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Emma Thompson scores a double bull's-eye with this marvelous adaptation of Jane Austen's novel. Not only does Thompson turn in a strong (and gently humorous) performance as one of the Dashwood sisters--the one with "sense"--she also wrote the witty, wise screenplay. Austen's tale of 19th-century manners and morals provides a large cast with a feast of possibilities, notably Kate Winslet, in her pre-Titanic flowering, as Thompson's deeply romantic sister. Winslet attracts the wooing of shy Alan Rickman (a nice change of pace from his bad-guy roles) and dashing Greg Wise, while Thompson must endure an incredibly roundabout courtship with Hugh Grant, here in fine and funny form. All of this is doled out with the usual eye-filling English countryside and handsome costumes, yet the film always seems to be about the careful interior lives of its characters. The director, an inspired choice, is Taiwan-born Ang Lee, who brings the same exquisite taste and discreet touch he displayed in his previous Asian films (such as Eat Drink Man Woman). Thompson's script won an Oscar, and 1995 was a fine year for Jane Austen all around: Persuasion was made into an excellent picture, and Emma became the spritzy high school comedy Clueless. --Robert Horton ... Read more

Reviews (225)

English Romance At Its Finest
Jane Austen is a fine writer, but her wordiness tends to drain the life from many of her characters. Thankfully, Emma Thompson recognized the limitations of the novel and adapted her screenplay accordingly, enhancing the humor of the original story and adding more drama to make the film more enchanting. A cast was then chosen, made up of very talented thespians, including Miss Thompson herself. Add to that splendid English landscapes, excellent directing, and superb cinematography, and what emerges is a modern masterpiece.

This is not a movie for action fans; it is far too cerebral and requires a serious attention span. For those who enjoy a good love story well told, this is it. The characters are three-dimensional and their dilemmas full of human drama, bound as they are by the morals and manners of the times. Three sisters and their mother are left virtually penniless by the stricture against females inheriting property then in place in English law. The half-brother to the Dashwood women receives it all, but his selfish wife talks him out of helping his stepmother and half-sisters. It is up to the two older girls---sensible Eleanor and passionate Marianne---to seek their fortunes in romance while lacking a dowry to help them.

Eleanor finds her soulmate in shy, retiring Edward Ferrars, brother of the selfish sister-in-law. Her budding romance is shelved when his sister makes it clear that Eleanor is "unsuitable" for Edward. The sisters and their mother then go to stay in a cottage owned by a kindly relative, Sir John, and his mother-in-law, the irrepressible Mrs. Jennings. The old woman is a confirmed gossip and matchmaker, bound to see one of the two sisters hitched up to Colonel Brandon, the most eligible bachelor in the area.

Brandon first sees Marianne singing a melancholy song and is incurably smitten. She in turn loses her heart to a dashing young man named Willoughby, who is her ideal of a Victorian-era gentleman, complete with a pocket book of sonnets. Brandon, who loves her more than his own happiness, steps aside and even encourages their relationship, despite his dislike for the handsome rogue.

Things take an unexpected turn for the worse for both sisters---Willoughby drops Marianne and flees to London with no explanation and Eleanor discovers that Edward is engaged to a shallow young woman named Lucy Steele. The ensuing twists and turns in the plot make this film both agonizing and entertaining to watch. Mercifully, everyone winds up happy at the end with the right person as a spouse.

The whole film is solidly done, but it is the acting that really shines. Thompson is perfect for the role of the calmer sister, while Winslett is brilliant as the mercurial Marianne. Grant is endearing as the gentle Edward; Rickman finally gets to display his considerable ability to act the part of a very good and unselfish man. The rest of the cast keeps pace with the leads, and Hugh Laurie is indescribably funny as the sarcastic Mr. Palmer. One very beautiful aspect of this movie, along with the tendency to get drawn into the story, is the haunting and evocative musical score.

All in all, this is a wonderful example of a film genre that is so often overlooked in today's world---period romance. More movies like this one desperately need to be produced. Buy this one today because it's a gem.

JANE AUSTEN'S TIMELESS CLASSIC COMES TO LIFE
This film is so beautifully realized, in its scope and execution, that I have nothing but praise for both screenwriter/actress - Emma Thompson and director Ang Lee. Based on the novel by Jane Austen, the film follows the exploits of Mary-Anne (Kate Winslet) and Eleanor (Thompson) Dashwood; two angelic sisters determined to find romance amidst the sublime grandeur of the English countryside. Also stars Hugh Grant and Alan Rickman.
Columbia's transfer is, on the whole, gorgeous. Colors are well represented and fine detail is rendered accurately. Contrast levels are subtle, as they should be and dark scenes are accurately represented with only a slight loss of fine detail to speak of. Unfortunately, there are several scenes that exhibit pixelization that breaks apart background information. There is also the inclusion of some minor edge enhancement that, while not terribly obtrusive, is nevertheless present. This special edition includes a wonderful featurette and Emma Thompson's witty acceptance speech at the Golden Globes - a real treat. FINAL WORD: There's no costume drama of the 90's more poignantly captured. A British legend becomes an American Movie Classic. Get this one!

A classic based on a classic
It seems that for a few years, Hollywood couldn't turn out Austen movies fast enough. This is the only English production of the bunch, and it is wonderful.

The casting is perfect. I thought it very silly that Emma Thompson was going to be the 19 year old Eleanor, and since she produced the movie I thought that was just silly vanity. But she is actually perfect as the too-sensible-for-her-own-good Eleanor. Kate Winslet is great as flaky Marianne. Even little Margaret (Austen's only fully-realized child character) is great as the spunky pre-teen. I remember when the movie came out one reviewer said that Hugh Grant's character "looks like he's forgotten to take the coat hanger out of his clothing" and that is so true... but he's so good as the clueless cad.

The film is beautifully shot, with great sets and scenery. It's a little hard for a modern person to understand why the Dashwoods were so upset to have to move to such a charming cottage! Historical perspective is maintained in the movie, though.

It is also very well written, with my very favourite line in any movie appearing (though I've read the book twice looking for it). Truly words to live by, Mrs. Dashwood tells blabbermouth Margaret that if she can't think of anything appropriate to say, "please keep your conversation to the roads and the weather!" Advice that has never failed me yet :-)

Great commentaries (contains spoilers)
When I first heard this film was being made and that Emma Thompson and Hugh Grant were going to be in it, I thought, "Yes! Hugh Grant as Willoughby and Emma Thompson as the unpleasant sister-in-law!" But no. However, the commentaries explain the casting and then it made more sense. By the way, Kate Winslet is perfect and Alan Rickman gets the girl.

Very Good Indeed!
This is a wonderful movie with a wonderful cast and beautiful script. I don't really know what else to say except that I absolutely adore this film. Alan Rickman is superb as Colonel Brandon, I fall in love with him over and over again each time I watch this movie. He's wonderful, as is Hugh Grant as Edward Ferrars. Both characters are so likeable and real, they fit perfectly with their characters and make each viewing as enjoyable as the last. Kate Winslet, as well, is one of my favorite actresses. She fits so well in period pieces like this one.

This film is great whether or not you've read the book. It's good all on it's own. My only complaint is that I cannot picture Eleanor as only 19. While I've always pictured her well above her years, I have a difficult time accepting her age in the film. This is overlooked by Emma Thompson's brilliant portrayal of her. ... Read more

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Hong Kong wuxia films, or martial arts fantasies, traditionally squeeze poor acting, slapstick humor, and silly story lines between elaborate fight scenes in which characters can literally fly. Crouching Tiger, Hidden Dragon has no shortage of breathtaking battles, but it also has the dramatic soul of a Greek tragedy and the sweep of an epic romance. This is the work of director Ang Lee, who fell in love with movies while watching wuxia films as a youngster and made Crouching Tiger as a tribute to the form. To elevate the genre above its B-movie roots and broaden its appeal, Lee did two important things. First, he assembled an all-star lineup of talent, joining the famous Asian actors Chow Yun-fat and Michelle Yeoh with the striking, charismatic newcomer Zhang Ziyi. Behind the scenes, Lee called upon cinematographer Peter Pau (The Killer, The Bride with White Hair) and legendary fight choreographer Yuen Wo-ping, best known outside Asia for his work on The Matrix. Second, in adapting the story from a Chinese pulp-fiction novel written by Wang Du Lu, Lee focused not on the pursuit of a legendary sword known as "The Green Destiny," but instead on the struggles of his female leads against social obligation. In his hands, the requisite fight scenes become another means of expressing the individual spirits of his characters and their conflicts with society and each other.

