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Here's another example of TV giving James Woods the chance to stretch out from the intense-psycho roles he seems restricted to in too many of his movies. In My Name Is Bill W. he plays Bill Wilson, the overreaching businessman from the Roaring '20s who went on to found Alcoholics Anonymous. Woods gets plenty of chances to stretch out here in Bill's headlong slide to the bottom, through the terrors of the Wall Street crash (which amplifies a two-fisted drinking problem) and into the loss of everything he holds dear. Yet Woods also is convincing as the man who understands just how insidious his disease is and learns to try to take everything one day at a time. He receives strong support from James Garner as the alcoholic physician who teams with Bill to make AA a viable proposition. --MarshallFine ... Read more

Reviews (18)

The "ROOTS" of "Alcoholics Anonymous"
Are you an alocoholic? Is someone you love an alcoholic?

It really doesn't matter. This movie, regrettably is available only on VHS, will give you insight, understanding, and hope. Hope, that most fragile of words, is the basis of this incredible made-for-TV motion picture.

Bill Wilson comes home from World War I a hero. He then conquers Wall Street. He marries the love of his life, Lois. He then discovers both a new god, a new lover, a new idol; the bottle. This unflinching film looks at the descent of of alcoholic into hell, and his journey back, guided, not by the spirit of Virgil, but by another alcoholic, Doctor Bob. Together, they find a "cure" for an "incurable" disease. The disease of alcoholism.

Neither could cure themselves, but together, they could find the way out of hell into if not paradise, at least life; life on life's terms.

This film has been called the AA "Roots." I won't take up that guantlet. This film stands alone. The performances by James Woods, JoBeth Williams and James Garner stand on their own merits. It tells the story of one man's descent into the hell of addiction < and YES, alcoholism is an addiction >, and his return to the land of the living.

Woods plays Bill W. with remarkable restraint, not denigrating into the hystrionics of Jack Lemmon in "The Lost Weekend"; as brilliant and well-meaning as that film is. Nor does this movie fall into high camp, as did "Reefer Madness" in the late Thirties.

Instead, in "My Name Is Bill W.", we see a man driven to the depths of despair. A man beaten is beaten into the dust. To quote Cecil B. DeMille, "the dust from which prophets and holy men are formed. . ."

Yet, this film is not preachy. It tells a story. A true story, all the more frightening, because it is true.

Watch this movie. Listen to its message of hope, of truth, of honesty, openness, and willingness. Hear the story of the damned, who somehow, someway, found salvation.

You will be moved. I promise you.

Wonderful Movie on The Birth of A. A.
As a recovering alcoholic myself, I find this movie an accurate and moving portrayal on the life of Bill Wilson and the early history of Alcoholics Anonymous. James Woods is always a marvelous actor, but here he delivers a tour de force performance as Bill Wilson. Also in the cast is the ever-delightful JoBeth Williams of Big Chill fame. James Garner plays Dr. Bob Smith, who, along with Bill, founded A. A. in 1935. Garner also co-produced the project. This was originally aired on television as a Hallmark Hall Of Fame movie in 1989. Very inspiring!

A MUST SEE FOR ANYONE IN THE 12 STEP PROGRAM
If you are recovering from any type of substance abuse and want to know the history of how Alcoholics Anonymous was founded, you MUST see this video. It tells the story of Bill Wilson and Dr. Bob Smith and their fight in overcoming their life threatening illness of alcoholism. This is the story on how AA got started and if you participate in AA you will gain a new perspective on how hopelessness can turn into peace and serenity in this incredible fellowship. If you've read Bill's Story in the Big Book, you will be amazed at how well this film was done!

NO HUMAN POWER
I saw an interview with James Woods, where he stated that the directors wanted to cut out the seen where Bill is standing by the window explaining to Lois how cunning, baffling and self-destructive his disease is, but inspite of all that what he really wants most right now is another drink. James Woods told them that if they cut it out, he would not accept the role because it is what every alcoholic needs to hear and identify with. I highly respect him for that and would like to say THANKS!!! The scene at the end were Bill is 12-stepping a newcomer is priceless. The seen where he's in the motel trying to get in touch with Dr Bob, will make any recovering alcoholic grateful that we don't have to go to the same lengths as he did to share their experience, strength and hope with another alcoholic to stay sober one more day. Great performances by all!

A Movie That Every Recovering Alcoholic Must OWN
I have watched this movie at least 6 times and never tire of it. As a recovering alcoholic it could be me in that movie and it makes me remember what it was like. I am also a proud member of AA and Thank God for Bill W. !! ... Read more

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Released at a time when psychic auras, near-death experiences, and Kirlian photography were all the rage among early New Age proponents, Resurrection achieves a spiritual depth rarely found in Hollywood movies. In one of her finest performances, Ellen Burstyn stars as Edna McCauley, a transplanted farm girl who develops healing powers following an accident that left her widowed and paralyzed. Returning to her Kansas homeland, she attracts awe and controversy, performing healings while deflecting any pretense of religion. That's a risky position in the Bible belt, and even Edna's new beau Cal (Sam Shepard) responds with zealous incredulity, fearing what he can't understand while others embrace Edna with unquestioning faith. Through it all, Edna remains calmly resolute as the conduit of an extraordinary gift.

Sensitively written by Lewis John Carlino (The Great Santini), Resurrection tenuously mixes spiritual significance with John Ford's homespun tradition, but for the most part it works: Burstyn superbly conveys Edna's heartfelt determination, and both she and stage veteran Eva LeGallienne (in a rare and final film performance, as Edna's grandma) deservedly earned Oscar nominations. The movie dares to suggest that miracles reside within everyone, and that pure grace will manifest itself in unexpected ways. To that end, Richard Farnsworth is warm and wise in a brief but perfect role; Burstyn's final scene with Roberts Blossom (as her disapproving father) is a heartbreaker; and the film ends with an act of compassion that brings the story full circle as an affirmation of life's greatest mysteries. --Jeff Shannon ... Read more

Reviews (36)

The Best Film I've Ever Seen Ellen Burstyn Do
Ellen plays a woman who suffers a near death experience and tragedy to find that she has developed the power to heal people. The scene where she climbs into the tragically stricken womans hospital bed to heal her and visually takes the womans deformity into her own body is nothing short of Oscar winning acting at the highest level.The film has a slow start, is typically dated in the costuming and sets, but Ellen shows the actors of today how to take a sow's ear and turn it into a silk purse.This movie is a fantastic choice to curl up with on a bad winter day and get lost in. I highly recommend it and I don't waste my time reviewing ANYTHING unless I truly believe in the product. Buy it.

ONE OF THE BEST EVER!
I taped this movie from TV, a long time ago. I thought it would be reshown, but it has not been, to my knowledge. Despite my e-mailing the networks, they seemed uninterested in showing it again, therefore my copy is in very poor condition; needing to be replaced, badly. I have been looking for it, on video for ages, either with no success, or an unusually high price tag attached, for some reason. I absolutely love this movie, as it has something for everyone. It is a very well written and acted drama, with both Ellen Burstyn and Sam Shepard "playing off" each other perfectly. The supporting cast is also as good as it gets. Not only does Ellen's character want to leave this "gift" behind, but Sam Shepard does not appreciate it, as he views it more a curse, than blessing; feeling it is something that will distroy, their already, struggling relationship. Even when he sees what the "gift" affords to people in need, it is beyond his grasp to accept. This is a hard-edged movie, but has such a soft undertone and so much feeling and love, plus the struggle by Ellen Burstyn, as she tries to reason why this gift has been given to her, as she feels totally unworthy, therefore she rages against it, trying to throw it away..then.. the final acceptance of something that is truly a gift from God and therefore, should not be questioned. Anyone who wants to be inspired by a truly wonderful movie that will leave you with that "feel good" feeling... this is the movie to do just that! I hope others will enjoy it, as much as I have.

