Reviews (12)

Peter Marshall - A Man for All Generations
"A Man Called Peter" is an excellent depiction of the true life story of Peter Marshall, an immigrant Scotsman who rose to Chaplain of the U.S. Senate before his untimely death in 1949. Marshall was a real man who served our real God. The movie is very true, generally speakly, to Catherine Marshall's book by the same title.
The part of the movie that shows Catherine Marshall's alma mater, Agnes Scott College in Decatur, Georgia, was filmed on location. As a native of Decatur, Georgia, this movie had a huge impact on me. Especially since my mother had actually heard Peter Marshall preach and was greatly affected by his sermons.
Peter Marshall's message is ageless and inspiring. Young people who hear or read his sermons today feel as though Marshall is speaking to them just as he did to my mother's generation.

A Beautiful Movie
This is the true story of the Reverand Peter Marshall. It begins in Scotland where he is called by God for a special mission. It goes to Georgia, where Peter meets & marries Agnes Scott College student Catherine Wood (This part of the movie was filmed on the ASC campus). Finally, the movie takes us to Washington DC, where Peter is the minister at the Church of the Presidents and becomes Chaplain of the US Senate. The movie showcases some of him most memorable sermons - like his sermon on marriage. This is a great film for everyone in the family.

Bravo!
Bravo to Richard Todd and Jean Peters and the rest of the ensemble of this beatiful, inspiring and superbly made film based on the book by Catherine Marshall. Where was the Academy of Motion Pictures when this film came out? Both Peters and Todd deserved nominations. The film certainly did (it is far better fair than most others nominated in 1955 for Best Picture)
See it and feel 100% better about life - and living

A Man of Character Committment and Conviction
In our days of pluralism and completely relative morality embracing spirituality in any form, this movie sets a strong tone of inspiring faith and conficenc in God through Jesus Christ. Peter Marshall was an unusual minister of the gospel who made mistakes but loved his family and the Lord with no reservations. The movie is full of the traditional church persons who are more interested in maintaining their traditons than in establishing the traditions of the gospel. Peter's response to them is both loving and confrontive. I recommend this movie very much.

A Man Called Peter
An outstanding movie with uplifting characteristics. This is the story of a truly remarkable man and those who doubt the sencerity of this man ( and the movie ) do not know people who were exposed to Peter Marshall. This is a true classic with elevating overtones that should raise anyone's spirits. ... Read more

Amazon.com

Rodgers and Hammerstein made BIG musicals--sweeping song and dance numbers, elaboratestagings, sweet heroines, and love struck but confused heroes. Flower DrumSong has all these elements, so why is it so little known? Perhaps becauseit had the misfortune to be released the same year (1961) as West SideStory, or maybe because at 133 minutes it's overlong, or did the audiencehave trouble accepting an all-Asian cast in an Asian-themed musical? Whateverthe reasons, it's time to recognize Flower Drum Song for the gem itis.

Picture bride Mei Li (Miyoshi Umeki) and her father arrive in San Francisco,having smuggled themselves into the country so Mei Li can marry nightclub ownerSammy Fong (whose mother arranged the whole deal). Mei Li is fascinated by thecity and immediately charms its denizens with a delicate rendition of "OneHundred Million Miracles." Fong (Jack Soo), who is having an affair with hisstar singer, the sexy and scheming Linda Low (Nancy Kwan), pawns Mei Li off onthe Wang family, whose eldest son, Ta (James Shigeta), needs a wife (at leastthat's what his father has decided). Old Chinese culture and new American idealsclash at every turn, with the elders struggling to understand their Americanizedchildren and the children struggling to accept and honor their heritage. Thoughthe movie is dated in some respects, the theme of assimilation vs. separationholds up remarkably well and rings true. "The Other Generation" beautifullyillustrates the generation gap.

As this is a romantic musical, you know from the beginning which couples willend up together. The most famous song is "I Enjoy Being a Girl," sung by LindaLow as she dresses to seduce Wang Ta. Though too many triangulations andmisunderstandings prolong the inevitable conclusion, Flower Drum Song isa very enjoyable and often funny ride. --Dana Van Nest ... Read more

Reviews (31)

An Ahead-Of-Its-Time Musical
Based on the novel by C.Y.Lee,it is probably the most ambitious of all R and H shows,and did have one of the shortest Broadway runs (600 performances,which is roughly a year)

People tend to class their shows as follows-

The Hits-South Pacific,Sound Of Music,Carousel,Oklahoma!,and The King And I.

The Flops-Allegro,Me And Juliet.

The In Betweens-Cinderella and Flower Drum Song.

Nancy Kwan is great as Linda Low,although she was used as the 'marquee name' to draw the crowds.Broadway's Pat Suzuki would have made a bigger splash in the film.

The charming Miyoshi Umeki is charming in her Broadway role,and Juanita Hall also scores big in the film.

R and H really had their opus with the lilting and sad ballad,'Love Look Away'. It should be counted as one of the best,if not THE best,songs they wrote.

An uneven mixture redeemed by Umeki and some great songs
This may be the most frustrating of all the Rodgers and Hammerstein's adaptations because its the most uneven. On Broadway, FLOWER DRUM SONG was anchored very firmly by twin star performances by Miyoshi Umeki as Mei-Li and Pat Suzuki as Linda Low. The film version wisely retained Umeki (and even allowed her more lines--and to sing almost the entirety of her great first song, "A Hundfred Million Miracles" by herself), but cast as Linda Nancy Kwan, who is paradisiacally beautifully and a fine dancer but who just does not have Suzuki's sock-it-to-me charisma. Nor did the singer who dubs Kwan: as a result, some of the more mediocre songs that Suzuki hit out of the ballpark on Broadway (like "Grant Avenue") just don't make it here.

While it was extremely rare for a Hollywood film with not only a plotline concerning Asian-American themes but also mostly Asian-American actors, the director, Henry Koster, seems to have approached San Francisco's Chinatown as if it were a magical mythic kingdom like Munchkinland, and a little of this goes a long way. (You feel sorry for the actors forced to say things like "See ya Pop--don't take any wooden chopsticks!") On the other hand, the strength of many of the performances carry the day, and the score has some exceptionally beautiful songs, particularly the famous "Love, Look Away," lipsynced here by Reiko Sato (very fine in a difficult role) for Marilyn Horne's voice.

Sharing the thoughts of many others
I cannot believe this is not on DVD yet. There is a song by Kwan that is presented in widescreen on the VHS, but the scene of the boy dancing in the baseball uniform is pan and scan. Horrible to take away the scenery and perspective.
PLEASE MAKE A WIDESCREEN DVD!!
I consider this movie to be one of the top three musicals in my heart.

I was nine when I first saw this movie in Boston with my
mother. She always picked the really good movies. This was when the movie theatres were elaborate and there were matrons in the ladies rooms. And the theatre carpet didn't smell like feet. I fell in love with James Sigata and I thought Nancy Kwan was the most beautiful woman. When I got home I got my little paper fan and pretended I was Nancy singing "I enjoy being a girl" to my mirror. I'm glad that I bought the CD and I hope they put this movie on DVD or reissue it on VHS. I'd love to have it. And a little trivia-Miyoshi Umeki was Mrs. Livingston on the TV series The Courtship of Eddie's Father.

