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| 1. Dangerous Beauty Director: Marshall Herskovitz | |
![]() | list price: $14.94
our price: $14.94 (price subject to change: see help) Asin: 0790736365 Catlog: Video Sales Rank: 9739 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (153)
I will agree though with the glowing reviews for the movie is splendid in tugging at the heartstrings and most magnificent with its display of Venice, the city. If one does research before seeing this movie then I suggest they not bother watching the film and perhaps study a textbook instead. Movies are for enjoying visually and possibly emotionally. They aren't history lessons. I knew only little going into this movie many years ago when I first saw it, I knew it was based on a true story. I didn't care how accurate that story was with the facts, I wanted to see if it could accomplish the feat of entertaining me and not prompting me to walk out of the theatre. Not even close did it come to injecting those latter feelings. I was awestruck. Why? Beauty. Plain and simple. In the portrayals of the characters by the more then capable actors, to the way that Veronica jousted with the men with her words-something that very few women back in that day were able to do, and quite many never even entertained the thought of doing. To the emotion that flowed effortlessly. For the reason that it tangles you up into a world that you were never a part of and may never be a part of. So as soon as I could I purchased the DVD, and these are some of my comments below as to why I love it so- The Actress: The Actor: The Controversy??? The movie is a love story, yes. I question those who refer to it as soft porn and are disturbed by the sexuality and the nudity within the film. Surely upon seeing what this film is about they would not be surprised at seeing such. Nudity is nothing to be ashamed of, as neither is what men and women do with another. I see nothing about the movie that would make it soft porn. I see something called "art". I do suggest however, that these same people should avoid French Films at all costs. I could go on with what it was I loved about the film. There is one part of this film that stands out and grabs attention though, and that is: The Artistic Design. The Photography. The Lighting. The Costumes. The movie itself, plot and actors aside, was a cinematic wonder. The background set the tone for the rest of the movie, and one would have to have a steel heart not to love and appreciate it. Oh, and as an aside: I have introduced this film to several men-from my brother, to my father, a friend, and now my husband. Every single one of them love it. This is not a chick flick. It's the romance. Every one of them found it romantic.
A true story (see The Honest Courtesean) that takes place in Venice in its most gorgeous era, the film brings the viewer into a world forgotten by many. The art direction and the use of the real palaces in Venice complete the total package. Catherine McCormack is not only beautiful, but a heartfelt actress as well. You may remember her as William Wallace's wife in Braveheart (brunette there). On a final note, if you are headed to Venice, catch this movie for a quick introduction of the Golden Age of this city and an inside look at those who used to roam the halls of the gorgeous palaces you will see lining the Grand Cannal. One of my favorites.
The first thing that struck me is that Catherine McCormack and Rufus Sewell were too old for their respective roles. It's not quite as bad as the days when a 50ish Jimmy Stewart was playing characters in their twenties, but it was still a bit embarrassing. McCormack spent the first half hour of the film quite literally jumping up and down, overwhelmed with girlish enthusiasm. These breathless expressions of glee got old real fast. When she was playing this role she was 26 pretending to be 16. Likewise Sewell was 31 trying to convince us that he was a young rascal looking for a good time. The dialogue was at best, uneven. At times there seemed to be an attempt to utilize language is such a way as to suggest 16th century Italy, but for the most part the phraseology was distinctly 20th century. The long distant views of Venice were unconvincing and cheaply produced. Given the available technology, this was simply inexcusable and reflected the overall laziness that permeates the movie. Even the costumes looked as if they were retreads from other films. At the very least I expected to see beautifully lit scenes, reflecting the glorious paintings of that era and magnificent beauty of Venice. Instead, the best that could be said about the cinema photography was that it was undistinguished. (...) ... Read more | |
| 2. Jack the Bear Director: Marshall Herskovitz | |
![]() | list price: $9.98
(price subject to change: see help) Asin: 6302878594 Catlog: Video Sales Rank: 19239 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (12)
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| 3. My So-Called Life: "Dancing in the Dark," "Guns & Gossip" Director: Ron Lagomarsino, Todd Holland, Scott Winant, Mark Piznarski, Jeff Perry, Ellen S. Pressman, Patrick R. Norris, Michael Engler, Mark Rosner, Marshall Herskovitz, Elodie Keene, Claudia Weill, Victor Du Bois | |
![]() | list price: $14.98
(price subject to change: see help) Asin: 1568124414 Catlog: Video Sales Rank: 17857 US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com "Guns and Gossip" continues with the parallel story structure of "Dancing in the Dark." Brian Krakow witnesses a gunshot in the hallway at school. As word passes, Brian becomes more and more of a legendary figure. While he is pressured by school officials and uptight parents to identify the person involved, Angela has to contend with rumors that she slept with Jordan Catalano. Boys start looking at her differently, and she finds herself at delicate odds with Jordan. Less about romance and more about teenage issues, "Guns and Gossip" is a sophisticated intertwining between the power of rumors and the truth of actual events. --Shannon Gee | |
