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Over 10 years after first turning down the role, Bela Lugosi donned the neck bolts and platform boots to play Frankenstein's monster for the first and only time in Frankenstein Meets the Wolfman. Larry Talbot (Lon Chaney Jr., reprising his most famous role), killed at the end of The Wolf Man, is inexplicably alive and searching for the brilliant Dr. Frankenstein but instead finds the Monster, frozen in ice beneath the castle, and an ambitious scientist (Patric Knowles) who revives the creature and promises to cure Larry. Lugosi is lurching and clumsy as the Monster, while Chaney is appropriately tortured as Larry but stiff and snarly as the Wolf Man, more man than wolf. Last-minute cuts by the studio renders much of the film incomprehensible: the monster was left blind and vocal at the end of Ghost of Frankenstein, but all references to either were deleted (which partly accounts for Lugosi's performance) and he's now sighted but mute. Roy William Neill, a talented B-movie director best known for his Sherlock Holmes films with Basil Rathbone, can't do much with the perfunctory script, but he does deliver a highly entertaining conclusion: the Wolf Man battles the Monster while a spectacular disaster (accomplished with obvious but charming models) wipes the castle off the face of the earth... at least until House of Frankenstein the next year. --Sean Axmaker ... Read more

Reviews (26)

Good, atmospheric Universal Horror Thriller!
Clever sequel to THE WOLF MAN and THE GHOST OF FRANKENSTEIN has Larry Talbot (Lon Chaney, Jr.) revived from the dead and still in his doomed werewolf state seeking the aid of Gypsy Woman Maleva (again Maria Ouspenskaya) for a possible cure for his lycanthropy. Adjourning to Visaria to seek Dr. Frankenstein, they find only angry villagers and no Dr. F. Talbot later discovers the monster (played by now Bela Lugosi who turned down the role 12 years earlier) from the frozen ice caves and sort of befriends the monster, the two seek refuge as English Doctor Patric Knowles tracks Talbot down to help cure him once and for all, but with the lynching mob wanting to destroy the Monster not far behind. That is the plot, but it is not until the end that we are treated to the much awaited "Monster Brawl" as Frankenstein's Monster and the Wolfman battle inside the ruined laboratory. A worthy addition to the FRANKENSTEIN and now also WOLFMAN sequels, excellent cast, but due largely to Lugosi's stiff portrayal of the Monster - remember the Monster is supposed still possessed of Ygor's brain, therefore it probably made some sense to cast Lugosi as the Monster. The result was unfortunately a disaster for both Lugosi and Universal. Lugosi in Frankenstein Monster make-up with his eyes closed, arms out-stretched, and hissing and snarling portrayal is simply far overblown. Which is really too bad, because the film is very effective otherwise, but basically an unimaginative rehash of the earlier films, and definitively sunk by Lugosi's performance.

The Wolfman Returns and Finds Dracula Dressed as the Monster
Good Grade B spook spectacular that combines two classic horror characters of Universal Studio. A resurrected Wolfman, Larry Talbot (Lon Chaney, Jr.), seeks release from his cursed life. Maleva, the old gypsy woman, suggests he consult the infamous Dr. Frankenstein. In Vasaria, Talbot discovers the Frankenstein monster within the ruins of the defunct mad-doctor's gloomy castle. The complicated plot involves Frankenstein's human granddaughter (Ilona Massey), a psychiatrist named Dr. Mannering (Patrick Knowles), and the usual irate villagers. Mannering evolves into a low-key version of the mad-doctor. After poring over Frankenstein's records describing "the secrets of life and death," Mannering decides to drain the energy forces from both Talbot and the monster. The two title characters find themselves strapped to tables in the laboratory on a night of metamorphosis and terror. Dr. Mannering has the urge to crank the monster up to its full strength before undoing Frankenstein's creation. When the full moon shines in the lab window, all hell breaks loose in explosive fashion as the super-charged monster and the Wolfman tear into each other.

Although Bela Lugosi had previously declined the role, he plays Frankenstein's monster. By this stage of his career, Lugosi suffered from advancing age and other physical ailments that no doubt contributed to his uninspired performance. The monster is relegated to a secondary role, and spends his time hanging around the ruins. Instead of terrorizing the countryside, he watches Talbot pace and fume. The movie works better as a "Wolfman" story. The opening segment of the two grave robbers that desecrate the Talbot crypt is one of the scariest scenes in all of Universal's horror flicks. Chaney's "man-into-werewolf" transformation is the stuff of troubled dreams, enhanced by Jack Pierce's classic makeup. After the action shifts to Vasaria, a young woman is brutally murdered, and the bewildered villagers question what animal kills that savagely? On cue, something howls in distance. Classic horror fans will recognize Dwight Frye as one of the respectable villagers. This is an inside joke because the character actor previously appeared as the hunchbacked dwarf in the original "Frankenstein," and played an insane procurer of "fresh" dead bodies in "Bride of Frankenstein." Maria Ouspenskaya returns as the enigmatic Maleva. Her mysterious presence effectively connects with Talbot's lost soul.

This movie is an entertaining, albeit second-string, classic horror flick. Encourage the kids to set aside the playstation for 74 minutes and enjoy the thrills and chills. ;-)

wish they make more movies like this
i t hink the classic universal frankenstein has been played 4 times by different actor's....karloff...is a classic, but i like
glen strange from abbot and costello better.
this movie good for a saturday afternoon..!

Before Freddy battled Jason, Frankenstein meet the Wolf Man!
Before I watched this movie, I didn't think Lugosi could pull it off as Frankenstein. How wrong I was! The legendary actor who was famous for playing Dracula in Universal's classic 1931 film, did a great job as the monster in this film. Although Son of Frankenstein (1939) was a big let down after Frankenstein (1931) and The Bride of Frankenstein (1935), this film returns a little pride in the Frankenstein monster. Even though the title is Frankenstein Meets the Wolf Man, don't let it fool you. This film is more of a sequal to The Wolf Man featuring Frankenstein, but that doesn't really matter, because the story is very good.

Lon Chaney Jr. plays Larry Talbot (the wolf man) and he wants to rid himself of the werewolf curse. He seeks the gypsy woman from The Wolf Man (1941), who tells him there is nothing she can do to cure him. Talbot figures the only cure he can hope for is Dr. Frankenstein, who knew the secrect of life and death. As a result of Henry and Wolf Frankenstein now being dead, Talbot seeks the diary of Henry to figure out a way to kill himself and give his soul eternal piece. He runs into Frankenstein's monster (Lugosi) and Elsa Frankenstein. He turns into the werewolf and has a pretty good battle with Frankenstein.

This movie was scary at times. You can really feel sorry for Larry in this film. The performences by Lugosi, Chaney Jr., and the rest of the cast were great. The music was great too. The story was interesting and kept you guessing as to what will wind up happening to Larry. All in all, this is a fun monster movie. If you are a fan of Universal monster movies, this is a good monster mash for you.

Both were fabulous!!
This is a sequel to two films. The prequels are: Ghost of Frankenstein and the Wolf Man. Fabulous horror from beginning to end. Later in the film, the resurrected wolfman digs out Frankenstein's superhuman monster, who still stands tall and strong after being burnt and blown up so many times. Coolest!! I have no favorites out of the dozens of great horror classics made way back, and this a wonderful clash. I won't ruin anything else for you, so enjoy.... ... Read more

Reviews (7)

Classic Sherlock Holmes
I loved this entry in the series. It was full of pithy, classic, Holmes deductions and Watson wise cracks. I enjoyed the other two WWII movies that were part of the Sherlock Holmes series and highly recommend this one as well. I thought it was excellent!!!! This movie is homeschooler friendly!

Enjoyable curio
Other than "Dressed to Kill," the last entry in Universal's 12 film Sherlock Holmes series, "Sherlock Holmes in Washington" may be the weakest effort but it remains an enjoyable curio.

