Reviews (8)

It is Q versus Q2 with Janeway and "Voyager" in the middle
Just knowing that Q (John de Lancie) makes his way to the Delta Quadrant is going to be enough to sell most of you on watching "Star Trek: Voyager" Episode 30, "Death Wish" (Story by Shawn Piller, Teleplay by Michael Piller, Aired February 19, 1996), but this is also a solid episode that actually explores the life of the Q. "Voyager" accidentally beams board a member of the Q Continuum (Gerrit Graham) who was imprisoned inside a comet. The grateful Q (okay, really Q2) tries to go on his merry way, but all of the male members of the "Voyager" crew disappear instead of him. Captain Janeway (Kate Mulgrew) wants her crew back, but instead the "original" Q arrives to "help." He tells Janeway that Q2 had been imprisoned in the comet for 300 years because of repeated attempts to commit suicide. Q2's demands asylum and then proceeds to hurtle the starship around the universe in an attempt to lose Q. Janeway ends the fun by agreeing to hold a hearing to consider Q2's request. Because of her decision either Q2 will be returned to his prison or will become mortal so that he can end his existence.

Tuvok (Tim Russ) represents Q2 at the hearing while Q makes the case for the continuum. Q2 is bored with being immortal and Q is worried about what happens when immortal beings shed their immortality. Witnesses who have been affected by the Q are called, including one very familiar bearded face. Of course, Q tries to persuade Janeway to see things his way by telling her he will send "Voyager" home if she rules in his favor. But you know Captain Janeway and her overly developed sense of justice. The ending is not without it twists and in terms of Q episodes across the "Star Trek" universe "Death Wish" is certainly different, and not just because Q takes has a different reaction to Janeway than he did to Picard or Sisko. This is an excellent episode that introduces the "Voyager" crew to the joys of Q without getting the series off track.

A very good Star Trek episode
SPOILER ALERT!!
his is probably the best ST:VGR episode I have seen yet.
Q(John DeLancie) is exceptionally funny.
While investigating an asteroid, a visitor beams up claiming to be Q (here referred to as Q2), who explains that he is not the same Q The Enterprise encountered.In an attemp to magically commit suicide, he makes all voyager's male crew members dissapear. Suddenly, the Q that trekkers are familiar with arrives.He restores all the male crew members and explains to the crew that Q2, fed up with experiencing everything, is in favour of self-terminition, and therefore the Q continuum considers him a mental case. Q transports all the people whose lives have been changed by Q2 to Voyager, and explains that Q2 should not commit suicide, considering all the wonderful things he's done.The voyager senior staff ask to see the living conditions of the Q continuum that depressed Q2. As it turns out, nothing is new, and everything possible has been,said,done and learned.
Q later becomes influenced by Q2 and grants him mortality.

My favorite lines:
Q2: And you only live nine years!
Kes:That's right
Q2: Oh, how I envy you!

Perhaps the best Q-related episode in Star Trek
Okay...I absolutely loved this episode and consider it to be one of the high points of Voyager Season 2 - and this is saying alot because I'm not usually a big fan of the Q episodes, in any of the Star Trek series.

The reason I enjoyed this episode so much is because it made me think. What *would* it be like to be immortal? Would existence become boring once I'd seen everything and done everything there was to do? Interesting questions to ponder, especially for a person who believes in the after-life!

Additionally, in this episode I found the character of Q to be quick-witted and interesting rather than just immature and annoying...which is how I have historically felt about Q episodes. John DeLuncie does a good job here, as does the actor who plays the "other" Q (Quinn).

Plus, as an added bonus for all you Riker fans...Will makes an appearance in this episode. Sorta nice to see him after all these years!

All in all, a "must see" for Voyager Season 2.

Thought Provoking Episode
This episode of Star Trek Voyager examines the issue of suicide or better put, the right to die.

A member of the Q Continuum later known as Quinn (Gerrit Graham) wants to become mortal so he can die. Q (John DeLancie) intervenes stating that Quinn's death would bring chaos to the Continuum. Captain Janeway sets up a fromal hearing to determine if Quinn should be allowed to die.

This is an interesting eppisode and has a special guest appearance of Commander William Riker (Jonathan Frakes) of Star Trek TNG.

The episode has an unanticipated ending that may surprise some, but that is all I can say without a spoiler.

This episode was listed as one of the fan's favorites by UPN

Q enters and asserts domination on Star Trek: Voyager
This is the first episode of Star Trek: Voyager with the omnipotent Q in it and one of two episodes with Q in it. The other episode is "The Q And The Grey", Episode 53. In this episode, another Q, called Q2 according to startrek.com, wants to die. He wants to commit suicide because, according to him, after living for hundreds or thousands of years, you've done everything and seen everything. There is nothing left to see and do. Everything is the same, day in and day out, and the Q's should have the right to die. As you may or may not know, the Q's are immortal; they never die. And, according to Q2, immortality becomes a disease that inflicts his people. As a result, Q shows up to stop him from doing something rash. Q wants him to be like the rest of the Q's: happy and free living with immortality. But Q2 doesn't listen to him and wants to put an end to his dredgeful existence. This is all being said aboard Voyager. So, Capt. Janeway, attempting to save her ship from this tug of war, plays the role of judge, jury, and, unbeknownst to her, executioner, and has a hearing on Voyager on Q2's behalf. Q has changed since he was tormenting the crew of the Enterprise and this episode links his doings now and all of those in his past with the Enterprise. Superb episode of Q with Star Trek: Voyager. ... Read more

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Not since the psychedelicized days of its fellow 1960s television seriesThe Prisoner and The Avengers has Star Trek looked quiteas trippy as it does in this wild episode of Voyager. Upon encountering automated messages from Kohl settlers who have slipped into cryogenic hibernation, Captain Janeway (Kate Mulgrew) attempts to stir the sleepers from stasis by sending the minds of Harry Kim (Garrett Wang) and B'Elanna Torres (Roxann Biggs-Dawson) into a computer-generated virtual reality keeping the Kohls' brains active. Once inside, however, Kim and Torres find that the settlers are in a permanent hell, a hallucinatory circus ruled by a monstrous clown (Michael McKean) who can read thoughts and who punishes disobedient humanoids with the generous use of a guillotine. McKean is fantastic as an avatar of fear, and the acrobats and other background performers from Cirque du Soleil help create a marvelous, feverish set of whirling energy and primary colors. Robert Picardo is brilliant as Voyager's fussy doctor hologram, the one crew member who can reasonably survive a rescue effort in the clown's domain. Mesmerizing to watch and fascinating to outguess, "The Thaw" is as adventurous as Voyager was meant to be. --Tom Keogh ... Read more

Reviews (8)

Michael McKean clowns around with scaring Harry Kim
Michael McKean guest stars in a quite different sort of role in "Star Trek: Voyager," Episode 39, "The Thaw" (Story by Richard Gadas, Teleplay by Joe Menosky, Aired April 29, 1996). "Voyager" receives an automated distress call from the Kohl settlement. Facing an ecological disaster, the small group of settlers went into artificial hibernation. When the hibernation pods are beamed aboard two of the settlers are dead and the other three remain in deep stasis, connected to a computer. The Doctor reports that both of the dead settlers suffered heart failure that might have been caused by extreme fear (hear ominous organ music at this point). That means when Harry Kim (Garrett Wang) and B'Elanna Torres (Roxann Dawson) decide to enter the two available pods and hook up to the computer that this is not a good idea.

