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| 1. The Other Side of Midnight Director: Charles Jarrott | |
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Amazon.com Reviews (12)
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| 2. Anne of the Thousand Days Director: Charles Jarrott | |
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Amazon.com Reviews (43)
In the absence of Lord and Lady Astor the Castle and the Gardens were my playground - I had complete freedom to roam all over the Castle, and used to enjoy walkng His Lordship's dogs in the grounds. When the film was released I was delighted to see the places I remembered so well. It's a fine film and I would recommend it to everyone
Another viewer stated: PLEASE, September 2, 2003 -------------- It's now, May 8, 2004, and I still look for this movie on DVD. Now, I will add my two cents, and say; please, please, please! Put this movie on DVD! Genevieve Bujold was absolutely robbed of an Oscar for Best Actress in this film. When Ms. Bujold is delivering that final speech, you want to stand up and cheer for her as an outstanding actress. Those of us who love period epics have this one in our library, now we want it the way it ought to be seen, i.e., in widescreen, in all it's spectacular glory with all those wonderful words, costumes, lush settings, and incredible acting by an incredible cast. So what do you say? GIVE IT TO US ON DVD ALREADY! PLEASE, PLEASE, PLEASE. There, now I've begged enough. I feel much better now that I got that off my chest. ... Read more | |
| 3. Condorman Director: Charles Jarrott | |
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Amazon.com Reviews (23)
Highlighted by a well above average cast and an exciting musical score composed by the one-and-only Henry Mancini, and loaded with tons of adventure, action and excitement..."Condorman" is certainly a very fun movie to watch and is one that can be enjoyed by anyone, no matter how young or old they may be! ... Read more | |
| 4. Danielle Steel's Changes Director: Charles Jarrott | |
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Reviews (8)
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| 5. Lady Boss Director: Charles Jarrott | |
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Reviews (2)
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| 6. Night of the Fox Director: Charles Jarrott | |
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| 7. Condorman Director: Charles Jarrott | |
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Reviews (23)
Highlighted by a well above average cast and an exciting musical score composed by the one-and-only Henry Mancini, and loaded with tons of adventure, action and excitement..."Condorman" is certainly a very fun movie to watch and is one that can be enjoyed by anyone, no matter how young or old they may be! ... Read more | |
| 8. Boy in Blue Director: Charles Jarrott | |
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Reviews (2)
Knox, a man used to having his way by any means necessary, makes Bill an offer he can't refuse. Knox then takes over Ned's future and gets him a professional trainer in order to prepare him for major races. In the meantime, Ned and Margaret (Cynthia Dale), Knox's comely niece, begin a flirtation that ultimately turns into a romance after much angst. When Ned finally gets an opportunity to race against the Australian world champion, he discovers to his consternation and dismay just how much faith Knox has in his ability to win. What follows next causes Ned to be banned from racing in the United States. A chastened Ned, discarded by Knox, returns home and turns to Walter, the man who invented the boat with the sliding seat. He begs Walter to train him, so that he can enter and race in England on the Thames and vindicate himself. Walter really believes in him, so he gets Knox to agree to race his current boy wonder against his, but not before Walter has proffered Knox his life's dream. When the time for the race finally comes, betrayal, treachery, and skulduggery are the keywords of the day. To find out what happens during this career making race, and to discover what comes of the romance between Margaret and Knox, one should view this film. It will not disappoint. Christopher Plummer leads the cast with his chillingly portrayal of the rich and unprincipled Knox. Nicholas Cage attacks the role of Ned Hanlan with boyish and engaging enthusiasm, while David Naughton delights with his portrayal of Bill, the former manager and erstwhile friend. Cynthia Dale is charming in the role of Margaret, the niece who finds herself adopting the role that she was pledged to play by her uncle. The rest of the cast is likewise uniformly excellent. This entertaining and informative film about a turn of the century athlete will fully engage the viewer.
