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| 21. Apprenticeship of Duddy Kravitz Director: Ted Kotcheff | |
![]() | list price: $14.95
(price subject to change: see help) Asin: 630021673X Catlog: Video Sales Rank: 13904 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (4)
The back of the "Duddy Kravitz" VHS box alleges that Duddy "uses the girl who loves him, forges checks, and lies but somehow still manages to work his way into our hearts." To describe the film this way misses its uniqueness by inverting its point. Richard Dreyfuss' charismatic, touching, and wildly comic performance (the key performance of his career, and little-seen), effortlessly and immediately batters its way into our hearts. The process by which he squanders those affections and the affections of those around him (perhaps most tragically Yvette's and Virgil's) is incremental, painful, and, we have no reason to suppose otherwise, irreversible. Only gradually does it become clear that he draws no distinction between people and objects - both are merely means to an end. The VHS blurb suggests a redemption, a feel-good experience that's nowhere to be found in this film. Duddy not only betrays other characters; he betrays the audience, truly and distressingly. Despite his energy and intelligence and charm, this punk manages to work his way out of our hearts. The film daringly takes our "audience-identification figure" and pulls him out from under us, leaving us to ponder: Does Duddy's devoted grandfather, kneading soil in a ghetto victory garden one morning, plant the seed of Duddy's undoing when he remarks, unequivocally, "Without land, a man is nothing"? The remark registers on the younger man's face unmistakably: the sole way to avoid being "Nothing" has just been revealed! Is ethical business practice a luxury struggling immigrants budget for at their peril? One character is allowed, eloquently and at length, to say just that. There is no one present to raise an objection. Do Yvette and Virgil, unbendingly loyal to the personable young opportunist, abet his crimes a little or a lot? Yvette smells a rat early on, Virgil takes longer to wise up. Time and again Duddy barters their love and trust for the only thing truly valuable in his world: the parcel of land that will save him from "Nothingness". Duddy's tragedy is that he might have won ALL the marbles if he'd been a different sort of man. But the apprentice intuitively grasps the lesson being imparted all around him: in order to win, others must lose. Both Yvette and Virgil are loath to cut Duddy dead until his betrayals reach the level of obscenity. At what point does the viewer cut him dead? Or does Duddy continue (see review below) to seem "inspiring"? The film doesn't insist, to its credit, on any one answer to those questions. Along with the enormous amount of physical energy at his disposal, Duddy possesses a prodigious, caustic wit which he frequently unloads on those who would directly challenge him. The brilliance of the film is that these harangues are so sympathetically written and masterfully performed that viewers may not know what to make of them, other than to mistake them for ringing endorsements of Duddy's behavior; indeed, in these moments Dreyfuss dazzles even that viewer who may have already made up his mind about the disposition of Duddy's soul. Other viewers may excuse him under the "if you want to make an omelet, you have to break some eggs" rule (Virgil, paralyzed through Duddy's chicanery, may be unimpressed by this defense). The perceptive, skillful work of writer and actor allows us to see where Duddy's "coming from", even if we cringe at where he's headed. His bad side can seem as seductive as his good. One can't shake the feeling that this earnest young man has not, will not, and cannot admit to himself that he's a con man. The story ends before Duddy can realize who he's been swindling, who has been the mark in his long con: Duddy Kravitz.
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| 22. Hidden Assassin Director: Ted Kotcheff | |
![]() | list price: $9.99
(price subject to change: see help) Asin: 6304141246 Catlog: Video Sales Rank: 22092 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (5)
It's a typical assasination story, where Dolph Lundgren as an american marshall was ordered to apprehend an assasin who want to assasinate a cuban ambassador. It lack the necessary twist to make it alive..maybe the directing is not sharp enough to capture, or even to elevate the mood. There are some dialogue and character that felt silly...like the comnmander that likes to boasting around and harassing his man if he consider it necessary to save his image, and well, i don't feel that the dialog wenth smooth...you can just feel it that it was made. Not alive enough..thus it doesn't shape the character deep enough. In this kind of movie, If you don't want to play with the character, then you would need to give a good plot on the story...like some 'existensialist' movie in 60's-70's that concern more about what happen instead of the character. The Day of the Jackall is a good example...there is a lot of suspense created from what the jackall did..the viewer is grasp on how the jackall would make his next step. Other good example is the Package..it's a trully high octane thriller and you just get very uptight watching Gene Hackman striving hard to save the president from being shot. Other thing that annoyed me, the music score. Is really-really-really improper..it tries to create a fast and tense situation but what happen is you feel that the music doen't really go into the scene, like it was taken from some other movie and forcefully paste into this movie. It's just not there.. As for the action, Kotcheff did pretty well with a fast paced scene...the fighting scene in the wine cellar, the chasing on the train are good examples,the editing is fast and proper, the angle is just right. Although not exactly John Mc Tiernan, Kotcheff does have a chemistry on this kind of thing (considering his previous experience in movie such as First Blood, this isn't surprising). Too bad this chemistry isn't supported with a good script (or a good score for that matter). Thanks for the proper directing on the action sequence, and the good background of Prague, this movie is still something that is watchable...and that's why i still tend to vote it for 3 star instead of 2.