An Outstanding Film
If you like Ellen Burstyn, or even if you don't and have a bit of an open mind, you'll love this film. It is a moving and sensitive portrayal of the painful journey of someone blessed/cursed with perception and abilities that we normally discount. Ellen Burstyn is magnificent, and the story is compelling.

Another Ellen Burstyn Classic
Anyone captivated by the 70's Ellen Burstyn ("The Last Picture Show," "The Exorcist," "Alice Doesn't Live Here Anymore," "Same Time Next Year") ought to have this gem as well. As Edna, she steps across the line between life and death but returns, now with the gift to heal. The why is asked, but Burstyn's portrayl of a not-so-perfect human who is given an extraordinary gift makes the why irrelevant. The genius, though, is that the gift - to be healed - can be given only to those who "accept" it (some people need their sickness, Edna explains, after one unsuccessful tent "healing"). "Ressurection" is clearly a Burstyn-driven vehicle, but she's nearly upstaged by French actress Eva LeGallienne as Edna's grandmother. Both women were justly Oscar-nominated, and both are stunning. The film's conclusion is classic. A terminally ill boy whose only fear is for the parents he will leave behind doesn't know he's been healed, and the freeze-frame on Burstyn ends the film with a dosage of "feel-good" for the viewer. A must-see!

bioenergy healing
From an insider at Universal Studios I learned that this screenplay portrayed an amalgam of a number of "healing" episodes into one. This reviewer, is also a healer even though not as powerful as the character depicted. The healing power related in this picture is also known as bioenergy and is not connected to any religious power. It is within all of us, if only we would let it emerge.The very basis or successful bioenergy is based solely on unconditional love for an even total stranger. The emphasis is on the unconditional reaching out to out to another person, who is ailing. Remember though that not everyone can be healed, especially those who use illness for attention.The portrayal by Ellen Burstyn in her actions is overwhelming in its accuracy and also the thoughts of the maniacal fundamentalist who believes that this gift is from the devil; it isn't. ... Read more

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Structured as a star vehicle for country singer turned actor Kenny Rogers, Six Pack is an amiable little film that aims low but showcases the pleasant and easygoing charm of its star. Rogers (The Gambler) plays a down on his luck race car driver saddled with a half dozen delinquents. As he tries to resurrect his fledgling career, he bonds with the little waifs and they form a sort of family, even as they are pursued by a corrupt sheriff who wants to send the kids to an orphanage and ruin Rogers' comeback. A blatant knockoff of films like Smokey and the Bandit, this family-oriented movie works best as a breezy comedy of errors, with the hapless racer contending with his unruly brood as they stay one step ahead of the law. --Robert Lane ... Read more

Reviews (14)

Enjoyable and Entertaining!
I remember watching Six Pack with my mother who is a Kenny Rogers fan and I thought it was a very cute movie and Kenny Roger's is just as good an actor as he is a singer! Roger's plays former racecar driver who is attempting to make a comeback and one day he catches six orphans who are trying to strip his car and after that rough first meeting the kids latch on to him and they all develop a warm relationship but a crooked sherrif and his thugs are out to make troube for all. Not only was Kenny Rogers good but so was Erin Grey (Silver Spoons) as the love interest and the kids especially Anthony Michael Hall (The Breakfast Club) and (Diane Lane (Under the Tuscan Sun) and I recommend this movie and I hope they put it out on DVD (Widescreen).

Six Pack
This was one of my favorite movies growing up . I just recently purchased a copy of this movie for my family and now my kids love it as well . Kenny Rogers was terrific in this simple role and who doesn't love Erin Gray . Some how we all were able to relate to these kids in some way . I give this movie 4 stars for plain simple enjoyable fun .

Six Packed with Fun
The only objection I have heard to this movie, that was halfway objective, was that the attitude of the kids and language could be improved. Now I understand that judgement, but either you need to get eye surgery or or be realistic about your outlook. When I first saw this movie when it was released I fell in love with it. I'm no kid either, in fact I'm now 52. This movie is realistic and has some great acting and comedy. So if you're concerned about how it will affect kids, why don't you sit down and watch it with them. Everyone should have a laugh.

It is sad to me that funny family movies like this have not come out on DVD when there is so much junk that has come out on DVD. I don't know who is keeping this from coming out on DVD but I for one will buy it when it does. I went ahead and ordered this on VHS because there is no indication that it will be on DVD anytime soon.

This movie is bad, but it was filmed in my hometown.
Once upon a time in the '80s, when I was in elementary school, a film crew and Kenny Rogers invaded Buford, filming scenes of SIX PACK. I thought it was cool at the time, for I watched Erin Gray, the love interest in the film, on "Silver Spoons" and "Buck Rogers." (Little did I realize that the coolest person in the film would turn out to be Diane Lane, who would go on to get an Oscar nomination in 2003. Of course, her biggest claim-to-fame then was "A Little Romance.")

When it came out months later, everyone crowded the theater to see how the whole thing came out. And it was bad. To give you an example of how bad the film was, it has a character in it named Breezy, and it's about unruly children and NASCAR racing.

But the town was recognizable, so that's something interesting. I can say I've walked past the same Western Auto that Diane Lane did in that rain scene.

(To see more films made in my hometown, rent Steve Martin's A SIMPLE TWIST OF FATE, which was a modern version of "Silas Marner." It bombed at the box office like this one, though the reason it bombed is because "Silas Marner" is awful.)

Anyway, SIX PACK is bad.

Six Pack rules.
When I was a boy I loved this movie. I would watch it everyday. Play, rewind. Play rewind. My friend Alisa would come over to my house and we would hold hands and watch the movie. We loved being together to watch the cinematic masterpiece that is Six Pack! Diane Lane is fantastic as the innocent looking vixen. See her in 'Unfaithful'. Good movie with a lot of explict adult situations. Schwing! ... Read more

Reviews (17)

I will never forget this movie
I have not seen this movie since it was first aired on TV many years ago, but I will never forget it. It is one of the most moving films I've ever seen, and on my list of favorite movies of all time. (This list includes El Norte, Careful He Might Hear You, The Good Fairy, My Man Godfrey, McCabe & Mrs. Miller, Black Orpheus, Dersu Uzala, Notorious, The Shop Around the Corner, Big Lebowski, 12 Angry Men and Whistle Down the Wind, just to give you an idea of my taste.) I wish they would re-release The Dollmaker on DVD, but I'd settle for VHS if I could get it.

Mountain Magic
I'm not sure what year this wonderful film was released and it's hard to believe it's not available on tape yet. The down home charm of this folklike movie has made me actually wear out my old home taped copy after excessive viewing. Jane Fonda's portrayal of this homespun Kentucky mountain woman was absolutely fantastic. It was also good to see Helm on screen again continuing to play his often southern mountain character. These two actors together made quite a team showing us their poor, yet hard working and surviving family during war and less prosperous times in our country. A talented craftswoman and hard working wife that has a somewhat dreamer of a husband that works hard and learns to appreciate the life they already had was all they really needed. Each character, in their own way uses the skills they were given to improve their families lives and survive the times. This movie, as well as, a few select others I can think of, gave me that view into some of past times of people living nickel to nickel, company housing projects,coping with extreme family tragedy, food that is precious to life, hard work that pays off in the end and the importance of family values. I feel like a very fortunate person each time I watch this emotionally moving story. Well worth seeing.