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| 9. Condorman Director: Charles Jarrott | |
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Reviews (23)
Highlighted by a well above average cast and an exciting musical score composed by the one-and-only Henry Mancini, and loaded with tons of adventure, action and excitement..."Condorman" is certainly a very fun movie to watch and is one that can be enjoyed by anyone, no matter how young or old they may be! ... Read more | |
| 10. The Littlest Horse Thieves Director: Charles Jarrott | |
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Reviews (7)
The characters of the story are all cast with competent actors, both child and adult. The films' action derives from the resourceful efforts of the kids to save the colliery ponies whose fate is a grim one in the face of production efficiencies soon to be installed by mine owner Alastair Sim-(played Scrooge in 'A Christmas Carol') The film has an innocent charm, although a little dated in both the period of history it covers and its storyline and humor. Even so its charm and quiet drama build to a surprisingly effective climax. There's a sense you've been treated to a unique glimpse of the past with a wide array of period detail providing rich realism. Anyone with patient appreciation for the concerns of children and an interest in the historic difficulties posed by economic/industrial evolution will find a gem in this film. Kids not addicted to video games may also find it enjoyable. Thanks Anchor Bay for a very good transfer to DVD.
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| 11. The Littlest Horse Thieves Director: Charles Jarrott | |
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Reviews (7)
The characters of the story are all cast with competent actors, both child and adult. The films' action derives from the resourceful efforts of the kids to save the colliery ponies whose fate is a grim one in the face of production efficiencies soon to be installed by mine owner Alastair Sim-(played Scrooge in 'A Christmas Carol') The film has an innocent charm, although a little dated in both the period of history it covers and its storyline and humor. Even so its charm and quiet drama build to a surprisingly effective climax. There's a sense you've been treated to a unique glimpse of the past with a wide array of period detail providing rich realism. Anyone with patient appreciation for the concerns of children and an interest in the historic difficulties posed by economic/industrial evolution will find a gem in this film. Kids not addicted to video games may also find it enjoyable. Thanks Anchor Bay for a very good transfer to DVD.
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| 12. The Dove Director: Charles Jarrott | |
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Reviews (11)
"The Dove" suffers from too much saccharine and not enough vinegar. While the location shooting is superb, the film hardly lives up to it's storyline, downplaying the dangers and the risks of singlehanded sailing in favor of overkill on the romantic side. The actual passage becomes a pseudodocumentary, mostly lacking in drama, and secondary to the love story. The Grahams'(Robin Lee and Patti's) love story as shown is sickeningly sweet. The movie is not helped by the fact that neither Bottoms nor Raffin can act their way out of a paper bag. They are saddled with a poor script and truly maudlin dialogue. Rather than being a theatrical release the film has an "Afterschool Special" feel to it. Despite it's drawbacks, it is well worth watching if you are (1) a sailing fanatic who can't get enough of boats, (2) stuck inside the house on a rainy day (with or without the kids) with nothing much to do, and (3) a reader of DOVE who is familiar with the story. THE DOVE is harmless, enjoyable fluff.
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| 13. Amateur (1982) Director: Charles Jarrott | |
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Reviews (4)
But what message does this send? Think of this situation in these terms: John Savage and his wife are a nation. A terrorist attacks that nation and inflicts horrendous damage. The remaining countrymen mount an attack against that terrorist, and simply wipe him out. He is no longer a threat to anyone else, never will be again. Shouldn't the husband have stopped to be compassionate? Shouldn't he have asked, "Why do they hate us?" His act of simply hunting down the criminal and killing him showed absolutely no compassion, tolerance, inclusion or diversity. At no point did he consult others, such as the United Nations -- he merely acted unilaterally to punish the offender and remove all future threat of recurring terrorism by that offender. He did not dispatch inspectors to examine the guy (and later, give the inspectors more time) -- he simply wanted to erase the terrorist, so that individual would do no harm to anyone else in the future. So killing a terrorist prevents further damage by that terrorist? What sort of message is that?
I don't know how I missed this at the box office, but I'm certainly glad I discovered it later. This will be a good movie to watch on a cold winter's night. ENJOY!!
In the movie, the magazine reporter fiance of a CIA computer specialist is executed by terrorists via random drawing while she is on assignment in europe. This infuriates the main protagonist of the movie -- the CIA employee. He collects enough information on CIA sensitive activities to blackmail the agency into allowing him to go into eastern europe so he can locate and eliminate the terrorists that killed his fiance himself. He is the amateur in a professional's game. The plot is believable, the suspense is tangeable, and the story line not predictable. I promise that if you like suspense movies, you will love this one! The acting, from main and supporting characters, is good. I particularly enjoyed the character who played the father of the murdered fiance. CIA officers and execs also play their roles (though perhaps a bit stereotyped) quite well. 5 stars.
