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| 1. Wonder Years, Vol. 1 Director: Art Wolff, Beth Hillshafer, Andy Tennant, Ken Topolsky, Michael Dinner, Arlene Sanford, Neal Marlens, Nancy Cooperstein, David Greenwalt, Thomas Schlamme, Steve Miner, Richard Masur, Jim McBride, Arthur Albert, Bryan Gordon, Peter Baldwin, Robert C. Thompson, Stephen Cragg, Peter Horton, Matia Karrell | |
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Amazon.com Reviews (5)
With the narration of the young Kevin and the 60s setting it reminds me of the movie Christmas Story. The Messy Marvin actor and the narration of his thoughts/dreams of the Red Ryder bb gun. Another classic! But I digres . . . You have to see this first volume of Wonder Years! It will tug at your heart strings again! You won't be disappointed!
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| 2. Wonder Years, Vol. 2 Director: Art Wolff, Beth Hillshafer, Andy Tennant, Ken Topolsky, Michael Dinner, Arlene Sanford, Neal Marlens, Nancy Cooperstein, David Greenwalt, Thomas Schlamme, Steve Miner, Richard Masur, Jim McBride, Arthur Albert, Bryan Gordon, Peter Baldwin, Robert C. Thompson, Stephen Cragg, Peter Horton, Matia Karrell | |
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Reviews (3)
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| 3. The Wrong Man Director: Jim McBride | |
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Reviews (4)
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| 4. The Big Easy Director: Jim McBride | |
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Amazon.com Director Jim McBride (Great Balls of Fire) was in top form with this 1987 sizzler. You may not remember the particulars of the plot, which concerns supposed gang killings and police corruption, because it is the romance that has staying power. Blame this on Quaid and Barkin, who send off enough sparks to light up Bourbon Street. They are not only sexy together, but endearing, which makes you want to like them as much as they like each other. --Rochelle O'Gorman Reviews (18)
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| 5. Meat Loaf - To Hell and Back Director: Jim McBride | |
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Reviews (1)
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| 6. The Christmas Wonder Years - The Holiday Episodes Director: Art Wolff, Beth Hillshafer, Andy Tennant, Ken Topolsky, Michael Dinner, Arlene Sanford, Neal Marlens, Nancy Cooperstein, David Greenwalt, Thomas Schlamme, Steve Miner, Richard Masur, Jim McBride, Arthur Albert, Bryan Gordon, Peter Baldwin, Robert C. Thompson, Stephen Cragg, Peter Horton, Matia Karrell | |
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Reviews (9)
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| 7. Fallen Angels, Vol. 1 Director: Jim McBride, Tom Hanks, Kiefer Sutherland, Tim Hunter, Phil Joanou, Steven Soderbergh, Jonathan Kaplan, Michael Lehmann, Agnieszka Holland, John Dahl, Alfonso Cuarón, Tom Cruise | |
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Reviews (1)
The first story stars Peter Gallagher as a conman/cardplayer, and reminds very much of the cheap detective stories my father had. In this world nobody really works, everybody cons, even the nice old sweet couple Gallagher meets in a train and tries to win their money. Wrong move, of course, he gets thrown out in the middle of a desert and later picked up by a car driven by a newly married couple: a man who is a Bible printer and his gorgeous wife, Isabella Rossellini, who nags and nags until than man stops the car and.... Gallagher in is the middle of another plot. Unrealistically beautiful and dangerous women, sadistic killers, organized crime - the lot. A real 40's B-movie in 30 minutes. 'Murder, obliquely' is why I wanted to see this. Laura Dern gets invited to meet a friend of her friends, Dwight (Rickman), and immediately knows, this is her first and final love. Though the man doesn't seem to be interested. They get interrupted by Rickman's lover, a well built redhead - and her new husband. In Rickman's mind the thing isn't over, so newlyweds exit after the woman has thrown all Rickman's gifts on his face. And a bit later they are again, apparently, lovers. Until Dern's innocent remark about a canceled concert breaks everything. 