In this third film, the attempt to update Holmes for the 20th century reached its zenith as the producers sent the great detective into the very center of the New World, Washington D.C., in another episode devoted to espionage and criminal activity related to World War II. The novelty is tolerable if only because we know there are less gimmicky, superior entries to come, but anyone whose love of Holmes came from the original Conan Doyle stories rather than the film adaptations will wince at this film more than any other. Basil Rathbone entertainingly overplays the role this time, and with his eccentric hairstyle and wardrobe looks less like Sherlock Holmes than my tenth grade high-school English teacher, the one everyone suspected of being gay (not that there's anything wrong with that).

What makes this entry worthwhile, aside from the always entertaining emoting of Rathbone and Nigel Bruce (more bumbling than ever as he discovers the Sunday newspaper comics and chewing gum) is the supporting cast. The superb George Zucco, whose Satanic presence enlivened many a B horror movie and who already appeared as Professor Moriarty in 20th Century Fox's "Adventures of Sherlock Holmes," comes slithering back, not as Moriarty but as another demented creature, and Henry Daniell, who would be the best Moriarty of all (in Basil Rathbone's opinion, as well as mine) in "Woman in Green," is also on hand with his share of villainy.

This film may have greatest value for history buffs and sociologists than for Holmes fans, however. It remains fascinating to see how a major Hollywood film studio converted a beloved literary figure into a special agent as a way to contribute to the United States' propaganda campaign during WWII.

A Big Country, Watson, and a Small Match Folder
When I was a wee lad steeped in Conan Doyle's original Sherlock Holmes stories, this movie struck me as plain awful. It was painful to see Sherlock as a tourist in a wildly inappropriate DC milieu (the back-projected crazy quilt of Washington monuments on his drive around town makes it seem the chauffeur is on crack), spouting pax Americana patriotism and even paying tribute to the crime-fighting superiority of the FBI (??!!). Nigel Bruce was a particular affront as a doddering Dr. Watson, noisily sucking down ice cream sodas and struggling to read 30 pages on a 10-hour transatlantic flight.

But time has been kind to "SH in Washington." This was the first of these movies written by Bertram Millhauser, who always came up with witty dialogue for Rathbone and Bruce and snarky bits of malice for the supporting cast. Basil Rathbone gives a hopped-up performance as Holmes, barking out ludicrously improbable deductions and even reprising his Louis XI imitation as a limp-wristed "eccentric" collector. There is a small gem of a performance from Gerald Hamer (unbilled, sadly) as the master spy who sets the plot in motion -- he gives the movie a few whiffs of danger, intrigue and poignance. And it's hard to dislike a movie with two Moriartys: silky sadist Henry Daniell and glittery-eyed psycho George Zucco. By the way, the suspense hinges on the fate of a fast-dwindling book of matches, so if you're trying to quit smoking, this is not the movie for you.

Washington never looked so good!
I am writing this pre-review to express my Great Expectations and excitement over the upcoming DVD release of the 14 Sherlock Holmes movies made by Basil Rathbone and Nigel Bruce.
For those of us who have loved and worn out our VHS versions of these films, I am sure that I speak for many of us in expressing incredible anticipation and near shock that someone has finally recognized the need to release a "restored version" of these timeless classics.
We are told that they have been "Preserved and restored in 35mm by the UCLA Film and Television Archive." This is marvelous and I have already pre-ordered Vol. 1 and Vol. 2 from MPI Home Video.
I so hope that the entire 14 movies, are ultimately released in restored condition. Especially the rarest of them, "The Scarlet Claw" which has rarely been shown on televison and only been available on VHS sporadically.
To me and many others I know, Basil Rathbone is the definative Holmes. Not just because he looks alarmingly similar -as much as is humanly possible- to Sidney Pagets drawings of Holmes from the Strand Magazine illustrations, but mostly we love Rathbone because he portrayed the same Holmes that we as readers get through the buffer of Dr. Watson explaining away not magnifying Holmes' shortcomings.
Jeremy Brett chose to amplify every negative aspect of Holmes' personality that in the written versions Watson explained away. Rathbone's Holmes has been demeaned visciously over the past years and hopefully the respect and dignity that he gave his portrayals will be seen in all their accuracy and glory with these new digitally restored releases. ... these will have to be the best quality versions of these classics ever released...so for all of us who have cursed the incomprehensibly awful releases of these films over the years...our time has almost come. Show your support for this effort by ordering a restored version of American Film Histroy.
Much Thanks to UCLA, MPI, and Whoever was ultimately responsible for the idea of doing this!!!!

Sherlock Holmes in Washington
None of these Rathbone/Bruce movies are a very accurate representation of Sir Arthur Conan Doyle's Sherlock Holmes stories, but I find them enjoyable nevertheless. I always enjoy seeing Rathbone and Bruce in the roles of Holmes and Watson although neither of them would win any awards for accuracy. I found "Sherlock Holmes in Washington" to be one of the more enjoyable films in the series. I love the scene where Holmes is in the antique store even though he makes a mistake that the Holmes in Doyle's stories never would have made. I would recommend this movie as long as you don't mind something that's not very faithful to the canon. If you're looking for something more faithful then I would suggest the Jeremy Brett series (which I also love). ... Read more

Reviews (2)

Creepy thriller is one of Holmes' best
With this, the fifth film in Universal's Sherlock Holmes series starring Basil Rathbone, the studio dropped the great detective's name from the title, confident that other aspects of the production were powerful enough to attract audiences. "Spider Woman" was a perfect entry in which to deemphasize the appearance of Sherlock Holmes since Gale Sondergaard's performance as Andrea Spedding, aka the Spider Woman, would have been good enough to make this episode memorable even if she had matched wits with a less formidable opponent. Her character was so well received that it inspired an unofficial sequel, "The Spider Woman Strikes Back" (unofficial because she technically played another character and Holmes was not involved) in which another alumnus of the series, "Pearl of Death"'s Rondo Hatton, was also featured.

For fans of Arthur Conan Doyle's stories, it's fun to see how screenwriter Bertram Millhauser uses Doyle's "The Dying Detective" as a source for our first glimpse of Holmes here, and, as always, Roy William Neill creates a beautifully eerie atmosphere with scenes draped in shadows the likes of which can only be found in German Expressionism (and don't miss the scene in Ordway's lab, perhaps the most frightening moment in any of the 12 films). Neill deserves more acclaim than he's received, and the fact that he never rose above the assembly line of B movie making is a damning indictment of Hollywood's inability to properly utilize its talent.

Rathbone is superb, as always, and Dennis Hoey as LaStrade also shines especially in the affecting moments early in the film when the Inspector believes his rival has died. And Nigel Bruce as Dr. Watson, though bumbling as amusingly as ever, is given the opportunity to demonstrate his intelligence, even showing Holmes up for once.

The only drawback to this creepy thriller is a disappointing climax. Otherwise, "Spider Woman" has bite to spare.

Get the Pop Corn and Coke!
I am writing this pre-review to express my Great Expectations and excitement over the upcoming DVD release of the 14 Sherlock Holmes movies made by Basil Rathbone and Nigel Bruce.
For those of us who have loved and worn out our VHS versions of these films, I am sure that I speak for many of us in expressing incredible anticipation and near shock that someone has finally recognized the need to release a "restored version" of these timeless classics.
We are told that they have been "Preserved and restored in 35mm by the UCLA Film and Television Archive." This is marvelous and I have already pre-ordered Vol. 1 and Vol. 2 from MPI Home Video.
I so hope that the entire 14 movies, are ultimately released in restored condition. Especially the rarest of them, "The Scarlet Claw" which has rarely been shown on televison and only been available on VHS sporadically.
To me and many others I know, Basil Rathbone is the definative Holmes. Not just because he looks alarmingly similar -as much as is humanly possible- to Sidney Pagets drawings of Holmes from the Strand Magazine illustrations, but mostly we love Rathbone because he portrayed the same Holmes that we as readers get through the buffer of Dr. Watson explaining away not magnifying Holmes' shortcomings.
Jeremy Brett chose to amplify every negative aspect of Holmes' personality that in the written versions Watson explained away. Rathbone's Holmes has been demeaned visciously over the past years and hopefully the respect and dignity that he gave his portrayals will be seen in all their accuracy and glory with these new digitally restored releases. ... these will have to be the best quality versions of these classics ever released... ... Read more

Reviews (8)

The BEST of the "Universals"
Here's the very best of the Rathbone-Bruce Universal pictures. No, it's not set in the proper Sherlockian period (none of the Universal films were), but it seems "timeless," with no contemporary (1940s) references. It's dark, spooky fun...featuring a really well done MYSTERY. Some of the best banter between Rathbone and Bruce is in this film. And the bad guy ranks up there with the best of the non-Moriarty movie Holmes villains. THIS is the Rathbone movie from the Universal series that I return to again and again. The DVD quality is superb. No extras, but it's a treat to have a terrific copy of this little gem.

