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Just as Do the Right Thing was the capstone of Spike Lee's earlier career, Malcolm X marked the next milestone in the filmmaker's artistic maturity. It seemed everything Lee had done up to that point was to prepare him for this epic biography of America's fiery civil-rights leader, who is superbly played by Oscar-nominated Denzel Washington, from his early days as a zoot-suited hustler known as "Detroit Red" to his spiritual maturity after his pilgrimage to Mecca, as a Black Muslim by the name of El Hajj Malik El Shabazz. Do the Right Thing climaxed with the photographic images of Malcolm X and Dr. Martin Luther King engulfed by flames of rage; Malcolm X explores the genesis and evolution of that rage over Malcolm's lifetime, and how these two great figures--held up to the public as polar-opposites within the African American human rights movement (King for nonviolent civil disobedience, Malcolm for achieving equality "by any means necessary")--were each essential to the agenda of the other. Lee careens from the hedonistic ebullience of Malcolm's early days to the stark despair of prison, from his life-changing conversion to Islam to his emergence as a dynamic political leader--all with an epic sweep and vitality that illuminates personal details as well as political ideology. Angela Bassett is also terrific as Malcolm's wife, Betty Shabazz. --Jim Emerson ... Read more

Reviews (72)

Awesome man, excellent tribute
Denzel Washington makes this little understood nearly mythical man breath. After studying the life of Malcolm X in a sociology of religion class, we watched this film to relax a bit. The script seems fairly accurate to history, and the imagery helps bring the conflict, drive and sincerity of Malcolm X to life.
In the movie, it becomes so obvious that Malcolm had just reached a kind of Buddhist nirvanna in his Islamic faith. Had he been allowed to live, his newly found spiritual insight gained from his pilgrimage to Mecca most likely would have helped to enlighten other Americans, Muslim or Christian, white or black. Malcolm appears on the verge of something even greater than he had previously been. Malcolm appears to be on the verge of becoming a national and perhaps even global spiritual and secular leader at the time of his death. Denzel makes more mourn the death of a man I never met. Inspiring, insightful. I'm grateful to Denzel and Spike for bringing me this "joint."

Excellent Biopic, One of the Best!
A sweeping biopic of an admirable man, who, while his ideas were wrong, had the will and the determination to defend his ideas and to say them publicly. A powerful film, with a sweeping force and excellent production values. While the film is extremely long (200+ min.), it is never boring ans always fascinating, it is divided in equally interesting stages; Malcolm's youth, prison time, his dedication to Elijah Muhammad, and the ultimate betrayal and death of Malcom X. A compelling study of a complicated, angry man, and whether you agree with his ideas or you don't, the movie remains a riveting biopic that is one of the best movies of the 90's. The reason the film works so well is mainly because of the performances and the assured direction by Lee. Not as incendeary or provocative as one would expect from a Spike Lee film, only the first and last few minutes are controversial. Denzel Washington delivers a powerful performance that ranks among his best. Also Angela Bassett is great in support. From a scale of 1-10 I give this film a 9!

Powerful...
...is the best way to describe Malcolm X, Denzel Washinton's greatest work in cinema so far. It tells the story of Malcolm X, the strong-willed black revolution leader whose ironic and powerful views differed very differently from Martin Luther Jr.
Denzel Washington gives an extraordinary performance, and with heart he shows the metamorphosis of Malcolm X, from hip young kid, to his life of crime days, to when he was a white-hating civil rights leader.
There are many other great performances in the film, and Spike Lee makes Malcolm X his best "joint" ever. You can feel that this is a Spike lee film, because it is a little strange and it swings from one mood to another. Spike lee also stars in the film, but as a minor character.
I thoroughly enjoyed watching Malcolm X, and it ranks as one of the best film of the '90s. If you love Denzel Washington, you haven't seen him perform until you have seen him in Malcolm X.

BEST MOVIE EVER
Movies are never good as the book, but its good to see a visual. One thing I didn't like about the movie is the way they protrayed Elijah Mahammad.
This movie changed my life, for someone like me in High School that didn't like to read. lol It was becasue of this movie I joined the Nation Of Islam when I was 18. I figured I would go to the source, Malcom X just repeated what Elijah said, and look how great he became. Malocom X was so great, but always thought he would come back to the N.O.I....Give thanks to Malcom X our living Ancestor...

Definite classic
But... while this film marks Spike's high point as a director and one of Denzel's highest points as an actor (THIS is what he should've goitten the Oscar for, not Training Day, and it's criminal that Spike wasn't nominated.)
That being said, the film is overall excellent and historically accurate, even when it hurts, such as the corruption of the Nation of Islam. Two things, however, mar it: First, Freeman's Elijah sounded like he belonged in Kung Fu film; the real Elijah (there are tapes)didn't quite sound that Asian. Second, the ending just didn't fit. That was just Spike trying way too hard to say something that really didn't need to be said. The film could've ended at the assassination and been near perfect. The rest was attempted spin-doctoring.
DEFINITELY see this film. It's essential in understanding a lot of the early '60s political scene. ... Read more

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Spike Lee made a splash in the independent film world with his debut feature, an inventive low-budget romance with a strong-willed heroine. Nola Darling (Tracy Camilla Johns) can't decide among her three boyfriends: serious but sweet Jamie (Tommy Redmond Hicks), self-centered clotheshorse Greer (John Canada Terrell), and goofy, wisecracking bike messenger Mars Blackmon (Lee). Within this loose story line Lee launches into a character study of Darling and offers a slice of black urban life rarely seen on the screen. According to Lee's published diary, he interviewed dozens of women and gathered feedback on screenplay from female friends, and his efforts show. Nola is an unapologetic, sexually independent character who resists the efforts of the men in her life to change who she is to please them--the wonderful concluding twist thumbs its nose at romantic conventions and givesNola her due. Lee combines direct address and documentary techniques with a simple, often elegant narrative style to create a multilayered portrait of Nola and her men and question perceptions and conventions of sex, sexuality, and relationships in the modern world. Though somewhat primitive in the light of his more accomplished works, this first feature introduces Lee as a fresh voice and a creative force to be reckoned with. --Sean Axmaker ... Read more

Reviews (5)

I've gotta have it
Yo Spike, you've gotta be kidding what's the hold up. Can ya help a brother out and see what you can do to put your (baby) on DVD. This is a high crime. This movie was (is) a straigh-up winner. I heard that you didn't particularly like it, but we your fans think it's great. Sometimes the man in the mirror is blinded by the new kids on his block. Your other films are great also, but this one has its own place in history. Great script, great acting, the whole enchilada. Please do the right thing and help me and others complete or DVD collection. Thanks

PUT THIS MOVIE ON DVD NOW
This is the film that gave Spike Lee his rise. It is a brilliant first film. Why is the movie viewing public having to wait for the release of this historical film on DVD and for that matter why is Girl 6 not on DVD. Every Spike Lee film ever made should now be available on DVD. She's Got to Have It on DVD NOW!

Spike Lee's first movie.
The first thing you will notice that makes this movie special is
that is shot in black & white. It is the story of three men vying
for the attention and affection of 1 woman. As the story unfolds
it's a question of "Who's Zoomin Who" And who if anybody will ride the "Freeway Of Love". This is not a typical date movie,
but if you choose to watch it with you main squeeze. Don't scratch where it don't itch. In other words, you could wonder where they are and who they're with when their not with you.
But don't ask. This was Spike debut as actor and director.
For a movie made on a shoestring budget,the plot, though slow at
times, kept me interested.

good debut
mars do you do you know? this line and other lines have been used endlessly.spike lee was on to something and this film showcases a genius in action.three diffrent men trying to win the affection of one woman.

Unhibited sex from a black female's point of view.
I rented this movie because I read Spike Lee's The Best Seat in the House book (an excellent book) and it contained several dialog quotes from this movie (Mars Blackmon and Jamie Oversteet talking about the NBA). I specifically rented it to hear the line about Larry Bird. I was pleasantly surprised by the movie. It was ahead of its time and showed an attractive black female with three admirers vying for her affection. She was not afraid of sex and had no intentions of hiding what she wanted. I paid attention to the soundtrack because I know Spile Lee's father composed the film's music and it was very good. I also liked how Spike Lee (Shelton Jackson Lee)cast his sister Joie in the film too.