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| 23. Winter People Director: Ted Kotcheff | |
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(price subject to change: see help) Asin: 6305046905 Catlog: Video Sales Rank: 35533 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (12)
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| 24. Family of Cops Director: Ted Kotcheff | |
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our price: $9.98 (price subject to change: see help) Asin: 6304285434 Catlog: Video Sales Rank: 37144 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (3)
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| 25. First Blood Director: Ted Kotcheff | |
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(price subject to change: see help) Asin: 630336568X Catlog: Video Sales Rank: 35791 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (91)
The latest DVD version of the classic Stallone action flick provides several supplemental features, the most notable being the outstanding commentary by David Morrell who wrote the novel the film is based on. More on that in a moment. First Blood is about a Vietnam vet named John Rambo who comes to a small Washington state town (actually British Columbia) to find the last surviving comrade from his elite Green Beret unit. When he discovers that he too is dead, Rambo makes his way into town for a bite to eat and instead winds up being arrested by the hick local sheriff (Brian Dennehy). While in custody, Rambo is abused by the locals but manages to escape sparking an all out manhunt. This film has 55 minutes of action out of 96 total highlighted by the jail escape and subsequent chase. Jack Starrett is great as the cop that does most of the abusing while Davis Caruso is fine as the only deputy (among the surprisingly large local force) that seems to have a conscience. Dennehy is good as always and makes a worthy opponent for Rambo. Richard Crenna is great as Rambo's former CO and he and Dennehy play off one another quite well. Even though he has limited speaking parts, this is probably one of Stallone's best performances highlighted by the "Vietnam speech" near the end of the film. The film is presented in digitally remastered widescreen 16:9, and is without a doubt the best video presentation of First Blood to date. The movie was shot in the temperate rain forest of BC and is quite dark at times. However, the darkest scenes have been enhanced here and are much improved over the various VHS versions some of which are terrible. Sound is Dolby 2.0 only but not bad considering. Also included are a cute trivia game (get all 10 right without a mistake to see a Rambo cartoon), production notes, and a teaser and trailer. The "featurette" is nothing more than a glorified trailer. Now on to the best feature of this DVD, one that is worth the price of admission all by itself. If you are at all interested in how films are made and the behind the scenes tidbits about Hollywood, then RUN do not walk (or let your fingers do the walking online) to your local video store and get this disc. Why? For the outstanding commentary of writer David Morrell. This talented man begins to speak before the opening credits and does not stop for 96 minutes. When he does you will wish he could have continued for 96 more. You will find yourself listening again and again and picking up something new each time. This is without a doubt far and away the best commentary on any DVD. Here is just a partial list of the things Morrell covers: 1. The many differences between his novel and the film-very fascinating stuff. 2. His experience when seeing First Blood the very first time. 3. The three act structure of films. 4. How he chose the name Rambo and other character names. 5. How First Blood set a number of precedents for the industry. 6. Why films were kept to 90 minutes in length for so long a time. 7. A touching story about his son and Stallone. 8. The story of how Kirk Douglas was scheduled to play Troutman and why Richard Crenna ended up with the role. And that is only scratching the surface. In conclusion, First Blood was a precedent setting film featuring top-flight actors and some of the best believable screen action. The wonderful commentary of David Morrell caps off a great experience.
Again, terrific movie, if youre into action/drama, take a look at this one, its great!!!