Without widescreen it's a disappointment!
Producer Ross Hunter lavished some pretty expensive-looking production values and some very capable talent on this film and, as was almost de rigueur back then, mounted it in Panavision and, of course, color. Let's have a DVD with the original ratio preserved, please! Hermes Pan's dance numbers especially (one of this enjoyable film's chief assets) cannot be fully appreciated unless they're seen on the widescreen (or its video equivalent). A panned-and-scanned VHS tape just doesn't do justice to a film which was a fine example of Hollywood professionals working their magic. I saw it first-run, way back when, and despite some reservations, thought it was pretty slick entertainment and would add a properly presented DVD version to my library without any hesitation. ... Read more

Amazon.com

James Stewart reunites with his Harvey director, Henry Koster, in this 1962 comedy, which is charming enough even though it doesn't seem quite up to the level of talent involved. (The screenwriter is the legendary Nunnally Johnson--writer and director of The Three Faces of Eve, among many other titles--and the music is by Henry Mancini.) But it is pleasant, summery entertainment with Stewart and his screen wife, Maureen O'Hara, taking their urban family to a crumbling, seaside house for a vacation. The film was calculated to pull in older fans with Stewart as well as draw in a younger crowd that would enjoy the fairly extensive beach scenes with pop-star Fabian. Stewart is deft with the easy jokes about bad plumbing and such, and golden in several nice moments where he gets to play an attentive dad to his kids. --Tom Keogh ... Read more

Reviews (11)

Very funny movie.
This is an enjoyable movie, with some very funny scenes and lines. One of my favorite lines takes place in the scene when Jimmy Stewart's shy daughter is at a dance, being the wallflower, and none of the boys ask her to dance. He asks Fabian to ask his daughter to dance (for a $5.00 fee). While they are dancing, Maureen O'Hara (his wife in the movie) asks "How did you find that boy?" and Jimmy Stewart answers "I yelled out 'Joe' to a group of boys. There is always at least one Joe in a group!"

Very Funny!
Mr. Hobbs Takes a Vacation and Harvey are two of the funniest Jimmy Stewart movies. Vacation is especially fun because of the relationship between Maureen O'Hara and Jimmy. You will not be disappointed with this movie.

cute movie!!!
My wife loves the scene in this movie when Lauri Peters and Fabian sing "cream puff,shortcake" at the pizza place.Lauri is so cute trying to hide her braces.

Wonderful Jimmy Stewart at his comedic best!
I am still amazed at the number of people who haven't seen this movie! Mr. Stewart even narrates, here and there, throughout the story, this wonderful tale of his summer vacation with his family at a rented beach house, along with the family maid. There is a running gag throughout the picture about the plumbing and the maid misunderstands the English language, and Mr. and Mrs. Hobbs try very hard to understand their adorable teen-age daughter (Lauri Peters) who falls in love with an adorable boy (played by none other than Fabian!), who shows up at the local dance and then there's a son who prefers to watch westerns on TV all day and night. There's a sexpot neighbor that lives in a nearby beach house who attempts to read War and Peace, and later the Hobb's daughters show up with the misbehaving grandchildren and want nothing to do with "Boompa", otherwise known as Mr.Hobbs! Don't miss the scene when Jimmy Stewart bird-watches with his son-in-in-law's boss and learns "the proper walk". The chemistry between Maureen O'Hara and James Stewart is so wonderful, it's no wonder they were so successful in several films together! She is so convincing as the jealous wife, especially when Jimmy innocently tries to help his son-in-law's boss's wife (Marie Wilson) while she is in the shower and runs into trouble........don't miss it, you'll laugh all the way through this marvelous movie. Let's hope Twentieth Century Fox soon gives us a widescreen DVD version with extras, like an interview with Maureen O'Hara & Lauri Peters!

Very cute family movie
You can enjoy this with the kids and everyone. Good clean funny entertainment, that will make you laugh and remember a more innocent time. ... Read more

Reviews (11)

A great film of a great Hollywood period!
The Story of Ruth was released in 1960 and I remember seeing it on a wide wide screen, curved, and in stereophonic sound; it was glorious, as were all Cinemascope films.

This film is not the Bible, but a meditation on it, factual, no, but it gets the point of The Book of Ruth across.

The best bits are a very moving perfromance by Peggy Wood as Naomi, and some stylish acting by Elena Eden and Stuart Whitman.The Wood scenes are excellent, and Naomi's prayer is quite striking, all filmed in a small house in earth tones...very good. Peggy Wood's many scenes of emotional upheaval are instances of excellent screen acting.

The Moabite scenes are crazy, as is all of that Chemosh stuff, but this film has great appeal...for die hards only, and especially for cinemascope afficionados of yore who can re-imagine it all even on the tiny screens we must put up with now, TV and movie alike. Buy and enjoy. Still not letterboxed.

Good TV watching
I saw this movie just last night on AMC. There are two ways to look at this movie: Scripturally and story-wise.

Scripturally the movie is not that good. There is a lot of license with Scripture (not surprising considering how small the book of Ruth is). But the license isn't really congruent with revelation. For example, this movie makes Ruth out to be a high priestess of chemosh and married for about 1/2 second to a Jewish man just before he dies. Boaz is a bitter man who makes a Moabite man drink poisoned water. The roles of kinsmen-redeemer is not even close to accurately portrayed. These things were done to try to make the movie have additional action, but detracts from the very real story. Also, here Naomi does not change her name, Moab tries to track Ruth down and kill her, and so on and so forth.

From a story perspective, the story is your classic structure. Boy meets girl, girl is coy, boy gets into trouble, girl rescues, boy says sappy stuff, girl falls in love, boy dies, girl moves on, girl meets new man, girl marries new man. And the actors do a good job with this standard plot line. For a movie made 41 years ago, it's still enjoyable watching. The production is pretty good and the acting is good. The sets remind you of Ben-Hur. The pacing of the story is standard for a movie made at that time, kinda slow (for today's tastes).

Overall the movie is fun to watch as long as you can overlook the Scriptural errors.

beautiful ruth
Elani Eden is drop-dead BEAUTIFUL! Buy this movie just to look at her.I hope this comes out on DVD soon.

Inspiring Story of a Woman's Devotion!!
Stuart Whitman, Jeff Morrow, Peggy Wood, and Elana Eden star in this screen version of the story of Ruth.

Ruth is a young Moabite woman who was raised from childhood to become a priestess and revere a pagan idol, but when she meets Mahlon the Judean (Tom Tryon), she's deeply affected by his belief in a merciful God who demans no human sacrifices, so she marries Mahlon, and when he dies, she renounces her own culture to remain with her mother-in-law, Naomi (Wood).

Now she comes into Judea, where she meets Boaz (Whitman), and the story begins anew. There is a wonderful depiction of loyalty, romance, faith, and devotion, and although the film is 132 minutes, it seems so short once you get into it.

Highly recommended, and the whole family with enjoy it.

A Classic!
This movie is captivating and a treasure! This film needs to be released on DVD!
PLEASE! ... Read more

Reviews (7)

Back To The "Good Old Days"
In the late 1940's and into the 50's, there was a decency and innocence which existed that has all but disappeared today. This movie is a simple, wonderful story about innocence and blind faith, played beautifully by Loretta Young and Celeste Holm in the form of 2 French nuns. Using their charisma, they manage to get a children's hospital built in an affluent area, in which the people eventually are won over by these charming nuns. It is a "feel good" movie of the first magnitude, and, in my opinion, one of the most beautiful films ever made.

Not my usual dish of tea
Normally, a movie about a writer of popular songs discovering that what he thought was his original song actually was inspired, wouldn't really appeal to me. The character played by Loretta Young almost does the trick, though - and the scene in which Young's character asks Luigi Rossi for help always tears me up. This is a good Second List movie.

