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| 21. The Robe Director: Henry Koster | |
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our price: $9.98 (price subject to change: see help) Asin: 6304813961 Catlog: Video Sales Rank: 39972 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (54)
An epic in its time due its being the first motion picture in Cinemascope, it remains a great testimony to the values and morals of its producers and director. I remember watching this movie as adolescent. Victor Mature, as Demetrius a Greek slave, stood out for me in this movie and in other movies (Demetrius and the Gladiators, Samson and Deliah) as the epitome of Christian virtue. Ironically, however the story plot was not about him, but he did play a very important supporting role, his story is in the sequel Demetrius and the Gladiators. Given that this film was an epic in its time 1953; it still has not lost the inspiration and awe of the strength of the test of faith, at least for me, that it inspired when I first saw it. This epic film was directed by Henry Koster, a German who also is known by the name Herman Kosterlitz. His works include A man called Peter (1955), Harvey (1950), and The bishop's Wife (1947). I believe that major premise that Koster was portraying to the public was that faith in Christ is worth both searching and dying for. No matter who you are there is hope for you in finding the Jesus of the Cross. While titled the Robe, the story really evolves around Marcellus (Richard Burton) a tribune in the service of Rome. He was ordered to crucify Jesus. He wins the robe while gambling at the foot of the cross, but when he touches it he becomes tortured in his mind. When overcome, he cries out "Where you there.?" Ironically the best that anyone can do for him is to send him on a quest to find the robe and destroy it, thinking that will bring his mind to rights. When he finds the Robe he finds peace of mind, through reconciliation to God through belief in the Christ who wore the Robe. Instead of destroying the Robe he instead joins the Christians in declaring God's love for humankind. The ending of the movie is magnificent! When brought to trial by Caligula (Jay Robinson) Marcellus is ordered to pledge allegiance to Rome and renounce his faith in Christ on the penalty of death. He does renew his pledge to Rome but refuses to renounce his faith in Christ. He is sentenced to death for his faith. The beginning of this story starts before Marcellus has to crucify Jesus, yet the cross, signified by the Robe itself is central to the story. Without it there would be no new life and faith in Christ to die for. Some have called it another story of the Crucifixion, yet I would say no. It is the continuation of the reality of the meaning of the crucifixion... i.e. the Love of God for humankind.
I always like a good fight sequence, and there is a brilliantly choreographed one between Marcellus and a centurion. It is the kind of swordplay great Shakespearean actors have perfected, and it is a delight to watch.
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| 22. The Robe Director: Henry Koster | |
![]() | list price: $9.98
(price subject to change: see help) Asin: 6301628454 Catlog: Video Sales Rank: 21380 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (54)
An epic in its time due its being the first motion picture in Cinemascope, it remains a great testimony to the values and morals of its producers and director. I remember watching this movie as adolescent. Victor Mature, as Demetrius a Greek slave, stood out for me in this movie and in other movies (Demetrius and the Gladiators, Samson and Deliah) as the epitome of Christian virtue. Ironically, however the story plot was not about him, but he did play a very important supporting role, his story is in the sequel Demetrius and the Gladiators. Given that this film was an epic in its time 1953; it still has not lost the inspiration and awe of the strength of the test of faith, at least for me, that it inspired when I first saw it. This epic film was directed by Henry Koster, a German who also is known by the name Herman Kosterlitz. His works include A man called Peter (1955), Harvey (1950), and The bishop's Wife (1947). I believe that major premise that Koster was portraying to the public was that faith in Christ is worth both searching and dying for. No matter who you are there is hope for you in finding the Jesus of the Cross. While titled the Robe, the story really evolves around Marcellus (Richard Burton) a tribune in the service of Rome. He was ordered to crucify Jesus. He wins the robe while gambling at the foot of the cross, but when he touches it he becomes tortured in his mind. When overcome, he cries out "Where you there.?" Ironically the best that anyone can do for him is to send him on a quest to find the robe and destroy it, thinking that will bring his mind to rights. When he finds the Robe he finds peace of mind, through reconciliation to God through belief in the Christ who wore the Robe. Instead of destroying the Robe he instead joins the Christians in declaring God's love for humankind. The ending of the movie is magnificent! When brought to trial by Caligula (Jay Robinson) Marcellus is ordered to pledge allegiance to Rome and renounce his faith in Christ on the penalty of death. He does renew his pledge to Rome but refuses to renounce his faith in Christ. He is sentenced to death for his faith. The beginning of this story starts before Marcellus has to crucify Jesus, yet the cross, signified by the Robe itself is central to the story. Without it there would be no new life and faith in Christ to die for. Some have called it another story of the Crucifixion, yet I would say no. It is the continuation of the reality of the meaning of the crucifixion... i.e. the Love of God for humankind.