Superb DVD, Which Does Justice To This Atmospheric Gem!
"The Scarlet Claw" (aka: "Sherlock Holmes And The Scarlet Claw") was made in 1944, and represents the 8th Sherlock film in the fourteen-movie series starring the ever-pleasing duo of Basil Rathbone as Mr. Holmes and Nigel Bruce as Dr. John H. Watson. This is most certainly one of the better films in the Rathbone/Bruce franchise of Sherlock flicks -- a successful and entertaining franchise that began with the outstanding 1939 version of "The Hound Of The Baskervilles", and ended with "Dressed To Kill" in 1946.

"The Scarlet Claw" was one of three Sherlock Holmes' entries produced in the calendar year of 1944. Basil Rathbone was one busy Sherlock during this mid-'40s time period, cranking out yet another three Holmes' motion pictures the following year of 1945 as well.

"Claw" exudes a feeling of tension and dread right from the very first scene. The viewer is reeled into the mysterious happenings immediately, as we wonder "Who -- or What -- is ringing that church bell at this hour of the night?". A very effective, and eerie, opening to the picture.

Our favorite pipe-smoking detective from London's 221B Baker Street is soon called into this baffling case, which features murder victims being found with their throats torn open -- presumably caused by the elusive "Monster of La Morte Rouge".

The film conveys a realistic sense of the foggy, damp atmosphere that permeates the marshes surrounding the small village where these gruesome murders are taking place. This "atmosphere" is particularly powerful during the climactic scene at the end of the film.

This DVD version of "Claw" comes via MPI Home Video, and displays nicely-restored video quality, thanks to the praise-worthy preservation efforts undertaken by the "UCLA Film and Television Archive". This black-and-white Holmes' classic has most certainly never looked better on any home video format.

The DVD's soundtrack is pleasing enough, although not completely free from all background "crackle". It's a Dolby Digital 2-Channel Mono track used here, with no alternate-language track employed.

This stand-alone, single-disc edition of "The Scarlet Claw" contains nothing but the film itself. No supplemental bonus features are present whatsoever. There's a simple static Main Menu, with just one lonely Sub-Menu (for the 11 Chapter Selections).

Additional information concerning this DVD ...........................

>> Video Aspect Ratio -- Full Frame (1.33:1), which is the original theatrical ratio.

>> Audio -- DD 2.0 Mono (English only).

>> Subtitles -- English.

>> Running Time -- 74 minutes. (Which is actually one of the longest of the 14 Sherlock Holmes' films in this Rathbone-starring series. Generally, Basil's Holmes was required to wrap up the mystery and get his man in just a tad more than 60 minutes.)

>> Insert Included? -- Yes. A one-sheet enclosure with Chapter List.

------------------------

In this reviewer's opinion, the immensely-likeable and ingeniously-cast tandem of Basil Rathbone and Nigel Bruce shall forever represent the quintessential "Sherlock Holmes" and "Doctor Watson". "The Scarlet Claw" is a shining example of the twosome's appeal and talent. And these traits have never looked more visually alluring than on this beautifully-restored DVD from MPI Home Video.

The best of Sherlock Holmes
The best film in Universal's Sherlock Holmes series is also the best Holmes mystery ever put on the screen. I first saw "The Scarlet Claw" in July 1967 when a local TV station aired it at the last minute in honor of Basil Rathbone who had passed away earlier that day. It was the first time I had seen Rathbone in something other than a latter day American International horror film, but sentiment aside, this film is a classic, a macabre thriller perfect in every department.

When we first see Holmes and Watson, they are attending an occult convention in Canada where the great detective is the lone dissenter, expressing skepticism and challenging the theory that a supernatural creature is behind a series of grisly murders in a nearby village. The great detective is soon on the case, and the setting is a perfect one for Holmes to ply his trade.

Everything about "The Scarlet Claw" works. The director, Roy William Neill, reaches a peak here, providing moments that will make your skin crawl and cloaking the mystery in a rich atmosphere as memorable as the story. The cast is simply perfect. Basil Rathbone and Nigel Bruce have never been better, and they receive fine support from Paul Cavanaugh, Kay Harding, and especially Gerald Hamer, a series regular who almost steals the movie from its stars.

It isn't based on a story by Arthur Conan Doyle, and unlike most entries in the series, doesn't claim to be, but "The Scarlet Claw" is the best Sherlock Holmes film made by Universal or any other studio.

The Baskerville Hound Cleverly Revamped
The single most famous Sherlock Holmes story...as well as the most popular...is, without a doubt, "The Hound of the Baskervilles". It has been in publication forever and is anthologized, eulogized, and satirized endlessly. And it has appeared on film almost as much as it has in print. Likely no other Holmes story has seen more screen incarnations as this one.

In the late 1930s Twentieth Century Fox did a classic version of this story with Basil Rathbone as Holmes and Nigel Bruce as Dr. Watson...and created a version of this detective team that became the long-standing yardstick for judging Holmes/Watson screen portrayals.

Oddly, though, Fox didn't really seem to have an inclination to carry on with this concept in series format, and so "Hound" was basically a "one-off" for them (Though they DID do one weak sequel, "The Adventures of Sherlock Holmes", which paled in comparison). Not so with Universal Pictures, however. They liked the idea of a Rathbone/Bruce series and cranked one up in the 1940s that did well.

In the mid 1940s Universal decided to re-tool "Hound" and this film, "The Scarlet Claw", is the result. The Baskervilles got dropped from the storyline, as did Dartmoor and the giant "hellhound"and its demonic legend.The story got moved to a desolate marshland in Canada and the hound became a ghostly,glowing, manlike "marsh monster"(in "Hound" the villain paints the killer dog's mouth with luminous paint, in "Claw" the villain wears luminous clothing...a twist on the original, but very effective). Some characters,relationships and motives got reworked and Holmes & Watson were then set on the trail. The Result? The hands-down BEST film in the Universal Holmes series. Without a doubt. Tense, eerie, exciting. "Claw" is all of these things and more. If you like Sherlock Holmes then you'll love this. A real Keeper on DVD.

What was that??? Did you hear something behind you???? Maybe you should walk a little faster with this fog creeping in.

A Goody That's Spooky !!!
Recently seen this one and must say I loved it dearly, so I watched it again, and plan on buying a copy. No one, (at least in my opinion) has ever been able to fill the shoes of the character of Sherlock Holmes as good as Basil Rathbone, and I've seen many versions of Sherlock Holmes. In this one, Sherlock is attending an occult conference in Canada when one of the attendee's wives is found murdered in a nearby village. The village where she was murdered is rumored to be roamed by a ghostly like monster who claws out people's throats. Sherlock doesn't buy the "monster" story, and after getting a letter from a frightened lady asking him to help her, Sherlock heads out with his trusty aide (which is, as always superbly played by Nigel Bruce) to look into the mystery. Lots of twists and turns in this movie. The one thing I've always liked about the Sherlock Holmes character is his courage. In Hound Of The Baskervilles, almost everyone was afraid to venture out at night in fear of the monster like hound, But not Sherlock!!! And in this one, he shows that same raw courage. Almost everyone in the village was afraid to venture out after dark, but Sherlock went out alone looking for the monster (and found him). But did Sherlock run? Heck no!!! That monster didn't know who he was messing with!!! Instead of running from the beast, Sherlock takes out his pistol, fires a few shots and starts chasing IT!!! Sherlock don't take no junk from anybody!!! If you like a spooky story with a great plot, if you like action, drama, comedy, horror, suspense, and courage, you'll love this unique film.I hope to buy copies for my family at Christmas and birthdays. ... Read more

Reviews (6)

Not a Nazi in sight in splendid Holmes mystery
After three films in which Sherlock Holmes battled the Nazis, even Universal must have grown tired of their gimmicky attempt to "modernize" the Great Detective. With "Sherlock Holmes Faces Death," Basil Rathbone and Nigel Bruce are back on more familiar turf and solve a mystery having absolutely no connection to World War II.