The filming required an immense effort from all involved. Chow and Yeoh had to learn to speak Mandarin, which Lee insisted on using instead of Cantonese to achieve a more classic, lyrical feel. The astonishing battles between Jen (Zhang) and Yu Shu Lien (Yeoh) on the rooftops and Jen and Li Mu Bai (Chow) atop the branches of bamboo trees required weeks of excruciating wire and harness work (which in turn required meticulous "digital wire removal"). But the result is a seamless blend of action, romance, and social commentary in a populist film that, like its young star Zhang, soars with balletic grace and dignity. --Eugene Wei ... Read more

Reviews (982)

A Masterpiece
Crouching Tiger, Hidden Dragon is simply a masterpiece. A brilliant film with great performances by its stars, Michelle Yeoh, Chow yun fat, and especially Zhang Ziyi. Director Ang Lee along with his choreographer tell this epic story in a stunning and creative visual way that makes this film one of the greatest ever made. The action scenes in this film are jaw dropping, and are unmatched by any action film ever made. Along with the action, is a great story and great characters that reflect influences from Lord of the Rings, and parallel the Jedi of the Star Wars trilogy, but remain consistent with the eastern culture and philosophy which permeates throughout the story. In fact, the main characters, especially Jen, portrayed by the talented Zhang Ziyi , seem to question that philosophy and culture throughout the film, almost rebelling against it. This is foreshadowed in the beginning of the film when Yun-fat's character describes how his meditation leads him to a place of sorrow instead of enlightenment. In a later scene, Yeoh 's character questions the buddhist teaching of Fat's character in relation to their suppressed love, pointing out the touch of her hand is real,not an illusion, even though it is of this world. However it is also the discipline of this eastern spirituality that gives these knights their power. the main character Jen, abuses this power, along with the power given to her when she posesses the Green Destiny, a magical and powerful sword, owned by the wizard -like, or jedi- like, character portrayed by Chow Yun-Fat. The Green Destiny, much like the ring of power in lord of the rings, or the force in Star Wars, becomes a power that threatens to consume Jen. Throughout the film , Jen rebels against the traditions of the easten culture and philosophy. Even during the action scenes, as Chow Yun-Fat's character scolds her, she responds by telling him to stop talking like a monk and fight. Her rebellion is also reflected in her love for a barbarian that lives in the desert. Jen's rebellion is an extreme one, however, that leads to such deep despair, that it leaves the viewer to question if even the true love she found in the desert can save her. This movie has everything one wants in an epic, great story, acting, cinematography, directing, score. This film should win an Oscar for Best Picture... Crouching Tiger Hidden Dragon is truly a great film.

Deserved the Academy Award for "Best Picture"
When "Crouching Tiger, Hidden Dragon" first hit theatres in Asia in the summer of 2000, audiences were beyond pleased - because for the first time, what could be considered a kung-fu film included within itself a moving story. This film manages to be so philosophically deep that it subconsciously stirs emotion and feeling within the audience - without ever being corny. Not to mention that this is probably the best film ever that features the geography of China. Shots were absolutely stunning. Music was also beautiful, with one of the best cello performances given by Yo-Yo-Ma, and a smash hit song by Coco Lee - "A Love Before Time."

The film consists of various types of relationships - everything from forced-hidden love, children to parents, and disciple to a kung-fu master. Chow Yun-Fat, Michelle Yeoh, Chang Chen, and Zhang Zi-Yi together made the best acting performances seen for years.

Cinematography was impressing. Each shot was meticulously perfected - exactly why "Crouching Tiger, Hidden Dragon" took two years for world-famous director, Ang Lee, to shoot. One shot of the rooftops for the film's previews itself took five months. The original version is much better than the dubbed, so take the time to read subtitles - it can't be that hard.

Get ready for flying kicks, tears, and beauty. Get "Crouching Tiger, Hidden Dragon" today. (Original version.) - Priscilla

Chic flick on speed or sublime flight of the imagination?
Call it what you will--archetypal fable with a feminist twist, exquisitely choreographed martial arts movie, balletic spectacle balancing image, action, poetry and music--"Crouching Tiger" is a distinctive variation on familiar genres. The words "ballet," "choreography," "Eastern" exotic myth don't quite do justice in describing the film. For one, the action sequences are lightning swift--reminiscent of American silent comedies and more suggestive of music than of formal dance. And certainly the tempo of this music and the pace of the film seem more Western than Eastern (as does the throbbing romantic cello of YoYo Ma). Some will single out the three female leads in this rite-of-passage archetypal story as the film's most distinctive twist. But even more novel is the way the form foregrounds allegory and approaches the theme of teaching and learning. Film is a medium that is normally "relentless" in his representation of the physical world, satisfying viewers' expectations of actions that are at least humanly plausible. But by making his characters fly all over the frame, director Lee keeps reminding the spectator that if you try to respond this film as another action movie you will not only miss the point entirely but be thoroughly disappointed. Sword play, flying, and fighting are metaphors for living, learning and loving. All of the 5 principals in the story are learners--and all are failures to greater and lesser degrees. In fact, the alleged villain, Jade Fox, is in some respects the most sympathetic of all the characters. She had access to the most masterful swordsman of all but not to his teaching because of her status as a woman. At one point sword play is compared with word play, or writing (through the picture-grams of Mandarese script). Whether the instrument is a sword, a pen, or a brush, the viewer of this enchanting parable is finally enjoined to fashion a personal narrative that rejects pride and selfishness in favor of a life sufficiently disciplined to give itself over to love.

One of the best -- ever
CTHD combines an exciting story, great stunts, beautiful cinematography, lovely women, and a complex story that is by turns mysterious, suggestive, and incomprehensible. Michelle Yeoh is a good actress in addition to her physical talents as a martial artist. Zhang Zi Yi is a sexy vixen. Chow Yun Fat is an aging warrior who seems to be going through a mid-life crisis. He loves Michelle Yeoh, but can't get around to telling her, and is attracted to Zhang. The unanswered question posed by Zhang is, "Did you want me or my sword?" The two women dominate this movie; their martial arts scenes are spectacular; Yo Yo Ma's cello is sad and fetching; the scenery is spectacular; the fate of Chow and Michelle is heart-rending; the fate of Zhang is puzzling and ambiguous. Great movie!

good and classy
ive seen this movie three times.the 1st time it was spoken in chinese with no words at the bottom.the 2nd was the same deal but with the english translation at the bottom.the 3rd was in normal english.thank god!in it,a thief steals a relic and some people go to get it back.it has breathtaking backgrounds like lord of the rings.beatiful music like amadeus and martial arts effects like a pre-matrix but similar.the kids could watch it.theres only one bad part.it is definately a artsy and classy type film.ang lee is the director.he also did the hulk.the hulk is better.it is not emotional per say but more inspirational.there are some chicks but they are not portrayed in a sexual way.one guy,in the less than apropriate part gets his hand down ones pants.i dont care what anyone says,if you get this in english,it is one of the best movies youll ever see.the special effects are cool.the fighting is outstanding! ... Read more

Reviews (585)

one of the best comic flicks, since spider-man.
he's faster than a speeding bullet, more poweful than a locomotive and able to leap tall buildings in a single bound.....no i'm not talking about the guy in the red n blue tights..but green skin with purole pants.

that's right true belivers.THE HULK is nothing short of another marvel masterpiece alongside BLADE, SPIDERMAN and X-MEN
instead of filling the movie with boring dialogue and senseless fight scenes ("can you say MATRIX RELOADED"?) ANG LEE gives a psychological perspective behind marvel's mightiest monster. the origin is surpasses it's comic counterpart..here banner deals with his surpressed anger and confusing regarding a truamatic experince during his childhood.

ergo the result of his alter ego's rage. the special effects are pretty impressive and not the "shrek on steriods" as some naysayers would believe. HULK isn't the sterotypical smash and destroy everything in sight, there's even a breif moment of heroism during the scene over the san francisco bridge.

eric bana does a great job as bruce banner, he even resmebles the mild manner scientist from the comic version and pays more homage to the comic as oppossed to the laughable tv series of the 70's (lou ferigno) all in all a great film and FINALLY co-creator JACK "KING" KIRBY is credited, his name was missing during the xmen movies.

marvel is on a roll next up THE PUNISHER, GHOST RIDER AND DEATHLOK!!!YES!