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| 14. Mary, Queen of Scots Director: Charles Jarrott | |
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(price subject to change: see help) Asin: B00004REFE Catlog: Video Sales Rank: 18501 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (16)
I note some inaccuracies, however, in the reviews posted by Amazon.com's Marshall Fine and customer Katharine Williams. For example: Mr. Fine writes that Mary "claims the Scottish crown from her mother upon her death," which gives the false impression that Mary's mother was the previous sovereign (whereas Mary's mother was simply Regent of Scotland until Mary reached the age of majority; Mary officially became Queen of Scotland during her infancy, as the only surviving legitimate child of King James V of Scotland). Also, Mr. Fine states that Mary, a Catholic, "runs up against religious prejudice" from her Protestant cousin, Queen Elizabeth I of England (not true; Elizabeth tolerated both Catholics and Protestants in her realm, and she did not engage in religious persecution). Rather, the enmity between the two queens stemmed primarily from political considerations (after all, Mary fomented instability in England by encouraging the plotters who wanted her to seize Elizabeth's crown!) and also, inevitably, from the personal rivalry that existed between the only two female sovereigns of the day: Mary and Elizabeth, related by blood and presiding over neighboring kingdoms, were naturally curious about -- and intensely competitive with -- one another. Finally, Ms. Williams, in her otherwise very intelligent and thoughtful comments, describes Mary as "Queen Regent" of Scotland (no such title ever existed: one may be Regent, or Queen, but not both simultaneously). Instead, Mary was "Queen Regnant" -- meaning that she was a monarch in her own right, as opposed to being a king's consort. Also, Ms. Williams says that Mary was "Queen Claimant" of England -- again, there has never been any such title. (Clearly, Mary DID attempt to claim Elizabeth's throne, so one should simply describe her as a "claimant" -- a statement of fact, but not a title in itself.) For anyone who wonders about the basis for Mary's claim to the English crown, Mary was the granddaughter of Margaret Tudor (sister of England's notorious King Henry VIII, who was Elizabeth's father). The kingdoms of England and Scotland were finally united at Elizabeth's death, when Mary's son (already King James VI of Scotland) became King James I of England.
The movie itself is extremely interesting, but I wanted it just for the soundtrack. This is one of John Barry's best scores. I guess I'll just have to go listen to Moviola again...
The production boasts a stellar cast of seasoned British acting greats and in particular alot of the film's majesty comes from the brilliant playing of the two leads in their only meeting on screen Vanessa Redgrave who plays Mary and Glenda jackson repeating her Emmy Award winning interpretation of Queen Elizabeth 1 from her earlier stunning BBC mini series "Elizabeth R". Nominated for an Academy Award as Best Actress for her performance here Vanessa Redgrave has never been more luminous than in her playing of the romantic young Queen torn from her comfortable surroundings at her beloved French court for an uncertain future in the Protestant dominated far north of her native Scotland. She is at turns innocent, wily, stunningly beautiful, and unfailingly brave and optimistic, in short a perfect representation of the fascinating real life historical Queen. Glenda Jackson matches her every step of the way as her rival and enemy and ultimately her goaler and executioner. Her's might be the smaller of the two roles but she is magnificent in her scenes and makes all the recent portrayals of Queen Elizabeth seem very pale in comparison. I wont spend alot of time debating the fictional events that are woven into the story here but I will say that this film must first be viewed as part fact, part fiction, and there is no point in getting upset of some of the scenes included here. First and foremost a lot of discussion is always spent around the two meetings between Mary and Elizabeth in the film. As any avid reader of the history of this period will know, despite the fact that both women's lives were torturously intertwined for many years they never actually met. That said and done these two scenes in "Mary, Queen of Scots", showing the two women meeting are superb and the sparks ingnited between Vanessa Redgrave and Glenda Jackson add up to wonderful acting and drama. Here are two extremely gifted actresses in roles totally suited to their characters and they achieve memorable work together. The film is rich with other stunning performances as well. Ian Holm is first class as the tragic Riccio, Mary's private secretary who pays the ultimate price for his loyalty to her. Timothy Dalton an actor who I have long admired excels as the vain and beastly Darnley, Mary's second husband who helps lead Mary to her eventual ruin. Nigel Davenport plays the Earl of Bothwell more as a roguish cavalier than as the uncouth adventurer that Bothwell was in real life. Nevertheless his acting with Vanessa Redgrave in the scenes just prior to Mary's abdication are matchless in their romantic passion. Patrick McGoohan plays James Stuart the wily illegitimate brother of mary with just the right levels of malice and