For the first time in the series, a film doesn't merely credit a story by Arthur Conan Doyle, screenwriter Bertram Millhauser actually makes use of one, "The Musgrave Ritual," a traditional murder mystery involving an old family curse. The story gives director Roy William Neill plenty of opportunities to pour on the atmosphere that is the series' best attribute, aside from stars Rathbone and Bruce, of course.

With this entry, the series greatly improved, and greater adventures were still to come for the famous detective from Baker Street.

Brian W. Fairbanks

What's Next...Peace in the MidEast?
As I wrote an extensive build up of these movies, prior to their release. I am now pleased to say that about 98% of my anticipation was not misguided.
Overall, these are the clearest and sharpest versions I have seen in my lifetime.
In comparison to some of the non Key Video versions that were out on VHS these offerings from MPI are stunning.
My only letdown was, as others have mentioned, is that there could have easily been more additional material offered.
A short commentary was offered on the restoration of Orson Welles' "The Third Man" by Criterion and was fascinating.
Something similar to this would have been easy to produce and Holmes fans like myself who have put up with public domain trash copies for decades would have eaten up such a documentary.
I also have wondered for years if there are any out-takes from the films that still exist.
How fascinating that would have been, and would still be....hint....hint.
At the very least, Filmographies of Rathbone and Bruce, or trivia facts about the series or the actors, or the productions, or at least even the trailers should have been included.
Little things, such as pointing out the appearance of a young dark handsome Milburn Stone in "Faces Death" who later became "Doc" on Gunsmoke.
There are several instances where the Captioning is lazy. Such as in "Faces Death" when Holmes says "anno Domini" in a sentence and the caption writer just put "Domino."
Even with occasional lapses in the captioning, it was indeed nice to have them captioned.
Of all the films in this Volume, the one I found most curious was "Faces Death."
Even after reading the liner notes, I still wonder why some of the extreme deterioration marks on individual frames could not have been repaired by computer.
Much worse deterioration existed on the "Third Man" and it was restored flawlessly. And oddly, there are a few sections of the Key Video version of this Film that are clearer than this MPI restored version.....?....
Was this a real case of Wet vs. Dry printing or laziness on the part of those in the restoration process?
All that said, the other three films are near pristine, especially Holmes in "Washington". I think there will never be another version of these prints released that will surpass the quality of this offering.
Lastly, for the snobby Holmesian purest who nearly worship the Brett/Granada versions of the Holmes stories, I think this offering will go a long way in explaining to many why Rathbone is beyond doubt the nearest thing to Holmes incarnate that has or ever will exist.
The Granda versions are draining, dripping with overcharachterization and forced melodrama...did I mention contrived?
Brett often behaves like a neurotic narcissistic snot who sees and loves his own image off a distance in a mirror somewhere.
These films with Rathbone and Bruce are timelessly engaging, underplayed, entertaining, perfectly moody and just downright fun in every aspect. Rathbone and Bruce had a chemistry that so completely complimented each other.
Rathbone especially....you never catch him playing Sherlock Holmes...he just "is" Sherlock Holmes.
Now, if we can just get the first two Rathbone and Bruce films restored and captioned and in our libraries....well what's next...Peace in the MidEast?

Superb Transfer; Thank God Holmes Is Back With Us!
There's very little to say; these are the classic Universal "modern" Holmes films from the 1940s, and they are now finally available on DVD in superb transfers, complete and uncut, absolutely pristine in their presentation, and now generally available. If you liked these years ago, you will love them now; taken from superb 35mm materials in three countries, the films look as clean as when first released. Buy them all! This is cinema history.

Ghosts Don't Stab People in the Neck, Do They?
This was the first of the Universal Sherlock Holmes movies that returned the detective to traditional mystery plots, after three wartime anti-Nazi adventures. It's also one of the best... and in fact it was voted the 2nd-best Holmes movie of all time in one poll (after Rathbone's "Adventures" or "Hound," I forget which). The entertaining opening has Nigel Bruce's Dr. Watson, who has a bit more on the ball than usual, bringing Holmes into the case-which itself is a clever improvement on Conan Doyle's rather dull short story "The Musgrave Ritual." The cast features almost all of the usual stock company featured in this series (Dennis Hoey, Gerald Hamer, Vernon Dowling, Frederic Worlock, Gavin Muir), playing assorted cretins, rotters, weaklings, and twitching neurotics. Various sets from "Frankenstein" and "Dracula" turn up as well, and the plot abounds with bloodthirsty ravens, bolts of lightning, mysterious passageways, and a clock that strikes thirteen on the nights that evil is afoot. Rathbone strikes a nice balance between his earlier, more wired Sherlock and his later jaded style, but the excellent UCLA restoration also reveals him as a bit older and more ravaged than I recall. Maybe there's something to be said for a "soft" transfer after all.

Great Expectations
I am writing this pre-review to express my Great Expectations and excitement over the upcoming DVD release of the 14 Sherlock Holmes movies made by Basil Rathbone and Nigel Bruce.
For those of us who have loved and worn out our VHS versions of these films, I am sure that I speak for many of us in expressing incredible anticipation and near shock that someone has finally recognized the need to release a "restored version" of these timeless classics.
We are told that they have been "Preserved and restored in 35mm by the UCLA Film and Television Archive." This is marvelous and I have already pre-ordered Vol. 1 and Vol. 2 from MPI Home Video.
I so hope that the entire 14 movies, are ultimately released in restored condition. Especially the rarest of them, "The Scarlet Claw" which has rarely been shown on televison and only been available on VHS sporadically.
To me and many others I know, Basil Rathbone is the definative Holmes. Not just because he looks alarmingly similar -as much as is humanly possible- to Sidney Pagets drawings of Holmes from the Strand Magazine illustrations, but mostly we love Rathbone because he portrayed the same Holmes that we as readers get through the buffer of Dr. Watson explaining away not magnifying Holmes' shortcomings.
Jeremy Brett chose to amplify every negative aspect of Holmes' personality that in the written versions Watson explained away. Rathbone's Holmes has been demeaned visciously over the past years and hopefully the respect and dignity that he gave his portrayals will be seen in all their accuracy and glory with these new digitally restored releases. ... these will have to be the best quality versions of these classics ever released...so for all of us who have cursed the incomprehensibly awful releases of these films over the years...our time has almost come. Show your support for this effort by ordering a restored version of American Film Histroy.
Much Thanks to UCLA, MPI, and Whoever was ultimately responsible for the idea of doing this!!!! ... Read more

Reviews (6)

INTERESTING MURDER MYSTERY....
When blackmailing night club singer Mavis Marlowe is strangled with her own silk scarf, a man she was blackmailing and involved with is arrested. He says he's innocent, his loyal wife says he's innocent---but all evidence points to his guilt. The wife (June Vincent) sets out to prove his innocence even though the cop on the case (Broderick Crawford) is doubtful. She finds an unlikely ally in Marlowe's alcoholic piano player husband Dan Duryea. The clue to the murder is a missing ruby brooch. Duryea plays a nice guy here with a big problem---his drinking. He's talented, likable and really cares for Vincent. He's practically the whole show but Peter Lorre is also on hand as a mysterious night club owner and a potential suspect. Good noir photography, interesting twists, solid performances from the cast and a good DVD print make this an enjoyable little thriller. Worth watching for noir enthusiasts.

