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| 1. Jesus' Son Director: Alison Maclean | |
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(price subject to change: see help) Asin: B00004YRJ0 Catlog: Video Sales Rank: 13816 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (27)
Sidenote: The Velvet Underground's "Heroin", in which Lou Reed proclaims that he feels "just like Jesus' Son" when he's "rushing on [his] run", isn't featured in either the film or on the soundtrack.
The late 60's/early 70's didn't exactly corner the market on lost weirdo's who found solace behind a substance-induced mask of happiness. One of my closest friends IS that character that Denis Leary plays ~ sometimes comical, sometimes tragic. Just like this movie. Jesus' Son offers the really straight, by-the-numbers people a little insight into the people & lives that those folks usually avoid & disregard; "only bad people use drugs". Not so. It's also interesting to watch a movie that has character's using a variety of street drugs that was made at a time, currently, that is, when most young people in this culture have been heavily bombarded with anti-drug/"War On Drugs" propaganda, & have been steadily for about twenty yrs or so . . yet the story is of an era where that level of propaganda wasn't as pervasive & all encompassing as it is today. Well, anyway, other people have already written better reviews of this than I could, or have, but I had to write something about this heartfelt little movie.
Lost souls like JESUS SON'S "FH" were really not uncommon back in the day. They may not have been uncommon back in any day. But the 60s and early 70s brand was perhaps a little more noticeable and, in some senses, sympathetic because of their vaguely anti-establishment stance. For a brief moment in history, outcasts were almost taken seriously. These people really did exist. As surreal as JESUS' SON sometimes gets, it remains grounded in its very vivid, very authentic characters. Yes, there were certain junkie truths that ultimately became cinematic cliches. The numrerous OD's, the failed love relationships and the sporadic attempts at redemption are all elements of JESUS' SON. And yet, they come across as less cliched in this particular druggie film than in some others. Perhaps it's because the acting is almost uniformly excellent--with leads, Billy Crudup and Samantha Morton, deserving of particular praise. Perhaps too it's, at least in part, because FH's ultimate redemption is a plausible one. Out of rehab, he gets a job in a different kind of rehabilitation center, a home for sufferers of rare neurological diseases. It is finally there that he realizes that there may indeed be a place in the world for people like him. Many viewers will find the final, sobered up segment of the film a little weaker dramatically than the drug addled scenes that precede it. That's true, but the end is also something of a relief. FH would surely have joined the ranks of his fallen comrades in arms had it not been for rehab and the chance at a new life in a new city. It's the kind of ending you could call "bittersweet"--if you use terminology like that. It's also one of only two possible endings for someone like "FH"--and, like him, you're grateful for that much. When I first heard of this movie, I immediately recognized the source of the title as being a line from Lou Reed's "Heroin." I was disappointed, at first, to see that that song was not incluced on the soundtrack. But on further reflection, that actually seemed the better choice. Lou Reed is the quintessetial urban poet. FH never even comes close to New York City or any other real metropolis. The Neil Young, Doug Sahm and Louvin Brothers tracks actually used in the film are actually more fitting. ... Read more | |
| 2. Subway Stories Director: Jonathan Demme, Seth Zvi Rosenfeld, Abel Ferrara, Alison Maclean, Lucas Platt, Patricia Benoit, Julie Dash, Craig McKay, Ted Demme, Bob Balaban | |
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(price subject to change: see help) Asin: 0783111029 Catlog: Video Sales Rank: 24205 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Description Reviews (7)
My only problem with this movie is that it is not yet available on DVD. IF you haven't seen this and are a fan of short stories, you will love this movie.
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| 3. Crush Director: Alison Maclean | |
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(price subject to change: see help) Asin: 6303231721 Catlog: Video Sales Rank: 8545 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (2)
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| 4. Adventures of Pete & Pete: Classic Petes Director: Nicholas Jacobs, Maggie Greenwald, Nicholas 'Tony' Jacobs, Damon Santostefano, Katherine Dieckmann | |
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(price subject to change: see help) Asin: 6303093264 Catlog: Video Sales Rank: 13827 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (15)
Rock on Pete and Pete!