The Dollmaker
This was a wonderful movie and book and I would love to own a copy on DVD. I wonder why some of the best movies seem to take the longest to be done on DVD?

THE BEST TV MOVIE EVER MADE
This is without a doubt the best acting Jane Fonda has ever done. If this movie had been a theatrical release, her performance would have won her an oscar. This is the most moving and beautiful family film I have ever seen. The child actors in this film are amazing beyond words and Helms casting as the husband of Fondas character is perfect. The soundtrack alone I would pay a fortune to own. Lucky for me,I do own a copy of the video and have enjoyed it many times.

The Dollmaker...all time great.
I absolutely love this movie and never get tired of watching it. I would really love to own it on DVD. Does anybody know of a place where I could find that?? ... Read more

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The word classic can readily be applied to the story of what became known as the Scopes Monkey Trial, which led to the Broadway hit that has now been filmed for the third time. With Jack Lemmon and George C. Scott playing adversarial attorneys, this period piece deals in ideas and ideals in a masterful courtroom drama.

In 1925, a schoolteacher is arrested for teaching Darwinism in the community of Hillsboro, where such scientific refutations of the Bible areillegal. Scott plays prosecutor Matthew Brady (based on politicianWilliams Jennings Bryan), bringing majesty and tragedy to a charactermany would find repugnant, as he prophetically bemoans asociety moving "from love of God to love of self." Jack Lemmon plays attorney Henry Drummond (based on the legendary Clarence Darrow) and brings his trademark portrayal of the "little guy" to a man determined to protect acitizen's basic right to freedom of thought, proclaiming, "An ideais a greater monument to God than a cathedral." The wonderful supporting cast, including Beau Bridges, Piper Laurie, and John Cullum, all demonstrate their love of a multilayered drama filled with conundrums of faith and contradictions of philosophy. Veteran director Daniel Petrie helms with little flash, but his production offers so many concepts and emotions that the highpoints of drama remain with the viewer after the film is over. --Lloyd Chesley ... Read more

Reviews (6)

WHY still not on DVD? Great movie!
Jack Lemmon and George C. Scott steal the movie!. It is a real pity we don't have the wonderful Jack Lemmon still around with us to bring us fine pieces of work like this. We'll miss you, Jack. :(

What I find a real shame is that MGM/UA has still NOT released this movie in DVD format, and that both editions of this movie (the 1960 original and this remake) are "out of stock" even in vhs format.

What are the movie studios up to?. I want to buy the movie and I can't. Maybe they are cornering us into piracy?.

Invaluable
As a high school science teacher I deal with common myths and misconceptions involving evolution on a daily basis. This movie does a nice job of helping kids understand the passion of the issue. Evolution is the cornerstone of modern day biology and it is important kids understand why it needs to be taught. The amazing thing about science is that if evidence comes along to disprove a current school of thought, the discipline may change. When religion is questioned the only response is to lash out with hostility and anger. Why can't we question the way Man believes in God?

Inherit the Wind (1999)
A truly excellent remake of an American classic. Once you get past any inital reservations you may (understandably) have about the film's made-for-cable origins, you will find a work that is, in my opinion, just as engaging as the 1960 version. Two gripes: 1.As mentioned by another reviewer, the direction and camera work is a bit static and elementary. 2. As also mentioned by another reviewer, Beau Bridges at times is too obnixious and over the top. On the other hand, Jack Lemmon and George C. Scott (in his final performace) are absolutely riveting. Piper Laurie is also very compelling as Scott's sympathetic and diplomatic wife. This incarnation of the film is extremely faithful to its predecessor, virtually a frame by frame re-shoot. Yet the dialouge, performaces and subject matter are just as fresh and stirring as they were 40 years ago. Fans of the 1960 release should certainly enjoy, or at least appreciate this latest adaption.

One of the few remakes that stands up to the original
Hold the phone. It's a remake that's almost as good as the original.

Much of the brilliance of the new version of Inherit the Wind comes from finding two old fogeys who have the same love/hate chamistry brought to life in the original by Frederic March and Spencer Tracy; in this case, the friendly adversaries are George C. Scott, in his last performance before his death, and Jack Lemmon. Toss in Beau Bridges as the wisecracking journalist and a surprisingly downbeat performance by Thom Evertt Scott as the teacher who ends up a guinea pig in one of the biggest trials of the century, and you got yourself a fine film. The comic timing is impeccable on all counts, the lines from the film that have become cliche are delivered with the same freshness that ignited them decades ago, and one can almost believe that Scott and Lemmon actually are Bryan and Darrow haggling it out in a Tennessee courtroom.

If you've never seen _Inherit the Wind_, start with the classic Spencer Tracy/Frederic March version from 1960. If you're a fan of the film already, and have been avoiding this remake because nothing can do the original justics, well, you're right... but it comes as close as possible.

A thought provoking film. George C.Scott gives a compelling
This film is a remake of a 1960 movie about the 'Scopes' monkey trial in July of 1925, argued by prominent statesman William Jennings Bryan (for the prosecution and the Bible) and equally the prominent Clarence Darrow (for the defense, scientific thought and Darwin). Rather than compare it with the original, which I understand was brilliant, I will evaluate it on its own.

This is a powerful and thought provoking courtroom drama about a school teacher who was arrested for teaching evolution, then considered a heresy against God and the bible. The topic is unfortunately as timely today as it was 75 years ago. The film is extremely effective at illustrating the pervasive ignorance and fear so prevalent in fundamentalist religions. It depicts with great clarity, the frenzied and irrational efforts undertaken to suppress any knowledge that threatens to debunk the myth and simple minded traditions that bind the faithful together.

Unfortunately, the presentation of the story had certain flaws that kept it from being a truly great film. My biggest objections are all directorial. First, this film was visually mediocre and pedestrian. The camera basically followed the speaker around the room at the same angles from pretty much the same distances. There were very few reaction shots which would have greatly enhanced the drama. I don't think there was a single reaction shot of any member of the jury and only a couple from the gallery.

Director Daniel Petrie takes enormous artistic license in presenting the trial. The way it was portrayed it seemed more like an unmoderated debate between the lawyers than a criminal trial with rules of court. Granted, it was a small town in 1925, but this was ridiculous. In real trials, lawyers have two opportunities to give speeches in a trial, in opening and closing statements. During the trial itself, they are only to ask questions and gather evidence under very strict rules. They can't give speeches or lead the witness or inject their opinion about a witness' testimony. This was flouted in the film as lawyers violated these rules repeatedly with nary an objection from the other side. Ironically, the most important speeches of the trial, closing arguments were completely missing from the film.

I found Jack Lemon's portrayal of defense lawyer Henry Drummond to be disturbingly restrained. Lemon is clearly capable of unfettered rage and indignation, yet he played his character with resignation and defeatism rather than frustration and wrath. He simply didn't fight hard enough for the principles in which he supposedly believed. I blame this on Petrie.

Without question, the performance of the film belonged to George C. Scott in his last performance before his death (a stunning coincidence since William Jennings Bryan, on whom Scott's character is based, died shortly after this trial. So it was his last performance as well). Scott is magnificent as the bible thumping prosecutor rattling the rafters of the little courthouse with his booming gravel voice. This was the type of part Scott was born to play and it may have been his best performance since Patton. For this reason alone this film should be on every film buff's list. If only Lemon brought similar fire to his part, this film would have been riveting.