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| 26. First Blood Director: Ted Kotcheff | |
![]() | list price: $14.99
(price subject to change: see help) Asin: 630024203X Catlog: Video Sales Rank: 66424 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (91)
The latest DVD version of the classic Stallone action flick provides several supplemental features, the most notable being the outstanding commentary by David Morrell who wrote the novel the film is based on. More on that in a moment. First Blood is about a Vietnam vet named John Rambo who comes to a small Washington state town (actually British Columbia) to find the last surviving comrade from his elite Green Beret unit. When he discovers that he too is dead, Rambo makes his way into town for a bite to eat and instead winds up being arrested by the hick local sheriff (Brian Dennehy). While in custody, Rambo is abused by the locals but manages to escape sparking an all out manhunt. This film has 55 minutes of action out of 96 total highlighted by the jail escape and subsequent chase. Jack Starrett is great as the cop that does most of the abusing while Davis Caruso is fine as the only deputy (among the surprisingly large local force) that seems to have a conscience. Dennehy is good as always and makes a worthy opponent for Rambo. Richard Crenna is great as Rambo's former CO and he and Dennehy play off one another quite well. Even though he has limited speaking parts, this is probably one of Stallone's best performances highlighted by the "Vietnam speech" near the end of the film. The film is presented in digitally remastered widescreen 16:9, and is without a doubt the best video presentation of First Blood to date. The movie was shot in the temperate rain forest of BC and is quite dark at times. However, the darkest scenes have been enhanced here and are much improved over the various VHS versions some of which are terrible. Sound is Dolby 2.0 only but not bad considering. Also included are a cute trivia game (get all 10 right without a mistake to see a Rambo cartoon), production notes, and a teaser and trailer. The "featurette" is nothing more than a glorified trailer. Now on to the best feature of this DVD, one that is worth the price of admission all by itself. If you are at all interested in how films are made and the behind the scenes tidbits about Hollywood, then RUN do not walk (or let your fingers do the walking online) to your local video store and get this disc. Why? For the outstanding commentary of writer David Morrell. This talented man begins to speak before the opening credits and does not stop for 96 minutes. When he does you will wish he could have continued for 96 more. You will find yourself listening again and again and picking up something new each time. This is without a doubt far and away the best commentary on any DVD. Here is just a partial list of the things Morrell covers: 1. The many differences between his novel and the film-very fascinating stuff. 2. His experience when seeing First Blood the very first time. 3. The three act structure of films. 4. How he chose the name Rambo and other character names. 5. How First Blood set a number of precedents for the industry. 6. Why films were kept to 90 minutes in length for so long a time. 7. A touching story about his son and Stallone. 8. The story of how Kirk Douglas was scheduled to play Troutman and why Richard Crenna ended up with the role. And that is only scratching the surface. In conclusion, First Blood was a precedent setting film featuring top-flight actors and some of the best believable screen action. The wonderful commentary of David Morrell caps off a great experience.
Again, terrific movie, if youre into action/drama, take a look at this one, its great!!!
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| 27. First Blood (Special Edition) Director: Ted Kotcheff | |
![]() | list price: $9.98
our price: $9.98 (price subject to change: see help) Asin: B0000640WX Catlog: Video Sales Rank: 1502 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (91)
The latest DVD version of the classic Stallone action flick provides several supplemental features, the most notable being the outstanding commentary by David Morrell who wrote the novel the film is based on. More on that in a moment. First Blood is about a Vietnam vet named John Rambo who comes to a small Washington state town (actually British Columbia) to find the last surviving comrade from his elite Green Beret unit. When he discovers that he too is dead, Rambo makes his way into town for a bite to eat and instead winds up being arrested by the hick local sheriff (Brian Dennehy). While in custody, Rambo is abused by the locals but manages to escape sparking an all out manhunt. This film has 55 minutes of action out of 96 total highlighted by the jail escape and subsequent chase. Jack Starrett is great as the cop that does most of the abusing while Davis Caruso is fine as the only deputy (among the surprisingly large local force) that seems to have a conscience. Dennehy is good as always and makes a worthy opponent for Rambo. Richard Crenna is great as Rambo's former CO and he and Dennehy play off one another quite well. Even though he has limited speaking parts, this is probably one of Stallone's best performances highlighted by the "Vietnam speech" near the end of the film. The film is presented in digitally remastered widescreen 16:9, and is without a doubt the best video presentation of First Blood to date. The movie was shot in the temperate rain forest of BC and is quite dark at times. However, the darkest scenes have been enhanced here and are much improved over the various VHS versions some of which are terrible. Sound is Dolby 2.0 only but not bad considering. Also included are a cute trivia game (get all 10 right without a mistake to see a Rambo cartoon), production notes, and a teaser and trailer. The "featurette" is nothing more than a glorified trailer. Now on to the best feature of this DVD, one that is worth the price of admission all by itself. If you are at all interested in how films are made and the behind the scenes tidbits about Hollywood, then RUN do not walk (or let your fingers do the walking online) to your local video store and get this disc. Why? For the outstanding commentary of writer David Morrell. This talented man begins to speak before the opening credits and does not stop for 96 minutes. When he does you will wish he could have continued for 96 more. You will find yourself listening again and again and picking up something new each time. This is without a doubt far and away the best commentary on any DVD. Here is just a partial list of the things Morrell covers: 1. The many differences between his novel and the film-very fascinating stuff. 