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| 1. I Am Sam Director: Jessie Nelson | |
 | list price: $14.94
our price: $14.94 (price subject to change: see help) Asin: B00007CVWV Catlog: Video Sales Rank: 3446 Average Customer Review: 
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Reviews (193)
Sean Penn stars as Sam, a mentally-challenged Starbucks clerk who excitedly clings to the role of father when the homeless woman he gets pregnant skips out on him. Somehow (the movie never tells), he manages to display the skills to bring Lucy up to seven years old (when the narrative of the film swings into full play). The incredibly lovely Michelle Pfieffer does an admirable job pouring life into a vastly underwritten role. As a jetset lawyer, she's torn between her job, her role as a wife, and her role as a mother ... all of which she, arguably, is failing at. However, Ms. Pfeiffer manages to give her character, Rita Harrison, a sense of reality and a sense of history that lifts an otherwise secondary role into a more interesting person, one that the viewer wants to get to know. Sadly, the scenes of development with her husband and her son were either never written, never filmed, or left on the cutting room floor. Dakota Fanning, as Lucy, is simply marvelous. A true talent in the making, she manages to steal every scene she's in without a touch of mirth to her performance. Laura Dern pops up in the obligatory cameo-sized role, and, when her mother-wannabe sentiments forces her to face the bittersweet reality of choosing between breaks, the viewer feels her pain. All in all, I AM SAM is not a great picture, as it feels more like a big budget Lifetime or perhaps HBO-cable movie, but it's passable entertainment with some acting heavyweights showing their stuff.
This film knows how to manipulate the heartstrings big time, starting when young Lucy asks her daddy why he is different from the other daddies and refuses to read any book that her father cannot read. Then we get to the point where the System, in its infinite wisdom, takes the little girl away from her father. When that happens we do not hear her screams, just the music turned up load, which reminded me of the extreme pathos of that same scene in Chaplin's "The Kid," where not hearing Jackie Coogan scream for his dad did not matter. Meanwhile, there is the whole bit as Sam wears down super lawyer Rita and gets her to remember that family might be as important as work. In the beginning Rita is basically shamed into taking on Sam's case, but in the end she is emotionally involved in the case and the life of her client. All that matters is reuniting father and daughter. But the brain keeps asking some key questions about what is happening here. First, why did the State wait until this point to question Sam's parenting? The concern here is never about Lucy's safety with her father, but her desire to keep learning now that she is smarter than Sam. Second, if Lucy had been of average intelligence and not a cute little blonde kid if the State would have found her a wonderful foster home with Randy (Laura Dern) and her husband? I am inclined to think probably not. Third, why are the Department of Children and Family Services lawyers portrayed as villains? Every thing Turner says is true and he repeatedly makes it clear that his intention is the welfare of the child. He is talking practical realities and not abstract ideals. Twice in "I Am Sam" the film echoes the famous child custody film "Kramer vs. Kramer." The first time the moment sneaks up on the audience, as well as most of the characters, and it signals a reversal in Sam's fortunes. In fact, the next time I am reminded of the other film it again signals a reversal in Sam's fortunes, and that was the point at which the head shoved the heart aside and rendered its final verdict on this film. I was not all that impressed with the rabbit coming out of the hat the first time around, and even less so the second time. As for Penn's performance, I can see why he was nominated for an Academy Award given the propensity to give the Oscar to actors portraying handicapped individuals (Cliff Robertson in "Charly," Hoffman in "Rain Man," Geoffrey Rush in "Shine"). But I have to admit that such mannered performances next strike me as being as finally nuanced as other great acting performance. Still, he is good, and the scenes between him and Fanning sparkle. Half the film is scored to covers of Beatles songs by Sarah McLachlan, Eddie Vedder and others, which makes for an interesting soundtrack album. Ultimately, I decided to split the difference between the ranks given by the head and the heart on this one because I did enjoy it, even as I complained bitterly about all the problems I saw in "I Am Sam." I embrace my contradictions, even in print and for public consumption. You are lucky; I was about to launch into "Heart Five, Head Three" inspired by "A Chorus Line."