When they enter the computer-generated dream world of the settlers they discover a nightmarish carnival run by an evil Clown (McKean), whose followers drag Kim off to a guillotine. Although Harry keeps his head he and Torres now understand how the Kohl settlers could have been frightened to death. The computer gives the Clown access to the darkest fears of his guests, which he then uses to torment them. Living off their fear, the Clown refuses to let Kim and the settlers wake up, but sends Torres back (how much fear can you get from even a half-Klingon?) to warn Captain Janeway (Kate Mulgrew) that she tries to disconnect the hibernation pods, all of his guests will die. While the Clown is torturing Kim, Janeway tries to figure out a way to rescue her young officer.

The chief attraction of "The Thaw" is McKean indulging his dark side as the malevolent Clown, aided and abetted by performers from Cirque du Soleil as his minions. They always say comedies can do tragedy, but watching them do horror can be fun as well. Carel Struycken, best remembered as Mr. Homm on "Star Trek: The Next Generation," plays Spectre, the incarnation of death for the Kohl settlers. Of course, the idea of being terrified for eternity is better in the mind than seeing it acted out, by this episode definitely has its moments. On balance it comes in at a 4.5 but we round up for McKean's memorable performance.

"When illusion is your only reality...
...then illusion IS your reality." This telling statement is made by one of the characters in 'The Thaw' a surreal exercise as only Trek can do. Since its inception in the mid-sixties Star Trek has worked to create the reality of space travel and our world as having found a peaceful resolution to it's conflicts and living in accord. This well constructed illusion of reality has brought legions of Trek fans decades of enjoyment, the characters and their backgrounds and myriad experiences become such a strong part of our own psyche that they fairly breathe with life. Within this imagined universe there are still those who attempt to disrupt this golden age, be they warlike aliens or unsuspected enemies from within the harmonious ranks of the Federation. Having worked this formula successfully for years the writers of this particular Voyager episode find a ingenious way to invent an entirely new villain in the Star Trek universe, though it has been present all along.

When Voyager scanners reveal a once populated and technologically advanced planet that was laid waste by a biological disaster Janeway orders the starship into an orbit around the dead world so they can get further scientific data. The ship's scanners report that the planet has begun to recover ecologically but find no life forms present. Janeway presumes that since the disaster was easily predictable to the planet's scientists they would have made arrangements for people to survive such a catastrophe. Bearing witness to this is a self-activating message from the planet that explains that a group of scientists have placed themselves in medical stasis. After computer equipment detects a sufficient recovery in progress the program maintaining their stasis is to be interrupted and awaken the group. Harry then scans below the surface and finds life signs coming from a cavern; further scans disclose that there are five medical stasis tubes each containing a humanoid. Since the equipment has obviously failed for reasons not understood Janeway considers it wiser to beam the containers and the life sustaining equipment to a cargo bay on the starship. Two of the five are discovered to be dead and the others in an irretrievable condition but still alive. Harry and Torres determine that the computer shared by the five tubes also creates and maintains a mental environment for them to live in while in stasis. The two are then connected to the same computer by utilizing the now empty two chambers to see if they can interact with the alien life forms and hopefully get instructions on how to retrieve them from their stasis. Once there Harry and Torres discover that the aliens are trapped within by a computer generated virtual life form, The Clown, who is the embodiment of Fear; playing deadly games with the surviving trio The Clown welcomes the two to the bizarre and inescapable world. After all attempts to barter for the group's safe return fail Janeway devises a way to cleverly outwit that most overwhelming of our emotions.

'The Thaw' takes a relatively simple premise and stretches it just as far as it dares to in order to get the most out of this inspired idea. The sets designed for the illusory world the aliens have inadvertently created are a throwback to the mod sixties, in fact they look like they might have been leftover from a production of "Laugh-In" or an episode of "The Monkees". Playing the pivotal role of The Clown is Michael McKean, one of the stars of 'This Is Spinal Tap'; McKean's performance is completely over-the-top without being the least bit annoying. He really does seem to be computer generated, both in appearance and his spontaneous actions or gestures, and he reasons in much the same way a computer would also. He even outsmarts Voyager's holographic Doctor when he attempts to intervene. The final twist to the ending comes as a complete surprise though there is a hint at the resolution during The Doctor's first visit. Other interesting highlights to this episode include the nature of fear and its pathos being discussed between the officers of the starship as they try to come up with a solution, and especially the final confrontation between Janeway and The Clown. Also noteworthy is the casting of Carel Struycken as one of the inhabitants of the sham world; Struycken was cast as Lwaxana Troi's male servant, Mr. Homm in several episodes from the TNG series.

Excellent! One of the best episodes!
This episode proves that Star Trek is not just for sci-fi fans. Its a completely unique idea, visually entertaining, and an attention grabber! I definitly think you see this episode!

Terrible!
I'm sorry but this is one of the worst episodes, from what I've seen of it. The clown looks ridiculous. He's not really scary -- he's more stupid. I didn't like this episode at all!

Fear takes on a life of it's own
This episode of Star Trek Voyager is interesting as it takes on the issue of what fear can do in the life of an individual.

The basic plot involves the crew stumbling upon three individuals who have been connected to a joint computer and held in stasis in an artifical world for several years. The characters in the computer program, however, do not want to give up their "existence", and so they have terrorized the humanoid participants into not ending the program and coming out of stasis on schedule. Interesting plot.

I thought that the use of The Doctor in this episode was very well done...and actually made sense, given the fact that he is also computer generated! However, the fact that in the end, *only* Captain Janeway could effectively shut down this "world" was, in my opinion, somewhat contrived. Yes..she's the captain...but that fact alone does not make her any less suseptible to fear than any of the others she sent into the artifical world before her (Torres, Kim and The Doctor).

For that reason, I give the episode 4 stars instead of 5. ... Read more

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Though the title sounds generic, "The Chase" is anything but. In this historical mystery with conspiratorial underpinnings, Professor Galen (Norman Lloyd), an archeology legend and Picard's old mentor, tries to lure his favorite student for one last adventure. When Galen is killed en route to a far-flung planet, the Enterprise picks up his quest and finds the Klingons and the Cardassians on the same trail, which has something to do with ancient genetic codes and a DNA pattern. Part intergalactic Indiana Jones and part diplomatic poker game, it's a modest episode with epic dimensions: the search for the secret of the origins of life in the universe, or at the very least its primordial roots. For that reason it all feels a little rushed; this is the kind of story that cries out for a larger arc. Though the series never really revisited the revelations or dealt with its reverberations, "The Chase" remains one of the more conceptually ambitious and hopeful shows in the utopian vision known as Star Trek. --Sean Axmaker ... Read more

Reviews (2)

Picard unlocks one of the great secrets of the universe
Captain Picard is surprised when his old archeology teacher Professor Galen (Norman Lloyd) shows up on the Enterprise and asks his former student to join him on an expedition without only vague hints of a profoundly important discovery. Of course, Picard cannot give up his command. But later the Enterprise receives a distress call from Galen, whose vessel is being attacked by Y'Ridians. The Enterprise arrives too late to save the Professor, but Picard vows to retrace the professor's trail and discover just what was so important that it cost the archeologist his life. What he discovers is indeed shocking: Galen had found that certain fragments of DNA from different words are not only compatible, when joined they form a computer program that is over 4 billion years old. But obviously, there are others who are after the secret as well.

"The Chase" is one of the rare SNTG episodes that allows Picard to explore his often professed love of archeology. However, this is also one of those episodes where the set up is not as good as the payoff. As a Klingon says when the secret is uncovered, "Is that all?" However, what fans of Star Trek will recognize is another variation on Roddenberry's utopian future.

