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| 1. Harlan County, USA Director: Barbara Kopple | |
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(price subject to change: see help) Asin: 6303614639 Catlog: Video Sales Rank: 29280 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com essential video Reviews (10)
There are shots inside the mine where I can almost taste the dust and feel the claustrophobic confines. There's a shot of a woman giving a small child a bath in a tin bathtub and promising that when the strike is over, they might be able to live in a house with a real bathtub and running water. There are the miners' wives who are organizing to take a big part in the strike. And there are labor songs sung with the voices of people who really understand what these songs mean. Most of all though, it is the faces of the people that I will never forget. There are no professional actors here; all these people are real. They are hollow cheeked, with deep lines etched on their faces and rotted which teeth which have never seen a dentist. Some are already victims of black lung disease. Others speak of husbands and grandfathers who died in mine explosions. All this is mixed with just the right amount of historical footage to give background. There is no annoying voice over, just an occasional line of writing superimposed on the screen to clarify a point or give specific details. The miners and their families speak for themselves, sometimes directly into the camera, other times among each other. Because of their thick Kentucky accents, I sometimes found it difficult to get every single word of dialog but this actually added to the authenticity of the video. I found myself moved by their plight, and feeling shivers of emotion throughout. This stands out as an outstanding film and understand why it won an academy award. Recommended.
A few days later, I felt impelled to return to the library and get this VHS. I sat down to watch it one morning and could not turn it off. It's compelling, intriguing, educational and emotional. I cried several times, watching the struggle and learning more and more about a coal miner's life. For the last few months, I've been doing research (in preparation for a book on Sears Homes) about Standard Oil's coal mines in Macoupin County, Illinois in the 1920s. "Harlan County" showed archival footage and presented information that showed what a miner's life looked like - through the ages. Duke Power's coal mines in Harlan County, Kentucky were so backwards and Standard Oil's coal mines in Macoupin County, Illinois were so progressive, that I learned more than I ever expected about early 1900s mining techniques. The story about the man and the mules is something I'll never ever forget. Or the miner's conversation with the New York policeman. Thank God for the director Ms. Koppel, who was inspired to create this documentary! And for her having the wisdom and foresight to record these old miners' reminiscences of life in the coal mines in the early years of the 20th Century. Suddenly, all the puzzle pieces from my months of book reading and research came together when I saw these old films and heard the miners talk. I'll be watching it again and again - with my family, too. And I hope every person who uses electricity in this country will watch it, too. An interesting aside - in the 1920s in Macoupin County, Illinois, one coal miner died (on average) for every 279,000 tons of coal that was mined. Between 1900-1969, 100,000 miners died in this country. Standard Oil's mines (operated from 1918-1925) in Macoupin County may have been the safest mines in the country, but several men died in those mines, too. In 1918, Standard Oil of Indiana built 192 Sears Modern Homes for their (mostly immigrant) miners in Macoupin County. (The term "Modern Homes" simply meant that the houses had kitchens, bathrooms, running water, central heat and electricity.) In 1973, Duke Power's miners in Harlan County were still living in shacks with no running water. Rose Thornton
The Salaried Employees will respond: I hate my job, I hate my boss, if I could kill everyone in this office, I would; NO---- Not my boss, "like the Nazis", he's only following orders. Not my co-workers---They're only doing their job and trying to lead a healthy life. Whom then? Who do we crucify? In every management situation there is an overseer and a slave, in every salaried position, there is an overseer and a slave, AND in every rank and file position there is an overseer and slaves. Rank and File, Unite! You have nothing to lose but your chains, held by your big union and management Overseers! Jason ... Read more | |
| 2. Wild Man Blues Director: Barbara Kopple | |
