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| 1. Cal Director: Pat O'Connor | |
![]() | list price: $19.99
our price: $19.99 (price subject to change: see help) Asin: 6300270505 Catlog: Video Sales Rank: 12989 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (4)
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| 2. Circle of Friends Director: Pat O'Connor | |
![]() | list price: $9.94
(price subject to change: see help) Asin: 6303501281 Catlog: Video Sales Rank: 18144 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (46)
this is a pretty straightforward and simplistic film. and my only complaint is that the film doesn't flesh out some things that i really would have liked fleshed out, and it had some loose strings left hanging in the end. for example, i loved eve and aidan as a couple, yet the film gave them pretty flat portrayals. on the one hand, you're left wanting to see more, but on the other hand, there is the possibility that the film could spread itself too thin in terms of plot. the movie was well cast. minnie driver is phenomenal. chris o'donnell doesn't get much credit. and my other favorite was the one who played eve. she really had spark! and alan cummings as the irrepressible sean walsh just makes me want to barf! all in all, the movie's plot is a little thin, but the cast and great scenery more than make up for it.
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| 3. Stars and Bars Director: Pat O'Connor | |
![]() | list price: $19.95
(price subject to change: see help) Asin: 6302800595 Catlog: Video Sales Rank: 12507 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (5)
I really liked it. The casting was genius: Laurie Metcalf, Glenne Headley, Joan Cusack, Maury Chaykin, Will Patton, and many others. While funny and strange with a touch of Southern gothic, the film also questions the real value of American success. A good companion film would be Shy People with Barbara Hershey.
One of the key problems is that this movie completely centers around Daniel Day-Lewis. He actually does a fine job playing Henderson, an appraiser who works for a New York art dealer. The trouble is that this film isn't quite sure how to use the rest of the cast. Literally all of the other roles are relatively minor. I didn't time it, but I would be stunned if anyone else in the cast was actually onscreen for more than 20 minutes of the entire movie. When you have a cast of this caliber, that can be considered nothing short of criminal. The basic plot revolves around Henderson having to travel to Georgia. The purpose of his trip is to inspect a painting which is believed to be worth around $10 million. While there, he has to deal with the members of an eccentric family. Of course, things don't go smoothly. Henderson encounters the usual silly problems that you find in many '80s comedies. The film is quite uninspired. For those of you who lust after Daniel Day-Lewis, I would highly recommend seeking this movie out. He was only about 30 when he starred in this picture and he has an extended nude scene after he is forced to strip by some second rate hoods. "Stars And Bars" is a watchable film but I can only imagine how it would've turned out with a better script and tighter directing. Unfortunately...I'll never know.
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| 4. Dancing At Lughnasa Director: Pat O'Connor | |
![]() | list price: $21.96
(price subject to change: see help) Asin: B00000IMKX Catlog: Video Sales Rank: 21776 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (22)
This is a very quiet and slow-paced film. It succeeds in capturing the lifestyle, character, and beauty of the Irish countryside, when all that mattered was your family and church. There is very little action - a motor cycle ride, listening to the radio, and on one special night, dancing in the yard - but that makes the film even more poignant. Based on an autobiographical play, Dancing at Lughnasa is a raw, no-frills look back in time, with an art-house-film feel. Fans of Meryl Streep will enjoy her fine performance as the strict and melancholy eldest sister. Michael Gambon gives a sympathetic performance as the confused priest who has come home to die.
When I saw this movie, I had just found Wicca. I pretty much said to anyone I met, "Hi, my name's Barb, nice to meet you. I'm a Witch." I was still in that first falling-in-love phase. As a matter of fact, I still thought that Wicca was "The Old Religion!" Someone reccomended this movie to me as a movie that portrayed Pagans in a positive light and it had Meryl Streep in it! I fully expected a story about a Lughhnasa Rite. NOT! This movie is actually quite boring and is the only movie with Meryl Streep in it that I've seen that I haven't liked! It's basically a story about three sisters that live in Ireland in the(I think)1950's. There is only one brief part about Pagans in it, and they are definietely NOT PORTRAYED IN A POSITIVE LIGHT! There is a brief scene of drunken revelry where a group of people who identify themselves as Pagans appear to be engaging in orgiastic behavior. Not only that, there is an intimation that they might possibly force the young woman who was brought to this not even knowing what it was, to join them!...
