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| 1. 101 Dalmatians Director: Stephen Herek | |
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Amazon.com essential video Reviews (48)
The film follows closely the original story and tells the tale of London couple Roger and Anita who meet through a Dalmatian dog mixup in a London Park and fall in love, marry and find themselves the happy "parents" of 15 beautiful Dalmatian puppies when their Dalmatians Pongo and Perdita begin a family of their own. Their happiness is short lived however when Anita's boss the dastardly Cruella De Vil spots the puppies and immediately makes plans to have the puppies kidnapped so that she can turn their pelts into the extravagant spotted fur coat she has always dreamed of having. What ensures is a comical tale full of laughs, great stunts and hilarious situations of the "boo the villian, cheer the dogs" variety. The Dalmatian parents, with the aid of many assorted members of the animal kingdom from woodpeckers, squirrels, and assorted sheep pigs, and dogs not only succeed in tracking down the missing puppies in their hideout but also outwit Cruella and her incompetent accomplices at every turn. The animals revenge on Cruella and her accomplices makes for most of the humour as they find themselves being dumped through falling roofs, landing in tubs of gooey molasses and being smelled out by skunks! No expense was spared on this production and indeed all the live action characters bare an amazing resemblance to their cartoon counterparts. Gleen Close towers over the whole production in her performance as Disney Studios most famous villianess the totally over the top Cruella De Vil. Her makeup, hair styles and clothing is everything you would imagine Cruella to be. It is to the credit of Glenn Close that she succeeds totally in bringing to life such a well known and "loved" cartoon villianess. A supremely talented actress as seen in such diverse roles as those in "Fatal Attraction", "Dangerous Liaisons", "Meeting Venus", and "Paradise Road" among others, she is a total riot as the bizzare fashion designer with an extreme fur fetish. It is she who makes "101 Dalmatians" such memorable viewing and her encounters with the animals in the second half of the film will have you laughing for ages. The sight of Cruella rising out of the tub of molasses where she has been unceremoniously dumped by the animal brigade will bring fits of laughter to the viewer. The film also boasts the great talents of Jeff Daniels and the lovely Joely Richardson as Roger and Anita the loving couple drawn to each other by their fondness for Dalmatians, and the gifted Joan Plowright as Anita's former Nanny who finds herself performing the role again but this time for the 15 puppies in the house. Much of the comedy stems from the great playing by Hugh Laurie and Mark Williams as the wacky Jasper and Horace employed by Cruella who's job it is to steal the puppies for Cruella. They receive the main brunt of the animals "revenge" to great comic effect as does John Shrapnel in the role of the sinister scarred Skinner who is employed to turn the puppies coats into Cruella's new coat. The animal stunts performed in this film will have you gasping as the animals seem top take on human personalities of their own to brilliant effect. The location photography around London and in the snow scenes at Cruella's hideaway also create a very pleasing look to the film. I never fail to watch "101 Dalmatians" without finding a smile appearing on my face. It is a totally delightful film that is just as much for adults as it is children which is a real credit to the Disney Studios. Glenn Close really makes the film a viewing experience with her over the top playing here but if you are in anyway a dog lover you can't help but be totally captivated by these delightful 101 spotted creatures charming the audience in "101 Dalmatians". Enjoy!
Cruella De Vil sees the 15 puppies of Pongo and Perdita and decides that she needs to make a polka dot Dalmatian coat with their fur. Her henchmen kidnap 86 puppies from around London and with these 15 she has 101. Pongo and Perdita call upon their doggie friend to search for the lost pups in hopes of engineering a rescue. | |
| 2. The Mighty Ducks Director: Stephen Herek | |
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Amazon.com Reviews (22)
Great movie entertainment! I just love the whole Mighty Ducks trilogy! They teach great values about trust, teamwork, fair play, and as Coach Bombay used to say, 'all that other junk'. It's also very, VERY hilarious! Some parts you can just die laughing, for example when the kids get in trouble from the principal and are put under detention. The hockey games are pretty suspenseful and fun, too! But there is a reason for the PG rating for this movie. Mostly it's because of language which at times is pretty bad. Also the kids in the movie are pretty naughty at times. I think the movie is best aimed for kids maybe 10 and up, great for adults, too. Then of course there are the other two "Mighty Ducks" films. "D2: The Mighty Ducks" have Bombay again coaching the Ducks, this time there are going up against the world as Team USA! Some of the hockey players aren't in this movie, but they get some new teammates. In my opinion (though it's a very hard choice), this movie is the best of all three. "D3: The Mighty Ducks" has the Ducks getting a scholarship for Eden Hall academy. Their main adversary are the Warriors, the varsity team of Eden Hall. If you liked the first "Mighty Ducks", I highly recommend the next two sequels! I sincerely hope that Disney will have the whole trilogy on DVD soon!