2. His experience when seeing First Blood the very first time. 3. The three act structure of films. 4. How he chose the name Rambo and other character names. 5. How First Blood set a number of precedents for the industry. 6. Why films were kept to 90 minutes in length for so long a time. 7. A touching story about his son and Stallone. 8. The story of how Kirk Douglas was scheduled to play Troutman and why Richard Crenna ended up with the role. And that is only scratching the surface. In conclusion, First Blood was a precedent setting film featuring top-flight actors and some of the best believable screen action. The wonderful commentary of David Morrell caps off a great experience.
Again, terrific movie, if youre into action/drama, take a look at this one, its great!!!
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| 28. The Human Voice (Broadway Theatre Archive) Director: Ted Kotcheff | |
![]() | list price: $24.95
our price: $24.95 (price subject to change: see help) Asin: B0000639JK Catlog: Video Sales Rank: 64020 US | Canada | United Kingdom | Germany | France | Japan |
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| 29. Folks! Director: Ted Kotcheff | |
![]() | list price: $19.98
(price subject to change: see help) Asin: B000053V0U Catlog: Video Sales Rank: 42804 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (13)
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| 30. Apprenticeship of Duddy Kravitz(Audio Described) Director: Ted Kotcheff | |
![]() | list price: $34.95
(price subject to change: see help) Asin: B00005IARI Catlog: Video Sales Rank: 78731 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (4)
The back of the "Duddy Kravitz" VHS box alleges that Duddy "uses the girl who loves him, forges checks, and lies but somehow still manages to work his way into our hearts." To describe the film this way misses its uniqueness by inverting its point. Richard Dreyfuss' charismatic, touching, and wildly comic performance (the key performance of his career, and little-seen), effortlessly and immediately batters its way into our hearts. The process by which he squanders those affections and the affections of those around him (perhaps most tragically Yvette's and Virgil's) is incremental, painful, and, we have no reason to suppose otherwise, irreversible. Only gradually does it become clear that he draws no distinction between people and objects - both are merely means to an end. The VHS blurb suggests a redemption, a feel-good experience that's nowhere to be found in this film. Duddy not only betrays other characters; he betrays the audience, truly and distressingly. Despite his energy and intelligence and charm, this punk manages to work his way out of our hearts. The film daringly takes our "audience-identification figure" and pulls him out from under us, leaving us to ponder: Does Duddy's devoted grandfather, kneading soil in a ghetto victory garden one morning, plant the seed of Duddy's undoing when he remarks, unequivocally, "Without land, a man is nothing"? The remark registers on the younger man's face unmistakably: the sole way to avoid being "Nothing" has just been revealed! Is ethical business practice a luxury struggling immigrants budget for at their peril? One character is allowed, eloquently and at length, to say just that. There is no one present to raise an objection. Do Yvette and Virgil, unbendingly loyal to the personable young opportunist, abet his crimes a little or a lot? Yvette smells a rat early on, Virgil takes longer to wise up. Time and again Duddy barters their love and trust for the only thing truly valuable in his world: the parcel of land that will save him from "Nothingness". Duddy's tragedy is that he might have won ALL the marbles if he'd been a different sort of man. But the apprentice intuitively grasps the lesson being imparted all around him: in order to win, others must lose. Both Yvette and Virgil are loath to cut Duddy dead until his betrayals reach the level of obscenity. At what point does the viewer cut him dead? Or does Duddy continue (see review below) to seem "inspiring"? The film doesn't insist, to its credit, on any one answer to those questions. Along with the enormous amount of physical energy at his disposal, Duddy possesses a prodigious, caustic wit which he frequently unloads on those who would directly challenge him. The brilliance of the film is that these harangues are so sympathetically written and masterfully performed that viewers may not know what to make of them, other than to mistake them for ringing endorsements of Duddy's behavior; indeed, in these moments Dreyfuss dazzles even that viewer who may have already made up his mind about the disposition of Duddy's soul. Other viewers may excuse him under the "if you want to make an omelet, you have to break some eggs" rule (Virgil, paralyzed through Duddy's chicanery, may be unimpressed by this defense). The perceptive, skillful work of writer and actor allows us to see where Duddy's "coming from", even if we cringe at where he's headed. His bad side can seem as seductive as his good. One can't shake the feeling that this earnest young man has not, will not, and cannot admit to himself that he's a con man. The story ends before Duddy can realize who he's been swindling, who has been the mark in his long con: Duddy Kravitz.
