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Amazon.com Based on an obscure crime novel titled Tucker's People, Abraham Polonsky's Force of Evil has attained classic status since its release in 1948, when film noir was thriving on the fringes of the Hollywood studio system, where the shadowy attributes of noir were allowed their fullest expression. Which is to say, this gritty drama is drenched in greed, cynicism, and corruption of the soul, as embodied by John Garfield in one of his most memorable roles. He's perfectly cast as Joe Morse, a lawyer whose connection to a ruthless racketeer has nearly destroyed his sense of morality. His participation in a rigged numbers racket could prove disastrous for his high-strung older brother (superbly played by Thomas Gomez), whose small-time policy bank stands to go broke when the rigged numbers pay off--a financial windfall for Joe's powerful boss at everyone else's expense. Joe's corruption is tempered only by remnants of guilt and his redeeming attraction to Edna (Marie Windsor), his brother's secretary, whose common decency gnaws at Joe's rotten conscience. But before Joe can rise from his self-made hell, Force of Evil takes him to the darkest pit of tragic humanity--a downward spiral perfectly expressed through George Barnes's exquisitely stark cinematography. In style and substance, this is quintessential noir, its plot unfolding with uncompromising toughness and intelligence. More's the pity, then, that director Polonsky was later victimized by the Hollywood blacklist, curtailing a promising career for two decades until Polonsky directed Robert Redford in 1969's Tell Them Willie Boy Is Here. It seems only fitting, then, that Polonsky's remarkable debut is now recognized as one of the finest dramas of its kind. --Jeff Shannon ... Read more Reviews (10) 
An Inside Look At Big City Corruption
Abraham Polonsky's 1948 film Force Of Evil is drenched with cynicism, corruption, greed, and love. Capturing the lure of noir, Force of Evil is a violent ballet which depicts the struggle of two brothers vieing for a rung on the urban ladder of existence. Joe Morse ( John Garfield) is a Wall Street lawyer with connections to an underworld kingpin. Morse is not content with being a straitlaced lawyer. Longing for a big score he becomes embroiled in a plan to drive the neighborhood number rackets out of business. Morse's greed is compromised by his protective instincts for his older brother Leo ( Thomas Gomez)who happens to operate one of the small policy games. Morse's morals and emotions are further stirred by Doris ( Beatrice Pearson), Leo's secretary who innocently is scarred by the veil of crime. A dichotomy emerges as each brother's values about life come to the surface. Gomez is outstanding and upstages Garfield in a memorable performance. Although Leo runs a small numbers operation, he is a proud and honest man that remains loyal to his workers. He has provided poor neighborhood people with extra income and justifies the numbers racket as a simple five and dime game that might bring a windfall to a blue collar laborer. Conversely, Joe has it all- Wall Street law office, secretaries, and expensive suits. Yet Joe's success is partly due to his representation of his most influential client, mob boss Frank Tucker ( Beau Bridges). Joe cannot break his ties with the mob and instead becomes more involved with them. Polonsky's location shooting in Manhattan adds the concrete texture and intimidation that shadows the film. In one scene, John Garfield's lone figure walking along desolate Wall Street, with Trinity Church looming in the background creates a sense of urban alienation. Polonsky's camera work when Mr. Bower is shot is riveting. No film up to that time had captured the brutality and urgency of mob gunmen at a hit scene as did Polonsky. That scene alone bridges some of the influences that Martin Scorsese speaks about in the film's prelude. Characters, scenes, and emotions from Mean Streets, Raging Bull, and Goodfellas are distinctly culled from Force of Evil. Also Jeff Shannon's review incorrectly states that Leo Morse's secretary is played by Marie Windsor. The beautiful, buxom fixture of many noir films, Windsor played the role of Edna Tucker, the mob boss's wife. Upon release, Force of Evil was relegated to B status, but recently and rightfully so, it has been reevaluated as one of the most influential crime noirs in American cinema.
