Reviews (8)

'THE FLAMINGO KID'
MATT DILLON OFFICIALLY BECAME A SUPERSTAR AS HE SHINES IN THIS SURPRISINGLY EFFECTIVE 1984 COMEDY. DILLON STARS AS A COLLEGE AGED BROOKLYN YOUTH WHO AGAINST HIS FATHERS (HECTOR ELIZONDO) WISHES LANDS A SUMMER JOB AT AN UPPER CLASS LONG ISLAND BEACH CLUB. THERE DILLON MEETS A SUAVE CAR DEALERSHIP OWNER (RICHARD CRENNA) WHO IS ALSO THE FAT CAT GIN RUMMY KING OF THE FLAMINGO BEACH CLUB. THERE ARE PLENTY OF LAUGHS AS WELL AS TOP NOTCH ACTING AND GREAT DIRECTING BY GARRY MARSHALL. LOOK FOR NICE SUPPORTING ROLES GIVEN BY JESSICA WALTER AND JANET JONES WHO WE DISAPPOINTINGLY NEVER REALLY SAW MUCH OF AFTER THIS SOLID PERFORMANCE.

Sweet Ginger Brown
Good coming of age movie set in 1963 about a guy, his Dad, and the bi wig aouto dealer and card shark. Plus you get to see one of the great butts in film history when Janet Jones in her film debut gets out of the pool.

"Dad, how many potatoes do you think you'll eat b4 u die?"
I fell on the floor with above line by Matt Dillon, to his father, perfectly played by Hector Elizando. And many other lines as well.

Dillon is a young impressionable kid from working-class Brooklyn who is in awe of the part played by Richard Crenna, a charming charlton. Dillon's character is swept up by wealth and the beautiful people and Crenna's character undoubtedly likes the attention. So Jeffrey hangs on to every word and goes home at night and repeats them. It doesnt take long for his true-to-his word father to catch on and call him on it.

The differences in class and values come to a head when Elizando and Crenna meet.

Funny and very entertaining.

Summer the way it used to be...
Whoa! Trip to yester year.... Matt Dillon is outstanding in one of his earlier and most memorable flicks. A great story well told, we learn that father really does "know best", and that the old-fashioned values are the only substantial anchor. Fisher Stevens as Hawk is awesome in his first "named" role. Also good is Janet Jones (better-known now as Wayne Gretzky's wife)--heaven only knows why she never received another significant role. Too bad the film was marred by a couple of iterations of the PG-13 word and a nude sex scene (sensitive body parts hidden...)--I would like to have shown this one to my kids.

Richard Crenna steals the show
Yes, Matt Dillon may "come of age" in this film, but Richard Crenna steals the show as a fat-cat owner of a car dealership who lies and cheats at gin and thereby teaches young Jeffrey Willis that all that glitters is not gold. A lovely bikini-clad Jessica Walter as Crenna's wife not only brings her impressive acting talent to this film, but also holds her own (at the age of 43) against the younger bathing beauties that populate the Flamingo Club. ... Read more

Reviews (6)

Donna Mildred Martin


I've watched this movie dozens of times, and was overjoyed to find it on DVD at last. This was (I believe) The Great One Jackie Gleason's final screen performance, and it showed the way of the future for Tom Hanks. Sela Ward also appears as a love interest, along with Hector Elizondo as his boss, and Eva Marie Saint as Hanks' mom.

The only thing that gets on my nerves just a little is the soundtrack. I think it's Christopher Cross, surely one of the most annoying alleged musicians ever to hit the big time.

The transfer to disk is good. The cast is excellent. The plot makes sense, and the script is near perfect. The story is about the relationship between Tom Hanks' character, David Basner, and his father, Max Basner. Its a wonder that anyone comes out right as an adult, and Hanks had no idea how screwed up his childhood had been until the night his father told him his mother had split. And soon thereafter his secretary gave him a message that his mother had called, and added "I had no idea you had parents."

