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| 1. Newsies Director: Kenny Ortega | |
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Amazon.com Reviews (494)
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| 2. Hocus Pocus Director: Kenny Ortega | |
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Description Reviews (105)
It is light-hearted and fun but a little scary for a Disney flick as the witch sisters must find children and suck the life from them to regain their own youth. Good vehicle for Midler and Parker as the bumbling witches wisecrack their way through an action-filled Halloween night. Ten-year-old Thora Birch (American Beauty, Ghost World) is typically witty and very cute. Some themes are a bit racy for a Disney feature and very young children might find some scenes a bit scary, but these are what help make this movie entertaining for the whole family. It's Halloween fun.
In Hocus Pocus, you might not find true horror, blood and guts, body parts and roaming zombies (um, wait...), but you do feel the gorgeous allure of the season through the crunchy-leafed scenery, the equisite set design, costuming, innocence of youth and the somewhat corny (if not over-acted) witchy zeal of the wonderful Sanderson sisters. Okay, the plot wouldn't win a Pulitzer Prize, but for sheer fun and enjoyment, let Hocus Pocus transport you to a time and place where witches ruled and moms still impersonated Madonna in cone cupped bustiers. PS: Did I mention I have my own black cat named Zachary Binx?
"This are my three ugly sisters." "She flying a what?" "You she her this moring."
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| 3. Newsies Director: Kenny Ortega | |
![]() | list price: $9.98
(price subject to change: see help) Asin: B00005OCRQ Catlog: Video Sales Rank: 2840 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Description Reviews (494)
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| 4. Hocus Pocus Director: Kenny Ortega | |
![]() | list price: $9.99
(price subject to change: see help) Asin: 6302968143 Catlog: Video Sales Rank: 12238 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (105)
It is light-hearted and fun but a little scary for a Disney flick as the witch sisters must find children and suck the life from them to regain their own youth. Good vehicle for Midler and Parker as the bumbling witches wisecrack their way through an action-filled Halloween night. Ten-year-old Thora Birch (American Beauty, Ghost World) is typically witty and very cute. Some themes are a bit racy for a Disney feature and very young children might find some scenes a bit scary, but these are what help make this movie entertaining for the whole family. It's Halloween fun.
In Hocus Pocus, you might not find true horror, blood and guts, body parts and roaming zombies (um, wait...), but you do feel the gorgeous allure of the season through the crunchy-leafed scenery, the equisite set design, costuming, innocence of youth and the somewhat corny (if not over-acted) witchy zeal of the wonderful Sanderson sisters. Okay, the plot wouldn't win a Pulitzer Prize, but for sheer fun and enjoyment, let Hocus Pocus transport you to a time and place where witches ruled and moms still impersonated Madonna in cone cupped bustiers. PS: Did I mention I have my own black cat named Zachary Binx?
"This are my three ugly sisters." "She flying a what?" "You she her this moring."