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| 3. Mr. Holland's Opus Director: Stephen Herek | |
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Amazon.com Reviews (88)
Glen Holland (Richard Dreyfuss)is a musician who hopes one day to compose a piece of music he will be immortalized for, so he takes a job as a high school music teacher believing that he'll have spare time to achieve his goal. He is sadly mistaken after, having had a few rough months reaching his students, he becomes one of the most popular teachers in his school and community. Free time for his own musical pursuits is the last thing he has left as his life becomes a parallel to the line in John Lennon's "Beautiful Boy"--Life is what happens to you when you're busy making other plans. This life involves a vice principal who's jealous of him for being more popular than he is, never ending schedules to teach marching bands, individual students how to play their instruments and lessons in life, driver's ed, and school plays. The most challenging thing for Glen Holland may be that he has to come to terms with the disappointment of being a music teacher whose own son is deaf, and the most touching thing is the closure he finally discovers with him after realizing his own infalibilities when almost tempted to run away with a young student cast in one of the school's low budget musical productions. Not only is this film moving, but it has several moments of down-to-earth humor: Check out the kids who think they have talent as they try out for the Gershwin review. It may remind you a bit of American Idol. My personal favorite? Just before he reports for his first day of classes, Glen says to wife Iris, "What kind of people like to go to work at 7:30 in the morning?" I can only laugh and think what kind of people like to go to work at ALL? Normally I don't care for Richard Dreyfuss, but he's so wonderful as a not-so-perfect Glen Holland who you sometimes don't like so well, and he's surrounded by a wonderful cast of characters. Olympia Dukakis as the principal is one of the best characters, and Alicia Witt is endearing as clarinet player Gertrude Lang. This movie also has a strong message about the dangers of cutting creative programs in favor of turning kids into athletes and business machines. If you love music or any form of the arts in general, this is a movie you should see. Not only that, but it's also a life-affirming look at somebody who hated their position in life and, until he had to think about it years later, realized how much he loved it! Please give this movie a go, even if you've heard it's corny sometimes. Life itself has corny moments. Beside that, what do you think will be playing on a classic movie channel 50 years from now: Mr. Holland's Opus or Hidalgo?
In the end it is teaching, not performing, that defines Mr. Holland's life. He is faced with personal and family challenges, motivated and ambivalent students, turbulent social times, and the continuing desire to compose...but there never seems to be enough time to do everything. This is an excellent movie! The acting is wonderful, and the story is compelling and believable. And the sound track is great. This movie is a triubute to the human spirit, and to the effect dedicated teachers can have on lives of their students. It deserves nothing less than 5 stars. If you haven't watched this movie, do yourself a favor and give it a look. If, however, your movie tastes are driven by action, adventure, high-tech special effects, etc., then this movie may not be for you. To all the teachers out there -- of music and everything else -- THANK YOU! Alan Holyoak
I thought that Richard Dreyfus did a great job. I thought that the movie was very well done and I thought that the story was very heartwarming. I also think that if you loved the movie, the soundtrack might also be worth getting. I own the soundtrack and some of the songs I really like. Director Steven Herek has made a movie with a story that I will never forget.
I am not sure I'd attend classes that begin with rhetoric like 'What is music?' but Dreyfuss does a decent job of a quasi-inspiring teacher. Although this band master could be a little less mean when returning assignments. The acting overall in the film is pretty plain though, and the somewhat interesting premise gets old real quick. Some scenes are even borderline idiotic. First, our supposedly great teacher expects kids who don't know how to play their instruments to be playing Mozart after one day. Then, there is a scene where he is teaching a girl how to play her clarinet. She has been playing the thing for 3 years but still can't get out a note. He tells her to think of the sunset, and suddenly she can play perfectly. Corny. Very corny. Dreyfuss is pretty much the only thing going for this one-time rental. ... Read more | |
| 4. The Three Musketeers Director: Stephen Herek | |
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Description Reviews (95)
The entire cast is great: the three Musketeers (Kiefer Sutherland, Oliver Platt, and Charlie Sheen) are hilarious, and the impetuous young D'Artagnan (Chris O'Donnell) proves the perfect complement to this already comic trio. Add Tim Curry and Michael Wincott as the bad guys and you've got yourself a comic, action-packed adventure that is sure to please the whole family.
