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| 1. Nine to Five Director: Colin Higgins | |
![]() | list price: $9.98
(price subject to change: see help) Asin: 6300247236 Catlog: Video Sales Rank: 6086 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (53)
The casting is brilliant. Lily Tomlin plays Violet, an office manager with a sexist-egotistical-lying-hypocritical-bigot of a boss, Mr. Hart (Dabney Coleman), who she is trying to put up with because she's in line for a promotion (even though she's had her share of seeing men SHE TRAINED promoted above and before her). Dolly Parton is Doralee, buxom secretary to the lecherous Mr. Hart, who put up with his advances and pinching and staring because she needs the job (little does she know, thanks to him and his mouth, she's also - behind her back - known as the office floozy). Jane Fonda is Judy, a newly divorced woman who's husband left her for his secretary - she's just started at Consolidated, and is having a hard time adjusting to office life. In one bad -- really bad -- day, Mr. Hart manages to push all three of these women to the breaking point ... and that night, over good barbecue and an even better joint, the women fantasize about what it would be like to kill their boss; each woman has a unique and juicy way of doing him in that is both funny and suitable. The plot changes drastically from here, when each woman systematically -- and accidentally -- puts a variation of her plan to action (or so she thinks), leading to all sort of misunderstandings, uncovering of big business schemes, kidnapping -- even a change in office decor! The casting is ideal; this was Dolly Parton's first film, and she positively glows as Doralee. Jane Fonda, playing against type, is terrific as the mousy Judy, who finally finds her backbone after dealing with her husband's abandonment. And Lily Tomlin is awesome as Violet, a widow with four kids who's just trying to give her family a good life ... even if it means dumping her boss's body to do it (don't worry - this doesn't give the film away!). It's rare to find someone who hasn't seen this great comedy -- anyone who's ever worked in an office can relate to it especially. It's funny, watching it now and seeing all the old typewriters and other office machinery that has now been replaced by computers in 2004 -- kind of dates the movie, in a way, but also adds to its charm. One of the best comedies of the 1980's, "Nine to Five" is a great way to spend a Sunday afternoon - and a satisfying tale of justice served for every one of us who's had a hellacious boss.
And so is the case of Franklin M Hart, Jr., (perfectly played by Dabney Colemna) a vice-president at Consolidated. Oh sure, he was nice enough as he worked his way to the top of this male-dominated firm. But once he got there, he started stepping on everyone below him, including Violet Newstead (the ever funny Lily Tomlin), the office manager. As if that wasn't bad enough, Mr. Hart continously tries to seduce his unavailable, and equally unwilling, secretary, Doralee Rhodes (Dolly Parton, making her movie debut). And when the new girl, Judy Bernly (Jane Fonda), accidentally makes a mess in the copier room, Mr. Hart tells her like it is. After a while, the three put-upon women become friends, and after smoking a single joint together, start fantasizing about how they would put Mr. Hart in his place. Soon, however, fantasy becomes reality when Mr. Hart finds out that Violet accidentally put rat poison in his coffee. In an attempt to stay out of jail, Violet, Doralee, and Judy take Mr. Hart hostage while they formulate a plan. Soon they discover that Mr. Hart has illegally made a profit at Consolidated's expense, and set out to get the evidence needed that will keep Mr. Hart from going to the police. But it will take nearly three weeks for the home office to send them the information. Will they be able to keep Mr. Hart under lock and key until then? Better yet, can they fool the office into thinking that Mr. Hart is still at work even though he's not? "9 to 5" is one of those movies that you can't help but to enjoy. Funny, witty, and smart, anyone who has ever worked for a manager that didn't deserve to be a manager will enjoy watching fantasy become reality (at least, in the movie). Released in 1980, this movie earned over $100 million (a relative rarity back then). It also earned Dolly Parton an Oscar nomination (Best Music - Original Song), three Golden Globes nominations (Best Motion Picture Actress - Musical/Comedy; Best Original Song - Motion Picture; New Star of the Year in a Motion Picture - Female), and a Grammy nomination (Best Album of Original Score Written for a Motion Picture or Television Special). She also won a People's Choice Award for Favorite Motion Picture Song. The success of the movie resulted in two short-lived TV series (first one from 1982-1983; second one from 1986 - 1988), both of which starred Dolly Parton's sister, Rachel Dennison. If you've ever dreamed of watching your manager get his or her just desserts, then this movie will provide you with plenty of laughs (and possibly an idea or two).