Beau Bridges was a bit overly obnoxious as the sardonic reporter E.K. Hornbeck. The role called for a good deal of cynicism, but Bridges got carried away.

Lane Smith gives a terrific performance as the Lord possessed Reverend Brown, who damns his own daughter to hell for refusing to renounce her love for her fiance Cates, the accused school teacher. His sermon at the prayer meeting was more than worthy of any cable TV evangelist.

I gave this film a 7/10. I think it would be rated higher by most people who think of a courtroom as more of a dramatic setting than place of justice. Overall it is a credible update of a topic that should remain in the forefront of our minds if we hope to continue living in a free and rational society. ... Read more

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This first part of the critically acclaimed 1976 television miniseries focuses on the early lives of Eleanor and Franklin Roosevelt, concluding on their wedding day. The story is mostly told in flashback, as the first lady receives word of the death of President Roosevelt and, while making funeral preparations, reflects on her life with him. Distant relatives in the wealthy and sprawling Roosevelt family of New York, young Franklin and Eleanor met several times during their childhood, and much of the action in this installment of the drama utilizes young actors, including Mackenzie Phillips, who plays Eleanor at the age of 14. Playing the main characters as young adults, Edward Herrmann and Jane Alexander are brilliant in portraying the great American love story, as the privileged yet socially awkward Franklin finds himself completely captivated by the brainy and conscientious Eleanor. The miniseries was based on a Pulitzer Prize-winning book by historian Joseph P. Lash, and interspersed with the human drama are vignettes out of American history, such as cameo appearances by Eleanor's uncle Teddy, whose enormous personality suits his job as president of the United States. Eleanor and Franklin won 11 Emmy Awards, and its intelligent screenplay and fine acting have aged very well, making this a thoroughly enjoyable film. --Robert J. McNamara ... Read more

Reviews (1)

excellent look at the real Eleanor Roosevelt
the actresses portraying Eleanor in this film were well picked to play the part, Eleanor is portrayed as a real woman not just a political figure with no feelings- it kept my attention the whole 3 hours 22 min of the entire movie VOL1 & 2 included ... Read more

Reviews (6)

One of my top 10 movies....
I love this movie, it's one of my top 10 favorites. It's glitzy and it dazzles me, and it's just the kind of movie that gives me sweet dreams and one you'll love to cozy up with on a Saturday night. It's so very lavish and everything in this movie is just beautiful and huge!! Everything about this movie is on such a grand scale, everything is just so big and gorgeous, the mansion is again just gorgeous, the rooms are perfectly and beautifully decorated and the colors that are used are just dreamy, the flower arrangements are also huge and they sit atop huge fireplaces, this movie is just a feast for the eyes! (I found that I watched it again so that I could rewind and rewind just to feast on the sets!) For the most part, the movie stays pretty close to the storyline of the book, and the book was again a huge and wonderful read, (which I also suggest!) My husband also liked this movie, he liked the actors and the storyline, the cars, the racing and the bird's eye view of the auto industry, and one of his favorite actress is Leslie Ann Downs. The flashbacks made me feel like I had slipped back in time, and oh I also just loved how Betsy got her man, the little swim she took... (she's the same actress who played the little girl on Make Room For Daddy with Danny Thomas--I think?). Lawrence O is in my opinion, very sexy and magnetic and perfect for the part, he's very handsome and even though I had never seen him before in any other movie, whew, what a cutie he is, even for an older man! But I love Robert Duvall and Tommy Lee Jones. And yes, I totally agree with the viewer who said there was no chemistry between any of the actors and that Tommy Lee rushed through his lines like he was in a hurry to get to an audition for Coal Miner's Daughter (I had a good laugh at this!), but still he's young and cute and he does not disappoint. I love movies with good actors, pretty sets, lovely clothes, romance and happy endings and any movie that goes back in time or ia a period piece, gets my vote every single time.

Not a masterpiece but still good
The betsy which is based on a novel by Harold Robbins is not

a very good movie but it is not that bad.I didn't like Olivier's

performance but i think Tommy Lee Jones did great.The love

scenes in the movie are very beautiful and Kathleen Beller is

a very gorgeous actress [Most known for her role as Kirby

andrews in Dynasty] and i adore her love scene with Tommy Lee

Jones.

A So-Bad-It's-Great Classic
There's so much awfulness to love in this movie, a camp classic done as straight as an arrow.

I have a hard time figuring out what's my favorite thing about this movie because there's so much to love -- the total miscasting? Olivier's "Americanish" accent which is frequently slurred? The complete lack of chemistry between any of the principle characters? That "Where's My Paycheck?" look on Katherine Ross' face? The way Tommy Lee Jones spits out his lines so quickly like he needs to leave the set early to go to the Coal Miner's Daughter audition? ... The heavily gauzed-lens flashbacks? The complete implausibility of Harold Robbins' story? Mansions decorated with whicker furniture? Sir Larry's parade of horrendous toupees?

If you miss Dynasty or The Colbys for any of the above reasons, or if you are just a connoisseur of So-Bad-They're-Great movies you can't miss this one. ...

Great Fun in A Grat Pot Boiler
This is a movie with no pretensions. It is about corporate intrigue, family disputes and beautiful bodies. It is an unashamed pot-boiler. It is helped by the fine acting that does not descend into camp. There are many highy capable actors here. No one hams it up for the camera which only makes this glorius bit of cheese all the more fun.

A 3-star movie, 5 stars for Tommy Lee Jones, average to 4
This is a big, gorgeous movie, but can drag at times. Whenever Tommy Lee Jones is on the screen, however, it's fabulous. I remember seeing this movie when it first came out, and wondering why he wasn't in more movies. Some very beautiful and surprisingly explicit nudity showing the actress playing Betsy. I wonder what happened to her? ... Read more

Reviews (13)

LIFEGUARD
If you consider yourself a movie fan then Lifeguard is a must see. Sam Elliot's performance as Lifeguard Rick Carlson is vintage Elliot. This performance, and his perfect performance in Mask as Garr, make Elliot one of the best actors in the past 30 years. It takes place on the beaches of LA so Elliot is tan and in the best physical shape of his career. Elliot battles the pressures of the working world, while juggling several women. It has the beach, a great love story, and of course Elliot. So if you even somewhat like movies Lifeguard is for you!

THE RIGHT MAN FOR THE JOB
The story goes that Daniel Petrie was having problems casting the lead role in his new movie, "Lifeguard." His wife had recently seen "Frogs" and she suggested that he take a look at a young actor in that movie named Sam Elliott. Bless Mrs. Petrie! Sam Elliott is so right for his role in "Lifeguard" that it's difficult to imagine the movie without him. In fact, though he's done some good work since then, nothing in Sam Elliott's career quite matches his performance here though, unfortunately, the movie didn't attract much notice when it was released back in 1975. Perhaps the audience which might have appreciated it was discouraged by an ad campaign which made "Lifeguard" look a bit like those "Beach Blanket Bingo" movies.

Actually, "Lifeguard" is a thoughtful study of a man who's happy in a job which others consider beneath him. At one point he's tempted to change his life in order to conform to others' expectations, but by the end of the movie he's decided to be his own man and to follow a course which satisfies him. This philosophy has echoes of the "do-your-own-thing" mood of the 1960's but it's presented here in a quieter, more mature form.