superficial grace. At the English court the British acting talent is just as much on display with veteran Trevor Howard portraying a superb Sir William Cecil, Elizabeth's cunning Chief advisor and Daniel Massey, who just prior to this role had made a great impression portraying Noel Coward in "Star!", plays Robert Dudley, Elizabeth's supposed lover for most of her reign. The production is blessed with sceneic views that will take your breath away and the overall production has a wonderfully lavish look about it as befits such a sweeping historical saga. I've always enjoyed this drama and if you appreciate fine acting despite the divergence from historical fact then this production cannot be bettered. Certainly it gives a sympathetic view of Mary's life and career but I feel where possible all the elements of her fascinating character have been included. I highly recommend this very dazzling production of "Mary, Queen of Scots", to all lovers of history and those that admire fine acting.
Unfortunately, even this one is a bit sweet with Mary and goes on hard on Elizabeth. The players are all first class, starting with a Clash of Titans between Vanessa Redgrave and Glenda Jackson. Two female screen giants fighting out in front of our own eyes. What a feast. Then come the other giants: Trevor Howard, Ian Holm, Patrick McGoohan, Harry Andrews and many more othe British Screen legends. A real treat in Stardom and a who's who in this movie. Just for that it is highly recommendable. Now two points of woe. First: in all these years (the movie dates back to 1971) do you think that Universal Pictures could have released at least one Widescreen version of it? Noooooh, the Gentlemen went on producing other insignificant stuff, but never cared on re-releasing this one in Letterbox format. Second: although I liked it when it was released, especially for its cast and more than beautiful music scored by John Barry, why wasn't an attempt made at remaking it in a more true to history perspective? After all Mary was not as innocent as depicted by Katie Hepburn or even Vanessa Redgrave. This is Folk Lore not History! Mary was raised in France in exile, but pretty soon took a keen interest in politics and started plotting all by herself to take possession of the English Crown. These were not the figments of the imagination of Elizabeth, but a hard and harsh reality that the English Crown and the Parliament both took immediately very seriously. Mary tried it with whomever would have listened to her and would have granted her protection in doing so. She tried to drag the French on her side at first. When this didn't work, she tried the Italians, through the Pope. then came the Spaniards and ultimately the Scots. And they all fell for her. The reasons for her mad conviction of being the only true Queen of England were inculcated into her by her family due to some contentions they had already back in Henry VIII's Reign. All this though was certainly not enough to make her the legitimate Queen of England and she should have contented herself by already being Queen of the Scots. Anyway, she remains a pathetic and sad figure in History and well deserves a movie such as this one as a remainder that at times it is better to be happy with what one already has, rather than wanting the whole pie. In this instance Mary truly was too immature and too arrogant to admit defeat even if it loomed right in front of her eyes. Some may say that she fought for religion's sake. Is any religion a valid justification for human sacrifice? Especially of other people, rather than your own. Of course not, and yet Mary never hesitated in sending innocent people to be slaughtered in her name. Some may pity her, some may condemn her, but the fact still remains that she was an intriguing figure wonderfully portrayed by Vanessa Redgrave. And right or wrong, she did exist and should therefore be depicted in at least one movie. Between Katie Hepburn and Vanessa, I still prefer Vanessa. Glenda Jackson reprises her role Elizabeth R in this one and she's one strong butch of a woman, a hard nut to crack. No wonder that men lost their heads (in more than one way) for her. Anyway, this one with Elizabeth and Elizabeth R, should be movies to be bought and cherished dearly like good wine. After all it is seldom they make movies like these. And if you're interested by more Tudor Lore, try also "Henry VIII and his Six Wives", "Anne of the Thousand Days", the filmed Play by Robert Bolt "A Man For All Seasons". The King is dead, long live the Queen... ... Read more | |
| 15. Women in History 2-Pack - Anne of the Thousand Days / Mary, Queen of Scots Director: Charles Jarrott | |
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Reviews (16)