I loved Spike Lee's book and enjoyed this film. I had no idea he was that knowledgeable about the NBA and I loved his tales about Pippen, Miller and the 69-70, 72-73 New York Knicks championship teams. ... Read more

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There are many remarkable things about the documentary 4 Little Girls. Spike Lee's striking, beautifully realized film is a cinematic lesson of what kind of material is better suited to the documentary format. In his first documentary, Lee shares an attribute of Ken Burns: the major event in his documentary is not seen on camera. Except for four quick glimpses of black-and-white autopsy photos, the picture stays clear from the bombing. Lee remains with the faces, the girls' friends, families, and the historic figures of the era. They've all grown up since the bombing but their memories haven't faded.The vital facts of the case are certainly here: the troubled history of Birmingham, the court proceedings, friends' last run-ins with the girls. What touches us deeper though are those witnesses telling us of living through the core era of segregation and bigotry: a father explaining to his child why she can't have a sandwich in a cafeteria and a woman offering up tears of past events. There's even an interview with George Wallace, the prince of segregation, that belongs in a David Lynch feature.Lee's film asserts the bombing energized the civil rights movement and when the voice of America, Walter Cronkite, echoes those sentiments, you believe he may have it right. --Doug Thomas ... Read more

Reviews (21)

America's Embarrassment . . . . Where were you?
Spike Lee has struck a cord in this classic work. Poignant portrayals of racism in 1964 as 4 Little Girls are brutally murdered in the Birmingham church bombing by the KKK. I was 4 years old living in an all white community in rural Ohio. I didn't even know these things were happening and I am embarrassed and outraged at the ignorance and stupidity of those involved. The scars the community and a nation carried from that moment on will last a lifetime for those who lived and relived the beautiful memories and the horror of the deadly event in the interviews provided in this documentary. The pain, sorrow and powerful message will affect the lives of anyone who views this picture. This should be required viewing for all school aged children so we can work to eliminate hatred and encourage a celebration of diversity in America.

4 Little Girls superb documentary
Spike Lee's 4 Little Girls was briefly released to theaters in 1997 to qualify for Oscar contention as Best Documentary. It was first broadcast nationwide on Home Box Office. It is a remarkably clear-eyed telling of an incendiary tale--how four young black girls, ages 11 to 14, were killed in a 1963 bombing in Birmingham, Alabama.

I hesitate to compare 4 Little Girls to Schindler's List, and yet it has that same quality of being a restrained, dignified recounting of an emotional incident. Spike Lee had been wanting to tell this story since before he became a noted filmmaker, and Lee brings all of his remarkable talents to bear. The movie is not flashy, just quietly gripping.

Lee frames the incident within the bigger picture of the Southern civil rights movement, particularly as it took place within an inflamed Birmingham. We see the town's police commissioner, Bull Connor--described by one interviewee as "the dark spirit of Birmingham"--keeping order in town while driving a tank painted white, an image that is sure to bring gasps to those who aren't familiar with the full story (which, I humbly admit, included me). And we see a repentant Gov. George Wallace, dragging a reluctant black colleague on camera so that Wallace can introduce him as "my best friend in the world." (Notably, the "friend" looks quite unconvinced.)

It is that Wallace footage that might seem the most showy in a documentary otherwise bereft of editorializing. But it seems right to include the footage after seeing how the segregationist tactics of Wallace and others led indirectly to the deaths of Denise McNair, Carole Robertson, Addie Mae Collins, and Cynthia Wesley. Using little more than home movies and interviews with surviving family members, Lee brings the dead girls back to life and shows us that, when racial stereotypes are accepted and even honored, individual tragedies are the result.

Mostly, the story is told through simple, heartbreaking facts. Chris McNair tells us of the day he had to explain to his daughter Denise how she was taken by the aroma of a cooking hamburger at a lunch counter but could not eat there because she was black. And the film comes full circle by pointing out the inexplicable resurgence of black church bombings in the 1990's.

Most of the victims' relatives, understandably, become quite emotional on-camera. It can't have been easy to reopen these old wounds, but 4 Little Girls makes you grateful that they endured their pain to do it. I only wish the movie had been up for Best Picture, as it is worth a dozen L.A. Confidential's.

4 Little Girls is rated TV-14 for violence, brief nudity, and racial epithets.

Great, but.....
Having been to Birmingham numerous occasions and having met Mr. Chris McNair (who is now a county commissioner) as well as Carolyn McKinstrey, who also appears in this film (she was a survivor of the church bombing), I pretty much knew the story, but was pleased with the way it was told. A really fascinating segment for me was seeing the actual home movie of Denise Mc Nair and a couple of the other girls. Good job Spike. This is by far his best film.

The DVD extras are very good, particularly the pathetic interview with the notorious George Wallace uncut. Poor Ed (see the film and you'll understand that last statement).

Only minor complaint is that there isn't a scene selection on the DVD. You'll have to watch it all the way through. Also, it would be nice if some mention was made of Johnny Robinson and Virgil Ware (the two little boys who were also killed on that fateful Sunday, which is another story waiting to be told).

But that aside, it's great that Spike did this while so many of those who were around to remember all this are still alive. This is history that needs to be seen.

a great documentary
I'm actually watching the special features on this disc right now, and the "making of" special is as well done as the film. This is a powerful and moving film about people before, during, and after a great tradedy. The stars of this film are the parents and friends of these children.

One of the most startling things is an interview with violent segregationist George Wallace. Much like Micheal Moore handing the mike to Charleton Heston, the rope is handed over, and Wallace just hangs himself with it. Like Heston, he is old and outdated, illogical and mostly just old. You look at this old old man and you feel a strange pity, because he is so old and small and insignificant.

Absorbing and heart-rendering...
Spike Lee's _Four Little Girls_ is a masterpiece of continuous stream interview documentary of a period that Birmingham would like to forget, but with which it has yet to come to terms. No holds are barred in the recounting of the 1963 Sixteenth Street Church bombing, which forever changed the face of the Civil Rights struggle in the U. S. By interviewing the remaining family members, Lee brought home not only the human suffering of the surviving families, but made the world wonder what universal loss we all experienced in the deaths of these 4 little girls.

I had the honor of attending the world premiere of this film in 1997 at the invitation of the McNair family at the historical Carver Theatre in Birmingham, Alabama. Seeing the historical film footage of places I knew myself as a child in that city, seeing the anguish again on the face of dear friends as they recount identifying their dead daughter, and knowing the effects this tragedy has had in Birmingham and elsewhere in the 40 years since it occurred made this much more than a historical documentary for me.

Its effect will be the same for you as well, I think, and well worth having this film as part of an American non-fiction collection. ... Read more

Reviews (59)

This movie has game
I must say that Spike Lee did a great job in making this movie. Jake (Denzel Washington) plays a prisoner who is in jail for murdering his wife years ago. He is given a chance to get out of prison if he does one thing. He has to convince his son, Jesus (Ray Allen) to attend a certain college. If he does that, Jake is a free man. Of course, it won't be easy because Jesus has to first forgive his dad for what he did to his mom before he can even think of going to a certain university in his dad's favor.

Denzel Washington and Ray Allen both put on great performances to make this a great movie. The basketball sequences in the movie are exciting, but the drama in "He Got Game" is what makes the movie work so well. I recommend anybody to get "He Got Game."

Compelling Story - Senseless Spike Lee Views....
Once again, rather then Spike Lee making trully great movie that will appeal to everyone; Lee injects his political/social views into what could have been a great movie. Good performances by D. Washington and rookie actor NBA star Ray Allen carry this movie. I thought the story had incredible promise, but Spike Lee once again has to inject his personal agenda while turning off 80% of the people who would go see this film.

First, every women featured in this film is white/latin and a whore/slut. An unusual combination considering this film is about about black inner city basketball. Not one black female shows up this film with any of kind of speaking role or substance.

The story turns into the absurd about half way through and stops making sense. Also, Rick Fox is well, Rick Fox. Nuff said. Listening to him try to sound street/from the hood is very laughable. I imagined he listed to some NWA records to prep for this role.

The most compelling part of the movie is the climax, D Washington playing R Allen in a classic Father/son one on one battle. This scene saves the movie.

