Reviews (1)

absence of virtue
This entry is excellent, especially since the key factors which identify the villain do not emerge until very late in the mystery. Absence of virtue could easily describe this mystery, as most of the principals in this story have significantly flawed characters and/or dark secrets. Morse's tendency not to suffer fools gladly is prominently displayed, as illustrated by his relationship with journalists who focus unusual attention upon him while covering multiple murders in the same wealthly family. Morse is also confronted with dealing with a temporary Chief Superintendant while his own boss is on vacation. The frustration level of Morse is palpable as he is faced with a vexing case, intrusive journalists, and a less than empathetic supervisor. In the end, however, the cerebral approach of Inspector Morse is vindicated. One thematic element which makes this story satisfying is that to one degree or another, all of the culprits get what they deserve. ... Read more

Reviews (3)

Unlucky in love??......
Dear Inspector Endeavor Morse of the Thames Valley Police in Oxford England (the late John Thaw) is a good police officer. When he isn't dectecting, he's home listening to Wagner or Turandot on the phonograph and drinking whisky. On duty, he may often be found having a pint of dark bitter at a pub with Sgt. Lewis (Kevin Whately). Morse does have his problems with the opposite sex, however. He meets attractive women left and right, but they always seem to have a dark secret. Sooner or later, he is embroiled in their problems.

In THE DEAD OF JERICHO, Morse encounters the lovely Anne Stavely (Gemma Jones, SENSE AND SENSIBILITY) a fellow member of an Oxford community choir. One evening after choir rehearsal, Anne invites Morse back to her new flat in the recently gentrified Jericho section of Oxford. One thing leads to another, and soon Morse discovers Anne has troubling secrets she won't share with him.

The day of the choir concert, Anne does not show up. Morse drives to her flat only to discover Thames Valley Police SOCO (Scene of crime officers) at hand. Who killed the victim, or was it suicide? Who was the young man staying with Anne who kept a copy of "Oedipus Rex" beside his bed? And what about the nosy neighbor--did he see something he should tell the police? Morse soon steps into sticky ethical waters as he is no longer a disinterested bystander. His difficulties grow more complex by the hour as he discovers death, backmail, and other illicit activities in Jericho--all involving Anne.

This is an excellent DVD and a good recording of the original TV show. My DVD has a little documentary of the "Making of Morse" showing locations around Oxford. A definite plus for Anglophiles.

The best introduction to Morse
Not necessarily the best episode ever, this definitely gives you a good view of Morse's personality, and endears him to you immediately.

The first time I ever was arrested by Inspector Morse
One cold rainy night in England with nothing to do I turned on my television (only four channels available) and found a new show called Inspector Morse. I have always been a fan of the detective story in print and had read extensively in the genre. Similarly I was a great action buff, with one of my favorites being the Streets of San Francisco (I wonder why that is not available on tape or DVD?).

At first, the pace of the drama was slow and a little bit irritating but I recognised John Thaw from that superb action show, the "Sweeney" and Patrick Troughton as the irrepressible second Doctor Who. It did not take long before I was hooked by the simple device of trying to figure out whodunnit. Usually in these things, especially Columbo, it does not take that long to figure out but in this case it was clear that there were red herrings and little cul-de-sacs aplenty to intrigue the viewer.

The main character was often morose and grumpy, with no time for the trivia of life and did not bear fools gladly. Unlike most other shows, this Morse did not pander to popular culture, utilizing it to sell the show. Instead it was clearly aimed at a more highbrow audience yet through a medium that was often the subject of disdain in those circles.

Pretty soon the two hours of leisurely paced drama was over and that was IT. As I lived near Oxford I sought out the locations on my next visit. It took some time to digest the content of the drama over and above the story itself, the insider's view of the contradictions of the city of Oxford, the juxtaposition of town and gown etc.

But getting back to the story itself. This is more of a movie than a TV show. It is a gripping, compelling piece of police drama set against a backdrop of relative opulence and wealth as well as against a working class city background. It is a story of a dreaming city, of intellectuals and academics, a story of the mundane, of passions and secrets. It is the story of a man of Oxford and at once against the rituals and spectacle that the University has to offer.

At the end of this show, I came quietly. I have had the pleasure to have enjoyed every minute of Morse - being entertained and perplexed until the final moment when the killer is revealed.

This is a great introduction to a marvellous run. One last thought - how measured and appropriate the incidental music and theme are.

Full marks all round! ... Read more

Reviews (1)

Morse at his best, part two
The Inspector Morse series is one of the greatest in detective drama. While Colin Dexter's books are marvels of intricate (and occasionally bizarre) plot twists, the movies focus more on the characters involved...and in this movie (and "Who Killed Harry Field") especially so. The mystery is good, but the kinship between Morse and chief suspect Michael Steppings is best thing about this particular episode. It's one of those great films where the bad guys and good guys seem to have reversed roles, and the whole mystery hinges on one small slip...#2 on the list of the five greatest Morses! ... Read more

Reviews (2)

Wonderful Fun
I love Inspector Morse and watch it everytime I get a chance. This episode of the series was the best because the story kept me guessing. Plus it had Sean Bean in it. He plays a fun charsimatic character. You will really enjoy this, I know I did.