The "support system", which includes several equally challenged "buddies", a very supportive employer, and many other people in the community gives evidence of our changing society, fostering inclusion and tolerance. Eventually even the prospective adoptive parents of Sam's daughter can't go on fighting against this exemplary father. The girl playing Sam's daughter appears to be "gifted", at age 7 reading middle school material. Perhaps the "difference" between father & daughter's intelligence did not have to be in such an obvious extreme. The implication of a romantic involvement between Sam and his lawyer could have been avoided as well. The former is stretching it, but the latter is going too far. One can suspend her/his disbelief only so much! Since there are no "perfect" movies, I still consider this one pretty darn close! Highly recommended!****
Sean Penn's nomination was absolutely well-deserved, and Dakota Fleming does a great job of Sam's daughter. Some magnificent supporting turns by Laura Dern, Diane Wiest, Stanley DeSantis, and two actually mentally handicapped actors, help carry the somewhat airy/sappy script through some of its less credible moments. If you're a heartless scrimp by nature and want action in your movies, you may want to skip it, but everyone else should have a decent feel-good time with this stirring drama. ... Read more | |
| 2. Corrina, Corrina Director: Jessie Nelson | |
 | list price: $9.94
our price: $9.94 (price subject to change: see help) Asin: 6303347665 Catlog: Video Sales Rank: 12638 Average Customer Review: 
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Amazon.com essential video Reviews (46)
Whoopi Goldberg is perfectly casted as Corrina, a black (well, duh) nanny who is employed by a white Jew (very well played by Ray Liotta), to take care of his daughter Molly (again excellently played by Tina Majorino). The plot. Manny Singer's (Ray) wife has just died leaving him and his 7 year old daughter (Tina) behind. Molly is a little lost after this and she doesn't speak a word to her father or anyone else. After employing a plethora of disastrous nannys Manny finally comes to Corrina, who is perfect. One problem: She's black, he's white, and this is 1959 segregated America. After a little while Molly begins to talk again and is generally uplifted by Corrina, who seems to have this miraculous way of bringing people back to their feet, including Manny. Corrina and Manny fall in love against all odds, and what you get is a beautiful interracial romance that at that time is classed as wrong, even abnormal. No one approves apart from Molly and her Grandfather (Don Ameche). One down side to this film, and I will add that it is the only down side, is the ending - you don't really know what happens. If I hadn't done a little research then I wouldn't have known that director Jessie Nelson had based this film on her true life story. She's black and her now husband of 40 odd years was white. This story is her story. They got married and lived happily ever after - but we have to guess. So the ending could have used a little bit more work. But that's it!! The movie is just wonderful. It's uplifting, heartbreaking, humorous and romantic.
After Manny Singer's wife's death, he and his young daughter Molly are left alone to cope with their loss. After interviewing a number of unsuitable and eccentric applicant's as for the job of nanny, he chooses Corrina Washington. Corrina is far too qualified for the job. She is a college graduate with dreams of writing liner notes for jazz albums. But she is born too early, for she is an African-American woman, and it is 1950s America. Being an optimist with a strong faith, Corrina becomes Molly's nanny. In the process, she changes the lives of both Manny and Molly. Love blooms effortlessly between the three. Molly sees Corrina as a new mother. Corrina and Manny see beyond one ano- All of the actors in this movie were attractive. Whoopi Goldberg never looked better. Ray Liotta's looks and whole demeanor took my breath away. I think it was very courageous to cast Goldberg and Liotta together as love interests. Seeing them together in the film, made me wish that they were a couple in real life. Tina Majorina was precious, and one of the best child actors I have ever seem. I have been waiting to see her in more films ever since I first saw her in Corrina, Corrina. Corrina, Corrina is a nearly flawless film for the whole family.