Still A Satisfying View!
I just took this movie off the shelf and viewed it again after a few years. The message still rings true and the storyline is still poignant and real. Sam Elliott is great in this movie as are the supporting actors. The beach scenes are fantastic and the "to thine own self be true" theme resonates long after the movie is over. I only wish the writers would have resolved Rick's relationship with his old high school flame. But I guess we can all imagine our own view of the ending. Buy it!

much better in original format
this movie is one of my favorite movies. but why did they change the original song to just plain music. the original song at the beginning and end of this film went much better with the movie then the song they have now. i wan't to get this on dvd with the original song please thank you.

A CLASSIC!
This movie was a very good film indeed.Watch sam elliot star as a man in his early 30's going thru an early mid-life crisis,trying to decide whether he should finally "so called" grow up and get a real job or stay at a job he truly loves.This film really moved me and i am truly happy of how this movie ended!Buy this video while you still can. ... Read more

Reviews (4)

KEIFER SUTHERLAND'S FIRST MAJOR MOVIE WITH A STARRING ROLE.
KEIFER SUTHELAND HAS HIS FIRST BREAK THROUGH ROLE. IN THIS 1930'ERA\SET MOVIE. ITS A GREAT DRAMATIC ROLE IF UR A KIEFER FAN THIS IS A MUS OWN MOVIE FOR U.BY THE WAY HE'S ONLY 17 IN THI FILM SO IF U THINK HE WAS HOT IN THE LOST BOYS WAIT TILL U SEE H IN THIS FLICK.

My crush on Keifer Sutherland
This movie started my ENORMOUS CRUSH on Keifer Sutherland. I believe this was his very first movie and it was GREAT! I would someday LOVE to visit Nova Scotia and see the beautiful scenery. The acting and plot were done very well and it got quite suspenseful when poor Keifer's character Donald kept that terrible secret and was continuously taunted by the father of the girl he loved. My crush has since wained, but it's still a good movie to remember my feelings for Keifer. Great movie!

Kiefer Sutherland in a complex coming of age film
Kiefer Sutherland plays Donald Campbell, a sixteen-year old boy growing up in Glace Bay, Nova Scotia in the 1930's in this coming of age drama from director Daniel Petrie. Donald's mother (Liv Ullmann), wants her son to join the priesthood, and the young boy is entertaining the idea. But he is also at the age when girls make a big impression, especially his neighbor, Saxon Coldwell (Leah Pinsent). Yet it is her younger sister Dianna (Jane McKinnon), who he turns to for his initial stumblings through the art of love. Besides, the Depression has hit, and after school Donald has to help his father with work rather than engaging in dating behavior.

Petrie crams a lot into this (supposedly) autobiographical film. There are dark family issues in the Campbell home--the death of a child in the past and an older brother who has become brain damaged--and when Donald witnesses the murder of two elderly neighbors you have to wonder if "The Bay Boy" is making a radical shift in direction. But the common denominator is quite simple: we are witnessing a young boy make the key decisions that will lead him to become the man he is going to become. However, this idea makes more sense the second time around watching this film.

This was Keifer Sutherland's second film, after a small part in "Max Dugan Returns." I am not sure if it is intentional on his part as a young actor, but he plays his scenes with the others his own age a lot better than he does with the adults. Ullman brings depth to the role of the hardworking mother, who represents the strong undercurrents in Donald's life. There is a lot crammed into the single year of his life depicted in this film, but through it all the impressionable young Donald retains his sense of wonder. The cast also includes Robert Donat, Matthieu Carriere and Isabelle Mejias. This 1984 film, which is a personal work by the director, was filmed on location in Nova Scotia.

Young Keifer Sutherland in a complex coming of age film
Kiefer Sutherland plays Donald Campbell, a sixteen-year old boy growing up in Glace Bay, Nova Scotia in the 1930's in this coming of age drama from director Daniel Petrie. Donald's mother (Liv Ullmann), wants her son to join the priesthood, and the young boy is entertaining the idea. But he is also at the age when girls make a big impression, especially his neighbor, Saxon Coldwell (Leah Pinsent). Yet it is her younger sister Dianna (Jane McKinnon), who he turns to for his initial stumblings through the art of love. Besides, the Depression has hit, and after school Donald has to help his father with work rather than engaging in dating behavior.

Petrie crams a lot into this (supposedly) autobiographical film. There are dark family issues in the Campbell home--the death of a child in the past and an older brother who has become brain damaged--and when Donald witnesses the murder of two elderly neighbors you have to wonder if "The Bay Boy" is making a radical shift in direction. But the common denominator is quite simple: we are witnessing a young boy make the key decisions that will lead him to become the man he is going to become. However, this idea makes more sense the second time around watching this film.

This was Keifer Sutherland's second film, after a small part in "Max Dugan Returns." I am not sure if it is intentional on his part as a young actor, but he plays his scenes with the others his own age a lot better than he does with the adults. Ullman brings depth to the role of the hardworking mother, who represents the strong undercurrents in Donald's life. There is a lot crammed into the single year of his life depicted in this film, but through it all the impressionable young Donald retains his sense of wonder. The cast also includes Robert Donat, Matthieu Carriere and Isabelle Mejias. This 1984 film, which is a personal work by the director, was filmed on location in Nova Scotia. ... Read more

Reviews (14)

A rich family movie
This movie is a fine ensemble performance. There is the afther, Burt Lancaster, who is reaching the end of a full life. His children and their families are joining him for a birthday bash that will be the talk of the town. Yet this isn't about a birthday party, it is about connections.

Lancasters children are all enmeshed in thier own lives and families. But it is the children who are closest to Lancaster's charecter. He tells them stories of Vikings and valhalla and the kids take not and remember. Lancaster expresses a final wish for what to do with his body after he dies. He doesn't tell his children, maybe sensing their opposition, so instead he tells the grandchildren - maybe not expecting them to do it but convey his wish to their parents.

There is comedy, despair, anger and sadness throughout the film. It doesn't dwell on one particular emotional level, rather it touches them and moves on, as we all do in life.

The conclusion is a remarkable combination of humor, suspense, sadness and togetherness. It is worth the whole movie to just watch the last fifteen minutes.

I recommend this to anyone with families and to those who want to watch a well crafted film production. It is a keeper for any video library.

Who Said Children Should Be Seen and Not Heard?
This warm and sentimental movie brings to the forefront of our thoughts that as adults we become so enmeshed in the engrossing and all consuming details of day to day life, that we sometimes cannot see what the imminent event about to occur right in front of us is. Burt Lancaster portrays a loving father and grandfather who has had time to reflect on his life, and as a result, has expressed to his grandchildren his admiration for the Viking tradition of saying goodbye to their loved one as they pass on to Valhalla. His grandchildren take the time to understand his respect for this rich tradition, while their parents are too busy planning a birthday for the patriach. McCauley Caulkin is wonderful as the youngest grandson. He has a special relationship with his grandfather that is telepathic at times. Watch this movie with your children, and let them know that the death of a loved one is a time of sadness, but it is also a time of great reflection.

Unique!
Although the story lines are a bit busy in this fine film, the work turned in by Burt Lancaster and MacCaulay Culkin are truly worth seeing. The viewer is immediately aware of a bond between grandfather and grandson. Mac displays that rare talent of his, in this early film--what a fine portrayal and what an opportunity for him to be able to play opposite Mr. Lancaster.

Great!
I only saw this movie because Kevin Spacey was in it and I adore him. So as I watched it I got so involved in the story. This movies was funny, sad and loving. Kevin's struggling comedian, Dwayne, was by far the best, although Blue is great too. Kevin uses humor, and wit to steal the show from all the other satrs!