If you wish to see an interesting an authentic three musketeers, look for AISN B00006LPC5 , a 1972 version that is incredible. ... Read more | |
| 5. Don't Tell Mom the Babysitter's Dead Director: Stephen Herek | |
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Reviews (47)
Determined to keep the fun and food flowing, Sue Ellen decides to look for a job. After not having too much luck at a fast food restaurant, she applies for a receptionist position at a clothing company. When a resume mix-up gets in the way, Sue Ellen becomes a career woman in order to pay the bills and keep their summer alive. Meanwhile, she develops a blossoming relationship with a fast-food worker she once worked with (Josh Charles of "Threesome") and is being hounded by two office workers who want to wreck her reputation (Concetta Tomei & a very, very young-looking David Duchovny of "X-Files fame). Featuring a great cast of actors such as Joanna Cassidy and Keith Coogan ("Adventures in Babysitting"), "Don't Tell Mom the Babysitter is Dead" is a grown-up version of "Home Alone" for teens. Amusing, funny, and entertaining, it was Applegate's only feature-film hit. While she made other low-cost films such as "Streets", this film happens to be her best work outside from her work on "Married...With Children.." If you are looking for a great flick for the family this is it. Please be aware that the film contains scenes of drug use (marijuana) and might be unsuitable for children under the age of 13.
The film's sense of smarts is seriously off kilter, telling the story of four kids, all various ages, who are left by their vacationing mother with a babysitter who makes Satan seem like Betty White. The oldest of the children, 17-year-old Sue Ellen (Christina Applegate), is defiant of the rules, so when her siblings look to her for a solution, she marches straight to the sitter's room, only to find her dead in her rocker. Instead of calling the police, they tuck the corpse into a trunk and leave the cargo on the steps of a funeral home, only to discover that the money supply left by their mother was stashed in her pockets. Without any source of income, Sue Ellen takes charge by getting a job, first at a fast food joint that looks like something out of every clown-fearing person's worst nightmare, and then at a clothing manufacturer, where she manages to make her way to the top in less than two minutes of air-headed dialogue exchanges. After the babysitter dies, any and all plausibility goes right into that trunk with her body. Accepting that any situation that will take place during this film is purely fictional and outright idiotic will save you much time and frustration; they only get in the way. Sue Ellen's rise to the top seems written by preteen girls for preteen girls, eager for a success story that has some added elements of soap opera (sleazy coworker Gus making moves on Sue Ellen as well as her boss, Rose), and revenge (the spurned receptionist who sets out to ruin Sue Ellen's career and claim it for herself). But in the end, it's not all that bad after all. The movie does have a degree of lightheartedness about it, and its whimsy and delight in breaking all the rules of logic and intelligence is strangely refreshing. It's an ideal star vehicle for Applegate, and also showcases some good comedic relief from actress Joanna Cassidy, who becomes the sole reason to see the film. While the story has the freshness of a corpse, "Don't Tell Mom the Babysitter's Dead," likes its main character, manages to con its way to our fancy.
Christina Applegate, who plays Kelly Bundy in the hit TV show "Married With Children," is the star of this wacky comedy about a group of kids trying to cope with a very weird situation.While mom takes off for a trip to Australia with her boyfriend, the kids are left in the care of the elderly babysitter from hell. Then things go from bad to worse: the old lady dies, leaving them without a cent to their name. Teenager Sue Ellen, the oldest sibling, realizes that they'd better do something fast if they want to eat. Because one thing's for sure: no one wants to let mom know that the babysitter's dead... "Predictable, but not wholly unlikable."
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| 6. Bill and Ted's Excellent Adventure Director: Stephen Herek | |
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(price subject to change: see help) Asin: 6302161967 Catlog: Video Sales Rank: 15041 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (105)
UNDER PRESSURE OF FAILING HISTORY CLASS, AND HAVING TO ATTEND A MILITARY ACADEMY, BILL AND TED RUN HEADLONG INTO A GUARDIAN ANGEL FROM THE FUTURE, WHILE HANGING OUT AT THE LOCAL CIRCLE K, TRYING TO DECIDE HOW TO PASS THEIR CLASS. FROM THERE, THEY GO ON A MISSION IN A TIME-TRAVELING TELEPHONE BOOTH, WHICH TAKES THEM ALL THROUGH AN AMAZING VARIETY OF "HISTORICAL" TIMES AND PLACES, MEETING UP WITH SOME AWESOME "MEDIEVAL BABES" ALONG THE WAY. (THE "HISTORICAL BABES" END UP BECOMING THE NEXT TWO MEMBERS OF THE BAND WYLD STALLYNS IN THE END!!! HAHAHHA) ON THEIR EXCELLENT ADVENTURE, THEY PICK UP NAPOLEAN, JOAN OF ARC, SOCRATES (THEY PRONOUCE IT "SO-KRATES"), BEETHOVEN, BILLY THE KID AND A FEW OTHER HILARIOUSLY UNSTUNNED HISTORICAL FIGURES, ALL OF WHOM TAKE THE JOURNEY AS THOUGH IT WAS NOTHING TOO OUT OF THE ORDINARY. (THIS, IN ITSELF, IS FUNNY!) I WON'T GIVE AWAY THE ENDING, WHICH IS VERY FUN AND MAKES FOR A GREAT SHOW FOR BILL AND TED'S FELLOW-STUDENTS AND TEACHERS, WITH ALL OF THE HISTORICAL CHARACTERS ACTING OUT THEIR PARTS IN AN GOTTA SEEE THIS ONE!!!