Absolute Conviction
A perfect Morse adventure. Plenty of twists & puzzles with an unusal backdrop. A modern English prison with a female Governor; 3 partners, all in the same prison one of whom is murdered & Morse is called in. One of Colin Dexter's very best. ... Read more

Amazon.com

A junior clerk working for Britain's defense planning dashes off in the middle of a date with his fiancée, and turns up dead along some railroad tracks--apparently having been pushed from a train while carrying several secret documents related to England's development of a submarine warship. Was he a traitor? If so, who killed him? The case is brought to the attention of Sherlock Holmes (Jeremy Brett) and his ally, Dr. Watson (Edward Hardwicke), by none other than Mycroft Holmes (Charles Gray), brother of the Great Detective and indispensable repository of government business. Sherlock's conclusions, however, prove there is more to the truth than meets the eye. Brett, as always, is the perfect Holmes while Hardwicke is the ideal Watson for the latter years of their crime-fighting career. A strong story with some of the sleuth's most impressive investigatory work, The Bruce-Partington Plans is a worthy part of the long-running Granada Television series, based on Arthur Conan Doyle's famous character. --Tom Keogh ... Read more

Reviews (5)

Not a favorite
I love this series, but this one is definately not the best! The preformances, once again are superb but the plot and story goes so slow! It bored me! This is one of my least favorites. Most people that I know don't like the actor who plays Mycroft, but he's perfect for the role. The beginning was interresting, but from there it got boring.

A collection of superior performances.
I'd seen some episodes of Granada's Sherlock Holmes series years ago, on Mystery! or A&E, but had almost forgetten all about it when I came across a copy of The Bruce-Partington Plans in a local store. Watching it made me very keenly regret not having taped the series back when it was regularly aired.

Jeremy Brett, though aging and with a not-very-flattering haircut here, carries the show. There's a longstanding dispute over who is the better Holmes, Basil Rathbone or Jeremy Brett. Personally, my vote is entirely with Brett--his Holmes is brilliant and eccentric, and not always an entirely sympathetic character, just as the Holmes of the original stories was. He's moody, self-superior, and full of dramatic gestures sometimes at the expense of others, not much like Rathbone's much smoother and calmer portrayal, and though it makes him harder to like, it makes him worlds more interesting a character.

Charles Gray as Mycroft very nearly steals a few scenes from Brett. They play off each other with marvelously entertaining results, right from Mycroft's entrance into the episode ("Sherlock!" "MY-croft!").

Kudos go as well to Edward Hardwicke, who plays a solid and dependable Watson, frequently several steps behind Holmes but, for once, not portrayed as a total idiot to further glorify Holmes' intellect, as frequently happens in other portrayals.

The episode stays very close to the original story, with whole blocks of dialogue used nearly verbatim. The careful period detail makes everything that much more believable, and fascinating to look at if you have an interest in the Victorian period. I'm a big fan of Patrick Gowers' musical compositions, which are judiciously used throughout the series, as well.

Jeremy Brett is one of those people who I would cheerfully pay to hear read the phone book; he has a wonderfully dramatic voice, rising and falling from a gentle murmur to a commanding shout and through a whole range of moods and tones between. He really does capture Holmes' genius beautifully, and the Bruce-Partington Plans is a solid story in its own right, intellectually engaging and wholly believable.

Some favorite moments:

Holmes waxing passionate over Mycroft's unusual visit, and pretty much any interaction between the two of them.

Holmes' vaguely superior reaction to being mistaken for a mortician--so much conveyed just by looking aside and leaving Watson to clear up the mistake.

Harassing the longsuffering Mrs. Hudson while trying to spread out the city map--he's really awful, and it gets me giggling every time. In a similar vein, his sudden snort of mirth and abrupt, excessively cheerful departure, leaving Watson bemused in his wake.

Convincing Watson to come house-breaking ("We're BOUND to go.") and Watson reluctantly caving in--AGAIN.

And Watson being the one to pick up on a clue that Holmes nearly dismisses. He even has the grace not to gloat. :)

London Fog
The dreary London fog creates an excellent setting for this tale of espionage. Stolen submarine plans along with a dead body are just what the doctor ordered for this "somber stage". Another successful re-enactment of a Doyle classic. Does anyone know of a bad one? I surely don't.

One word....Mycroft
This is one of the best of the Granada series. It has a fascinating chain of events that will keep you scratching your head, even though it's all very obvious to Holmes. But the best part of the story is meeting Mycroft, or as Watson calls him, "Jupiter himself." While Holmes is rarely impressed with anyone, he is obviously in awe of his older sibling. The dynamic between them and their exchanges of dialogue are the highlight of the video.

It all hinges on a fascinating detail....
A great mystery, involving trains and the agony column of the newspaper. Another fine performance from Brett in his prime. One of my favorites of this series. ... Read more

Reviews (4)

An excellent introduction to the Inspector Morse series.
An Amazon.com reviewer of July 10th has written a superb review of this episode of the extensive series of Morse mysteries and I won't go over ground that he or she has ably covered. For those viewers who are convinced by his/her review to begin watching the Morse mysteries with The Silent World of Nicholas Quinn, I would like to add that the mystery begins with the opening credits.

We are introduced to the deaf Nicholas Quinn, an examiner at a Board based in Oxford, England. He is standing by himself reading the lips of the various people talking with one another at a wine party. We see the obvious concern on his face that something is desperately wrong, but, like him, we can't hear what many of the guests are saying. He does not need to hear; his facility reading lips is evident. He tells another reviewer that the examinations conducted by the Board are compromised and he walks out of the party in distress.

In the next scene, still while the credits are playing, we watch a fire drill at the Examining Board. We don't see Nicholas Quinn leave the building even though we are told that everyone is accounted for. If you watch this scene a second time carefully, many of the clues to unlock the mystery are contained in this first few minutes of the program.

My guess is that most people who view this mystery like solving complicated puzzles and will enjoy watching each clue that Morse uncovers right to the last scene.