I note some inaccuracies, however, in the reviews posted by Amazon.com's Marshall Fine and customer Katharine Williams. For example: Mr. Fine writes that Mary "claims the Scottish crown from her mother upon her death," which gives the false impression that Mary's mother was the previous sovereign (whereas Mary's mother was simply Regent of Scotland until Mary reached the age of majority; Mary officially became Queen of Scotland during her infancy, as the only surviving legitimate child of King James V of Scotland). Also, Mr. Fine states that Mary, a Catholic, "runs up against religious prejudice" from her Protestant cousin, Queen Elizabeth I of England (not true; Elizabeth tolerated both Catholics and Protestants in her realm, and she did not engage in religious persecution). Rather, the enmity between the two queens stemmed primarily from political considerations (after all, Mary fomented instability in England by encouraging the plotters who wanted her to seize Elizabeth's crown!) and also, inevitably, from the personal rivalry that existed between the only two female sovereigns of the day: Mary and Elizabeth, related by blood and presiding over neighboring kingdoms, were naturally curious about -- and intensely competitive with -- one another. Finally, Ms. Williams, in her otherwise very intelligent and thoughtful comments, describes Mary as "Queen Regent" of Scotland (no such title ever existed: one may be Regent, or Queen, but not both simultaneously). Instead, Mary was "Queen Regnant" -- meaning that she was a monarch in her own right, as opposed to being a king's consort. Also, Ms. Williams says that Mary was "Queen Claimant" of England -- again, there has never been any such title. (Clearly, Mary DID attempt to claim Elizabeth's throne, so one should simply describe her as a "claimant" -- a statement of fact, but not a title in itself.) For anyone who wonders about the basis for Mary's claim to the English crown, Mary was the granddaughter of Margaret Tudor (sister of England's notorious King Henry VIII, who was Elizabeth's father). The kingdoms of England and Scotland were finally united at Elizabeth's death, when Mary's son (already King James VI of Scotland) became King James I of England.
The movie itself is extremely interesting, but I wanted it just for the soundtrack. This is one of John Barry's best scores. I guess I'll just have to go listen to Moviola again...
The production boasts a stellar cast of seasoned British acting greats and in particular alot of the film's majesty comes from the brilliant playing of the two leads in their only meeting on screen Vanessa Redgrave who plays Mary and Glenda jackson repeating her Emmy Award winning interpretation of Queen Elizabeth 1 from her earlier stunning BBC mini series "Elizabeth R". Nominated for an Academy Award as Best Actress for her performance here Vanessa Redgrave has never been more luminous than in her playing of the romantic young Queen torn from her comfortable surroundings at her beloved French court for an uncertain future in the Protestant dominated far north of her native Scotland. She is at turns innocent, wily, stunningly beautiful, and unfailingly brave and optimistic, in short a perfect representation of the fascinating real life historical Queen. Glenda Jackson matches her every step of the way as her rival and enemy and ultimately her goaler and executioner. Her's might be the smaller of the two roles but she is magnificent in her scenes and makes all the recent portrayals of Queen Elizabeth seem very pale in comparison. I wont spend alot of time debating the fictional events that are woven into the story here but I will say that this film must first be viewed as part fact, part fiction, and there is no point in getting upset of some of the scenes included here. First and foremost a lot of discussion is always spent around the two meetings between Mary and Elizabeth in the film. As any avid reader of the history of this period will know, despite the fact that both women's lives were torturously intertwined for many years they never actually met. That said and done these two scenes in "Mary, Queen of Scots", showing the two women meeting are superb and the sparks ingnited between Vanessa Redgrave and Glenda Jackson add up to wonderful acting and drama. Here are two extremely gifted actresses in roles totally suited to their characters and they achieve memorable work together. The film is rich with other stunning performances as well. Ian Holm is first class as the tragic Riccio, Mary's private secretary who pays the ultimate price for his loyalty to her. Timothy Dalton an actor who I have long admired excels as the vain and beastly Darnley, Mary's second husband who helps lead Mary to her eventual ruin. Nigel Davenport plays the Earl of Bothwell more as a roguish cavalier than as the uncouth adventurer that Bothwell was in real life. Nevertheless his acting with Vanessa Redgrave in the scenes just prior to Mary's abdication are matchless in their romantic passion. Patrick McGoohan plays James Stuart the wily illegitimate brother of mary with just the right levels of malice and superficial grace. At the English court the British acting talent is just as much on display with veteran Trevor Howard portraying a superb Sir William Cecil, Elizabeth's cunning Chief advisor and Daniel Massey, who just prior to this role had made a great impression portraying Noel Coward in "Star!", plays Robert Dudley, Elizabeth's supposed lover for most of her reign. The production is blessed with sceneic views that will take your breath away and the overall production has a wonderfully lavish look about it as befits such a sweeping historical saga. I've always enjoyed this drama and if you appreciate fine acting despite the divergence from historical fact then this production cannot be bettered. Certainly it gives a sympathetic view of Mary's life and career but I feel where possible all the elements of her fascinating character have been included. I highly recommend this very dazzling production of "Mary, Queen of Scots", to all lovers of history and those that admire fine acting.