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| 5. Inventing the Abbotts Director: Pat O'Connor | |
![]() | list price: $9.98
(price subject to change: see help) Asin: 0793960819 Catlog: Video Sales Rank: 10590 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (13)
When I started watching this movie, I almost didn't give it a chance. Truthfully, the start is not engaging and it took at least 15 minutes for me to fully want to continue watching. After that, I was completely emotionally involved in the story. The best movies seem to be those in which you truly feel you care about the characters. If the script is engaging, what can be better? This movie will appeal to your complex side because the one of the deepest desires we all have, is to be loved unconditionally. "Some people you love no matter what, The narration, script and 1950's style setting blend together like cookie dough for a batch of homemade chocolate chip cookies. Truthfully, this movie has a warmth about it, you do not see very often! Like eating cookies with a glass of milk, you might feel this movie ends too soon. The relationship between two brothers and the forbidden women they love ends up showing us that sometimes forgiveness is the only way out of an illusion created by a lie. A+ acting! You will come away thinking about life more deeply and considering how your actions affect those around you. ... Read more | |
| 6. The January Man Director: Pat O'Connor | |
![]() | list price: $9.94
(price subject to change: see help) Asin: B00000693Y Catlog: Video Sales Rank: 35437 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (15)
The movie uses clichés with a twist: a heroic but difficult cop (Kline) who has been unjustly sacked and is now a fireman, but - being a genius in his work - gets called back to solve mysterious killings. Of course, the police department is against the idea. But there is no choice and he starts to work in his own terms, for instance bringing along an assistant, a moody artist (Rickman in a part where he speaks very little, which is always a shame). Brother (Keitel) isn't too thrilled either, because they still love the same woman (Sarandon). Mayor's daughter (Mastrantonio) gets sucked in, because her friend is murdered. The movie has all the elements of comedy, humour, suspense and good actors and actresses - and still it misses something. Kline is fine as always and even in this small part Rickman makes an impression and it's hard to point out any flaws - but still it doesn't work as well as it could have. Anyway, the movie is entertaining, not bad at all. Harmless fun with a couple of original jokes. Kline's cooking is very odd and Rickman's use of models even more personal.
One interesting line of dialogue, however, was a comment Kevin Klein made to Susan Sarandon, asking about certain results when she thought about the money to which she now had access, due to marrying a rich man. It's the only time in a movie I have ever heard so precise a reference to that particular phenomenon -- it was simply something that is never referred to so specifically in mainstream cinema.
Theme-wise it is ostensibly presented as a suspense movie where an ex-cop (Kevin Kline) is re-instated into a homicide detective role to solve a brutal murder spree by a NY psychopath. There is an interesting subplot of unrequited romance between Kline's character and his brother's (who is commissioner of police) wife. Kline's artist friend, his new girl friend (the Mayor's daughter), and in fact the Mayor himself -- are all amusing characters. But Kline is clearly the pivot of the movie, he turned what many might consider a very below standard screenplay and turned it into a very keepable film. The cinematography is neat, the dialog entertainingly scattershot and the movie flows with a very good pace. Most people who revile this under-rated but actually very watchable movie do so because it doesn't fit any Hollywoodesqe molds. It is not a suspense movie alone (clearly, to me, it didn't make any overt attempts to be) -- it is also a very adult and somewhat intellectual but credible study of multiple intertwined characters. The ending surprised me a bit, but I don't think it was chinsy or overdone. It was probably supposed to try and imitate real life and I'd say it did so. And with that kind of a price tag, this is definitely a steal. Recommended! ... Read more | |
| 7. Sweet November Director: Pat O'Connor | |
![]() | list price: $9.94
our price: $9.94 (price subject to change: see help) Asin: B00005JY1B Catlog: Video Sales Rank: 20753 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (95)
Regardless, this movie is a definite top rate, excellent chick-flick tear-jerker if there ever was one. Of course, what better city in which to set a romantic movie than San Francisco, which is where this movie occurs. Sara Deever, a quirky 90's style woman chases after Nelson Moss, a hard driven ad designer. After she sends him a cute little dog, he immediately returns the dog to her and, as she is cleaning up his left hand (that he had cut earlier in the day), he tells her about his day: "I got fired. They took the company car. And my GIRLFRIEND left me" "Perfect!", she says. "Define 'perfect'", he says angrily. Perfect in this case is the lead in to the rest of the movie, a series of romantic crises, wonderful love scenes, ultimately leading to a two boxes of Kleenex ending. This is my number 9 chick flick of all time (see my list of all time chick flicks). And if you end up liking this movie, you will love the soundtrack!!!