Too heavy a mood
When an arthouse director like Ang Lee takes the helm of comic pulp fantasy Hulk popularized by Stan Lee and Jack Kirby, you are almost sure of a heavy Freudian psychodrama with sense and sensiblity. One can't help also but to admire Lee's vivid use of split screens and panels, textures and colors to furnish a graphic novel. The gargantuan green creature of angst and amazing flying power is magnificently expressive and menacing as he storms through deserts, wrecking helicopters and fighting mutated beasts. Banner (Eric Bana) undergoes mutation agitated by a gamma-ray explosion with earlier experimenting done by his deranged geneticist of a father (Nick Nolte). Jennifer Connelly is his love-interest who helps to cure Banner of his trauma while her father (Sam Elliot) is the general assigned to destroy Banner. It is a moving essay on the dynamics of father-and-child with charged symmetry from Banner and Betty with their parents. The pace of the thrills also get unnecessarily bogged down in the first hour with its emotional cloud. Hulk fortunately regains its momentum with a special-effects extravaganza and draws exceptional performances from Nolte and Connelly that provides Hulk the movie substance and bulk.

Horrible
I saw this movie @ my cousin's and I thought it was gonna be so good. I love comic book movies so I was expecting something excellent. I thought this movie was a waste. It just totally sucked. I wouldn't buy this @ all. If you wanna see it, go out and rent it or borrow it. It's not worth spending your money on actually buying it

transhumanism meets the indigenist movement...
I know...a lot of people don't "get" it. This is a story about humanity's desire to tweek nature to transcend the "common" human condition. The hubris of science trying to break free of nature by manipulating nature...big business and the military industrial complex attempting to enlist this Icarus-like program for their own nefarious and very inhuman-human purposes...the HULK...transcending and returning to the very place his creation was an attempt to escape...those few Indians in South America facing genocide at the hands of modern civilization (so called)...snake bites it's own tail tale...

puny human
Wow this movie was amazing. I dont understand why it got a low rating. great dialogue from the actors. I enjoyed watching Jennifer Connelly on camera. She has pretty eyes and shes cute. The special effects were awesome! I especially like the behind the scene special features. Both discs are loaded with goodies! I hope they make a sequel. ... Read more

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Asian American director Ang Lee sums up America in the early 1970s by focusing on the arrival of the sexual revolution in the 'burbs. Isolationism within a family, consumerism, and selfishness are personified by a cast that captures the self-obsession within two New England families. As the children struggle awkwardly with adolescence, their parents stumble through sexual experimentation. In the days of Watergate and Vietnam, society is breaking boundaries and ignoring convention. Following suit, these families are eschewing polite barriers and social taboos, with disastrous results. The "ice storm" of the title refers not only to a natural phenomenon but is a (rather heavy-handed) metaphor for a pervasive emotional temperament. The entire cast delivers textured, finely nuanced performances. This movie lingers in the psyche not only for the scope of the tragedy at its conclusion, but for Lee's often humorous and stingingly accurate assessment of pop culture. Based onRick Moody's novel, this won the best-screenplay award at Cannes in 1997.--Rochelle O'Gorman ... Read more

Reviews (105)

Ang Lee's Look at the 70's..It's A Winter Wonderland
This review refers to the 20th Cent Fox DVD Edition of "The Ice Storm"......

The beauty of Ang Lee's storytelling, is that we never get the same story twice. His films are always a fresh take or a first look at era's past and present. Fresh off his success with "Sense and Sensibility", Lee steps ahead into the turbulant and oft confusing times of the 1970's with "The Ice Storm".The story based on a novel by Rick Moody deals with two upper class suburban families dealing with the changing times and the changes in their lives, all amidst the arrival of a wintry ice storm.He has chosen the perfect cast and adds just the right amount of nuance and subtle comedy to this drama to make it a perfect film.

Ben and Elena Hood(Kevin Kline/Joan Allen) married in the idealistic 50's, now find themselves growing apart and their relationship getting cold as the sexual revolution of the 70's is all around them.Ben growing restless has an affair with the neighbor Janey Carver(Sigourney Weaver), Elena wants to feel the freeness she felt as a young girl. While trying to fit into this new world, they decide to participate in a "Key Party"(who you go home with at the end is anybody's guess).The teenagers(Tobey MaGuire, Elijah Wood, Christina Ricci) are also trying their hand at experiencing life so to speak.As the events of the evening unfold, a freakish storm arrives that seems to blow new life into all of them, their lives will be forever changed with the passing of the storm and the dawning of the new day.

Ang Lee captures the mood of the Nixon era expertly. Kevin Kline, Sigourney Weaver and Joan Allen are perfect in their performances of the dysfunctional adults trying to cope with the times. Tobey Maguire, Christina Ricci, and Elijah Wood have all surely stepped up their careers from their brillant portrayals as the precocious but curious kids."The Ice Storm" will take your breath away.

20th Century Fox has made a beautiful transfer to DVD.It is presented in vivid colors and a sharp picture in the original theatrical widescreen(anamorphic 1.85:1). Depending on your set up it may be enjoyed in either 5.0 surround or Dolby stereo(English or French). There is a short featurette on the making of the film, the theatrical trailer and subtitles in English and Spanish.

It's amazing that Oscar missed this little gem, it was just one of those that got lost in the wake of "Titianic" that year. If you have not seen this yet and like a good emotional ride, this film will take you on that ride.And then you'll want to buy another ticket and go again!.......Thanks and enjoy...Laurie

No real story - just moody decadence
Ang Lee's extraordinary glimpse into an era and a culture not of his own (?) does not cease to amaze. But this eroding family and its various sexual hangups are not terribly engaging on their own. I found myself wondering WHO CARES? through most of the movie, yet I had to see how it ended. Lee keeps you hanging on despite the banality and embarrassment (namely sex party ideas of the '70's that even nice upper middle class people dabbled in). In the end it was less about sex and more about the preciousness of life itself - and that family is family no matter how miserable or dysfunctional it might be.

Lee leaves a steady trickle of nostalgia throughout the film which seems deliberately crafted to ensnare the attention of people otherwise bored with art films. (People like me.) HEY, I REMEMBER THAT SONG! AND WHAT'S THAT ON THE T.V. THERE - "TIME TUNNEL"?! These tidbits of trivia hold your attention much the way commercials do - so it is hard to say that the story of "The Ice Storm" is compelling enough on its own merits. You have to remember the era to really get anything out of this flick.

Dark,compelling story set amid social changes in the 1970s
This fim is moody and morose, just like the book which I read a few years ago. It now has a talented director (Ang Lee) and some well-known actors (Kevin Kline, Signorey Weaver). The Ice Storm is a metaphor, of course, and the scenes takes place over a Thanksgiving weekend in New Canaan, CT in the early seventies. The parents are experimenting with the sexual revolution. The teenage children and smoking pot and feeling the anti-war movement. The sudden social changes are confusing everybody.

The story is dark and compelling and the children come across as more real than the parents. It is a hard film to watch, given its subject. Thought it was was excellent athough I wasn't smiling when the film ended. I was thinking.

Take that 1970's!
The Ice Storm is one of the all time great films in the past 25 years if not 50. Ang Lee, who is gifted beyond fathomable belief, directs another deeply moving drama. Lee is one of the finest directors who can get the most of out of his actors. This film teases you and then slaps you upside down by it's stirring climax. This film is a treat; you're cheating only yourself if you don't see it.

one of the best suburban comedy-dramas EVER
while one could easily consider ice storm a companion piece to the great american beauty, the genius film-maker ang lee actually made this film several prior to american beauty & this was unfortunately highly overlooked in 1997 & 1998 sad to say. with the elements of comedy & drama, we get a view of what life could've been like during the seventies right around the holidays. the world outside was going through some great changes, people were searching for their own identities, & family were losing touch with one another. this holiday season, 2 families will be put to the test in terms of loyalty, commitment, & will discover just how they mena to one another. ice storm features some excellent performances from kevin klein, joan & sigourney weaver in addition to some stellar performances from lesser-known actors/actresses around that time such as christina ricci, tobey maguire, & elijah wood. ang lee has crafted a funny, often touching look at a cold world in which we've inhabited based upon the great novel by rick moody. the best scene in my opinion is the scene where kevin klein carries his daughter(played wonderfully by christina ricci) on his back walking through the woods as the snow begins to fall. beautiful & heartwarming scene indeed. another great moment is the thanksgiving dinner where christina ricci's character leads the family into prayer & this is a complete riot. at such an affordable cost on vhs & dvd, why shouldn't you own this little known masterpiece in your library? ... Read more