BLACK ANGEL DISTURBING, COMPELLING, THRILLING
A sexy singer, an ex lover and a dutiful wife: classic film noir lover's triangle tinged with a race against time and singed in sparkling performances from a stellar cast. In "Black Angel" femme fatale chanteuse Mavis Marlowe (Constance Dowling) turns up dead. Kirk Bennett (John Phillips) who used to be her lover seems the natural choice for the police's prime suspect and their latest blackmail victim. No one believes Kirk's story - it is a little hard to swallow - that he found Mavis already a goner on the floor of her apartment. However, when Kirk is sentenced to death, his long-suffering, too-good-to-be-true wife, Catherine (June Vincent) begins to investigate the crime for answers of her own. She's aided by Martin Blair (Dan Duryea) Mavis' husband. The film is riddled with rich curiosities of character; Kirk's philandering innocence, Mavis' evil vixen turned victim, Catherine's never wavering devotion to her wayward hubby and Blair's nonchalant, noncommittal dedication to discovering who really killed his wife. At one point Blair even goes so far as to offer himself as Kirk's replacement, should salvation not come in time to spare him from the electric chair. It must be love! An outstanding cameo comes by way of Peter Lorre as Marco, the always spurious, never to be trusted seedy nightclub owner who happened to visit Mavis Marlowe on the night she bought the farm. It should be pointed out however, that the suspense of finding the killer gets somewhat diffused in the process and never quite reaches the par excellence caliber of say, "The Asphalt Jungle" or "Laura."
Another solid effort from Universal.The gray scale is very well balanced with deep solid blacks and whites that are almost pristine. There's a hint film grain and some age related artifacts. Also, some edge enhancement and pixelization occur as well but nothing that will distract. The audio is mono and very well represented. There are no extras on this disc. Nevertheless, it is a good disc to add to your library of classic cinema.

"Sometimes I find myself surrounded by puzzles."
In the film "Black Angel" when beautiful singer Mavis Marlowe is found murdered in her apartment, her ex-lover and latest blackmail victim, Kirk Bennett is arrested and tried for her murder. No one believes his story that he found Mavis dead, but when he is sentenced to death, his long-suffering wife, Katherine starts looking for answers of her own. Katherine seeks out Martin Blair (Dan Duryea) the husband of the victim, and together they try to solve the crime.

One interesting element in this film is the contrast between the two female leads--both are singers--both are attractive, and both are about the same age and size. Mavis Marlowe, though, is the quintessential Film Noir evil female, and this is evident by her dress, love affairs with men, and also in the abysmal way she treats people (especially the maid). Katherine Bennett, on the other hand, as the 'good woman' here, maintains an absolutely perfect home, and she sticks by her man no matter what he does. Kirk Bennett is a philanderer and quite possibly a murderer, but Katherine's heart never wanders--even though Martin Blair (Duryea) makes it perfectly clear that he'd happily step into Kirk's place now that hubbie is safely locked up in San Quentin.

Another equally fascinating element in "Black Angel" is Marco (Peter Lorre)--the nightclub owner who visited the naughty Mavis Marlowe on the night of her death. Those lizard-like eyelids hide many secrets, and Peter Lorre is always fun to watch in any role. "Black Angel" as a classic Film Noir does include essential elements--an unsolved mysterious death, an evil woman, a race against time, irrevocable choices etc., However, that said, the suspense of finding the killer is not emphasized, and the film--while enjoyable--does not reach its maximum suspense potential. Some of the drama seems to surround the question of Kathy's choices--and whether or not Martin will do the right thing, and this results in a 4 star rating for this film--displacedhuman.

Black Angel = Mavis Marlowe
This 1946 memorable noir boasts a fine cast that includes: Peter Lorre, Dan Duryea, June Vincent, and the stunningly beautiful Constance Dowling. Based on the novel by Cornell Woolrich and directed by Roy William Neill, Black Angel's storyline hinges on the elements that comprise many noir classics. Murder, blackmail, deceit, and a race against time to prove a desperate man's innocence are the essential plot elements that propell Neill's film through the uncertainties of urban darkness. Cheating husband Kirk Bennett (John Phillips) is wrongfully convicted of murder and is sentenced to die in the electric chair. This time it is a woman, Kirk's wife Cahterine ( June Vincent) who intensifies the murder investigation. As Kirk's execution date draws near, Catherine instills the help of an alcoholic songwriter, Marty Blair (Dan Duryea). Blair is the ex-husband of the murdered woman ( Constance Dowling). The unlikely pairing uncover a trail of clues that lead them to a swarthy night club owner named Marko ( Peter Lorre). Great performances by all actors highlight the picture. Lorre is excellent as the shaddy club owner who is being blackmailed. June Vincent as Catherine gives an admirable performance as she attempts to balance emotional distance and closeness with the rejuvenated Marty. But it is Constance Dowling as Mavis Marlowe who devours her screen time with vampish presence. Mavis exudes sexual danger as a pretensiously concieted singer who lives in a posh high-rise apartment surrounded by trinkets that reaffirm her beauty and status. Why Dowling never achieved the same screen stardom as actresses such as: Lauren Bacall, Barbara Stanwyck, or Rita Hayworth is mystifying. Maybe that is why films such as Black Angel are worth viewing over and over again.

Great Treasure re-released
Finally available is a not too often discussed, but superbly filmed drama about a person, whose guiltiness becomes clear only late in the movie. Dan Duryea, often framed by dull stories, acts without his usual (wanted) sliminess and is the tragic hero of a dark drama. A fine score as well as good costumes and a false fire performance by Peter Lorre complete this beautifully restored edition. Every noir fan has to get it. ... Read more

Reviews (11)

Nothing less than 4 stars
As a great fan of original Sherlock Holmes episodes I think pretty much all of Sherlock Holmes are 4 out of 5 stars. But I think this one might be 41/2 stars. With a origial plot that any criminal would like to do (if you hypnotism really worked on someone who didn't want to be hypnotized.) Ever since I was seven-years-old I liked this movie more than some color movies and loved the radio episodes starring Basil Rathbone and Nigel Bruce. You should a least see this movie some how.

From The Back of The MY Box. I changed some word around
"The original Sherlock Holmes and Dr. Watson are back once again doing battle against a contemporary day Jack the Ripper! The clues left next to the scene of the crime point a finger at a major member of Parliament, but Holmes believes there's something a bit odd going on possibly his arch nemesis, Professor Moriarty might somehow involved! The trail leads the world's record detective to a group of blackmailers using the shadowy art of hypnotism, and as previously deuced, led by the evil professor! Woman In Green is a great detective story, full of trilling mystery and wonderful story telling."

Cast list

WOMAN IN GREEN Staring BASIL RATHBONE? NIGEL BRUCE With HILLARY BROOKE? PAUL CAVANAGH HENDRY DANIELL? EVE AMBER SALLY SHEPHERD ? MATTEW BOULTON Based on the Characters Created by SIR ARTHUR CONAN DOYLE Produced and Directed by ROY WILLIAM NEIL

Nearing the End
Rathbone and Bruce made 14 Holmes and Watson films; it's a real shame that four of the weakest are in the public domain and keep turning up while the rest are out of print. This one, from late in the series, at least has the virtue of a script by Bertram Millhauser, who wrote the best of them and was most responsible for the distinctive tone of the series: sly humor mixed with slightly horrific mystery. Two of his most memorable creations, the Spider Woman and the Creeper, went on to lives of their own in other Universal horror movies. As for The Woman in Green, it's a blend of Jack the Ripper and Conan Doyle's "The Empty House," with a nice film noir ambience and some clever twists. Unfortunately, the ending is lame and one senses the fact that, after seven years, 10 films, and hundreds of radio broadcasts, Rathbone has begun to weary of playing Holmes. Film trivia note: someone colorized this a few years ago, and didn't even bother to put Hillary Brooke in a green dress. Go figure.

