn't be too quick to judge people. Or be suspicious of people who have things you don't. Chaos supports this theme in showing how easily we can become suspicious of others. Then from there chaos and mayhem come. The theme could also be a kind of moral. "They pick the most dangerous enemy they can find... and it is them selves" (682) I think this quote is a good quote to describe the theme.
I think "Monsters are due on Maple Street" is really great. It has a wonderful plot. When I read the teleplay, I thought it was just like the other Twilight Zones. (I have seen a few others. One was about a man being in isolation.) I really enjoyed the Monsters are due on Maple Street. The teleplay was almost exactly like the movie or visa versa. My favorite part in this one was at the end where the sudden quietness is shocking. Then the aliens come and start talking, and it fades out to Sterling's face and he said his "And this is the Twilight Zone." I also like the beginning/ending songs. In conclusion I think the teleplay and the movie were both equally interesting.

The Monsters Are Due on Maple Street 1KC
" The Monsters Are Due on Maple Street"

Rod Serling, a screenplay writer for MGM in the 1950's wrote many famous science fiction teleplays, movies, Broadway shows, and television entertainment shows. Serling has won multiple Emmy awards for his work. He wrote 92 twilight zone episodes that were aired on CBS. They became one of America's most recognized, and most popular television series.
Some of Serling's most famous writings include: "The Monsters Are Due on Maple Street" and "Time Enough at Last". "Time Enough at Last" was written in 1959. I do not know when "The Monsters Are Due on Maple Street" was written but I assume it was around 1959.
Rod Serling died on June 28th, 1975. He died during a coronary bypass operation in Rochester, New York. Rod Serling's stories of aliens and super natural happenings are entertaining for all to this day. His name will live on in science fiction history forever.
"The Monsters are Due on Maple Street", a teleplay and television entertainment show, was written by Serling in the nineteen fifties'. I love how Serling describes les Goodman's car starting up with no one in it (673). This event brings chaos and unproven assumptions. Other things, such as flickering lights, happen all down Maple Street. They are mostly all blamed on Les Goodman because of his insomnia. These things bring complete and utter chaos.
Confusion breaks free when all of the lights and appliances down Maple Street turn off and stop working (668-669). This advances the plot to confusion. Chaos doesn't come until Les Goodmans' car starts up with no one inside. People turn wild as new and crazy things happen down Maple Street. Sound effects in this section of the teleplay are screams, crying, and gunfires.
Other crazy things happen down Maple Street. Lights flicker, appliances turn on and off, and again chaos starts up (683). Mostly these things are blamed on Les Goodman. They think he is an alien because his insomnia sometimes wakes him up. So to occupy himself he takes walks at night and claims to be looking at stars. But the families all down Maple Street think he is looking for his alien friends. This foreshadows who is behind all of the chaos and confusion.
I thought Rod Serling's teleplay, "The Monsters are Due on Maple Street", was very realistic when referring to human nature. Even though it is believed that alien or outer space life forms are not real. The car starting then produces this assumption.
I thought it was interesting how Serling never gave a definite ending to "The Monsters Are Due on Maple Street". He never gives a definite ending to the teleplay. I just assumed the chaos went on until every human life on Maple Street was dead or confused for their lifetime. Even though I am not into science fiction writings, I really enjoyed "The Monsters Are Due on Maple Street". I would call this science fiction movie and teleplay one of the best from the 1950's.

1OE
The Monsters Due On Maple Street

"The Monsters Due On Maple Street" was probably the only kind of movie that was supposed to be scary back then. Since I'm in the year 2003 that movie was pretty dumb, but back in that time it must have been awesome. The aliens looked really dumb with those two antennas. I liked seeing all the fake shooting and killing. I can now see how far we have come with movies since then. The movie was confusing until the alien started to talk. They told their plan of taking over the Earth by flickering some lights and making some stuff mess up. When they said that, it put all the pieces of the movie together, and foreshadowed that the human race would end because of prejudice.
I think the way he ended the movie was great. He told about the plan and makes you think, could that happen to us? That is how he advanced the plot, he told the story about the alien's plan and then had them talk and tell how everybody is the same. He had the aliens take off saying they were going to take over the world just by sitting down. Then left for another place to terrorize.
When the aliens talk it foreshadows the Earth in complete destruction. Dying because of them assuming that their friends are the enemy, when really they are the most dangerous because they terrorize people as innocent as them. When the aliens talk they say the theme of how people can be so prejudice. "They find the most dangerous enemy they can find............and it's themselves" (682). It is the probably the best and easiest plan the aliens have ever come up with.
The theme in this story is not to be prejudice. My part advanced the theme by talking. The aliens tell their plan about using prejudice to destroy the humans. As much as that sounded stupid, it was smart. The aliens could actually make their plan work, and that is what The Monsters Due Maple Street shows. About everyone has a little bit of prejudice inside him. After reading the story, realizing the theme, and thinking about it, you will think could that happen to me?
The book and movie are so close to each other. You can read from the book and they will say almost all of the same lines in the movie. That is what helps me relate to the movie. I can just see if the picture was same in the movie as in my mind. In other movies they are far off from the book, so it changes the whole view of the story. The author picked a great way to show how everyone can be so prejudice. When I read the story I also was prejudice. I thought Charlie was the alien, but as I found out nobody was. That surprised me a lot. This was the first book that showed that nobody was the bad guy, and that made the story's end great. ... Read more

