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| 1. Passed Away Director: Charlie Peters | |
![]() | list price: $9.99
our price: $9.99 (price subject to change: see help) Asin: 6302559448 Catlog: Video Sales Rank: 12798 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (6)
This movie lacks passion, action, nudity, humor, drama or anything else that would make a person want to trade two hours of real life for someone else's fantasy. It is almost unwatchable.
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| 2. Music From Another Room Director: Charlie Peters | |
![]() | list price: $59.99
(price subject to change: see help) Asin: 0792898982 Catlog: Video Sales Rank: 29387 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (113)
First, the movie has a very bizarre framing device: Law's character is asked to help deliver a baby when he is five years old. Aside from the discomfort of seeing a child reach into Brenda Blethyn's womb, the young actor must then look sweetly at the new baby and say "I'm going to marry her." This is not only bizarre, it's creepy-bizarre. Still, I tried to forgive this oddity and get on with the movie. Second, this is a great cast that is SO wasted -- Blethyn, Martha Plimpton, Jennifer Tilly and many others in this large under-utilized cast are given a number of quirks but there are so many subplots that you never get to know any of them, or why they are the way they are. Didn't someone once say, "Quirks do not a character make"? Well, that person was not this screenwriter. You just jump from one goofy but endearing mannerism or device to another. There are enough charcters here to make three romantic comedies but instead we get one overcrowded mess. Third, Jude Law is incredibly talented, but he's miscast here as a young man so in love that he affects his love interest's entire family. Law is more a button-down quiet guy, who might inspire passion but not necessarily of the exuberant, romantic variety. Fourth, the chemistry between Law and Gretchen Mol is nonexistent -- two nice actors who are NOT good together. Fifth, the music is pretty bad, intruding on the film more than accentuating the emotions. Finally, the DVD features are: the movie trailer. Whooppee! If you want to see a fun romantic comedy that you haven't heard of, check out Happy Accidents. This film is lame despite its great cast, and one wonders why all these talented people signed on to this goofy project.
It's an OK film ... a comment which sort of prepares you for how 'memorable' I found it. The film's main love story is that of Danny (Law) and Anna (Gretchen Mol), who first meet when Anna is being born (5 year-old Danny literally lends a hand!). The young Danny declares to the amusement of the adults present that he will marry this little baby one day! After moving to England and growing up there, Danny returns to the States 25 years later only to run into Anna and her family once again. Danny, a 30 year-old tile-maker and incurable romantic, decides it's his fate to end up with Anna, but of course things couldn't be that simple - Anna already has a fiance that everyone likes. There's also a lot of stuff going on in Anna's family which seems to be coming to a head when Danny arrives on the scene - Anna's blind sister is in need of a huge change in her overly-closeted life; her beloved mother is dying; and her arrogant brother is dealing with an unstable wife who likes to confront him regularly with a pistol! What slightly disappointed me about this film was the fact that the 'main' love story was the least interesting of all (save a couple of cute scenes involving the toss of a coin). The other stories, particularly the one involving Jennifer Tilly as the blind sister, held my attention more. I never grew to like Anna - who seemed cold and boring throughout - and thus found the passionate Danny's sudden love for her too unbelievable. There is barely a meaningful word spoken between the two, and they seem to be two completely ill-matched people - so the instant 'love' was inexplicable. It's either the fault of the script-writers or Mol, but it's a shame that a better portrayal of 'the object of Danny's desire' could've made this a better film. To end on a positive note, I did enjoy the film more for its frequent comic interludes and some of the supporting cast's performances, particularly Martha Plimpton and Brenda Bletyhn. It's a good film for a free afternoon where you feel like smiling (and gazing at Jude Law!). I just wish it could have concentrated more on developing its main love story than dedicating too much time (and better script-writing) to its sub-plots. ... Read more | |
| 3. Music From Another Room Director: Charlie Peters | |
![]() | list price: $59.99
(price subject to change: see help) Asin: 0792898974 Catlog: Video Sales Rank: 118857 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (113)
First, the movie has a very bizarre framing device: Law's character is asked to help deliver a baby when he is five years old. Aside from the discomfort of seeing a child reach into Brenda Blethyn's womb, the young actor must then look sweetly at the new baby and say "I'm going to marry her." This is not only bizarre, it's creepy-bizarre. Still, I tried to forgive this oddity and get on with the movie. Second, this is a great cast that is SO wasted -- Blethyn, Martha Plimpton, Jennifer Tilly and many others in this large under-utilized cast are given a number of quirks but there are so many subplots that you never get to know any of them, or why they are the way they are. Didn't someone once say, "Quirks do not a character make"? Well, that person was not this screenwriter. You just jump from one goofy but endearing mannerism or device to another. There are enough charcters here to make three romantic comedies but instead we get one overcrowded mess. Third, Jude Law is incredibly talented, but he's miscast here as a young man so in love that he affects his love interest's entire family. Law is more a button-down quiet guy, who might inspire passion but not necessarily of the exuberant, romantic variety. Fourth, the chemistry between Law and Gretchen Mol is nonexistent -- two nice actors who are NOT good together. Fifth, the music is pretty bad, intruding on the film more than accentuating the emotions. Finally, the DVD features are: the movie trailer. Whooppee! If you want to see a fun romantic comedy that you haven't heard of, check out Happy Accidents. This film is lame despite its great cast, and one wonders why all these talented people signed on to this goofy project.