Let it be known, the movie is not that bad. In fact, when put in comparison with movies like "Bounce" and "The Wedding Planner," "Sweet November" is actually kind of refreshing in it's own little way. Yes, the way in which the two develop their romance is a bit tough to swallow at first, but if you can ignore that and allow their growing relationship to touch your heart, then the movie succeeds on those terms. Keanu Reeves plays Nelson Moss, a man who is all work and no play (when leaving for work one morning, he tells his girlfriend, "I have a life, and I'm late for it") as a big ad executive. While taking a test at the DMV, he runs into Sara Deever, played by Charlize Theron, who gives him an answer and gets caught cheating. What does Sara do? She milks the situation for everything she can in order to get Nelson to her home. Her offer? To allow him to live in her house for a month, no more, no less, in order to help him get rid of all of his life's stresses and restrictions. She takes it to the extreme, too, giving his clothes to a homeless man, telling him he cannot go to work (he got fired, anyway), and taking him out into the town to show him the ways in which life can be fun. Like any movie relationship, there are complications. Sara is reluctant to reveal anything about her past or her family, or her reasons for taking in a new man each month. All she will reveal is what she does to help each one of them. Near the end, there will come a revelation that will put the stability of their bond in jeopardy. It seems preposterous, but with a movie like this, the events come in such an order that you can forgive these little pitfalls. Their budding romance really does have a kick to it, and despite the outside criticism, Theron and Reeves do have some good onscreen chemistry that lights up the screen in moments and provides for some very touching moments. The film also has a lot of warm-hearted laughs. A scene in which Sara stands outside Nelson's apartment and begins shouting risque comments at people in order to gain his attention will have you chuckling, while her neighbors, two homosexuals who host a dinner party for the four of them in drag, are a riot. And the overall sweet nature of the relationship between the two is something to smile about, as well as shed a few tears over. In one of his better roles, Keanu Reeves is convincingly emotional as Nelson. In the beginning, her perfectly portrays the egotistical attitude and outlook of his character, and then makes a very believable segue to someone who is so in love he is willing to change his whole life. Charlize Theron is, as always, a gem, bringing a touch of warmth and cheerfulness to her role as Sara. Her acting embodies her character with the zest for life needed to sell us on Sara's motives, and Theron captures that completely. While it's not on par with many other romances on the market, "Sweet November" is nowhere near as bad as critics have made it out to be. In fact, it's a charming movie that is very uplifting, due in part to the moving relationship that Reeves and Theron bring to their characters. It met all of my expectations, which were few, but the fact that it met them is enough to recommend the film.
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| 8. January Man Director: Pat O'Connor | |
![]() | list price: $19.98
(price subject to change: see help) Asin: B000006GN3 Catlog: Video Sales Rank: 58049 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (15)
The movie uses clichés with a twist: a heroic but difficult cop (Kline) who has been unjustly sacked and is now a fireman, but - being a genius in his work - gets called back to solve mysterious killings. Of course, the police department is against the idea. But there is no choice and he starts to work in his own terms, for instance bringing along an assistant, a moody artist (Rickman in a part where he speaks very little, which is always a shame). Brother (Keitel) isn't too thrilled either, because they still love the same woman (Sarandon). Mayor's daughter (Mastrantonio) gets sucked in, because her friend is murdered. The movie has all the elements of comedy, humour, suspense and good actors and actresses - and still it misses something. Kline is fine as always and even in this small part Rickman makes an impression and it's hard to point out any flaws - but still it doesn't work as well as it could have. Anyway, the movie is entertaining, not bad at all. Harmless fun with a couple of original jokes. Kline's cooking is very odd and Rickman's use of models even more personal.
One interesting line of dialogue, however, was a comment Kevin Klein made to Susan Sarandon, asking about certain results when she thought about the money to which she now had access, due to marrying a rich man. It's the only time in a movie I have ever heard so precise a reference to that particular phenomenon -- it was simply something that is never referred to so specifically in mainstream cinema.
Theme-wise it is ostensibly presented as a suspense movie where an ex-cop (Kevin Kline) is re-instated into a homicide detective role to solve a brutal murder spree by a NY psychopath. There is an interesting subplot of unrequited romance between Kline's character and his brother's (who is commissioner of police) wife. Kline's artist friend, his new girl friend (the Mayor's daughter), and in fact the Mayor himself -- are all amusing characters. But Kline is clearly the pivot of the movie, he turned what many might consider a very below standard screenplay and turned it into a very keepable film. The cinematography is neat, the dialog entertainingly scattershot and the movie flows with a very good pace. Most people who revile this under-rated but actually very watchable movie do so because it doesn't fit any Hollywoodesqe molds. It is not a suspense movie alone (clearly, to me, it didn't make any overt attempts to be) -- it is also a very adult and somewhat intellectual but credible study of multiple intertwined characters. The ending surprised me a bit, but I don't think it was chinsy or overdone. It was probably supposed to try and imitate real life and I'd say it did so. And with that kind of a price tag, this is definitely a steal. Recommended! ... Read more | |
| 9. Inventing the Abbotts Director: Pat O'Connor | |
![]() | list price: $9.98
(price subject to change: see help) Asin: 6305447292 Catlog: Video Sales Rank: 56306 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (5)
If you like chick-flicks then you'll love this movie I pomise it's worth the money!