Ray Allen who has the lead:great b-ball-player but bad actor
This movie probably could've been at least a little good if SPIKE LEE hadn't casted the NBA-player RAY ALLEN, he joins Dennis Rodman, Shaquille O'Neal & Rick Fox (who also is in the movie) in the list of BASKETBALL-PLAYERS who makes movies but can't act.

Denzel does good work in the film YES but it takes more to make a good movie than one or two people in it who knows how to act (Hill Harper is the second one).

Not a very moving story mainly becouse RAY ALLEN's and MILLA JOVOVIC's horrible acting.

If you thought that rappers were bad actors, they are nothing against b-ball players.

Any SPIKE LEE-movie is better than this one so skip it.

Denzel and Allen Great...
Jesus Shuttlesworth (Ray Allen) is the top high school prospect in the country. His father, Jake Shuttlesworth (Denzel Washington) is in jail for accidently killing his wife. THe govenor has promised Jake that if he can convince his son to play for his alma mater that he will cut his prison time signifigantly. Jesus has never forgiven his father and has hatred toward him. There is tons of symbolism in this movie. Ray Allen had a great debut, especially for a basketball player! He really did a great job, and Denzel also gave a great performance as usual. Go see this movie it is very moving and is my personal favorite of all time.

Best from Spike Lee ever!
To me, this movie was and still my all-time favorite movie dealing with Basketball.The Plot was superb. Denzel acting chops were on point in this or any movie he has been in. Ray Allen was amazing in acting debut.I give it two thumb or ten toes up!!!
Go cop that DVD! ... Read more

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Spike Lee's incendiary look at race relations in America, circa 1989, is so colorful and exuberant for its first three-quarters that you can almost forget the terrible confrontation that the movie inexorably builds toward. Do the Right Thing is a joyful, tumultuous masterpiece--maybe the best film ever made about race in America, revealing racial prejudices and stereotypes in all their guises and demonstrating how a deadly riot can erupt out of a series of small misunderstandings. Set on one block in Bedford-Stuyvesant on the hottest day of the summer, the movie shows the whole spectrum of life in this neighborhood and then leaves it up to us to decide if, in the end, anybody actually does the "right thing." Featuring Danny Aiello as Sal, the pizza parlor owner; Lee himself as Mookie, the lazy pizza-delivery guy; John Turturro and Richard Edson as Sal's sons; Lee's sister Joie as Mookie's sister Jade; Rosie Perez as Mookie's girlfriend Tina; Ossie Davis and Ruby Dee as the block elders, Da Mayor and Mother Sister; Giancarlo Esposito as Mookie's hot-headed friend Buggin' Out; Bill Nunn as the boom-box toting Radio Raheem; and Samuel L. Jackson as deejay Mister Señor Love Daddy. A rich and nuanced film to watch, treasure, and learn from--over and over again. --Jim Emerson ... Read more

Reviews (94)

A brilliant, scorching movie
Spike Lee takes us to a single block in Brooklyn on the hottest day of the year in his awesomely brilliant movie "Do The Right Thing". The movie opens on a sultry early morning; by the time it ends, on a sweltering midnight of the same day, the heat, and the movie, have built up unbearable tensions that explode in in a confrontation that engulfs the street and everyone in it. At the heart of the block and the movie is Sal's Famous Pizzeria, run by Sal and his two sons from Bensonhurst (also in Brooklyn but it might as well be on the other side of the planet), with its "Wall of Fame" covered with photographs of famous Italian-Americans, glaringly out of place and insultingly insensitive on this African-American street in Bedford-Stuyvesant. The movie presents us with an unforgettable set of characters, including Danny Aiello in a great performance as Sal, Spike Lee as Mookie, his delivery man, Rosie Perez as Mookie's long-suffering and neglected girlfriend, Giancarlo Esposito as Mookie's radical friend Buggin' Out, Bill Nunn as Radio Raheem with his suitcase-size boom box that eats up 20 D batteries at a clip, the nearly legendary husband-wife acting team of Ossie Davis and Ruby Lee as Da Mayor, the street bum, and Mother Sister, the neighborhood snoop (every neighborhood has to have one), Samuel L. Jackson as Senor Love Daddy, and Joie Lee, Spike Lee's real-life sister, who plays Mookie's sister Jade in the film. Among a host of minor characters, the best are the three men parked on the sidewalk, ML, played by Paul Benjamin, Coconut Sid, played by Frankie Faison, and Sweet Dick Willie, played by the late Robin Harris, who act as a kind of Greek chorus to the unfolding events. Much of the speaking parts of these three was ad-libbed on camera, and the actors seem to have had a ball with their characterizations (Buggin' Out: "You wanna boycott Sal's Famous Pizzeria?" Sweet Dick Willie, observing Buggin' Out's every-which-way haircut: "You oughta boycott that barber who f---ed up your head.") Always present, and intrusive, are a squad car with two white cops, who view the neighborhood inhabitants, and are viewed by them, with undisguised contempt. The street, and the environs, are so convincingly portrayed that the heat is palpable; we can almost feel their discomfort as we sympathize at their attempts to alleviate it. One of the most priceless scenes in the film is the loudmouthed "alien" who drives through the block in an open Cadillac convertible and dares the kids to get it wet (when he finally manages to pull over and open the door, Niagara Falls spills out). A demand by Buggin' Out that Sal put some photographs of blacks on the Wall of Fame, which Sal dismisses out of hand, sets the stage for the confrontation that will blow sky-high. Buggin' Out returns to the pizzeria just before closing time with Radio Raheem, boom box blasting away at full volume, and Sal, his last nerve shot, silences the noise with a baseball bat. The resulting free-for-all spills out into the street just as the police arrive; Radio Raheem is pulled off Sal, who he is choking silly, and killed by the police with an illegal choke-hold. The police speed off (one could say they fled the scene of their crime), leaving Sal and his sons alone to face the neighborhood's rage. The pizzeria is torched, the neighborhood riots, and the firetruck arrives with firehoses turned on the rioters instead of the pizzeria, in a scene reminiscent of Sheriff Bull Connor in 1960's Alabama. "Do The Right Thing" is one of the most searing commentaries on American race relations that has ever been put on film. It's provocative, it's insightful, it's profound, it's a masterpiece, and it's definitely Spike Lee's best movie.

Do the Right Thing Review
It's the hottest day of the summer and racial tensions run deep in the Bed-Stuy section of Brooklyn, New York. This is the backdrop for Spike Lee's controversial 1989 film, "Do The Right Thing". Many critics and movie-goers were quick to blast this film for being what they perceived to be a "racist" movie. Most people who say this have probably only seen the movie once and were so quick to complain about its tension-filled ending.

"Right Thing" stars writer-director Lee as Mookie, a somewhat lazy pizza delivery boy who works at the local pizzeria run by Sal and his Italian-American sons. Through Mookie's many trips through the neighborhood, we get acquainted with some of the other "characters" such as the block's "wise man" (or "town drunk", depending on how you perceive him), "Da Mayor" (Ossie Davis). We also get introduced to the trouble-making Buggin' It Out who is intent on boycotting Sal's Famous until they "put some brothas on the wall". Then, there's Radio Raheem, whose boombox blasts Public Enemy's "Fight The Power" loudly through out the movie. He doesn't speak much as the music seems to be his outlet of expression. It also happens to get him in a lot of trouble as the movie progresses.

Lee's treatmant of certain characters in "Right Thing" is questionable at times. He seems to feel strongly that many of the white characters in this New York neighborhood would root for Boston sports teams because their top players are also white. At times, Danny Aiello's Sal seems sympathetic and kind while in the end, he is more or less portrayed as a "closet racist". This might be why some of us are so fast to make observations about the film's racial biases but I've never felt that "Do The Right Thing" has ever been about who is right and who is wrong. In the end, everyone loses out because rather than go about handling certain small problems by compromising, people choose to argue over who is "doing the right thing" and who isn't. In the end, people are hurt and killed, property is destroyed, and all that seems to remain is animosity.

While I may argue with the way that Spike wrote certain characters, this is "his" movie. Would the ending situation have been any different if he had re-wrote them? Probably not. So many of its critics fail to see the big picture with "Do The Right Thing". It isn't about whether Sal was right or whether Mookie was right or Buggin' It Out. The original problem was so small, so minor, and each of the characters allowed it to balloon into a big one. Even the less important characters contributed to the problem by instigating it further. The only character who seemed to understand what was going on was Samuel L. Jackson's almost narrator-like radio DJ, Senor Love Daddy. He understands it, he sees the tension esculating, and he is telling everyone to relax but it's too late. "And that's the triple truth, Ruth".