Reviews (62)

An Astounding movie wich was shamfully overlooked!
Ride with the Devil is a civil war drama about the kansas/Missuori buskwackers. It is one of the few movies which takes you into its period world so effortlessly. It shows the true violence of the time and yet shows how that violence affected people and changed their lives. Ride with the Devil was directed by Ang Lee, who brought us the brilliant Sense and Sensibility, this is his best work since Sense and Sensibility. Lee knows how to make a period drama come alive to the viewer in a way that few directors can do. Maybe its because he usually does projects he really feels for. The acting in Ride with the Devil was supuerb. Tobey Maguire again proves that he is the most talented young actor in Hollywood, today. He protrays a a first generation american,Jake Rodell, with such heart and sincerity, very few actors could have done that. Skeet Ulrich delivers his best and most seriuos performance to date, as Jack Bull. Singer, Jewel, gives a suprisingly good and nuanced performance as Sue Lee Shelley. Jefferey Wright, protrays a freed black with real integrity and authority. Wright and Maguire were horrible oversights at the Oscars. Actually, i thought the whole movie was a horrible oversight. They brought a whole differnet level to this movie with their performances. they made you see their characters in a way that few could have done. You truely cared what happened to them as if they were a close freind. Wright and Maguire made you see the Civil War not as north and south but as people defending the only life they had ever known. Ride with the Devil is a captivating movie that goes right to your heart and helps you to understand a time in America's history, when nothing was simple and everything was a battle--Freedom, your way of life and survival. it puts a new persepective on a war with split our nation in two and hurt everyone it touched. this movie will probably never get a big following but for those of you reading this you will not be disapointed. so go rent this movie or be like me and buy it. thank you Ang lee and everyone how helped make this magnificent movie!

One of the best films of 1999
In Missouri, in the early years of the Civil War there isn't yet a proper Confederate army, so pro-Confederate folks are pretty much left to defend themselves against the Union Army. Jake "Dutchie" Roedel (Maguire) and childhood friend Jackbull Chiles (Ulrich) become Bushwhackers: roaming, non-regular Confederates who sabotage, attack and kill Union regiments wherever they find them. This film is meandering, giving it an epic quality even though the time covered is only several years. Dutchie and Jackbull join up with other Bushwhackers, including gentleman George Clyde (Simon Baker) and his wry, freed-slave companion Holt (Jeffrey Wright). Led by the grim Black John (Jim Caviezel), these fellows and others fight for their families, revenge, and the thrill of it. The movie gives a thoughtful and not often seen perspective of the Civil War. Like LAST OF THE MOHICANS, it doesn't try to be politically correct or take sides; it concerns itself more with showing how the war the people fight can bear little resemblance to the one the politicians have waged.

RIDE WITH THE DEVIL was one of the most satisfying movies of 1999, featuring one of the strongest ensemble casts I've seen in a long, long time. Highly recommend!

Ang Lee's meditation on friendship during the Civil War
Missouri was one of the slave states that was kept in the Union during the Civil War and since it was on the far side of the Mississippi River it was not really part of the Western Theater of the war. As the critical part of the Anaconda Plan the Union armies were seeking control of the Mississippi, which explained why Grant was fighting his way from Tennessee to Vicksburg while Farragut took New Orleans. In fact, there really was not an organized Confederate army in Missouri, which explains why the young Southern men in "Ride with the Devil" join the Irregulars, who waged guerrilla warfare against Union loyalists. In this part of the war we do not talk about great battles, but rather the infamous raid that torched Lawrence, Kansas on August 21, 1863 as Quantrill's raiders murdered the pro-Union jayhawks.

The story here focus on six young men who join the bushwackers: Jake Roedel (Tobey Maguire), a first generation American who wants to be considered as much a Southerner as any one else even though his father can from Germany (which means he is called "Dutchy"); Jack Bull Chiles (Skeet Ulrich), who hates the Yankees and has seen his family killed; George Clyde (Simon Baker-Denny), a gentleman fighting to preserve a way of life that is going to be gone with the wind; Daniel Holt (Jeffrey Wright), an ex-slave who fights besides Clyde because the man freed him; Pitt Mackeson (Jonathan Rhys Meyers), who is a sadist who glories in killing; and Black John (James Caviezel), almost as brutal but more driven by anger and revenge.

The idea in "Ride with the Devil" is that when America went to war with itself in 1861 the young boys growing up in Missouri and Kansas were suddenly forced into a less than honorable manhood overnight. Consequently, one of the first casualties of the war was their innocence. In 1987 Missouri-born author Daniel Woodrell wrote his Civil War-era novel "Woe to Live On." For Ang Lee the appeal was the drama of young people coming of age in the worst possible time in American history and the theme of self-emancipation. The principal actors were put through three weeks of "boot camp" to capture the way the war dehumanized the young men forced to fight it.

This film start out focusing on the friendship between Jake and Bull as much as it is on anything else, but then while hiding out from the Yankees during the winter Bull takes a liking to Sue Lee Shelly (Jewel), a young widow woman who is helping to provide them with food. Having lost both his father and his best friend, Jake continues to fight because that is what he is supposed to be doing and starts to connect with two other characters in ways that will eventually change his life. After the Lawrence Raid it is clear that the war is going to be lost and a young man who has not even seen twenty years realizes he is lost as well.

Certainly "Ride with the Devil" is a beautiful film with the sense of period authenticity you would expect from Lee. It is not really a movie about the Civil War any more than "Cold Mountain" is (an obvious comparison), but more about the friendships that take place during a war. It is just not clear that this is the central theme because our expectations are raised by more standard plot considerations (love and revenge) that do not get played out the way you would think. There is also a sense in which Roedel is the least interesting character of the bunch, yet he emerges as the central figure and the most important gun in the film is perhaps the one that is not fired.

Excellent and underrated
Apparently, USA, which produced this film, was going under at the time of its release and it was show in only 14 theaters. This is a beautiful, emotionally engaging and entertaining film capturing a period and part of the civil war not often depicted.

Skeet Ulrich and Tobey Maguire play two Missouri teens who join a rebel group of Bushwackers (Confederate sympathizers). But this isn't a film that promotes one side or the other. Rather, it shows the similarity and familiarity between both sides.

The acting is wonderful and the story sensitive.

A Great Discovery
I bought this movie blind. I enjoy period flicks and, while seeing what was out there in Amazon.com land, I came across Ride With The Devil. I must admit, I know little about the stars in this movie (I did recognize MacGuire from Spiderman, and I've heard of - but not heard - Jewel), so it was a chance to spend my hard earned cash on it.
I'm glad I did.
Engulfing, exciting, suspenceful, and, most importantly, realistic. Not politically correct. Maybe that's why it didn't do well at the box office and critics panned it. But, it IS true to its time.
The border wars was a part of the Civil War that has hardly (if ever) been touched upon - that boundary where one straddles the fence. The problem was that one couldn't straddle the fence in a state like Missouri. They had to choose Yankee or Rebel. Jayhawk or Bushwack. And you feel clearly, while watching this movie, the turmoil that must have been raging in these citizen's minds and stomachs when they chose one side and a close friend or family member chose the other.
You also feel the deep sorrow and sympathy for ALL involved - North and South - no matter what side you stand for - when Jake reads the touching letter from a mother to her son, showing that these were people who had lives and loved ones waiting for them at home.
It's movies like this that brings these mid 19th century people to life, showing us that they're not just flat black and white pictures in a history book. And that is why this movie stands above so many other historical films.
I must warn you, however, that there is quite a bit of graphic violence. Believe me, you'll feel their pain! ... Read more

Reviews (9)

Tai Chi
Don't fall into the trap of thinking all Tai Chi masters are enlightened beings. I have met a fair few masters with stubborn ego's in my time! wonderful film.

Beautiful Movie
This movie was so very poignant. The American wife Martha was really good. Who is this actress. I'd like to see more of her on films.

Crosscultural masterpiece, interesting for tai chi overview
While Crouching Tiger Hidden Dragon shot Ang Lee into household ranks for his fluid, creative martial arts histrionics, this is no less a masterpiece in the somewhat more subdued version of Kung Fu -- the chinese art of Tai Chi.