I always like a good fight sequence, and there is a brilliantly choreographed one between Marcellus and a centurion. It is the kind of swordplay great Shakespearean actors have perfected, and it is a delight to watch.
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| 23. Rage of Paris Director: Henry Koster | |
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Reviews (7)
Dr Jacques COULARDEAU
Darrieux is moved into a plush suite of a prominent New York hotel apartment when head waiter Mischa Auer and Darrieux's friend Helen Broderick conspire to marry the lovely Parisian to a wealthy man. Louis Hayward, who ostensibly owns "half of Canada" is the selected choice, but ends up ultimately vying for her with "best friend" Fairbanks. The dramatic conflict stems from the fact that Fairbanks catches on to Darrieux's ploy and is initially out to foil her to help his friend, but ultimately succumbs to her charms. The script conveys the flavor of the Depression thirties and the burgeoning contrasts between rich and poor. A shrewd Broderick realizes that Darrieux can convert her beauty into economic success by using just the right strategy on the properly situated man. Ironically, Darrieux finally learns that, for all the money Hayward has, Fairbanks is wealthier. ... Read more | |
| 24. The Robe Director: Henry Koster | |
![]() | list price: $9.98
our price: $9.98 (price subject to change: see help) Asin: 630481397X Catlog: Video Sales Rank: 65062 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (54)
An epic in its time due its being the first motion picture in Cinemascope, it remains a great testimony to the values and morals of its producers and director. I remember watching this movie as adolescent. Victor Mature, as Demetrius a Greek slave, stood out for me in this movie and in other movies (Demetrius and the Gladiators, Samson and Deliah) as the epitome of Christian virtue. Ironically, however the story plot was not about him, but he did play a very important supporting role, his story is in the sequel Demetrius and the Gladiators. Given that this film was an epic in its time 1953; it still has not lost the inspiration and awe of the strength of the test of faith, at least for me, that it inspired when I first saw it. This epic film was directed by Henry Koster, a German who also is known by the name Herman Kosterlitz. His works include A man called Peter (1955), Harvey (1950), and The bishop's Wife (1947). I believe that major premise that Koster was portraying to the public was that faith in Christ is worth both searching and dying for. No matter who you are there is hope for you in finding the Jesus of the Cross. While titled the Robe, the story really evolves around Marcellus (Richard Burton) a tribune in the service of Rome. He was ordered to crucify Jesus. He wins the robe while gambling at the foot of the cross, but when he touches it he becomes tortured in his mind. When overcome, he cries out "Where you there.?" Ironically the best that anyone can do for him is to send him on a quest to find the robe and destroy it, thinking that will bring his mind to rights. When he finds the Robe he finds peace of mind, through reconciliation to God through belief in the Christ who wore the Robe. Instead of destroying the Robe he instead joins the Christians in declaring God's love for humankind. The ending of the movie is magnificent! When brought to trial by Caligula (Jay Robinson) Marcellus is ordered to pledge allegiance to Rome and renounce his faith in Christ on the penalty of death. He does renew his pledge to Rome but refuses to renounce his faith in Christ. He is sentenced to death for his faith. The beginning of this story starts before Marcellus has to crucify Jesus, yet the cross, signified by the Robe itself is central to the story. Without it there would be no new life and faith in Christ to die for. Some have called it another story of the Crucifixion, yet I would say no. It is the continuation of the reality of the meaning of the crucifixion... i.e. the Love of God for humankind.