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| 5. Ally McBeal: Theme of Life/Playing the Field Director: Dennie Gordon, Kenny Ortega, Joe Napolitano, Mel Damski, David Grossman (III), James Frawley, Peter MacNicol, Ben Lewin (II), Arvin Brown, Bryan Gordon, Allan Arkush, Greg Germann, Barnet Kellman, Sarah Pia Anderson, Jace Alexander, Bill D'Elia, Adam Nimoy, Dennis Dugan, Arlene Sanford, Victoria Hochberg | |
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Amazon.com A lively round in the battle of the sexes, "The Playing Field" (first season, episode 18), finds Ally returning to the therapist (Tracey Ullman), worried that the "dancing baby" that plagued her in previous episodes has reappeared as a roller-blading hockey player! ("Get him!" advises the counselor.) Continuing the "baby" theme, Ally finds herself pitted against child prodigy Oren Koolie (Josh Evans), a pint-sized 9-year-old attorney whose negotiation strategy consists primarily of crying when he doesn't get his way. Kelley continues to probe the gender gap in a case of harassment via sexual exclusion, the outcome of which causes a tempest of fury in the office, with Ally and Georgia confronting Fish over his backward theories of gender inequality. All's well that ends well in the closing nightclub scene, where men and women call a truce. --Jeff Shannon Reviews (2)
Episode 18, "The Playing Field," also written by Kelley, finds the dancing baby is becoming aggressive (he plays street hockey now). This is not good news for Ally who is defending Dr. Butters from a lawsuit being brought against her new love interest by Oren Koolie, a nine-year-old genius who is practicing law until he is old enough to go to medical school. What can Ally do against a lawyer who cries before he demands $125,000? Meanwhile, Cage/Fish is also representing a woman who is suing her boss because he only promotes women who have slept with him. The title comes from Ally's conversation with Georgia, who once won a sexual harassment case against her old bos (he transferred her because she was beautiful) and complains that she wished she had fought him on an even field: he gave up when she threatened to make a claim. Ally takes this as a sign that she should ignore the sex-role conventions that stop her from speaking first in a romantic relationship. "Playing the Field" is only a notch below "Theme of Life" but has another great moment when Ally makes the mistake of following Dr. Tracy's advice and treating the Dancing Baby like a hockey puck the next time she sees him--or thinks that she does.
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| 6. Ally McBeal: Pilot/Silver Bells Director: Dennie Gordon, Kenny Ortega, Joe Napolitano, Mel Damski, David Grossman (III), James Frawley, Peter MacNicol, Ben Lewin (II), Arvin Brown, Bryan Gordon, Allan Arkush, Greg Germann, Barnet Kellman, Sarah Pia Anderson, Jace Alexander, Bill D'Elia, Adam Nimoy, Dennis Dugan, Arlene Sanford, Victoria Hochberg | |
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Amazon.com "Silver Bells" (first season, episode 11) is a Christmas episode, following an impasse in the relationship between Fish and Judge "Whipper" Cone (series semiregular Dyan Cannon), while Georgia continues to stew when husband Billy confides in Ally over private marital matters. The episode also deepens the platonic affection between Ally and law-firm partner John Cage (Peter MacNicol), who, like Ally, is at odds with being perpetually single. Culminating in a memorable scene during an office Christmas party, this delightful episode conveys series creator David E. Kelley's expert ability to combine humor and melancholy in a way that perfectly captures the personalities of the characters, all of whom reflect some quirky manifestation of human strengths and weaknesses. --Jeff Shannon Reviews (4)
I tend to collect pilot episodes and so the "Pilot" written by David E. Kelley is of historical importance to me because it is what established the tone for the show. In retrospect, of course, it is interesting to watch this episode again and see how Kelley's vision was quickly refined over the course of that first season. The story of Ally McBeal (Calista Flockhart) begins with an ending as the Harvard Law alumna gets fired by her firm after a lecherous senior partner, Jack Billings, gropes her in the hall and she blows the whistle on him. However, he claims he has obsessive-compulsive disorder (OCD) and she ends up losing her job. Ally runs into Richard Fish (Greg Germann), and the joins the firm of Cage and Fish where we discover that Ally's world is not only quite imaginative but small. That is because Billy Thomas (Gil Bellows), Ally's first love not only works there but has a wife. You can tell this show is going to be different becuse Ally takes four arrows in the chest when she learns Billy is married and there are a dozen songs worked into the episode (including "Neighborhood," "Maryland," "Tell Him," and the theme from "Psycho"). In Kelley's "Silver Bells" (Episode 11 for those counting) Ally takes a case of two women and a man who want to have their unique relationship recognized as a legal marriage (one woman gave birth to three children one of which was the fertilized egg of the other). However, as is usually the case on "Ally McBeal," the case resonates with the characters, causing Judge "Whipper" Cone (Dyan Cannon) to yearn for commitment from Richard, while Ally and Georgia (Courtney Thorne-Smith) are both upset that Billy has been a better love with his wife since his ex-girl friend showed up. Ah, the bitter irony of it all. This episode features the Cage/Fish Christmas party where both Renee (Lisa Nicole Carson) and Elaine (Jane Krakowski) gets to do production numbers and even Fish sings ("More Today Than Yesterday"). Looking back on these episodes what I find most interesting is how Kelley uses legal cases to explore relationship issues. This is obviously truer of "Silver Bells" than the pilot, but in that regards the second episode on this tape is more representative of the series as a whole. You can also see how halfway through the first season the pace of the show had picked up considerably. Everybody has more to say and is saying it faster. Consequently, I am not sure that this is an ideal pairing from Season 1, but I find it insightful. I might have gone with "The Promise" instead of "Silver Bells," although the "Kiss" would be the obvious one to emphasis the Ally-Billy dyad. Since it is not, I kept playing with the idea that this pairing was appropriate until I came up with a rationale that justified the choices. You can decide if the circle gets the square.