Amazon.com essential video

The Elvis formula was well in place by the time of 1964's Roustabout: a passel of undistinguished songs (anyone remember "Poison Ivy League"?), pretty girls, tight pants, a colorful setting, and a little bit of karate to prove that Elvis really had been studying his martial arts. With that understood, Roustabout is a better-than-average workout for the King--not as peppy as Viva Las Vegas, but a good deal livelier than the sleepwalking It Happened at the World's Fair. Elvis plays a bad-boy singer roaming the highways on his Japanese motorcycle; laid up after an accident, he joins a carnival owned by the feisty Barbara Stanwyck. ("This is not a circus, it's a carnival. There's a big difference.") The cast goes from high to low: both giant-sized future James Bond villain Richard Kiel and tiny Billy Barty are carny regulars, and Raquel Welch has a small role in the opening scene. Teri Garr is one of the carnival dancers behind Elvis. The legendary costume designer Edith Head puts Elvis in a series of snappy windbreakers, but thank goodness he's also in black leather a lot. As if that weren't enough to recommend it, the movie has a sequence involving Elvis riding a cycle inside the "Wall of Death," a huge wooden cylinder with high walls. This bit actually inspired an entire Irish film in 1986, Eat the Peach, in which friends build a similar contraption after they watch Roustabout on tape. --Robert Horton ... Read more

Reviews (11)

ROUSTABOUT--ELVIS' MOST ENTERTAINING FILM
Since "Roustabout" debuted in 1965, I've become an expert on it. The cast includes a screen legend as well as recognizable supporting actors. Besides Barbara Stanwyck, there is Pat Buttrum, Sue Ann Langdon, and Norman Grabowski as the cement-headed college student who tries to muss Elvis's hair. Joan Freeman is Elvis' romantic interest. She later co-starred with Don Knotts in "The Reluctant Astronaut". Imagine kissing Elvis in one movie and Don Knotts another. Well, I guess that's why they call it "acting". As for the story, it revolves around Elvis as a temporary carnival worker while aiming for the BIG time. There is a fistfight with Elvis nemesis Steve Brodie, Elvis riding his "bike", Elvis as the saviour of the carnival, and Elvis with a new girlfriend. What more could you ask for? If you can think for yourself, and not be content with "Blue Hawaii" as your favorite, then check out "Roustabout". It's more fun than a circus, "cheap at half the price" AND, you won't have to "bite any heads off chickens".

Can you believe it? A leather-clad drifting biker!
"Roustabout" has Elvis playing a karate-chopping, drifting motorcyclist who is picked up after an accident involving him being knocked off his bike by local carnival foreman Leif Erikson, with his daughter Joan Freeman and owner Barbara Stanwyck. After his bike and guitar are damaged, he is hired by Stanwyck to work as a roustabout in her carnival. Elvis, of course, soon falls for Joan Freeman who is a little reluctant at first. Over time the carnival becomes the local night spot around as Elvis attracts people for singing along the midway. In come the teenagers and crowds in droves. Rival carnivla owner Pat Buttram asks if Elvis is interested in joining his big carnival. He refuses. After some confrontation involving a stolen wallet Erikson is convicted of and Joan Freeman's unhappiness with Elvis, he quits Stanwyck's outfit. Then it's off to the Carver show. Elvis is a hit. Back at the other carnival, business is failing and troubles with the bank build. Joan Freeman tries to bring him back, but to no avail at first. Later Elvis decides to go back, pay off the debt, win Joan Freeman, and make the carnival a swinging place again. Quintessential!

Wheels On Your Heels!
I won't bore you with a plot synopsis or my opinion of the borderline interesting story - this movie IS WORTH SEEING for one jaw-dropping sequence: For the rockingest song in the movie, "Wheels On My Heels", Elvis is driving his own motorcycle on a real location road and lip-syncing at the same time - without a helmet! This is not some lame rear projection process and most of the time the entire bike is shown, so it's not being towed - I just found it amazing, no kidding. I mean, what if he lost his concentration...boom! Brain damage.
Oh and Leif Erickson will make you really uncomfortable in this movie - what a loser slime.

Roustabout
Elvis plays opposite Barbara Stanwyke (The Big Valley) this time out and is in awe of his co-star. It is reported he worked hard on this film to live up to Ms. Stanwyke's professional standards.
Unfortunately, the scriptwriters were less demanding of themselves, and the film suffers from banal dialogue and predictable plotting. Elvis stars as Charlie Rogers, a drifter with a chip on his shoulder who lands a job as a roustabout (handyman) with a down-and-out carnival operated by strong-willed Maggie Morgan, played by Stanwyke. When Charlie breaks into song on the midway one day, throngs of young people flock to hear him sing (which may be believable were they all penned by Lieber & Stoller). As news of his talent spreads, Maggie's carnival begins to turn a tidy profit. Charlie's good fortune continues as Cathy, a young and pretty carnival worker played by Joan Freeman, takes a romantic interest in him. However, after a misunderstanding involving a customer's missing wallet, Maggie and Cathy chide Charlie for his selfish attitudes. The embittered young Charlie quits Maggie's outfit to work for a rival carnival. When Maggie's carnival starts to go under, Charlie returns with enough money to ward off the creditors. His unselfish act wins Maggie's respect as well as Cathy's heart.

With a cast of big-name stars, including Barbara Stanwyke, Leif Erickson, and Jack Albertson, Roustabout was one of Elvis's better films from this period.

Elvis would later says that working with Stanwyke made him a better actor.