'Murder, obliquely', directed by Cuaron, is different from the two other ones. Everything really happens somewhere else. What we see and hear are Dern's narrative and a couple of people reacting to hints. They are always inside, in doorways, half letting someone in but still keeping them out. Very little is said but Dern's narrative. I've never really liked Dern, but this time she was good. And Rickman... There's again that odd mix of soft, slow sensuality, cunning, cold, calculating intellect and a touch of vulnerability and sincerity (which may be even real). One starts thinking: "OK, he's not young and handsome (though I must admit I find his profile intriguing), but he probably could charm you before you realized what is happening, and kill you without anybody noticing you are dead - and he'd probably have a very good and justified reason for doing it, damn it!" So you don't wonder Dern's choice in the end, though you yourself start speculating: what then? is he serious? is he planning something else? Dern's way of repeating: "My first and final love" leaves a whole lot of options. And to me it reminds the end of Francis Iles' novel 'Before the fact', which I've always liked very much. Yes, this is a good buy for a Rickman-fan, though it doesn't give that many minutes of him. The third one is again a more active story, moving from city to city, from real live celebrities to the mob. Tim Matheson is Howard Hughes - an odd choice - and Gary Busey the guy, who works for him and Michael Cohen, hyperactivelly played by James Woods. Busey, too, is an odd choise for the guy who seems to have a decent heart somewhere, but everybody works rather fine. Well, I liked these. I've always liked film noir and even with these modern actors (which sometimes make the stories come very close to a parody) and brilliant colours they were well made and amazingly loyal. I even liked the order, with calm, hinting 'Murder,obliquely' placed in between Bogart-style stories. A well deserved 4 stars. ... Read more | |
| 8. The Best of the Wonder Years Director: Art Wolff, Beth Hillshafer, Andy Tennant, Ken Topolsky, Michael Dinner, Arlene Sanford, Neal Marlens, Nancy Cooperstein, David Greenwalt, Thomas Schlamme, Steve Miner, Richard Masur, Jim McBride, Arthur Albert, Bryan Gordon, Peter Baldwin, Robert C. Thompson, Stephen Cragg, Peter Horton, Matia Karrell | |
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Reviews (17)
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| 9. Fallen Angels, Vol. 2 Director: Jim McBride, Tom Hanks, Kiefer Sutherland, Tim Hunter, Phil Joanou, Steven Soderbergh, Jonathan Kaplan, Michael Lehmann, Agnieszka Holland, John Dahl, Alfonso Cuarón, Tom Cruise | |
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| 10. Breathless Director: Jim McBride | |
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Reviews (21)
Richard Gere plays Jesse Lujack, a small time criminal who just happens to kill a cop. He doesn't set out to do so, it just happens but this one act drags him into a trap which is, of course, of his own making. His flight from the police who are determined to nail the cop killer takes him back to student Monica Poiccard (Kapriski) an old girlfriend. To him, she was an important and significant part of his life but to her, he was just an interlude whom she never expected to see again but, in a kind of "what the heck" mood she takes up with him and his troubles. Gere really is doing a fine job here. The script favours him but nonetheless, he is totally convincing in this film He really is Lujack. However much he tries to prevent it, the ending is pretty much inevitable but on the way Gere and Kapriski have some laughs. They live for the moment and, essentially they do enjoy the moments despite the bigger picture and that is what this film is all about. It's good to watch and enjoy. It is not a polarising moment in cinema history but, if you can forget the film's origins and hope only for an entertaining movie, it will not let you down. If you like this film, I'd recommend "The Passenger" with Jack Nicholson and Maria Schneider. It shares the same theme of a woman taking up with a man in big trouble and it is a much better movie although it is a serious film and does not have the laughs of Breathless.
"Breathless" may be a remake of a French classic, but that does not make it a masterpiece.
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| 11. Blood Ties Director: Jim McBride | |
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Reviews (5)
If you're looking for a borderline R vampire flick to watch with teen members of the family, this is it. Enjoy the tale. But, hardcore horror fans will think this extremely disappointing....
