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| 1. The Heist Director: Stuart Orme | |
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| 2. The Lost World Director: Stuart Orme | |
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Description Reviews (11)
This version of The Lost World reminds me of the 1960 version, obviously due to it being based on the same book, and I knew some major points of the story and seeing them redone with a contemporary style was very rewarding. I love this movie.
The changes from the novel include the following: 1) Professor Challenger-in the book, he is not at all a likeable character, and is not meant to be, but in the film, they made him more amenable, yet still kept much of his stubborness and self-righteousness. It was a good compromise for the purpose of viewer accetability of a main character. 2) Agnes Clooney-the female member of the team in the film was not in the novel, but is still a welcomed addition. She is a more liberated woman in some ways, but it isn't done over the top so she is beating up savages and shooting up things (she isn't Sheena, Queen of the Jungle, and that type of character wouldn't have fit in this story). Rather, Agnes as a character does fit a woman living in her circumstances in that time. 4) The Demented Reverend-He wasn't in the book either, but I actually think he wasn't a very good addition. I'm kind of sick and tired of this cliched evil missionary character who kills in the name of the lord. Its been done to death. Thought, admittedly, Peter Faulk played this character very well, and did instill in him more soul and complexity than most of these evil missionary stereotypical characters get in most films. One thing I really liked about this film was how it was an action/adventure story, but it also made you think about what was going on in the story. It had some really good things to say about man's interaction with nature, and preservation of the environment against exploitation. Challenger, towards the end of the film, makes a comment about science often not being accessible to the public at large without it being dressed up a bit as entertainment. This is exactly what this film does in some ways. It presents and entertaining, engrossing adventure, but also presents interesting scientific thoughts about ecology. Just what can happen when man starts mucking about and disturbing the balance of nature? And the answer to that question wasn't entirely clear in one circumstance. The dispute between Challenger's point of view versus Lord Roxton's view on what to do with the Ape Men in the film. They were both right and both wrong from my view. This really points to the difficult balance between how much we should interfere in nature and how much we should just leave things alone. I recommend this film very highly to anyone who loves the original novel, or action/adventure stories in general. This film continues A&E's record of excellence in creating film adaptations of classic stories.
THE STORY is 'basically' the same. Well, at first I was worried looking at the cover -- six people apparently looking at the dinosaurs. Six? Yes, the film, based on Conan Doyle's 1912 novel, added TWO extra characters to the original expedition team (misunderstood genius Prof. Challenger, natural-born cynic Prof. Summerlee, newsreporter Edward Malone, adventure-loving hunter Lord Roxton), which are about to reveal the secret of the plateau in the Amazon, and to prove that dinosaurs are still living there. THE NEW CHARACTERS are one zealous priest and his niece, played by Peter Falk and Elaine Cassidy respectively. They join in Professor Challenger (Bob Hoskins) and his team in the jungle, only to complicate the situation -- deadly dinosaurs, the more dangerous apemen (or the Missing Link) and the "Indians" (so they say). The addition, in fact, works for the better, getting rid of the annoying elements in the original book, like the patronizing way Doyle treated the natives in the book. And other changes done to the story are justified, but some might find the different tone in the ending (or the modernized answer to Challenger's expedition) slightly anti-climax, compared with the slient version, or Spielberg's "Lost World." SPECIAL EFFECTS are first-rate, with the convincing images of dinosaurs walking in the jungle. The fierce fight between the humans and the allosaurs is the highlight of the film though some kids find it too horrible. (And parents should be warned that there is a suggested scene of cannibalism). The location is fantastic, showing some of the scenes (like the entrance to the plateau) almost exactly as the book tells us. In spite of its length (more than 2hrs 30 mins), "The Lost World" keeps on rolling as smooth as "The Jurassic Park," and it makes you think a little about the way we meddle with the nature. It aspires to be more than just a dinosaur movie, and it succeeds well.