Beautiful depiction of a Nun's faith and inner soul
Loretta Young, one of Hollywood's most respected actresses had one of her greatest roles as the assured and determined Sister Margaret in Twentieth Century Fox's 1949 "Come to the Stable" a beautiful story of two women's determination and sheer belief in the rightness of what they are seeking in their work for others. Loretta Young, a staunch catholic in real life is one of those rare actresses in a league with the likes of Ingrid Bergman, Deborah Kerr and Audrey Hepburn , that seem totally convincing as nuns whether it be in their displays of humility in portraying their characters or just by the total immersion that they undergo when taking on the nun role.

"Come to the Stable" tells a very simple but extremely moving story based on a short story by Clare Booth Luce, of the journey that two nuns, one American and one french, make to fulfill a solemn vow made during World War 2. Resulting from the fact that through prayer to St. Jude, the Patron Saint of lost causes, their hospital was spared destruction by the advancing forces the two make a vow to return to America to set up a similiar hospital for young infants in Bethlehem, Connecticut where they have learnt of a woman who paints very beautiful religious paintings. After finding the right place atop a serene hill with perfect views of the town the nuns with very little money, very few propects and with a strong unquestioning faith proceed to achieve everything that has become their lifes work. Their journey from a hopeless situation with no funds to build the hospital or obtain the land, to one that inspires others to get involved to achieve the dream of the new hospital makes for inspirational viewing and puts across the strong message of the basic good of all people if you only take the time to look for it. In their drive to fulfill their aim the nun's encounter some interesting characters who's lives they alter in very positive ways. Miss Potts played by Elsa Lancaster in a wonderful performance is a lonely spinister who loves to paint and finds her whole life turned upside down by the unexpected arrival of the nuns on her door step. She for the first time finds a real purpose to her existence as she involves herself totally in the plans of Sister Margaret and Sister Scholastica (Celeste Holm). In their search for land to build the church on the sisters find themselves travelling to New York where they encounter small time con man Luigi Rossi who after hearing their story not only gives them a sizable donation but also the deed to the land with the promise that a commerative stained glass window will be installed in memory of his son who was lost in the war not far from where the sisters nursed in Northern France. His transformation from a small time hood to a man with a conscience is only one of the miracles that the nuns work in their dealings with others. Hugh Marlowe plays the nuns new and indeed quite unhappy neighbour Robert Mason who despite being against the idea of a hospital literally in his backyard finds himself helping the nuns and in a crucial situation where the nuns find themselves short of financing for their repayments, chips in and ensures the sisters dream becomes a reality.

Directed with a sentimental but sure hand by veteran director Henry Koster who was responsible for such diverse efforts as "Harvey", "Flower Drum Song"' and "The Robe", the representation of what strong belief can do to achieve great things either big or small in ones life is always the central theme of "Come to the Stable". Loretta Young as Sister Margaret was an inspirational choice as the lead in a role originally intended for Irene Dunne. She is everything a nun should be, strong, gracious, determined, and a firm believer in the basic good in man. Her's is a superb performance which quite rightly received an Academy Award Nomination for Best Actress. Equally honoured is the beautifully unplayed performance of Celeste Holm in the role of French nun Sister Scholastica, Sister Margaret's helper who in a comical moment reveals herself in a past life to have been a top class French tennis player in a scene where she is forced to play in full nun's habit for high stakes, namely a large badly needed donation to the building fund!

Such beautifully put together films as "Come to the Stable" often make me wonder what Hollywood is really doing nowadays as such delicate themes as guiding faith and divine providence, would not be able to be made nowadays what with the harsh reality of most modern screenplays. I never fail to be touched by this story or by the wonderful performance by Loretta Young in the lead. It is a heart warming viewing experience for anyone who has ever had avow to fulfill or a dream to pursue. Watch this film and be inpired as I always am to try and fulfill my dreams while enjoying an terrific excursion back to movie making as it used to be.

Where are new Lorettas, Ingrids, Audreys who can play nuns?
This movie and The Bishop's Wife are my 2 favorite Loretta Young
films. I, too, saw it on TV years ago and finally found a video to buy. I watch it at Christmas time, also. The two nuns, Loretta and Celeste Holm, arrive in Bethlehem, CT. during a snowstorm. Something I noted when I saw film: my father's relatives used to live in Waterbury, CT. back in the '50s and '60s. When we visited them, up the big hill from where they lived, there was sign advertising the town of Bethlehem, a re-creation of the biblical town of Bethlehem--a local tourist attraction that presented pageants this time of year. I think of that when I watch this film. Wonder if the makers of the film knew that, because the sign in the road the nuns see says "Bethlehem, CT." Is Bethlehem, the CT. tourist attraction from my youth, still going strong? Is it located in or nearby Waterbury, CT. I never went to see it, so I don't know for sure.

Absolutely beautiful depiction of Faith and Providence..
This must truly be one of the most beautiful and heartwarming pictures to ever come from Hollywood. Clare Booth Luce's story is a wonderful portrayal of how trust in God brings not only success in good ventures, but also peace of heart as well. The Sisters are resigned to the Divine Will, even if it means that their work seems to have been for nothing. They work as if everything depended on them, but trust as if everything depended upon God. How many of us could stand to learn this lesson! The film also has many very humorous moments.

Loretta Young is totally convincing as a Religious; her bearing is gentle and kind. She utterly radiates the beauty of the Catholic Faith. The rest of the cast is totally natural in their respective parts, especially Elsa Lanchester as the nervous Miss Potts.
I would highly recommend this movie for the entire family. It is not a Christmas movie as the title suggests, but I seem to find myself watching it every year around this time! ... Read more

Amazon.com essential video

It's always a small surprise to revisit this movie and realize what a subtly dark performance James Stewart gives as an alcoholic who claims he keeps company with a six-foot-tall, invisible rabbit. As Elwood P. Dowd, the actor emits a faint whiff of decay and spirits, yet Stewart also embraces Dowd's romanticism and grace with splendid ease. Based on a hit play and directed by Henry Koster, the film is terribly funny at times, especially whenever Elwood decides it's only polite to introduce Harvey to complete strangers. The supporting cast can't be beat. --Tom Keogh ... Read more

Reviews (69)

Pookah Power!
Loving Veta thinks her brother Elwood has a problem. But Elwood feels he doesn't have a problem at all! Okay maybe he drinks a little, but when he is bothered by something he can always turn to his best friend, Harvey. Where is the problem in that? The problem stems from the fact that Harvey is a six foot three invisible rabbit. From this simple concept spins a most charming story about psychoanalysis.

The film was adapted from the Pulitzer Prize winning play of the same name and it never falls far from those roots. The entire film carries most of the dialogue and farcical scenes that thrilled theater crowds. The cast is stellar but the strongest performances come from Josephine Hull as Veta and from Jimmy Stewart's surprisingly dark turn as alcoholic Elwood P Dowd.

The DVD has a special audio introduction by Jimmy Stewart recorded just before his death. As it was shot, the film is in a pristine full-screen black and white and will keep purists happy. However, younger children may find the stage-like pacing and lack of color nothing short of deadly. Otherwise, this is a great family film sure to spur some interesting discussions.