The story is wrapped around an old Mr. Chu,a tai chi master (played almost effortlessly by Sihung Lung) who has moved from the rigors of a Beijing life to settle down in the suburbs of NY with his son Alex and his American wife, who's a novelist working from home. Mr Chu is at his wit's end, in a new culture, sans the language, spending his days watching Hong Kong videos vocally critiquing the Kung Fu moves much to the obvious chagrin of his American daughter in law.

While the pretext is predictable (They Dont Get Along), the emotional tussle of his son as an intermediary between his wife and father is well told, even comical at times. The film explores the Chinese ethic of filial relations -- father-son / man-wife / father-daughterinlaw etc. The movie is of a subtle, soft-spoken vein despite the loud emotions.

One minor grouse -- Tai Chi could have been a bit more integral to the story in a manner that food was to Eat Drink Man Woman ( another sensual feast from Lee) particularly in defining the character of Mr. Chu. It is a little difficult to digest that a "master" of Tai Chi could have the level of conceit and stubbornness that his character is shown to display.

But that's minor. I doubt Lee would put this movie on the top of his favorites stack, but this is a precious peep into the Lee of yore, the more honest movie maker before he set about making Hollywood blockbusters. Reason enough for me to watch it.

What can i say? Ang Lee is a god with a human touch!
I can't think of another director like Ang Lee, in that his films are so vastly different from each other yet all are so great, each in their own unique way.

Like many of his films (including Crouching Tiger), this one stars Sihung Lung, a great Chinese actor who unfortunately died of liver failure last month (May 2002) after filming "The Touch." He is amazing to watch, as usual, and plays very credibly in Pushing Hands as a Tai Chi master who moves to New York City to live with his son, his son's tightly strung Euro-American daughter in law and their bilingual child.

The "parent immigrates to live with children and doesn't fit in" story has been told many ways in many films, but somehow i doubt many of the rest of them are this human, this insightful, or this delightfully humorous.

It's really hard for one who hasn't seen Pushing Hands to imagine from the title, the tagline, the trailer and reviews what makes this film great, because what makes it great is Ang Lee, his constant writing companion James Schamus (also of Crouching Tiger fame), and the great acting, led by Sihung Lung.

If you're not already a fan of Ang Lee's other work besides Crouching Tiger (i.e. Eat Drink Man Woman, The Wedding Banquet, et al), then you might want to rent this one before you buy it, but if you already know you love Ang Lee, it's worth the purchase.

TAI CHI CLASSIC
Very simply put this is a TAI CHI classic.Ifyou do Tai Chi or are curious you need this DVD.The film will be understood by TAI CHI practioners and open the minds of those who are contemplating taking up the practice. ... Read more

Reviews (69)

Great movie
This was my first "Ang Lee" movie and I am impressed. I like foreign movies because most of them do not follow the Hollywood standard of relying heavily on famous movie stars to make cash for the studios at the sacrifice of a good plot, skillful acting, and good storytelling.

This movie is a slice of Tawainese life. Master Chu is a renowned chef and a widower who raised three beautiful daughters. The movie observes the lives of the members of this family and the poeple around them. The storytelling is simple and sweet. Ang Lee has us observing the character's lives as forces around them change the circumstances they find each other in. The film is engrossing and satisfying as we watch the conflict of tradition and modernization affect Master Chu and his loved ones. I'm sure I would've enjoyed it ten times more if I spoke chinese, but the subtitles are better than dubbed. Never watch a dubbed foreign movie. The language will be lost.

I made the mistake of watching this movie with an empty stomach. Never do that. The cooking scenes are fantastic. The food Master Chu prepares are a feast for the eyes, and an empty stomach would only make you yearn for a taste.

Tantalizing Cuisine and Family Drama in Taiwan
Sunday dinner at master chef Chu's home resembles a spectacular banquet you would only expect at a gourmet restaurant. He works tirelessly to prepare a feast for his daughters who hardly seem to appreciate his culinary skills.

Jia-Jen (Kuei-Mei-Yang) is a chemistry teacher who has discovered Christianity, Jia-Chen (Chien-Lien Wu), is an airline executive who is in love with a man who will never marry her and Jia-Ning (Yu-Wen Wang) has her eye on a friend?s boyfriend.

The basic plot centers around a father who is not only trying to find a new life but is watching all his daughters leave and start their own lives.

Indirectly we also learn a great deal about men through the relationships the daughters pursue. We have a man who is living the bachelor lifestyle, a naive lover who is just learning about the games women play and a man who is willing to change religions to get the girl of his dreams.

This movie is deliciously dramatic with some deeply religious themes. I was pleasantly surprised with the light humor which was not at all offensive. You also see three lifestyles presented by the daughters showing how they each deal with their libidinous whims. The most unexpected twists and turns appear, making the plot entirely entertaining.

While chef Chu finds ways to show his love to his daughters, he is especially estranged from one of his daughters who only communicates with him through criticism of his food. There is a scene later in the movie which shows the father using this same tactic to communicate his love to his daughter.

Some of the comedy is all in the facial expressions. I especially loved the part where chef Chu is trying to eat the inedible lunch and where the children in his adopted granddaughter's classroom are all placing orders for lunch. As a woman, I could not help laughing when he pulls out the nylons and bras all tied up together in the washer.

I?m always complaining about the lack of chef themes in movies. If you are hungry for movies with cooking themes, add this movie to your must-see menu. You almost have to watch this movie twice. Once with the subtitles and the second time just to view all the tantalizing dishes master chef Chu (Sihung Lung) prepares.

This movie reminded me of "The Scent of Green Papaya" (1994). However, "Eat Drink Man Woman" excels in the presentation of the cuisine, while "The Scent of Green Papaya" was more poetic in its presentation. This movie is a visual feast. All I want to know now is where is the cookbook so I can learn how to make that dragon?

Playful romance, creative cuisine, deep rivers of emotional drama and original comedy are the ingredients that make this movie a satisfying feast for the heart and soul.

Three words to take Very Seriously "before" watching this movie: Order Chinese Food!

Don't say we didn't warn you. ;)

Also look for: Babette's Feast, Like Water for Chocolate, Simply Irresistible and Chocolat.

~TheRebeccaReview.com

Loved the cooking
This movie has the same story and is the basis for the film "Tortilla Soup." If you want to see the more accesible and entertaining of the two, see "Tortilla Soup" in which the Chinese culture is swapped for Hispanic-American culture. The culture differences and dry sense of humor in "Eat Drink Man Woman" kept me from identifying with the characters. It was still a wonderful movie and is worth watching for the cooking sequences alone. It was also interesting as a Chinese cultural study.

A DELICIOUS SERVING OF LIFE, LOVE AND LAUGHS
Apart from a fabulous peep into the Chinese culinary worlds and its delectable blend of touching yet hilarious screenplay (a natural, unfolding rhythm), this movie for me represents Ang Lee's peak.

A bit like a Chinese version of Woody Allen's "Hannah and her sisters", the film traverses through the lives of three sisters and their father. Lee manages to tell each character's story with care and humor. There are some hearty laughs, a number of touching dramatic moments, and towards the end even a couple of startling twists.

There are a handful of movies that employ cooking as a metaphor of life. But Lee doesn't stop there -- he uses the *preparation* of food as a motif of life's experience as a whole, to include friendship and familial devotion, as well as desire, passion and love. On occasion, food also represents a substitute to all that.

Ultimately, what makes a movie like this work is how much you care for its characters, each one wholesomely well-drawn and glibly multi-dimensional. With the possible exception of a family friend, who comes across as a bit cartooney, there are no caricature villains. Everyone is complex and human.

A terrific offering from China that I highly recommend. You may leave with a craving for some noodles soon after..

DVD Review
Eat Drink Man Woman is a joyous film that celebrates family, love, and food. Sure to evoke smiles, laughs, and tears. The film is wonderfully entertaining as the lives of three sisters and their father go through changes due to unexpected events. Throughout we are treated to breathtaking photography that caress and studies the art of food perparation. The film is sure to make anyone hungry.

Video: (1:85) A great transfer from MGM, good sharpess and shadow detail.

Sound: Clean and clear, very good audio track.