Starring Elvis and his amazing man-eating leather belt
Pleasant enough Elvis time-killer with a cotton candy soundtrack, pairing him with Hollywood veterans who should have known better. The story:

Elvis plays Charlie Rogers, a brooding loner (you can tell by his semi-comatose expression) eking out a living doing a bad impression of, well, himself at a dive called Mother's Tea House. (Look fast for Raquel Welch at one of the tables.) One night, he unwisely taunts some middle-aged college boys with a witty ditty called "Poison Ivy League," gets in a fight, loses his job and sputters off on his dinky motorbike. Happening upon a jeep, Charlie is run off the road by short-fused carny Joe Lean (Leif Erickson) for flirting with his virginal daughter Cathy (Joan Freeman, who, tellingly, later became a nun). Unhurt, Charlie signs on as a roustabout in their two-bit carnival, run by Barbara Stanwyck as Maggie Morgan, a woman of backbone and bite (sorry, wrong show), until his bike can be repaired. Maggie recognizes Charlie's teen appeal after his impromptu performance of "It's Carnival Time" causes a sensation on the midway. Soon Charlie is packin' 'em in, and the carnival begins to turn a profit. On top of the world, Charlie steps up his romancing of Cathy while fending off the advances of an amorous fortune teller (the usually fetching Sue Ane Langdon in a hideous black wig) until a fracas with a boorish customer causes him to get ants in his pants again. His cycle fixed, Charlie dons his outrageously tacky, must-be-compensating-for-something, foot-wide studded-leather belt and accepts the generous offer of the owner (Pat Buttram, the immortal flimflam man Mr. Haney from TV's "Green Acres") of a big-time rival carnival. In the flick's most excruciating sequence, Charlie sings "Little Egypt" to a bevy of skanky exotic dancers (one of whom might be Teri Garr). Meanwhile, with Charlie no longer there to pull in the crowds, Maggie's carnival is about to go belly up, and it's up to Cathy to lure him back. She does, of course. Charlie collects his loot from Mr. Haney and returns to Maggie's show just in time to pay off her creditors. Suddenly everybody loves Charlie, his macho belt and his money, even Joe, who forgets all about protecting his daughter's chastity and his former habit of beating the stuffing out of Charlie for no good reason. Roll credits. Please. ... Read more

Reviews (5)

Jerry Lewis, Tony Curtis.....What a pair!
Boy is this movie ever exciting. I am happy to say that I love Jerry Lewis, and Tony Curtis. This is one of my favorite movies because Jerry Lewis is not a total idiot and acts stupid all the way through. Usually he is making faces and talking stupid with silly vocies.He is funny at first but really after a while it gets old and annoying. This movies shows a different Jerry Lewis. He plays a Old buddy of tony Curtis's who happens ro have 3 pehoncas and they are all flight stewardess who attnd differnt airlines. When Jerry moves to Paris and moves in with Tony for a while. Only after the first day Tony's world comes crashing down. Jerry has to play cat and mouse. He can't remeber which one he suppose to take to dinner.As Tony and Jerry try their best to keep them apart.When one women walks in they change their mind about dinner. Or the girls get all in a tizy because they want to know why their is that kind of food. Jerry ends up falling for one of the girls. But Tony and Jerry are hilarious. Tony has to keep talking and switching rooms to keep the girls apart. While Jerry changes the pictures and the clothes in the gilrs rooms. Jerry actully acts ,like a human in this. Jerry is very funny. And Tony is even better they make you laugh untill your side hurts. But after seeing this movie for over the 12th time it is not funny and gets old. This movie gets funnier by the minute literally every time the door opens!

wonderfully hysterical!
I first watched this movie in Iran when I was no more than 6 years old! Since then, I have searched far and wide for this amazing and hilarious comedy only to find it here. This movie will have you rolling on the floor with clever slapstick and double entendres. It is a superb addition to any video library!

Jerry Lewis plays it straight to Tony Curtis.
When the opening credits run, and the supporting female cast members 'measurements' are shown beneath their names, you have no doubt you're in the 60's, bedroom farce, defined. In a roll reversal of sorts Jerry Lewis plays straight man to Tony Curtis this time around.

Bernie Lawrence (Curtis) is an American newspaper man stationed in Paris, the man for whom there is never too many airline hostesses, just too little time. His delicately balanced, and timed to the minute, 4-way love life comes totally unwound when old pal Robert Reed (Lewis) arrives for an unexpected stay.

Cliché after cliché, time stamped in most every shot, Boeing Boeing is a tribute to a different type of filmmaking than we see today, a different morality, a different approach to comedy.

Wonderful Paris sights are an added treat. Recommended.

Simply Great !
I consider this movie one of the Greatest Comedy in Cinema History! TCurtis, JLewis and the less known but great actress Thelma Ritter simply put a Roller-Coaster movie that keeps you glued and amused from start till the end. Not many other comedies can do the same. And Jerry Lewis part is not diminished at all by the others ones. (I'm a real Jerry Lewis fan, but I don't think that Tony Curtis and Thelma Ritter are nobody in Cinema History, simply look back.....) All 3 are Simply Great, the Movie is Simply unmissible and any Superlative Word available in the Vocabulary can freely be used!

not Jerry's best work
I love Jerry Lewis and I can't understand why such a great man would make such a movie.They should've called it "Boring Boring".That's my opinion. ... Read more

Reviews (9)