Wonderful. Buy it, enjoy it.

A film of compassion and comedy
I found Nothing in Common to have all the attributes of a wonderful film. From its soundtrack to its cast. The subject, a selfish advertising executive, thinks only of himself, but finally learns that family is important, and old friends are the best.

It is my most favourite Tom Hanks movie.

A MUST SEE!!!
This is one of my most treasured films of all time and I can't understand why it receives so little attention. This is the story of an immature but successful bachelor whose world is disrupted when he gets an unexpected call from his estranged father, telling him his mother left him. Tom Hanks gives one of his BEST performances (comedically AND dramatically) as the carefree fellow who is forced to get to know his parents all over again while supporting them emotionally.
While many label this a comedy--and it IS pretty funny-- I find it one of the most heartfelt and touching films ever thanks to a brilliant director, soppy but appropriate music, and an extraordinary cast. There've been so many films made concerning father-son relationships but if you're looking for the most genuinely realistic one, this is it. The final line of dialogue spoken by father to son ("You're the last person on earth I would've ever expected to come through for me") never fails to choke me up.

Hanks and Gleason are a winning team
Once in a while you find a movie that mirrors your own actual relationship with someone. For me, Nothing In Common sums up my relationship with my father. Even though I do have a lot in common with my dad, I could definitely relate to the fights that father(Gleason) and son(Hanks) had in the movie.

I think that we were raised on thinking that Father Knows Best, but what happens when the father starts to lose it. Nothing In Common answers that question. This movie would make a great Father's Day gift.

Hanks starts out the movie as a grown-up child without a care in the world other than pleasing his every whim. He evolves into this mature adult who realizes that he owes more to his parents than just the occasional visit once every six months or a gift for Mother's and Father's Day.

Gleason starts out as an angry man who reluctantly asks his son for help. He becomes an enlightened father who is truly proud of his son.

I don't believe I'm giving to much away. I think that if you are a fan of Hanks, Gleason, and Garry Marshall. Enjoying this movie will not be difficult.

This movie is one of my favorites. I have lost count as to how many times that I've seen it.

Hanks' Gem
This is one of Tom Hanks' (and director Garry Marshall's) best films, yet it has received little publicity.

Among Hanks' fans I know who have seen this film, all hold it in very high regard. It's classic Tom Hanks - funny and serious at the same time. As it's promoters said, "It's a comedy and a drama, just like life." You will surely love it.

Jackie Gleason, Eva Marie Saint, Hector Elizondo, and the rest of the cast do wonderful jobs.

I only wish it was on DVD, but hopefully in time it will be. ... Read more

Description

How do two of the straightest undercover cops in L.A. find themselves on a sex fantasy island where the secret of keeping their cover is to uncover more than the truth? The answer lies in the naughtiest comedy since director Marshall's ' 'Pretty Woman.' ' ... Read more

Reviews (40)

Great Erotic Comedy
Loosely based on Anne Rice's same-named book (which I haven't read yet, so I can't compare the two), "Exit to Eden" is a humorous and erotic movie about an Australian photojournalist, Elliot Slater (Paul Mercurio), living in California, who goes to a S&M fantasy island resort for some sexual experimentation. There he becomes a citizen (a slave) and tries to win the guarded heart of the head dominatrix, Mistress Lisa (Dana Delany).

Meanwhile, Detectives Sheila Kingston (Rosie O'Donnell) and Fred Lavery (Dan Aykroyd) are trying to nab a couple of South American diamond smugglers: Nina (Iman) and Omar (Stuart Wilson). When the latter two head for Eden in order to steal the pictures Elliot took of them at the airport, Sheila and Fred follow in pursuit, but undercover: she as a guest, and he as the maintenance man. It's a wild goose chase after that, with Elliot chasing Lisa, the cops chasing the crooks and Elliot, and the crooks chasing Elliot--everybody basically in their undies all the while.