It's an OK film ... a comment which sort of prepares you for how 'memorable' I found it. The film's main love story is that of Danny (Law) and Anna (Gretchen Mol), who first meet when Anna is being born (5 year-old Danny literally lends a hand!). The young Danny declares to the amusement of the adults present that he will marry this little baby one day! After moving to England and growing up there, Danny returns to the States 25 years later only to run into Anna and her family once again. Danny, a 30 year-old tile-maker and incurable romantic, decides it's his fate to end up with Anna, but of course things couldn't be that simple - Anna already has a fiance that everyone likes. There's also a lot of stuff going on in Anna's family which seems to be coming to a head when Danny arrives on the scene - Anna's blind sister is in need of a huge change in her overly-closeted life; her beloved mother is dying; and her arrogant brother is dealing with an unstable wife who likes to confront him regularly with a pistol! What slightly disappointed me about this film was the fact that the 'main' love story was the least interesting of all (save a couple of cute scenes involving the toss of a coin). The other stories, particularly the one involving Jennifer Tilly as the blind sister, held my attention more. I never grew to like Anna - who seemed cold and boring throughout - and thus found the passionate Danny's sudden love for her too unbelievable. There is barely a meaningful word spoken between the two, and they seem to be two completely ill-matched people - so the instant 'love' was inexplicable. It's either the fault of the script-writers or Mol, but it's a shame that a better portrayal of 'the object of Danny's desire' could've made this a better film. To end on a positive note, I did enjoy the film more for its frequent comic interludes and some of the supporting cast's performances, particularly Martha Plimpton and Brenda Bletyhn. It's a good film for a free afternoon where you feel like smiling (and gazing at Jude Law!). I just wish it could have concentrated more on developing its main love story than dedicating too much time (and better script-writing) to its sub-plots. ... Read more | |
| 4. Music From Another Room Director: Charlie Peters | |
![]() | list price: $9.94
(price subject to change: see help) Asin: B000053VDP Catlog: Video Sales Rank: 23296 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (113)
First, the movie has a very bizarre framing device: Law's character is asked to help deliver a baby when he is five years old. Aside from the discomfort of seeing a child reach into Brenda Blethyn's womb, the young actor must then look sweetly at the new baby and say "I'm going to marry her." This is not only bizarre, it's creepy-bizarre. Still, I tried to forgive this oddity and get on with the movie. Second, this is a great cast that is SO wasted -- Blethyn, Martha Plimpton, Jennifer Tilly and many others in this large under-utilized cast are given a number of quirks but there are so many subplots that you never get to know any of them, or why they are the way they are. Didn't someone once say, "Quirks do not a character make"? Well, that person was not this screenwriter. You just jump from one goofy but endearing mannerism or device to another. There are enough charcters here to make three romantic comedies but instead we get one overcrowded mess. Third, Jude Law is incredibly talented, but he's miscast here as a young man so in love that he affects his love interest's entire family. Law is more a button-down quiet guy, who might inspire passion but not necessarily of the exuberant, romantic variety. Fourth, the chemistry between Law and Gretchen Mol is nonexistent -- two nice actors who are NOT good together. Fifth, the music is pretty bad, intruding on the film more than accentuating the emotions. Finally, the DVD features are: the movie trailer. Whooppee! If you want to see a fun romantic comedy that you haven't heard of, check out Happy Accidents. This film is lame despite its great cast, and one wonders why all these talented people signed on to this goofy project.
It's an OK film ... a comment which sort of prepares you for how 'memorable' I found it. The film's main love story is that of Danny (Law) and Anna (Gretchen Mol), who first meet when Anna is being born (5 year-old Danny literally lends a hand!). The young Danny declares to the amusement of the adults present that he will marry this little baby one day! After moving to England and growing up there, Danny returns to the States 25 years later only to run into Anna and her family once again. Danny, a 30 year-old tile-maker and incurable romantic, decides it's his fate to end up with Anna, but of course things couldn't be that simple - Anna already has a fiance that everyone likes. There's also a lot of stuff going on in Anna's family which seems to be coming to a head when Danny arrives on the scene - Anna's blind sister is in need of a huge change in her overly-closeted life; her beloved mother is dying; and her arrogant brother is dealing with an unstable wife who likes to confront him regularly with a pistol! What slightly disappointed me about this film was the fact that the 'main' love story was the least interesting of all (save a couple of cute scenes involving the toss of a coin). The other stories, particularly the one involving Jennifer Tilly as the blind sister, held my attention more. I never grew to like Anna - who seemed cold and boring throughout - and thus found the passionate Danny's sudden love for her too unbelievable. There is barely a meaningful word spoken between the two, and they seem to be two completely ill-matched people - so the instant 'love' was inexplicable. It's either the fault of the script-writers or Mol, but it's a shame that a better portrayal of 'the object of Danny's desire' could've made this a better film. To end on a positive note, I did enjoy the film more for its frequent comic interludes and some of the supporting cast's performances, particularly Martha Plimpton and Brenda Bletyhn. It's a good film for a free afternoon where you feel like smiling (and gazing at Jude Law!). I just wish it could have concentrated more on developing its main love story than dedicating too much time (and better script-writing) to its sub-plots. ... Read more | |
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