I really liked it. The plot is simple enough. Bill (Alex Winter) and Ted (Keanu Reaves) Fortunately, the society of Earth 700 years from now has a special This sounds silly, and it is, and all the unkind things I said above B&TXA? Simple enough: Bill and Ted. These two guys don't look like Though when push comes to shove, it turns out they can be quite The story, like I said, is silly, but silliness is hardly a critical BILL AND TED'S EXCELLENT ADVENTURE isn't the sort of thing that would Oh, yeah, the usual cautions: No noticeable bad language, overt
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| 7. Life or Something Like It Director: Stephen Herek | |
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our price: $6.98 (price subject to change: see help) Asin: B00007CVYD Catlog: Video Sales Rank: 27022 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (58)
Most people who enjoy romantic comedies will probably admit that, though we love them, many of these movies have plot holes here and there, or at least admit that the likelihood of such things happening to real people is questionable. So, with that already in mind, a viewer often falls in love with one of these movies because: a.) they love the actors, actresses, or director involved, and/or b.) the certainty that everything will probably turn out okay in the end (even if sometimes the movie's resolution is not what you'd expect). If you fall into one/both of those categories, you should see LIFE OR SOMETHING LIKE IT. One of the reasons I think this movie is great is because Angelina Jolie and Edward Burns (as well as Tony Shalhoub, as the street prophet) are such great actors, and their banter and chemistry are highly watchable. The supporting actors & actresses also add to each scene they're in, especially the guy playing the sound technician who works with Jolie's and Burns's characters when they are out on assignment. I'm not someone who can tell when a movie is badly directed or superbly directed; I just know when I leave a movie happy for having seen it, or when I've felt the loopholes left in the finished product are way, way too big to ignore. So, having warned you of my novice critical skill, I think the director did a great job. (In his commentary on the DVD, he explains that this is one of the movies whose production was a bit rushed because of the expected actor's strike that the industry feared at the time. So, I think he may wish he could have tweaked things here and there, if he'd had more time.) Nonetheless, you should see this movie because it will still grab your heart and make you think about what is important in your own life, while still giving you that romantic comedy "buzz" that will put a smile on your face and joy in your heart.
Of course Lanie is skeptical. But when the first two predictions come true, she starts to become concerned and when Jack offers another prediction that comes about, she really starts to freak. Somewhere in her background Lanie must have studied classical mythology, because she does not really try to thwart her fate, although it takes her a while to accept it. This is for the good, because if she decided that she would stay home in bed all day on Thursday she would end up in a car accident on Wednesday night and linger until the next day. Trying thwart a prophecy only makes things worse; just ask Jocasta and pay attention to how the prophecy in Sophocles' tragedy changes). The first problem with this 2002 film is that it is a romantic comedy that takes itself too seriously one moment and not seriously enough the next. Feel good movies tend to have scenes where people burst into song, and we have that here. I like the song, but for that character to lead that group in that song at that particular moment is really not a good move (except that the people who wrote the script liked it, so it does work out for the best). People who are actually in the business of television news must be laughing themselves silly at all the stupid bits about their profession in this business; my favorite, but not in a good way, was this idea of showing an interview at 7 in the morning on the east coast live on the west coast. Ultimately this film gets reduced to a simple platitude and it is at that point that "Life or Something Like It" really betrays its promise. What would have made this film really work is not that it works on a universal level to which we can all relate, but if it drives the point home in terms of Lanie's character in some memorable way. There are a few conventional and unimaginative efforts, but nothing that crystallizes into a transcendent scene that elevates this film to a truly meaningful level. Even if you do not see the ending coming, I doubt that you are going to be surprised that this film wants to have its cake and eat it too. Jolie's character has trouble shedding her on-camera persona enough to provide true depth to an examination of her life that gets beyond her brave smile, which is different from her on-camera smile. Her romance with Burns is by the numbers and I found myself wishing the film had tried to do more with her relationship with boyfriend Cal Cooper (Christian Kane, an actor who is going to break through in films the way he did on television's "Angel" some day soon), who plays for the Seattle Mariners, because I actually liked his idea of how to try and help her and I thought there was the possibility there for something different. There will be those that really like this film, but even that minority should have no problem in articulating ways in which it could have been so much better.