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| 31. The Apprenticeship of Duddy Kravitz Director: Ted Kotcheff | |
![]() | list price: $14.95
(price subject to change: see help) Asin: B00005Y81U Catlog: Video Sales Rank: 79714 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (4)
The back of the "Duddy Kravitz" VHS box alleges that Duddy "uses the girl who loves him, forges checks, and lies but somehow still manages to work his way into our hearts." To describe the film this way misses its uniqueness by inverting its point. Richard Dreyfuss' charismatic, touching, and wildly comic performance (the key performance of his career, and little-seen), effortlessly and immediately batters its way into our hearts. The process by which he squanders those affections and the affections of those around him (perhaps most tragically Yvette's and Virgil's) is incremental, painful, and, we have no reason to suppose otherwise, irreversible. Only gradually does it become clear that he draws no distinction between people and objects - both are merely means to an end. The VHS blurb suggests a redemption, a feel-good experience that's nowhere to be found in this film. Duddy not only betrays other characters; he betrays the audience, truly and distressingly. Despite his energy and intelligence and charm, this punk manages to work his way out of our hearts. The film daringly takes our "audience-identification figure" and pulls him out from under us, leaving us to ponder: Does Duddy's devoted grandfather, kneading soil in a ghetto victory garden one morning, plant the seed of Duddy's undoing when he remarks, unequivocally, "Without land, a man is nothing"? The remark registers on the younger man's face unmistakably: the sole way to avoid being "Nothing" has just been revealed! Is ethical business practice a luxury struggling immigrants budget for at their peril? One character is allowed, eloquently and at length, to say just that. There is no one present to raise an objection. Do Yvette and Virgil, unbendingly loyal to the personable young opportunist, abet his crimes a little or a lot? Yvette smells a rat early on, Virgil takes longer to wise up. Time and again Duddy barters their love and trust for the only thing truly valuable in his world: the parcel of land that will save him from "Nothingness". Duddy's tragedy is that he might have won ALL the marbles if he'd been a different sort of man. But the apprentice intuitively grasps the lesson being imparted all around him: in order to win, others must lose. Both Yvette and Virgil are loath to cut Duddy dead until his betrayals reach the level of obscenity. At what point does the viewer cut him dead? Or does Duddy continue (see review below) to seem "inspiring"? The film doesn't insist, to its credit, on any one answer to those questions. Along with the enormous amount of physical energy at his disposal, Duddy possesses a prodigious, caustic wit which he frequently unloads on those who would directly challenge him. The brilliance of the film is that these harangues are so sympathetically written and masterfully performed that viewers may not know what to make of them, other than to mistake them for ringing endorsements of Duddy's behavior; indeed, in these moments Dreyfuss dazzles even that viewer who may have already made up his mind about the disposition of Duddy's soul. Other viewers may excuse him under the "if you want to make an omelet, you have to break some eggs" rule (Virgil, paralyzed through Duddy's chicanery, may be unimpressed by this defense). The perceptive, skillful work of writer and actor allows us to see where Duddy's "coming from", even if we cringe at where he's headed. His bad side can seem as seductive as his good. One can't shake the feeling that this earnest young man has not, will not, and cannot admit to himself that he's a con man. The story ends before Duddy can realize who he's been swindling, who has been the mark in his long con: Duddy Kravitz.
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