I always like a good fight sequence, and there is a brilliantly choreographed one between Marcellus and a centurion. It is the kind of swordplay great Shakespearean actors have perfected, and it is a delight to watch.
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| 25. The Virgin Queen Director: Henry Koster | |
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Reviews (5)
Of course there are aspects of Elizabethan history that are not accurate in this film, but this is one of those instances where an actress becomes personified as a character. I have seen Glenda Jackson, Cate Blanchett and Judy Dench play Elizabeth Tudor and when I think of the Virgin Queen I think of Bette Davis and I think of her in this movie. It had been 16 years since she had played the role and her performance is invested with everything she had learned in the interim. In Elizabeth she finally has a woman who has the power to match the strength of Bette Davis. Todd never seems good enough for her (he is obviously no Errol Flynn) and if he wants to try and live happily ever after with Joan Collins, who cares? This 1955 film was directed by Henry Koster and features a musical score by Franz Waxman.
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| 26. The Bishop's Wife Director: Henry Koster | |
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Reviews (58)
The acting is superb, as one would expect from this stellar cast. The story takes place at Christmas and, while not shown as much as other Christmas movies, I think it's one of the best. Cary Grant, all charm and suave coolness, plays this part perfectly, and the viewer even sees a touch of wistful envy in the angel who cannot have the Earthly love and happiness he helps Niven and Young rekindle for themselves. Buy this one and watch it every Christmas (or any other time you need a happiness booster or a reminder of the importance of love and kindness). P.S.: "It's a Wonderful Life" is a good movie, but definitely I prefer "The Bishop's Wife".
The film is, as one would have already guessed, set around christmas time. The main plot of the story, is that David Niven is this Bishop, who prays for guidance, of how to get a new cathedral built. Dudley (Cary Grant) is an Angel, who has been sent to help, although the Bishop does not take to him being an Angel too seriously, for some time. Dudley helps everyone he meets, but not always in the way they might prefer, to start off with. Dudley spends a lot of time with the Bishop's wife (Loretta Young) and he is not liking it. Dudley becomes the popular friend among all the people he meets, and helps, but the Bishop is the odd one out, becoming more annoyed, and frustrated with him as it goes along. It all ends nicely though, of course. The film is really wonferful. There is a skating scene, that is inparticularly memorable, among Cary Grant always charming, excellent performance. The acting in this movie, is simply brilliant. I cant possibly have seen it being any better. The script, the story, everything about this movie is great. Repeated viewings are easy, and its one of Cary Grant best movies. This DVD from MGM has a great print. It contains very few signs of scratching, and the other little artifacts you find in some movies of this age, and is an overall good looking transfer. The extras are lousy. You get the trailer (which is quite fun, might I add) but absolutely nothing else. Oh well, the print is the main thing, and they have done a good job in that part. Highly recommended.