Unfortunately, even this one is a bit sweet with Mary and goes on hard on Elizabeth. The players are all first class, starting with a Clash of Titans between Vanessa Redgrave and Glenda Jackson. Two female screen giants fighting out in front of our own eyes. What a feast. Then come the other giants: Trevor Howard, Ian Holm, Patrick McGoohan, Harry Andrews and many more othe British Screen legends. A real treat in Stardom and a who's who in this movie. Just for that it is highly recommendable. Now two points of woe. First: in all these years (the movie dates back to 1971) do you think that Universal Pictures could have released at least one Widescreen version of it? Noooooh, the Gentlemen went on producing other insignificant stuff, but never cared on re-releasing this one in Letterbox format. Second: although I liked it when it was released, especially for its cast and more than beautiful music scored by John Barry, why wasn't an attempt made at remaking it in a more true to history perspective? After all Mary was not as innocent as depicted by Katie Hepburn or even Vanessa Redgrave. This is Folk Lore not History! Mary was raised in France in exile, but pretty soon took a keen interest in politics and started plotting all by herself to take possession of the English Crown. These were not the figments of the imagination of Elizabeth, but a hard and harsh reality that the English Crown and the Parliament both took immediately very seriously. Mary tried it with whomever would have listened to her and would have granted her protection in doing so. She tried to drag the French on her side at first. When this didn't work, she tried the Italians, through the Pope. then came the Spaniards and ultimately the Scots. And they all fell for her. The reasons for her mad conviction of being the only true Queen of England were inculcated into her by her family due to some contentions they had already back in Henry VIII's Reign. All this though was certainly not enough to make her the legitimate Queen of England and she should have contented herself by already being Queen of the Scots. Anyway, she remains a pathetic and sad figure in History and well deserves a movie such as this one as a remainder that at times it is better to be happy with what one already has, rather than wanting the whole pie. In this instance Mary truly was too immature and too arrogant to admit defeat even if it loomed right in front of her eyes. Some may say that she fought for religion's sake. Is any religion a valid justification for human sacrifice? Especially of other people, rather than your own. Of course not, and yet Mary never hesitated in sending innocent people to be slaughtered in her name. Some may pity her, some may condemn her, but the fact still remains that she was an intriguing figure wonderfully portrayed by Vanessa Redgrave. And right or wrong, she did exist and should therefore be depicted in at least one movie. Between Katie Hepburn and Vanessa, I still prefer Vanessa. Glenda Jackson reprises her role Elizabeth R in this one and she's one strong butch of a woman, a hard nut to crack. No wonder that men lost their heads (in more than one way) for her. Anyway, this one with Elizabeth and Elizabeth R, should be movies to be bought and cherished dearly like good wine. After all it is seldom they make movies like these. And if you're interested by more Tudor Lore, try also "Henry VIII and his Six Wives", "Anne of the Thousand Days", the filmed Play by Robert Bolt "A Man For All Seasons". The King is dead, long live the Queen... ... Read more | |
| 16. Turn of Faith Director: Charles Jarrott | |
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