Some of the best moments of a landmark series
"All in the Family" has been reviewed, re-reviewed, analyzed and re-analyzed till little anything original is left. Who cares? This series was a true revolutionary for its time and had the gonads enough to tackle real-life social issues and problems in real-life fashion, something that comedies then didn't do. This video, a compilation of highlights from the series, comes no where near capturing ALL the highlights of the program: you'd have to get cassettes of literally every episode to savor all those other highlights for which not enough time exists in this compilation. We do get the treat of some classics, like the historic kiss Sammy Davis Jr. plants on Archie while a camera captures it, "Meathhead" Michael's frustrating rantings to Archie about "Tricky Dick" and a then-bold episode where "Dingbat" Edith finds a lump in her breast. But some of the other highlights you won't see here are those showing Edith's evolution from passive to formidable wife, and her standing up with a strength the comes from unflappable conviction of her beliefs. We miss the powerfully devastating show where Edith escapes a sexual assault by decking her victimizer with her own birthday cake, nor do we see (or are we likely to as long as Norman Lear has his way) Archie's heartbreaking acceptance of his wife's death. Still, this compilation is a dandy and gives us just enough of an appetite to ask for more. In that respect, the late Carroll O'Connor, who pumped an amazing life into the character of Archie Bunker, and a cast of stellar other performers, has left us with an indelible and priceless legacy.

Innovative, creative, topical and a one of a kind milestone!
In a television world sadly beset with mediocre programs aplenty, violence, endless, insipid talk shows and total insipidness, "All In The Family" dared to tackle sensitive issues with outstanding results. In a time when "its just talked about in polite company," it dared to be nonPC (Politically Correct). Not only did it stimulate endless debates and converations, but provided vehicles for spinoffs. Today in an climate of "eggshell"non-controversial world of television/movies, other media, in an effort not to offend, PC has watered down controversy to pablum. Save the insipid, sensationalized, endless parade of talk shows and expose shows, nothing is ventured. What a shame that this program cannot be resurected and hold again a mirror to American society.

Great synopsis of the series as a whole
This video has loads of scenes from many different episodes of All in the Family; with emphasis on everything from Archie's prejudice to Edith's ever-present kindheartedness and innocence to Meathead's liberalism and Gloria's squeaky voice, with Norman Lear, the castmembers, and some fans/naysayers of the show interspersed in between. This trip down Memory Lane is well worth the money! The only thing that is not in the video is any appearance or mention of the little girl named "Stephanie" played by Danielle Brisbois. "Joey" does make a few appearances; when Archie "baptizes" him and when Gloria and Mike decide to "move out West" with Joey in tow and say their tearful goodbyes.

All in the Family 20th Anniversary Special
Whatever I try to write about this show will not credit everyone involved enough to do the show justice but I will do my best. Everytime I see the repeated episodes on Nick at Nite I can remember watching those same repeated shows with my parents in the 80's when I was just a kid. The nostalgic feeling I get is unlike anything I have experienced watching television. The show strikes a nerve in all of us that can't occur watching any other TV program or movie in my opinion. Archie was brilliantly created by Norman Lear and directed as perfectly by Hal Cooper. Jean Stapleton may be one of the best actresses in entertainment history. Her ability to play a character like Edith had to take all her strength and talents because it was done perfectly. Rob Reiner's and Sally Struthers' characters will never be duplicated by any TV couple now and forever. The show's stories were the most powerful messages any sitcom has achieved and will never be achieved again. The rape episode when Edith overcame the situation could have won an emmy on its own for best actress. Another example of this with regard to Edith is when she stood up to Archie about her working at the senior citizen's center. Archie could have won emmies on single episodes many times over. The two we can never forget and must never ever forget is the Christmas episode with Mike's friend who was a draft dodger sharing the dinner table with not only Archie in Archie's house but Archie's friend who lost his son in the war. The performance put forth by Archie in this episode will never be duplicated by any actor in a sitcom again. The other stand out performance has to be the emotional roller-coaster we are put through when we find out Edith has passed on and see Archie express his sadness like no other actor will do more perfectly again on any tv show for the rest of eternity. Their are countless episodes that will never be recreated again. It is not because they are dated like I've seen some comments reflect it is because no one can perform at such a high level like the entire cast and crew did on this show for years. They made us laugh, cry, think, hope, question, philosophize, regret, love, hate, sympathize, and much much more. Most of all they left a mark on our lives like very few people in their position will ever do again throughout the course of our life while we and the entire population of the world are alive on this planet. In closing all I can say is: "THOSE WERE THE DAYS."

Bunkers' Best Begets Buyer's Bravos!
How could this not be a great video? It depicts the greatest moments of the greatest comedy of all times. The range of emotions it elicits is incredible. All in the Family was the most innovative and contriversial television program in history, and the reasons for this are shown clearly in this video. Even today, in this supposedly enlightened age, the language and subject matter walk the tightrope of social acceptability. And, best of all, this all took place in Queens- the home of the Amazin' Mets! ... Read more

Reviews (3)

Jan Brady tries to emerge from sister Marcia's shadow
The people who put together these volumes of two episodes from "The Brady Bunch" did it right with the thematic approach that focuses on a particular character. This volume welcomes us to the unhappy world of Jan Brady (Eve Plump). As we all remember, Jan is the middle daughter in the Brady Bunch, but that does not matter because the cosmic joke played out repeatedly at Jan's expense is that she is the younger sister of Marcia, Marcia, Marcia, Marcia (Maureen McCormick). First up is "Will the Real Jan Brady Please Stand Up?" (Episode #40, January 15, 1971) where Jan tries to change her personality with a brown wig. "Her Sister's Shadow" (Episode #59, November 19, 1971) has Jan trying to repeat her sister's success in the marvelous world of pom-poms. Actually, this is the episode where Jan finally arrives at the key insight in her psychological makeup when she admits that she wants to win at something so badly but does not know what to do. All too often we find the Brady's too be pathetic; but this is one time when Jan become a true figure of pathos. If you are a Jan fan, this volume of "The Brady Bunch" is the one you will treasure the most.