Aparently we are all related
This episode brings togeather all the major aliens of the alpha quadrant, friend and foe. The think they are going to find a weaon of unlimmited power instead they find a message from a long dead race that claim they planted races accross the galaxy, and we are in a way related to the cardassians, romulans and thousands of other alien races. ... Read more

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Commander Riker and Data are on the planet Melona IV overseeing construction of a new colony. Riker is also starting up an affair with one of the colonists and they seem happy together, which of course means she's doomed. Her destruction comes courtesy of the Crystalline entity, previously seen in the episode "Datalore" from season 1. The entity mines the entire planet for its energy, absorbing everything. All but two of the colonists are saved (Riker's girlfriend is killed when she stops to help another), thanks to a protective cave. Back on the Enterprise, the crew decides to pursue and study the entity, along with the help of xenologist Kyla Marr, who has devoted her life to studying it ever since it killed her son on Omicron Theta. She has no trust for Data because she knows that Data's "brother" Lore was responsible for luring the entity to Omicron Theta, but it's only with Data's help that she learns the secret to communicating with and possibly destroying the alien creature. Because the entity killed her son, she wants to destroy it before it kills again, and Riker agrees, but Picard would rather try to establish communications with it. Though the character of Marr is often annoying, and her communication with her son through Data's access to the Omicron Theta journal entries is a bit much, all is forgiven with an ending that is as brilliant as it is bittersweet. --Andy Spletzer ... Read more

Reviews (6)

The ending will blow you away!
Guest star Ellen Geer is memorable as a scientist that has motives, other than science, in her investigation of the mysteriously dangerous "Crystal Entity". The episode abounds in one revelation after the other, with an end that is possibly one of the series' most surprising...and thought provoking.

"Trek" doesn't get any better than this!

What's wrong with everyone's memory?
This is a good, solid episode - well made, and with some real depth to it.
The Enterprise crew are helping some colonists establish themselves on an empty planet when the Crystalline Entity, that "giant snowflake" that sucks the life energy out of entire planets, attacks. Starfleet sends a xenobiologist, Dr Kila Marr, to study the attack and find some way of dealing with the Entity. But she has secrets of her own, and the developing relationship between her and Data, set against the background of their mission, provides some real emotional depth as the tension rises.
There are some flaws with this episode. Dr Marr is allowed to get away with too much, and it seems that Data failed to tell anyone about the growing instability in her behaviour. It also seems that everyone has forgotten about the Enterprise's last encounter with the Crystalline Entity, where Lore proved that it was intelligent and that he could talk to it and understand when it talked back.
But those quibbles aside, this episode is very good. The acting is excellent, as is the pacing. The special effects are rather good, too. This episode also raises some thought-provoking questions. How do you react to a life-form that is so different from your own? How does it view the world around itself, and how can you deal with it? Star Trek: TNG at close to its best.

One Of The Best
This episode has everything! Family loyalty, communicating with an intelligence, and the want for vengence. This one is a keeper & I'd recommend it to any Trek fan...

Yet Another Star Trek twist on "Moby Dick"
Riker, Crusher and Data are visiting a new Federation colony on Melona Four while the Enterprise is conveniently off elsewhere. Suddenly the crystal entity that befriended Data's "brother" Lore in "Datalore" (Episode 14) appears in the sky above them. Data leads the group into some caves and when the Enterprise returns they find the planet has been stripped of all life by the "Silicon Avatar." As they track down the killer crystal, the Enterprise is aided by Dr. Kila Marr, a zenologist who is Starfleet's foremost authority on the crystal entity and who has a melodramatic interest in pursuing it since it killed her son when it attacked the colony of Data's home world. Just to make things interesting, Picard insists that they will try to communicate with the entity before trying to destroy it, if such communication is possible (apparently no one remembers that Lore had no problem communicating with it at all the first time around). Consequently, we have a test of wills between Captain Picard and Dr. Marr to see who will win out. Of course, Marr has a slight advantage because Picard has no idea what she wants to do. "Silicon Avatar" is a slightly below average STNG episode. We have seen better versions of "Moby Dick" on Star Trek and it is somewhat amazing that the crystal entity has avoided being tracked down by Starfleet as it goes around the universe stripping planets of all life. Also, it is interesting that Picard is more willing to talk to the killer crystal entity than he was to Ensign Ro in the previous episode. Ah, consistency is the hobgoblin of shows where different people write different episodes. But "Silicon Avatar" has to be the most pretentious STNG episode title ever.

Criminal Justice with No Laws
Many people seem to feel compassion and mercy for those who have done wrong and even killed, but I am seldom among them. But this episode shows us an unique situation in which a creature, the crystaline entity, seems to kill on a large level because of its nature. IT MAY NOT EVEN KNOW IT IS KILLING.

Now enter the mother of a victim, who, since the death of her 16 year old son at the hands of the creature, has been obsessed with the study and eventual destruction of the entity.

The crew of the enterprise figures out a possible way of communicating with the creature (reminiscent of the "Companion" from the original series). Despite the deadly nature and our contempt for the creature, I found my curiousity in what the creature "has to say" out-weighing my hate for it.

Five stars if it were not for the high standard set by so many other episodes! ... Read more

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The Ferengi portrayed as powerful rivals to the Federation
This episode reintroduces the Ferengi, a new rival for the Federation. Their society is based on commercial interests and profit, although in this episode, revenge is the primary motivation. Many years ago, Captain Picard was commanding a ship called the Stargazer, which was the victim of an unprovoked attack by a ship of unknown origin. The Stargazer was on the verge of destruction, and Captain Picard used a desperate technique to destroy the attacking vessel. That action is now known as the "Picard maneuver" and is part of Star Fleet Academy training. However, the Stargazer was so heavily damaged that the crew was forced to abandon ship.
The attacking ship was Ferengi, although the Federation never learned that fact. It was commanded by the son of Daimon Bok, who is the commander of a Ferengi ship that requests a rendezvous with the Enterprise, although no reason is given for the request. Bok and his senior officers beam aboard the Enterprise and present Picard with the gift of the Stargazer, which is no longer a derelict. The ship is a Trojan Horse, as Bok uses it as bait to use a mind-altering device on Captain Picard. The device forces him to relive the battle, only this time he is alone on the Stargazer and he believes that the Enterprise is the enemy ship.
This episode serves to establish the Ferengi as legitimate rivals to the Federation. In episode 8, "The Last Outpost" the Ferengi are introduced, but they are portrayed as sniveling creatures, hardly worthy adversaries for the powerful Federation. In this episode, we see them as a species capable of building starships, with a command structure similar to that of the Enterprise. Riker's private conversations with the first officer of the Ferengi ship are more in the area of one officer to another rather than one species to another.
I rank this episode very highly, (4 1/2 stars is more accurate),as it corrects many of the errors made in "The Last Outpost." It also paves the way for Ferengi characters to appear in later episodes of TNG as well as the subsequent series, Star Trek: Deep Space Nine.

"Let the dead rest, and the past . . . remain the past."
A touch of action, a more threatening portrayal of the Ferengi, and a peek into Captain Jean-Luc Picard's (Patrick Stewart) past was the combination that made "The Battle" one of the more intriguing episodes of Star Trek: The Next Generation's first season.