Aren't We All A Little Crazy?
Jimmy Stewart stars as Elwood P. Dowd, a very ordinary man except for the fact he sees and talks to a large white rabbit (a pooka, actually). His overwrought sister Veta can't take it anymore, since he is ruining the chances of her daughter Myrtle Mae finding a suitable husband. She wants to get him committed to the Chumley Sanitarium. And that's when things begin to get very complicated for all concerned. As comedies go, Harvey isn't one of those riotous, laugh out loud howlers. It does have some laugh out loud moments, mostly supplied by the inimitable Josephine Hull as poor Veta. She's extremely funny, with her quavering, fluttery voice, and expressive eyes. The comedy is more gentle and rooted in human nature. Stewart hits all the right notes as Elwood, a terminally calm and happy man who seems much more at peace with himself and the world than the apparently sane people around him. He and the film leave you questioning what the harm is in a man who sees a big white rabbit, but loves life and making friends and who really disturbs no one. After all, don't we all have our own oddities and quirks - myself excepted, of course ;) .

One of James Stewart finest...
Elwood P. Dowd's (James Stewart) best friend is an invisible 6-foot rabbit named Harvey with whom he likes to spend his time with in bars drinking. This is something most people in Elwood's hometown find disturbing so his sister attempts to put Elwood in a mental institution. However, Elwood is perfectly happy with his situation and with Harvey. Harvey is a story that depicts two sides, one pessimistic and one optimistic. The gloomy side presents problems such as alcoholism, isolation, and cynicism. However, these negative issues are presented through light comedy and Elwood's positive view of life, which is a result of his friend Harvey. This story offers a blissful journey, which presents moments of self-reflection and amusement.

"Harvey and I warm ourselves in these golden moments."
Mostly everyone has had an imaginary friend at one time or another when growing up. Henry Koster's "Harvey" posits the notion that perhaps some imaginary friends are not imaginary after all. Yep, according to this film, it just might be true that there are invisible entities among us who are in actuality playful spirits. Therefore, think twice about dismissing the next person you see talking to no one in particular.

Elwood P. Dowd (James Stewart) is a simple man who is befriends everyone he meets. However, he does have one eccentric characteristic about him - his constant companion is an invisible rabbit who is over six feet tall named Harvey. Elwood always is keen to point his friend out but no one can see or has ever seen Harvey. Concerned about his mental health, Elwood's sister, Veta Louise Simmons (Josephine Hull) decides to have her brother committed to a sanatorium. The plan goes awry when the sanatorium staff mistakenly commits the wrong person and releases Elwood. A chase ensues when the situation is sorted out even though Elwood hasn't the slightest clue about what all the fuss around him is about.

"Harvey" is a cute film on one level and an insightful commentary on perception and sanity on another. Yet, it is a one-joke film that gets more and more tired as it goes along. Stewart brings much conviction to his role but his trademark charm is not enough to save the production. The screwball-comedy-inspired sequences at the sanatorium are amusing but are nothing people familiar with the genre have not seen before. "Harvey" is unfortunately too simple a film for adults and too slow for children. It boasts a great Jimmy Stewart performance but is one of the mid-tier films in his filmography.

Say Hello to Harvey
True insight comes from within-and it doesn't hurt to have an oversized friend giving you some guidance. Just ask Elwood, an eccentric bon vivant who has just that- a seldom seen, but often heard ( through Stewart ), six-foot-plus Rabbit friend, named Harvey.

Some in town just don't get it, and others even want to lock Elwood and Harvey away, so that they are out of view. Our two protagonists take it all in stride and teach those around them about the value of seeing the good in everybody instead of the bad.

Elwood is having too much fun to let life get in the way. Timeless film about societal concern of keeping up one's image, over substance and true friendship. One of James Stewart's best screen performances. ... Read more

Amazon.com

A little-known gem, No Highway in the Sky is an interesting hybrid of U.S. and British film production. Most of the cast is British, as are the look and feel of the film, but the lead actor and the budget are both American. James Stewart plays aeronautical engineer Theodore Honey, the quintessential absent-minded professor: eccentric, forgetful, but brilliant. His studies show that the aircraft being manufactured by his employer has a subtle but deadly design flaw that manifests itself only after the aircraft has flown a certain number of hours. En route to a crash site to prove his theory, Honey discovers that he is aboard a plane rapidly approaching his predicted deadline. Marlene Dietrich costars with Stewart, while the balance of the cast comprises British stars, notably Glynis Johns and Jack Hawkins. Stewart is excellent, while a young Janette Scott steals her scenes as Honey's precocious daughter. --Mark Savary ... Read more

Reviews (11)

A film where intelligence, integrity and courage triumph.
I'm writing this review only becuase other reivews have not yet given credit for this suberb story to its author - Nevil Shute. Aviation buffs will appreciate this movie as Shute was an aeronautical engineer, so knows the technical aspects well. But, he was also a great author of novels about human dignity and courage. A Town Like Alice, and On the Beach are classics of his that most people will recognize.

Shute had an uncanny ability to create characters who are so human in their frailty, passion, and courage, that one can immediately realate to them and empathize in their situations. Of course, those are the perfect kinds characters to be portrayed by the likes of Jimmy Stewart, Marlene Dietrich and and Glynis Johns in this film. They play very believable ordinary people doing extraordinary things. And don't overlook Janette Scott as Jimmy Stewart's daughter in the movie. A talent in her own right, she went on to star on stage and in many other British films like Helen of Troy and Day of the Triffids.

Great story, drama, action and acting, add up to a great film. You will want this one for your video library.

It's Jimmy Stewart! So You Know It's Good!
James Stewart gives yet another fine performance in "No Highway In The Sky" (FOX / 1951 / B&W / 98 minutes). Stewart's character here (a scientist by the name of Theodore Honey) is very well-written. Many facets of Mr. Honey's personality come to light during the film, including his tender association with a fellow airline passenger (Marlene Dietrich). Mr. Honey is determined to convince everyone around him that the newest commercial airliner (the "Reindeer") is in grave danger of cracking up due to metal fatigue after a certain amount of time.

This is one of those motion pictures that, after watching it for the first time, makes you say to yourself ..... "Hmmm, I wonder where this flick's been hiding all these years!"

Saturday Night Movie
That's how I first saw it, back when this was still considered a major movie for TV. It is still the best time to watch it (other than on a big theater screen, of course).
Something in it for the whole family. Great characters played by a magnificent cast. One of those movies that manages to capture the book exactly. Having navigated airplanes when I grew up, "the point of no return" always had a special ring to it after having seen this movie in my youth.
Make some fresh popcorn, pour some cola drinks, get comfortable, dim the room lights, and enjoy.

An underappreciated gem ¿ with a perennial message!
This work really deserves 3.5-4 stars, not just the meager 3 awarded it by the respected Martin & Porter. It is one of the better, more humanly and socially interesting, and philosophically more important of the 83 films in which Stewart acted, although its aeronautical engineering focus, and British understatement or civility, must understandably account for its neglect by the public and presumably by critics. Stewart's acting style or personality in this film was unusual even for him, or in the extreme to which it took one of his many canonical roles and manners, say that of a charming eccentric (but who in this case is also a brilliant scientist). The film is ultimately a celebration of conscience and integrity, differentiated from what at first appears to be merely idiosyncrasy or dangerous insanity.

Unforgettable Scene
The scene in which James Stewart retracts the airplane's landing gear while it's parked on the ground is absolutely classic -- brief but memorably stunning. It must have been astounding on the big screen in 1951. ... Read more

Amazon.com

Despite its Larry Flynt-friendly title, Deanna Durbin is typically wholesome in the lavishly produced musical One Hundred Men and a Girl,which finds its heroine saving a fledgling orchestra led by financially challenged father Adolph Menjou, along with help from Leopold Stokowski.Not surprisingly, music is literally center stage for much of this delightful film; highlights include Stoki's batonless conducting of Tchaikovsky's Fifth Symphony and Deanna's winsome trilling of Mozart's "Alleluia."The resulting package earned its star a special 1938 Academy Award (for her "spirit and personification of youth") and took home an Oscar of its own for Charles Previn's score. --Steven Smith ... Read more

Reviews (2)

Best Deanna Durbin film of all time!
Criminally neglected actress these days. A wonderful, joyous performance by her in a wonderful, joyous movie.