Some of the best Brady episodes ever
One of the great things about the Brady Bunch was that it was a show about some of the problems kids have to face while growing up. This video contains two classic episodes "Will the Real Jan Brady Please Stand Up" and "Her Sister's Shadow". Marcia is one of the most popular, smartest, and prettiest girls in school. Both of these episodes deals with how Jan has to live in Marcia's shadow, resulting in some of the best episodes ever made. No Brady collection is complete without this video. A must for all Brady fans!

Do you love the Brady Bunch? Then check this out!
Every Brady fan worthy of their bell bottom pants knows these two episodes already.

Do you remember when Jan decided to buy a black curly wig so she would stand out from her sisters? How about when Jan thought that Marsha's great accomplishments at school were overshadowing her own? - you know, the "Marsha, Marsha Marsha" episode?

The Brady Bunch is still as amazing a show, as it was in the 1970's with a following that is one-of-a-kind.

No Brady fan's collection would be complete without these two classic "Jan" episodes. ... Read more

Amazon.com

In the Family Way collects three episodes from the groundbreaking All in the Family show. The first, "Gloria's Pregnancy," centers around the Bunkers' daughter's miscarriage. The way the show dealt with topics such as these is what put it way ahead of its competition in the 1970s. What's truly amazing, however, is the way an episode like this holds up decades later. Comforting his daughter, O'Connor lets the purest of hearts shine through the often prickly-as-a-porcupine Archie, the character himself becoming a symbol of what the show was trying to communicate: the bittersweet complexity of living.

In "The First and Last Supper," Archie tries to escape from dining with his neighborhood's newest residents, the Jeffersons, and stoops so low as to fabricate a story about Edith twisting her ankle. When his plan falls apart, he's forced to swallow not only dinner but some disturbing food for thought--he might not be the only one harboring some racist tendencies. The episode also treats one to a classic Bunker take on evolution: "We didn't crawl out from under no rocks, we didn't have no tails, and we didn't come from monkeys, you atheistic, pinko meathead."

Closing out the collection, "The Bunkers and the Swingers" features Rue McClanahan and Vincent Gardenia as a hot-to-trot couple whom Edith invites to the house after completely missing the point of the wife-swapping ad they've placed in the back of a magazine. It's a particularly affecting episode in the way it highlights Edith's innocence ("It sounded like they needed us") and Archie's hilariously cordoned-off worldview, in which anything the least bit alien is automatically "Communism." --Bob Michaels ... Read more

Reviews (2)

Archie's world gets turned upside down three times
I remember "Gloria's Pregnancy" (Episode #6 February 16, 1971) as the first episode of a situation comedy ever to make me cry (I wasn't old enough to get the emotions of "Lucy is Enciente" when I watched it as a kid). Even though it was only the sixth episode of "All in the Family," the character of Archie Bunker was already so fully formed that when he visits Gloria after she suffers a miscarriage, the first crack in his gruff facade was a tender moment. This episode was originally entitled, "Gloria Has a Belly Full." "The First and Last Supper" (#13 April 6, 1971) finds the Bunkers visiting the Jeffersons for dinner, where Archie discovers he might not be the most bigoted person in the neighborhood. Finally, "The Bunkers and the Swingers" (#44 October 28, 1972) features guest stars Rue McClanahan and Vincent Gardenia as a couple who come over to the house when Edith innocently answers an ad for "swingers," not knowing that their visitors have come for a night of wife-swapping. Now that you know what three episodes are included in this volume, you have to admit the title "In the Family Way" is meant somewhat ironically. The one common thread of these three episodes seems to be that Archie finds the tables turned on him in three decidedly different ways.

Archie Is The Best.
This Show Was Very Funny. Archie Made Us All Laugh When He Talk About President Nixon. Archie Goes With Edith To Her Cousin Maude's House For Carol's Wedding Shower. Maude Who Created Her Very Own TV Show By The Same Name, Slams The Door On Archie. Buy This Tape ... Read more

Description

In "Easy Come, Easy Go" Elvis hits the high seas a Lt. (L.G.) Ted Jackson, and underwater demolitions expert who sets out with the skippers' daughter to find gold in a sunken wreck during his final service dive.Entangled in an action-packed adventure of romance and intrigue, the pair must battle adversaries on land and underwater as they attempt to claim the treasures before their plan is foiled.Featuring the songs "Love Machine" and the title tune "Easy Come, Easy Go." ... Read more

Reviews (9)

Groovy and Shaggy
Once again Elvis is hip and ahead of his time in this odd and zany movie. Fun for the whole family.

THRILLING MUSICAL-ADVENTURE!
The "Yoga is as Yoga Does" production number remains one of the most memorable moments in cinema. Amazing underwater photography still stuns audiences today. Truly a great film.