Captain Picard is in for a surprise as the Enterprise-D rendezvous with a Ferengi vessel that is towing his former ship, the U.S.S. Stargazer. Ferengi commander DaiMon Bok (Frank Corsentino) offers Picard the derelict as a gift, but its return is actually part of a revenge plot against the Enterprise's captain who the Ferengi holds responsible for the death of his son

It is always a treat when Star Trek: The Next Generation fills in the gaps between the start of its series and the end of the adventures of the original Star Trek crew. "The Battle" provides insightful details into Picard's career before taking command of the Enterprise and is an important step in providing his character with more depth. The less comical portrayal of the Ferengi also was a welcome sight as they leave behind their energy whips and employ deception and guile instead to gain the upper hand.

Picard Battles Bok
Battle Scars

In another encounter with the Ferengi; Picard fights the devious Captain Daimon Bok. He's sworn revenge on him for killing his son twenty years ago. Back then, Picard was leading the Stargazer. Bok's son fired on the starship without warning. Our good captain returned fire and inadvertently killed him. The fact his son initiated the "Battle of Maxia"was of no consequence.

Bok returns the old Stargazer as a "gift" to the unsuspecting Picard. He has a mind control device to torture him. As a result, Picard can't understand why he's getting headaches. It's a thing of the past in the 24th century. After a lot of hallucinations and sleepless nights he returns to the bridge of his dead ship.

Who else but Bok is waiting for him to perform the final stroke to finish Picard. Without giving away the ending, this one has a good confrontation between the Captains. One of the better ones of the first season.

DaiMon Bok plays mind games with Captain Picard
One of the improvements on the original Star Trek you get with the Next Generation is a much better sense of the backstories on the characters. In "The Battle" we learn about the fate of one of Jean-Luc Picard's earlier commands, the Stargazer. The Enterprise rendezvous with a Ferengi vessel and after three days of waiting around, during which time Picard mysteriously starts getting headaches, DaiMon Bok of the Ferengi presents Picard with the derelict Stargazer. The ship had been lost seven years earlier in an encounter with an unknown spacecraft, which turns out to have been Ferengi. Bok dismisses what happened as an accident, but it turns out his son was killed in the engagement. A mind control device sends Picard over the edge and he tries to repeat history on the bridge of the Stargazer, only this time with the Enterprise as his target.

You must remember that "The Battle" represents the original conception of the Ferengi, where they are more the marauding pirates of the galaxy than the highest form of venture capitalists. Consequently, it is difficult to reconcile the vengeful DaiMon Bok with Quark and his brethren, although at the end Bok is relieved of command for having engaged in an unprofitable enterprise. You really do have to cut the show some slack with a lot of these early episodes and not hold the producers and writers to everything that happens this early (e.g., in this episode Deanna can sense bad thoughts from Bok, yet in "Menage a Troi" she and her mother complain they can not read Ferengi thoughts).

This is a fairly representative episode of the first season, where the situation is usually simple or easily contrived, but we are getting a chance to learn about these new characters and see them in action. Patrick Stewart gets to work out his acting chops in this episode, which is always enjoyable. If only the original uniforms did not look so cheesy in retrospect.

The Battle
This episode explores Captain Picard's past as captian of the USS Stargazer. The Stargazer is a previously unseen type of starship which was pretty cool. The episodes story is OK which deals not only with Picard's past but with Ferengi (sp) as well. Not bad for the first season. ... Read more

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Original airdate: 5/8/95. Stardate: 48784.2. Veteran makeup artist Michael Westmore does double duty for this episode, in which a Vidiian scientist--suffering from the deadly, hideously disfiguring "Phage" disease (from episode 5)--genetically engineers an all-Klingon version of Voyager's Chief Engineer B'Elanna Torres, to prove Klingon resistance to the Phage virus and, hopefully, create a cure for his own infected species. The experiment results in two B'Elannas, the aggressive all-Klingon version and the skillful but comparatively weak and cowardly human version, now devoid of Klingon DNA. This provokes some debatable questions about stereotypical portrayal of Klingons and humans, but it's a fine showcase for series regular Roxann Biggs-Dawson, who convincingly portrays the separate halves of her bispecies character. The situation is played too broadly (echoing the original-series episode "The Enemy Within"), and a prison-escape subplot (requiring Chakotay's temporary transformation into a Phage-stricken Vidiian) is a bit too reminiscent of the penal-planet sequence in Star Trek VI: The Undiscovered Country. Still, this is a fine episode for B'Elanna Torres fans, who will readily agree that Biggs-Dawson can shine when given the chance, and remains highly attractive with or without Westmore's Klingon prosthetics. --Jeff Shannon ... Read more

Reviews (6)

A Vidiian scientist splits Torres into a Klingon and a human
If you remember the first season episode "The Enemy Within" from the original "Star Trek" series, then the main idea behind "Faces" (Story by Jonathan Glassner & Adam Grossman, Teleplay by Kenneth BillerAired May 8, 1995), Episode 14 of "Star Trek: Voyager." The Away Team of B'Elanna Torres (Roxann Biggs-Dawson), Tom Paris (Robert Duncan McNeill), and the expendable Lt. Durst (Brian Markinson) has disappeared on the planet "Voyager" is visiting, which leads to a second Away Team consisting of Chakotay (Robert Beltran), Tuvok (Tim Russ), and Harry Kim (Garrett Wang) to go down and investigate. Of course this puts the entire command crew in jeopardy, but this apparently does not worry Captain Janeway (Kate Mulgrew). However, the trail leads to some caves where a force field stops them from proceeding further. Meanwhile, on the other side of the force field a Vidiian scientist named Sulan has created an all-Klingon version of Torres. Searching for a cure for the Phage (See Episode 5, "Phage") Sulan's plan is to inject a pure Klingon with the deadly disease and see if that works (pretend this makes sense). Meanwhile, an all-human version of Torres ends up in the cell with Paris and Durst.

Not only do we have two Torreses for the price of one, it seems that Sulan is attracked to the Klingon version. So much so that he finds a rather gruesome way of having Durst help the Vidiian scientist more attractive. Since several seasons later Torres will marry Tom Paris and have a baby in the final episode of "Star Trek: Voyager" this thing between Sulan and the ship's Chief Engineer is not going to work out. Aside from watching actress Roxann Biggs-Dawson play her split personalities (one with considerably more makeup and the other with virtually none) the resolution is rather easy to anticipate and the lesson in "Faces" has not changed since Captain Kirk went through the same thing (It does make you wonder what what would have happened if they had tried this with Mr. Spock). The result is rather entertaining and allows the Torres character to get some needed depth, but is not a great episode. However, Torres will address being half-Klingon and have-human again, most notably during her pregnancy ("Lineage").

some missed opportunities
B'Elanna Torres, Voyager's Klingon-hybrid Chief Engineer, has resented and resisted her warrior heritage all her life. In this, the best Klingon episode of the series, she has an opportunity to reconcile with her two "faces". Torres and some of her crewmates are captured by the villainous Vidian, an alien species which has suffered for generations from a loathsome flesh-eating plague called the Phage. In their efforts to combat the disease, the Vidian have developed medical technology far in advance of the Federation's. But whatever morality they might have once possessed has been long abandoned, as they raid the Delta Quadrant "harvesting" other inhabitants' tissues and organs as replacements for their own. To the Vidian's delight, the Klingon physiology, with its exceptional hardiness and unique redundancies, promises new breakthroughs in finding a cure. So they separate Torres' Klingon half from her less valuable Human half. For a while there coexist two distinctly different B'Elannas, who must join forces to rescue their crewmates and escape their captors. The Klingon doppelganger is brawny and brave, but brash. The Human entity is brainy, but wimpy and annoyingly whiny. Unlike the Vidians, B'Elanna's comrades, (including her boytoy-to-be, Tom Paris) prefer the timid Torres over her volitile counterpart. Personally, I believe the writers missed their golden opportunity to dump the hybrid character altogether and keep the more impressive full-Klingon version. What they did not miss was the opportunity for some leering innuendo about Klingon females' indiscriminate sexual mores, which have provided a sophomoric source of titillation for the Franchise. And of course, the fate of the formidable warrioress was totally predictable -- Klingon women have replaced the unfortunate "red-shirts" in token Trek expendability. Ultimately, Klingon B'Elanna had little impact on the character, the series, or the Star Trek mythos. But for her sole episode, she was pretty terrific, and so popular with the fandom, that she even got her own collectable action-figure.

