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| 1. Nina Takes a Lover (Romance Collection) Director: Alan Jacobs | |
![]() | list price: $14.95
(price subject to change: see help) Asin: B00000ICDQ Catlog: Video Sales Rank: 52508 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (4)
As opposed to this film, which, in apple terms, has blotchy tone, a mealy taste, and a sickeningly mushy interior. Not quite rotten to the core, enjoyable if you're really craving an apple. So, the good: Christi Conaway and Fisher Stevens are amusing in secondary roles. There are some amusing scenes, and there is a kind-of surprising twist towards the end. Kind of good, kind of bad: Laura San Giacomo, who wields her galactically expressive face like a blunt axe, sometimes hits her scenes perfectly, and other times indiscriminately pauses for annoying effect. Paul Rhys, who prior to this played "The Responsible Brother of Insanely Talented Men" (Vincent & Theo, Chaplin), is supposed to be handsome and mysterious, but he often seems to be overacting his underacting. Bad, bad, bad: The framing device of the journalist interviewing the characters of this story for their take on infidelity. Also bad -- the setting, the lame conclusion of the panty-swiping gag, and some really badly written "serious" dialogue. Recommended for Laura San Giacomo fetishists, or people that really want to see a relationship drama, but have run out of other options.
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| 2. Nina Takes a Lover Director: Alan Jacobs | |
![]() | list price: $95.99
(price subject to change: see help) Asin: 6303678580 Catlog: Video Sales Rank: 38355 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (4)
As opposed to this film, which, in apple terms, has blotchy tone, a mealy taste, and a sickeningly mushy interior. Not quite rotten to the core, enjoyable if you're really craving an apple. So, the good: Christi Conaway and Fisher Stevens are amusing in secondary roles. There are some amusing scenes, and there is a kind-of surprising twist towards the end. Kind of good, kind of bad: Laura San Giacomo, who wields her galactically expressive face like a blunt axe, sometimes hits her scenes perfectly, and other times indiscriminately pauses for annoying effect. Paul Rhys, who prior to this played "The Responsible Brother of Insanely Talented Men" (Vincent & Theo, Chaplin), is supposed to be handsome and mysterious, but he often seems to be overacting his underacting. Bad, bad, bad: The framing device of the journalist interviewing the characters of this story for their take on infidelity. Also bad -- the setting, the lame conclusion of the panty-swiping gag, and some really badly written "serious" dialogue. Recommended for Laura San Giacomo fetishists, or people that really want to see a relationship drama, but have run out of other options.
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| 3. American Gun Director: Alan Jacobs | |
![]() | list price: $103.99
(price subject to change: see help) Asin: B000163S7A Catlog: Video Sales Rank: 73869 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (4)
In the Christmas Eve, his daughter gets shot to death, and the only thing that consoles him in those difficult times is taking a journey to trace the owners of the gun who killed his lovely daughter. It's one of the best thrillers I've ever seen but also one of the worst as the screen-writer made an enormous error that will leave you deceived when the movie is over.
The story is fairly fresh; a WWII veteran (played by the then 72 year old Coburn) who has had a relatively successful life loses his daughter to a gun. He goes on a long sabbatical in which he traces the history on the gun that killed his daughter. Positive and negative aspects are explored. A poor inner city student shoots his friend then commits suicide with the gun. A young woman who was kidnapped and put in the back of a trunk uses the gun to save her life. As Coburn is investigating the history of the gun, he is writing letters to his deceased daughter in an effort to cope with the pain. All this is set to flashbacks from his war experience where he first learned to kill a man with a gun. There are several subplots that are put into the movie; the story of Coburn is coupled with the rebellion of his only granddaughter and the ongoing tale of the gun that killed his daughter. Though it at times is a little messy, Jacobs brings the entire movie together at the end very nicely. The best part of the movie is Coburn. At the age of 72, he successfully portrays a man that is in pain but who is still tough as nails. In one scene Coburn confronts a man much younger than him and his presence intimidated me. If anything else, this film is worthwhile for this fact alone. In total, this film is entertaining and thought provoking. Though the general conclusion of Jacobs is that guns are lose-lose, the film doesn't suffer because of this fact. As a member of the NRA and firm gun rights advocate, I thought I was going to be annoyed at this film. I wasn't. The end has Coburn not fighting against guns, nor advocating confiscation, but merely moving on with his life and family.
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| 4. Nina Takes a Lover Director: Alan Jacobs | |
![]() | list price: $95.99
our price: $95.99 (price subject to change: see help) Asin: 6303678599 Catlog: Video Sales Rank: 79177 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (4)
As opposed to this film, which, in apple terms, has blotchy tone, a mealy taste, and a sickeningly mushy interior. Not quite rotten to the core, enjoyable if you're really craving an apple. So, the good: Christi Conaway and Fisher Stevens are amusing in secondary roles. There are some amusing scenes, and there is a kind-of surprising twist towards the end. Kind of good, kind of bad: Laura San Giacomo, who wields her galactically expressive face like a blunt axe, sometimes hits her scenes perfectly, and other times indiscriminately pauses for annoying effect. Paul Rhys, who prior to this played "The Responsible Brother of Insanely Talented Men" (Vincent & Theo, Chaplin), is supposed to be handsome and mysterious, but he often seems to be overacting his underacting. Bad, bad, bad: The framing device of the journalist interviewing the characters of this story for their take on infidelity. Also bad -- the setting, the lame conclusion of the panty-swiping gag, and some really badly written "serious" dialogue. Recommended for Laura San Giacomo fetishists, or people that really want to see a relationship drama, but have run out of other options.
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| 5. Just One Night Director: Alan Jacobs | |
![]() | list price: $9.99
our price: $9.99 (price subject to change: see help) Asin: 6305983348 Catlog: Video Sales Rank: 56465 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (6)
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| 6. Just One Night Director: Alan Jacobs | |
![]() | list price: $89.95
our price: $89.95 (price subject to change: see help) Asin: B00004XPQ9 Catlog: Video Sales Rank: 100004 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (6)
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| 7. Nina Takes a Lover Director: Alan Jacobs | |
![]() | list price: $14.95
(price subject to change: see help) Asin: B00000ICDT Catlog: Video Sales Rank: 122433 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (4)
As opposed to this film, which, in apple terms, has blotchy tone, a mealy taste, and a sickeningly mushy interior. Not quite rotten to the core, enjoyable if you're really craving an apple. So, the good: Christi Conaway and Fisher Stevens are amusing in secondary roles. There are some amusing scenes, and there is a kind-of surprising twist towards the end. Kind of good, kind of bad: Laura San Giacomo, who wields her galactically expressive face like a blunt axe, sometimes hits her scenes perfectly, and other times indiscriminately pauses for annoying effect. Paul Rhys, who prior to this played "The Responsible Brother of Insanely Talented Men" (Vincent & Theo, Chaplin), is supposed to be handsome and mysterious, but he often seems to be overacting his underacting. Bad, bad, bad: The framing device of the journalist interviewing the characters of this story for their take on infidelity. Also bad -- the setting, the lame conclusion of the panty-swiping gag, and some really badly written "serious" dialogue. Recommended for Laura San Giacomo fetishists, or people that really want to see a relationship drama, but have run out of other options.
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