"The left hand is hate. The right hand is love."
This movie is largely an angry, outrageous film. But it is also a beautiful and enlightening one. DO THE RIGHT THING garnered Spike Lee, writer, director, and star of the film, both praise and criticism. But what you must remember, those who either praise it or look down upon it, is that DO THE RIGHT THING couldn't be further from the truth.

DO THE RIGHT THING was an introduction to Lee's brazen and bold style of filmmaking. He had a part in every aspect: direction, cast, production, writing the screenplay, etc. That's why, if someone is interested in seeing a "Spike Lee joint", I will definitely recommend DO THE RIGHT THING first and foremost.

It's a look at race relations in America circa 1989, a drastic glimpse in which the outsiders, meaning the audience, can feel as if they are right there in Harlem with Mookie (Spike Lee).

Mookie is an unmarried father, a boyfriend to Tina (Rosie Perez), loud and outspoken with her buxom figure. She pushes Mookie to spend more time with her and their son, complaining about him being a deadbeat dad. His excuse? Work.

True, much of Mookie's time is spent working at Sal's, a pizzeria in Harlem, run by white Italians in a neighborhood where the population appears to be around 99.5 percent black.

Other characters include Radio Raheem (Bill Nunn), Da Mayor (Ossie Davis), Mother Sister (Ruby Dee), Buggin' Out (Giancarlo Esposito) and Jade, Mookie's sister (Joie Lee). Radio Raheem's dialogue throughout the film it limited - he more or less expresses his freedom through his incessantly blaring radio. In fact, throughout the entire movie, Public Enemy's "FIGHT THE POWER" blasts throughout the neighborhood. Buggin' Out is irked with a situation at Sal's that he feels must immediately be taken care of. He just wants Sal to "put some brothas" up on his restaurant's walls, right beside pics of Frank Sinatra and Clark Gable. Sal (Danny Aiello) refuses to comply with Buggin' Out's request.

In the end, Radio Raheem and Buggin' Out fuel an argument that quickly evolves into a neighborhoodwide conflagration. Alas, Mookie fuels the fire by hurling a trashcan through the glass window of the pizzeria - his boss' pizzeria - and the brawl proceeds, with Sal and his sons standing on the sidelines.

DO THE RIGHT THING is an odd title for a film like this, some people may think. Is the right thing done? Does Lee believe that the characters in his film did the right thing? I'm not sure. The title can be interpreted in a number of ways, I suppose. First, I suspected it was irony. No, Mookie didn't do the right thing! He fueled the fire and instigated the riot to mammoth proportions! Property was destroyed and damaged! My second conclusion was merely that "doing the right thing" serves as an argument for the people, for people unwilling to make compromises or verbally come to an agreement through reasonable, mature conversation. In reality, the film isn't about who is right and who is wrong and why. You had people like Mookie, who seemed to act on impulse, and then you had Da Mayor, trying to calm the livid people down, trying to talk sense into their heads. People evidently followed Mookie's lead and in the process, they hurt and killed others, seriously damaged and neighborhood properties. Not only that, but mere misunderstanding and hate seems to exist between them, even after the riot ends. That's a sad thing, yet it's also a very true thing.

Lee's picture clarifies the fact that yes, misunderstanding between peoples does fuel hate, which, in turn, fuels even bigger and uglier physical problems. DO THE RIGHT THING was taboo for how it portrayed peoples of different races, yet for film's time, the state of Harlem and its residents was portrayed with frank and genuine realness that simply can't be denied. Certain characters, settings, and events rung clear and true. DO THE RIGHT THING is arguably one of the finest examples of race relations illustrated in film. You can watch and rewatch - and learn - from this tumultuous and dramatic "Spike Lee joint".

An EYE OPENER
The eye opener of the year...I loved it. Excellent story line and a must see movie by mature audiences only. Very compelling!

That¿s the double-truth¿ Ruth
In all likelihood Spike Lee's most important achievement - as director, writer and actor (though to my taste Mo' Better Blues is just as good a picture) and one of the strongest films you'll see about race relations, 'Do The Right Thing' looks dated at times, but it lost none of its impact and relevance. The movie takes place in a particularly hot day in a primarily African-American neighborhood in Brooklyn, and follows the various personalities who live there throughout the day; the center of the story is Sal's Famous Pizzeria - its owners, some of the few white people living in the neighborhood: Sal (Oscar nominated performance for Danny Aiello) and his two sons (John Torturro and Richard Edson), and Mookie (Spike Lee himself), the black delivery boy. What starts out as a light, entertaining movie with some amusing characters and light humor, gradually builds up tension to the point of being unbearable, up to the dramatic and tragic climax. Spike doesn't put as much emphasis on the characters themselves as he does on the relationships and the tension between them; and in this image of a very specific and small frame in time and place, makes a strong and important message about racism and race relations in general.

The film is populated with many different characters, all of them very memorable and each one a representative of a certain belief, mode of behavior or state of mind - on both sides of the conflict. From the uninhibited anger of Buggin Out (Giancarlo Esposito) and Radio Raheem (Bill Nunn) on one side and Pino (John Torturro) on the other side, to Jade (Joie Lee, Spike's sister in the film and in real life) and Vito (Richard Edson), who are trying to connect and live at peace with the other side, to Da Mayor (Ossie Davis), in his isolated but peaceful state of mind, living in complete peace with the world around him, and Smiley (Roger Smith), living in his own isolated existence. Then there's Mookie, who is stuck in the middle, torn between his commitment and responsibilities to both sides. Finally we have Mister Senor Love Daddy - played gorgeously by the one and only Samuel L. Jackson, in one of his finest performances - half active character and half all-knowing narrator - who represents the voice of reason in the conflict, the reason which is bound, ultimately, to collapse. Each and every character plays an important part in the climatic and dramatic conflict to which the movie builds up, and though it's the radical ones - Buggin Out and Radio Raheem - who trigger the events that cause the tragedy, they are not necessarily the ones who finish it. It is Mookie and Sal, in fact, who ultimately play the main part.

Do The Right Thing is not an easy watch; it's a mesmerizing, tense, difficult film that breaks many taboos and slaughters many holy cows. But in the end of it - hopefully - you'll be wiser than you were in the beginning, and that's what Lee have always tried to achieve in all his films. Watch it to get a real view on racism that doesn't duck the difficult issues and isn't afraid to tackle the real problem, and to see a master director at work. It's one of the best films of its time. ... Read more

Amazon.com

Perhaps only Spike Lee could make a dignified yet extremely funny comedy-drama about phone sex. Theresa Randle (Bad Boys) is the title character, a hard-working actress who becomes addicted to this peculiar form of safe sex (the movie is verbal, not physical, in that department) at a high-class New York agency. Throughout the film, Girl 6 (she's unnamed beyond this) sports a dazzling array of new looks, hairstyles, and clothes. Randle radiates every step of the way. Lee even delivers on fantasy elements when Girl 6 finds herself in a send-up of blaxploitation films and a keen lampoon of The Jeffersons (the three-minute sequence is better than any planned TV-to-movie film that may come along). Revelations about Girl 6's life are brought out through her ex-husband (Isaiah Washington), who, in his very flawed but honest way, plans to reunite with her. Better yet are conversations with the next-door neighbor (Spike Lee, doing some of his best work). Solitary, experimental, with plenty of delicious cameos (including Madonna), Girl 6 is playwright Suzan-Lori Parks's first screenplay. Similar in tone to Lee's debut, She's Gotta Have It, Girl 6 also boasts an energetic mix of old and new songs by Prince and, as always with Lee, colorful camerawork. An alleyway kiss near the end is a great romantic image. --Doug Thomas ... Read more

Reviews (15)