Pros: Good look to the story; great effects. Good cast.
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| 3. Inspector Morse - Who Killed Harry Field? Director: Danny Boyle, Stephen Whittaker, Sandy Johnson, Herbert Wise, Edward Bennett, Anthony Simmons, Charles Beeson, John Madden, Stuart Orme, Alastair Reid, Colin Gregg, Brian Parker, James Scott, Peter Hammond, Antonia Bird, Jack Gold, Jim Goddard, Adrian Shergold, Roy Battersby, Peter Duffell | |
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| 4. Inspector Morse - Infernal Serpent Director: Danny Boyle, Stephen Whittaker, Sandy Johnson, Herbert Wise, Edward Bennett, Anthony Simmons, Charles Beeson, John Madden, Stuart Orme, Alastair Reid, Colin Gregg, Brian Parker, James Scott, Peter Hammond, Antonia Bird, Jack Gold, Jim Goddard, Adrian Shergold, Roy Battersby, Peter Duffell | |
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| 5. Inspector Morse - Masonic Mysteries Director: Danny Boyle, Stephen Whittaker, Sandy Johnson, Herbert Wise, Edward Bennett, Anthony Simmons, Charles Beeson, John Madden, Stuart Orme, Alastair Reid, Colin Gregg, Brian Parker, James Scott, Peter Hammond, Antonia Bird, Jack Gold, Jim Goddard, Adrian Shergold, Roy Battersby, Peter Duffell | |
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| 6. Inspector Morse - Deceived by Flight Director: Danny Boyle, Stephen Whittaker, Sandy Johnson, Herbert Wise, Edward Bennett, Anthony Simmons, Charles Beeson, John Madden, Stuart Orme, Alastair Reid, Colin Gregg, Brian Parker, James Scott, Peter Hammond, Antonia Bird, Jack Gold, Jim Goddard, Adrian Shergold, Roy Battersby, Peter Duffell | |
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The gist of the story is that an old boys club called 'The Clarets XI' is in town for an annual cricket match. One of the members, as well as the team coach are former classmates of Morse. The player-friend approaches Morse for a get-together lunch which turns out to be fish and chips on a park bench near the Thames. Morse senses that his former flatmate has something important to share but he can't quite bring himself to the point of telling Morse what it is. As they part, the friend mentions a Zen saying that involves the sound of one hand clapping and a dead student. Later, the friend turns up dead as a result of suicide. Or was it suicide. Soon Morse believes the man was murdered and he is on the trail of the killer. Was the killer his beautiful wife who could have been having an affair with one of the other cricket players? Was it one of the other cricket players? And what about the couple named Foster who behave suspiciously by asking Robbie the porter for a key to the dead man's room. This episode has it all-great scenes of Oxford and its environs; Morse and Robbie struggling over the cricket match versus classical music on the various office, car, and other radios at hand; Robbie showing he can play cricket as well as any upper class ponce; a really interesting cricket match (I finally realized the pitcher is trying to hit the little poles behind the batter); Morse sleeping through the cricket match; and Morse falling for the wrong woman. The cast includes some familiar faces such as Daniel Massey, Amanda Hillwood, Sharon Maughan, and a very young Nathaniel Parker.