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(price subject to change: see help) Asin: 0780624378 Catlog: Video Sales Rank: 12797 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Woody Allen has always been more widely appreciated in Europe than in the U.S., so it's no surprise that the concerts quickly provoke the kind of fan hysteria usually reserved for rock stars.This star however is clearly not comfortable with his fame.Whether he's giving a tour of his lavish hotel suite or prodding at an unexpectedly dry omelet, the director seems profoundly ill at ease and sometimes--when trapped by a crowd or harassed by a particularly persistent photographer--he appears to be both frightened and angry at the way celebrity shapes his life. The pressure to be funny on cue is the bane of any comedian's life, of course, and for Allen the seemingly endless round of receptions and parties is something to be endured, not enjoyed.In the face of this, the mutual support and affection shared by Allen and the woman he introduces as "the notorious Soon-Yi Previn" comes across as both genuine and absolutely necessary. When they are together, he is at his funniest, and his least guarded. What persuaded such a private artist to allow such a documentary to be made?Perhaps it was a desire to celebrate his love of music, something that appears to sustain him as much as his relationship with Soon-Yi. He may refuse to bob his head and tap his feet to please his audience, but when he launches into a soaring solo we finally see Allen at ease, transported by the thrill of playing jazz. --Simon Leake Reviews (16)
"Wild Man Blues" shows Woody go through a European tour with his Jazz band, stopping in major cities like Paris, Milan, Madrid, Bologna & London. His performances are to large crowds of 1,000 or more people, and it turns into an event that is obviously uncomfortable for the notoriously recluse filmmaker. We get a pale "behind the scenes" view of Woody in real life, which personally reminded me of the MTV Real World method: Film everything and keep the most interesting parts, which are few & far between. As the movie progresses, Woody gets comfortable enough for the ever-present camera to start making some of his trademark quips about anomalies in general; broken light switches, forgotten breakfast items, etc. This wears off some of the effect, since it seems we are not watching a good documentary, but a film with inconsistent dialogue. I personally would rather have a movie of an entire performance of the Jazz band, rather than a tour of fine hotel rooms, backstage areas and curious crowds, interspersed with a few minutes of performances. The film seemed to focus on Woody & Soon-Yi, while pretty much neglecting the rest of the band. Interesting comparisons were left un-addressed: Sure, Woody and Soon-Yi stay in 5 star hotels, but where does the band stay? How do they feel about their musical performances often being overshadowed by his celebrity? Woody gets a private plane, but no other musicians seem to fly with him? That would have been much more interesting that spending 5 minutes of film being spent on a broken shower. The one surprise of the film is the revealing of the roles of Woody & Soon-Yi in their relationship. I was not expecting this, but I definitely came away thinking that they interact quite well as a couple. But once again, I love Woody Allen films, but am pretty uninterested in his personal life. I've seen Woody Allen & his Jazz band live in NYC, and that was a huge treat unto itself. I hope one day a film focusing on the music-performance is released.
Barbara Kopple has a reputation for truth seeking, winning an Oscar for her exploration of union violence in "Harlan County, USA", but "Wild Man Blues" lacks her early incisiveness. Despite her through-the-keyhole approach, Kopple's eye yields no unguarded moments. Instead she offers a prim and proper tableau--stagy and self-consciously sexless-- of the couple's daily life. Though they hold hands in public and snuggle in a gondola, only one scene suggests that Woody and Soon-Yi actually share a bed. Conspicuously lacking in dialectic, this documentary is unable to facilitate any intelligent discourse on what is presumably the topic at hand: jazz. Woody Allen--filmmaker, intellectual and aesthete--has always drawn on the art of music with a sublime touch. The soundtracks for "Manhattan" and "Stardust Memories" are paragons. He is considered, and deservedly so, a jazz aficionado. What, then, accounts for the specious treatment of jazz in "Wild Man Blues"? Referring to Dixieland jazz only cursorily as "primitive", "un-cerebral", "crude", "like taking a bath in honey", Woody Allen denies us access to his comprehensive knowledge of music and Barbara Kopple does nothing to draw him out. Instead, she focuses on the ostentatious continental parade that was the 1997 tour. Private jets, ultra-lux accommodations and chauffeur-driven Mercedes purposefully serve to isolate the clarinetist from his band mates, a gulf that is not bridged when they finally cross paths in a Madrid green room. Allen takes the posture of puppeteer rather than participant and the resultant music is predictably stale and soulless. But then "Wild Man Blues" is hardly about the music. This film has a separate agenda and its secret weapon is Soon-Yi. Convivial, energetic, the model of a modern young woman, Soon-Yi emerges as the film's bright spot, effectively its subject. Though a betrayal of Woody's beloved jazz, "Wild Man Blues" achieves its purpose: to overturn the public perception of Soon-Yi Previn as an exploited child. It establishes Woody and Soon-Yi in socially palatable roles-she as a confident, articulate, adult woman; he as having something to learn from her. "Wild Man Blues" is an elegant and efficient little white lie that simultaneously exonerates and charges Woody Allen: exculpated as a corrupter of youth but indicted as a filmmaker who is not committed to the truth. Barbara Kopple is his cellmate.