Wounded, 17-year-old Cody seeks the rich, corrupted Uncle Eli Chelarin (Patrick Bauchau) in Long Beach, California. Here Cody meets a few other relatives: Butcherbird "Butch" Vlad (Salvator Xuereb), Eli's rebellious nephew and the apparent leader of the Shrikes (the young troublemakers of the family, which Cody becomes a part of); Harry Martin, aka Harlevon Martinesque (uncertain spelling; played by Harley Venton), another one of Eli's nephews, as well as a reporter for the 'Long Beach Post-Gazette' and Cody's "guardian"; and Celia (Michelle Johnson), Eli's younger halfsister and lover. She's also Harry's occasional lover, which, by the way, if you hadn't noticed, makes her his half-aunt. Grossed out? Then you may not want to watch this one, because there's more incest involving cousins. Nothing graphic though. In the movie, Harry is one of the leading characters who is trying to track down these "vampire" hunters before they can hurt anyone else. His semi-assistant is D.A. Amy Lauren (Kim Johnston Ulrich), who had tried to put Butch in jail at the beginning of "Blood Ties", but failed because of Eli's monetary charm. Amy's more of a blond-haired-blue-eyed sexual distraction for Harry, though, than any real help. Although "Blood Ties" is essentially a vampire/horror movie, it doesn't rely on fangs or other vampire myths at all. It's more of a tongue-in-cheek soap opera drama with a hint of vampirism that's more racially charged than scary. This is noticeable in how the word "vampire" is considered a derogatory term, even though that's what they are; "Carpathian" is the appropriate term. Another example of racial undertones in this movie is when the redheaded Western Regional S.C.A.V. member (Grace Zabriskie) spouts off how terrible it is to have to sit with "one of them" on the bus or be with one in the same room. She continues by saying the "vampires" sole purpose is to steal other people's spouses, jobs, parking spaces, etc. Concerning "vampires" it sounds absurd, I know, but realize there's more to this movie than just cursory blood and guts, although the violence is quite tame and nonexistent compared to today's standards. There is some bloodletting, but no graphic vein-ripping, limb-tearing scenes here. Sure, it's pretty cheesy at times too, i.e., the choreographed dancing of the Shrikes, but "Blood Ties" wasn't meant to be a serious film. It had aired back in May of 1991 on Fox as a pilot, but apparently it didn't take as a series. I remember watching it back then and pretty much fell in love with it at first viewing since it combines my two favorite genres (horror and comedy) and spotlights "vampires" (my favorite type of monster). I simply can't wait for the DVD version to come out this June!
And most of what you've heard about ... Carpathians ... is untrue. Wild, exaggerated, ugly tales. (Except the thing about liking the taste of blood. That's true. But that was long ago. They're civilized now. Didn't _your_ ethnic ancestors do some pretty gross things hundreds of years ago?) "Blood Ties" looks at an extended clan of, uh, Carpathian-Americans as just another group of immigrants, living in Long Beach, CA. There's the first generation -- conservative, with strong ties to the old country and the old ways. The second generation -- assimilationist, more "American" in their thinking. And the young third generation -- rediscovering their heritage, militantly proud of it, and a little bit spoiled. These immigrants, however, are also victims of prejudice and hate ... which turns deadly ... There are "vampire hunters" abroad, and they are the bad guys. Suspenseful, sexy, sometimes humorous and maybe even thought-provoking. I don' t think this was exactly a big-budget movie, but it was very entertaining. I wish it could have become a TV series. And I loved the "Carpathian" music -- especially the tune that plays at the beginning and ending. I wish I could get a recording of it. ... Read more | |
| 12. Pronto Director: Jim McBride | |
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| 13. Great Balls of Fire! Director: Jim McBride | |
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Reviews (41)
However, rather than his career being trashed by the scandal depicted here, in that he marries his 13 year old cousin, and then she gets pregnant, and slaps her about, he should have been jailed. Sorry, distasteful is not the word for it.