Jane Fonda was the bigget name in the cast when the film came out, but she, while okay here, is outshone by Tomlin, Coleman, and Parton. The first half of the film is funnier and better than the second half, but it's a worthwhile watcher. To buy it? Only if you get a good price on a good used one. ... Read more | |
| 2. Foul Play Director: Colin Higgins | |
![]() | list price: $14.95
(price subject to change: see help) Asin: 6300213692 Catlog: Video Sales Rank: 2196 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (29)
Cast: Goldie Hawn ... Gloria Mundy A newly divorced Gloria Mundy (Goldy Hawn) picks up a hitchkiker, Bob Scott (Bruse Solomon) on California's Highway One north of San Francisco. He is being followed. He makes a date with Gloria for the theater that evening, and gives her a pack of Marlboros into which he puts a roll of film without her knowledge to hold for her. He shows up at the theater, collapses in the seat beside her and dies, after telling her to "beware the dwarf" and that there would be a murder. When she goes for help, the body disappears. Enter Detective Tony Carlson (Chevy Chase), whom she had met previously at a party. The bad guys try to kill her a couple of times, and to get the pack of smokes, unsuccessfully. This is an excellent story with a great cast. Pity the dwarf Bible salesman, poor unlucky Stanley Tibbets (Dudley Moore) and the owners of all of the cars wrecked in the chase across town.
Joseph (Joe) Pierre
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| 3. The Best Little Whorehouse in Texas Director: Colin Higgins | |
![]() | list price: $9.98
our price: $9.98 (price subject to change: see help) Asin: 6300182908 Catlog: Video Sales Rank: 879 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (37)
Much of the fault lies in the new story ideas. Gone were subplots involving the girls at the Chicken ranch, which showed such promise on stage. That was arguably the heart of the show. Even Ed Earl and Miss Mona's personalities were softened as the story suddenly revolved solely around their relationship. They also went overboard to show Reynolds and Parton in a good light. Many other shows have suffered a similar fate but have faired better by offering up new or expanded dance routines and musical numbers. But, we have no such luck here. The musical numbers are few and far between. A solo song with Burt Reynolds singing was cut making it even that much shorter. So, the film is not one of the best transfers but, like in most cases, it's all we got. Enjoy it the best you can. Ain't nothin' dirty goin' on.
I ended up buying it, as I'm collecting every movie that's ever been nominated or has won an Oscar, that's available on DVD. I was reluctant to purchase this one, but the price was excellent, and grabbed it. What made this movie such a treat is the quality of the photography by William Fraker, the musical numbers, especially "Hard Candy Christmas" (fabulous!)and "I'll Always Love You" (which I cannot understand why it wasn't nominated for an Oscar as best song, since Dolly Parton wrote it, to my knowledge, for this film and it is great!); the dancing, superb; the whole tongue-in-cheek approach (albeit for adults--this is not a movie for kids) works; and they way they got away with all the whole thing, is astonishing. Granted, it's based on a very popular Broadway musical, but they seldom translate well to the screen...and with Burt and Dolly in the leading roles? Well, they're fabulous! Dolly is simply magical, and everything about her is perfect for her role as the madam Miss Mona. Charles Durning as the governor of Texas does a brief but smashing job--it's a brilliant sequence, and now I understand why he was nominated as best supporting actor for this movie. Overall, if you want to have a good time, light fun, listen to some good tunes, and ultimately feel strangely satisfied and happy, I recommend this film. It's actually excellent and hasn't aged a bit in 20 years...it's more fresh today than probably back when I was in college and thought it was "trash". Now I think it's a pleasure. Not for kids, however. But adults who aren't as snobbish as some college students can be at times, will get a kick out of this surprising delight!
I think that most people watching this movie miss, what is to me, the most important point of the entire movie. You have a small town with a whorehouse that has been in existence for over 100 years. The people in the town have no problem whatsoever with the whorehouse. In fact, many of residents talk about why they support it. It's the people elsewhere that have a problem with the whorehouse. It's something that they don't condone and they want to force their beliefs on the people in the town, disregarding completely how the people in the town itself feel. It's a problem that exists in America and is one that I personally think is brought to light in this cleverly written musical. People are busy worrying about what their neighbors are doing rather than focusing on their own lives. Most of it comes from religious wackos like the one portrayed by Dom Deluise. The serious commentary is cleverly hidden within the dancing, singing and action, but it's still there. Taking this into consideration adds a new dimension to the film and the viewing experience. ... Read more | |
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