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| 10. Sweet November Director: Pat O'Connor | |
![]() | list price: $9.94
our price: $9.94 (price subject to change: see help) Asin: B00005JY1A Catlog: Video Sales Rank: 30458 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (95)
Regardless, this movie is a definite top rate, excellent chick-flick tear-jerker if there ever was one. Of course, what better city in which to set a romantic movie than San Francisco, which is where this movie occurs. Sara Deever, a quirky 90's style woman chases after Nelson Moss, a hard driven ad designer. After she sends him a cute little dog, he immediately returns the dog to her and, as she is cleaning up his left hand (that he had cut earlier in the day), he tells her about his day: "I got fired. They took the company car. And my GIRLFRIEND left me" "Perfect!", she says. "Define 'perfect'", he says angrily. Perfect in this case is the lead in to the rest of the movie, a series of romantic crises, wonderful love scenes, ultimately leading to a two boxes of Kleenex ending. This is my number 9 chick flick of all time (see my list of all time chick flicks). And if you end up liking this movie, you will love the soundtrack!!!
Let it be known, the movie is not that bad. In fact, when put in comparison with movies like "Bounce" and "The Wedding Planner," "Sweet November" is actually kind of refreshing in it's own little way. Yes, the way in which the two develop their romance is a bit tough to swallow at first, but if you can ignore that and allow their growing relationship to touch your heart, then the movie succeeds on those terms. Keanu Reeves plays Nelson Moss, a man who is all work and no play (when leaving for work one morning, he tells his girlfriend, "I have a life, and I'm late for it") as a big ad executive. While taking a test at the DMV, he runs into Sara Deever, played by Charlize Theron, who gives him an answer and gets caught cheating. What does Sara do? She milks the situation for everything she can in order to get Nelson to her home. Her offer? To allow him to live in her house for a month, no more, no less, in order to help him get rid of all of his life's stresses and restrictions. She takes it to the extreme, too, giving his clothes to a homeless man, telling him he cannot go to work (he got fired, anyway), and taking him out into the town to show him the ways in which life can be fun. Like any movie relationship, there are complications. Sara is reluctant to reveal anything about her past or her family, or her reasons for taking in a new man each month. All she will reveal is what she does to help each one of them. Near the end, there will come a revelation that will put the stability of their bond in jeopardy. It seems preposterous, but with a movie like this, the events come in such an order that you can forgive these little pitfalls. Their budding romance really does have a kick to it, and despite the outside criticism, Theron and Reeves do have some good onscreen chemistry that lights up the screen in moments and provides for some very touching moments. The film also has a lot of warm-hearted laughs. A scene in which Sara stands outside Nelson's apartment and begins shouting risque comments at people in order to gain his attention will have you chuckling, while her neighbors, two homosexuals who host a dinner party for the four of them in drag, are a riot. And the overall sweet nature of the relationship between the two is something to smile about, as well as shed a few tears over. In one of his better roles, Keanu Reeves is convincingly emotional as Nelson. In the beginning, her perfectly portrays the egotistical attitude and outlook of his character, and then makes a very believable segue to someone who is so in love he is willing to change his whole life. Charlize Theron is, as always, a gem, bringing a touch of warmth and cheerfulness to her role as Sara. Her acting embodies her character with the zest for life needed to sell us on Sara's motives, and Theron captures that completely. While it's not on par with many other romances on the market, "Sweet November" is nowhere near as bad as critics have made it out to be. In fact, it's a charming movie that is very uplifting, due in part to the moving relationship that Reeves and Theron bring to their characters. It met all of my expectations, which were few, but the fact that it met them is enough to recommend the film.
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| 11. Circle of Friends Director: Pat O'Connor | |
![]() | list price: $9.94
(price subject to change: see help) Asin: B00000JWWH Catlog: Video Sales Rank: 69126 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (46)
this is a pretty straightforward and simplistic film. and my only complaint is that the film doesn't flesh out some things that i really would have liked fleshed out, and it had some loose strings left hanging in the end. for example, i loved eve and aidan as a couple, yet the film gave them pretty flat portrayals. on the one hand, you're left wanting to see more, but on the other hand, there is the possibility that the film could spread itself too thin in terms of plot. the movie was well cast. minnie driver is phenomenal. chris o'donnell doesn't get much credit. and my other favorite was the one who played eve. she really had spark! and alan cummings as the irrepressible sean walsh just makes me want to barf! all in all, the movie's plot is a little thin, but the cast and great scenery more than make up for it.
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