Between the script and the performances given by Angelina Jolie and Edward Burns and the other supporting actors in this film, this film is a sure thing when it comes to entertainment value. Of additional note is the exceptional performance by Tony Shalhoub whose character provides much of the catalyst for this wonderful film. One only needs to click on the link for director Stephen Herek to see that given his past films, this film should be a very good one. He definitely deserves much praise for bringing this film together the way he did. The Premise: Lanie Kerrigan (Angelina Jolie) is an extremely ambitious and self absorbed local news reporter in Seattle whose star is rising and will soon have an opportunity to be elevated to the national level. The only thing in her way is her boss's insistence that she must do some camera work with Pete (Edward Burns) who is a former lover and their relationship isn't exactly a great one. As part of her work in Seattle, Pete takes her to meet Prophet Jack (Tony Shalhoub) who is a street bum with the talents of a prophet, hence his name. After she asks him whether she'll get the big job he tells that she won't because she's going to be dead on the following Thursday... What follows from there is one of the best romantic comedies that I've watched in quite some time that is made that much better by Angelina Jolie's wonderful performance in the lead role! I highly recommend this film to any and all that enjoys romantic comedies or just good movies in general! {ssintrepid} Special Features: -Full-Length Audio Commentary by Director Stephen Herek ... Read more | |
| 8. Life Or Something Like It Director: Stephen Herek | |
![]() | list price: $110.99
(price subject to change: see help) Asin: B00006G8ON Catlog: Video Sales Rank: 7781 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (58)
Most people who enjoy romantic comedies will probably admit that, though we love them, many of these movies have plot holes here and there, or at least admit that the likelihood of such things happening to real people is questionable. So, with that already in mind, a viewer often falls in love with one of these movies because: a.) they love the actors, actresses, or director involved, and/or b.) the certainty that everything will probably turn out okay in the end (even if sometimes the movie's resolution is not what you'd expect). If you fall into one/both of those categories, you should see LIFE OR SOMETHING LIKE IT. One of the reasons I think this movie is great is because Angelina Jolie and Edward Burns (as well as Tony Shalhoub, as the street prophet) are such great actors, and their banter and chemistry are highly watchable. The supporting actors & actresses also add to each scene they're in, especially the guy playing the sound technician who works with Jolie's and Burns's characters when they are out on assignment. I'm not someone who can tell when a movie is badly directed or superbly directed; I just know when I leave a movie happy for having seen it, or when I've felt the loopholes left in the finished product are way, way too big to ignore. So, having warned you of my novice critical skill, I think the director did a great job. (In his commentary on the DVD, he explains that this is one of the movies whose production was a bit rushed because of the expected actor's strike that the industry feared at the time. So, I think he may wish he could have tweaked things here and there, if he'd had more time.) Nonetheless, you should see this movie because it will still grab your heart and make you think about what is important in your own life, while still giving you that romantic comedy "buzz" that will put a smile on your face and joy in your heart.
Of course Lanie is skeptical. But when the first two predictions come true, she starts to become concerned and when Jack offers another prediction that comes about, she really starts to freak. Somewhere in her background Lanie must have studied classical mythology, because she does not really try to thwart her fate, although it takes her a while to accept it. This is for the good, because if she decided that she would stay home in bed all day on Thursday she would end up in a car accident on Wednesday night and linger until the next day. Trying thwart a prophecy only makes things worse; just ask Jocasta and pay attention to how the prophecy in Sophocles' tragedy changes). The first problem with this 2002 film is that it is a romantic comedy that takes itself too seriously one moment and not seriously enough the next. Feel good movies tend to have scenes where people burst into song, and we have that here. I like the song, but for that character to lead that group in that song at that particular moment is really not a good move (except that the people who wrote the script liked it, so it does work out for the best). People who are actually in the business of television news must be laughing themselves silly at all the stupid bits about their profession in this business; my favorite, but not in a good way, was this idea of showing an interview at 7 in the morning on the east coast live on the west coast. Ultimately this film gets reduced to a simple platitude and it is at that point that "Life or Something Like It" really betrays its promise. What would have made this film really work is not that it works on a universal level to which we can all relate, but if it drives the point home in terms of Lanie's character in some memorable way. There are a few conventional and unimaginative efforts, but nothing that crystallizes into a transcendent scene that elevates this film to a truly meaningful level. Even if you do not see the ending coming, I doubt that you are going to be surprised that this film wants to have its cake and eat it too. Jolie's character has trouble shedding her on-camera persona enough to provide true depth to an examination of her life that gets beyond her brave smile, which is different from her on-camera smile. Her romance with Burns is by the numbers and I found myself wishing the film had tried to do more with her relationship with boyfriend Cal Cooper (Christian Kane, an actor who is going to break through in films the way he did on television's "Angel" some day soon), who plays for the Seattle Mariners, because I actually liked his idea of how to try and help her and I thought there was the possibility there for something different. There will be those that really like this film, but even that minority should have no problem in articulating ways in which it could have been so much better.