The performances are uniformly excellent; not just Morse, played reliably and well by the fine actor, John Thaw, but also the supporting cast, particularly Kevin Whately as his able assistant, Sergeant Lewis, and Sharon Maughan as Kate Donn, television hostess and wife of slain barrister Anthony Donn. The plot is complicated and the clues are difficult for even Morse to decipher. Apparently Anthony Donn has committed suicide on the eve of his participation in a cricket match at Oxford. Morse doubts that his old friend deliberately killed himself and begins questioning suspects. As we soon find out, much more is at stake in this mystery than the death of an aging cricket player. Cricket is part of the fun of this mystery. Much time is spent discussing the sport (Morse would prefer to listen to his music) and we also get to see it played. Sergeant Lewis goes undercover as a porter and expert batsman. At the matches another murder takes place and now Morse must try to determine if there are connections between the two deaths. I think most viewers who watch the Morse series of films like to put their detective caps on and follow the clues carefully to see if they can arrive at the answers before Morse. Deceived by Flight will keep even the best armchair detectives struggling with clues until the satisfying conclusion of this fine program. ... Read more | |
| 7. Inspector Morse - Twilight of the Gods Director: Danny Boyle, Stephen Whittaker, Sandy Johnson, Herbert Wise, Edward Bennett, Anthony Simmons, Charles Beeson, John Madden, Stuart Orme, Alastair Reid, Colin Gregg, Brian Parker, James Scott, Peter Hammond, Antonia Bird, Jack Gold, Jim Goddard, Adrian Shergold, Roy Battersby, Peter Duffell | |
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| 8. Inspector Morse - The Secret of Bay 5B Director: Danny Boyle, Stephen Whittaker, Sandy Johnson, Herbert Wise, Edward Bennett, Anthony Simmons, Charles Beeson, John Madden, Stuart Orme, Alastair Reid, Colin Gregg, Brian Parker, James Scott, Peter Hammond, Antonia Bird, Jack Gold, Jim Goddard, Adrian Shergold, Roy Battersby, Peter Duffell | |
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| 9. Inspector Morse - The Remorseful Day Director: Danny Boyle, Stephen Whittaker, Sandy Johnson, Herbert Wise, Edward Bennett, Anthony Simmons, Charles Beeson, John Madden, Stuart Orme, Alastair Reid, Colin Gregg, Brian Parker, James Scott, Peter Hammond, Antonia Bird, Jack Gold, Jim Goddard, Adrian Shergold, Roy Battersby, Peter Duffell | |
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Reviews (9)
But there is and it is as great a disservice to a book as I can ever remember. Now, that argument can be made about a lot of transfers from book to film, but in this case, and with this series, which has been so faithful to Dexter's works, it is just incomprehensible. I can only conclude that it is due to the American fascination with smoothing out any sense of nuance in order to champion the easily digestible. I should tell you where the crime lies, but that's not fair to anyone who really would enjoy what actually happened in the story. Suffice it to say that much of the story turns on the Parsifal legend, and how in fact the pure of heart are vindicated with vision of the grail, whatever form that grail may take. So, Endeavour Morse is vindicated in a coda that lingers with you long, long after you put the book down. Throughout the film, there are efforts made to quote not only Wagner's theme for "Parsifal", but Han Knappertsbusch's direction of it in the 1962 score. Why? Well, Morse makes reference to it in discussion with Lewis, and it fits with the T.S Elliott quote that includes the title of the story, plus Knappertsbusch was himself the most Morse like of conductors in every way imaginable, and in 1962 was well aware that he was dying. So with all of the main clues in tact, why on earth Eaton and her merry band of nitwits elected to miss the point is not only unimaginable but unforgiveable. Certainly, enjoy this DVD for what it is. I assure you that if you read the book, you will want, as I want, to grab the murderous crutch and shove it where PBS don't broadcast. The most heinous murder in Oxford was committed in Boston. Shame on Eaton. Perhaps one day Dexter will insist on a reshoot, although Thaw is not well, and Whately may have no interest in any further casting as Lewis. Somehow, the record, as it is in the book, needs to be set straight.
This episode is on par with all of the other great episodes of this outstanding series. Thaw's portrayal of an intellectual, world-weary British detective who confronts often complex and involved cases of murder and other crimes. Now episode to this point really brought home to me how much I loved Inspector Morse. I was actually quite angry to see the great Inspector face such health problems (an understatement), but in light of John Thaw's actual illness, I guess it is to be expected. My only regret is that there are not 100 more episodes hidden away somewhere. Inspector Morse and John Thaw will be sorely missed.