One of my favorite films
I really liked this movie so much that I want to buy my own copy. I'd heard about the film when it first came out in 1996, but like so many smaller films, if you don't see it right away you miss your chance. Right away, the Prince soundtrack is wonderful and sets the tone and you hear so many great songs throughout the film. This movie has great dialogue and is very well written. If that isn't what you like, you will be bored and should go see some mindless action flick. I can't imagine how anyone would not like this film. It is my favorite Spike Lee film without a doubt. There is definitely an ethereal and dreamy quality to the film that I liked very much. The main character, Lovely or Girl 6, played by Theresa Randle, is stressed and and overworked from too many part time jobs. The movie is set in and around Manhattan. Lovely is working all the jobs so that she can be free to go on acting auditions. Her agent gets her a great audition for a film and she believes she is doing fine until the director says he needs her to take off her top so he can look at her breasts. She is so disgusted by this treatment that she walks out on the audition and she becomes increasingly frustrated at what it seems it will take for her to get a break in the acting field. While looking at want ads while riding the subway (we see her sick, coughing and exhausted from overwork and stress) she sees an ad that promises great money doing phone sex and she interviews for the job. The whole process of her inquiring about the job, training for the job and the people she encounters, not to mention the whole "business" of phone sex is so entertaining. There are some great cameos in this film, including Madonna (who is terrific), Naomi Campbell, Richard Belzer and Quentin Tarantino. Debi Mazor is another phone girl who warns Lovely (Theresa) not to take it all too seriously. Spike Lee is wonderful as Lovely's neighbor- a dreamer just like her. He chastises her for doing the "phone bone" when she ought to be pursing her acting career, but as Lovely points out, her job actually is acting on a certain level. There are some touching moments, too such as when Lovely hopes to meet one of her clients in Coney Island and she's waiting for hours and looking for him. There is also a very frightening scene when a sicko (snuff fantasy) client finds out where Lovely lives and wants to make his fantasy a reality. There is a funny side plot about Lovely's ex-husband who steals from local merchants such as fruit vendors. This ex-husband wants Lovely back and never stops trying. I won't give the rest of the plot away, but if any of this sounds remotely interesting, check out this film. I think that this film was well done in all aspects and I consider it one of my all time favorite films.

A Serious Comedy From Spike Lee
1996: Spike Lee directed this movie believe it or not. He wrote the screenplay and performed in the role of the wise, comforting and dreamer neighboor in Lovely's apartment. Theresa Randle of the Bad Boys film, stars as Lovely, or the eponymous Girl 6. When I saw this film, I could not believe it was a Spike Lee film, but his presence in the movie and his signature urban themes are distinctly marked in this movie. The film deals with an aspiring actress who is coaxed into working as a phone sex operator. Despite the good money it pays, it becomes messy and dangerous for her after a client becomes insanely obscessed with her. Her relationship with her (boyfriend ? husband ?) is in jeopardy due to her choice of work. Although clearly this movie attempts to be serious, there are many comic features written into many of the scenes, particularily the sordid, bizarre and outrageous sexual fantasies of the clients. The phone sex scenes that play out between the operators and their clients are hilarious! The "fantasy sequences" in which Lovely acts out various roles from television and film are also hilarious. These roles are: Lovely as Dorothy Dandridge in Carmen Jones, as the daughter in the old sitcom The Jeffersons, as Pam Grier's Foxy Brown in 70's exploitation movies and as a 30's or 40's Hollywood Golden Age diva towards the end of the film shot in black and white.Guest stars abound in this witty urban comic drama. Among them Madonna, as a phone sex operator instructor who is giving the girls tips and advice via a monitor, Halle Barry in a brief interview scene, and even Quentin Terentino shows up in the film. I don't know whether to laugh non stop at one of the silliest films ever made by Spike Lee or to wonder at the subtle signficance of its theme. Spike Lee seems to be portraying a strong black woman who undergoes terrible misfortune in a dark and risky business only to give it up in a beautiful scene towards the end when she and her boyfriend/husband kiss and telephones start falling from the sky in slow motion. In Hollywood, she does not give up her morals or dignity and refuses to do a nude sex scene that might be featured in pornpgraphy. It's really a look at Hollywood's love for sex, its classless tastes and its exploitation of women. It might be Spike Lee's greatest film. Just try to look beyond the comedy.

This is in my top 10
One of my favourite films of all time. There's something about Spike Lee's *Girl 6* that's particularly stuck with me. In short, it's about a phone-sex agency and the people that work there. Theresa Randle plays Girl 6 brilliantly as a woman of great strength and tenderness. Like the film itself, very funny, yet painfully gritty. A surprisingly good performance from Naomi Campbell as Girl 75. An excellent cameo from Madonna playing the aging scarlet-woman with too much makeup spouting sexual profanitys - typecast or what! And the cherry-moon on the cake is the ace use of Prince music running through the film... *How Come U Don't Call Me Anymore* (which was a rare track back then), *HouseQuake*, *17 Days* and *Hot Thing* (which plays during Madge's monologue) being the musical highlights, for me. Oh, and Mr Lee himself is pretty good in it too... I really hope he gets around to releasing this on DVD... soon?!

A Spike Lee Surprise
Spike Lee's "Girl6" proves to be a fantastic exploration into the urban american dream. Although it took me more than one viewing, i find this movie to be on the same level as "Do the Right Thing" and "Crooklyn." What does it take to strike out on your own? What is the difference between reality and imagined reality? These are questions that Theresa Randle encounters as she executes a steller performance as an aspiring actress new to the Big Apple in "Girl6". Lee's unique use of composition and setting create tangible texture with potent imagery. Originally a play, "Girl6" maintains theatrical dialogue and pacing. At first, subtleties are difficult to tap into, but through a more aware viewing "Girl6" blooms into a cinematic gem.

Uneven and Inaccurate
The film had uneven humor throughout and little accuracy in it's portrayal of the phone sex industry. I am in the phone fantasy business and "Girl 6" is largely fantasy. While callers do indeed have a racial bias and many quirks; offices never are even half that nice and working from home isn't scary. Although I suppose there are girls who give their personal number out to callers and obsess over their work; most of us are well adjusted educated women with normal homes and families in suburbia who keep a safe distance from our clientel. ... Read more

Reviews (127)

one of Lee's better films
A Film by Spike Lee

Montgomery Brogan (Edward Norton) is facing a seven year jail term after being caught by the DEA for dealing drugs. This movie is his last 24 hours of freedom before he has to go to prison (for some reason he gets to bring himself to prison when the day ends). He contacts his two friends: Jacob Elinski (Philip Seymour Hoffman), a teacher with an unhealthy interest in his student Mary (Anna Paquin); and Frank Slaughtery (Barry Pepper), a stock broker who thinks too much of his abilities and too little of the money of his clients. The three of them will get together later that night along with Monty's girlfriend, Naturelle Riviera (Rosario Dawson).

The film spends its time examing who Monty is. He's a man who rescues a dog that was abused and left for dead, but he is also a drug dealer with no pity for someone whom he helped become a junkie. We see how he relates to his girlfriend on his last day of freedom, as well as what his relationships are like with his best friends, and what they think of him. Throughout the movie, Monty is re-evaluating his life and what he has done in his life (many bad things). He has to decide how he wants to spend the rest of his life and what kind of man he wants to be. Spike Lee does not give us an answer on whether or not Monty is a good man (or if we should think that he is), but rather leaves the question for us to answer if Monty is doing the right thing throughout the movie. 25th Hour offers condemnation without judgment, if such a thing really is possible.

This movie also is the first one that I have seen that addresses a post-September 11th New York. The opening credit montage has some fairly mournful music that both sets the tone for the movie as well as touching upon the terrorist attacks. The blue lights that we see are the spotlights that shine in the New York skyline in place of the towers. There are also small touches throughout the movie about post 9/11 New York. One of the best sequences in the movie is one where Monty is cursing all of New York, going down a list of stereotypes and realities before he gets to other things that he hates (including Osama Bin Laden) and concluding with himself. It is a beautifully written, if vulgar, speech. It is the money shot of the movie.

This is an excellent movie (excellence in filmmaking), but it is not a great one. I don't know quite what the distinction is, but that as much as I like the movie, 25th Hour did not move me. I would recommend this movie to fans of Spike Lee and drama, in general, but I would not recommend this movie without reservations.