Between the script and the performances given by Angelina Jolie and Edward Burns and the other supporting actors in this film, this film is a sure thing when it comes to entertainment value. Of additional note is the exceptional performance by Tony Shalhoub whose character provides much of the catalyst for this wonderful film. One only needs to click on the link for director Stephen Herek to see that given his past films, this film should be a very good one. He definitely deserves much praise for bringing this film together the way he did. The Premise: Lanie Kerrigan (Angelina Jolie) is an extremely ambitious and self absorbed local news reporter in Seattle whose star is rising and will soon have an opportunity to be elevated to the national level. The only thing in her way is her boss's insistence that she must do some camera work with Pete (Edward Burns) who is a former lover and their relationship isn't exactly a great one. As part of her work in Seattle, Pete takes her to meet Prophet Jack (Tony Shalhoub) who is a street bum with the talents of a prophet, hence his name. After she asks him whether she'll get the big job he tells that she won't because she's going to be dead on the following Thursday... What follows from there is one of the best romantic comedies that I've watched in quite some time that is made that much better by Angelina Jolie's wonderful performance in the lead role! I highly recommend this film to any and all that enjoys romantic comedies or just good movies in general! {ssintrepid} Special Features: -Full-Length Audio Commentary by Director Stephen Herek ... Read more | |
| 9. Bill & Ted's Excellent Adventure Director: Stephen Herek | |
![]() | list price: $14.95
(price subject to change: see help) Asin: B00008EYCB Catlog: Video Sales Rank: 17223 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (105)
UNDER PRESSURE OF FAILING HISTORY CLASS, AND HAVING TO ATTEND A MILITARY ACADEMY, BILL AND TED RUN HEADLONG INTO A GUARDIAN ANGEL FROM THE FUTURE, WHILE HANGING OUT AT THE LOCAL CIRCLE K, TRYING TO DECIDE HOW TO PASS THEIR CLASS. FROM THERE, THEY GO ON A MISSION IN A TIME-TRAVELING TELEPHONE BOOTH, WHICH TAKES THEM ALL THROUGH AN AMAZING VARIETY OF "HISTORICAL" TIMES AND PLACES, MEETING UP WITH SOME AWESOME "MEDIEVAL BABES" ALONG THE WAY. (THE "HISTORICAL BABES" END UP BECOMING THE NEXT TWO MEMBERS OF THE BAND WYLD STALLYNS IN THE END!!! HAHAHHA) ON THEIR EXCELLENT ADVENTURE, THEY PICK UP NAPOLEAN, JOAN OF ARC, SOCRATES (THEY PRONOUCE IT "SO-KRATES"), BEETHOVEN, BILLY THE KID AND A FEW OTHER HILARIOUSLY UNSTUNNED HISTORICAL FIGURES, ALL OF WHOM TAKE THE JOURNEY AS THOUGH IT WAS NOTHING TOO OUT OF THE ORDINARY. (THIS, IN ITSELF, IS FUNNY!) I WON'T GIVE AWAY THE ENDING, WHICH IS VERY FUN AND MAKES FOR A GREAT SHOW FOR BILL AND TED'S FELLOW-STUDENTS AND TEACHERS, WITH ALL OF THE HISTORICAL CHARACTERS ACTING OUT THEIR PARTS IN AN GOTTA SEEE THIS ONE!!!