The obligatory murder plot/premise has to do with the re-opening of a case involving the death of a middle-aged temptress/nurse named Yvonne Harrison. Lewis and Morse tackle the case, with the latter acting particularly strange concerning many aspects of the matter. There are a plethora of suspects, one of whom is Morse's own doctor, which conveniently leads to scenes showing how the great Chief Inspector's health is deteriorating rapidly. The Harrison case, while definitely being worked-through carefully, isn't the real focus of the story. Morse's plight is the prime meaning behind "The Remorseful Day". Never before has the character been rendered so human, and so pathetic. His lady-friend (appearing in recent TV adaptations) has apparently left him, and so Morse is utterly alone. There are poignant scenes between he and Lewis, of him making final preparations, and of him sitting alone in his home listening to profoundly sad classical music. John Thaw as Morse gives a veritable tour-de-force, in the most subtle and gracious way possible, of the great detective in his declining days. Special note should be given to all involved in the television adaptation, for they have, in my opinion, surpassed the novel. Colin Dexter's book was fine, but it dealt more heavily with the actual murder case, and the illness of Morse was left for small parts, usually at the end of each day. Here, with the version made for the small screen, we have the situation of Morse's closing life brought to the forefront. It is done well, and an experience to watch. The last scene is terribly moving. I always make it a point to realize that when I sit down to watch a movie or television show, NOT to get too emotional, because there are only actors upon the screen - nothing is real. I thought I would be able to hold forth with said beliefs while watching "The Remorseful Day". But the very last scene, involving just Lewis and Morse, brought tears to my eyes. The swelling music and the starkness of the scene was a wonderful way to end the series. The impression left is one not easily forgotten.
Alas, our hero has to die and he exits rather pitifully telling Strange to "thank Lewis." I wanted something much more dramatic and much more moving; I suspect Mr. Dexter really does want to retire. The last scene -- when Lewis views Morse's body on a slab and leans over to kiss him -- is very moving and will bring a tear to the eyes of every Morse fan. Although he may have had a rich and rewarding life in his own way with his work, music, poetry and knowledge, I wanted him to go out differently, to have had a woman who really loved him, to have had something in life so very meaningful.... We will miss a very good fictional character and the actors who portrayed the detectives so well. However, thanks to the magic of the movies, we can enjoy the Inspector for years to come!
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| 10. Inspector Morse - The Settling of the Sun Director: Danny Boyle, Stephen Whittaker, Sandy Johnson, Herbert Wise, Edward Bennett, Anthony Simmons, Charles Beeson, John Madden, Stuart Orme, Alastair Reid, Colin Gregg, Brian Parker, James Scott, Peter Hammond, Antonia Bird, Jack Gold, Jim Goddard, Adrian Shergold, Roy Battersby, Peter Duffell | |
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I am not sure this film is based on a book. I don't remember reading a book with this title, nor did I find the plot familiar. (I thought I had read all of Colin Dexter's 'Morse' books.) If it is based on a book, the plot is certainly far inferior to those found other tales. The tortured and unbelievable plot is overlaid with repetitious use of "Morse-isms" which are supposed to "wow" American audiences such as: Morse thinking over a pint in a friendly tavern; Morse driving his little red jaguar all over Oxford; Morse playing music and drinking at home; Morse unwilling to look at a body (three times with the same body). Morse's interest in the female "lead" is far from enthusiastic. It's almost as if he is going through the motions. Also, it's a bit hard to believe that this ditsy overwrought female has the least bit of attractiveness for Morse. Don't get me wrong. I love the little "English" touches a much as the next Anglophile. I just hate being taken for a sucker. However,if you are devoted Morse fan you will probably want to buy it. Just can't get enough of the late John Thaw.