Henry Daniell as Professor Moriarty
The title of this Sherlock Holmes adventure, "Woman in Green," refers to the character played by Hillary Brooke (who previously had a minor supporting role in "Voice of Terror"), but the star villain is actually Holmes' arch-nemesis, the diabolical Professor Moriarty. The last time he clashed with the great detective in "Secret Weapon," the greatest criminal mastermind in all of fiction plunged to his death in an elevator shaft. And yet his resurrection here, never explained, doesn't really feel like a cheat, certainly not with the great Henry Daniell in the role. Few actors could convey evil as effectively, and he makes you believe Moriarty could survive anything. In his autobiography, Basil Rathbone praised Daniell's Moriarty as the best, high praise indeed when one considers his competition includes both George Zucco and Lionel Atwill.

Daniell's presence is the one element that elevates this otherwise standard Holmes thriller to a position near the top of the heap. Still, the standard was pretty high with this series thanks to the superb direction of Roy William Neill and the always electrifying performance of Basil Rathbone. Less appealing this time around is Nigel Bruce's Dr. Watson who bumbles more than ever and, in an amusing yet somehow cruel scene, is publicly humiliated when he's hypnotized for laughs after protesting that anyone with even an "ounce of character" could never be put under a spell. By this time in the series, one wishes the good doctor was shown a bit more respect.

Predictable fun
Dead women are missing fingers all over London. The police are baffled as there is no pattern to the madness. Sherlock Holms on the other hand knows that it is the alleged to be dead Moriarty and the fingers point to a more sinister crime.

Holmes Squares Off Against the Best Moriarty
Yes, after having seen Lionel Atwill and George Zucco step up to the plate as the nefarious master criminal Moriarty, I can safely say that Henry Daniell brings the most to the role. ....

As slight as the story line may be (hypnotized men of means/rank are made to believe they committed murder and then are blackmailed), I must recommend you study the acting very carefully. Rathbone (Holmes), Bruce (Watson) and Daniell (Moriarty) are really doing an awful lot in the way of characterization. I love how Rathbone just hides a smile when he looks at the dunderheadings of Bruce.... These men are real pros, imbuing the scene with real tension. Daniell is particularly good, when his mouth drawn up grimly as he spars verbally with Rathbone. ...

I enjoyed "The Woman in Green" much more than I had expected to, thanks to the first-rate acting. Nice to know that some childhood favorites still hold up when you see them years later! ... Read more

Reviews (17)

It's Holmes Against Moriarty--and the Nazis!
Although the first two movies Basil Rathbone made as Sherlock Holmes ("The Hound of the Baskervilles" and "The Adventures of Sherlock Holmes") were in the original Victorian setting, Hollywood subsequently decided that even Holmes could pitch in during the propaganda years of World War II. And so, he donned modern dress and rode about in fast cars in pursuit of Nazi collaborators, aided as ever by Dr. Watson (Nigel Bruce), who oddly enough was still wearing a suspiciously Edwardian collar.

"Sherlock Holmes and the Secret Weapon" is one such vehicle. Somewhat prophetically, the secret weapon is a type of super bomb and its inventor is a much-sought-after fellow. So Holmes goes over to the mainland to fetch him and bring him to the right side, England. While the inventor is very glad to be rescued from the Nazis by Holmes, for some inexplicable reason, he keeps leaving the flat, giving Basil Rathbone an opportunity to put on greasepaint and go scouring the wharves for this guy in cognito as a toughened seaman. That's actually the second disguise BR wears; before the movie's over, he'll indulge a few more times. Well, the upshot is that with all of his goings-about, the stupid inventor eventually gets kidnapped by Holmes' nemesis, Dr. Moriarty (Lionel Atwill), who of course puts him to the screws to get info out of him. Will Holmes get there in time? Since this review is being written in English not German, I think you can figure it out for yourself.

Rathbone does a pretty good job in his various incarnations; actually, what strikes me most about him aren't his disguises, but his rather unique coiffure when he's being just plain Holmes. It is a style where the locks around his temples are brushed forward, not back, to make him look as though he were just about to set his hair in curlers. I know he does sport this hairdo again in "SH in Washington", but sad to say, this attempt to make Sherlock Holmes a trendsetter in the world of hairstyles came to naught. Ah well, what he does well, he does well, and so after the culprits are rounded up, Holmes ends the piece by reciting from the "this blessed isle" speech of "Richard II", demonstrating once again that British pluck that did indeed forestall Nazi domination. Not great cinema, but fine for easy viewing.

Rathbone, gloriously brilliant as Sherlock Holmes
The second film in Universal's series of Sherlock Holmes adventures starring Basil Rathbone as the Great Detective and Nigel Bruce as Dr. Watson, "Sherlock Holmes and the Secret Weapon" was one of several titles in the series to fall into the public domain, hence its availability over the years in numerous bargain bin editions of poor quality. Thanks to UCLA's restoration program, this title is now available in all its original black and white glory.

Like Universal's first entry in the series, this one drags Holmes out of his original Victorian era habitat to match wits with the Nazis. But those disappointed with the modernization gimmick should be happy to learn that Holmes' arch-nemesis Professor Moriarty is on hand, as well, this time in the person of the magnificent Lionel Atwill who brought his creepy elegance to some of the best films Universal made in the 40s.

The plot has little to do with "The Dancing Men," the Arthur Conan Doyle story referred to in the credits, and this film is neither as visually striking or as well-written as "Sherlock Holmes and the Voice of Terror," or most of the 10 films to come, but it has Rathbone, incadescently brilliant as the greatest master detective of them all, and that's enough to make it a winner.

Brian W. Fairbanks

This is NOT the UCLA restored version!!
Despite what several customers have written (one even chastising others for slamming this DVD "when it hasn't even been released yet") this is NOT THE RESTORED VERSION, this is the dupey, scratched, and horrid sounding transfer that's been around for several years. MPI, not Focus Film, is the distributor of the new restored versions of this series. That said, if you come across a used copy of this version cheap (and I mean CHEAP!!) it has a few nice extras not found on the MPI, like the re-issue trailer (ironically looking better than the feature itself on this disc), and a generous helping of Rathbone / Bruce radio shows that are fun. But for the feature itself the UCLA restoration is the ONLY way to go.

The Needle to the Last, eh Holmes?
It's one of the paradoxes of Basil Rathbone's wartime anti-Nazi Sherlock Holmes films (Voice of Terror, SH in Washington, and this one) that while the plots and settings are mostly terrible, he is so good in them. Despite a bizarre wind-swept hairstyle meant to make him look younger, he blazes through every scene with so much bite and attack that you hardly register how flimsy the plots are. Here he also has great acting rapport with Lionel Atwill, who makes a wonderfully repulsive Professor Moriarty -- a heavy lidded cockroach with nice hints of sadism and depravity (it may not have been acting, kids). At the climax, changed into a lab coat in order to drain Rathbone's blood "drop by drop," he's as over-the-top sinister as Seinfeld's arch-nemesis Newman. The movie itself is ancient kiddie matinee fare, but it benefits from director Roy William Neill's attention to staging and atmosphere. It also looks fairly sharp in this UCLA restoration -- don't even think of buying any other edition, all of them faded, choppy public-domain prints.