I really liked it. The plot is simple enough. Bill (Alex Winter) and Ted (Keanu Reaves) Fortunately, the society of Earth 700 years from now has a special This sounds silly, and it is, and all the unkind things I said above B&TXA? Simple enough: Bill and Ted. These two guys don't look like Though when push comes to shove, it turns out they can be quite The story, like I said, is silly, but silliness is hardly a critical BILL AND TED'S EXCELLENT ADVENTURE isn't the sort of thing that would Oh, yeah, the usual cautions: No noticeable bad language, overt
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| 10. Mr. Holland's Opus Director: Stephen Herek | |
![]() | list price: $9.99
(price subject to change: see help) Asin: B00005T7HX Catlog: Video Sales Rank: 13136 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Description Reviews (88)
Glen Holland (Richard Dreyfuss)is a musician who hopes one day to compose a piece of music he will be immortalized for, so he takes a job as a high school music teacher believing that he'll have spare time to achieve his goal. He is sadly mistaken after, having had a few rough months reaching his students, he becomes one of the most popular teachers in his school and community. Free time for his own musical pursuits is the last thing he has left as his life becomes a parallel to the line in John Lennon's "Beautiful Boy"--Life is what happens to you when you're busy making other plans. This life involves a vice principal who's jealous of him for being more popular than he is, never ending schedules to teach marching bands, individual students how to play their instruments and lessons in life, driver's ed, and school plays. The most challenging thing for Glen Holland may be that he has to come to terms with the disappointment of being a music teacher whose own son is deaf, and the most touching thing is the closure he finally discovers with him after realizing his own infalibilities when almost tempted to run away with a young student cast in one of the school's low budget musical productions. Not only is this film moving, but it has several moments of down-to-earth humor: Check out the kids who think they have talent as they try out for the Gershwin review. It may remind you a bit of American Idol. My personal favorite? Just before he reports for his first day of classes, Glen says to wife Iris, "What kind of people like to go to work at 7:30 in the morning?" I can only laugh and think what kind of people like to go to work at ALL? Normally I don't care for Richard Dreyfuss, but he's so wonderful as a not-so-perfect Glen Holland who you sometimes don't like so well, and he's surrounded by a wonderful cast of characters. Olympia Dukakis as the principal is one of the best characters, and Alicia Witt is endearing as clarinet player Gertrude Lang. This movie also has a strong message about the dangers of cutting creative programs in favor of turning kids into athletes and business machines. If you love music or any form of the arts in general, this is a movie you should see. Not only that, but it's also a life-affirming look at somebody who hated their position in life and, until he had to think about it years later, realized how much he loved it! Please give this movie a go, even if you've heard it's corny sometimes. Life itself has corny moments. Beside that, what do you think will be playing on a classic movie channel 50 years from now: Mr. Holland's Opus or Hidalgo?
In the end it is teaching, not performing, that defines Mr. Holland's life. He is faced with personal and family challenges, motivated and ambivalent students, turbulent social times, and the continuing desire to compose...but there never seems to be enough time to do everything. This is an excellent movie! The acting is wonderful, and the story is compelling and believable. And the sound track is great. This movie is a triubute to the human spirit, and to the effect dedicated teachers can have on lives of their students. It deserves nothing less than 5 stars. If you haven't watched this movie, do yourself a favor and give it a look. If, however, your movie tastes are driven by action, adventure, high-tech special effects, etc., then this movie may not be for you. To all the teachers out there -- of music and everything else -- THANK YOU! Alan Holyoak
I thought that Richard Dreyfus did a great job. I thought that the movie was very well done and I thought that the story was very heartwarming. I also think that if you loved the movie, the soundtrack might also be worth getting. I own the soundtrack and some of the songs I really like. Director Steven Herek has made a movie with a story that I will never forget.
I am not sure I'd attend classes that begin with rhetoric like 'What is music?' but Dreyfuss does a decent job of a quasi-inspiring teacher. Although this band master could be a little less mean when returning assignments. The acting overall in the film is pretty plain though, and the somewhat interesting premise gets old real quick. Some scenes are even borderline idiotic. First, our supposedly great teacher expects kids who don't know how to play their instruments to be playing Mozart after one day. Then, there is a scene where he is teaching a girl how to play her clarinet. She has been playing the thing for 3 years but still can't get out a note. He tells her to think of the sunset, and suddenly she can play perfectly. Corny. Very corny. Dreyfuss is pretty much the only thing going for this one-time rental. ... Read more | |
| 11. Don't Tell Mom the Babysitter's Dead Director: Stephen Herek | |
![]() | list price: $9.94
(price subject to change: see help) Asin: 6302282632 Catlog: Video Sales Rank: 82747 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (47)
Determined to keep the fun and food flowing, Sue Ellen decides to look for a job. After not having too much luck at a fast food restaurant, she applies for a receptionist position at a clothing company. When a resume mix-up gets in the way, Sue Ellen becomes a career woman in order to pay the bills and keep their summer alive. Meanwhile, she develops a blossoming relationship with a fast-food worker she once worked with (Josh Charles of "Threesome") and is being hounded by two office workers who want to wreck her reputation (Concetta Tomei & a very, very young-looking David Duchovny of "X-Files fame). Featuring a great cast of actors such as Joanna Cassidy and Keith Coogan ("Adventures in Babysitting"), "Don't Tell Mom the Babysitter is Dead" is a grown-up version of "Home Alone" for teens. Amusing, funny, and entertaining, it was Applegate's only feature-film hit. While she made other low-cost films such as "Streets", this film happens to be her best work outside from her work on "Married...With Children.." If you are looking for a great flick for the family this is it. Please be aware that the film contains scenes of drug use (marijuana) and might be unsuitable for children under the age of 13.