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| 11. Inspector Morse - Second Time Around Director: Danny Boyle, Stephen Whittaker, Sandy Johnson, Herbert Wise, Edward Bennett, Anthony Simmons, Charles Beeson, John Madden, Stuart Orme, Alastair Reid, Colin Gregg, Brian Parker, James Scott, Peter Hammond, Antonia Bird, Jack Gold, Jim Goddard, Adrian Shergold, Roy Battersby, Peter Duffell | |
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An old police detective is murdered while writing his memoirs. A suspect, Frederick Redpath, is brought-in for questioning. Morse and another chief inspector on the case, Dawson, recognize the man as a suspect from a child murder case from over a decade ago. Dawson becomes heavily involved in the new case, and Morse and his sergeant, Lewis, are trying to work at it from their own angle. There is conflict, emotion, heartache, introspection, and mystery aplenty in "Second Time Around", and all of these factors come together to help make the episode a real treat. The direction is wonderful, and the acting is amazing. John Thaw, as usual, excels as Morse, and Kevin Whately does well as the ever-faithful Lewis. Oliver Ford Davies, an underrated gem of an actor, is convincing as the troubled Redpath, but the real star of this story is Kenneth Colley (famous from the first "Star Wars" trilogy) as Chief Inspector Dawson. Probably one of the best characters ever to grace the Morse series. "Inspector Morse" is one of my all-time favorite television shows, and this episode is simply tremendous. It encompasses the best aspects of the series: an introspective Morse, a haunting murder case, great guest stars, and sorrowful music from Puccini ('Senza Mamma' from Suor Angelica). This is simply the best of "Morse". Don't pass it up.
The death of senior police office shortly after his retirement celebration sets the scene of a murder investigation which departs from the immediate concern of his murder to become a much broader investigation which encompasses an 18 year old unresolved murder mystery which Morse was involved in. In this rather unusual Morse there are some exemplarary performances notably from Pat Heywood (RootInto Europe) and Oliver Ford Davies (who would later co-star with Thaw in the sublime series, Kavanagh Q.C.). What distinguishes this particular Morse from the others is the degree of personal involvement shown by Morse. Despite his usual disspassionate, academic approach. Morse cannot resist responding to the friction from his old colleague who found success following his mentor, the Deputy Chief Police Commissioner to London. Also there is a heightened sensitivity shown by Morse to the case of the young girl, murdered many years earlier. There are the usual twists and turns but in particular the scenes where the long suffering suspect of the child's death is finally completely cleared of any involvement. At that point the latest suspect is mentioned only for the first accused to fiercely criticise the police for their continued incompetence. The conclusion to the story is a tragic scene wherein Morse confronts the killer with the evidence of his guilt. At that juncture the viwere is faced with sympathy with the killer's motive for the crime only to discover that the man who was killed was doing so protecting his child's life in just the same way that the murderer is revenging his. Here the extent of Morse's involvement is revealed and one of the lasting impressions we have is the depth of tremendous sadness in his eyes. This episode shows us the emotional side of Morse in many different ways. The storyline is supported in this regard by a stellar performance of Kevin Whately who gives vent to his frustrations with what he perceives to be Morse's attitude and verbally lashes him, only to discover later that he was wrong and very sheepishly apologises. Morse is magnanimous in his acceptance of the apology and moves on. All around a very polished performance and an enthralling whodunit in the very best traditions of the genre. A+++
"Second Time Around" is yet another example of the superb work of John Thaw as Morse--even in those episodes which lack the usual tension and bite, Thaw's Morse is an astounding presence, irritable, acidic, vulnerable, funny, pompous, and compelling, by turns, and thoroughly, entertainingly, convincing. For those unfamiliar with the series, here is a good place to start. ... Read more | |