That's because Dudley (Cary Grant) is an angel sent to give guidance to forlorn Bishop Henry Brougham (David Niven), and who eventually lights up the lives of everyone else in the Bishop's life, especially The Bishop's Wife in this delightful Christmas film from 1947. When the Bishop prays for help in getting a new cathedral built (the local millionairess widow will only give if her late husband's name is prominently displayed), Cary Grant shows up as his "assistant" but soon makes the Bishop even more miserable by charming his wife Julia (radiant Loretta Young), daughter Debby, and even housemaid Matilda (Elsa Lanchester, always wonderful). The Bishop's Wife is truly "heavenly" with Grant playing off his tried-and-true persona. Originally Grant and Niven were supposed to have the opposite roles, but Grant decided he could do more with the angel role -- and Grant was a bigger star -- so they were exchanged. Good thing, too: I can't imagine Cary playing the indecisive Bishop any more than I can imagine Niven charming a woman away from Cary Grant. Only a few things keep The Bishop's Wife from being perfect. There is an overlong ice-skating scene that really stretches the believability (I had to keep telling myself "he's an angel; he can do anything), and the film runs on about twenty minutes too long. In the beginning, Grant is so taken by Young that, if he weren't an angel, those looks would feel really sleazy. Turns out that Cary is just discovering temptations, which makes the ending all the more noble. Watching The Bishop's Wife in June (during a Cary Grant festival on Turner Classic Movies) is a little strange, but the movie is so ... happy that it's easy to slip into the vibe, especially with all the Christmas carols being bandied about like so many candy canes. I'd certainly recommend that fans of the stars watch it at least once (especially since Loretta Young, whom I don't find all that attractive, is made, through Gregg Toland's photography, into a very appealing woman). Niven is rather on the milquetoasty side and his richest scene involves him being stuck in a chair, but the rest of the film is two hours of Christmas joy.
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| 27. First Love Director: Henry Koster | |
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(price subject to change: see help) Asin: 6303929958 Catlog: Video Sales Rank: 25525 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (6)
A truly sweet retelling of the classic Cinderella fable, this gentle film rolls along at a steady pace with fun songs and quite of bit of humor. Deanna stars as a poor orphan coming to live with her rich relatives, most of whom are not very nice. Along the way she meets and falls for a wealthy young man, played by a very young Robert Stack. Deanna sings Puccini's "One Fine Day" among other classics and basically charms everyone in sight (even my best friend loved Deanna in this film , and she hates black and white movies because they "confuse" her). "First Love" is an absolute must-have for Durbin fans and a great additon to any Classic Film lover's library.
The plot has a certain not-too-accidental resemblance to a fairy tale that we all know and love, and it provides Deanna with the perfect showcase for her magnificent voice: "Amapola", Strauss's "Spring Song", and Puccini's "One Fine Day" from Madam Butterfly, one of the most famous arias in all opera. It makes you wish that singers with this kind of talent still made movies today. Unfortunately, this film, like most of Deanna's, is never shown on television. Home video was made in order to allow us to enjoy gems like this one that would otherwise never be rediscovered. Sound and picture quality are exceptional for a film of this vintage... TRUST me on this one -- you won't be disappointed!
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| 28. Two Sisters from Boston Director: Henry Koster | |
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Reviews (6)
Henry Koster directed many other films including FLOWER DRUM SONG, MY MAN GODFREY and THE BISHOP'S WIFE. He was nominated for an Oscar for the latter in 1947. Lauritz Melchior was underrated as an actor and I wish that he had made more movies.
Allyson and Grayson are Martha and Abigail Chandler, two sisters from an elite conservative family in Boston. Pursuing a singing career in the opera, Abigail(Grayson) lives on her own in New York and pays for her singing lessons by singing and dancing at a bar run by the endearing Jimmy Durante. The fun begins when Abigail's Boston relatives find out and head to New York to set her straight. Fortunately for Abigail, younger sister Martha(Allyson) comes to the rescue risking her own good girl reputation to cover for her sister and help her make it to the Grand Opera. Peter Lawford and June Allyson are hysterical as the over conservative goody-goodies who fall for each other, Jimmy Durante gives an adorable comical performance as Abigail's boss, and Kathryn Grayson gives beautiful renditions of classical songs. Memorable scenes include Allyson's performance of the song "After the Show" in a bar, and Grayson's hilarius run-in with the great opera singer Ostrum(Lauritz Melchior) as she steals his aria during a live performance. Very funny plot and performances throughout the whole movie. Definitely worth watching and enjoying over and over again!!