John Thaw, unfortunately now dead, was a superb English actor and he found an ideal character to play in the crusty Chief Inspector Morse. Kevin Whately is almost equally as good as his long suffering sidekick, Sergeant Lewis. Viewers who like this early installment will have a chance to watch Morse and Lewis in action many more times in this outstanding and long running series.

exquisite!
This has grown to be my favourite Inspector Morse of the entire Morse series! The more I watch this the more enchanted I become with it uncovering little pieces each time. Exquisite indeed!

The murder is set in the arcane world of examiantion boards which were affiliated to some of England's major universities as arbiters of the academic development of students at ages 16 and 18. This obscure branch of academia is nonetheless an ivory tower existance disguising basic human failings of jealousy, greed etc.

When a relatively new examiner is found dead at home the detectives seem to be looking beyond the workplace but in the course of the investigation the examination board becomes the centre of attention.

Essential Morse has three main interests, his love of opera, his appreciation of real ale (microbrews in American parlance), and his fascination of crosswords. It is in the last of these that we find the core to this story. As always the story is composed like a crossword such that the clues must be solved before completing the case. Here, however, the crossword assumes a much greater role. One of the other examiners, and as such a suspect, turns out to be an intellectual hero of Morse, Daedalus, who sets a particu;arly challenging crossword which gives Morse great pleasure. The two men share similar interests and it becomes apparent that they have a similar view of the world. They become competitors in trying to resolve the case but only until Daedalus (played superbly by Michael Gough) is also murdered although he leaves some difficult clues behind.

Another dimension to this story is the love interest of examiner Monica. Again there is a crossword perspective. Morse is intrigued by the physical and intellectual beauty of this woman, but as usual he cannot solve the clues to understanding her. He is torn between his feelings for her as a person and the growing suspicion that she is somehow involved in the murders. Ultimately this conflict is only resolved when it is too late.

The plot twists and turns and has several blind allies but it is compulsive viweing and by the device of Daedelus we get to see a mirror image of Morse the man. Kevin Whately puts in another superb performance as the long suffering Lewis who we perceive as the apprentice of the master but also the master's concience.

An excellent vintage and quite excellent indeed.

The DVD version is a little disappointing in that it delivers a full-screen format with a cleaner sound. Moreover Barrington Phelong's incidental music does not benefit from the transfer. It would certainly benefit from a remastering. The other additional features are minimal but did make me replay the Jeremy Brett version of Arthur Conan Doyle's "Sign of Four" shortly afterwards to find John Thaw in fine form. I am sure that Inspector Morse fans would appreciate the show even more if it was available in the widescreen format but I am afraid that that is unlikely.

Still, this remains an exceptional introduction to the Morse series and an absolute must have for one's fledling DVD collection.

Vintage Morse...
THE SILENT WORLD OF NICOLAS QUINN is about a man who works for a syndicate in Oxford England. The business of the syndicate is testing students in underdeveloped countries for the purpose of awarding degrees--one presumes from Oxford University as the syndicate members are all affilitated with various colleges of the university. At a reception for a dignitary from a Middle Eastern country, a hearing impaired professor named Nicholas Quinn reads the lips of two speakers and uncovers an awful truth--cheating is abroad. It seems some or all of the syndicate members are involved in a scam to "sell" test results by providing the answers to the questions beforehand. Quinn shares his concerns with a fellow member of the syndicate and is overheard, or his lips are read, or his confidant betrays him --the end result is murder. (Sherry, crossword puzzles, acrosstics, and ticket stubs for Marlon Brando's "Last Tango.." become important clues.)

The film is vintage Morse. The shots of Oxford are fabulous --some of the best. This episode was part of the set of stories used to introduced Morse to the American viewing public. John Thaw, who plays Inspector Morse, was born in 1942 and sadly died this past year. Colin Dextor ended the life of his character Inspector Morse about the same time--perhaps knowing the actor had cancer. The series always resonated with sadness and loss, but now the loss is real. Phelong Barrington's wonderful music beating out the no longer used Morse code adds to the angst.

The series was able to snare the best BBC actors and this episode is no exception. Mystery fans will recogize Kevin Whately as Lewis. Barbara Flynn, who played a private investigator in another Mystery presentation, plays a female don. Frederick Torres, who has been suspected of murder more than once and who fans of the "Jewel in the Crown" will know, also plays a don. Clive Swift, known to those who watch "Keeping up Appearances" as Richard Bucket (Bouquet) plays the head of the syndicate.

The DVD is a recording of the tape and is thus not top notch. This is the A&E version and A&E does not always do the best job. However, if you are a Morse fan, this is one of the best of the series, and unlike some of the later episodes was based on a book by Colin Dexter with the same title--so the plot is ingenious.

Exquisite!
This has grown to be my favourite Inspector Morse of the entire Morse series! The more I watch this the more enchanted I become with it uncovering little pieces each time. Exquisite indeed!

The murder is set in the arcane world of examiantion boards which were affiliated to some of England's major universities as arbiters of the academic development of students at ages 16 and 18. This obscure branch of academia is nonetheless an ivory tower existance disguising basic human failings of jealousy, greed etc.

When a relatively new examiner is found dead at home the detectives seem to be looking beyond the workplace but in the course of the investigation the examination board becomes the centre of attention.

Essential Morse has three main interests, his love of opera, his appreciation of real ale (microbrews in American parlance), and his fascination of crosswords. It is in the last of these that we find the core to this story. As always the story is composed like a crossword such that the clues must be solved before completing the case. Here, however, the crossword assumes a much greater role. One of the other examiners, and as such a suspect, turns out to be an intellectual hero of Morse, Daedalus, who sets a particu;arly challenging crossword which gives Morse great pleasure. The two men share similar interests and it becomes apparent that they have a similar view of the world. They become competitors in trying to resolve the case but only until Daedalus (played superbly by Michael Gough) is also murdered although he leaves some difficult clues behind.