| 4. Dangerous Beauty Director: Marshall Herskovitz | |
![]() | list price: $4.95
our price: $4.95 (price subject to change: see help) Asin: 630507500X Catlog: Video Sales Rank: 50620 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (153)
I will agree though with the glowing reviews for the movie is splendid in tugging at the heartstrings and most magnificent with its display of Venice, the city. If one does research before seeing this movie then I suggest they not bother watching the film and perhaps study a textbook instead. Movies are for enjoying visually and possibly emotionally. They aren't history lessons. I knew only little going into this movie many years ago when I first saw it, I knew it was based on a true story. I didn't care how accurate that story was with the facts, I wanted to see if it could accomplish the feat of entertaining me and not prompting me to walk out of the theatre. Not even close did it come to injecting those latter feelings. I was awestruck. Why? Beauty. Plain and simple. In the portrayals of the characters by the more then capable actors, to the way that Veronica jousted with the men with her words-something that very few women back in that day were able to do, and quite many never even entertained the thought of doing. To the emotion that flowed effortlessly. For the reason that it tangles you up into a world that you were never a part of and may never be a part of. So as soon as I could I purchased the DVD, and these are some of my comments below as to why I love it so- The Actress: The Actor: The Controversy??? The movie is a love story, yes. I question those who refer to it as soft porn and are disturbed by the sexuality and the nudity within the film. Surely upon seeing what this film is about they would not be surprised at seeing such. Nudity is nothing to be ashamed of, as neither is what men and women do with another. I see nothing about the movie that would make it soft porn. I see something called "art". I do suggest however, that these same people should avoid French Films at all costs. I could go on with what it was I loved about the film. There is one part of this film that stands out and grabs attention though, and that is: The Artistic Design. The Photography. The Lighting. The Costumes. The movie itself, plot and actors aside, was a cinematic wonder. The background set the tone for the rest of the movie, and one would have to have a steel heart not to love and appreciate it. Oh, and as an aside: I have introduced this film to several men-from my brother, to my father, a friend, and now my husband. Every single one of them love it. This is not a chick flick. It's the romance. Every one of them found it romantic.
A true story (see The Honest Courtesean) that takes place in Venice in its most gorgeous era, the film brings the viewer into a world forgotten by many. The art direction and the use of the real palaces in Venice complete the total package. Catherine McCormack is not only beautiful, but a heartfelt actress as well. You may remember her as William Wallace's wife in Braveheart (brunette there). On a final note, if you are headed to Venice, catch this movie for a quick introduction of the Golden Age of this city and an inside look at those who used to roam the halls of the gorgeous palaces you will see lining the Grand Cannal. One of my favorites.
The first thing that struck me is that Catherine McCormack and Rufus Sewell were too old for their respective roles. It's not quite as bad as the days when a 50ish Jimmy Stewart was playing characters in their twenties, but it was still a bit embarrassing. McCormack spent the first half hour of the film quite literally jumping up and down, overwhelmed with girlish enthusiasm. These breathless expressions of glee got old real fast. When she was playing this role she was 26 pretending to be 16. Likewise Sewell was 31 trying to convince us that he was a young rascal looking for a good time. The dialogue was at best, uneven. At times there seemed to be an attempt to utilize language is such a way as to suggest 16th century Italy, but for the most part the phraseology was distinctly 20th century. The long distant views of Venice were unconvincing and cheaply produced. Given the available technology, this was simply inexcusable and reflected the overall laziness that permeates the movie. Even the costumes looked as if they were retreads from other films. At the very least I expected to see beautifully lit scenes, reflecting the glorious paintings of that era and magnificent beauty of Venice. Instead, the best that could be said about the cinema photography was that it was undistinguished. (...) ... Read more | |
| 5. My So-Called Life: "Father Figure," "The Zit" Director: Ron Lagomarsino, Todd Holland, Scott Winant, Mark Piznarski, Jeff Perry, Ellen S. Pressman, Patrick R. Norris, Michael Engler, Mark Rosner, Marshall Herskovitz, Elodie Keene, Claudia Weill, Victor Du Bois | |
![]() | list price: $14.98
(price subject to change: see help) Asin: 1568124422 Catlog: Video Sales Rank: 14929 US | Canada | United Kingdom | Germany | France | Japan |
|
Amazon.com In "The Zit," the sophomore girls top-40 list is released at school. While Rayanne is deemed "most slut potential" and Angela's estranged friend Sharon is voted "best hooters," Angela's only award is a big pimple on her chin. As her self-esteem shrinks, Patty insists she participate in the yearly mother-daughter fashion show, coaching her on "how to look your best." Although Patty has always been told how pretty she is, her own insecurities on aging have projected onto fixing up Angela, who feels she will never live up to her mother's expectations. Bess Armstrong, who plays Patty, gives a complex performance here and Angela and Sharon exchange harsh words in a scene that rings true to life. --Shannon Gee | |