Meet the man, meet Woody Allen, watch »Wild Man Blues«! ... Read more | |
| 3. Beyond JFK: Question of Conspiracy Director: Danny Schechter, Barbara Kopple | |
![]() | list price: $14.95
(price subject to change: see help) Asin: 6302638798 Catlog: Video Sales Rank: 49430 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (4)
This video, which is also included on the Special Edition DVD of Stone's film, is basically a re-hash of the movie, but its interesting because we get to see who these characters actually were and we get to hear - in their words - what they were thinking at the time of Garrison's infamous trial, and what they have to say about it now.
Beyond JFK is an excellent tool to hear both sides of the JFK case. We hear from both conspiracy types as well as supporters of the lone gunman theory. However, by watching this, you definitely get the sense that something gravely out of the ordinary took place on 11/22/63. With both sides arguing it out, including some renound writers, such as Mark Lane, Jim Marrs, and others, with some eyewitness testimony from real people like Ed Hoffman, Jean Hill, Marita Lorenz, Beverly Oliver, Fletcher Prouty, etc., you feel like you're actually there. If you're looking for other material to help you in your search for the truth, I highly recommend the video "The Assassination of JFK". 2 books I recommend are "Plausible Denial", by Mark Lane, and "Murder In Dealey Plaza", by James Fetzer Ph.D. This movie is definitely a real treat. Enjoy.
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| 4. Fallen Champ: The Untold Story of Mike Tyson Director: Barbara Kopple | |
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(price subject to change: see help) Asin: 6302759137 Catlog: Video Sales Rank: 35912 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (1)
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| 5. American Dream Director: Barbara Kopple | |
![]() | list price: $19.98
(price subject to change: see help) Asin: 6302593476 Catlog: Video Sales Rank: 27315 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com essential video Reviews (9)
Simply, companies have become so powerful that the only way Unions can fight back is with an all-out, risky assault. In the best cases they are able to win some of their demands. All too often though, they get very little back and their personal lives and friendships are damaged. The Hormel strike is a glaring example of the Union having very few options to fight back. Soon, it becomes Union member vs. Union member in an attempt to determine the plan of attack instead of working together to fight Hormel. As a Union member and supporter myself, I came away from the documentary with even more resolve to keep up the fight.
Although I was just in grade school while the Hormel strike was raging, I do remember hearing about it on the news. I found this film to be a candid glimpse into the tenacity of the union struggle as well as a highlight of decisions that impacted people's lives forever. Barbara Kopple did a wonderful job of interviewing union members who felt differently about the struggle going on. Each year, while my class views the film, I wonder whatever happened to the two brothers she highlights in the film -- one who was pro-union, no matter what, and one who decided to cross the picket line to support his family. In the film, the pro-union brother disowns his brother for becoming a scab. I found that family squabble to be classic of the kind of destruction this long, drawn out union battle caused. This film represents the American Dream quite nicely. Here you have hundreds and thousands of union members who are fighting for the American Dream, but whose vision becomes a little cloudy during the struggle. I feel that Barbara Kopple did a good job of presenting the material in an unbiased way, for each year my students seem to view the film in their own ways. Not everyone comes to one conclusion as to which side was right or wrong.
There is probably only one villian-- Ray Rogers, whose self-promoting tactics cost the hard-working laborers who the film makes you love.