What a formula. Goes to show you, only times changed.
"Easy Come, Easy Go" is a likeable in some sense. Elvis is a Navy frogman who's on a search for buried treasure hidden in a sunken ship under the sea. He finds it's linked to Dodie Marshall and with her help he tries to find it. But, there are some unwelcome searchers looking for it too. One of them being the enticing Pat Preist of "Munsters" fame. When the treasure is found, it's all in copper. But, they're able to get some money out of it. A good thousand or so dollars. Elvis' characters were never money hungry. This film has got all the '60s fads and fashions: yoga crazes, body painting, spaghetti/body art, swinging dance moves, swinging music, and a wheel full of girls called "The Love Machine". That one's a great movie song that's often looked down upon. It's so '60s themed like the Bond movie "Casino Royale" is. Take about 95 minutes out of your life and see this swinging flick.

Never take a girl on a boat when there's MONEY involved!
Go-Go dancin' Dodie Marshall is an 'anything goes' type o' chick when it comes to guys rubbing women in paint and rolling said women on paper and calling it art. And she doesn't judge overweight British women married to Charles Laughton for their unusual Yoga instruction, or...just about anybody! But if you look for gold on a shiprecked vessel, man you are nowhere! Elvis was nowhere. He got nowhere when he got digits from the Love Machine. He got nowhere when making time with a blonde adventurous dish. And he got nowhere when trying to rent sea venture equipment from a TV show hasbeen who belongs on the short bus (if you know what I mean). But Elvis has his pride, has his charm, has his swagger, and has his bravado. And he entertains in this movie in spite of some slow points and some real clunkers, when the movie decides to pay too much attention to the ridiculous kiddie show captain.
Good music, funny looks at beatniks making a scene, and Elvis getting camera time are all reasons to see this movie. And if you wanted to catch a little more Dodie than what you saw in Spinout (yep. She was the hottie who played drums at the end of Spinout. Mama Mia!) then this is worth the trip. It's average on the Elvis Movie-O-Meter. It won't be your favorite, but it's a good enough addition to the library.

excetpcional
It's a great human being, mr. Elvis Aaron Presley, and his talent is real in this funny movie ... Read more

Reviews (1)

Misadventures of Opie
I bought it because it claimed to be uncut, but the episodes were cut. It was nice, however, to not have to fast forward through commercials. ... Read more

Reviews (9)

I just wanted to come back and hear the calliope
WALKING DISTANCE is probably the best episode ever produced. Gig Young acts out Serling's prose so perfectly that he speaks for every man that ever wished he could go home again. It is a very moving episode. Bernard Herrmann's score intuitively picks up the emotion and heartfelt sincerity that Serling wrote into this story. This was Rod Serling's, Bernard Herrmann's and Gig Young's finest work for any medium. I think it is the finest piece of work ever put on film. KICK THE CAN is thematically similar and also very moving. It examines what it means to grow old and if one must give up the very things that makes us who we really are. It too is a very heartfelt episode, sincere and remains one of the best.

Timeless and Forever.
Long ago when Television was young there were indeed programs of quality and value. One of the great icons of the era was for sure Rod Serling. Mr. Serling has been gone now since 1975...but his vision and talent and taste for the ironic live on in " Twilight Zone" episodes.

In "Walking Distance" Martin Sloan( Gig Young) gets to look back on his life in a very special way. A shock to himself when he sees himself, as a boy, carving names into a post on a gazebo..( a gazebo that could have been possibly in Serling's home town of Binghamton New York.

The quagmire of time and space are now imposed on Martin Sloan..and this unique teleplay is one of the best 26 minutes you might see on Television. The montage scene on the merry go round...the field is at first tilted...then corrects itself with a return to Mr. Sloan's reality..Frak Overton, Byron Foulger and Ronnie Howard round out the singular cast.

If this were all not enough, Bernard Herrman lends a most meloncholy score to the whole proceedings. This is what happens when great artists combine talents to produce something timeless.

Some " Wisp of Memory" indeed!

This tape has Serling's classic episode "Walking Distance"
In Rod Serling's classic episode "Walking Distance," Martin Sloan (Gig Young) leaves his car at the gas station and walks into his hometown, where suddenly everything is just as it was when he was a child. In fact, he encounters his younger self (Michael Montgomery), and has to come to terms with the fact that he has not been happy with his life for a long, long time. The episode, directed by Robert Stevens, is one of Serling's best evocations of nostalgia, with a cast that includes Pat O'Malley and young Ronnie Howard. "Kick the Can" was George Clayton Johnson's final script for the series, and was the episode adapted by Steven Spielberg in "Twilight Zone: The Movie." Charles Whitley (Ernest Truex) and his friend Ben Conory (Russell Collins) are residents of Sunnydale Rest, a home for the aged. Charles becomes convinced that the secret to being young is acting young, and one night he begs the others to join him for a game of kick-the-can. Everyone agrees to join in the game, except Ben. Because this is the Twilight Zone, this is a tragic mistake and one that Ben will regret the rest of his life. This is an okay episode, but not a classic like the first one on this tape.

Short subjects as timeless as their medium...
This is another fine package in the series, two classics that have obvious but effective stories to tell. "Walking Distance" is about Martin Sloan, successful in business but not successful in that walk of life that all men try sooner or later: trying to go home again. "Kick the Can" is an enormously moving and engrossing piece with Charles Witley dilivering the goods as an old man who refuses to die in Sunnydale Rest. He is a man who knows that he will die in this world if he does not escape...into the Twilight Zone. This is one you should see.