Shocking and Engrossing
A superb cast (and brilliant performances) greatly benefit "25th Hour," Spike Lee's latest directorial effort. Fascinating and frustrating, this is the story of the last twenty four hours Monty Brogan (Edward Norton) gets to spend with his two best friends, Frank (Barry Pepper), a bonds trader, and Jakob (Phillip Seymour Hoffman in another brilliant performance), a high school English teacher, and his girlfriend, Naturelle (Rosario Dawson), before he goes to prison for seven years for pushing heroin, as they party the night away in New York City one last time. Monty spends most of his last day tying up loose ends. There's his dog, a mangy mongrel he rescued after it was burned and left for dead, who needs a new home. There's peace to be made with his father (Brian Cox), who runs a fine Irish bar catering to firefighters. There's a final meeting with his Russian bosses, who play hard and rough. And there's the nagging question: Who ratted him out? Was it, as Jacob and Francis believe, his live-in girlfriend, Naturelle, whose street smarts and supple beauty hint at betrayal?

Adapted by screenwriter David Benioff from his novel that was written before 9/11, the film brilliantly uses this transition in Monty's life as a powerful metaphor for the changes we all went through after that terrible Tuesday in September. Shades of September 11 are everywhere, including the memorable scene in Frank's apartment where we get a clear view of the trgedy's aftermath. There is also the brilliant sequence where Monty looks in the mirror of a restroom and spits out a litany of hate for every group he can think of in New York--every economic, ethnic, sexual and age group gets the f-word, until finally he sees himself in the mirror and includes himself. This scene seems so typical of Spike Lee (it's like an extension of a sequence in "Do the Right Thing") that it's a surprise to find it's in the original novel--but then Benioff's novel may have been inspired by Lee's earlier film.

The film is unusual for not having a plot or a payoff. It is about the end of this stage of Monty's life, so there is no goal he is striving for--unless it is closure with Naturelle and his father. He may not see them again; certainly not like this. Perhaps the film's main flaw is that it goes on a good 20 minutes too long, but it manages to pack a wallop nonetheless, for a truly memorable experience.

Came in with High Expectations.
Maybe I came in with to high of expectations? I don't know, but I did not find this movie enjoyable at all. Some people might say that I didn't get all of the hidden meanings and innuendoes. I did pick up on everything and still found myself thinking 'So what, get on with the movie already!'. The only part of the movie I had any interest in was to see what happened between the characters that Hoffman and Anna Paquin played. Was Hoffman going to end up in jail with Norton for sleeping with his student? Might have been a good twist...

With a great cast of actors and people telling me how great this movie was, I think I just came in expecting to much. I was very disappointed...

This IS the best movie I have ever seen, and I've seen a few
25th Hour... A lot of people have already posted reviews of this movie. Some loved it, some hated it. I am in the first category- although it is dark, tense and slow-paced, 25th Hour riveted me from the first scene, where Monty Brogan rescues the abused dog.
I love Edward Norton. Not only is he an incredibly talented actor, but I find his looks very appealing. He's not a pretty boy or a hunk, yet he has major appeal, and yes, he has definitely got a nice build. But most importantly, he has a way of using facial expressions that is irresistable. Fight Club was a great movie, and he is a great actor, but this has to be his finest work to date. I bought 25th Hour because he stars in it, and I loved it because he made the movie. It was well directed in my opinion, and the supporting cast were wonderful, but if it had starred anyone else, 25th Hour would likely have been something not worth watching. Even a well directed film with a great supporting cast can fail if the lead is miscast. In this case, casting was spot-on.
Edward Norton IS Monty Brogan for 25th Hour.
If for just a few scenes, this movie would be worth watching- Monty's f*ck-you rant to the mirror in the bathroom of his father's bar, the scene where his apartment is searched by the DEA, the interrogation scene, the scene between Naturelle (Rosario Dawson) and Francis (Barry Pepper), the 'make me ugly scene'- these scenes could have made a mediocre movie great. But the movie was already great- these scenes made it unforgettable. I watch it once, and as the end credits roll I immediately want to watch it again. That is what denotes a great movie- I'll never tire of 25th Hour. And on top of everything else this movie has the all time BEST pick-up scene- the 18 year old Catholic school girl-looking Naturelle meets for the first time that cute older Irish guy, Monty Brogan.
I think Rosario Dawson was underrated in this film- she comes across to me as a caring girlfriend, and she proves herself as a GREAT actress when she portrays the younger Naturelle- that WAS an 18 year old girl we were seeing. Plus her scene at the club with Barry Pepper is really great.
I bought 25th Hour sight unseen because Edward Norton was in it, and ended up getting the best movie I've yet seen. I intend to buy the DVD as soon as I can. Buy this film. Don't listen to those who will try to discredit it, it is a great movie and a wonderful vehicle for the acting talents of our Edward Norton.

Chornyi

Nothing really happens
25th Hour has some enjoyable elements, and works in a special way. A man is sentenced to jail, and is allowed time on the outside to say goodbye. Naturally he reflects on what might have been, and also questions his friendships. I found the film had alot of hidden meanings, but it did lose some credibility with the freedom aspect. I dont know what it is like in America, but if you were sentenced to jail for being a drug dealer in Australia, you would be kept in custody beforehand for weeks.

I have to admit it was difficult to feel compassion for Norton since his character is that of a drug dealer. Perhaps if he was being sentenced for something different, it might have helped gain my compassion.

Worth seeing, even if it is rather depressing at times. ... Read more

Amazon.com

Prolific director Spike Lee (Do the Right Thing, Malcolm X) offers the fictionalized account of the pilgrimages black men all across the country made to the Million Man March in Washington, D.C., and the process showcases a fine ensemble cast of eclectic actors. Shot in a fast-paced low-budget style, the film chronicles a bus trip beginning in Los Angeles and the passengers, all from vastly divergent ages, backgrounds, and beliefs, getting to know one another and discussing their respective reasons for making the trip. The group, including a gay couple, a father and his son, a cop, and an actor, each confront the hostilities and prejudices they have faced as well as the ones they hold within themselves. And along the road they encounter incidents that bring into sharp focus the need they feel to acknowledge their heritage and shared struggle. Frequently entertaining in its rapid pace and cutting dialogue, this small but ambitious effort is sure to provoke debate even as it entertains. --Robert Lane ... Read more

Reviews (16)

A good piece of work
Don't get it wrong this movie is not about the Million Man March. This is an excellent work portraying the diversity amongst African-American men. This movie not only showed these differencies but also the interaction between their different views on current affairs, and how this affects unity amongst African-American men and women. I like how Spike Lee used the camera on the bus to give the viewer the feeling of actually riding on the bus with the travellers. The documentary feeling of the film also served to bring your psyche into the work.

Lee Hits us again with the polemics
Once again, Spike Lee hits us again with the polemics. Overall, the story is not bad. The basic idea of a bus ride to the MMM is a good one. SOME of the characters are nicely drawn, such as Charles Roc Dutton's bus driver, Ossie Davis as the patriarch, and the caring father of the wayward son. But the film is weighed down by Spike Lee's usual soapbox dialogue and polemics. Sadly, few of the characters in this film actually talk, they make speeches (as is the case with "The Red Menace" and "Putney Swope)." Like I said, the story itself is good and the above-mentioned characters are nicely drawn. But the dialogue? Go to the soapbox on 125th St. in Harlem as the Black nationalist pontificators pound the podium and you get the idea.

Spike Lee at his best and worst...
His best: social journalism. Nobody brings perennially pressing issues to the screen as consistently and vitally as Spike Lee---love or hate his films as you may, there's no argument that he does a superb job of provoking debate and reflection. Here it's Lee's two favorite topics, racial history/injustice/relations and (less prominently but still significant) gender/sexual issues...treated with a vast amount of humor and often insight.

His worst: at times some of his films implode when Lee gets on his soapbox and goes too heavy-handed---the Message blots out the Movie. This happens towards the last one-third, with the last 10 minutes especially preachy and contrived. The film craft breaks down, characters and dialogue that before had been pretty much spot-on suddenly verge into labored allegory and caricature.

It's like Lee drew up a laundry list of Pressing Societal Problems (brings to mind Larwence Kasdan's "Grand Canyon") and tried to allot 5-10 minutes for each one. Sometimes he does so with grace and wit, but sometimes he stumbles into glibness and stereotyping.