If you like Judy Garland You'll love Deanna
Deann Durbin and Judy Garland were very alike in ages and in the way that studios used tham when they were young. But Deanna has a more operetic quality to her voice, she in fact studied opera. In 100 men and a girl you get the typical 1930's under dog winning from under what seems unsurmountable odds with the hopes and dreams of a young girl to lead them on. ... Read more

Amazon.com

Perhaps if The Bishop's Wife had lapsed on its copyright and fallen into the public domain like It's a Wonderful Life, it would be as much a Christmas staple as that classic. It certainly deserves to be. Dudley (Cary Grant) is an angel sent down by the prayers of a new bishop (David Niven). The bishop is trying to build a new cathedral, and he's so entrenched in his fundraising that he's watching his own marriage crumble around him. Loretta Young is devoted, moist-eyed, and basically a great date for the tempted Dudley. They drink in the afternoon, go skating at night, and make impulse buys. The skating sequence beats mightily on one's suspension of disbelief, but the rest of the film is an absolute joy. Grant is suave, worldly, and enchanting. A wonderful present for anyone who has not seen it. --Keith Simanton ... Read more

Reviews (58)

Delightful Holiday Story
Cary Grant stars as an angel named Dudley who suddenly appears and befriends an Episcopal bishop (David Niven) who is completely focused on raising money for his new church, and the bishop's wife (Loretta Young), who has become lonely and unhappy as her husband has gotten lost in his work. Grant uses little bits of heavenly magic and loads of charm to help Niven raise money and to help Young rediscover the joy of life. He also helps Niven and Young rediscover each other and realize that love must be the highest priority for anyone, including an ambitious bishop who's devoted to his job.

The acting is superb, as one would expect from this stellar cast. The story takes place at Christmas and, while not shown as much as other Christmas movies, I think it's one of the best. Cary Grant, all charm and suave coolness, plays this part perfectly, and the viewer even sees a touch of wistful envy in the angel who cannot have the Earthly love and happiness he helps Niven and Young rekindle for themselves. Buy this one and watch it every Christmas (or any other time you need a happiness booster or a reminder of the importance of love and kindness).

P.S.: "It's a Wonderful Life" is a good movie, but definitely I prefer "The Bishop's Wife".

A Family Favorite!
This film is one of the best of the Christmas Classics. The Bishop's Wife tells a story of an angel (Cary Grant) who comes down to earth in answer to a busy Bishop's (David Niven) prayer. The angel helps the Bishop learn to adjust his priorities and comes close to falling in love with Julia, the Bishop's wife (Loretta Young). The movie includes a lovely Skating/ Dance scene that defies description. Make this movie a tradition for your family this year.

Christmas with Cary Grant.
I think overall, this movie is maybe my favourite that was set around Christmas time. It's better than the brilliant - although overrated - Capra classic, "It's a Wonderful Life". I am in no way meaning to compare the two though. "The Bishop's Wife" is not really like that movie. But both films remain the two greatest christmas time classics to come out of the 1940's.

The film is, as one would have already guessed, set around christmas time. The main plot of the story, is that David Niven is this Bishop, who prays for guidance, of how to get a new cathedral built. Dudley (Cary Grant) is an Angel, who has been sent to help, although the Bishop does not take to him being an Angel too seriously, for some time. Dudley helps everyone he meets, but not always in the way they might prefer, to start off with. Dudley spends a lot of time with the Bishop's wife (Loretta Young) and he is not liking it. Dudley becomes the popular friend among all the people he meets, and helps, but the Bishop is the odd one out, becoming more annoyed, and frustrated with him as it goes along. It all ends nicely though, of course.

The film is really wonferful. There is a skating scene, that is inparticularly memorable, among Cary Grant always charming, excellent performance. The acting in this movie, is simply brilliant. I cant possibly have seen it being any better. The script, the story, everything about this movie is great. Repeated viewings are easy, and its one of Cary Grant best movies.

This DVD from MGM has a great print. It contains very few signs of scratching, and the other little artifacts you find in some movies of this age, and is an overall good looking transfer. The extras are lousy. You get the trailer (which is quite fun, might I add) but absolutely nothing else. Oh well, the print is the main thing, and they have done a good job in that part. Highly recommended.

Charming but overlong
Bishop: Are you expecting a letter?
Dudley: Well, you never know. If I did get one, the stamp would certainly be worth saving.

That's because Dudley (Cary Grant) is an angel sent to give guidance to forlorn Bishop Henry Brougham (David Niven), and who eventually lights up the lives of everyone else in the Bishop's life, especially The Bishop's Wife in this delightful Christmas film from 1947. When the Bishop prays for help in getting a new cathedral built (the local millionairess widow will only give if her late husband's name is prominently displayed), Cary Grant shows up as his "assistant" but soon makes the Bishop even more miserable by charming his wife Julia (radiant Loretta Young), daughter Debby, and even housemaid Matilda (Elsa Lanchester, always wonderful).

The Bishop's Wife is truly "heavenly" with Grant playing off his tried-and-true persona. Originally Grant and Niven were supposed to have the opposite roles, but Grant decided he could do more with the angel role -- and Grant was a bigger star -- so they were exchanged. Good thing, too: I can't imagine Cary playing the indecisive Bishop any more than I can imagine Niven charming a woman away from Cary Grant.

Only a few things keep The Bishop's Wife from being perfect. There is an overlong ice-skating scene that really stretches the believability (I had to keep telling myself "he's an angel; he can do anything), and the film runs on about twenty minutes too long. In the beginning, Grant is so taken by Young that, if he weren't an angel, those looks would feel really sleazy. Turns out that Cary is just discovering temptations, which makes the ending all the more noble.

Watching The Bishop's Wife in June (during a Cary Grant festival on Turner Classic Movies) is a little strange, but the movie is so ... happy that it's easy to slip into the vibe, especially with all the Christmas carols being bandied about like so many candy canes. I'd certainly recommend that fans of the stars watch it at least once (especially since Loretta Young, whom I don't find all that attractive, is made, through Gregg Toland's photography, into a very appealing woman). Niven is rather on the milquetoasty side and his richest scene involves him being stuck in a chair, but the rest of the film is two hours of Christmas joy.