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| 14. David Holzman's Diary Director: Jim McBride | |
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Amazon.com Reviews (4)
Brought into question are the concepts of a person being filmed when said person was not aware that a film of said person was going to be shot (as if, as we are supposed to suppose, in direct cinema, that the camera is not noticed by the subject(s)). And, the concept of the unscripted material being able to convey "a message" is also fodder for the satire. Also, some shots are truly art- the long pan of elderly and down-and-outers strung along a park pench, in synchro to audio of the U.N. roll being called, and the "every different shot as it appeared in a night of TV-viewing" sequence, and a street-alcoholic being harassed by cops while audio of news of fighting (with heavy U.S. losses) in Vietnam plays. As essential to understanding the genre (because the fun it pokes relates to the elements of the genre) as is the Maysles' "Salesman".
This is a good film about the mentality of a directionless person, trying to find meaning in life while putting faith in superficial things that can never fulfill. We watched this in a college film appreciation course that I took. It is pretty dead on accurate about how an aspiring artist can get confused about everything in his life having no meaning for him. Get some religion, David Holzman, your 16mm film camera is just a tool, not the deity that you try to worship! ... Read more | |
| 15. The Informant Director: Jim McBride | |
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Reviews (8)
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| 16. Glen & Randa Director: Jim McBride | |
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Reviews (2)
I originally saw it in its theatrical release, when it was X-rated due to sex and nudity (the film begins with the couple making love in a car body stuck in a tree). It's pretty mild by today's standards. I was impressed at the time with the scenes of people searching through a ruined Howard Johnson's for canned goods. However, the quality of the video makes the characteristic orange roof muddy and unrecognizable. I also like the couple's meeting with an old man, who hadn't spoken to anyone years, and has difficulty remembering how to talk. It's little touches like that that are part of its charm. But although it's the same film, the quality of the transfer to video (at least the copy I have) is poor. One brief scene also repeats in the video, a little disconcerting. It's too bad, because it's really is a fine film, thoughtful and touching. It was made by the Seattle Film Collective, and shot on location in the Pacific Northwest. Should you buy it? Sure, if only to see it once. See if you can get copies of Brian DePalma's Greetings! and Hi Mom! too. Then you can have a real 60's retro movie party.
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| 17. Breathless Director: Jim McBride | |
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Reviews (21)
Richard Gere plays Jesse Lujack, a small time criminal who just happens to kill a cop. He doesn't set out to do so, it just happens but this one act drags him into a trap which is, of course, of his own making. His flight from the police who are determined to nail the cop killer takes him back to student Monica Poiccard (Kapriski) an old girlfriend. To him, she was an important and significant part of his life but to her, he was just an interlude whom she never expected to see again but, in a kind of "what the heck" mood she takes up with him and his troubles. Gere really is doing a fine job here. The script favours him but nonetheless, he is totally convincing in this film He really is Lujack. However much he tries to prevent it, the ending is pretty much inevitable but on the way Gere and Kapriski have some laughs. They live for the moment and, essentially they do enjoy the moments despite the bigger picture and that is what this film is all about. It's good to watch and enjoy. It is not a polarising moment in cinema history but, if you can forget the film's origins and hope only for an entertaining movie, it will not let you down. If you like this film, I'd recommend "The Passenger" with Jack Nicholson and Maria Schneider. It shares the same theme of a woman taking up with a man in big trouble and it is a much better movie although it is a serious film and does not have the laughs of Breathless.
"Breathless" may be a remake of a French classic, but that does not make it a masterpiece.
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| 18. Great Balls of Fire! Director: Jim McBride | |
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Reviews (41)
However, rather than his career being trashed by the scandal depicted here, in that he marries his 13 year old cousin, and then she gets pregnant, and slaps her about, he should have been jailed. Sorry, distasteful is not the word for it.
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| 19. Great Balls of Fire! Director: Jim McBride | |
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(price subject to change: see help) Asin: 6305812152 Catlog: Video Sales Rank: 27188 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (41)
However, rather than his career being trashed by the scandal depicted here, in that he marries his 13 year old cousin, and then she gets pregnant, and slaps her about, he should have been jailed. Sorry, distasteful is not the word for it.
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| 20. Breathless Director: Jim McBride | |
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(price subject to change: see help) Asin: 6304212828 Catlog: Video Sales Rank: 94483 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (21)
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