Corrina, Corrina is a heartwarming film that's heartbreaking romantic, and all around a joy to watch. Whoopi Goldberg plays a nanny who is hired by an Athiest (Ray Liotta) to look after his 7 year old girl, Molly. It takes some time getting used to Corrina and her religous beliefs (because she'd tell Molly that her mother, who had recently passed away, was in Heaven and the father told Corrina not to be telling Molly such things because he and his deceased wife were Athiest), but in the end, the father comes to accept Corrina's intentions and find what's best for his daughter. There are some heartbreaking moments in the film that will have tears running down your cheeks, but there are also moments where you'll be laughing your sorrow away. This movie is pretty much perfect. When Molly's mother died, she became miserable and wouldn't talk to anyone. She wouldn't say one word. But, when Corrina came into her life, Molly slowly became her fun old self and she began glowing once again. This is a great film to watch over and over again and you'll never grow tired of it. ... Read more | |
| 3. I Am Sam Director: Jessie Nelson | |
 | list price: $58.97
our price: $58.97 (price subject to change: see help) Asin: B000066HAT Catlog: Video Sales Rank: 27634 Average Customer Review:
US | Canada | United Kingdom | Germany | France | Japan |
Reviews (193)
Sean Penn stars as Sam, a mentally-challenged Starbucks clerk who excitedly clings to the role of father when the homeless woman he gets pregnant skips out on him. Somehow (the movie never tells), he manages to display the skills to bring Lucy up to seven years old (when the narrative of the film swings into full play). The incredibly lovely Michelle Pfieffer does an admirable job pouring life into a vastly underwritten role. As a jetset lawyer, she's torn between her job, her role as a wife, and her role as a mother ... all of which she, arguably, is failing at. However, Ms. Pfeiffer manages to give her character, Rita Harrison, a sense of reality and a sense of history that lifts an otherwise secondary role into a more interesting person, one that the viewer wants to get to know. Sadly, the scenes of development with her husband and her son were either never written, never filmed, or left on the cutting room floor. Dakota Fanning, as Lucy, is simply marvelous. A true talent in the making, she manages to steal every scene she's in without a touch of mirth to her performance. Laura Dern pops up in the obligatory cameo-sized role, and, when her mother-wannabe sentiments forces her to face the bittersweet reality of choosing between breaks, the viewer feels her pain. All in all, I AM SAM is not a great picture, as it feels more like a big budget Lifetime or perhaps HBO-cable movie, but it's passable entertainment with some acting heavyweights showing their stuff.
This film knows how to manipulate the heartstrings big time, starting when young Lucy asks her daddy why he is different from the other daddies and refuses to read any book that her father cannot read. Then we get to the point where the System, in its infinite wisdom, takes the little girl away from her father. When that happens we do not hear her screams, just the music turned up load, which reminded me of the extreme pathos of that same scene in Chaplin's "The Kid," where not hearing Jackie Coogan scream for his dad did not matter. Meanwhile, there is the whole bit as Sam wears down super lawyer Rita and gets her to remember that family might be as important as work. In the beginning Rita is basically shamed into taking on Sam's case, but in the end she is emotionally involved in the case and the life of her client. All that matters is reuniting father and daughter. But the brain keeps asking some key questions about what is happening here. First, why did the State wait until this point to question Sam's parenting? The concern here is never about Lucy's safety with her father, but her desire to keep learning now that she is smarter than Sam. Second, if Lucy had been of average intelligence and not a cute little blonde kid if the State would have found her a wonderful foster home with Randy (Laura Dern) and her husband? I am inclined to think probably not. Third, why are the Department of Children and Family Services lawyers portrayed as villains? Every thing Turner says is true and he repeatedly makes it clear that his intention is the welfare of the child. He is talking practical realities and not abstract ideals. Twice in "I Am Sam" the film echoes the famous child custody