Charming!
THE BISHOP'S WIFE is a thoroughly charming movie about an "angel" (Cary Grant) who changes the life of a bishop (David Niven) who at Christmas time is trying desperately to raise funds to build an elaborate cathedral and has consequently neglected his wife, Julia (Loretta Young). The three leads give beautiful performances, and there is a wonderful supporting cast, including Monty Woolley as a kindly if doubting professor and James Gleason as a loveable cab driver. The screenplay is subtle, as is the musical score. The scene near the end of the film in which Grant, Young, and Gleason take time out for some ice skating is a delightful respite, very much like a number in a movie musical. THE BISHOP'S WIFE is a relatively recent addition to my video library, but it has quickly become my favorite classic Christmas movie -- next to MIRACLE ON 34th STREET and Alastair Sim's A CHRISTMAS CAROL, that is. ... Read more

Amazon.com essential video

One of the unlikeliest pop stars of the 1960s gets the bio treatment in The Singing Nun, a fictionalized account of the Belgian nun dubbed "Soeur Sourire" (Sister Smile). The cute tone is regrettable, and it's difficult to adjust to Debbie Reynolds in a habit, but the movie isn't bad for its kind. It's the light version of The Nun's Story, with Hollywood conflicts substituted for spiritual angst. The supporting cast brings in some camp appeal: Agnes Moorehead as a cranky nun, Chad Everett, and "Ed Sullivan as Himself." The best sequence has Sullivan's CBS crew showing up in Belgium to tape the Singing Nun for his TV shew--er, show--and sending the irresistibly catchy "Dominique" on its way to international success. It's the same breakthrough sequence found in every rock & roll movie, except the song happens to be about a Catholic saint. Doesn't matter: what works, works. --Robert Horton ... Read more

Reviews (12)

My Review of "The Singing Nun
One of the favored movies of my childhood and young adulthood. This movie combines faith,love,hope and the vows of poverty,obedience and charity with the lovely voice and talented acting skills of Debbie Reynolds. A young nun learns about fame and the sometimes high price of it that can take much from you, especially when one is a nun who is seeking daily,The Will of God.This movie version may not be the true story of the real singing nun,but then neither was "The Sound of Music" the real, ture honest story of the Von Trapp family. But then,such is the way of Hollywood,at least back then in the 60's. Sugar sold better that starch or vinager.If you're a stickler for the truth,avoid this movie like the plague. Otherwise,get it and have a great,wonderful,enjoyable time with it's lightheartedness,cheer and liveliness.

Fun Not Fact
For those being so critical of the American movie producers let me say that the blame for the fictional version of Jeannine Deckers life lies directly on Fichermont convent. The only way the film could be made was if it bore no resemblance to the real life of Sr. Luc Gabriel. The true story of Jeannine Deckers' life will be out this year, which includes the tale of how this movie was produced. Watch my web site for a release date.
D.A. Chadwick
(...)

The songs send God running for his earplugs
The 60's was the beginning of the end for tyrranical studio control over their actors, as they were beginning to be challenged by independent directors, and the actors themselves. Unfortunately, freedom for actors didn't come soon enough to save screen legends like Debbie Reynolds and Greer Garson from having to appear in abysmal movies like this one. Being the fine actors they are, especially Reynolds, they manage to carry this superficial plot, and even deliver the flinchingly cliche and unrealistic lines with feeling. The Singing Nun is poorly edited, poorly written, and the overly-dramatic acting - which would have been acceptable in previous decades and served Ingrid Bergman and Joan Crawford so flawlessly - is out of date. The movie's only entertainment is in comedic qualities it was never supposed to have, such as a hilarious shot of three nuns in full white habit, driving a beast of a jeep over the African country side, veils billowing, and Garson's voice reading a sickeningly heartfelt letter over the corny music. The only satisfaction I got out of this movie was declaring at its closure, "That unquestionably ranks as one of the top ten WORST movies I have ever seen."

heaven help her
Following the success of "The Sound of Music", Hollywood went a little nun crazy ("The Trouble with Angels", "The Flying Nun") in the Sixties but this inane biography is ridiculous beyond belief. Who better to play Soeur Sourire ("Sister Smile")--a Belgian nun who had a fluke hit record with "Dominique," a catchy folk song of the era--than un-nunlike Debbie Reynolds, who apparently thinks she's playing Molly Brown in a habit. See scrappy Debbie tear around the countryside on a scooter, expertly manuever a soccer field, and even go ballastic when she sees a barful of hipsters twistin' away to a rock 'n'roll version of her anthem. How inane is this biopic? For starters, the filmmakers actually change the main character's name, known here as "Sister Ann" (well at least it isn't "Sister Tammy"). Then, while preparing for an appearance on "The Ed Sullivan Show," the nuns explain that they're forbidden to wear makeup--even though the actresses portraying them are decked out in thick lipstick and false eyelashes a mile long! And probably figuring that movie-goers expect Reynolds to do at least a little of her nightclub shtick, the star even incorporates her famous Zsa Zsa Gabor impression into the plot. A truly stupid movie--but still very funny in ways not intended. The Lord does indeed work in strange and mysterious ways.

WHOLESOME AND DELIGHTFUL FUN FOR ALL!!
Definitely not for the cynical, this warm and engaging story about the 'real life' Belgian singing nun is wholesome and delightful entertainment for all who desire what is good, right and clean.

Sure, Hollywood took liberties with the screenplay and the finished producted resembles practically nothing about the real 'singing nun's' life. But that is a peripheral issue. What is important here is that we have a film one can watch together as a family or a group, be enthralled by the heartwearming performances of the entire cast and have your heart lifted by the music that it contains. Beautiful melodies, simply performed with Debbie Reynolds perfect in acting and in singing voice.

To be fair, there are two minor issues that I have to nit pick. First the film is in need of tighter editing but, again, overlooking that, it is wonderful. Second, the last 1/3 of the film is lacking in music, but that is as it should be given how Sr. Ann is torn between her vocation and continuing her singing. Those two issues, notwithstanding, this film has you tapping your foot and singing along before you know it. It is a 'feel good' family film made in the sixties when America was desperately reaching for wholesomeness. On this matter the film succeeds. True, it is no "Sound of Music" and it doesn't attempt to be. But it stand on its own merits and is one film I never tire of watching, especially when I need some uplifting and edification.

What a shame that the soundtrack for this film is a rarity. I managed to obtain a vinyl disc copy through ebay and I enjoy it immensely but I wish they would release it on compact disc because the music is what sells this film.

Ignore the abysmal reviews by those who are cynical and desire more than good, clean, wholesome entertainment.

The irony of this film is that the real life singing nun tragically committed suicide in the early 1990s.

This film is pure escapism, something needed sorely today. Oh, and one more thing......let's get it released on DVD!!! ... Read more

Reviews (1)

Beautiful music, romance and troubled times in one's life.
A wonderfully written story about a Spanish painter, Francesco Goya,and his viewpoint of life during the Spanish Inquisition, and his obsession with an intriguing and beautiful woman, the Countess of Alba. This is a movie worth seeing. It tells of life during the inquisition , of trying to stay in favor with the courts and also keep their social standing even when associating with the common people. Beautiful Spanish music makes you feel as if you are there. This movie has a combination of love and romance, jealousy, hatred and death and combined together makes a very good story. Anthony Franciosa and Ava Gardner were very believable in their portrail of these characters. They draw you into the story and make you feel as if you are a part of it all. ... Read more

Amazon.com

Among Deanna Durbin's happiest memories of Hollywood would beher two-film collaboration with actor Charles Laughton: 1946's minor Broadway-set comedy Because of Him and this imaginatively scripted gem that remains one of Durbin's best vehicles.In It Started with Eve, Deanna is enlisted topose as fiancée to Robert Cummings, who's trying to please his (apparently) dying father Laughton.Avoid the Sandra Dee remake I'd Rather Be Rich, and enjoy the clever plot twists and three good tunes found in the original, which marked Durbin's last pre-war picture and the end of her golden age at Universal. --Steven Smith ... Read more

Reviews (11)

Durbin grows up, gets sexy.
Her first movie where consummation (i.e., marriage) becomes a possibility. Durbin, bright-eyed and bushy-tailed, has a knack for facetious comic timing as well, the heavy-lidded, seen-it-all variety that Rosalind Russell and Barbara Stanwyck mastered. Charles Laughton tries a little too hard to be a crinkly, charming old tycoon, but he pulls it off pretty well. This late screwball comedy features the handsome pratfall Robert Cummings, but the chemistry the movie presumes to show between him and Durbin seems a little superficial if not non-existent (other than the nearly kinky pinching scene, of course). Fun and diverting overall.