Another dimension to this story is the love interest of examiner Monica. Again there is a crossword perspective. Morse is intrigued by the physical and intellectual beauty of this woman, but as usual he cannot solve the clues to understanding her. He is torn between his feelings for her as a person and the growing suspicion that she is somehow involved in the murders. Ultimately this conflict is only resolved when it is too late.

The plot twists and turns and has several blind allies but it is compulsive viweing and by the device of Daedelus we get to see a mirror image of Morse the man. Kevin Whately puts in another superb performance as the long suffering Lewis who we perceive as the apprentice of the master but also the master's concience.

An excellent vintage and quite excellent indeed. ... Read more

Amazon.com

One of the most ingenious of the Sherlock Holmes stories, The Man with the Twisted Lip presents the famous detective with one of his strangest cases. A gentleman named Neville St. Clair (Clive Francis) is missing, after having been briefly seen (looking quite agitated) by his wife (Eleanor David) in an upstairs window of a disreputable pub. Upon investigating, Mrs. St. Clair can only find traces of blood in the location; later, her husband's coat, mysteriously stuffed with pennies, turns up on a mud bank. Police have detained a notorious street beggar on suspicion of foul play, but Holmes (Jeremy Brett) and Dr. Watson (Edward Hardwicke) believe there is more to the case than meets the eye. This highly enjoyable installment from the long-running Granada Television series is satisfying from beginning to end, with a witty conclusion and unexpected moral about class pressures. --Tom Keogh ... Read more

Reviews (2)

A Disappointment
Despite being based on one of Conan Doyle's better stories, this is one of the duds of the Granada series: poorly photographed and staged, and lacking the story's crisp drama. The solution of the mystery is particularly limp.

See two handsome actors make themselves thoroughly hideous!
This story always seemed to me to be the most preposterous of tales. A rich man masquerading as a beggar?

Then I read of a medical student doing precisely the same thing in New York City in 1999. Bravo, Dr. Doyle. I might even start believing in fairies now...

Jeremy Brett has a ball in this episode. He gets to hang around an opium den in the character of a crazed loafer, and he and Edward Hardwicke bring some nice comic touches to the Holmes/Watson relationship. It is trying, sometimes, being woken at 2 a.m. by a roommate who is shaking your foot and insisting you have to go somewhere, NOW...

The supporting cast is excellent as usual and there is a great feel for the grubby, nasty alleyways of London's East End. This is Victorian England as it was, not as historical filmmakers would have it.

I can't understand why they changed the script slightly from the story; in the original, Mrs. St. Clair seems to have some rather personal designs on our hero. In this show, she's a tower of moral certitude. I suppose someone in the show had to be.

Listen for some of the fine banter between Holmes and Watson, especially during their carriage ride. ... Read more

Reviews (2)

Time Capsule Morse
If there was any program that got the closest to reflecting correctly life in Britain during the 80s and 90s, it was Inspector Morse.

While "Masonic Mysteries" and "Last Seen Wearing" are probably the best of the mysteries, "Cherubim and Seraphim" is the one that captures the British 80s/90s Zeitgeist best. The direction of this program is as good as any well-done British thriller.

It was end of an era. Now you'll understand Peter Hitchens.

A Mystery Which Hits [Morse] Close to Home
"Cherubim & Seraphim", the second Inspector Morse episode to be directed by Danny Boyle (the other was "Masonic Mysteries"; an episode which literally hits Morse close to home!), who's the well-renowned director behind such feature-films as Trainspotting and The Beach, and features his trademark directorial style, deviates from the norm in terms of the way in which the plot unfolds: unlike other Morse episodes, instead of being a conventional - or not-so, in some cases - whodunit, all along the audience knows who the guilty party is, à la Columbo. The culprit in this case is the procurer of ecstasy-like drugs, played by Jason Isaacs [The Patriot], in yet another evil role. The script centers around the fact three youths have died by suicidal means and, as we find out, had all been partaking, days anterior to their deaths, in the aforementioned drug. The youths' walls were adorned posters in their rooms containing computer-generated patterns which represent the "Chaos Theory" (e.g. if a butterfly is beating its wings somewhere, there will be a hurricane somewhere else, and these two seemingly unrelated events are in fact interrelate), which Sgt. Lewis is more that happy to explain to Morse; and they were all in the same type of eclectic dance music. It's one of the more personal Inspector Morse episodes, as one of the deceased youths happens to be Morse's step-niece; it also shows how out of touch Morse is with contemporary youth culture (drugs/sex/music) and children in general. For instance, when Morse stops by the school to interview his step-niece's best friend who was the last person to see her alive, he unwittingly stumbles in to her euphemistically-titled "Personal & Social Development" class just when the teacher is asking a student if he knows what the contraceptive device she's holding in her hand is. He's taken aback by the mere fact that they're having a teacher-student discussion, no less a class, about sex in school. In this episode, Morse reveals some of his past secrets to Lewis, whom he addresses, in a rarely captured televised moment, by his first name ("Robbie"). Three of the revelations include how his parents frequently fought and their subsequent brake-up, one of his low points as a morose 15-year-old, and the roots of the acrimonious relationship he continues to have with his step-mother. Definitely one of the best Morse films for catching a glimpse into his upbringing. Even the dance-oriented music in this episode, which incorporates classical music into its medley, is really well done. Overall it's another superlative self-contained film featuring Chief Inspector Morse. ... Read more

Reviews (2)

The Best of the Bunch
The very best Morse ever. The riddle: why do you hide a body so carefully that no one can ever find it, and then leave the victim's bookbag carelessly along the side of the road?