"Exit to Eden" is a mishmash of genres--involving detective work, romance, and erotica--but mostly it's a comedy, which lightens the load on a dark topic such as BDSM. Sheila is the main comedic relief, as well as the narrator, but I felt the movie was more about the relationship between Elliot and Lisa, a pairing I thought was believable and enjoyable--one most viewers will be cheering for from the beginning. I was also pleased that Sheila got her own chance at romance with her private citizen, Tommy (Sean O'Bryan), since she was, at times, reduced to just being the chubby jokester. Even so, her one-liners are part of what made this movie memorable for me, e.g. "We're the only two people on this island without handcuffs," as well as in the same scene where she's making fun of Nina's accent.

"Exit to Eden" is yet another favorite guilty pleasure of mine. If you like sex comedies, then you'll probably enjoy this movie. It's all in good fun. Good soundtrack, too. Rated R for--well, I'm sure you can guess.

Not the book, but wonderful on its own
First, a caveat: if you liked the Anne Rice novel this film is loosely based on, you probably won't like the film.

Exit to Eden is a wonderful, lighthearted introduction to the world of BDSM. Unlike Rice's novel, the BDSM in the film is realistic, and the viewer is introduced to elements of real-life BDSM like safewords, mutual consent, and commitment to safety, that most BDSM fiction sorely lacks.

The casting was inspired, particularly of Dana Delany, Rosie O'Donnell, and Paul Mercurio, who like the people i play with are real people behind the leather facade.

Those who are seriously into the scene might find this movie a little tame, with only a couple of real scenes and "bondage" that can easily be escaped from. But the curious will find it a safe and unthreatening introduction to a very real and viable lifestyle. The scene with Lisa, Elliot, and the hairbrush rang very true on an emotional level--and i don't care what anyone says, the scene with Elliot in Mistress Lisa's bath was HOT.

There are only a few complaints i would make. Unlike the real BDSM community (or the novel), there's no hint of homoeroticism in the film. The real-life scene is very pansexual, with people of all orientations sharing space. And the casting of Richard was terrible. Most of all, i wish a lot more screen time had been devoted to Lisa's relationship with Diana, whose heady mix of intimacy and formal role has been an inspiration for my own relationship.

But those are very minor complaints. Overall it's a delightful film, one i've watched again and again over the years. If i were ever to come out to my family about being into BDSM, i would start with having them watch this movie.

Flirty, Funny, Sexy, and Sensual
Great movie!!!! Perfect for those manly men, and dainty women. It's really the best of both worlds. The guys get the action they crave in movies. And the women, well they get the romance, sexual suspence, and desires. Definitly guarenteed to keep you busy all night! Fun for both the sexually daring but also for the timid. Opens ones eyes to both worlds. The comedy is fun and flirty. Rosie and Dan are perfect for these roles. Suprisingly it DOES HAVE A PLOT. Definitly a wonderful snuggle up by the fire type of movie.....NOT FOR CHILDREN!!!!!......by the way this was written by a woman... :)
Everyone enjoy!

Wimped Out
A pity that the movie wasn't filmed as it should have been. Someone said it's a slap in the face to Anne Rice, who's novel was made into a joke with this movie. I strongly agree.

However, it's worth watching--though I roll my eyes through a lot of it thanks to the comedic parts. The book was not written as a comedy, and it shows in this film. A pity the director didn't have the guts to do this film the way the book was written.

I strongly suggest to those who enjoy the theme of this movie to go buy the book. Anne Rice's Sleeping Beauty series (written as A. N. Roquelaure) is an incredible read--better then Exit to Eden.

TERRIBLE TERRIBLE TERRIBLE
This is a complete slap in the face of Anne Rice's work. I heard that they initially shot the version of the film that closely parallels the book. However it did so poorly in audience testing, that they brought in Dan Adroyd and Rosie O'Donnel for post-production, AND MADE A COMPLETELY DIFFERENT MOVIE!! You can tell because the four principals are together only in the end scene. But this effort only confuses and destroys whatever had existed of the original themes. I would be interested to see the original version that followed Anne Rice's book. ... Read more

Reviews (5)

Young Doctors in Love
Love the movie, I wish it was on DVD.