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| 6. Harlan County, USA Director: Barbara Kopple | |
![]() | list price: $19.95
(price subject to change: see help) Asin: 6300134210 Catlog: Video Sales Rank: 60141 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (10)
There are shots inside the mine where I can almost taste the dust and feel the claustrophobic confines. There's a shot of a woman giving a small child a bath in a tin bathtub and promising that when the strike is over, they might be able to live in a house with a real bathtub and running water. There are the miners' wives who are organizing to take a big part in the strike. And there are labor songs sung with the voices of people who really understand what these songs mean. Most of all though, it is the faces of the people that I will never forget. There are no professional actors here; all these people are real. They are hollow cheeked, with deep lines etched on their faces and rotted which teeth which have never seen a dentist. Some are already victims of black lung disease. Others speak of husbands and grandfathers who died in mine explosions. All this is mixed with just the right amount of historical footage to give background. There is no annoying voice over, just an occasional line of writing superimposed on the screen to clarify a point or give specific details. The miners and their families speak for themselves, sometimes directly into the camera, other times among each other. Because of their thick Kentucky accents, I sometimes found it difficult to get every single word of dialog but this actually added to the authenticity of the video. I found myself moved by their plight, and feeling shivers of emotion throughout. This stands out as an outstanding film and understand why it won an academy award. Recommended.
A few days later, I felt impelled to return to the library and get this VHS. I sat down to watch it one morning and could not turn it off. It's compelling, intriguing, educational and emotional. I cried several times, watching the struggle and learning more and more about a coal miner's life. For the last few months, I've been doing research (in preparation for a book on Sears Homes) about Standard Oil's coal mines in Macoupin County, Illinois in the 1920s. "Harlan County" showed archival footage and presented information that showed what a miner's life looked like - through the ages. Duke Power's coal mines in Harlan County, Kentucky were so backwards and Standard Oil's coal mines in Macoupin County, Illinois were so progressive, that I learned more than I ever expected about early 1900s mining techniques. The story about the man and the mules is something I'll never ever forget. Or the miner's conversation with the New York policeman. Thank God for the director Ms. Koppel, who was inspired to create this documentary! And for her having the wisdom and foresight to record these old miners' reminiscences of life in the coal mines in the early years of the 20th Century. Suddenly, all the puzzle pieces from my months of book reading and research came together when I saw these old films and heard the miners talk. I'll be watching it again and again - with my family, too. And I hope every person who uses electricity in this country will watch it, too. An interesting aside - in the 1920s in Macoupin County, Illinois, one coal miner died (on average) for every 279,000 tons of coal that was mined. Between 1900-1969, 100,000 miners died in this country. Standard Oil's mines (operated from 1918-1925) in Macoupin County may have been the safest mines in the country, but several men died in those mines, too. In 1918, Standard Oil of Indiana built 192 Sears Modern Homes for their (mostly immigrant) miners in Macoupin County. (The term "Modern Homes" simply meant that the houses had kitchens, bathrooms, running water, central heat and electricity.) In 1973, Duke Power's miners in Harlan County were still living in shacks with no running water. Rose Thornton
The Salaried Employees will respond: I hate my job, I hate my boss, if I could kill everyone in this office, I would; NO---- Not my boss, "like the Nazis", he's only following orders. Not my co-workers---They're only doing their job and trying to lead a healthy life. Whom then? Who do we crucify? In every management situation there is an overseer and a slave, in every salaried position, there is an overseer and a slave, AND in every rank and file position there is an overseer and slaves. Rank and File, Unite! You have nothing to lose but your chains, held by your big union and management Overseers! Jason ... Read more | |
| 7. Century of Women: Work and Family Director: Barbara Kopple, Judy Korin, Sylvia Morales (III), Christen Harty Schaefer | |
![]() | list price: $19.98
(price subject to change: see help) Asin: 6303191711 Catlog: Video Sales Rank: 55452 US | Canada | United Kingdom | Germany | France | Japan |
| 8. Century of Women: Image and Popular Culture Director: Barbara Kopple, Judy Korin, Sylvia Morales (III), Christen Harty Schaefer | |
![]() | list price: $19.98
(price subject to change: see help) Asin: 630319172X Catlog: Video Sales Rank: 49552 US | Canada | United Kingdom | Germany | France | Japan |
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Description | |
| 9. Century of Women: Sexuality and Social Justice Director: Barbara Kopple, Judy Korin, Sylvia Morales (III), Christen Harty Schaefer | |
![]() | list price: $19.98
(price subject to change: see help) Asin: 6303191738 Catlog: Video Sales Rank: 53480 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Description Reviews (1)
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