B'Elanna Torres explored
Certainly, this episode is one of the most important to the character development of B'Elanna Torres. In this episode, B'Elanna discovers how important her Klingon half is...and comes to peace with the part of herself that she's always struggled with most.

I also feel that this episode is the real beginning of the friendship between the characters of B'Elanna Torres and Tom Paris...very important to the future storyline of the show.

Personally, I feel that it is a "must see" from Voyager season one.

Finally, Some Character Exploration!
VOYAGER never lived up to the potential promised in the premise, THE CARETAKER, but this stand alone episode could've played anywhere in the series seven year run and would've still been one of their finest hours. Through genetic experimentation by the Phage (evil organ-stealing space villains), B'Elanna Torres is split into two halves ... one Klingon, one Human ... and, in the process of getting to know one another, these two unique personalities realize how much they make her what she is. Some fine acting by Ms. Dawson, and one helluva script.

'Yam' erific!
I can't believe some people didn't like this episode! (Or am I remembering the other reviews wrong?) I think this was one of the greatest episodes as far a characterization goes . . . . or that could just be me because B'Elanna's my favorite character. Anyway, I liked having a look at her Klingon side and her human side! Wow! She's actually kind of cute when she cries (what am I talking about? She's always pretty) and it's really sweet how Tom's always trying to comfort her (foreshadowing to . . . ah . . . Blood Fever, Day of Honor(my fave), Vis a Vis, Alice, Drive, etc, I could go on & on) Anyway this is a great episode and I think I'm gonna buy it so I don't have to wait for UPN to show it and it won't get taped over after a week! ... Read more

Reviews (3)

Picard and crew do the time warp again
While returning to the Enterprise in a shuttle, Picard, Data, La Forge and Troi take turns being momentarily frozen in time. They are in an area of space pocketed with temporal distortions. When they get to the Enterprise there is a warp core breach in progress, which has something to do with a nearby Romulan warbird and, in turns out, aliens from another continuum. Picard and his cohorts have to figure out the mystery before every goes "ka-boom." "Timescape" is an average STNG episode, with some interesting variations on temporal distortions, but the series has done much better (e.g., "Cause and Effect," the classic Episode 119).

Great acting, good plot, and a terrific episode in general.
I think that Timescape is a wonderful episode due greatly to the fact that it more realist than most episodes. Now of course I like all of the episodes being a trekker and all, but sometimes the science is a bit looney. This episodes only science flaw was the ability to isolate the crew so well, but I guess it had to be done to keep the show interesting. Still, science aside, the acting was the most important part, you really could feel the tension and the surprise of the crew when they found the Enterprise frozen in time, {well slowed way way down at least} and because of that I keep watching it over and over again. The plot is also excellent, with complexities being added in every ten minutes or so, thus keeping you suspence about what is actualy happening. All in all an excellent performance and definantly worth buying.

The Enterprise and a Romulan War bird frozen in time
This is a rather intruguing episode about what we consider to be the natural progression of time, and how we sometimes view it as going too fast or too slow. While Picard and company are returning to the Enterprise from a mission, Troi suddenly sees the rest of the crew on the shuttlecraft freeze. Later on, when the crew returns to the Enterprise, they notice that their ship was fired upon by a Romulan Warbird, but it's frozen in time! What will happen to the Enterprise once time is restored to its normal progression? ... Read more

Reviews (3)

Welcome to the wonderful and wacky world of Reg Barclay
"Hollow Pursuits" introduces us to Lt. Reg Barclay (Dwight Schultz), quite arguably the most popular guest star in the Next Generation universe after Q. Come to think of it, Barclay is just about the perfect counterpart to Q since he lacks confidence, . When La Forge complains about Barclay's performance to Picard, the captain insists his chief engineer find a way to motivate the man. What neither knows is that Barclay is spending a lot of his free time on the holodeck, where he acts out inspired fantasies that cast the Enterprise crewmembers in supporting roles and allow him to act out his unrequited love for Counselor Troi. Of course the man is totally addicted to the giant interactive game. However, when Troi, La Forge and Riker are about to do an intervention the Enterprise suddenly starts accelerating faster and faster. The ship is going to self-destruct unless La Forge can fix the warp engines and you will never guess who is suddenly needed to help save the day . . .

Not only does "Hollow Pursuits" have a great title, it deals with two realistic problems of the Star Trek universe, namely the great danger of being addicted to the fantasy world of the holodeck and the fact that not everybody on the Enterprise can be as capable and confident as the bridge crew. In that regard it is very easy for most traditional Trekkers to identify with the character of Reg Barclay. During the last part of the third season on STNG, there were several episodes with absolutely hysterical scenes, and Barclay being caught on the holodeck with his fantasies out is one of the best.

My favorite Star Trek episode
This is my favorite ST:TNG episode, mainly because of the introduction of Reg Barclay, the extremely shy lieutenant with a crush on Troi. Dwight Schultz (Murdock on "The A-Team") plays Barclay very well. Having shown a talent for playing insane pilots and murdering psychiatrists("Diagnosis Murder"), among other things, Schultz reveals his versatility through his portrayal of Barclay's awkwardness and social anxiety. His behavior in the holodeck, as he fences with Picard and flirts with Troi (the Goddess of Empathy) make this episode hilarious.

Beyond Schultz's performance, I enjoyed the attitudes of the rest of the crew during the show. Their initial mockery of "Broccoli" gave way to offense when they saw how they were represented in the holodeck. Troi's indignation alone made the episode worth watching (she's funny when she's mad!). I would recommend this video to any Trekkies, of course, but also to fans of Dwight Schultz, as his acting is a large part of what makes this such a good episode.

"Hollow Pursuits"- Absolutely Hilarious!
This is one of my all time favorite episodes. Barclay, a junior officer who suffers from social anxiety and an extrememly nervous disposition retreats from interaction in the real world to the holodeck, where he creates alternate personas for the main crew of the Enterprise. Picard, Riker and (I think!) Data are the three musketeers, Crusher is a pastoral maiden who feeds Barclay grapes, and, best of all, Troi stars as the "Goddess of Empathy" dressed in Greek robes. When the crew finds out about this program, you can guess how they all repsond to their holodeck counterparts. The best point of the show- when Troi tells the Goddess of Empathy, who is spewing comforting pyschobabble to "stuff it." A must-see episode! ... Read more

Amazon.com

Trek trickster Q (John DeLancie) puts a spin on It's a Wonderful Life when he gives Captain Picard a chance to replay the follies of his youth. Picard lies dying on the operating table after a freak energy discharge damages his artificial heart when Q shows up like a devilish Clarence the Angel, offering him a do-over of his destiny and save his heart. Suddenly the older, wiser captain finds himself a young ensign of 21 (still played by Patrick Stewart, though his twentysomething comrades seem not to notice), fresh from the Academy and ready to take on the world. Picard is determined not to make the same mistakes again on that fateful day at the Academy, but immediately feels the repercussions of his decision when he slingshots back to the present a changed man, careful and cautious and no longer the sum of youthful mistakes. Stewart carries through with his usual dignity and confidence, but the episode really comes alive when he embraces his inner rascal and lets the impulsive ensign out with a smile and a mean right hook. The impish Q really only came into his own in later seasons, when his devious tests revealed an odd, usually well-hidden benevolence, and this is one of his more thoughtful outings. --Sean Axmaker ... Read more

Reviews (7)

What if Picard never took chances?..He wouldn't be captain.
This one shows how if Picard never got into a bar room fight in his acdemy years...he would have never taken chances that would have led him to be a starship captain. Q shows Picard what would have happened had he not taken the big risks that led to his career. I love the scenes with him in a blue starfleet tunic as a researcher for the Enterprise. Another priceless scene is when he asks Riker how he can gain advancement in his career. He essencially gave Picard the brush off. You could see his career was going to be one of redundant reports and endless monotony.