Extras: Trailers and an interview with Ang and his co-writer. Do not watch the interview if you haven't seen the film, it gives away all the pleasant surprises in the film. ... Read more

Amazon.com essential video

This 1993 international hit by Ang Lee is a funny and poignant story of a gay, Taiwanese-American man who goes to some lengths to fool his visiting family that he's actually straight. The results are far more complicated and entertaining than anyone could have guessed. The film seems all the more rich now since Lee has become a major Hollywood director: that same sensitivity and mild bemusement he brought to such stories of manners as Sense and Sensibility and The Ice Storm in recent years are in full bloom in this earlier work. --Tom Keogh ... Read more

Reviews (30)

Great Film, Even in Repeat Servings!!
I watched this film the other day for the first time in about 10 years and it still touched my heart. As a Chinese growing up in the U.S, I can understand how cross-cultural differences can really take a toll on one's life. Ang Lee did a great job because he is truly one of the few directors out there who I feel puts a lot of real emphasis on character development. The film did a great job of focusing on people's individual expectations, and the means by which people would go in order to live up to those of their parents'.

I was lucky enough to talk to Ang Lee at a film discussion last year. I told him that the Wedding Banquet was one of my favorite films of all time, and he seemed appreciative of that, because he felt he took a lot of care in developing the essence of character conflict and tension. This is definitely a movie worth adding to one's collection.

Worthwhile comedy/drama
This is certainly an intriguing comedy which redeems itself by turning into a drama that poignantly explores the costs of lying about one's personal life towards the end of its nearly two-hour length. The extraordinarily beautiful Mitchell Lichtenstein plays an adorable and almost disturbingly convincing role as the homosexual lover of the main character, Winston Chao's Wai-tung Gao, who creates a tempest of emotions by suggesting that Wai-tung's parents' desire to see their son married can be quenched by arranging a "wedding" with a Chinese artist. May Chin, in her lead role as Wei-wei, the woman who Wai-tung is to be "married" to, and Ah Lei Gua, in her supporting role as Mrs. Gao (Wai-tung's mother), both give wonderful and emotional performances, the two best in the film itself. Although the ending is perhaps too optimistic and unrealistic, this film's theme is very important because I think that many homosexuals, including myself, can see themselves in the position of Wai-tung, especially the struggle for societal acceptance and the difficulty in being honest about one's sexuality with relatives, friends and family. 8/10. B.

A Fantastic Film About Family
This film proves beyond a shadow of a doubt that a family can take many forms. The cast is brilliant, the storyline is phenomenal. You'll laugh and you'll cry, and it will stick with you for a long time.

Outstanding
The first Ang Lee film that I saw was "Crouching Tiger". I didn't realize that he had directed films as varied in theme as "Sense and Sensibility" and "The Ice Storm", both of which are excellent films. In some respects, I found "The Wedding Banquet" to be the most accessible and intimate of his films that I have seen. It's certainly the most humorous.

The plot has been summarized by other reviewers, and in lesser hands it could easily have turned the film into a cliche. Given that the film appeared in the early 1990's, it could also have look dated to viewers in 2004. However, this film is not dated and it's not a cliche. Instead, it's a warm-hearted (but never maudlin) look at the importance of family, cultural heritage, and the difficulty of leading a hidden life, even when your relatives live on the other side of the world.

Much of the dialogue is Chinese (with English subtitles), but this is one of those rare films where I quickly became accustomed to the subtitles and they did not interfere at all with my enjoyment of the movie. The fact that the Chinese characters actually spoke Chinese made the film more believable.

Ang Lee's talent for visual composition is apparent throughout the movie. It's filled with scenes of real beauty, which is not always the case with comedies. Too often, movie comedies are shot as if they were widescreen TV sitcoms. That's not the case here. The production values are consistently high, so much so that I was surprised to discover during the DVD featurette that it was a low-budget film.

This film is fun to watch, with excellent acting and outstanding direction.

Finally!
I am so glad that they made the DVD format for this film. It is a great film, it is one of the first gay films that I saw and it still the best gay film that I have ever seen. It is must have if you collect films ... Read more

Reviews (982)

A Masterpiece
Crouching Tiger, Hidden Dragon is simply a masterpiece. A brilliant film with great performances by its stars, Michelle Yeoh, Chow yun fat, and especially Zhang Ziyi. Director Ang Lee along with his choreographer tell this epic story in a stunning and creative visual way that makes this film one of the greatest ever made. The action scenes in this film are jaw dropping, and are unmatched by any action film ever made. Along with the action, is a great story and great characters that reflect influences from Lord of the Rings, and parallel the Jedi of the Star Wars trilogy, but remain consistent with the eastern culture and philosophy which permeates throughout the story. In fact, the main characters, especially Jen, portrayed by the talented Zhang Ziyi , seem to question that philosophy and culture throughout the film, almost rebelling against it. This is foreshadowed in the beginning of the film when Yun-fat's character describes how his meditation leads him to a place of sorrow instead of enlightenment. In a later scene, Yeoh 's character questions the buddhist teaching of Fat's character in relation to their suppressed love, pointing out the touch of her hand is real,not an illusion, even though it is of this world. However it is also the discipline of this eastern spirituality that gives these knights their power. the main character Jen, abuses this power, along with the power given to her when she posesses the Green Destiny, a magical and powerful sword, owned by the wizard -like, or jedi- like, character portrayed by Chow Yun-Fat. The Green Destiny, much like the ring of power in lord of the rings, or the force in Star Wars, becomes a power that threatens to consume Jen. Throughout the film , Jen rebels against the traditions of the easten culture and philosophy. Even during the action scenes, as Chow Yun-Fat's character scolds her, she responds by telling him to stop talking like a monk and fight. Her rebellion is also reflected in her love for a barbarian that lives in the desert. Jen's rebellion is an extreme one, however, that leads to such deep despair, that it leaves the viewer to question if even the true love she found in the desert can save her. This movie has everything one wants in an epic, great story, acting, cinematography, directing, score. This film should win an Oscar for Best Picture... Crouching Tiger Hidden Dragon is truly a great film.

Deserved the Academy Award for "Best Picture"
When "Crouching Tiger, Hidden Dragon" first hit theatres in Asia in the summer of 2000, audiences were beyond pleased - because for the first time, what could be considered a kung-fu film included within itself a moving story. This film manages to be so philosophically deep that it subconsciously stirs emotion and feeling within the audience - without ever being corny. Not to mention that this is probably the best film ever that features the geography of China. Shots were absolutely stunning. Music was also beautiful, with one of the best cello performances given by Yo-Yo-Ma, and a smash hit song by Coco Lee - "A Love Before Time."

The film consists of various types of relationships - everything from forced-hidden love, children to parents, and disciple to a kung-fu master. Chow Yun-Fat, Michelle Yeoh, Chang Chen, and Zhang Zi-Yi together made the best acting performances seen for years.

Cinematography was impressing. Each shot was meticulously perfected - exactly why "Crouching Tiger, Hidden Dragon" took two years for world-famous director, Ang Lee, to shoot. One shot of the rooftops for the film's previews itself took five months. The original version is much better than the dubbed, so take the time to read subtitles - it can't be that hard.

Get ready for flying kicks, tears, and beauty. Get "Crouching Tiger, Hidden Dragon" today. (Original version.) - Priscilla

Chic flick on speed or sublime flight of the imagination?
Call it what you will--archetypal fable with a feminist twist, exquisitely choreographed martial arts movie, balletic spectacle balancing image, action, poetry and music--"Crouching Tiger" is a distinctive variation on familiar genres. The words "ballet," "choreography," "Eastern" exotic myth don't quite do justice in describing the film. For one, the action sequences are lightning swift--reminiscent of American silent comedies and more suggestive of music than of formal dance. And certainly the tempo of this music and the pace of the film seem more Western than Eastern (as does the throbbing romantic cello of YoYo Ma). Some will single out the three female leads in this rite-of-passage archetypal story as the film's most distinctive twist. But even more novel is the way the form foregrounds allegory and approaches the theme of teaching and learning. Film is a medium that is normally "relentless" in his representation of the physical world, satisfying viewers' expectations of actions that are at least humanly plausible. But by making his characters fly all over the frame, director Lee keeps reminding the spectator that if you try to respond this film as another action movie you will not only miss the point entirely but be thoroughly disappointed. Sword play, flying, and fighting are metaphors for living, learning and loving. All of the 5 principals in the story are learners--and all are failures to greater and lesser degrees. In fact, the alleged villain, Jade Fox, is in some respects the most sympathetic of all the characters. She had access to the most masterful swordsman of all but not to his teaching because of her status as a woman. At one point sword play is compared with word play, or writing (through the picture-grams of Mandarese script). Whether the instrument is a sword, a pen, or a brush, the viewer of this enchanting parable is finally enjoined to fashion a personal narrative that rejects pride and selfishness in favor of a life sufficiently disciplined to give itself over to love.