A Look At Big City Corruption
Abrabham Polonsky's 1948 film Force of Evil is drenched with cynicism, corruption, greed, and love. Capturing the lure of noir, Force of Evil is a violent ballet which depicts the struggle of two brothers vieing for a rung on the urban ladder of existence. Joe Morse ( John Garfield) is a Wall Street lawyer with connections to an underworld kingpin. Morse is not content with being a straitlaced lawyer. Longing for a big score he becomes embroiled in a plan to drive the neighborhood number rackets out of business. Morse's greed is compromised by his protective instincts for his older brother Leo ( Thomas Gomez) who happens to operate one of the small policy games. Morse's morals and emotions are further stirred by Doris ( Beatrice Pearson) , Leo's secretary who innocently is scarred by the veil of crime. A dichotomy emerges as each brother's values about life come to the surface. Gomez is outstanding and upstages Garfield in a memorable performance. Although Leo runs a small numbers operation, he is a proud and honest man that remains loyal to his workers. He has provided poor neighborhood people with jobs and extra income and justifies the numbers racket as a simple five and dime game that might bring a windfall to a blue collar laborer. Conversely, Joe has it all- Wall Street law office, secretaries, and expensive suits. Yet Joe's success is partly due to his representation of his most influential client-mob boss Frank Tucker (Beau Bridges). Joe cannot break his ties with the mob and instead becomes more involved with them. Polonsky's location shooting in Manhattan adds the concrete testure and intimidation that shadows the film. In one scene, John Garfield's lone figure walking along a desolate Wall Street, with Trinity Church looming in the background creates a sense of urban alienation. Polonsky's camera work when Mr. Bower is shot is riveting. No film up to that time captured the brutality and urgency of mob gunmen at a hit scene as did Polonsky. That scene alone bridges some of the influences that Martin Scorsese speaks about in the film's prelude. Characters, scenes, and emotions from Mean Streets, Raging Bull, and Goodfellas are evident in Force Of Evil. Also Jeff Shannon's review incorrectly states that Leo Morse's secretary is played by Marie Windsor. The beautiful, buxom fixture of many noir films, Windsor played the role of Edna Tucker,the mob boss's wife. Upon release, Force of Evil was deemed a B crime flick. Recently, and rightfully so, Force of Evil has been re-evaluated as one of the most influential crime noirs in Amercian cinema.
One of Garfield's best films is thankfully on dvd!
This was one of John Garfield's final films before he was wrongfully "blacklisted" & it's easy to see why it was a "major influence" on director Martin Scorsese's crime dramas. Garfield plays a wise young Wall Street lawyer who works for a mob boss in order to make money "the easy way". However, when Garfield forces his older (& weaker) brother to join the crooked organization, problems quickly arise, & there's plenty of backstabbing & double-crossing involved! I'll admit the movie starts off a little slow, but Garfield's incredible acting had me hooked in no time. The photography in this gripping film noir is simply amazing, & although Garfield's the only "big star" the cast is very good. Unfortunately, the dvd has absolutely no special features, not even a trailer or cast bios. Oh well, this classic is so awesome that I'm satisfied with the dvd release. Maybe someday a special edition will be released. If you're a John Garfield or film noir fan than this is a definite must!
Classic Garfield Noir
Force of Evil is a fine example of 1940s film noir. Polonsky's direction is crisp and the pacing perfect throughout. John Garfield turns in an above average performance as Joe Morse, a lawyer turned enabler for mob boss Ben Tucker, who is played by a not entirely convincing Roy Roberts. Force's plot turns around the effort of Tucker and Joe Morse to monopolize "policy" (i.e., the numbers racket) in New York, and Morse's effort to keep his brother, who runs a small-time numbers bank, from being crushed in the process. It is the brother-to-brother aspect of the plot that provides the real juice for this noir, with Thomas Gomez turning in a riveting performance as Joe's brother, Leo Morse. The female lead, Doris Lowry, is played well by Beatrice Pearson, but, in the end, the character stands to serve only as a sounding board for Joe as he struggles with what he has done to himself, and to his brother. Technically, it looks as though Artisan, a perennial purveyor of poor quality dvds, has finally gotten a release right. The transfer here is crisp with solid blacks and a serviceable grayscale. The only obvious flaw on the disc can be found in the chapter selections, where the stills for the last two scenes are reversed. The audio is quite acceptable, and the score for this work is incrementally more memorable than most. As for features on this dvd, there are none -- it's the film, and just the film. However, because Artisan must learn to walk before it runs, the absence of special features is forgivable in light of the effort Artisan has finally put into getting the film right. All things considered, I recommend this dvd to those wondering what film noir is all about, and strongly recommend it to confirmed fans of the genre. If you know what noir is about, and are not a fan, this dvd is decidedly not for you.
fine noirish effort
Not quite on a par with the best film noirs such as Touch of Evil, Double Indemnity, and Sunset Blvd., FORCE OF EVIL is still a fine film starring John Garfield. Garfield is an attorney, caught up in a drama with an older brother, the numbers racket, and a life spiraling out of control. Excellently made, it only lacks in topnotch performances. Truly this is not a film noir, because our protagonist is corrupt from the beginning. Still, it often gets classified as a noir; it has much in common with the famous film noirs, and I would recommend it to any fan of the noir genre, as well as fans of 1940s cinema. I loved it. 90 minutes well spent, and I'm recommending it to all my friends. five stars
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The Wrong Photo on the Box !!!!