film "Kramer vs. Kramer." The first time the moment sneaks up on the audience, as well as most of the characters, and it signals a reversal in Sam's fortunes. In fact, the next time I am reminded of the other film it again signals a reversal in Sam's fortunes, and that was the point at which the head shoved the heart aside and rendered its final verdict on this film. I was not all that impressed with the rabbit coming out of the hat the first time around, and even less so the second time. As for Penn's performance, I can see why he was nominated for an Academy Award given the propensity to give the Oscar to actors portraying handicapped individuals (Cliff Robertson in "Charly," Hoffman in "Rain Man," Geoffrey Rush in "Shine"). But I have to admit that such mannered performances next strike me as being as finally nuanced as other great acting performance. Still, he is good, and the scenes between him and Fanning sparkle. Half the film is scored to covers of Beatles songs by Sarah McLachlan, Eddie Vedder and others, which makes for an interesting soundtrack album. Ultimately, I decided to split the difference between the ranks given by the head and the heart on this one because I did enjoy it, even as I complained bitterly about all the problems I saw in "I Am Sam." I embrace my contradictions, even in print and for public consumption. You are lucky; I was about to launch into "Heart Five, Head Three" inspired by "A Chorus Line."
The "support system", which includes several equally challenged "buddies", a very supportive employer, and many other people in the community gives evidence of our changing society, fostering inclusion and tolerance. Eventually even the prospective adoptive parents of Sam's daughter can't go on fighting against this exemplary father. The girl playing Sam's daughter appears to be "gifted", at age 7 reading middle school material. Perhaps the "difference" between father & daughter's intelligence did not have to be in such an obvious extreme. The implication of a romantic involvement between Sam and his lawyer could have been avoided as well. The former is stretching it, but the latter is going too far. One can suspend her/his disbelief only so much! Since there are no "perfect" movies, I still consider this one pretty darn close! Highly recommended!****
Sean Penn's nomination was absolutely well-deserved, and Dakota Fleming does a great job of Sam's daughter. Some magnificent supporting turns by Laura Dern, Diane Wiest, Stanley DeSantis, and two actually mentally handicapped actors, help carry the somewhat airy/sappy script through some of its less credible moments. If you're a heartless scrimp by nature and want action in your movies, you may want to skip it, but everyone else should have a decent feel-good time with this stirring drama. ... Read more | |
| 4. I Am Sam Director: Jessie Nelson | |
 | list price: $14.95
(price subject to change: see help) Asin: B000067JF8 Catlog: Video Sales Rank: 77297 Average Customer Review:
US | Canada | United Kingdom | Germany | France | Japan |
Reviews (193)
Sean Penn stars as Sam, a mentally-challenged Starbucks clerk who excitedly clings to the role of father when the homeless woman he gets pregnant skips out on him. Somehow (the movie never tells), he manages to display the skills to bring Lucy up to seven years old (when the narrative of the film swings into full play). The incredibly lovely Michelle Pfieffer does an admirable job pouring life into a vastly underwritten role. As a jetset lawyer, she's torn between her job, her role as a wife, and her role as a mother ... all of which she, arguably, is failing at. However, Ms. Pfeiffer manages to give her character, Rita Harrison, a sense of reality and a sense of history that lifts an otherwise secondary role into a more interesting person, one that the viewer wants to get to know. Sadly, the scenes of development with her husband and her son were either never written, never filmed, or left on the cutting room floor. Dakota Fanning, as Lucy, is simply marvelous. A true talent in the making, she manages to steal every scene she's in without a touch of mirth to her performance. Laura Dern pops up in the obligatory cameo-sized role, and, when her mother-wannabe sentiments forces her to face the bittersweet reality of choosing between breaks, the viewer feels her pain. All in all, I AM SAM is not a great picture, as it feels more like a big budget Lifetime or perhaps HBO-cable movie, but it's passable entertainment with some acting heavyweights showing their stuff.