This one is a keeper. It's the ultimate Picard episode that gives you a lot of insight into the character.

Sometimes a second chance is not all its cracked up to be...
The Away Team beams up a badly injured Captain Picard, who dies on the operating table because of problems with his artificial heart. In the proverbial bright light of the afterlife Picard encounters a godlike figure--who turns out to be Q. They are going to spend eternity together, but first Q would like to know if there is anything Picard regrets. After all, if he had a real heart he would still be alive. Q refers to an incident that Picard told Wesley Crusher about in "Samaritan Snare" (Episode 43), where his heart was damaged in a bar fight with some Norsicans. When Picard does indeed express some regrets over having been so headstrong as a youth, Q gives him a second chance: Picard is again a young ensign, two days before the encounter with the Norsicans that will end up with him having a dagger piercing his heart. If Picard can avoid that fight, he will not die 30 years later. The "mature" Picard finds a way to avoid the fight and Q congratulates him and returns him to the present--where "Lieutenant" Picard discovers he is an assistant astrophysics officer, described by his superiors as hardworking but not command material. Jean-Luc has to wonder if maybe he would rather be dead than live out the rest of his life like this.

I have thought about it and I have considered it, and I think "Tapestry" is the best of the episodes featuring Q. We have all seen movies and television shows that deal with the big difference made on lives by little things, but that does not take away from the high quality of this episode. The scenes between Picard and Q have a certain sharpness to them missing in other encounters because of the significance of the subtexts here: this is not only about Picard's "life" as in the opposite of death but also his "life" in terms of who he is at his core being. This is definitely one of the top 5 STNG episodes focusing on Picard. Discuss Topic: It seems the best episodes with Q are the always the ones that do not have Q in their titles. Talk amongst yourselves.

Excellent Episode With A "Dead" Captain Picard!
I must comment on this wonderful episode of Star Trek: The Next Generation. It involves my favorite , and probably most other Star Trek fans' favorite character, the abominable "Q". In this episode, Capt. Jean-Luc Picard faces death for the first time (and the last time) in my favorite Star Trek series. He perishes on the sick-bay table from a fighting accident and goes to heaven to meet.....who else than God himself, Q! Q welcomes him with open arms (actually, an open handshake) into his eternal world and Capt. Picard is surprised to see him, and does not believe the heavens is run by HIM! But, it is, and Q gives him a chance to make changes and right the "wrongs" that he did as a younger man.....a cadet fresh out of the Academy. This is to relieve Capt. Picard of any regrets that he had when he was alive, so Q doesn't have to hear him...."whining and complaining through time!" "How much time?" says Capt. Picard. "Eternity", replies Q! Q is humorous and witty as usual in this episode and transports him back in time to his Academy days. It is at the point in time just before he got stabbed through the heart by a Nausican where he was transported back to....to his dormitory room. If he can manage NOT to get stabbed through the heart, Q would bring him back to the present day. All of this is REAL, not an illusion that Q made up for his amusement. After many a disillusionment and losing his former friends from the Academy, he DOES manage not to get stabbed through the heart by that Nausican, and is brought back to the present day. But it's not the present day that HE remembered! In his NEW "afterlife", he is just an ordinary crewman serving under Capt. Thomas Halloway as an astrophysics officer! He doesn't like this one bit, and asks Comm. Riker and Counselor Troi if he can be more.....like captain of the ship. Comm. Riker replies, "....We'll see"!. Funny. Capt. Picard mumbles to himself my favorite line that he gives in this episode, "All right Q, you made your point. Having a good laugh now?" He then goes into the turbolift to give his assignment to Lieut. La Forge and is brought back to heaven by Q. He and Q have a one on one confrontation with Q giving him a verbal war of how good he has it now...."with a real heart beating in your chest!" Capt. Picard admits it was a mistake, and that now...."I would rather die on that bed than live the life I just saw!" Q grants him his request and Capt. Picard is revived on his sick-bay bed chuckling at his experience! Was it a dream, or was it a real after-death experience?

A philosopher's episode?
Great episode - brimming with Neitzsche's concept of eternal recurrence - Star Trek TNG seems to find philosophically pregnant themes like this often, to its credit!

100% Compliments! by Elliott Lewis UK
I am no major fan of Star Treck, however I watch it when I can, and thank the lord I did! This was by far the best episode of Star Treck Gen. to ever be showen. The story line is complex and gripping and it realy ilustrates an important fact of life... You have to take chances. In this particular episode "Q" gives the Captain a chance to re-live a part of his life, which indirectly lead to his death, but also helped him become the captain of the Star Ship Enterprise. This was a truly fantasic episode and strangley ironic. SO RECOMENDED! ... Read more

Reviews (2)

Booby Trap: A story about a guy in love with his ship!
Geordi's long awaited date with Christi on the holodeck doesn't go as well as he planned; sadly he strikes out again with yet another woman. He laments about this to Guinan in Ten Forward who offers him comfort and reassurance before he returns to duty. Meanwhile the Enterprise is exploring an asteroid belt that is the site of an interstellar battle between two warring alien races and has been over for nearly 1,000 years. They pick up an alien S.O.S. and in tracing it to the source find a battle cruiser left over from the war and still intact. They board it to conduct research and also to determine the cause of the demise of that ship's crew. When they attempt to leave the asteroid belt it is discovered that they are now caught within a minefield that is draining the ship's power and is impossible to attempt to navigate out of. Geordi's effort to determine a means of escape leads him to recreate the Enterprise's design labs on the holodeck. When Geordi asks for some assistance from the computer on the holodeck it fabricates a replication of Dr. Leah Brahms, the starship's designer - who Geordi falls for.

'Booby Trap' is a superior second season episode that is brilliantly conceived and soundly delivered. Though the premise of finding an ancient alien warship floating in space amidst an undetected minefield is intriguing on it own, the creators concern themselves primarily with Geordi and his pursuit of a relationship. In less capable hands the story may have concentrated on the discovery of the antique hardware and the ship's eventual escape; however, the writers of 'Booby Trap' dealt with the dimension that Trek always places the highest importance on - what it is to be human.