Wonderful !!!
I am lucky in that I used to live in Oxford, so when I watch Morse I know exactly where He is but the filming of this took place mostly in Whytham Woods, a place very near to where I lived but only visited once. I also am aquainted with the real people the main roles were based on. I got so sucked into the plot that I half belived it was the real people I know that were the villians!! For me this film is a " must see" but then all morse films in my view are "to die for"! ... Read more

Amazon.com

Sherlock Holmes (Jeremy Brett) and Dr. Watson (Edward Hardwicke) tackleone of their strangest cases in this story, which borders on science fiction. Summoned to the university town of Camford, the Great Detective meets an eminent, aging physiologist (Charles Kay) who has been behaving oddly of late, including his relentless romantic pursuit of a young woman. But the greater mystery concerns who or what may be behind the nocturnal appearances of an ape-like figure that moves rapidly through trees, terrifying the locals. Holmes's pursuit of the solution leads to a stunning revelation in this highly enjoyable Granada Television adaptation of the ArthurConan Doyle story, a taut and imaginative thriller that Edgar Allen Poe himself might have appreciated. Fine character work from Kay, and the usual sterling job from Brett and Hardwicke. --Tom Keogh ... Read more

Reviews (2)

A horror and science- fiction novel!
This Jermey Brett Sherlock Holmes story is a little stupid! The ending is kind of interesting but this is a creepy film. An ape appears on a woman's window and she goes to Sherlock Holmes to find out what's going on. This is definately a science- fiction film!

A good film of one of Doyle's lesser tales
The story upon which this film is based is patently ridiculous, yet here it gets treated with respect and made into something quite creepy and fun after all. ... Read more

Reviews (4)

More than just a who-done-it
The highlight of this episode is Phyllis Logan. She does a good job of being an ordinary person. You never "see" Lady Felsham in her character. One amusing part of the story is the ceaseless lampooning of academia using the theme of fund raising at Oxford. The basic detective story involves multiple murders and the ways the murderers use to escape justice or receive it themselves by what could be judged as divine guidance of the affairs of mortals.

Morse vs The Women
"The Daughters of Cain" is one of the most clever of all Inspector Morse's adventures. Not only is he up against three women with a deadly purpose, he is somewhat sidetracked by the seductive one of the trio, Ms. Kay Brooks. The mature Morse pitted against a gorgeous girl "on the game" who is half his age? We have lots of sidelines (all of which fit nicely with the plot) like the political correctness of university fundraising, a teenage hoodlum in love, drug dealing, a terminal illness, spousal abuse, and the Ashmolean in danger of being burglarized! This one is sexy and cool, expertly delivered. And no one can express disillusionment (and touch our hearts) like the forthright Sergeant Lewis.

Women Outsmart Morse
The beauty of this story is that Morse acknowledges he is being outwitted by three interesting women. The plot starts in such a simple way with an unlikely friendship between a cleaning lady and a teacher. When it progresses to include a high priced girl "on the game", Morse becomes entranced as well as baffled. Everything works here - the writing, the directing, the acting. Morse is intrigued and so are we. Our wonderfully honorable Sergeant Lewis struggles with the politics of police work, disillusioned and hurting. Thaw and Watley have excellence to work with in this episode and they pull it off with exceptional skill.

Daughters of Cain
A thoroughly well-crafted and intriguing mystery. Though the focus is on "payback" by women, the wonders of figuring out how and when the deadly deed was committed, make for a great film-watching journey for any Morse or mystery lover. Performances are especially well-given and the cast is a little larger than usual. I especially liked the Shakespearean themes interwoven. The Lady MacBeth touches are irresistible. If you like good plotting this is for you. There's always a side story going on about the lives of Morse and Lewis. In this one, Lewis faces some career challenges. ... Read more

Amazon.com

One of the most interesting stories from Sir Arthur Conan Doyle's Sherlock Holmes canon makes for a particularly taut and exciting episode in the Granada Television series about the famous detective. Holmes (the outstanding Jeremy Brett) and Dr. Watson (Edward Hardwicke) are summoned by the desperate founder of an exclusive prep school for boys to locate the missing son of a duke. The investigation uncovers a nefarious plot, and the major clue (a controversial one at the time Doyle wrote the story) involves nothing more than the direction of bicycle tracks. The suspense never lets up in this excellent program, and Brett and Hardwicke are at their best.--Tom Keogh ... Read more

Reviews (4)

We love it
When Sherlock Holmes finds a distraught school-master barging into his room, it's the start of his involvement in the disappearance of the son of the famed Duke of Holdernesse's son. But, the Duke's aversion to any publicity necessitates that Holmes keep a low profile. What are the Duke's real concerns, and what has happened to the German master who disappeared the same night? There's a deep mystery here, and only Sherlock Holmes can get to the bottom of it!

Every once in a while, an actor comes along who not only plays the role of Sherlock Holmes, but actually redefines the role. In 1984, veteran actor Jeremy Brett (1933-95) actually did it yet again! This fifty-minute episode, the Priory School, was episode six of the third season, and originally aired on August 13, 1986. (By the way, if you like Jeremy Brett, you can see him in an entirely different role in My Fair Lady (1964) as Freddie Eynsford-Hill!)

I loved this tape and think that any fan of Sherlock Holmes, or just plain fan of mysteries, will love it, too. My family and I highly recommend it to you!

Favorite
Excellent plot, acting and setting. The characters are well defined and acted - even the uncouth innkeeper is memorable. The school's setting, the lonely moors, the Duke's splendid home - all combine to create great atmosphere. It is well photographed and the plot is convoluted enough to hold the attention and keep the mind busy to the end. Jeremy Brett and Edwarde Hardwicke at their best.