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| 29. D-Day, the Sixth of June Director: Henry Koster | |
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Reviews (5)
The movie also is not helped by a repetitious, sappy musical score that includes the sentimental song "You'll Never Know (How Much I Love You)" which accompanies the illicit lovers as they unapologetically indulge in their affair. "D-Day the Sixth of June" is strictly for diehard fans of Taylor or Wynter. And perhaps not even those fans will be able to swallow this drivel.
The film takes place in England and the English are stereotyped as American loathers and ingrates. This is admittedly hard for the viewer to stomach. We are also treated to a mundane script which doesn't give the good ol' boys (Richard Todd, Robert Taylor, Jerry Paris) much to chew on. The film redeems itself somewhat in the end with an excellent although short pre-invasion landing on one of Normandy's beaches by American and British troops. The battle sequences are effective and very convincing as the group attempts to knock out a bunker complex. In true Hollywood fashion, the film concludes with Dana Wynter fading into the sunset, having lost both her loves, one at the Normandy landing, the other through mutual self-righteousness. There's nothing to sink your teeth into here, but if you like candy coated versions of war, this is a good place to start. ... Read more | |
| 30. D-Day, the Sixth of June Director: Henry Koster | |
![]() | list price: $6.98
our price: $6.98 (price subject to change: see help) Asin: B000063UV4 Catlog: Video Sales Rank: 14631 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (5)
The movie also is not helped by a repetitious, sappy musical score that includes the sentimental song "You'll Never Know (How Much I Love You)" which accompanies the illicit lovers as they unapologetically indulge in their affair. "D-Day the Sixth of June" is strictly for diehard fans of Taylor or Wynter. And perhaps not even those fans will be able to swallow this drivel.
The film takes place in England and the English are stereotyped as American loathers and ingrates. This is admittedly hard for the viewer to stomach. We are also treated to a mundane script which doesn't give the good ol' boys (Richard Todd, Robert Taylor, Jerry Paris) much to chew on. The film redeems itself somewhat in the end with an excellent although short pre-invasion landing on one of Normandy's beaches by American and British troops. The battle sequences are effective and very convincing as the group attempts to knock out a bunker complex. In true Hollywood fashion, the film concludes with Dana Wynter fading into the sunset, having lost both her loves, one at the Normandy landing, the other through mutual self-righteousness. There's nothing to sink your teeth into here, but if you like candy coated versions of war, this is a good place to start. ... Read more | |
| 31. The Inspector General Director: Henry Koster | |
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Reviews (11)
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| 32. The Inspector General Director: Henry Koster | |
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Reviews (11)
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| 33. The Bible / The Robe Director: Henry Koster | |
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| 34. Inspector General Director: Henry Koster | |
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Reviews (11)
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| 35. Inspector General Director: Henry Koster | |
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Reviews (11)
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| 36. Rage of Paris Director: Henry Koster | |
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Reviews (7)
Dr Jacques COULARDEAU
Darrieux is moved into a plush suite of a prominent New York hotel apartment when head waiter Mischa Auer and Darrieux's friend Helen Broderick conspire to marry the lovely Parisian to a wealthy man. Louis Hayward, who ostensibly owns "half of Canada" is the selected choice, but ends up ultimately vying for her with "best friend" Fairbanks. The dramatic conflict stems from the fact that Fairbanks catches on to Darrieux's ploy and is initially out to foil her to help his friend, but ultimately succumbs to her charms. The script conveys the flavor of the Depression thirties and the burgeoning contrasts between rich and poor. A shrewd Broderick realizes that Darrieux can convert her beauty into economic success by using just the right strategy on the properly situated man. Ironically, Darrieux finally learns that, for all the money Hayward has, Fairbanks is wealthier. ... Read more | |
| 37. The Inspector General Director: henry koster | |
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Reviews (2)
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