The Human Side to the Twilight Zone
Rod put a lot of humanity into these two episodes of the Twilight Zone. The first story deals with a man's return home to his childhood trying to find his younger self that he left behind. The second story deals with people in their senior years who play a game of "Kick the Can" and discover that being young and old is very closely linked, and not seperate. Even if you don't like science fiction, watch these two Twilight Zone stories, they are human stories. ... Read more

Reviews (1)

A Must See Superb Andy Griffith Collection of Barney Fife!!
In this classic 3 show Andy Griffith Collection starring 5 time Emmy winner Don Knotts as Barney Fife is as follows,1.The first show has Barney fixing up Andy with the fun girls that ends with hilarious results,2.This show has Barney becoming jealous of Opies affections with his girlfriend Thelma Lou again with hilarious results3.This show has Barney jealous of Gomer courting Thelma Lou and ofcourse agin resulting with hilarious results which makes this video overall a must see,superb Andy Griffith Collection of Barney Fife!! ... Read more

Reviews (6)

The Brady Bunch Should Have Complete Season DVD Boxsets!
I was 4 years old when The Brady Bunch aired on TV for the first time and I grew up watching some of the original airings and the syndicated reruns. These two episodes are very good. My favorite is the episode titled Tattletale where Cindy drives everyone crazy with her constant snitching which results in Alice the housekeeper's boyfriend Sam getting mad at Alice and breaking her heart by cancelling their date and Cindy has to set things right. The episode Law & Disorder is good too. Bobby becomes a hall safetly monitor at school and he angers his friends when he becomes way too bossy and at home he makes everyone mad when he accuses them of breaking the rules including Greg who was late getting home, but it turns out that Greg had a very good reason for being late and soon Bobby will learn a lesson when has to break a rule to help a friend find her cat who is lost in an old condemned house. It's great that these two episodes are on tape but I would really like to see the whole show get on DVD in complete season DVD boxsets!

BRADYS ARE PRICELESS
I have to admit, I was skeptical at first about buying this video..being a big time Brady fan...I am glad I did..will buy more..wish they had this on dvd...like some shows have a whole season...someone needs to do that with this classic show!

One Of The **BEST** TV Shows Ever Made!!
I grew up with the Brady Bunch. I have seen every episode at least three times. I have seen some episodes more than that. I hope to get this tape for Christmas. I love the episode Law & Disorder. It has always been one of my favorite episodes. I also love the Tattletale episode. It's so funny when Greg is making a face at Cindy in the beginning of the Tattletale episode.

If you haven't seen this show I suggest either buying this tape or watching it on TV Land or on Nick At Nite. You won't be sorry if you do.

A great video collection
This video contains two of the best episodes involving the two youngest children, Cindy and Bobby. In the first episode, "The Tattletale", Cindy does what she does best: snitching. She drives the rest of the family crazy with her tattling. The second episode, "Law and Disorder", features Bobby, who wants to be the best hall monitor in school. However, he brings his job home with him and rats on all of his siblings.

These are two great episodes, especially for fans of the younger Bradys.

These two episodes were really good for any Brady lover.
These episodes were really good, particulary because Cindy is my favorite character, and "The Tattletale" is focused around Cindy. In "Law and Disorder", Bobby wants to be a good safety monitor, but becomes really bossy at school and at home. He goes too far, but then he saves a girl's cat, and in doing so, he breaks a rule and rethinks the concept of rules. "The Tattletale" is about Cindy tattling on other people so much that the Brady kids start avoiding her. Then she tries to stop tattling so much that she almost loses something that is important to Alice. ... Read more

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The best supporting character in television history
Don Knotts' character Barney Fife, as good as the other elements of the show were, made "The Andy Griffith Show" perhaps the best sitcom ever. Any package featuring Barney Fife should be an excellent one. ... Read more

Reviews (2)

Volume Three of a great series
Check out my review of the box set containing Volumes 1 through 4.

Apart from anything else, it includes episode listings for this and the other tapes.

My children love the Rifleman.
Could someone please tell us which episodes are contained in this volume ... Read more

Reviews (11)

ROUSTABOUT--ELVIS' MOST ENTERTAINING FILM
Since "Roustabout" debuted in 1965, I've become an expert on it. The cast includes a screen legend as well as recognizable supporting actors. Besides Barbara Stanwyck, there is Pat Buttrum, Sue Ann Langdon, and Norman Grabowski as the cement-headed college student who tries to muss Elvis's hair. Joan Freeman is Elvis' romantic interest. She later co-starred with Don Knotts in "The Reluctant Astronaut". Imagine kissing Elvis in one movie and Don Knotts another. Well, I guess that's why they call it "acting". As for the story, it revolves around Elvis as a temporary carnival worker while aiming for the BIG time. There is a fistfight with Elvis nemesis Steve Brodie, Elvis riding his "bike", Elvis as the saviour of the carnival, and Elvis with a new girlfriend. What more could you ask for? If you can think for yourself, and not be content with "Blue Hawaii" as your favorite, then check out "Roustabout". It's more fun than a circus, "cheap at half the price" AND, you won't have to "bite any heads off chickens".