| 12. Inspector Morse - The Day of the Devil Director: Danny Boyle, Stephen Whittaker, Sandy Johnson, Herbert Wise, Edward Bennett, Anthony Simmons, Charles Beeson, John Madden, Stuart Orme, Alastair Reid, Colin Gregg, Brian Parker, James Scott, Peter Hammond, Antonia Bird, Jack Gold, Jim Goddard, Adrian Shergold, Roy Battersby, Peter Duffell | |
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| 13. Inspector Morse - Fat Chance Director: Danny Boyle, Stephen Whittaker, Sandy Johnson, Herbert Wise, Edward Bennett, Anthony Simmons, Charles Beeson, John Madden, Stuart Orme, Alastair Reid, Colin Gregg, Brian Parker, James Scott, Peter Hammond, Antonia Bird, Jack Gold, Jim Goddard, Adrian Shergold, Roy Battersby, Peter Duffell | |
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M. Williams ... Read more | |
| 14. Inspector Morse - Ghost in the Machine Director: Danny Boyle, Stephen Whittaker, Sandy Johnson, Herbert Wise, Edward Bennett, Anthony Simmons, Charles Beeson, John Madden, Stuart Orme, Alastair Reid, Colin Gregg, Brian Parker, James Scott, Peter Hammond, Antonia Bird, Jack Gold, Jim Goddard, Adrian Shergold, Roy Battersby, Peter Duffell | |
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| 15. Inspector Morse - Last Enemy Director: Danny Boyle, Stephen Whittaker, Sandy Johnson, Herbert Wise, Edward Bennett, Anthony Simmons, Charles Beeson, John Madden, Stuart Orme, Alastair Reid, Colin Gregg, Brian Parker, James Scott, Peter Hammond, Antonia Bird, Jack Gold, Jim Goddard, Adrian Shergold, Roy Battersby, Peter Duffell | |
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| 16. The Waiting Time Director: Stuart Orme | |
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| 17. Inspector Morse - Greeks Bearing Gifts Director: Danny Boyle, Stephen Whittaker, Sandy Johnson, Herbert Wise, Edward Bennett, Anthony Simmons, Charles Beeson, John Madden, Stuart Orme, Alastair Reid, Colin Gregg, Brian Parker, James Scott, Peter Hammond, Antonia Bird, Jack Gold, Jim Goddard, Adrian Shergold, Roy Battersby, Peter Duffell | |
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| 18. Inspector Morse: The Wolvercote Tongue Director: Danny Boyle, Stephen Whittaker, Sandy Johnson, Herbert Wise, Edward Bennett, Anthony Simmons, Charles Beeson, John Madden, Stuart Orme, Alastair Reid, Colin Gregg, Brian Parker, James Scott, Peter Hammond, Antonia Bird, Jack Gold, Jim Goddard, Adrian Shergold, Roy Battersby, Peter Duffell | |
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The tongue, long ago separated from the buckle, is owned by a rich American woman who has traveled with a group of tourists to Oxford, where she plans to present the pin to the Ashmolean. The afternoon of the presentation, after too much touring about the city has tired her, the woman goes to her hotel room to take a nap from which she will never awake. Her husband discovers her body and that the Wolvercote tongue has gone missing. Never fear, Endeavor Morse, Detective Chief Inspector of the Thames Valley Police and his trusty sidekick Sgt. Lewis are soon on the case. This is a lovely film, and a vicarious thrill for Anglophiles who have spent hours and hours in Oxford or wish they had. The colleges, the shops, walking along behind Merton, the Botanical garden, punters on the Thames, the Ashmolean-it wouldn't matter to me if the plot made sense or not (it does), or whether the characters were fully developed or not (they are). Oxford's gleaming spires in the dying light of the afternoon sun and John Thaw-who could ask for anything more. ... Read more | |
| 19. Inspector Morse - Promised Land Director: Danny Boyle, Stephen Whittaker, Sandy Johnson, Herbert Wise, Edward Bennett, Anthony Simmons, Charles Beeson, John Madden, Stuart Orme, Alastair Reid, Colin Gregg, Brian Parker, James Scott, Peter Hammond, Antonia Bird, Jack Gold, Jim Goddard, Adrian Shergold, Roy Battersby, Peter Duffell | |