An excellent version
I'm 25 and have enjoyed this series and the stories since I was about 10. While this dramatization isn't totally faithful to the original by Conan Doyle, I'm still not sure if I enjoy the episode or the story better! Nevertheless it is one of my favorite in the TV series and I recommend it to any Holmes fan or even those who like a good mystery. An excellent hour to spend.

A fine show, but they changed the story.
This beautifully photographed and acted episode has atmosphere to spare, but I wish they had left in the original ending where Holmes grossly overcharges his client after the man insults him! Holmes, and Lord Holdernesse, are much more sympathetic characters in this adaptation.

At least they cut the nonsense about the bicycle tires that marred the original tale....

Edward Hardwicke is excellent as Watson and this is one episode where the contrast between the practical (and frequently hungry) Doctor and the cerebral and imperious Detective is particularly well established. ... Read more

Reviews (2)

The Love of His Life
How could any Inspector Morse fan resist this one for the ultimate in romantic poignancy? It begins with a startled look on Morse's face when he realizes the dead body belongs to the husband of his lover who broke his heart (and ruined his university career) by leaving him many years ago. It ends with Sergeant Lewis protecting his partner with a touching loyalty expressed through subtly phrased lines. Susan Fallon (Joanna David) is the lovely, accomplished blonde with whom we would imagine Morse falling in love (and surely never completely out of love.) Despite Morse's usual ill temper and irritation with the world, we forgive him his faults in those scenes when his blue eyes soften and tear with the pain of loving this woman. (Haven't we all loved and lost?) The script skillfully balances the dark side of human nature and its need for revenge with the hope that no matter how much we lose, love can still endure. This is a special episode to be savored many times for its intimate glimpses into our favorite detective's heart. And, yes, he wears it on his sleeve with a resonance only the late John Thaw could deliver.

Morse loves and loses... or does he?
This one, penned by the always reliable Daniel Boyle (who also wrote "Second Time Around" and "Deadly Slumber" among others), has to be one of the best Morse episodes. True, it would most certainly make Morse purists shudder because its plot developments are inconsistent with the Morse character as he is developed in the novels (in the novel "The Riddle of the Third Mile," which was later adapted for television as "The Last Enemy," refers to a character named Wendy who was Morse's lost love back at school; in "Dead on Time" this lost love of Morse's is named Susan). And true, the plot developments are at times illogical. But, this film's plot is only secondary; what is of primary importance is the character of Morse and the kind of sensitivity John Thaw gives this character when he is confronted with this, perhaps his most emotionally charged case. The plot: Morse is called to investigate the apparant suicide of Oxford don Henry Fallon. To make things complicated, the investigation leads Morse to suspect that the suicide was indeed murder set up to look like suicide. To make things more complicated, Henry Fallon was the husband of Susan Fallon, the woman Morse was engaged to so many years ago. To top off all these complications, there is a reemergence of feeling on the part of Morse, a rekindling of this love that he once had. You throw into the mix a bit of Shubert, some hard detective work by Lewis, an uneaten chocolate digestive in Strange's dest, and what you have is vintage Morse. Kudos to John Thaw, as always. He's a marvel and a skilled actor, capable of portraying a Morse that is both angry and tender. Buy this already. ... Read more

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Sherlock Holmes (Jeremy Brett) and Dr. John Watson (Edward Hardwicke) are brought to Hurlstone Manor by Reginald Musgrave (Michael Culver) to look into the disappearance of his butler, Brunton (James Hazeldine).Various clues (a crumpled piece of paper, a brass key, a peg of wood with string attached) suggest that Brunton's disappearance is somehow related to the "Musgrave ritual," an arcane practice compelling young Musgrave family members to recite an odd riddle that might have to do with buried treasure. Holmes's methodical approach to the problem is a lot of fun, and Brett and Hardwicke seem to be having a particularly good time outdoors, pursuing the solution under a bit of sunshine. Jeremy Paul, who adapted Sir Arthur Conan Doyle's story for this teledrama, won an Edgar Award for his script. --Tom Keogh ... Read more

Reviews (7)

We love it
When Sherlock Holmes drops in on an old school chum, Reginald Musgrave, he finds his visit anything but boring. When the butler disappears and the maid has an unexplained nervous breakdown, Holmes begins to investigate. The Musgrave family has been unwittingly keeping a secret for hundreds of years, and it lies at the very heart of this mystery!

Every once in a while, an actor comes along who not only plays the role of Sherlock Holmes, but actually redefines the role. In 1984, veteran actor Jeremy Brett (1933-95) actually did it yet again! This fifty-minute episode, the Musgrave Ritual, was episode three of the third season, and originally aired on July 23, 1986. (By the way, if you like Jeremy Brett, you can see him in an entirely different role in My Fair Lady (1964) as Freddie Eynsford-Hill!)

I loved this tape and think that any fan of Sherlock Holmes, or just plain fan of mysteries, will love it, too. My family and I highly recommend it to you!

A Keeper
I rate on several levels, and this episode rates excellent on 1)plot 2)acting 3)location and photography. The setting of the mystery is beautiful; the "new" side of Holmes' character is amusing (I had to laugh at his behaviour) and the Musgrave Ritual's reward after the wonderful suspense of the hunt was truly a unique treasure. I enjoyed Holmes' human side - Jeremy Brett's portrayal of him as almost embarassing Dr. Watson, and Edward Hardwicke's facial expressions - tolerant, weary, amused, forgiving - truly a "brick" and a friend to Holmes. I find his portrayal of Dr. Watson is convincing as a medical man, intelligent in his own right without any inferiority.