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| 5. The Adventures of Pete & Pete - School Daze Director: Nicholas Jacobs, Maggie Greenwald, Nicholas 'Tony' Jacobs, Damon Santostefano, Katherine Dieckmann | |
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(price subject to change: see help) Asin: 6303153372 Catlog: Video Sales Rank: 40709 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (4)
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| 6. Sex and the City - The Complete Fourth Season Director: Martha Coolidge, Allen Coulter, John David Coles, Darren Star, Michael Spiller, Matthew Harrison, Dennis Erdman, Michael Fields, Timothy Van Patten, Wendey Stanzler, Victoria Hochberg, Michael Engler, Michael Patrick King, Nicole Holofcener, Alison Maclean, Daniel Algrant, Pam Thomas, Susan Seidelman, Alan Taylor, David Frankel | |
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(price subject to change: see help) Asin: B00008NJFQ Catlog: Video Sales Rank: 37744 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Description Reviews (1)
I found fault with Carrie's breakup with Aidan. I thought the script was mean and portrayed Carrie as a brat and Aidan a victim. I think it could have ended better. It colored my view of her for a while, but I got over it. ... Read more | |
| 7. Sex and the City - Episodes 1 & 2 Director: Martha Coolidge, Allen Coulter, John David Coles, Darren Star, Michael Spiller, Matthew Harrison, Dennis Erdman, Michael Fields, Timothy Van Patten, Wendey Stanzler, Victoria Hochberg, Michael Engler, Michael Patrick King, Nicole Holofcener, Alison Maclean, Daniel Algrant, Pam Thomas, Susan Seidelman, Alan Taylor, David Frankel | |
![]() | list price: $14.95
(price subject to change: see help) Asin: 0783117701 Catlog: Video Sales Rank: 36152 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (8)
SEX AND THE CITY - At a "thirty-something" birthday party, Carrie Bradshaw (Sarah Jessica Parker) and her friends dicuss the age-old question: Can women have sex like men? Directed by Susan Seidelman MODELS AND MORTALS - Miranda Hobbes (Cynthia Nixon) makes the mistake of going out with a man who's obsessed with models. Carrie experiments with a handsome model and researches the question: How much power do beautiful people have? Directed by Alison Maclean. Featuring Kim Cattrall (Samantha Jones), Kristen Davis (Charlotte York), Chris Noth (Mr Big) and Willie Garson (Stanford Blatch).
"Sex and the City: The First Two Episodes" feature a great cast of some of today's hottest young actresses, doing what the average urban professional does, talk about sex. Carrie (Sarah Jessica Parker), Samantha (Kim Cattrall), Miranda (Cynthia Nixon), and Charlotte (Kristin Davis) will make you smile, laugh, and savor the wittiness and power the modern woman possesses when it comes to affairs of the bed. This tape, which contains the premiere episode "Sex & The City" and the second episode "Models & Modelizers" will introduce you to their world of female naughtiness. Chris Noth who plays Mr. Big is wonderful as usual, and if he doesn't make you swoon with his charm and personality, then you have a problem. Sanford, Carrie's best gay friend is also great, and he gives viewers of what it is to be gay and single in New York City. Purchase this videocassette if you'll like a small taste of what has to be the best show for adults on television. If you do like these episodes, then I encourage you to purchase the entire first series. You'll be a bonafide fan in no time! ... Read more | |
| 8. The Adventures of Pete & Pete: Farewell, My Little Viking Director: Nicholas Jacobs, Maggie Greenwald, Nicholas 'Tony' Jacobs, Damon Santostefano, Katherine Dieckmann | |
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(price subject to change: see help) Asin: 6303393845 Catlog: Video Sales Rank: 18965 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (3)
Despite the much-lamented departure of distinguished actor Toby Huss from the cast, the series was strong enough to withstand the blow, and go on to even greater artistic triumphs. With the marvelous scripts, thrilling plot devices, and the genius-inspired music of Polaris, this show surpasses every other program in the history of TV comedy. Everyone should own at least two copies of this video. This wonderful show should be required viewing for everybody.
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| 9. Jesus' Son Director: Alison Maclean | |
![]() | list price: $9.98
our price: $9.98 (price subject to change: see help) Asin: B00009MEBC Catlog: Video Sales Rank: 61227 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (27)
Sidenote: The Velvet Underground's "Heroin", in which Lou Reed proclaims that he feels "just like Jesus' Son" when he's "rushing on [his] run", isn't featured in either the film or on the soundtrack.
The late 60's/early 70's didn't exactly corner the market on lost weirdo's who found solace behind a substance-induced mask of happiness. One of my closest friends IS that character that Denis Leary plays ~ sometimes comical, sometimes tragic. Just like this movie. Jesus' Son offers the really straight, by-the-numbers people a little insight into the people & lives that those folks usually avoid & disregard; "only bad people use drugs". Not so. It's also interesting to watch a movie that has character's using a variety of street drugs that was made at a time, currently, that is, when most young people in this culture have been heavily bombarded with anti-drug/"War On Drugs" propaganda, & have been steadily for about twenty yrs or so . . yet the story is of an era where that level of propaganda wasn't as pervasive & all encompassing as it is today. Well, anyway, other people have already written better reviews of this than I could, or have, but I had to write something about this heartfelt little movie.