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| 7. Ally McBeal: Cro-Magnon/The Attitude Director: Dennie Gordon, Kenny Ortega, Joe Napolitano, Mel Damski, David Grossman (III), James Frawley, Peter MacNicol, Ben Lewin (II), Arvin Brown, Bryan Gordon, Allan Arkush, Greg Germann, Barnet Kellman, Sarah Pia Anderson, Jace Alexander, Bill D'Elia, Adam Nimoy, Dennis Dugan, Arlene Sanford, Victoria Hochberg | |
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(price subject to change: see help) Asin: B000035P8F Catlog: Video Sales Rank: 9472 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com "The Attitude" (first season, episode 7) finds Ally struggling to navigate the stormy seas of romance. She's coping with close proximity to Billy, the former love of her life, and the tension increases when Billy's wife, Georgia, is invited to join the firm of Fish & Cage. While Ally defends a woman (Brenda Vaccaro) who's been wrongfully expelled from her synagogue, Cage takes on Georgia's ex-boss on a sex-discrimination charge. During a disastrous dinner date Ally obsesses over salad dressing on her date's chin, and later she simultaneously offends and attracts the young rabbi who ousted her client, leading Ally to trade her pursuit of "Mr. Right" for more pragmatic dates with "Mr. Not-Likelys." As usual, this episode is blessed with Kelley's rapid-fire dialogue, but it's best remembered for the superbly written scenes between Ally and Georgia, who forge a friendship despite their shared history with Billy. Calista Flockhart and Courtney Thorne-Smith really shine here, making this one of the first season's pivotal episodes. --Jeff Shannon Reviews (2)
"Cro-Magnon" (Episode 12) finds Ally (Calista Flockhart) and Renee (Lisa Nicole Carson) are taking a sculpture class where they discover that Glenn, the male model, is rather "gifted" (they need more clay). Georgia (Courtney Thorne-Smith) joins the class but it is Ally who actually dates Glenn. Meanwhile, in court our heroine is defending 19-yeard old Clint, who punched out a guy for insulting the virtue of his date and who's cute little behind has become the object of his lawyer's attentoin. The title of the episode comes from Ally's declaration that she likes a little Cro-Magnon in her man. Actually, this episode is one of the more heavy handed ones, with the contrast between the girls oggling the model and the guys watching a prizefight on pay-per-view lacking subtlety. "The Attitude" (Episode 7) has Ally getting the hots for district attorney Jason Roberts, a colleague of Renee's, who fortunately asks her out before the theme from "Jeopardy" ends. Ally's client this week is Karen Horwitz, who is trying to get Rabbi Joseph Stern to grant her a divorce because her husband is in a coma (the poor guy was hit by a bus before he obtained a "get," the formal Jewish divorce decree). Ally cannot get the rabbi to change his mind, but she does get another offer for a date. I would not label either of these as classic Ally McBeal episodes, but they are certainly representative of Ally's love life in Season 1, before things became increasingly bizarre in Season 2. I would have paired up "Cro-Magnon" with the follow up episode, "The Blame Game," where Ally and Renee take vengeance on Glenn by giving him "the penguin," but that is just my impulse towards narrative completeness.
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