I was a little disappointed that Lee didn't show more of the actual Million Man march, maybe explore the controversial Louis Farrakhan a little bit more deeply. I was however pleasantly surprisd that Lee does take a fairly mature, gutsy stand on homosexuality and homophobia absent in some of his earlier films.

Had Lee made this film more as a straight (or pointed) documentary rather than trying to turn it into a heavy-handed inspirational treatise, I'd gladly give it 5 plus stars. Even in its current form it's well worth watching.

One of my favz - Great actors makes it a wonderful film
This is according to me a very good film, it's actually one of my fav's.
What makes it so good is the feeling u get from watching the movie, U feel that u are a passenger on the bus observing the others.
There are some great performances in this movie unlike Spike Lee's HE GOT GAME that had a player in the NBA in the lead and pretty much everybody except for DENZEL & Hill Harper didn't know how to act.

Great performances from GABRIEL CASSEUS, HILL HARPER, OSSIE DAVIS and the rest of the cast.

A thoughtful film
Get on the Bus is one of Lee's best works. Poignant, funny and introspective, it tells the tale of various black men from various walks of life; a father and his estranged, angst-ridden son, a gay couple, an arrogant actor, an ex-Crip turned Muslim, a half white cop and Ossie Davis as the "spiritual grandfather/moderator" type. They travel from California to DC for the Million Man March, and along the way come to terms with prejudice and hatred they have felt without as well as within.

Some may criticize the "stereotypical" treatment of the white characters, but this may be a bit much. The Jewish Bus driver is an honorable character, and in a scene with him and Charles Dutton, director Lee let's him speak his side of the story "OK, I may have some problems with blacks....but no more worse than the problems you have with whites. I don't have anything to prove to these guys". Randy Quade's redneck cop may have been over the top, but suffice to say, there are people in parts of America who still treat people that way.

Overall, I think this film is definitely Lee's most underrated work. ... Read more

Amazon.com essential video

Spike Lee's 1991 story about an interracial relationship and its consequences on the lives and communities of the lovers (Wesley Snipes, Annabella Sciorra) is one of his most captivating and focused films. Snipes and Sciorra are very good as individuals trying to reach beyond the limits imposed upon them for reasons of race, tradition, sexism, and such. Lee makes an interesting and subtle case that they are driven to one another out of frustration with social obstacles as well as pure attraction--but is that enough for love to survive? John Turturro is featured in a subplot as an Italian American who grows attracted to a black woman and takes heat from his numbskull buddies.--Tom Keogh ... Read more

Reviews (23)

How things have changed...
I think Do the Right Thing is Spike Lee's best movie, and the early 1990s was a time where Spike was making his movies with a message. Do the Right Thing is a movie that stands the test of time in my opinion, because so much of it rings so true, it's incredibly funny, and heartbreaking at the same time. Lee received a lot of flak for that movie while making it. When it came out, it shut everybody up.
About one year after that, Jungle Fever was released. It was definitely a big deal at the time - a movie about a black man and an Italian woman in a relationship in NYC, a city at the time still basically reeling from the well-known racist killings of two black men at the hands of Italians in their neighborhoods. So this whole interracial thing and the ramifications of it seemed groundbreaking at the time.

I watched this movie the other day and marveled in terms of the interracial aspect of it how much of it is just not the case anymore in 2003 America. It was a big deal for a black man to be seen with a white woman. Now, it's totally taboo, and desired, and nobody really cares. I mean, I actually found myself giggling during the movie and saying to myself, "Come on, now. It's not even like that!"

Okay. A quick review of the movie: Wesley Snipes stars as Flipper, who starts an affair (for no damn good reason) with a white temp worker, Angie, played by Annabella Sciorra, and then has to deal with the repercussions of it. In the midst of this are storylines with Flipper's brother and his drug use, his strict bible-thumping father, and other storylines with Angie's folks, part-time boyfriend, etc. Spike Lee's ensemble cast is featured, and they do not disappoint. Samuel L. Jackson is absolutely fantastic as the crack addcited brother. His performance is both hilarious and pitiful, Ossie Davis is wonderful in his role (hated the actions of his character at the end, though, did he go to the slammer? He should've), John Turturro is excellent (when is he not? Absolutely phenomenal in Do the Right Thing, btw), and the list goes on and on. Fortunately, these actors all balance out Wesley Snipes who is basically ineffective in his performance. In my opinion, he just can't act. You feel so sympathy for him as he has to deal with his wife and all her anger about the affair, you don't care about him and his issues with his job, and everything else he goes through. And I think we're SUPPOSED to care and sympathize with this guy, I just think Snipes was just unable to pull off the role. BTW, Annabella Sciorra is excellent.

On another note: much has been made of Halle Berry's performance in this movie, how groundbreaking it was, etc. Not! She is totally overrated in this movie. All she does is act crazy, fire off expletives and the like to the point of annoyance. She has proven herself to be a good actress in movies following this, but in this one, give me a break. It's Samuel L. Jackson who makes that storyline, let me tell you.

The bottom line is if you watch this movie around Wesley Snipes, you can actually enjoy it. It gets a little long-winded at points, but the performances are pretty good. Some other performance notes, the little girl who plays Snipes and McKee's daughter Ming (someone explain the chinese name for this black child to me, please?), annoying! I know she was young, but she was totally not cute, though she tries very hard to be. Totally irrelevant to my review of the movie, I just wanted to say that I found her incredibly annoying and not cute.

BEST SPIKE MOVIE EVER!!
I'm a Spike Lee fan and i have to admit that this is his best work ever! I'm a teenager and ever since this movie came out I had always wanted to see it. I finally saw it 2 hours ago and I thought it was excellent. I'm a big fan of Sam Jackson and I think in a way he stole the show. Everybody played their part accordingly specially Anthony Quinn and Lonette McKeen. This actors did a great job and I do think this is an "underrated masterpiece." This movie has been overlooked by some people and I think it deserves way more reviews than it has received. The issue of white/black dating was discussed throughout this movie and I loved the scene where the "girls" were talking in the living room about why they thought black men dated white women. Go rent this movie now if you haven't seen it and if you don't liek it then you're crazy!

One of Spike's Most ambitious films
But he apparently was still having some trouble with balance. The story is , well, you know. And it's a great thing that Spike had the guts to do something like this. And while there was some balance, the scale was a shade racist. Just a shade. Still, one of his absolute best and a must, although he really did have trouble with ending this one.

Spike Showed Truth With This Film
First of all, I am a black female who could care less if someone dates out their race. And I don't know if Spike is a racist or not (because he has dated white women and his father is married to a white woman). But one thing is clear; SOME black people do get offended when they see a black man with a white woman. I have personally seen black women confront black men for dating white women and I have seen black men act crazy when they see a black woman with a white man. In my opinion, Spike showed reality in this film, whether you agree with it or not. However, I don't like this film because it was so unfocused to me. There were too many things going on and in the end, it all seemed useless. I guess Spike wanted to get people talking about race and if that was his goal, then he achieved it. Personally, what I find most offensive and racist is the person who is playing the lead character. He (Snipes) made nasty comments about black women to a black magazine, which explains why his popularity has gone down.

Spike Lee ought to be banned from filmmaking
This is one of the absolute worst movies I have ever seen. Spike Lee is not a brilliant filmmaker. He clearly has racist views that he feels the need to display on film. Jungle Fever is the story of a black man who has an affair with an Italian woman. When their affair is found out, everyone is up in arms. The woman is accused of stealing the Black Man. Black women sit around dissing her when Flipper's (Snipes) wife needs to be questioning her husband. Last I checked, the ring was on Flipper's finger. The very idea that these women can sit around dogging white people and it be deemed ok is deplorable to me. As a young black female, I was disgusted at this image. Queen Latifah's portrayal of that waitress was even worse.

This movie is disgusting and it is a very good example of irresponsible filmmaking. This does not promote racial unity or racial tolerance.