Rocket Gibraltar
It is a great movie I dont have to write much just buy it, it is the type of movie that you smile and cry at the same time when your watching it. ... Read more

Reviews (10)

Buster&Billie-a wonderful story of love simple, pure & true!
This is a well written and touching love story set in rural Georgia in the 1940's. Starring Jan-Michael Vincent as "Buster Lane", the most popular boy in high school! Buster rules the school with his pack of friends and dates the prettiest girl in town, "Margie Hooks" (Pamela Sue Martin). Buster Lane is a typical country boy with maybe a little more scruples than the average southern country poke. Buster is engaged to be married to Margie in upcoming June and he's been playing touchy-feely with her, but she wants to wait until they're married to go all the way. Buster's best friend is "Whitey" (Robert Englund), they hangout, drink beers together and talk about guy things, especially what else, girls! Whitey's labeled a Geek and he's so pale (almost albino like) that's where he gets his nick-name of "Whitey" from. He was severely picked on when he first moved to town by the other kids until Buster befriended and protected him, giving you an ideal of Buster's good heart and kind nature. "Billie" (Joan Goodfellow) is an painfully shy country girl from a very poor family, she's often known to have sex with several of towns young men in a way of getting some attention and just trying to be accepted. The thing is, you feel nothing but compassion for Billie ... you never think of her as a "loose girl" (to put it politely). Her performance radiates innocence, loneliness, sadness and then absolute joy later in the movie ... you can feel all her feelings as the movie progresses, you are living through these moments with her!
When Buster convinces himself that he just can't hold out any longer for sex with Margie his attention turns to Billie and they're not honorable, not at first. He finds her to be very innocent and sees the beauty in her so pure, he's moved when a simple gesture like buyer her a grape crush soft drink brings her to tears, somebody finally thought of her feelings. He finds himself falling in love but is not sure of his feelings, are they reflecting his lack of experience to this new feeling called love?
Before Buster even realized what his feelings are he acts on his basic instinct. He breaks off his engagement with Margie and begins seeing Billie exclusively. Billie is taken to her first movie with Buster to see a Tarzan movie, and you can see her elated joy at this new experience. When Billie and Buster go swimming Buster looks over at her to see if she is taking off all her clothes before he strips, as if to not offend her. Its little moments like this throughout the movie that all add up, and are very touching. Then getting up in the middle of the night and waiting, cuddled together on a blanket, for the sun to show itself at the horizon. When it does they jump up and down, then hold each other in a very loving embrace, love is good and it's a new day, a new beginning! In time they both begin to realize just how deeply they do love one another, more than each realized they were capable of loving! Billie is taken to a dance by Buster and he walks proudly with her in his arm, you again feel her joy at another new and wonderful experience. Billie is lit up like a Christmas tree, you can actually feel their happiness, especially hers ...
I'd love to tell you more but I can't ruin it for you ...
Bottom line, this is one of my all time favorite movies! I give Joan's performance an 11 and the movie a 10, with 10 being perfect. This movie will always have a soft spot in my heart ... enjoy! :o)

Sabrina's Review
I first saw, and fell in love with this movie, as a teenager. I watched it over and over again, at least 20 times -- and cried each time. I have thought about it many times over the years and checked repeatedly at Block Buster for its availability...no luck! It is a great love story wrapped up in juvenile delinquency and small town minds. A backwoods Romeo and Juliet with a twist. A must see for the underdog and the misunderstood!

Buster and Billie
HELLO!!!!! Where's the DVD? A truly moving movie, with a good storyline acted very impressively by a cast of young and believable cast. Deserves to be on DVD!!!!

Buster&Billie-a wonderful story of love simple, pure & true!
This is a well written and touching love story set in rural Georgia in the 1940's. Starring Jan-Michael Vincent as "Buster Lane", the most popular boy in high school! Buster rules the school with his pack of friends and dates the prettiest girl in town, "Margie Hooks" (Pamela Sue Martin). Buster Lane is a typical country boy with maybe a little more scruples than the average southern country poke. Buster is engaged to be married to Margie in upcoming June and he's been playing touchy-feely with her, but she wants to wait until they're married to go all the way. Buster's best friend is "Whitey" (Robert Englund), they hangout, drink beers together and talk about guy things, especially what else, girls! Whitey's labeled a Geek and he's so pale (almost albino like) that's where he gets his nick-name of "Whitey" from. He was severely picked on when he first moved to town by the other kids until Buster befriended and protected him, giving you an ideal of Buster's good heart and kind nature. "Billie" (Joan Goodfellow) is an painfully shy country girl from a very poor family, she's often known to have sex with several of towns young men in a way of getting some attention and just trying to be accepted. The thing is, you feel nothing but compassion for Billie ... you never think of her as a "loose girl" (to put it politely). Her performance radiates innocence, loneliness, sadness and then absolute joy later in the movie ... you can feel all her feelings as the movie progresses, you are living through these moments with her!
When Buster convinces himself that he just can't hold out any longer for sex with Margie his attention turns to Billie and they're not honorable, not at first. He finds her to be very innocent and sees the beauty in her so pure, he's moved when a simple gesture like buyer her a grape crush soft drink brings her to tears, somebody finally thought of her feelings. He finds himself falling in love but is not sure of his feelings, are they reflecting his lack of experience to this new feeling called love?
Before Buster even realized what his feelings are he acts on his basic instinct. He breaks off his engagement with Margie and begins seeing Billie exclusively. Billie is taken to her first movie with Buster to see a Tarzan movie, and you can see her elated joy at this new experience. When Billie and Buster go swimming Buster looks over at her to see if she is taking off all her clothes before he strips, as if to not offend her. Its little moments like this throughout the movie that all add up, and are very touching. Then getting up in the middle of the night and waiting, cuddled together on a blanket, for the sun to show itself at the horizon. When it does they jump up and down, then hold each other in a very loving embrace, love is good and it's a new day, a new beginning! In time they both begin to realize just how deeply they do love one another, more than each realized they were capable of loving! Billie is taken to a dance by Buster and he walks proudly with her in his arm, you again feel her joy at another new and wonderful experience. Billie is lit up like a Christmas tree, you can actually feel their happiness, especially hers ...
I'd love to tell you more but I can't ruin it for you ...
Bottom line, this is one of my all time favorite movies! I give Joan's performance an 11 and the movie a 10, with 10 being perfect. This movie will always have a soft spot in my heart ... enjoy! :o)

A movie that deserves DVD treatment
I saw that movie on TV about 20 years ago and was quite impressed. Not particularly by the cinematography but by the story and the performance of the actors who give all they have.

This is a really nice little movie, one of the best from the mid-70s. It really deserves DVD treatment. ... Read more

Reviews (2)

A Touching Portrait Of A Great Writer
Mark Twain is revered as America's first great writers. His prose is simple, but deep with meaning, and he has shed light on issues that would be important for progress in later years. Opposed to anti-slavery and racism, he wrote illustrious fiction that still capture our hearts to this day- Tom Sawyer and Huckleberry Fynn. In this film, produced by Disney and originally aired on the Disney Channel in the early 90's, the life of Mark Twain is presented with poignant and touching drama. Mark Twain has lost his wife and his daughters, true to Mark Twain's tragic personal life, and has stopped writing, living a solitary life as a retired celebrity. He wears white all the time, is peaceful and gentle, homely and folksy. His wit and his humor has not left him, nor is he bitter. The most inspiring aspect of the film is the relationship between Twain and the young woman who idolizes him. She is an aspiring writer and becomes his apprentice.