Lost souls like JESUS SON'S "FH" were really not uncommon back in the day. They may not have been uncommon back in any day. But the 60s and early 70s brand was perhaps a little more noticeable and, in some senses, sympathetic because of their vaguely anti-establishment stance. For a brief moment in history, outcasts were almost taken seriously. These people really did exist. As surreal as JESUS' SON sometimes gets, it remains grounded in its very vivid, very authentic characters. Yes, there were certain junkie truths that ultimately became cinematic cliches. The numrerous OD's, the failed love relationships and the sporadic attempts at redemption are all elements of JESUS' SON. And yet, they come across as less cliched in this particular druggie film than in some others. Perhaps it's because the acting is almost uniformly excellent--with leads, Billy Crudup and Samantha Morton, deserving of particular praise. Perhaps too it's, at least in part, because FH's ultimate redemption is a plausible one. Out of rehab, he gets a job in a different kind of rehabilitation center, a home for sufferers of rare neurological diseases. It is finally there that he realizes that there may indeed be a place in the world for people like him. Many viewers will find the final, sobered up segment of the film a little weaker dramatically than the drug addled scenes that precede it. That's true, but the end is also something of a relief. FH would surely have joined the ranks of his fallen comrades in arms had it not been for rehab and the chance at a new life in a new city. It's the kind of ending you could call "bittersweet"--if you use terminology like that. It's also one of only two possible endings for someone like "FH"--and, like him, you're grateful for that much. When I first heard of this movie, I immediately recognized the source of the title as being a line from Lou Reed's "Heroin." I was disappointed, at first, to see that that song was not incluced on the soundtrack. But on further reflection, that actually seemed the better choice. Lou Reed is the quintessetial urban poet. FH never even comes close to New York City or any other real metropolis. The Neil Young, Doug Sahm and Louvin Brothers tracks actually used in the film are actually more fitting. ... Read more | |
| 10. Subway Stories Director: Jonathan Demme, Seth Zvi Rosenfeld, Abel Ferrara, Alison Maclean, Lucas Platt, Patricia Benoit, Julie Dash, Craig McKay, Ted Demme, Bob Balaban | |
![]() | list price: $9.94
(price subject to change: see help) Asin: 0783112866 Catlog: Video Sales Rank: 74350 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (7)
My only problem with this movie is that it is not yet available on DVD. IF you haven't seen this and are a fan of short stories, you will love this movie.
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| 11. The Seven Deadly Sins Director: Alison Maclean, Gale Edwards, Julian Pringle, Jackie McKimmie, Di Drew, Stephen Wallace, Ken Cameron (II) | |
![]() | list price: $29.99
(price subject to change: see help) Asin: 6303433995 Catlog: Video Sales Rank: 80183 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (1)
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| 12. Jesus' Son Director: Alison Maclean | |
![]() | list price: $98.99
(price subject to change: see help) Asin: B00004YA33 Catlog: Video Sales Rank: 48849 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (27)
Sidenote: The Velvet Underground's "Heroin", in which Lou Reed proclaims that he feels "just like Jesus' Son" when he's "rushing on [his] run", isn't featured in either the film or on the soundtrack.
The late 60's/early 70's didn't exactly corner the market on lost weirdo's who found solace behind a substance-induced mask of happiness. One of my closest friends IS that character that Denis Leary plays ~ sometimes comical, sometimes tragic. Just like this movie. Jesus' Son offers the really straight, by-the-numbers people a little insight into the people & lives that those folks usually avoid & disregard; "only bad people use drugs". Not so. It's also interesting to watch a movie that has character's using a variety of street drugs that was made at a time, currently, that is, when most young people in this culture have been heavily bombarded with anti-drug/"War On Drugs" propaganda, & have been steadily for about twenty yrs or so . . yet the story is of an era where that level of propaganda wasn't as pervasive & all encompassing as it is today. Well, anyway, other people have already written better reviews of this than I could, or have, but I had to write something about this heartfelt little movie.