This film knows how to manipulate the heartstrings big time, starting when young Lucy asks her daddy why he is different from the other daddies and refuses to read any book that her father cannot read. Then we get to the point where the System, in its infinite wisdom, takes the little girl away from her father. When that happens we do not hear her screams, just the music turned up load, which reminded me of the extreme pathos of that same scene in Chaplin's "The Kid," where not hearing Jackie Coogan scream for his dad did not matter. Meanwhile, there is the whole bit as Sam wears down super lawyer Rita and gets her to remember that family might be as important as work. In the beginning Rita is basically shamed into taking on Sam's case, but in the end she is emotionally involved in the case and the life of her client. All that matters is reuniting father and daughter. But the brain keeps asking some key questions about what is happening here. First, why did the State wait until this point to question Sam's parenting? The concern here is never about Lucy's safety with her father, but her desire to keep learning now that she is smarter than Sam. Second, if Lucy had been of average intelligence and not a cute little blonde kid if the State would have found her a wonderful foster home with Randy (Laura Dern) and her husband? I am inclined to think probably not. Third, why are the Department of Children and Family Services lawyers portrayed as villains? Every thing Turner says is true and he repeatedly makes it clear that his intention is the welfare of the child. He is talking practical realities and not abstract ideals. Twice in "I Am Sam" the film echoes the famous child custody film "Kramer vs. Kramer." The first time the moment sneaks up on the audience, as well as most of the characters, and it signals a reversal in Sam's fortunes. In fact, the next time I am reminded of the other film it again signals a reversal in Sam's fortunes, and that was the point at which the head shoved the heart aside and rendered its final verdict on this film. I was not all that impressed with the rabbit coming out of the hat the first time around, and even less so the second time. As for Penn's performance, I can see why he was nominated for an Academy Award given the propensity to give the Oscar to actors portraying handicapped individuals (Cliff Robertson in "Charly," Hoffman in "Rain Man," Geoffrey Rush in "Shine"). But I have to admit that such mannered performances next strike me as being as finally nuanced as other great acting performance. Still, he is good, and the scenes between him and Fanning sparkle. Half the film is scored to covers of Beatles songs by Sarah McLachlan, Eddie Vedder and others, which makes for an interesting soundtrack album. Ultimately, I decided to split the difference between the ranks given by the head and the heart on this one because I did enjoy it, even as I complained bitterly about all the problems I saw in "I Am Sam." I embrace my contradictions, even in print and for public consumption. You are lucky; I was about to launch into "Heart Five, Head Three" inspired by "A Chorus Line."
The "support system", which includes several equally challenged "buddies", a very supportive employer, and many other people in the community gives evidence of our changing society, fostering inclusion and tolerance. Eventually even the prospective adoptive parents of Sam's daughter can't go on fighting against this exemplary father. The girl playing Sam's daughter appears to be "gifted", at age 7 reading middle school material. Perhaps the "difference" between father & daughter's intelligence did not have to be in such an obvious extreme. The implication of a romantic involvement between Sam and his lawyer could have been avoided as well. The former is stretching it, but the latter is going too far. One can suspend her/his disbelief only so much! Since there are no "perfect" movies, I still consider this one pretty darn close! Highly recommended!****
Sean Penn's nomination was absolutely well-deserved, and Dakota Fleming does a great job of Sam's daughter. Some magnificent supporting turns by Laura Dern, Diane Wiest, Stanley DeSantis, and two actually mentally handicapped actors, help carry the somewhat airy/sappy script through some of its less credible moments. If you're a heartless scrimp by nature and want action in your movies, you may want to skip it, but everyone else should have a decent feel-good time with this stirring drama. ... Read more | |
| 1-4 of 4 1 |
Talent In Top Form, Or Exploitation Of The Heart?
WHY NO OSCAR FOR PENN??!!