This Version will be better than Any previously available.
I am frustrated that reviews of past DVD releases of this title are listed under this upcoming restored version. This is ludicrous and laziness on the part of someone!!! How can a review be asking customers to not buy this edition when it hasn't even been released to the public yet!! Furthermore it slams the quality of an upcoming RESTORED VERSION. WAKE UP!!!!!
I am writing this pre-review to express my Great Expectations and excitement over the upcoming DVD release of the 14 Sherlock Holmes movies made by Basil Rathbone and Nigel Bruce.
For those of us who have loved and worn out our VHS versions of these films, I am sure that I speak for many of us in expressing incredible anticipation and near shock that someone has finally recognized the need to release a "restored version" of these timeless classics.
We are told that they have been "Preserved and restored in 35mm by the UCLA Film and Television Archive." This is marvelous and I have already pre-ordered Vol. 1 and Vol. 2 from MPI Home Video.
I so hope that the entire 14 movies, are ultimately released in restored condition. Especially the rarest of them, "The Scarlet Claw" which has rarely been shown on televison and only been available on VHS sporadically.
To me and many others I know, Basil Rathbone is the definative Holmes. Not just because he looks alarmingly similar -as much as is humanly possible- to Sidney Pagets drawings of Holmes from the Strand Magazine illustrations, but mostly we love Rathbone because he portrayed the same Holmes that we as readers get through the buffer of Dr. Watson explaining away not magnifying Holmes' shortcomings.
Jeremy Brett chose to amplify every negative aspect of Holmes' personality that in the written versions Watson explained away. Rathbone's Holmes has been demeaned visciously over the past years and hopefully the respect and dignity that he gave his portrayals will be seen in all their accuracy and glory with these new digitally restored releases. ... these will have to be the best quality versions of these classics ever released...so for all of us who have cursed the incomprehensibly awful releases of these films over the years...our time has almost come. Show your support for this effort by ordering a restored version of American Film Histroy.
Much Thanks to UCLA, MPI, and Whoever was ultimately responsible for the idea of doing this!!!! ... Read more

Reviews (6)

Boris Karloff at his best.
This is the kind of film no one has made in many years -- a horror film that is not only stylish and high-class, but even charming. It barely qualifies as horror, but it is a grim period melodrama (early 19th century, to be precise) with Boris Karloff as twin brothers, the good Anton and the evil Gregor. After Gregor murders Anton, he masquerades as Anton, which means Karloff is actually playing a THIRD role ("Gregor as Anton"), and is more subtle and effective than he was in the earlier scenes. The sequences in which two Karloffs are on screen simultaneously are technically very smooth, and the under-appreciated Roy William Neill does his usual good job of directing. The payoff, in which the ancient family prophecy is fulfilled, is ingenious and thrilling.

Karloff shines in duo role.
Karloff once again shows us what an incredible actor he was in playing both brothers in this classic. Well thought out story and good supporting cast make this one a classic. Rivals Universal's monster movies of the same era.

Karloff pulls it off!
The two main characters in this movie are twin brothers, both played by Boris Karloff. One is pure evil, the other is unbelievably kind. Only an actor of high talent could give credibility to either of these two extremes - Karloff plays both of them perfectly! I would've never thought Karloff had such range, having only seen him in "monster" movies like THE MUMMY and FRANKENSTEIN. He does it with what appears to be no effort at all. It's an interesting tale - though it does get a little bogged down in some spots. The special effects are also first-rate, considering the year in which it was filmed. Sit back and enjoy a real master at work!

Melodrama
This is not your usual Universal monster scare. Columbia got Karloff 4 years after Frankenstein and made this weak melodrama. No scares here. Karloff play twin brothers, one under a curse to kill his brother, the other the evil twin out to do him in before he gets it. 3 stars just because it's Karloff, but definitely no scares. More like a 1930's soap.

Melodrama
Made 4 years after Frankenstein, Columbia got a hold of Karloff and made this un-scary, unemotional melodrama. Not the Universal type Karloff fare we've grown to love. It's definitely Karloff, playing dual roles as good and evil brothers, but don't expect a Universal monster/horror gender film. No chills here. 3 Stars for Karloff. ... Read more

Reviews (2)

Two Thumbs Up for the film, spoilt only by the poor print.
Having enjoyed this film so much in the UK both on TV and video I was naturally keen to see it again over here in the US. Whilst I still have fond memories of the film, I was slightly disappointed by the NTSC version of the film. The film suffered from fragmented scenes, caused by breakages to the original print. This is unfortunate because the print for the PAL version is near perfect, and also contains the complete opening titles to the movie. That aside, the film is a first rate yarn and definitely worth catching. The performances are great and story gripping. Of the two films made, based on Russell Thorndikes excellent and elusive series of books, this is truer to the original story, except of course for the ending.

British Navy captain tracks aging pirate-turned-clergyman.
What would Long John Silver be like in old age, if his better half had won out? This 1930's British movie version of Russell Thorndike's novel gives us a clue. George Arliss, one of the greats of the British stage and an early star of Hollywood talkies, gives an excellent final performance in the title role. It's a switch for Arliss, who won an Oscar in the title role of "Disraeli" and usually played similar, elegant roles. Never afraid of a new role, he boldly quits the silver screen as an aging buccaneer!

Dr. Syn is a retired pirate the world believes to have been hanged. In fact, he has taken up a second career as the parish pastor of Dimchurch, near the real-world Romney Marsh on the southern English coast. But Syn has brought some of his pirate crew along and together, they are secretly smuggling. Syn gives his smuggling profits for a new schoolhouse and for the town's poor. "I've used the money better than the king and I haven't had to pay any duties," he brags. But there's also that pirate side. "I've known the Scarecrow (Syn's smuggling code name) longer than any of you," says his chief lieutenant to the rest of the gang, "and sometimes I'm mortally afraid of him."

You'll find this drama well-acted all around, including a class-crossed romance for Margaret Lockwood in the role of Syn's daughter (who doesn't know her father is Dr. Syn, advising her not to hope the squire's dashing son will wed her). The Navy captain who stumbles his way toward the truth, learning to appreciate the ironic name of the town, is amusing, but able. He fights for the law, yet somehow lets you keep rooting for Arliss/Syn. The heavy of the tale, a mute, violent mulatto, is politically incorrect - but we see how he's been used by both sides so badly and feel sympathy for him. There's intrigue, betrayal and suspense. The story is well-paced and witty. A fine yarn for all viewers over the age of ten and a fine thespian finale for Arliss. END ... Read more

Reviews (3)

Perfect viewing on a dark, stormy night
"The House of Fear" is a hugely enjoyable Sherlock Holmes film, perhaps the last truly satisying entry in the 12 film Universal series (of which this is number 8, not counting the two unrelated films made by 20th Century Fox).

This is a good old fashioned haunted house mystery, the perfect companion for a dark, stormy night. There's nothing supernatural going on, only the all too mundane matter of murder, motivated by greed. There's nothing mundane about the way Holmes and Watson go about solving it though, and director Roy William Neill guides them with his usual brilliance, magically creating an ambiance of suspicion, fear, and mystery in gorgeous black-and-white. The plot resembles Agatha Christie's "And Then There Were None," the first film version of which was in production when "The House of Fear" was in release, (and the Holmes entry was probably an attempt to steal that film's thunder) but this film is actually superior. After all, it has Basil Rathbone and Nigel Bruce as Sherlock Holmes and Dr. Watson. How can you beat that?

One of the Series BEST!
This selection is one of the Best of the 14 Rathbone and Bruce made. I've seen it countless times and I enjoy it every time. Wonderful feel to the film that will never be duplicated!!!!!
I am writing this pre-review to express my Great Expectations and excitement over the upcoming DVD release of the 14 Sherlock Holmes movies made by Basil Rathbone and Nigel Bruce.
For those of us who have loved and worn out our VHS versions of these films, I am sure that I speak for many of us in expressing incredible anticipation and near shock that someone has finally recognized the need to release a "restored version" of these timeless classics.
We are told that they have been "Preserved and restored in 35mm by the UCLA Film and Television Archive." This is marvelous and I have already pre-ordered Vol. 1 and Vol. 2 from MPI Home Video.
I so hope that the entire 14 movies, are ultimately released in restored condition. Especially the rarest of them, "The Scarlet Claw" which has rarely been shown on televison and only been available on VHS sporadically.
To me and many others I know, Basil Rathbone is the definative Holmes. Not just because he looks alarmingly similar -as much as is humanly possible- to Sidney Pagets drawings of Holmes from the Strand Magazine illustrations, but mostly we love Rathbone because he portrayed the same Holmes that we as readers get through the buffer of Dr. Watson explaining away not magnifying Holmes' shortcomings.
Jeremy Brett chose to amplify every negative aspect of Holmes' personality that in the written versions Watson explained away. Rathbone's Holmes has been demeaned visciously over the past years and hopefully the respect and dignity that he gave his portrayals will be seen in all their accuracy and glory with these new digitally restored releases. ... these will have to be the best quality versions of these classics ever released...so for all of us who have cursed the incomprehensibly awful releases of these films over the years...our time has almost come. Show your support for this effort by ordering a restored version of American Film Histroy.
Much Thanks to UCLA, MPI, and Whoever was ultimately responsible for the idea of doing this!!!!