Warm and Delightful
Deanna Durbin was always wonderful and on this outing has a nice script and fine support from Charles Laughton and Robert Cummings, making this one of her best. This film is warm, funny, and delightful. Durban gets to do a few beautiful songs that are worked into the story in a natural way. This is really a very funny comedy with some fine moments that will leave you smiling when it's over.

Jonathan Reynolds (Charles Laughton in another great performance), an irracible, rich, and socially prominent tycoon, is on his death bed. His son Jonathan Jr. (Robert Cummings) rushes home from Mexico with his new fiance Gloria (Margaret Tallichet) to see him before he dies, which the papers can't wait for. But when the old man wants to meet her, and she and her hideous mother have left the hotel to go shopping, Jonathan Jr. talks sweet coat check girl Anne Terry (Deanna Durbin) into pretending to be 'Gloria' for $50.00. It is money she needs for train fare back to Shelbyville to see her mom and abandon her dreams of singing stardom, which are going nowhere.

A teary eyed Anne has a warm and instant connection with old man Jonathan, who adores her and makes an unexpected recovery thanks to her charm and warmth. Jonathan Jr. has to catch Anne at the train station (twice!) in order to keep the charade going, of course, and the interplay between the two as they start bickering about it is priceless. Even when the old man overhears them and knows the truth he goes along because he can see she's the right girl for his son Jonathan Jr., and the daughter-in-law he wants.

Of course, Jonathan Jr. still thinks he wants to marry the 'real' Gloria and there is a subplot about a party which will be attended by Stokowski and Heifetz, friends of the old man, where Anne may finally get her chance to be noticed. But Anne is to sweet to go through with it and plans on returning home to Shelbyville.

This prompts the wise old Jonathan to hatch up a little plan of his own to get her to stay long enough for Jonathan Jr. to see that he's really in love with Anne. A night on the town where a delightful Durbin teaches Laughton to do the 'Conga' in a swank nightclub is a particular highlight, as is her tearful rendition of "Goin' Home".

There is an hilarious fight scene with Durbin and Cummings chasing each other all over the place that involves biting and pinching that will have you on the floor! This is one of Durbin's best films. She was wonderful at light comedy, had a warmth and sincerity to her acting, and as someone puts it in this film, sings like "A thrush from Ireland".

You can't miss this one if you love Durbin or enjoy a great comedy. This is a classy production and a chance to see for yourself the always wonderful Deanna Durbin, who will always be "The Last Rose of Summer".

Tons of laughs and great music!
This movie is hysterically funny and cute. A hilarious Charles Laughton leads the crew along with the ever lovely Deanna Durbin. It has great music, acting, and comedy. Deanna shows off her gorgeous voice and her excellent piano skills especially while singing a little Spanish song called "Clavelitos." Robert Cummings is adorable as Laughton's soon -to -be -married son. Lots of funny scenes and cute dialogue. Buy this movie and laugh all your troubles away!

Cute but....
I've always loved Deanna Durbin and this is a cute movie, but the chemistry between her and Robert Cummings just didn't seen to click in my opinion. I really couldn't see his feelings shifting to the hat check girl (Deanna) he passes off as his fiance to his dying father. And likewise I couldn't see her falling for him. The romantic triangle plot could have used some beefing up. The comic bits are well done though and as always Deanna's voice is superlative.

Wonderful Romantic Movie
HIGHLY recommend for all Deanna Durbin fans to watch this wonderful romantic movie. ... Read more

Reviews (10)

Overall Faithful Production
Although there are some historical inaccuracies [Napoleon did not surrender his sword to Desiree, and some other small "enhancements"], and Jean Simmons is something of a drawback to the film, it's definitely worth watching. Marlon Brando's performance manages to capture the historical idea of Napoleon very well- the great intensity of his personality, the underlying brilliance and insatiable ambition. Napoleon is both repellent and fascinating at the same time. One can understand how, at his best, he hypnotized almost the whole of Europe. But he is perfidious also, dismissive of the death and destruction he caused on his way to accomplish his aims. Really, the character of Napoleon and Marlon Brando's rendition of it is the only reason to watch this film. Jean Simmons' Desiree is lovely and winsome, but kind of vapid. One wonders what Napoleon and Bernadotte saw in her. Michael Rennie's performance is very good in his role as Bernadotte, and he is not overshadowed at all by the strength of Brando's performance. His scenes with Napoleon are wonderful. Until something better comes along [unlikely...] this is the one to watch for a period piece about Napoleon.

Overall worth watching
Having read some of the other reviews of this movie I felt compelled to submit my own. I have long been fascinated by Napoleon and I have read and watched just about everything on his life that I can get my hands on. I found Brando's portrayal of Napoleon subtle and powerful. After having seen at least a half dozen different actors play Napoleon in various movies, Brando's has always stood head and shoulders above the rest to me. The story is not entirely accurate, but all the main elements of the story are pretty close (except Napoleon surrendering his sword to Desiree). The costumes and sets are outstanding in a way that seems to be captured only in old movies. This is not an in-depth analysis of Napoleon's life, rather, it focuses on Desiree, a one-time fiance of Napoleon. While that story is interesting, I find myself waiting for the next Brando scene. Brando does a magnificent job capturing the eneregy and confidence of the young Napoleon, and the fatigue and desperation of the defeated Napoleon. Brando's scene when he considers Bernadotte's request to renounce his French citizenship is brilliant. The movie is almost worth this scene alone.

The Things He Did For Love?
This was a great historical romance set amongst the ambitions of one man and the love he let get away. Get out your kleenex before you watch.

What a terrible film!
Hard to believe that anyone could take this overly romantic nonsense seriously. It has little to do with history, even less with cinema. Most of the budget seems to have gone on the stars - the scenery looks cardboard, the costumes are probably left over from previous films, there is no sense of the era, much of the acting is way beyond being merely wooden. Lots of stiff, unconvincing dialogue - little spectacle (flags moving across the screen represent a battle). Of course, the film is based on a best-selling novel of the 50's and, by rights, should have focused on Desiree as played (uncertainly) by Jean Simmons. But the casting of Marlon Brando as Napoleon throws everything off balance. I have read a fair amount about Napoleonic history but none of those accounts revealed that the Emperor mumbled like a method actor. Indeed, Brando seems particularly uncomfortable with both his role and his costumes. Similarly, the ever-stiff Michael Rennie is...well, stiff. On the other hand, Merle Oberon was an inspired choice to play Josephine - if only they had remembered to write a part for her to play. The whole thing looks cheap and not especially cheerful. Napoleon deserves better. So does anyone who tries to watch this film.

Very entertaining historical romance
I don't know a whole lot about Napoleon and his history, but I found this film thoroughly enjoyable. I was sitting around this afternoon and caught it on tv. Marlon Brando's performance as Napoleon really captivated me and I couldn't bring myself to change the channel so I ended up watching it all. It was very interesting. He was always in love with one-time fiancee Desiree but she is married and shows no intentions of betraying her husband. The scene in which Desiree's husband confronts Napoleon because he wants to renounce his citizenship and claim the Swedish throne is very striking. Excellent acting by everyone. There were a few things they never went back into, like we never see much else of her son. And they never say whether she cleaned up her Royal Princess act or told them to stuff it. Overall, I found this movie to be very entertaining. It's one of those rainy day historical romance classics. ... Read more

Reviews (6)

John Philip Sousa Fantasia
This is an amusing little yarn on Sousa and his music. Being only about 90 minutes long the movie does not attempt to be comprehensive with his life, but concentrates instead on creating a portrait of him. Clifton Webb has Sousa's somewhat stiff, yet humorous personality down pretty well. The episodes depicted in the movie are brief vignettes, loosely based on some actual events. The Marine Corps probably did treat their March King in a rather off-hand manner as shown in the movie. Sousa did make the Marine Band from a 3rd rate emsemble into one of the best military bands in the country, and the Marines could not really offer him anymore than what they had already given him.