Avoid it at all cost. ... Read more

Amazon.com essential video

Spike Lee's semiautobiographical, 1994 film about the good and bad times for a Brooklyn family in the '70s has passion and nostalgic good feeling, but it is also a mess of random reflections and arbitrary storytelling. The centerpiece of the movie is a little girl (Zelda Harris) who views the ups and downs of her parents' experiences (mom and dad are played by Delroy Lindo and Alfre Woodard), and who navigates the life of her neighborhood. Lee tosses in a lot of '70s detail (watching The Partridge Family) and other diversions (Harris's journey through suburbia), but he has no master sensibility controlling the flow of it all. The film is more wearying than anything, although bright spots include Lindo's fine performance as a talented man suffering from irrelevance. --Tom Keogh ... Read more

Reviews (31)

A Great movie about Family
"Crooklyn" is a nostalgic story of the ups and downs of an African-American family living in 1970's Brooklyn . It is probably the second best movie that director, Spike Lee has ever made. Lee's best was the classic 80's flick "Do the Right Thing".But while "Do the Right Thing" was about ethnic tensions, racism and strife, "Crooklyn" is a film about love.In the movie we meet the Carmichael family. They yell, scream, call each names, even get into physical fights.But it is very evident, that love is very strong among this large brood.Dad (well played by Delroy Lindo) is a musician who is trying to create some honest music thats important to him. Mom (fabulously played by Alfre Woodard) is pulling her hair out, trying to keep this inner city family's finances above water, while trying to stop the kids from killing each other.But the film really centers on 9 year old Troy (Zelda Harris) who shows us the ins and outs of her family life and the close Brooklyn neighborhood that she is growing up in. Juvenile actress, Zelda Harris gives us an amazing starring performance that is totally believable. The movie is pretty much autobiographical (Lee wrote it with his sister Joie)and it richly lays on the 1970s nostalgia with cultural references among other things to "Soul Train", the "Patridge Family", Walt Fraiser, and baseball stategamatic.The film also has a wonderful soundtrack which is packed with '70s R&B and pop music from groups like the Jackson 5, the Spinners, Curtis Mayfield, the Staple Singers and Sly and the Family Stone.In fact, my favorite part of this movie is the opening credit sequence, where you hear Marc Dorsey's "People Make the World Go Round", while the film shows us the neighborhood's children playing various sidewalk, kids games.Between Soccer practice and video games, do kids even do this anymore? I just love this movie and I highly recommend it!

LOVE,LOVE,LOVE this movie !!!!!!!
This movie will take you "Back Down Memory Lane."
I grew up during the 70's and this movie hit home to me 100%. The sound track alone will sell you on the movie. Spike Lee as well as ALL the characters in this movie will allow those who did NOT grow up in the seventies to know what the experience was like. The young girl in the movie is a STRONG actress and carries her role as the "MISS KNOW IT ALL" sister in the family while each of the brothers give her a hard time. It is up to the sister to keep the family together in the time of crisis.

Much love SPIKE for bringing this time period in the lives of African Americans to the big screen for those to enjoy!

This film's a mess, but still enjoyable.
I think Spike Lee was trying to make an African American version of the wonderful book "A Tree Grows in Brooklyn" -- but all of the Gershwin-esque music and fabulous camerawork can't hide a story severely lacking in purpose and that wastes too much time on irrelevancies. When it suddenly turns to serious drama, the performances warrant it but the tone and direction of the film do not. The most glaring shortcoming of the film is the attempt to pull of the various "characters" of the neighborhood -- with very little to no success. It's a shame because this was one of the great things in "Do The Right Thing." Still, he has such fabulous style and such an ear for dialogue that this film is a rich pleasure to watch. If it weren't for Lee's masterful talents this film would be quite poor -- maybe even a one-star review. That's quite a complement to him I think.

ONE OF MY FAVORITE MOVIES
THIS MOVIE IS GOOD AND SEMI-REALISTIC....ALL THE ACTORS WERE GREAT(ESPECIALLY ZELDA HARRIS AS LADYBUG)I JUST HATE THE CIRCUMSTANCES AT THE END(IT'S REALLY SAD)BUT OVERALL IT'S A GOOD MOVIE

Superb !!!!!!
This is a great film about some kids it is about the oldest child being a girl and living with her litle brothers and how they got on her last nerve and how she had stood up for them and living with her mother and father and growing up in the 1970's . This film also showed how it is living in New York the terms and the conditons, and challenges tht you have to face growing up I really enjoy this film!!! I would reccommend anyone to buy this movie!!!! ... Read more

Reviews (37)

POWERFUL
I preordered my dvd in early january, i was not fortunate enough to see this event live. Why buy this? You could cop out and only say: Mc Cartney, jagger,keif, elton john, james taylor etc. etc.. You could buy this to feel the emotions of the firefighters and police who lost so many. Listen to politicians who represent the emotion that we felt at the time. Not fighting for a partisan but for the people. Toss in a few entertainers who can make us laugh and cry. Still you have not gotten to the point of why to buy. This may be the most powerful dvd you can ever buy. You cannot watch washington cross the delaware or see lincoln give the gettysburg address. We have watched the towers be struck and tumble again and again. This concert is the beginning of the healing. We cry with our great servicemen and women We sing along to the songs that we have grown up with. We cannot, will not forget sept. 11th and if only one penny from each item purchased goes to help someone who lost a loved one. Then it is a penny well spent. GOD BLESS AMERICA and may god bless new york city. Thank you for a great piece of history and an even better night of entertainment

Heart and Soul of New York
This concert exemplified the magic of music as the background for Americans coming together to grieve collectively. Watching this concert will show you raw emotional energy rarely seen on television. It is a sad concert and there are many times where you can see individual instances of personal grief among the music of many different superstars. It is a long concert and well worth a viewing. Among other things, I thought Paul McCartney was cheesy and his song "Freedom" was a situation where you had an amazing song writer reacting to bad circumstances but with poor results. The Who in my opinion, stole the show and then some, they were amazing as always. I don't think Jay-Z was placed at the right time when he came out. Billy Joel was everything New York as he always has been.
The ultimate point for you, is that you should own this DVD as it is a recorded reminder of music's response to an American tragedy with an audience showing us the rawest and most powerful of human emotions out for the world to see. Some may say it was convenient for superstars to show up and act really concerned and to use their fame as a pulpit to try and relate to everyday people; however, those people are uptight, why else do you go to concerts?, to be taken away from everyday routines and tragedies of life, so a concert of this magnitude after 9/11 was exactly what the country needed.

The Best Concert Ever...With a Few Exceptions
Overall, 99% of this concert is very good. David Bowie, the Who, Mick Jagger, Keith Richards, Paul McCartney and Elton John all played fantastic sets here. But I have a problem with some of the other music. Eric Clapton plays "I'm Your Hoochie Coochie Man," totally unreated to 9/11. Jay-Z also had no business appearing at this show, especially if the only piece he can come up with is "H to the Izzo." My other complaint is that this DVD is incomplete. Two Paul McCartney songs, one Eric Clapton song, one Goo Goo Dolls' first song, and a good cover of "With a Little Help From My Friends" are all missing. The entire 6-hour concert could've easily been released. But what's here, for the most part, is very good. So on the whole, this is a good buy.

The Concert That Proved New York Is Still Number One
It was a night of healing. It was a night of reconcilliation. It was a night for firefighters, policeman, paramedics, musicians, actors and "Saturday Night Live" alumni alike to join together and prove New york did not grow weak after 9/11. It grew stronger and this 5 - hour concert showed those shems in the Middle East right.

Disc 1 is chock full of memorable moments. For me, the highlights were Billy Joel doing "New York State Of Mind", Eric Clapton and Buddy Guy doing a scorching rendition of the blues standard "I'm Your Hoochie Coochie Man" and Adam Sandler reviving Operaman. But as just about every reviewer pointed out, The Who blew everyone away. I think it was "Won't Get Fooled Again" that stood out. It was also a spectacular swan song for the band's bassist, John Enthwistle. This was his last live appearance ever. He died suddenly in June 2002.

Disc 2 is even better. My favorite performer here is Elton John, who delivers a powerful version of "Mona Lisas And Mad Hatters". Mick Jagger and Keith Richards do great versions of "Salt Of The Earth" and "Miss You", though I would have liked it if all of The Rolling Stones were onstage. Jimmy Falon does an interesting medley of 1980s' hits that includes "Who's Johnny", "Der Komisar", and "I Just Died In Your Arms Tonight". Paul McCartney brings down the house at the end. I really enjoyed it when Richard Gere got booed. He was asking for it.

Overall, a great concert.

Support a Good Cause
Just a reminder that proceeds from the sale of this video still go to the Robin Hood Relief Fund. ... Read more