A Great Episode
This is a great episode. One of the best in the series. I definitely recommend it.

Glad it's here and we can watch it
This is one of my favorites! It is just like the conan Doyle book with the mysterious ritual. Brett's acting is perfect for the role! Edward Hardwicke is perfect for Dr. Watson. This is a treasure as it is imitated perfectly from the book. A great film!

Not Faithful But Fun
Poised between the early years of this series, which featured faithful and respectful adaptations of Conan Doyle, and the later years in which the stories were sometimes painfully altered (often to pad them out or to work around Brett's declining physical condition). The original story is a reminiscence of Holmes' early days as recounted to Watson afterwards; the adaptation puts Watson into the story and takes the further liberty of showing us Holmes high on cocaine. It's fun but not in the same class as the earlier episodes. ("The Musgrave Ritual" was adapted to rather better effect by Bertram Millhauser some 40 years earlier in Basil Rathbone's great "Sherlock Holmes Faces Death," which is unfortunately no longer available.) ... Read more

Reviews (104)

Tragedy & love, drawn from history, on a sunny Greek isle!
For pure entertainment, it's hard to beat a love story wrapped in a war story. As a war story, Captain Corelli's Mandolin is a failure. As a love story, it's barely there, but the combination is greater than the sum of the parts. The story is rich; it's historical, and the cinematography of a sunny Greek island will give any movie a lift.

Set in World War II, the Italian army, under the control of the Germans, occupies the Greek Island of Cephallonia. The islanders are not intimidated in the least, by the Italians. They regard them as hopeless, spineless cowards and the most pathetic excuse for soldiers. These soldiers are not real fighting men anyway. They are musicians in uniform. Despite the intrusion of the Italian occupiers, these musicians bring a love of music and an enjoyment life, where they can find it, to the war stressed town.

Penelope Cruz plays Pelagia, a medical student and daughter of the village doctor. She has a boyfriend in the village, Madras, who is involved with the Greek resistance. Nicholas Cage plays Captain Corelii, the ranking Italian officer on the island. He of course, works on charming the initially hostile Pelagia away from Madras. The romance is a little frustrating. It's stretched out over the length of the film without enough romantic, "Action, " along the way.

I've always liked Nicholas Cage. By the formulas of Hollywood, he was not perfectly cast as the Captain. His posture is awkward. He's not slick, not a classic romantic type. But the rough fit gives the film some of it's charm. Penelope Cruz doesn't seem perfectly cast either, but by some magic, she made a Penelope Cruz fan out of me. On the down side, Cage's accent is horrendous, by the way, and varies throughout the film. It doesn't hurt the film, but both Cage and Cruz seem far too old for the roles they play.

I thought the portrayal of the German officer, Captain Weber, by David Morrissey, was exceptional. He is not characterized as the stereotypical, Teutonic tyrant. With very little screen time, I felt his characterization was human, complex, sympathetic and conflicted.

Christian Bale's acting, as Madras, is also excellent. As a member of the Greek resistance and as Captain Corelli's rival for Pelagia, he has every reason to do him. Observe his non-verbal behavior.

In contrast to the Greek islander's initial view of the Italians, in the end, Captain Corelli and his band of musicians turn out to be courageous men of conviction. The musicians fight, and die, for the love of life, humanity and the love of a woman. By contrast the Germans fight and kill, for all the wrong things. And when it came to life and love, it is our German officer, so capable of life and love, who becomes the spineless coward.

How sad it was to read in the film's afterward that the German military executed thousands of Italian soldiers on Cephallonia in 1943. How sad it is that so many films today entertain people with faked violence, exaggerated a thousand fold; yet, we remain ignorant where it was a reality. By contrast, the makers of Captain Corelli's Mandolin had to minimize showing the historical violence so it would not obliterate the love story. In the movie there is just violence enough to shock and inform us.

The film was based on a historical novel of the same name, by the way. If you want to know more about the historical incident upon which the movie was based, just search on the Internet for Cephallonia. It is one of the three Ionian Islands, which also happen to be the birth place of Greek philosophy. Today, the Greeks have a shrine there for the executed Italian soldiers. The actual execution sites and places where the bodies were dumped are marked and preserved. Many Greeks and Italians pray at the sites.

Dazzling....
I will not write a review about this movie from an expert critique's stand point. Nor will I give you a summary of the plot as others have done.
I will simply tell you this: this movie touched me deeply on an emotional level.
Nicolas Cage plays an uncanny role as the compassionate and music loving captain of a small group of Italian soldiers on the Greek island. He falls in love with the beautiful Pelagia (superbly acted by Penelope Cruz) who is torn between her hidden desire for the Captain and her loyalty to her finance Mandras (Christian Bale)who ignores her to take partake in the Greek resistance.

Well thats a very brief summary there...(sorry I've contradictd myself) But the rest of the movie is pure beauty and emotion.
The scenes on the actually island are breathtaking, the music by Stephen Warbick (Shakespeare in Love) simply fabulous and heartbreaking,and the acting by Cruz,Cage was perfect despite Cage's somewhat not so perfect accent. I also have to add great support by Christian bale and especially John Hurt who I thought should ve been nominated for an oscar for supporting role.