The truth is Sousa saw an opportunity to market himself to a growing American audience that was starting to become more sophisticated in its musical tastes. He would perfect the band tour concept. Others had done it before him, but Sousa would make himself into a super-star, and truly traveled the world. The movie accurately shows his formation of his own Sousa band after leaving the Marines in 1892. Where the movie strays a bit is with the silly sideline romance. Here we have the typical 1950s guy meets girl thing going on. It's cute, but kind of takes away from the subject matter. Its also hard to say whether this is a musical or not? There is a lot of singing and show numbers presented, based, supposedly on Sousa's music. We do get to hear some good versions of "Semper Fidelis" which is played ad noseum!

I would have liked this movie a lot more if it had been a little more serious and showcased some more of Sousa's music. He really did write more than just 10 marches you know! Plus countless classical transcriptions, overtures, songs, novely items and arrangements of old American folk music. Sousa was our most prolific composer, his music typifies an era that is no more in this country. The Sousa band didn't march as much as shown in the movie. The band was intended as a symphonic ensemble. Sousa had enough marching from his Marine days! His band was certainly accomplished, and had some very fine players in it. To say as Americans often do that it was the best in the world is a bit of Yankee over-statement. Compared to most bands in the US, yes, the Sousa band was among the best. Abroad in Europe there were many fine military bands that were just as good. Sousa knew this, and he was careful not to over-step his bounds. He received many fine praise from European audiences, and this must have pleased him very much indeed. Sousa knew that the Coldstream Guards in London, The Garde Du Corps in Berlin and many others were just as good, lacking only the showmanship and Sousa's ability to market himself and his band and music.

The movie shows the warm relationship Sousa had with his wife, who always supported him and his music. "Stars and Stripes" came into Sousa's mind whilst returning from abroad after he had learned that his manager had died in the States. The movie cleverly marches us into the Sousa legend at the end which is probably just as good an ending as any. This is an old style movie with a lot of cute touches in it. It provides a musical fastasy of Sousa and his times. You can get an idea of who the March King was by watching it, but in order to get a truer picture I would suggust Paul E. Bierly's biography "John Philip Sousa: American Phenomenon"

An heroic American figure
This is a wonderful movie. I have been a serious Sousa fan since I stumbled across the movie several months ago. I marvel at the impact Sousa had both during his life and since. Great composers have an ability to far transcend their own lifetime and enrich ours. This is exemplified in the final scene where an ethereal Sousa is leading all bands.

Stars And Stripes Forever is Americana at its best!
Wonderful portraying by Clifton Webb. No other American musical comes close to "Stars and Stripes Forever." If you've watched this film and enjoyed it, you'll love "The Music Man". No musical holds a candle to these two! If you're proud to be an American, like me, you'll be entertained by this movie every time you see it. The way the marches are played in this film is extraordinarily exuberant. Treat yourself to a outstanding biography that is Americana at its best!

The story of John Philip Sousa, the March King
Well, I have just watched "Stars and Stripes Forever" (again) and gotten teary eyed at the ending (again). As in most musical bio-pics, the historical details play second fiddle to the music in this 1952 film directed by Henry Koster. This film follows the career of John Philip Sousa (Clifton Webb), from his last days in the Marine Corp to the end of the Spanish American War. Helping American's March King along the way are his wife, Jennie (Ruth Hussey), young Willie Little (Robert Wagner), an enthusiastic young man and inventor of the Sousaphone, and Lily Becker (Debra Paget), the love of young Willie's life. Musical highlights of Sousa's marches includes "Semper Fidelis," "Washington Post March," "Presidential Polonaise," "High School Cadets March," "El Capitan" and the title march (which came to Sousa on an ocean voyage and which he wrote down without ever changing a note). My favorite scenes are between the Sousas, as when he insists he has written a new ballad called "My Love is a Weeping Willow," but which she plays as the "Semper Fidelis" march (lyrics by Ken Darby). Then there is the point when Sousa is shocked to discover Willie sneaking into Lily's compartment on the train and stunned to learn the couple are married. "But they know how I feel about that," he sputters helplessly, having a rule that none of his musicians can travel with their spouses. "Yes," agrees his wife, "so that is why you have to pretend you don't know." I just love the way she handles him. Then there is the finale, when Willie returns from the Spanish American War, having lost a leg, and is called up on stage by Sousa to play with the band as they introduce his latest march, "Stars and Stripes Forever." I have always thought this was an awesome march and when the music swells as we see American soldiers marching to its spirited strains, it always gets me choked up. Now, of course, more than ever.

Outstanding family entertainment.
This is very much an "old fashioned" movie, with acting, timing, dialog, etc.without the use of todays special effects, nudity, profanity and violence. It appeals to your brain, rather than to your animal instincts. ... Read more

Reviews (54)

The Story of God's Love
The Robe

An epic in its time due its being the first motion picture in Cinemascope, it remains a great testimony to the values and morals of its producers and director. I remember watching this movie as adolescent. Victor Mature, as Demetrius a Greek slave, stood out for me in this movie and in other movies (Demetrius and the Gladiators, Samson and Deliah) as the epitome of Christian virtue. Ironically, however the story plot was not about him, but he did play a very important supporting role, his story is in the sequel Demetrius and the Gladiators. Given that this film was an epic in its time 1953; it still has not lost the inspiration and awe of the strength of the test of faith, at least for me, that it inspired when I first saw it.

This epic film was directed by Henry Koster, a German who also is known by the name Herman Kosterlitz. His works include A man called Peter (1955), Harvey (1950), and The bishop's Wife (1947). I believe that major premise that Koster was portraying to the public was that faith in Christ is worth both searching and dying for. No matter who you are there is hope for you in finding the Jesus of the Cross.
The Robe is based on a fiction novel by Lloyd C. Douglas. The story is full of life's major issues that most of us have to work through jealousy, anger, betrayal, forgiveness, reconciliation, and the progression of and test of personal faith.

While titled the Robe, the story really evolves around Marcellus (Richard Burton) a tribune in the service of Rome. He was ordered to crucify Jesus. He wins the robe while gambling at the foot of the cross, but when he touches it he becomes tortured in his mind. When overcome, he cries out "Where you there.?" Ironically the best that anyone can do for him is to send him on a quest to find the robe and destroy it, thinking that will bring his mind to rights. When he finds the Robe he finds peace of mind, through reconciliation to God through belief in the Christ who wore the Robe. Instead of destroying the Robe he instead joins the Christians in declaring God's love for humankind. The ending of the movie is magnificent! When brought to trial by Caligula (Jay Robinson) Marcellus is ordered to pledge allegiance to Rome and renounce his faith in Christ on the penalty of death. He does renew his pledge to Rome but refuses to renounce his faith in Christ. He is sentenced to death for his faith.

The beginning of this story starts before Marcellus has to crucify Jesus, yet the cross, signified by the Robe itself is central to the story. Without it there would be no new life and faith in Christ to die for. Some have called it another story of the Crucifixion, yet I would say no. It is the continuation of the reality of the meaning of the crucifixion... i.e. the Love of God for humankind.