"Airplane" Gets hospital teatment
Jammed full of soon-to-be-stars(or at least well-known performers) had tough job to better other hospital satires, and succeeds. Gags are just as good or better than most send-ups of this type, and story has beginning, middle and ending. Loved Dr. Prang's (Dabney Coleman's)role. Michael McKeon delightful obsessive-compulsive. Strictly for those who can enjoy this type of comedy.

Right On The Pulse!
Very, very funny send up of the daytime hospital soap operas. Lots of jokes. Some don't work....most do!! I don't want to repeat any here but pay attention, because they come thick and fast....'Airplane' style. Dabney Coleman and Harry Dean Stanton really crack me up, and it's hard to look at a young Michael McKean and not think of "Spinal Tap." The main thing I want to draw your attention to is something that worried me when I first ordered this tape. At such a reasonable price, I thought it might be recorded in the dreaded EP mode. IT ISN'T!! It is a fine print from Anchor Bay in SP mode, great price, funny as H*LL, do yourself a favor and check it out. I'm glad I did.

A movie as a sit-com as a parody of a soap opera
There are some yucks in this burlesque of TV's General Hospital, but you've got to concentrate. What is interesting is the cast and what has become of them since, and what they were before, especially in TV land.

Michael McKean, who plays the lead, has had a fine career, but I remember him best as Lenny Kosnowski on TV's "Laverne and Shirley"; Michael Richards who plays a bumbling mafia hit man became Cosmo Kramer on Seinfeld; Patrick Macnee was John Steed of "The Avengers" from the sixties; and although I'm sure you recognized Dabney Coleman, do you remember him from "Mary Hartman, Mary Hartman"?

Director Garry Marshall directed both "Laverne and Shirley" and "Mork and Mindy," which explains why "Young Doctors in Love" plays a little like a scattered sit-com. Nostalgic in a cameo was Jacklyn Zeman, who, last I heard, is still "Bobby" on General Hospital; and eye-popping in another cameo was Demi Moore, looking, I swear, a little like Monica Lewinski with muscles. (Moore was at the time also a regular on General Hospital.)

This was the year (1982) in which the beautiful Sean Young, who plays the female lead here, was also presented in the classic sci fi "Blade Runner." Who can ever forget those close-ups as Harrison Ford examined her eyes to see if she was a replicant?

The prize for best acting, however, goes to little known Pamela Reed as frigid mousy Nurse Norine Sprockett, who is sexually awakened by being romanced for her key to the drug cabinet, a surprising bit of reality amid the general mayhem.

Young Doctors in Love
This movie does for medical school what "Airplane!" did for airline disaster movies. It is a must-have for those with a love of the "B-side" comedy and have a few extra beers. It follows the paradigm of a soap opera with all the cliches. Without giving away too much, an assorted bunch of characters pursue their medical degree (and each other) and move through their residency. Good for some very good laughs: "Due to a mix up in urology, there will be no apple juice served today." Oh, yeah, Demi Moore and Sean young... ... Read more

Reviews (163)

OK A Romantic B Film.
The idea of reuniting Julia Roberts and Richard Gere after the phenomenal success of Pretty Woman was a good idea. The fact the reunion was so spaced out, it made Gary Marshall look like he was either remaking or shooting a sequel for Pretty Woman. The film just didn't cut it for me. It lacked everything that Pretty Woman had. The humor was a more cheesy slapstick style, and the plot was too weak to compare to its predecessor. Looking at it as a movie by itself, however, it wasn't all that bad. If you loved Pretty Woman, give it a try. I sort of reccomend this.

Bad film, uh NO...
Well, PW it's not...but I liked it.

Unlike most people I don't go to the movies or watch a video expecting anything in particular. I wasn't watching the movie with a view to Gere and Roberts previous endeavor, and I mean that. I'd missed it. It looked interesting to me, so I watched it.