One of the best -- ever
CTHD combines an exciting story, great stunts, beautiful cinematography, lovely women, and a complex story that is by turns mysterious, suggestive, and incomprehensible. Michelle Yeoh is a good actress in addition to her physical talents as a martial artist. Zhang Zi Yi is a sexy vixen. Chow Yun Fat is an aging warrior who seems to be going through a mid-life crisis. He loves Michelle Yeoh, but can't get around to telling her, and is attracted to Zhang. The unanswered question posed by Zhang is, "Did you want me or my sword?" The two women dominate this movie; their martial arts scenes are spectacular; Yo Yo Ma's cello is sad and fetching; the scenery is spectacular; the fate of Chow and Michelle is heart-rending; the fate of Zhang is puzzling and ambiguous. Great movie!

good and classy
ive seen this movie three times.the 1st time it was spoken in chinese with no words at the bottom.the 2nd was the same deal but with the english translation at the bottom.the 3rd was in normal english.thank god!in it,a thief steals a relic and some people go to get it back.it has breathtaking backgrounds like lord of the rings.beatiful music like amadeus and martial arts effects like a pre-matrix but similar.the kids could watch it.theres only one bad part.it is definately a artsy and classy type film.ang lee is the director.he also did the hulk.the hulk is better.it is not emotional per say but more inspirational.there are some chicks but they are not portrayed in a sexual way.one guy,in the less than apropriate part gets his hand down ones pants.i dont care what anyone says,if you get this in english,it is one of the best movies youll ever see.the special effects are cool.the fighting is outstanding! ... Read more

Reviews (225)

English Romance At Its Finest
Jane Austen is a fine writer, but her wordiness tends to drain the life from many of her characters. Thankfully, Emma Thompson recognized the limitations of the novel and adapted her screenplay accordingly, enhancing the humor of the original story and adding more drama to make the film more enchanting. A cast was then chosen, made up of very talented thespians, including Miss Thompson herself. Add to that splendid English landscapes, excellent directing, and superb cinematography, and what emerges is a modern masterpiece.

This is not a movie for action fans; it is far too cerebral and requires a serious attention span. For those who enjoy a good love story well told, this is it. The characters are three-dimensional and their dilemmas full of human drama, bound as they are by the morals and manners of the times. Three sisters and their mother are left virtually penniless by the stricture against females inheriting property then in place in English law. The half-brother to the Dashwood women receives it all, but his selfish wife talks him out of helping his stepmother and half-sisters. It is up to the two older girls---sensible Eleanor and passionate Marianne---to seek their fortunes in romance while lacking a dowry to help them.

Eleanor finds her soulmate in shy, retiring Edward Ferrars, brother of the selfish sister-in-law. Her budding romance is shelved when his sister makes it clear that Eleanor is "unsuitable" for Edward. The sisters and their mother then go to stay in a cottage owned by a kindly relative, Sir John, and his mother-in-law, the irrepressible Mrs. Jennings. The old woman is a confirmed gossip and matchmaker, bound to see one of the two sisters hitched up to Colonel Brandon, the most eligible bachelor in the area.

Brandon first sees Marianne singing a melancholy song and is incurably smitten. She in turn loses her heart to a dashing young man named Willoughby, who is her ideal of a Victorian-era gentleman, complete with a pocket book of sonnets. Brandon, who loves her more than his own happiness, steps aside and even encourages their relationship, despite his dislike for the handsome rogue.

Things take an unexpected turn for the worse for both sisters---Willoughby drops Marianne and flees to London with no explanation and Eleanor discovers that Edward is engaged to a shallow young woman named Lucy Steele. The ensuing twists and turns in the plot make this film both agonizing and entertaining to watch. Mercifully, everyone winds up happy at the end with the right person as a spouse.

The whole film is solidly done, but it is the acting that really shines. Thompson is perfect for the role of the calmer sister, while Winslett is brilliant as the mercurial Marianne. Grant is endearing as the gentle Edward; Rickman finally gets to display his considerable ability to act the part of a very good and unselfish man. The rest of the cast keeps pace with the leads, and Hugh Laurie is indescribably funny as the sarcastic Mr. Palmer. One very beautiful aspect of this movie, along with the tendency to get drawn into the story, is the haunting and evocative musical score.

All in all, this is a wonderful example of a film genre that is so often overlooked in today's world---period romance. More movies like this one desperately need to be produced. Buy this one today because it's a gem.

JANE AUSTEN'S TIMELESS CLASSIC COMES TO LIFE
This film is so beautifully realized, in its scope and execution, that I have nothing but praise for both screenwriter/actress - Emma Thompson and director Ang Lee. Based on the novel by Jane Austen, the film follows the exploits of Mary-Anne (Kate Winslet) and Eleanor (Thompson) Dashwood; two angelic sisters determined to find romance amidst the sublime grandeur of the English countryside. Also stars Hugh Grant and Alan Rickman.
Columbia's transfer is, on the whole, gorgeous. Colors are well represented and fine detail is rendered accurately. Contrast levels are subtle, as they should be and dark scenes are accurately represented with only a slight loss of fine detail to speak of. Unfortunately, there are several scenes that exhibit pixelization that breaks apart background information. There is also the inclusion of some minor edge enhancement that, while not terribly obtrusive, is nevertheless present. This special edition includes a wonderful featurette and Emma Thompson's witty acceptance speech at the Golden Globes - a real treat. FINAL WORD: There's no costume drama of the 90's more poignantly captured. A British legend becomes an American Movie Classic. Get this one!

A classic based on a classic
It seems that for a few years, Hollywood couldn't turn out Austen movies fast enough. This is the only English production of the bunch, and it is wonderful.

The casting is perfect. I thought it very silly that Emma Thompson was going to be the 19 year old Eleanor, and since she produced the movie I thought that was just silly vanity. But she is actually perfect as the too-sensible-for-her-own-good Eleanor. Kate Winslet is great as flaky Marianne. Even little Margaret (Austen's only fully-realized child character) is great as the spunky pre-teen. I remember when the movie came out one reviewer said that Hugh Grant's character "looks like he's forgotten to take the coat hanger out of his clothing" and that is so true... but he's so good as the clueless cad.

The film is beautifully shot, with great sets and scenery. It's a little hard for a modern person to understand why the Dashwoods were so upset to have to move to such a charming cottage! Historical perspective is maintained in the movie, though.

It is also very well written, with my very favourite line in any movie appearing (though I've read the book twice looking for it). Truly words to live by, Mrs. Dashwood tells blabbermouth Margaret that if she can't think of anything appropriate to say, "please keep your conversation to the roads and the weather!" Advice that has never failed me yet :-)

Great commentaries (contains spoilers)
When I first heard this film was being made and that Emma Thompson and Hugh Grant were going to be in it, I thought, "Yes! Hugh Grant as Willoughby and Emma Thompson as the unpleasant sister-in-law!" But no. However, the commentaries explain the casting and then it made more sense. By the way, Kate Winslet is perfect and Alan Rickman gets the girl.

Very Good Indeed!
This is a wonderful movie with a wonderful cast and beautiful script. I don't really know what else to say except that I absolutely adore this film. Alan Rickman is superb as Colonel Brandon, I fall in love with him over and over again each time I watch this movie. He's wonderful, as is Hugh Grant as Edward Ferrars. Both characters are so likeable and real, they fit perfectly with their characters and make each viewing as enjoyable as the last. Kate Winslet, as well, is one of my favorite actresses. She fits so well in period pieces like this one.