Despite the differences in their ages, despite the fact that Mark Twain is getting closer to his own death, their friendship is inspirational, beautiful and moving. Seldom do such friendships exist in out time. The performances are well made, the cinematography very striking (shot in location in Mark Twain's haunts- the Mississippi river and Hannibal). The Disney channel group responsible for this is a lot like Kevin Sullivan's work (Anne of Green Gables, Avonlea tv series). It is fresh, it is accessible to the young and it truly honors the memory of Mark Twain, a man who had lived a full, rich life, having known personal tragic loss and survived, having understanding and compassion for all things human, a man who was a voice for humanity, a voice for ages to come.

The genuis that is Twain
Uber genius Twain is portrayed beautifully through the eyes of 11 year old Dorothy Quick reawakening the lost literature of Twain that is often ignored and overlooked by the eyes of today's children, ultimate literary critics but we can not allow Twain to be lost under the dust of revolution. ... Read more

Description

A dramatization of the relationship between Kissinger and Nixon during the six-month period in 1972-73 when Kissinger was negotiating an end to the Vietnam War and Nixon was grandstanding politically. ... Read more

Reviews (5)

My guilty pleasure
Along with Oliver Stone's feature film "Nixon", this TNT made-for-TV flick is one of my most passionate guilty pleasures. This is not a great film by any standard. It lacks star power, the acting is mediocre, the script seems hackneyed, the history has been called into question by scholars all over the place, and the Vietnamese portions of the film are completely unbelievable. Still, this movie is one of my greatest joys. Why? I went to college during the Nixon presidency and Watergate. I was a college student during Nixon's invasion of Cambodia in 1970, which precipitated the riots that resulted in the killings at Kent State University. I was still in school when Spiro Agnew resigned the vice presidency and Nixon was forced to depart or be impeached. Never mind what kind of student I was! For I witnessed this history as a 20-something American trying desperately to avoid going to Vietnam and trying just as desperately to outlive the more Orwellian aspects of the Nixon presidency. What I like most about this movie and "Nixon" is the way they portray the vulgar political realist Richard Nixon became when in the White House. His family didn't like the opening scene where he calls Henry Kissinger "Jewboy". They didn't like all those scenes in "Nixon" where he called people (including the late FBI director J. Edgar Hoover, a known homosexual) some kind of "sucker" either. But these portrayals helped paint a portrait of this conflicted president as someone driven by history to fulfill a destiny only he envisioned. The rest of us saw the decline of democracy and a cheapening of the political system that wasn't as threatened until the days of Bill Clinton's sexual escapades and lying. For these reasons, I enjoy watching this movie over and over and re-living a part of my youth now long in the past. Even if this doesn't portray your youth, the movie reflects a time in American history when our future was uncertain and we had the most severe doubts about our national leadership. It is precisely this time in American history that laid the groundwork for an actor to take over the White House and, almost laughably, be considered in some quarters as deserving a place on Mount Rushmore. So watch this flick and you'll see not only why Nixon was a dolt, but why people thought Reagan was such a genius. Neither extreme is justified, of course, but you'll have fun watching Nixon choose to select the all-star baseball team over discussing the Paris peace talks with Kissinger. I think I'd have rather done that, too!

When History you know becomes suspenseful.....
...then you know you're watching a great film. This film chronicles one slice of the Kissinger/Nixon relationship - the peace negotiations with Vietnam. The film moves at an excellent pace, never bogging down and throwing the next curve ball just in time. If Matt Frewer had spent one more frame on the film as Al Haig he would have stolen the movie, his portrayal is excellent. Ron Silver BECOMES Henry Kissinger and Beau Bridges is rather good as a shifty eyed Nixon, with more than one trick up his sleeve. The downside includes Ron White as H.R. Haldeman, his haircut should get some make-up dept. a "worst of the year" award and they forever have Nixon calling Charles Colson "Charlie", when hours of White House tapes show he never called him anything but "Chuck". Nitpicking perhaps but annoying. It also seems that the film can't quite decide whose point of view they are telling the story from, although it is fairly clear most of it is based on Kissinger's accounts, they could have done better but using that as a reference point rather than an occasional narrative. An excellent addition to any library.

Kissinger and Nixon and the complexity of politics
I've never followed the history of Henry Kissinger until recently. Now I'm determined to learn as much as I can. Perhaps that's because he's so much in the news these days. Perhaps its because I just saw a documentary film about him that painted him as an evil war criminal. And perhaps its just because I just want to know everything.

This 1995 Turner Classic video focuses on the Paris peace talks in 1972 and the roles of Kissinger and Nixon to try to bring the Vietnam war to a conclusion. It stars Ron Silver as Kissinger and Beau Bridges as Nixon. Both look ridiculous in their mask-like makeup. And both try hard, and sometimes succeed, in stepping into the shoes of the characters they represent.

The Richard Nixon represented here is arrogant, rather stupid and yet politically savvy - his only feelings about the Vietnam War being how it affects his upcoming election. He's surrounded by his Wasp cronies with whom he drinks bourbon and makes secret plans, which are targeted to make Kissinger come out as the bad guy. The Henry Kissinger represented here noticeably winces at Nixon's constant anti-Semitic remarks, eats pastries instead of drinking hard liquor, and is lonely despite his dates with Hollywood actresses. He's the stereotyped Jewish intellectual who is left out of the real power decisions.

As in other made-for-TV movies, the script is over-acted, over-simplified and one-dimensional. They even depict the leaders of North and South Vietnam as speaking English with their own over-simplified political agendas. It did, however, teach me a bit about history and about the hard choices that had to be made which include the fact that everyone knew that when the Americans pulled out, there would be a bloodbath in South Vietnam. The script did hold my interest however. Also, as far it went, it was a small introduction about the hatred between Kissinger and Nixon and the complexity of politics.

What is the truth, however? A lot of questions surface in my mind. Nixon comes across as the villain in this film. But Kissinger is currently being vilified in the press. What really happened at the Paris peace talks? Surely, the answer lies somewhere outside the realm of these films. I plan on learning more, but sometimes there just doesn't seem to be enough hours in the day to do it all.

Yes. I recommend this film. I recommend them all. Especially if you're interest has been raised in seeking the truth.

Impressive
I'm probably not alone here, but I must confess that I often use politically themed movies as a bit of a history lesson. There are always going to be certain caveats that one must keep in mind--political bias, dramatic license, etc. But if one remembers that what one is viewing is indeed a fiction, usually some essential truths are revealed. In this case it would be the level of animosity that existed between Richard Nixon and Henry Kissinger. The Amazon critic above describes it as a "love/hate relationship with emphasis on the hate." I'd go further than that. In this film, there is little evidence of ANY love (lost or otherwise) between these two powerful men.

It's hardly surprising that as paranoid a politician as Richard Nixon mistrusted Kissinger. And his privately referring to him as "my Jewboy" has been reported before. But this film makes clear that Nixon was ready and eager to rid himself of his superstar advisor as soon as the war was over. Beneath all the politicking and conspiring is an undercurrent of jealousy which characterized Nixon throughout his entire political career.

Director Daniel Petrie, who had previously won an Emmy for "Eleanor and Franklin," steers his actors beyond caricaturization (so easy a trap to fall into with figures like Nixon and Kissinger) and moves gracefully through a somewhat formulaic script. Scenes of backrooom politicking in Washington ring true, although those between Asian politicos (both in North and South Viet Nam) do not. The scriptwriters seem to understand the dynamics of Washington politics quite well, but end up portraying their Asian counterparts as being alternately inscutable or just American-style politicos with an accent.