Ya know, it's a CUTE movie, well done and IMHO a lot of fun.

I enjoyed the antics of the supporting cast. I thought Gere and Roberts did a nice job and had some amazing chemistry besides. Yeah, the town was a tad phony, but not so much so that I didn't buy her living there. It was a bit touristy, but still very much a real community underneath the facade.

I don't think it's so wise to compare one film to another all the time, particularly when you're talking about a blockbuster like PW. When you do that it's often far too easy to get caught up with what you THINK the actors should be doing. Being so critical you just might miss something worthwhile doing it.

Fact is if they had not done PW and made such an impact 90% of these bad reviews would likely have been a LOT kinder. There is nothing wrong with "Runaway Bride" except for the fact that folks expected another PW instead of the quainter, quieter film they got. On it's own merit this film was warm, funny, and far wiser than it's being given credit for, more "real" than Pretty Woman and I enjoyed that. It was nice to see Gere and Roberts together again, and clearly enjoying the experience. It was fun to watch and I'd cheerfully do it again sometime. I hope they will sometime too.

As far as I am concerned this film is a keeper, period.

Runaway Bride: what you didnt know!
The runaway bride is a classic story of a woman who tries to get married, but fears commitment. Before each attempted wedding is over, she puts on running shoes, and does just that; she runs. near the end of the movie, she finally finds the man right for her, and before the wedding starts, she gives him her running shoes, so she cannot run away (no really). warning: this material is not appropriate for young children. warning: be perpared to cry and scream and laugh and frolic and poop!

Run Away Bride!!!!
this movie was awsome! not only because julia is in it, but the plot is hilarious, and everything else is just so awsome! i mean really, i can't find the right words to describe this movie it is so good. when it was out i saw it 5 times in the theatures. 1st time with a group of my friends. 2nd with my mom 3rd with my dad 4th with my grandma 5th with another group of friends, it is so good!

Still a fun flick
I thought this movie was fun. It was a light romantic comedy in the old fashioned sense, a good film to watch on a rainy afternoon where you want to veg. I had the priveledge of getting to see how a town is transformed to be used as the background of a movie, with this movie. It was filmed in the small town of Berlin, Maryland, which is half way between Salisbury, MD and Ocean City, MD. The kind of town people like to drop into because it looks so nice. Lots of Antique shops, and such, but it was neat to see how they painted the windows and made signs for the movie backgrounds. Person that said, makes you want to pack up and move to Vermont? Sure isn't Vermont, and I am told that the hilly scenes were just outside of Baltimore on the Western Shore of Maryland. Eastern Shore (where Berlin is, the town was changed to Hale for the movie) is flat as a pancake. ... Read more

Reviews (172)

Pretty Woman: the best movie in the entire pretty world!
Everyone knows this story, whether they've experienced certain parts of it, or just love it pure & simply because it's terrific. And if you haven't seen it, why not?! Go out and get it now. Go on!

This is the one Julia Roberts film that can never be out-done. No amount of Erin Brockovich's can beat this movie. This catapulted Julia into the big-time, mainstream movies, and she's now one of the highest paid actresses. I dunno whether something like Pretty Woman was never done before this, or whether I'm just sick of Julia Roberts now, but she won't come across a script as good as this again. Not even the supposed "sequel", with Richard Gere & Julia reteaming (they could go all the way and do a Meg Ryan/Tom Hanks) with Garry Marshall and Hector Elizondo for Runaway Bride. Nowhere near as good. But that's a different movie.

The actors are great, and I think it's the only Richard Gere movie I've ever seen - apart from Runaway Bride. The night elevator operator's face (Patrick Richwood) is an absolute picture most of the time, and he makes you laugh just by looking at him.

Of course, everyone knows that Julia's character, Vivian, turns from a poor hooker, into a rich lady. I much prefer Vivian as the hooker. When you first meets Edward (Richard Gere), she's fine, she's cute, and he gives her all this money, and she turns into a frumpy, awkward lady. The clothes are ill-fitting and really don't suit her.