Lost souls like JESUS SON'S "FH" were really not uncommon back in the day. They may not have been uncommon back in any day. But the 60s and early 70s brand was perhaps a little more noticeable and, in some senses, sympathetic because of their vaguely anti-establishment stance. For a brief moment in history, outcasts were almost taken seriously. These people really did exist. As surreal as JESUS' SON sometimes gets, it remains grounded in its very vivid, very authentic characters. Yes, there were certain junkie truths that ultimately became cinematic cliches. The numrerous OD's, the failed love relationships and the sporadic attempts at redemption are all elements of JESUS' SON. And yet, they come across as less cliched in this particular druggie film than in some others. Perhaps it's because the acting is almost uniformly excellent--with leads, Billy Crudup and Samantha Morton, deserving of particular praise. Perhaps too it's, at least in part, because FH's ultimate redemption is a plausible one. Out of rehab, he gets a job in a different kind of rehabilitation center, a home for sufferers of rare neurological diseases. It is finally there that he realizes that there may indeed be a place in the world for people like him. Many viewers will find the final, sobered up segment of the film a little weaker dramatically than the drug addled scenes that precede it. That's true, but the end is also something of a relief. FH would surely have joined the ranks of his fallen comrades in arms had it not been for rehab and the chance at a new life in a new city. It's the kind of ending you could call "bittersweet"--if you use terminology like that. It's also one of only two possible endings for someone like "FH"--and, like him, you're grateful for that much. When I first heard of this movie, I immediately recognized the source of the title as being a line from Lou Reed's "Heroin." I was disappointed, at first, to see that that song was not incluced on the soundtrack. But on further reflection, that actually seemed the better choice. Lou Reed is the quintessetial urban poet. FH never even comes close to New York City or any other real metropolis. The Neil Young, Doug Sahm and Louvin Brothers tracks actually used in the film are actually more fitting. ... Read more | |
| 13. Jesus' Son Director: Alison Maclean | |
![]() | list price: $9.98
(price subject to change: see help) Asin: B00009MEBD Catlog: Video Sales Rank: 115733 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (27)
Sidenote: The Velvet Underground's "Heroin", in which Lou Reed proclaims that he feels "just like Jesus' Son" when he's "rushing on [his] run", isn't featured in either the film or on the soundtrack.
The late 60's/early 70's didn't exactly corner the market on lost weirdo's who found solace behind a substance-induced mask of happiness. One of my closest friends IS that character that Denis Leary plays ~ sometimes comical, sometimes tragic. Just like this movie. Jesus' Son offers the really straight, by-the-numbers people a little insight into the people & lives that those folks usually avoid & disregard; "only bad people use drugs". Not so. It's also interesting to watch a movie that has character's using a variety of street drugs that was made at a time, currently, that is, when most young people in this culture have been heavily bombarded with anti-drug/"War On Drugs" propaganda, & have been steadily for about twenty yrs or so . . yet the story is of an era where that level of propaganda wasn't as pervasive & all encompassing as it is today. Well, anyway, other people have already written better reviews of this than I could, or have, but I had to write something about this heartfelt little movie.
Lost souls like JESUS SON'S "FH" were really not uncommon back in the day. They may not have been uncommon back in any day. But the 60s and early 70s brand was perhaps a little more noticeable and, in some senses, sympathetic because of their vaguely anti-establishment stance. For a brief moment in history, outcasts were almost taken seriously. These people really did exist. As surreal as JESUS' SON sometimes gets, it remains grounded in its very vivid, very authentic characters. Yes, there were certain junkie truths that ultimately became cinematic cliches. The numrerous OD's, the failed love relationships and the sporadic attempts at redemption are all elements of JESUS' SON. And yet, they come across as less cliched in this particular druggie film than in some others. Perhaps it's because the acting is almost uniformly excellent--with leads, Billy Crudup and Samantha Morton, deserving of particular praise. Perhaps too it's, at least in part, because FH's ultimate redemption is a plausible one. Out of rehab, he gets a job in a different kind of rehabilitation center, a home for sufferers of rare neurological diseases. It is finally there that he realizes that there may indeed be a place in the world for people like him. Many viewers will find the final, sobered up segment of the film a little weaker dramatically than the drug addled scenes that precede it. That's true, but the end is also something of a relief. FH would surely have joined the ranks of his fallen comrades in arms had it not been for rehab and the chance at a new life in a new city. It's the kind of ending you could call "bittersweet"--if you use terminology like that. It's also one of only two possible endings for someone like "FH"--and, like him, you're grateful for that much. When I first heard of this movie, I immediately recognized the source of the title as being a line from Lou Reed's "Heroin." I was disappointed, at first, to see that that song was not incluced on the soundtrack. But on further reflection, that actually seemed the better choice. Lou Reed is the quintessetial urban poet. FH never even comes close to New York City or any other real metropolis. The Neil Young, Doug Sahm and Louvin Brothers tracks actually used in the film are actually more fitting. ... Read more | |
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