Orange Pips Prove Fatal In This Entertaining Sherlock Tale
1945's "The House Of Fear" is the 10th (of 14) Sherlock Holmes mysteries starring the inimitable duo of Basil Rathbone as Holmes and Nigel Bruce as Dr. John H. Watson.

This old-dark-house adventure features Holmes & Watson investigating the mysterious deaths of several members of "The Good Comrades Club".

Despite some obvious plot holes (such as the unusually high number of old geezers who would have to be dropping dead right and left in this small hamlet town in order for enough corpses to be available for the perpetrators' use) this is one of my favorite Rathbone Sherlock entries. But, to be completely fair to the plotters of this story's crime, perhaps (unlike Watson's interpretation of the events) these body snatchers were going out of town to dig up a few.

Another fun Holmes outing. Recommended highly, along with all of the other 13 Basil/Nigel teamings. ... Read more

Description

Pursuit To Algiers (1945) begins as Holmes and Watson learn that the King of Ravenia has been assassinated and his son Nikolas is now a marked man.The great detective and his comrade are pressed into service to protect the life of the soon-to-be crowned monarch. The detective and the good doctor take to the sea in order to safeguard the young heir on his journey from London back to his homeland and throne. The soon-to-be king poses as Dr. Watson’s nephew while a number of the SS Friesland's passengers appear eccentric, suspicious and downright sinister.The ship makes an unexpected stop in Lisbon and Holmes is presented with yet three more mysterious passengers. ... Read more

Reviews (3)

Collectors Item
This film is really great, for as much as any other reason...the spooky noir-ish atmosphere that permeates every frame.
The story works pretty well although it does not have quite the energy of some of the earlier Bruce/Rathbone collaborations.
The description on the Box of the plot sort of makes it a collector's item.
As with a certain metered degree of the captioning done on these films, the plot description is terribly inaccurate.
Just for the record the King of a Ravenia has been assassinated and his son Nikolas is now a potential target of assassination.
Holmes fools the on-board assassins by having the Future King pose as a Ship Steward.
It is Dr. Watson's Nephew who poses as the Future King.
Nikolas, the Future King never poses as Dr. Watson's Nephew as the box description says.
This glaring inaccuracy is no big deal other than it sort of makes it even more collectable.
I am thinking of compiling a complete list of all the captioning mistakes and omissions and Box Sleeve inaccuracies.
Frustrating only in that it is pure slackness on the part of MPI.
The quality (long believed lost forever) of the films is the over riding redeeming feature overall though.
It is important to remember... that Rathbone and Bruce were a lot like Lennon and McCartney....even when they were not at their absolute best together...they were still 100 times better than anyone else.

The 10th film in Universal's Sherlock Holmes series
"Pursuit to Algiers," the tenth film in Universal's Sherlock Holmes series, is fairly routine overall, but it does have a novel twist in that it sends the Great Detective and Dr. Watson off to sea.

In some ways, its plot is similar to the next film, "Terror by Night," in that Holmes is once again renting out his services as a bodyguard of sorts, this time protecting the son of the assassinated King of Ravenia as he sails home to claim his throne. The future monarch is disguised as Watson's nephew! Aside from Basil Rathbone and Nigel Bruce, what gives this entry its kick are the other passengers, the most eccentric and suspicious bunch ever booked onto a voyage.

Coming at the tail-end of a series whose finest moments were now behind it, "Pursuit to Algiers" is far from the best, but possessing enough suspense and atmosphere to recommend it.

Brian W. Fairbanks

pretty good
This is one of twelve movies of Rathbone as Holmes put out during the war and shortly thereafter by Universal. All twelve stories are newly written and not contained in the originally published series. Holmes is played in the traditional was as a talented person who is always willing to help others while interjecting some humor in the process. This Holmes is very humble and does not suffer from the mental illness of egomania. This is in stark contrast to the Brett version where Holmes displayed arrogance and airs of secret knowledge which is almost exclusively done in real life by people who are marginal performers.

This particular story plot is somewhat less imaginative and realistic compared to the other eleven, but it is still entertaining to watch.

The digital remastering makes the quality like a recently made movie without any visual or audio flaws. ... Read more

Reviews (3)

A highlight in Holmes' film career
In some quarters, "The Pearl of Death" is considered the best of Universal's 12 Sherlock Holmes films if only because, unlike most of the others, it is generally faithful to one of Arthur Conan Doyle's stories, in this case "The Adventure of the Six Napoleons." But the fact is that it's not as effective as "The Scarlet Claw" which directly preceded it, nor is it as entertaining as several other entries in the series ("Spider Woman," "House of Fear"). Nonetheless, it remains a highlight in the legendary sleuth's film career.

Director Roy William Neill once again turns out the lights and heightens the gloom with his customary dark shadows giving the film beautiful atmosphere, and Basil Rathbone and Nigel Bruce are as reliable as ever. Cranking out an average of three Holmes films a year, you could expect them to have grown weary of their roles but neither ever showed the slightest hint of fatigue.

As for the villains, Rondo Hatton steals the show as The Creeper, but he almost inspires more sympathy than dread. Voted the most handsome boy in his high-school class and immensely popular due to his good looks and athletic abilities, Hatton was exposed to poison gas in World War I and left horribly deformed, a condition that Hollywood's ever so sensitive "dream factory" was happy to exploit. After small roles in "The Ox Bow Incident" and "In Old Chicago," he became a star through his encounter with Sherlock Holmes and was publicized by Universal as the "Monster Without Makeup." Whoever came up with that tag may have been more deserving of being called "The Creeper" than Hatton, but...oh well, enjoy the movie. It's a good one.

Ankers, Rathbone Rock!
It's great fun to watch the Queen of Screams--Universal's Evelyn Ankers--finally able to do some acting. In Pearl, she portrays one of her rare villianess' (you should see her strut her stuff as Illona in the camp classic "Weird woman". As Naomi, she portrays a cockney dishwasher, a bookish clerk of antiques, while all the time terrified by The Creeper--played by real-life acrogomaliac, Rondo Hatton. No one can display terror as la Ankers: her blue eyes widen, she uses her palm to press against her temple, her breathing quickens and usually there's a blood-curdling scream. There's plenty of Universal fog-machines at work here with Rathbone deftly solving the murders (along with Dr. Watson-Nigel Bruce). Ankers wrote in her memoirs that the set of Pearl was unusually British and droll. She and Nigel addressed Basil Rathbone--as Rasil Bathbone. The spry but elderly Nigel flirted with Ankers who took it with good humor but terrified her admirer when she brought her new husband on the set, B-movie king, Richard Denning, who had just joined the Navy since this was during World War II. Sharp little gem of a thriller. Wish Universal would put all the Sherlock Holmes movies on tape, or in a boxed series. Especially "Sherlock Holmes and the Voice of Terror' which showcases Ankers talents and beauty more than any other flick she made--with the exception of "The Mad Ghoul."

Good Sherlock Holmes outing with a clever, inventive script
This film and "The Scarlet Claw" are generally considered to be the best of the Universal Holmes series. Rathbone and Bruce are in good form with a clever and resourceful script to back them up and Miles Mander gives a fine performance as Giles Conover,master criminal. ... Read more

Description

SHERLOCK HOLMES FACES DEATH
Digitally Restored in 35mm

The master detective Sherlock Holmes (Basil Rathbone) and his faithful cohort Dr. Watson (Nigel Bruce) are back, preserved and digitally restored in 35mm to original condition by the UCLA Film and Television Archive. This newly restored version of the classic film includes the period war bond tag, studio logo and credits from its original theatrical release. Filled with ominous shadows and interesting cam