The film's sense of smarts is seriously off kilter, telling the story of four kids, all various ages, who are left by their vacationing mother with a babysitter who makes Satan seem like Betty White. The oldest of the children, 17-year-old Sue Ellen (Christina Applegate), is defiant of the rules, so when her siblings look to her for a solution, she marches straight to the sitter's room, only to find her dead in her rocker. Instead of calling the police, they tuck the corpse into a trunk and leave the cargo on the steps of a funeral home, only to discover that the money supply left by their mother was stashed in her pockets. Without any source of income, Sue Ellen takes charge by getting a job, first at a fast food joint that looks like something out of every clown-fearing person's worst nightmare, and then at a clothing manufacturer, where she manages to make her way to the top in less than two minutes of air-headed dialogue exchanges. After the babysitter dies, any and all plausibility goes right into that trunk with her body. Accepting that any situation that will take place during this film is purely fictional and outright idiotic will save you much time and frustration; they only get in the way. Sue Ellen's rise to the top seems written by preteen girls for preteen girls, eager for a success story that has some added elements of soap opera (sleazy coworker Gus making moves on Sue Ellen as well as her boss, Rose), and revenge (the spurned receptionist who sets out to ruin Sue Ellen's career and claim it for herself). But in the end, it's not all that bad after all. The movie does have a degree of lightheartedness about it, and its whimsy and delight in breaking all the rules of logic and intelligence is strangely refreshing. It's an ideal star vehicle for Applegate, and also showcases some good comedic relief from actress Joanna Cassidy, who becomes the sole reason to see the film. While the story has the freshness of a corpse, "Don't Tell Mom the Babysitter's Dead," likes its main character, manages to con its way to our fancy.
Christina Applegate, who plays Kelly Bundy in the hit TV show "Married With Children," is the star of this wacky comedy about a group of kids trying to cope with a very weird situation.While mom takes off for a trip to Australia with her boyfriend, the kids are left in the care of the elderly babysitter from hell. Then things go from bad to worse: the old lady dies, leaving them without a cent to their name. Teenager Sue Ellen, the oldest sibling, realizes that they'd better do something fast if they want to eat. Because one thing's for sure: no one wants to let mom know that the babysitter's dead... "Predictable, but not wholly unlikable."
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| 12. 101 Dalmatas (101 Dalmatians) Director: Stephen Herek | |
![]() | list price: $26.99
(price subject to change: see help) Asin: 6304252544 Catlog: Video Sales Rank: 38105 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (48)
The film follows closely the original story and tells the tale of London couple Roger and Anita who meet through a Dalmatian dog mixup in a London Park and fall in love, marry and find themselves the happy "parents" of 15 beautiful Dalmatian puppies when their Dalmatians Pongo and Perdita begin a family of their own. Their happiness is short lived however when Anita's boss the dastardly Cruella De Vil spots the puppies and immediately makes plans to have the puppies kidnapped so that she can turn their pelts into the extravagant spotted fur coat she has always dreamed of having. What ensures is a comical tale full of laughs, great stunts and hilarious situations of the "boo the villian, cheer the dogs" variety. The Dalmatian parents, with the aid of many assorted members of the animal kingdom from woodpeckers, squirrels, and assorted sheep pigs, and dogs not only succeed in tracking down the missing puppies in their hideout but also outwit Cruella and her incompetent accomplices at every turn. The animals revenge on Cruella and her accomplices makes for most of the humour as they find themselves being dumped through falling roofs, landing in tubs of gooey molasses and being smelled out by skunks! No expense was spared on this production and indeed all the live action characters bare an amazing resemblance to their cartoon counterparts. Gleen Close towers over the whole production in her performance as Disney Studios most famous villianess the totally over the top Cruella De Vil. Her makeup, hair styles and clothing is everything you would imagine Cruella to be. It is to the credit of Glenn Close that she succeeds totally in bringing to life such a well known and "loved" cartoon villianess. A supremely talented actress as seen in such diverse roles as those in "Fatal Attraction", "Dangerous Liaisons", "Meeting Venus", and "Paradise Road" among others, she is a total riot as the bizzare fashion designer with an extreme fur fetish. It is she who makes "101 Dalmatians" such memorable viewing and her encounters with the animals in the second half of the film will have you laughing for ages. The sight of Cruella rising out of the tub of molasses where she has been unceremoniously dumped by the animal brigade will bring fits of laughter to the viewer. The film also boasts the great talents of Jeff Daniels and the lovely Joely Richardson as Roger and Anita the loving couple drawn to each other by their fondness for Dalmatians, and the gifted Joan Plowright as Anita's former Nanny who finds herself performing the role again but this time for the 15 puppies in the house. Much of the comedy stems from the great playing by Hugh Laurie and Mark Willia | |