I think this movie can be summed up by one tiny scene where the Italian and German soldiers along with the local Greeks are at terrace in the evening drinking and debating on war and justifying their point of view. The argument gets heated until one Italian soldiers gets up and says poignantly :
"its such a beautiful night.....I want to fall in love"

could have been a good movie with a different set of actors
I can't stand either Nicolas Cage or Penelope Cruz so I was prepared to hate it. It wasn't as bad as I anticipated but it wasn't great either. Nicolas Cage is a terrible actor and his fake Italian accent was getting on my nerves in a major way. All the Italians in the movie joke around and sing-that all they do. I also couldn't see how they(N and P) fell in love. One day they just were. Yeah, right. I have to add one more thing and its about Penelope's looks. I think with right clothes and makeup she can look decent but in this movie she looks downright horrid. Her hair is done in the most unflattering hairdo on the planet and her clothes look as if she robbed the scarecrow. Whether the look was intentional or accidental is a mystery. The ending was incredibly stupid. He leaves Penelope until the war is over and then doesn't come back until two years later because he feels guilty about coming between her and her fiancé. Give me a break

Pizza and Chianti for this slow-mo tearjerker
A confession: I did not read the book. From what I can gather from reviewers, those who did read "Corelli" were sadly disappointed by Hollywood's hatchet job. Whaddja expect?

As for the besotted grognard that I am, and not having been contaminated by prior perusal of that sensitive and romantic novel, I found the DVD "Corelli" to be a passable evening's entertainment, not great, but OK. I happen to be a Nicholas Cage fan, although he is showing signs of overexposure in real turkey movies ("e.g. "Windtalkers") but still shows brilliance in films like "Matchstick Men." He is best when playing eccentric characters ("Raising Arizona") and does less well when confined. "Corelli" is somewhere in between. His Italian accent is OK but along the lines of the old faux Italian restaurant operator in the ad, "Chianti for everybody!" I found Penelope Cruz to be an unconvincing Greek, but how many convincing Greeks are there between Irene Pappas and Anthony Quinn?

The story line is plausible. We see a happy and prosperous Greek fishing village where Penelope Cruz and her physician father live high on a hill above the town. A swarthy but otherwise illiterate young fisherman yens for Cruz but she is hesitant (this is about all we get to know about the dark handsome fisherman, who eventually runs off to join the partisans). Suddenly, the war intervenes and the Italians arrive to take over the town, assisted by a few Germans who are, at this point, non-assertive. (Italy attacked Greece from Albania in the fall of 1940, got pushed back into Albania, and was ultimately bailed out of its embarrassment by German forces in the spring of 1941.)

I suspect that in the book, the Italians are more complex; here, Corelli's artillerymen would rather sing opera and drink wine than tend to their guns. Corelli's guileless charm ultimately wins over Cruz (she likes him, she likes him not) and a young German liaison officer who senses that his Italian allies are great drinking buddies but unreliable. Flash forward to 1943: Italy capitulates to the Allies and attempts (mostly unsuccessfully) to switch sides; Corelli's troops are forcibly detained by the German occupation forces. I will not get into the resulting tragedy, but I liked the treatment of this volatile period for the Italians in WW2. I will not describe what happens to Corelli himself, save that I began to draw uncomfortable parallels to another tear-jerker, "The English Patient."

I found the earthquake scene near the end of the movie stupid. Was this to draw a connection between the natural disaster and manmade disaster that was WW2? Hit me over the head. And why does Corelli stay away so long after the war? It's like the Rafe (Afflick) character in "Pearl Harbor", who disappears while flying overseas with the RAF, and then after many months all he can pen to his girlfriend is a hastily scrawled note, "I am alive." Is the man illiterate? Was he in a coma? They did have telephones. Or Western Union.

OK, so a typical Hollywood romantic war-date movie, worthy of a pizza and some cheap Italian plonk.

Good movie ... if you have not read the book
If this movie had been an original screenplay, I would think it brilliant, lovely, and wonderful. However, I read the book first (which I absolutely adored) so the story was set in my mind. The movie cut so many scenes that I thought were completely necessary to the plot, and added silly Hollywood scenes in their place. The film relegated major characters in the book (like Carlo Guerccio) to one or two lines in the film. In my opinion, this was a big mistake by the screen writers.

Cage and Cruz played their respective parts well in this film. Cage was funny and quirky like Corelli's character is described in the book, and Cruz honed in on Pelagia's quiet, reserved nature. Christian Bale looked surprisingly Greek in the movie, playing Pelagia's fiancé, Mandras. Although his character in the novel was the complete opposite in the filml, he played the part well. Dr. Iannis was intelligent, kind, and loving, and his character in the film translated the same way.

In conclusion, the movie is good and beautiful, but it pales in the light of the novel. Read the book! ... Read more

Reviews (1)

No the wonder church attendences are falling!
Morse travels out of the city of Oxford into it's suburbs to try to track down the murderer of a church warden inside the church. During the course of his enquiries he becomes attached to the part-time cleaner, Ruth Rawlinson, not realising at the time of her key role in the mystery.

This is a curious perspective on Morse. At the church he seems smitten by Ruth at first glance and in a way the episode is about Morse persuing Ruth until he apparently succeeds only to be thwarted.

Service of all the Dead has all of the trappings of Colin Dexter's Oxford - the central role of ritual, social class, and the little details which make these shows so good - in this case the idea that there could be tramps in Oxford ( a recurring theme), the cycle riding middle classes, volunteerrism and carers. All good ingredients.

This particular drama is one of the most gruesome with six deaths all together. Also novel is the fact that the opening scene is found to be a set up. A lot of the death's seem to be red herrings too, to throw us off the scent.

There is a particulary sensitive scene which has some relevance to contemporary events in a different church where Morse perceives the vicar as a paedophile. Later on the child in question is found murdered although the exhumation of the body is not filmed.

Service of all the Dead is a gripping thriller replete with issues of blackmail, infidelity, revenge etc. Throughout it all Morse holds true to his feelings for Ruth and, despite the revelation that she loved someone else, he offers her a helping hand which, if discovered, could cost him his livelihood and his liberty.

As one of the characters puts it, an alpha. ... Read more