Can you believe it? A leather-clad drifting biker!
"Roustabout" has Elvis playing a karate-chopping, drifting motorcyclist who is picked up after an accident involving him being knocked off his bike by local carnival foreman Leif Erikson, with his daughter Joan Freeman and owner Barbara Stanwyck. After his bike and guitar are damaged, he is hired by Stanwyck to work as a roustabout in her carnival. Elvis, of course, soon falls for Joan Freeman who is a little reluctant at first. Over time the carnival becomes the local night spot around as Elvis attracts people for singing along the midway. In come the teenagers and crowds in droves. Rival carnivla owner Pat Buttram asks if Elvis is interested in joining his big carnival. He refuses. After some confrontation involving a stolen wallet Erikson is convicted of and Joan Freeman's unhappiness with Elvis, he quits Stanwyck's outfit. Then it's off to the Carver show. Elvis is a hit. Back at the other carnival, business is failing and troubles with the bank build. Joan Freeman tries to bring him back, but to no avail at first. Later Elvis decides to go back, pay off the debt, win Joan Freeman, and make the carnival a swinging place again. Quintessential!

Wheels On Your Heels!
I won't bore you with a plot synopsis or my opinion of the borderline interesting story - this movie IS WORTH SEEING for one jaw-dropping sequence: For the rockingest song in the movie, "Wheels On My Heels", Elvis is driving his own motorcycle on a real location road and lip-syncing at the same time - without a helmet! This is not some lame rear projection process and most of the time the entire bike is shown, so it's not being towed - I just found it amazing, no kidding. I mean, what if he lost his concentration...boom! Brain damage.
Oh and Leif Erickson will make you really uncomfortable in this movie - what a loser slime.

Roustabout
Elvis plays opposite Barbara Stanwyke (The Big Valley) this time out and is in awe of his co-star. It is reported he worked hard on this film to live up to Ms. Stanwyke's professional standards.
Unfortunately, the scriptwriters were less demanding of themselves, and the film suffers from banal dialogue and predictable plotting. Elvis stars as Charlie Rogers, a drifter with a chip on his shoulder who lands a job as a roustabout (handyman) with a down-and-out carnival operated by strong-willed Maggie Morgan, played by Stanwyke. When Charlie breaks into song on the midway one day, throngs of young people flock to hear him sing (which may be believable were they all penned by Lieber & Stoller). As news of his talent spreads, Maggie's carnival begins to turn a tidy profit. Charlie's good fortune continues as Cathy, a young and pretty carnival worker played by Joan Freeman, takes a romantic interest in him. However, after a misunderstanding involving a customer's missing wallet, Maggie and Cathy chide Charlie for his selfish attitudes. The embittered young Charlie quits Maggie's outfit to work for a rival carnival. When Maggie's carnival starts to go under, Charlie returns with enough money to ward off the creditors. His unselfish act wins Maggie's respect as well as Cathy's heart.

With a cast of big-name stars, including Barbara Stanwyke, Leif Erickson, and Jack Albertson, Roustabout was one of Elvis's better films from this period.

Elvis would later says that working with Stanwyke made him a better actor.

Starring Elvis and his amazing man-eating leather belt
Pleasant enough Elvis time-killer with a cotton candy soundtrack, pairing him with Hollywood veterans who should have known better. The story:

Elvis plays Charlie Rogers, a brooding loner (you can tell by his semi-comatose expression) eking out a living doing a bad impression of, well, himself at a dive called Mother's Tea House. (Look fast for Raquel Welch at one of the tables.) One night, he unwisely taunts some middle-aged college boys with a witty ditty called "Poison Ivy League," gets in a fight, loses his job and sputters off on his dinky motorbike. Happening upon a jeep, Charlie is run off the road by short-fused carny Joe Lean (Leif Erickson) for flirting with his virginal daughter Cathy (Joan Freeman, who, tellingly, later became a nun). Unhurt, Charlie signs on as a roustabout in their two-bit carnival, run by Barbara Stanwyck as Maggie Morgan, a woman of backbone and bite (sorry, wrong show), until his bike can be repaired. Maggie recognizes Charlie's teen appeal after his impromptu performance of "It's Carnival Time" causes a sensation on the midway. Soon Charlie is packin' 'em in, and the carnival begins to turn a profit. On top of the world, Charlie steps up his romancing of Cathy while fending off the advances of an amorous fortune teller (the usually fetching Sue Ane Langdon in a hideous black wig) until a fracas with a boorish customer causes him to get ants in his pants again. His cycle fixed, Charlie dons his outrageously tacky, must-be-compensating-for-something, foot-wide studded-leather belt and accepts the generous offer of the owner (Pat Buttram, the immortal flimflam man Mr. Haney from TV's "Green Acres") of a big-time rival carnival. In the flick's most excruciating sequence, Charlie sings "Little Egypt" to a bevy of skanky exotic dancers (one of whom might be Teri Garr). Meanwhile, with Charlie no longer there to pull in the crowds, Maggie's carnival is about to go belly up, and it's up to Cathy to lure him back. She does, of course. Charlie collects his loot from Mr. Haney and returns to Maggie's show just in time to pay off her creditors. Suddenly everybody loves Charlie, his macho belt and his money, even Joe, who forgets all about protecting his daughter's chastity and his former habit of beating the stuffing out of Charlie for no good reason. Roll credits. Please. ... Read more

Reviews (2)

Of course this video is child appropriate!
The Andy Griffith Show is THE finest T.V. series ever made. And how anyone could even think, mind you, just think anything else is beyond me and mine!

Story Line-Content
I just want to review to see if this video is child appropriat ... Read more

Amazon.com

"Diamonds, daisies, snowflakes... sable, popcorn, white wine... is that girl," describes the opening theme music of TV's That Girl about the independent Ann Marie, a young actress trying to make it on her own in New York City in the late 1960s. Before Mary Richards "made it after all" in Minneapolis, Marlo Thomas portrayed the feisty Ann, a seemingly feminist woman (by modern standards, her desi