In a few years, when Julia Roberts is old and grey (Richard Gere already was old & grey in this!), this will be considered a classic.

Watch out for a very much blink and you'll miss him role of the detective, played by Hank Azaria. I've seen this movie a hundred times, and it's the first time I noticed him!

The songs are terrific in this, from Roy Orbison's "Pretty Woman" to Natalie Cole's "Wild Women Do" (the video is not impressive though). The best song is of course, Roxette's "It Must Have Been Love", played as Vivian leaves Edward. It's a very poignant scene, and I always play this song if I'm feeling down about something. The lyrics match any relationship problem perfectly, and matches the scene in Pretty Woman

Romance & Comedy All In One
Pretty Woman is an excellent movie in my opinion. It's about Vivian Ward (Julia Roberts), a hooker who is 'working' on Hollywood Boulevard one night with her friend Kit De Luca (Laura San Giacomo). Around the corner comes a Lotust and the person in that car is none other than Edward Lewis (Richard Gere), a heartless business man on his way to the Regent Beverly Wiltshire Hotel. The car then stalls (he doesn't know how to work a stick shift) and that's when him and Roberts meet. Gere then takes Roberts to the hotel with him and before she knows it he's asking her to stay with him the whole week for $3,000.
Some of the cast members include Jason Alexander as Philip Stuckey, Edward's trusty lawyer, Ralph Bellamy as James Morse, the man who's company Edward's firm is trying to take over, Alex Hyde-White as David Morse, James Morse's son, and Hector Elizondo as Bernard Thompson, the manager of the
hotel.
The music in this motion picture is found on the Pretty Woman Soundtrack. It includes Natalie Cole - Wild Women Do, David Bowie - Fame 90, Roxette - Must Have Been Love, Christopher Otcasek - Real Wild Child (Wild One), and probley the most popular song that relates to this movie is Roy
Orbison - Oh, Pretty Woman.
I recommend this movie to anyone who likes comedy, romantic, or movies where opposites find one another. This movie will stick around for generations to come. I would give this movie five gold stars and two thumbs up.

Modern Day Pygmaelion
Pretty Woman is a great movie. When Julia Roberts acted in this 1990 classic, she was sexy, vibrant and cute. In her latest movies she seems to have lost her charm, and appears awkward and frumpy.
It is a romantic comedy about a lovable prostitute Vivienne (Julia Roberts) hired by a spoiled, jaded billionaire, Edward (Richard Gere) for a highly unusual assignment.

Needless to say, this encounter irreparably changes both of their lives forever. Thouroughly a story that is funny, touching and engaging,

The change is Vivienne from a streetwalker to a lady mirrors a Pygmalion/My Fair Lady type of theme.

As the voice at the end reminds us, sometimes your dreams come true and sometimes they don't but you are always free to dream!

Some pretty memorable stuff in this movie!

Modern Day Pigmaelion
Pretty Woman is a great movie. When Julia Roberts acted in this 1990 classic, she was sexy, vibrant and cute. In her latest movies she seems to have lost her charm, and appears awkward and frumpy.
It is a romantic comedy about a lovable prostitute Vivienne (Julia Roberts) hired by a spoiled, jaded billionaire, Edward (Richard Gere) for a highly unusual assignment.

Needless to say, this encounter irreparably changes both of their lives forever. Though a story that is funny, touching and engaging, Vivienne's dreams come true, and she able to start a new life, and having found love

The change is Vivienne from a streetwalker to a lady mirrors a Pygmalion/My Fair Lady type of theme.

Edward too has finally learned to love!

As the voice at the end reminds us, sometimes your dreams come true and sometimes they don't but you are always free to dream!

Should be called Pretty Stupid
This movie was terrible. If there was a perfume called "essence of fart" then thats what this movie would smell like. ... Read more