Geordi is experiencing some painful feelings that a lot of people do, namely that life has unfairly dealt him lemons in the love life department. He also suffers from the same sense that many do in his situation, acutely aware of his loneliness, struggling to do something about it and having to continually reassure himself of his qualities when he doesn't succeed. The writers use this to their advantage having Geordi meet the proverbial "girl of his dreams" in the form of the starship he cares for beyond anything else. As Dr. Leah Brahms, Susan Gibney is both perfectly ethereal in appearance and gorged with all the same intimate knowledge of the Enterprise as is Geordi. Naturally the two begin to feel a strong attraction to one another but do realize the limitations of their relationship, which the writers emphasize in the credible and sensitive ending to the show.

Other elements worth mentioning include Picard's alluding to his childhood hobby of building ships in a bottle that gets a variety of quizzical and humorous responses from the crew; this theme would be brought back later for the aptly titled sixth season episode 'Ship In A Bottle', that dealt with the holographic Sherlock Holmes nemesis, Professor Moriarty. Dr. Leah Brahms would make a later appearance, in the flesh, in the fourth season episode 'Galaxy's Child' and inadvertently discovers Geordi's holographic representation. Also the incidental music used here is a cut above the usual, though still familiar sounding.

Can Geordi find true love before the booby trap hatches?
In the previous episode, "The Bonding," one of the Enterprise crew was killed when a land mine from a war long ago exploded on the surface of a planet. In this appropriately titled episode, the Enterprise encounters a much more sophisticated "Booby Trap." In a debris field from the last great battle a thousand years earlier between the now extinct Promellians and Menthars, the Enterprise responds to a distress signal and finds a pristine Promellian battle cruiser. When their engines suddenly fail and the Enterprise is surrounded by a high intensity radiation field, Picard realizes they are caught in the same trap of 100,000 aceton assimilators draining power that originally caught the derelict ship and killed off its crew. The clock is ticking, or whatever it is clocks do in the 24th century, and the race in on.

This episode provides a simple but effective deep space problem to be solved by the crew, but the most interesting part of this episode involves the sub-plot with Geordi La Forge, who has been having a real bad streak of luck with the ladies. While working on how to increase the ship's power to save their lives, La Forge recreates the original prototypes of the engines on the holodeck. Surprised it is an option, La Forge also has the computer create a representation of Dr. Leah Brahms, one of the key engineers on the original design team. While "Leah" helps La Forge solve their dilemma, the Chief Engineer finds himself drawn to this holographic creation. On the one hand this episode is another chapter in the interactions of the ship's crew with the wonderful creations of the holodeck (e.g., "11001001," Episode 16), but it also sets up a very interesting episode down the road when the REAL Leah Brahms the following season in "Galaxy's Child" (Episode 90). ... Read more

Amazon.com

This curious episode re-introduced the meddling Q (John de Lancie) to the show, following the quasi-villain's key role in The Next Generation's two-part pilot, "Encounter at Farpoint." Establishing a pattern for all his visits to the Enterprise, Q simply pops up on the starship's bridge while Captain Picard (Patrick Stewart) makes haste for an important mission. In this instance, Q transports key personnel (Data, Geordi, Tasha, Wesley, Worf, and Riker) to a barren planet, where they battle horrid creatures wearing the uniforms of Napoleon's army. Most importantly, Q bestows his powers onto Riker (Jonathan Frakes), who then struggles not to use them--and fails spectacularly. The script by series staff writer Maurice Hurley (under the pen name C.J. Holland) was stripped of action by Gene Roddenberry in favor of a talky, philosophical approach to questions concerning human destiny. Things look and feel even more dry on the alien planet set, which looks like a holdover from the zero-budget third season of the original series. More positively, a climactic scene in which Riker attempts to grant his Enterprise friends their most cherished dreams is quite singular in its ensemble work and drama.--Tom Keogh ... Read more

Reviews (5)

We learn about the ethical code of the "Q" continuum
This episode is in many ways a combination of two of the episodes of the original series. When "Q" is on the desert planet with Riker and some of the other officers, his speech and mannerisms are very similar to those of Trelane in "The Squire of Gothos." Riker is granted the power of the "Q", which is similar to what happened to Gary Mitchell in "Where No Man Has Gone Before." However, unlike Gary Mitchell, while Riker grows very arrogant, he maintains his fundamental humanity and does not turn into a monster that must be destroyed.
The most significant event in the episode takes place in the conversation between Riker and "Q" on the surface of a desert world. "Q" admits to Riker that the "Q" continuum is concerned that humanity is advancing quickly and they believe that over thousands of years, the human species may even advance beyond what the "Q" can do. At first, this seems absurd, as the relative evolutionary development between humans and the "Q" is roughly equivalent to that between humans and microbes. However, this demonstrates that the "Q" are governed by a very severe code of ethics when it comes to their interaction with humans. Even though "Q" treats the Enterprise and her crew like toys, the fact that the continuum is concerned about the potential of humans means that he is essentially powerless to affect it in any substantial way. With their tremendous power to alter time and space, it would be a simple matter for the "Q" continuum to eliminate any potential threat that humans may pose.
In the end, Riker renounces his powers and "Q" is forced to return to the continuum against his will, much like Trelane was forced to do. Nevertheless, we learn that even the "Q" have their limits, although we do not know if they are self-imposed or a requirement of an even more powerful authority. I rank it barely in the top quarter of TNG episodes.

"Oh, your species is always suffering and dying."
John de Lancie has always done an outstanding job whenever he has guest-starred as the mischievous and omnipotent Q. The unique interplay Q had with the crew, especially with Captain Jean-Luc Picard (Patrick Stewart), was always amusing to watch as he never failed to cause some trouble whenever he could. In fact, Q-episodes actually developed into its own sub-genre of Star Trek: The Next Generation with many of them still remaining fan-favorites. Yet, every now and then there came along a clunker Q episode and "Hide and Q" was one of them.

Q intercepts the Enterprise-D as it is heading to a planet that has just experienced a terrible mining disaster. The entity grants Commander William Riker (Jonathan Frakes) the powers of Q so that he can be studied by the Continuum. Eventually Riker comes to the conclusion that being a God is not all it is cracked up to be and declines Q's gift in order to remain with the Enterprise.

"Hide and Q" is one of the more serious Q outings that just comes across as too heavy-handed and too narrow in scope. The notion of having God-like powers given to Riker is intriguing but instead of exploring how this development will redefine his place in the universe and the implications of accelerated evolution, we are treated to Riker performing parlor tricks for his fellow crew members. "Hide and Q" had a chance to explore genuinely profound ideas but instead chose to limit its ambition by only exploring how Riker's friends would react to his new place in the galactic food chain.

Hide and Q ..........or Q Number 2?
Q Number 2?

In this poignant episode; the notorious Q decides that Riker is to become another member of the continuum. He takes his away team and Wesley and Worf perish in the first half of the episode! It's how Riker decides to bring them back that makes this story a keeper. This is what tempts him to the dark side.

Aboard the bridge, Picard has to deal with a first officer with the power of a God. Riker takes it upon himself to attempt to cure Geordi's blindness, make Data human and Wes into a mature man. It's the outcome of this tele-play that makes this one that I call a Q classic.

The Last Temptation of Riker, Courtesy of Q
One thing you have to admire about the Next Generation series is that they showed admirable restraint when it came to appearances by Q (and the same for Lwaxana Troi). Apparently the Q Continuum finds some hope for humanity on the basis of the Farpoint Station test and have decided to invite Commander Riker to join the Q. Given the power of the Q, Riker uses them to restore Worf and Wesley to life after the pair are killed during one of Q's little tests. Picard persuades Riker not to give into the temptation, but Riker's will power is put to the test during a particularly brutal rescue mission to Sigma III when he looks at the dead and wounded. Rethinking his decision, Riker uses his power to provide "gifts" to the bridge crew: Wesley becomes ten years older, Geordi is given sight, and Worf is provided with a Klingon female. However, when Data refuses the chance to be human, Riker and the others rethink exactly what they are being offered.