| 6. My So-Called Life: "The Substitute," "Why Jordan Can't Read" Director: Ron Lagomarsino, Todd Holland, Scott Winant, Mark Piznarski, Jeff Perry, Ellen S. Pressman, Patrick R. Norris, Michael Engler, Mark Rosner, Marshall Herskovitz, Elodie Keene, Claudia Weill, Victor Du Bois | |
![]() | list price: $14.98
(price subject to change: see help) Asin: 1568125143 Catlog: Video Sales Rank: 33968 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (2)
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| 7. My So-Called Life: "Strangers in the House," "Other People's Mothers" Director: Ron Lagomarsino, Todd Holland, Scott Winant, Mark Piznarski, Jeff Perry, Ellen S. Pressman, Patrick R. Norris, Michael Engler, Mark Rosner, Marshall Herskovitz, Elodie Keene, Claudia Weill, Victor Du Bois | |
![]() | list price: $14.98
(price subject to change: see help) Asin: 1568125151 Catlog: Video Sales Rank: 30920 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (8)
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| 8. Dangerous Beauty Director: Marshall Herskovitz | |
![]() | list price: $14.95
(price subject to change: see help) Asin: B000009RQ3 Catlog: Video Sales Rank: 120987 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (153)
I will agree though with the glowing reviews for the movie is splendid in tugging at the heartstrings and most magnificent with its display of Venice, the city. If one does research before seeing this movie then I suggest they not bother watching the film and perhaps study a textbook instead. Movies are for enjoying visually and possibly emotionally. They aren't history lessons. I knew only little going into this movie many years ago when I first saw it, I knew it was based on a true story. I didn't care how accurate that story was with the facts, I wanted to see if it could accomplish the feat of entertaining me and not prompting me to walk out of the theatre. Not even close did it come to injecting those latter feelings. I was awestruck. Why? Beauty. Plain and simple. In the portrayals of the characters by the more then capable actors, to the way that Veronica jousted with the men with her words-something that very few women back in that day were able to do, and quite many never even entertained the thought of doing. To the emotion that flowed effortlessly. For the reason that it tangles you up into a world that you were never a part of and may never be a part of. So as soon as I could I purchased the DVD, and these are some of my comments below as to why I love it so- The Actress: The Actor: The Controversy??? The movie is a love story, yes. I question those who refer to it as soft porn and are disturbed by the sexuality and the nudity within the film. Surely upon seeing what this film is about they would not be surprised at seeing such. Nudity is nothing to be ashamed of, as neither is what men and women do with another. I see nothing about the movie that would make it soft porn. I see something called "art". I do suggest however, that these same people should avoid French Films at all costs. I could go on with what it was I loved about the film. There is one part of this film that stands out and grabs attention though, and that is: The Artistic Design. The Photography. The Lighting. The Costumes. The movie itself, plot and actors aside, was a cinematic wonder. The background set the tone for the rest of the movie, and one would have to have a steel heart not to love and appreciate it. Oh, and as an aside: I have introduced this film to several men-from my brother, to my father, a friend, and now my husband. Every single one of them love it. This is not a chick flick. It's the romance. Every one of them found it romantic.
A true story (see The Honest Courtesean) that takes place in Venice in its most gorgeous era, the film brings the viewer into a world forgotten by many. The art direction and the use of the real palaces in Venice complete the total package. Catherine McCormack is not only beautiful, but a heartfelt actress as well. You may remember her as William Wallace's wife in Braveheart (brunette there). On a final note, if you are headed to Venice, catch this movie for a quick introduction of the Golden Age of this city and an inside look at those who used to roam the halls of the gorgeous palaces you will see lining the Grand Cannal. One of my favorites.
The first thing that struck me is that Catherine McCormack and Rufus Sewell were too old for their respective roles. It's not quite as bad as the days when a 50ish Jimmy Stewart was playing characters in their twenties, but it was still a bit embarrassing. McCormack spent the first half hour of the film quite literally jumping up and down, overwhelmed with girlish enthusiasm. These breathless expressions of glee got old real fast. When she was playing this role she was 26 pretending to be 16. Likewise Sewell was 31 trying to convince us that he was a young rascal looking for a good time. The dialogue was at best, uneven. At times there seemed to be an attempt to utilize language is such a way as to suggest 16th century Italy, but for the most part the phraseology was distinctly 20th century. The long distant views of Venice were unconvincing and cheaply produced. Given the available technology, this was simply inexcusable and reflected the overall laziness that permeates the movie. Even the costumes looked as if they were retreads from other films. At the very least I expected to see beautifully lit scenes, reflecting the glorious paintings of that era and magnificent beauty of Venice. Instead, the best that could be said about the cinema photography was that it was undistinguished. (...) ... Read more | |
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