This film is great whether or not you've read the book. It's good all on it's own. My only complaint is that I cannot picture Eleanor as only 19. While I've always pictured her well above her years, I have a difficult time accepting her age in the film. This is overlooked by Emma Thompson's brilliant portrayal of her. ... Read more

Reviews (585)

one of the best comic flicks, since spider-man.
he's faster than a speeding bullet, more poweful than a locomotive and able to leap tall buildings in a single bound.....no i'm not talking about the guy in the red n blue tights..but green skin with purole pants.

that's right true belivers.THE HULK is nothing short of another marvel masterpiece alongside BLADE, SPIDERMAN and X-MEN
instead of filling the movie with boring dialogue and senseless fight scenes ("can you say MATRIX RELOADED"?) ANG LEE gives a psychological perspective behind marvel's mightiest monster. the origin is surpasses it's comic counterpart..here banner deals with his surpressed anger and confusing regarding a truamatic experince during his childhood.

ergo the result of his alter ego's rage. the special effects are pretty impressive and not the "shrek on steriods" as some naysayers would believe. HULK isn't the sterotypical smash and destroy everything in sight, there's even a breif moment of heroism during the scene over the san francisco bridge.

eric bana does a great job as bruce banner, he even resmebles the mild manner scientist from the comic version and pays more homage to the comic as oppossed to the laughable tv series of the 70's (lou ferigno) all in all a great film and FINALLY co-creator JACK "KING" KIRBY is credited, his name was missing during the xmen movies.

marvel is on a roll next up THE PUNISHER, GHOST RIDER AND DEATHLOK!!!YES!

Too heavy a mood
When an arthouse director like Ang Lee takes the helm of comic pulp fantasy Hulk popularized by Stan Lee and Jack Kirby, you are almost sure of a heavy Freudian psychodrama with sense and sensiblity. One can't help also but to admire Lee's vivid use of split screens and panels, textures and colors to furnish a graphic novel. The gargantuan green creature of angst and amazing flying power is magnificently expressive and menacing as he storms through deserts, wrecking helicopters and fighting mutated beasts. Banner (Eric Bana) undergoes mutation agitated by a gamma-ray explosion with earlier experimenting done by his deranged geneticist of a father (Nick Nolte). Jennifer Connelly is his love-interest who helps to cure Banner of his trauma while her father (Sam Elliot) is the general assigned to destroy Banner. It is a moving essay on the dynamics of father-and-child with charged symmetry from Banner and Betty with their parents. The pace of the thrills also get unnecessarily bogged down in the first hour with its emotional cloud. Hulk fortunately regains its momentum with a special-effects extravaganza and draws exceptional performances from Nolte and Connelly that provides Hulk the movie substance and bulk.

Horrible
I saw this movie @ my cousin's and I thought it was gonna be so good. I love comic book movies so I was expecting something excellent. I thought this movie was a waste. It just totally sucked. I wouldn't buy this @ all. If you wanna see it, go out and rent it or borrow it. It's not worth spending your money on actually buying it

transhumanism meets the indigenist movement...
I know...a lot of people don't "get" it. This is a story about humanity's desire to tweek nature to transcend the "common" human condition. The hubris of science trying to break free of nature by manipulating nature...big business and the military industrial complex attempting to enlist this Icarus-like program for their own nefarious and very inhuman-human purposes...the HULK...transcending and returning to the very place his creation was an attempt to escape...those few Indians in South America facing genocide at the hands of modern civilization (so called)...snake bites it's own tail tale...

puny human
Wow this movie was amazing. I dont understand why it got a low rating. great dialogue from the actors. I enjoyed watching Jennifer Connelly on camera. She has pretty eyes and shes cute. The special effects were awesome! I especially like the behind the scene special features. Both discs are loaded with goodies! I hope they make a sequel. ... Read more

Reviews (225)

English Romance At Its Finest
Jane Austen is a fine writer, but her wordiness tends to drain the life from many of her characters. Thankfully, Emma Thompson recognized the limitations of the novel and adapted her screenplay accordingly, enhancing the humor of the original story and adding more drama to make the film more enchanting. A cast was then chosen, made up of very talented thespians, including Miss Thompson herself. Add to that splendid English landscapes, excellent directing, and superb cinematography, and what emerges is a modern masterpiece.

This is not a movie for action fans; it is far too cerebral and requires a serious attention span. For those who enjoy a good love story well told, this is it. The characters are three-dimensional and their dilemmas full of human drama, bound as they are by the morals and manners of the times. Three sisters and their mother are left virtually penniless by the stricture against females inheriting property then in place in English law. The half-brother to the Dashwood women receives it all, but his selfish wife talks him out of helping his stepmother and half-sisters. It is up to the two older girls---sensible Eleanor and passionate Marianne---to seek their fortunes in romance while lacking a dowry to help them.

Eleanor finds her soulmate in shy, retiring Edward Ferrars, brother of the selfish sister-in-law. Her budding romance is shelved when his sister makes it clear that Eleanor is "unsuitable" for Edward. The sisters and their mother then go to stay in a cottage owned by a kindly relative, Sir John, and his mother-in-law, the irrepressible Mrs. Jennings. The old woman is a confirmed gossip and matchmaker, bound to see one of the two sisters hitched up to Colonel Brandon, the most eligible bachelor in the area.

Brandon first sees Marianne singing a melancholy song and is incurably smitten. She in turn loses her heart to a dashing young man named Willoughby, who is her ideal of a Victorian-era gentleman, complete with a pocket book of sonnets. Brandon, who loves her more than his own happiness, steps aside and even encourages their relationship, despite his dislike for the handsome rogue.

Things take an unexpected turn for the worse for both sisters---Willoughby drops Marianne and flees to London with no explanation and Eleanor discovers that Edward is engaged to a shallow young woman named Lucy Steele. The ensuing twists and turns in the plot make this film both agonizing and entertaining to watch. Mercifully, everyone winds up happy at the end with the right person as a spouse.

The whole film is solidly done, but it is the acting that really shines. Thompson is perfect for the role of the calmer sister, while Winslett is brilliant as the mercurial Marianne. Grant is endearing as the gentle Edward; Rickman finally gets to display his considerable ability to act the part of a very good and unselfish man. The rest of the cast keeps pace with the leads, and Hugh Laurie is indescribably funny as the sarcastic Mr. Palmer. One very beautiful aspect of this movie, along with the tendency to get drawn into the story, is the haunting and evocative musical score.

All in all, this is a wonderful example of a film genre that is so often overlooked in today's world---period romance. More movies like this one desperately need to be produced. Buy this one today because it's a gem.

JANE AUSTEN'S TIMELESS CLASSIC COMES TO LIFE
This film is so beautifully realized, in its scope and execution, that I have nothing but praise for both screenwriter/actress - Emma Thompson and director Ang Lee. Based on the novel by Jane Austen, the film follows the exploits of Mary-Anne (Kate Winslet) and Eleanor (Thompson) Dashwood; two angelic sisters determined to find romance amidst the sublime grandeur of the English countryside. Also stars Hugh Grant and Alan Rickman.
Columbia's transfer is, on the whole, gorgeous. Colors are well represented and fine detail is rendered accurately. Contrast levels are subtle, as they should be and dark scenes are accurately represented with only a slight loss of fine detail to speak of. Unfortunately, there are several scenes that exhibit pixelization that breaks apart background information. There is also the inclusion of some minor edge enhancement that, while not terribly obtrusive, is nevertheless present. This special edition includes a wonderful featurette and Emma Thompson's witty acceptance speech at the Golden Globes - a real treat. FINAL WORD: There's no costume drama of the 90's more poignantly captured. A British legend becomes an American Movie Classic. Get this one!

A classic based on a classic
It seems that for a few years, Hollywood couldn't turn out Austen movies fast enough. This is the only English production of the bunch, and it is wonderful.

The casting is perfect. I thought it very silly that Emma Thompson was going to be the 19 year old Eleanor, and since she produced the movie I thought that was just silly vanity. But she is actually perfect as the too-sensible-for-her-own-good Eleanor. Kate Winslet is great as flaky Marianne. Even little Margaret (Austen's only fully-realized child character) is great as the spunky pre-teen. I remember when the movie came out one reviewer said that Hugh Grant's character "looks like he's forgotten to take the coat hanger out of his clothing" and that is so true... but he's so good as the clueless cad.

The film is beautifully shot, with great sets and scenery. It's a little hard for a modern person to understand why the Dashwoods were so upset to have to move to such a charming cottage! Historical perspective is maintained in the movie, though.

It is also very well written, with my very favourite line in any movie appearing (though I've read the book twice looking for it). Truly words to live by, Mrs. Dashwood tells blabbermouth Margaret that if she can't think of anything appropriate to say, "please keep your conversation to the roads and the weather!" Advice that has never failed me yet :-)

Great commentaries (contains spoilers)
When I first heard this film was being made and that Emma Thompson and Hugh Grant were going to be in it, I thought, "Yes! Hugh Grant as Willoughby and Emma Thompson as the unpleasant sister-in-law!" But no. However, the commentaries explain the casting and then it made more sense. By the way, Kate Winslet is perfect and Alan Rickman get