"Hide and Q" is one of the more thoughtful episodes from the first season although I always think Jonathan Frakes looks so baby-faced without his beard in these early episodes. The idea of Q as a meddlesome presence to the Enterprise's mission is being developed, but without the constant comic twists that will become standard fare. This is not only the second episode with Q, but also the second time the series explores the Riker character (see: Episode 7, "The Last Outpost"). At this point in the development of the Next Generation, Commander Riker is the Away Team Leader as the series tries to avoid the "Kirk beams down into danger" paradox that has the captain repeatedly putting himself into harm's way because he is the hero of the show and that is what heroes do. Eventually Riker's leadership abilities will be developed in other ways. The brief look into the hopes and dreams of the various characters is much more satisfying that the too little, too early examinations in "The Naked Now" (Episode 3).

Hide & Q
This episode marks the second appearance of the entity known as Q. Q gives Commander Riker the power of Q in an attempt to make Riker one of the Q. To this end, Q places the crew of the Enterprise in some 'games' to tempt Riker to join with him.

All in all it's not a bad episode for the first season. ... Read more

Amazon.com

"The Naked Now" is a must-own for all TNG fans. Who cares if it's basically a retread of the original series' "Naked Time" or that it breaks out every Star Trek cliché in the book? This episode lays the groundwork for fundamental relationship story lines that take seven years to unfold. Thanks to some nasty alcoholic space bug, the crew of the Enterprise-D loses all inhibition and has a good ol' time. See Picard and Doctor Bev get hot and heavy. Watch in awe when Troi asks Riker "Don't you want to be alone with me in your mind?" Find out what "fully functional" really means whether you want to or not. Of course, all good things must come to an end. (Un)fortunately, Dr. Crusher finds a cure and Wesley saves the day. "Naked Now" is so joyously and transcendentally bad, it's good. A number one guilty pleasure among TNG fans everywhere. --Kayla Riggney ... Read more

Reviews (14)

Interesting Episode Quite a crowd pleaser.
This is the second episode of TNG's first season making it the Second episode of the series. Officially is is listed as episode 3 because the pilot episode was a 2 part or "double" episode.

This episode is a spin-off of the TOS episode "The Naked Time" Basically the same type of thing happens. In this episode the Enterprise meets up with the U.S.S. Tsiolkovsky, in observing a star that is about to go nova (Named after the great Russian physicist and rocket scientist, Konstantin Eduardovich Tsiolkovsky if you look closely you will notice that one of the plaques on the ship is written in Russian) The crew is acting in a strange manner. They then, in their drunken-like state blow out the hatch, decompressing much of the ship. The Enterprise crewbeams over to find the ship is a mess. The entire crew is dead, there are clothes strewn all over the corridors, naked people in one of the crew quarters with the environmental controls set to a winter-like condition. One crew member is found in a shower stall fully-clothed. The Enterprise crew returns to their ship and the ship is contaminated.

The Transporter's Bio filter and decontamination is unable to filter out the contaminant. It is a set of water-based molecules that are in a chemical like state that when passed on to a human, will affect the human body like alcohol. Now eventually the whole crew becomes "drunk", the star is about to go nova at any minute and the ship's controls have been taken over by Wesley!

This is a great episode and in it we leard about Data's full functionality. and the "multiple techniques" he is programmed with. The documenatry "Trekkies goes into this as well"

A poor retread of an episode in the original series
This is the first episode of Star Trek TNG that I saw and I was not impressed. It is a remake of episode 7, "The Naked Time" of the original series, so my first impression was that TNG would consist of storylines from the original series. Secondly, it lacked the panache of the original episode, having nothing to equal the dash of Sulu swashbuckling his way around the ship. Furthermore, and by far the worst feature, was that once the crew of the new Enterprise found the historical reference, all they had to do to stop the spread of the disease was to avoid touching each other. It was like they had never heard of biological isolation suits. They go around touching each other and then saying, "Oh no, I touched you and now I have it." These are not the actions of Star Fleet officers and they appeared to be pathetic bumblers.
Few of the actors seem able to carry off the role of acting intoxicated, and that is another problem. When the crew of the original series were infected, they acted out their repressed psychoses, which is quite different from pretending to be a stumbling drunk. Sulu was never more dynamic than when he was chasing his shipmates around with a sword. Captain Kirk was never more troubled than when his fears were uncontrollably bubbling to the surface.
Fortunately, the producers were wise enough to avoid doing this again, creating story lines either independent of the original series or having only a secondary relationship. The only redeeming feature of this episode is that it forces the characters to interact with each other, so we are able to see some of the underlying dynamics in their relationships.

I Liked The Episode!
Star Trek: The Next Generation is one of my favorite television shows and when they were still making new episodes it was the only show that I would be unhappy if I missed an episode. The Naked Now may not be the best episode of the series but I think it was pretty good and I enjoyed watching it and I like that they played homage to the Original Star Trek series episode The Naked Time. It was a nice tie-in to that show! As everyone knows this is the episode where the crew is exposed to some kind of highly contageous virus that makes the infected individuals act as though they drank too much booze and are very drunk. I'm not sure if the humor in this episode with Data the android acting as though he was drunk was intentionally funny or not but it sure was funny! which resulted in some I have this episode on video and I'm hoping to someday buy the complete seasons of Star Trek: The Next Generation on DVD.

"It never happened."
It is still not clear whether "The Naked Now" was meant to be a homage to the original Star Trek episode "The Naked Time," a sequel to that episode, or whether it was just a plain repeat performance of it, but it is clear that this was one of the less inspired episodes of the first season.

After beaming over to the derelict U.S.S. Tsiolkovsky, Geordi La Forge (LeVar Burton) starts to exhibit some curious behavior upon returning to the Enterprise-D. It turns out that LaForge has become infected by a substance that causes anyone infected by it to lose their inhibitions. Eventually most of the Enterprise's crew becomes infected and the ship is placed in imminent danger as it finds itself in close proximity to a collapsing star with its engines disabled.

The decision to go with this story so early in Star Trek: The Next Generation's run seems a little puzzling. "The Naked Time" was noteworthy because it showed viewers aspects of Captain Kirk's crew that we had never been privy to before. However, since most of the characterizations of the Next Generation's crew had not been firmly established yet, showing the "other" sides of these characters had a rather muted dramatic effect since we were not yet used to the "normal" personas of these characters. This episode might have worked better had it been saved for one of the later seasons. Still "The Naked Now" was not a total lost cause as it did put to rest all questions over just how compatible Data (Brent Spiner) could be with a humanoid.

Sequels from the Original Series
The third episode, "The Naked Now", is the sequel to the Original Series episode, "The Naked Time." The story opens with a Federation science vessel, the U.S.S. Tsiolkovsky, studying a star, on the verge of going supernova. During the mission, the crew of the ship is exhibiting strange behavior, until one person of the crew blows a emergency hatch, killing the Tsiolkovsky's entire crew. The U.S.S. Enterprise is ordered to investigate, and finds that most of the crew are frozen, someone has been playing with the environmental controls, letting the heat suck out into space. Not long after, Geordi complains that Sickbay is too hot. It prompts Dr. Crusher to keep Geordi under observation.

Slowly, more crewmembers fall prey to the same strange feelings, prior to the Tsiolkovsky crew's deaths. ... Read more