The film is very well cast. Ron Silver is impressive as Kissinger, and Beau Bridges is surprisingly effective as Nixon (who would ever have thought?). The other actors, who play less well known figures in the Nixon adminstration, have an easier time of it, although Matt Frewer's Alexander Haig doesn't quite jibe with the image we came to have of the general during the Reagan yers. As portrayed, he's almost, well, sensitive, and certainly conflicted over his "double agent" status within the administration. Now that's where I need a further history lesson. The Haig I thought I knew seemed as Machiavellian as the next guy. Maybe Turner Broadcasting will tackle him someday.

One of the best films ever made about Nixon and Kissinger.
I liked this film because because it was the first film to explore Henry Kissinger's life in the Nixon White House. It also depicted Kissinger's attempts to end the war in Vietnam and the frequent disagreements between Nixon and Kissinger. The performances in this film were convincing and realistic. I really enjoyed this film. I hope it comes out on DVD. ... Read more

Reviews (3)

once wqas enough
I did find enough her to think that I would ever watch it more than once. Susan was my fav actress of her era, and I liked her performance, just not much else.

One of Hayward's best...
Though it never received critical acclaim, 'Stolen Hours' remains one of my favorites films because of its sensitivity and a shining performance by Susan Hayward. Ironically, Hayward would later die in the same fashion as her character in 'Stolen Hours'. A real tearjerker at the end, and a must-have for fans of the imcomparable Susan Hayward.

An underappreciated Hayward drama
When STOLEN HOURS was released in 1963, the movie garnered little attention. It starred an actress, Susan Hayward, who was considered "past her prime" (it had been five years since Hayward won her Oscar for I WANT TO LIVE, which was really her final movie to get outstanding critical notices). STOLEN HOURS was filmed in England, a place where (in the early 1960s at least) only "has-beens" from Hollywood went to make movies. Plus, the film was a remake--the original version was DARK VICTORY, one of Bette Davis' best-loved and -remembered films.

This lack of attention to STOLEN HOURS is a true shame. For the film is a mature, thoughtful and touching romantic drama about a woman re-evaluating her life in the face of terminal illness.

The overall tone of STOLEN HOURS is quiet and restrained. (Some may thus feel that it suffers in comparison to the more emotionally charged DARK VICTORY.) The script is literate and serious, but with a sprinkling of gentle humor.

There are many virtues to the film. The color photography is outstanding, particularly the views of the beautiful coastal village toward the end of the film. Mort Lindsay's musical score is lovely and has some of the romantic sweep of classic Hollywood film scores. And the supporting performances are well done.

But this film truly belongs to Susan Hayward. Toward the end of her career, Hayward--like many more mature actors--tended to give performances that were broad and over-the-top (I would include her performance in I WANT TO LIVE). But here, she is remarkably controlled. She has many quiet moments that are among the finest acting scenes of her career. She seemed to truly understand the character she was playing, and responded with a performance that was Oscar-worthy (if anyone at the time had bothered to pay attention to the film).

A sad postscript: Like the character she portrays here, Hayward herself also died of a brain tumor. That fact makes viewing this film a bittersweet experience for her fans.

All in all, I recommend STOLEN HOURS as a touching romantic drama, and as a reminder of the fine acting talent of Susan Hayward. ... Read more

Description

A portrayal of a teenager's coming of age in a rural Canadian community during the 1930s. ... Read more

Reviews (4)

KEIFER SUTHERLAND'S FIRST MAJOR MOVIE WITH A STARRING ROLE.
KEIFER SUTHELAND HAS HIS FIRST BREAK THROUGH ROLE. IN THIS 1930'ERA\SET MOVIE. ITS A GREAT DRAMATIC ROLE IF UR A KIEFER FAN THIS IS A MUS OWN MOVIE FOR U.BY THE WAY HE'S ONLY 17 IN THI FILM SO IF U THINK HE WAS HOT IN THE LOST BOYS WAIT TILL U SEE H IN THIS FLICK.

My crush on Keifer Sutherland
This movie started my ENORMOUS CRUSH on Keifer Sutherland. I believe this was his very first movie and it was GREAT! I would someday LOVE to visit Nova Scotia and see the beautiful scenery. The acting and plot were done very well and it got quite suspenseful when poor Keifer's character Donald kept that terrible secret and was continuously taunted by the father of the girl he loved. My crush has since wained, but it's still a good movie to remember my feelings for Keifer. Great movie!

Kiefer Sutherland in a complex coming of age film
Kiefer Sutherland plays Donald Campbell, a sixteen-year old boy growing up in Glace Bay, Nova Scotia in the 1930's in this coming of age drama from director Daniel Petrie. Donald's mother (Liv Ullmann), wants her son to join the priesthood, and the young boy is entertaining the idea. But he is also at the age when girls make a big impression, especially his neighbor, Saxon Coldwell (Leah Pinsent). Yet it is her younger sister Dianna (Jane McKinnon), who he turns to for his initial stumblings through the art of love. Besides, the Depression has hit, and after school Donald has to help his father with work rather than engaging in dating behavior.

Petrie crams a lot into this (supposedly) autobiographical film. There are dark family issues in the Campbell home--the death of a child in the past and an older brother who has become brain damaged--and when Donald witnesses the murder of two elderly neighbors you have to wonder if "The Bay Boy" is making a radical shift in direction. But the common denominator is quite simple: we are witnessing a young boy make the key decisions that will lead him to become the man he is going to become. However, this idea makes more sense the second time around watching this film.

This was Keifer Sutherland's second film, after a small part in "Max Dugan Returns." I am not sure if it is intentional on his part as a young actor, but he plays his scenes with the others his own age a lot better than he does with the adults. Ullman brings depth to the role of the hardworking mother, who represents the strong undercurrents in Donald's life. There is a lot crammed into the single year of his life depicted in this film, but through it all the impressionable young Donald retains his sense of wonder. The cast also includes Robert Donat, Matthieu Carriere and Isabelle Mejias. This 1984 film, which is a personal work by the director, was filmed on location in Nova Scotia.

Young Keifer Sutherland in a complex coming of age film
Kiefer Sutherland plays Donald Campbell, a sixteen-year old boy growing up in Glace Bay, Nova Scotia in the 1930's in this coming of age drama from director Daniel Petrie. Donald's mother (Liv Ullmann), wants her son to join the priesthood, and the young boy is entertaining the idea. But he is also at the age when girls make a big impression, especially his neighbor, Saxon Coldwell (Leah Pinsent). Yet it is her younger sister Dianna (Jane McKinnon), who he turns to for his initial stumblings through the art of love. Besides, the Depression has hit, and after school Donald has to help his father with work rather than engaging in dating behavior.

Petrie crams a lot into this (supposedly) autobiographical film. There are dark family issues in the Campbell home--the death of a child in the past and an older brother who has become brain damaged--and when Donald witnesses the murder of two elderly neighbors you have to wonder if "The Bay Boy" is making a radical shift in direction. But the common denominator is quite simple: we are witnessing a young boy make the key decisions that will lead him to become the man he is going to become. However, this idea makes more sense the second time around watching this film.

This was Keifer Sutherland's second film, after a small part in "Max Dugan Returns." I am not sure if it is intentional on his part as a young actor, but he plays his scenes with the others his own age a lot better than he does with the adults. Ullman brings depth to the role of the hardworking mother, who represents the strong undercurrents in Donald's life. There is a lot crammed into the single year of his life depicted in this film, but through it all the impressionable young Donald retains his sense of wonder. The cast also includes Robert Donat, Matthieu Carriere and Isabelle Mejias. This 1984 film, which is a personal work by the director, was filmed on location in Nova Scotia. ... Read more