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Morse is ordered to revisit a supergrass to try to uncover evidence which would resolve both the issues. The snitch has begun a new life in the equivalent of the witness protection scheme so everything appears to be straightforward. On the eve of their departure, Lewis is more than a little miffed at having to forego his vacation, a burglary occurs at the local freesheet newspaper and in the grand Holmesian tradition, nothing is stolen. Off our intrepid heroes set for Lewis to discover that the person they are visiting was transplanted to Australia. There are some spectacular shots of the countryside which dwarf the car that they are driving and which serves to give a sense of perspective on the vastness of the country. In a vignette Morse discovers that he has not brought his beloved opera tape with him to play on the long drive. Lewis, searching for an alternative discovers country music, Australian style, on the radio. This again underscores the notion of Australia as a new country shaking off her connections to Britain. On arriving at their destination the sterotypical portrayal of Australian men as boorish, gambling, womenisers is presented in a scene where Morse and Lewis venture into the local bar. In a very funny moment, Lewis orders a beer while Morse contents himself with an orange juice - a reversal of the usual position - which moves on to a condemnation by Morse of non-real ale and a perception by the locals that Morse is possibly homosexual. The plot develops with a mysterious stranger driving a camper, the stoolie's wife is both hostile and yet welcoming. Her husband has disappeared, nothing new in that, and Morse and Lewis expend considerable energies in the search. As the programme develops the stereotypical views of the country and it's people are challenged and they are shown to be warm, sociable, and open minded. In the conclusion, in front of the Sydney Opera House, Lewis has resolved his issues by remaining in Australia to be joined by his wife. Morse is left in solitude with his ticket to the opera, a tragic figure who is unable to articulate his feelings. This Morse does not have the usual twists and turns and in many ways is one of the most approachable of the shows. Regardless it is still terrific entertainment and well worth the five stars. ... Read more | |
| 20. Inspector Morse: Last Seen Wearing Director: Danny Boyle, Stephen Whittaker, Sandy Johnson, Herbert Wise, Edward Bennett, Anthony Simmons, Charles Beeson, John Madden, Stuart Orme, Alastair Reid, Colin Gregg, Brian Parker, James Scott, Peter Hammond, Antonia Bird, Jack Gold, Jim Goddard, Adrian Shergold, Roy Battersby, Peter Duffell | |
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The storyline is this--a young girl who is a day student at a private girl's school fails to come home one day. The police are called in to find the girl. Six months later, the girl is still missing and Morse is put on the case. He tells Sargeant Lewis, "She's dead." "Why do you say that Sir?" says Lewis. Morse replies, "Because I'm the three-file man. They bring me in when there are three files, and when there are three files, someone's gone missing too long." So the first mystery is this, is the girl alive as Lewis says, or is she dead as Morse insists?? If she is dead, who killed her? The headmaster of the school has been behaving suspiciously. His wife thinks his actions are odd. The assistant head mistress seems to have some knowledge she is keeping under wraps. And then there's the father who has access to all sorts of earth-moving equipment--and he's her stepfather after all and a wealthy one at that. On the other hand, one of the male instructors quit quite recently, around the time when the young girl disappeared. He moved onto a lower paying job in another school. Why would he do that? For regular fans of BBC/PBS drama and comedy, the cast is filled with many familiar faces. Julia Sawhalia ("Absolutely Fabulous" and "Pride and Prejudice") and Hugh Grant's old girl friend (Estee Lauder model) play students. "As Time Goes By" fans will recognize the actor who plays Alistair. In LSW he plays the young male teacher who recently vacated his job at the private school where the female student disappeared. The DVD is excellent. The shots of the English countryside are wonderful. The crisp clear photography reveals the black circles under Morse's eyes (he has a little alcohol problem) as well as the 20 layers of dirty green paint on the long corridor in the old police headquarters building. This is vintage stuff. ... Read more | |
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