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| 1. Double Team Director: Hark Tsui | |
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Amazon.com Reviews (39)
1997. RCA. 93 MINS. Rated R for Nonstop Action Violence.
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| 2. Twin Dragons Director: Ringo Lam, Hark Tsui | |
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Amazon.com Reviews (38)
Anyway, this movie was done for the construction of some association for directors from Hong Kong, and that explains why the multiple directors. Jackie Chan has said he is not satisfied with the final result of the movie. But don't be scared. This is an excellent comedy, using the old joke about mixed identities. It is not heavy on the action side, but includes some nice fight scenes, including a final shutdown at a facility for testing cars. If you are looking for one Chan movie, there are better ones to select for starters (Supercop, Operation Condor, Rumble in the Bronx). But if you are a die hard fan, you will want to take a look at "Twin Dragons".
Jackie plays Boomer, womanizing, karate choppin' mechanic living in Hong Kong, and the brother he never kenw he had, reknown condutor John Ma. Ma arrives in Hong Kong to give a concert and things go completely cattewumpus. Ma knows kung fu about as well as Boomer knows how to conduct a concert The summary of TWIN DRAGONS plot simply does not do it justice. From the moment Boomer gets in a fight with an entire night club full of mobsters, the movie has already hit take off velocity. Fans of the sexy Maggie Cheung...will find she doesn't have much to do, but looks fabulous not doing it. This is only one of the movie's she's done with Jackie. off the the top of my head, I can name many others, but let it suffice to say that for action, comedy, and Maggie Cheung, Jackie Chan's TWIN DRAGONS can't lose. ... Read more | |
| 3. Once Upon a Time in China III Director: Hark Tsui | |
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Reviews (21)
THE STORY: It is 19th century China and Western influence is growing. The Empress Dowager, in an attempt to showcase Chinese power to the foreigners, hosts a martial arts tournament, the Lion King competition, pitting the finest martial arts schools against one another. Wong's family's cultural society becomes caught in the middle of the martial arts wars. In the midst of staving off the attacks of their rivals, Wong is also caught in a personal dilemma as he and his secret-lover, his cousin (through marriage) Yee, decide to marry and try to find ways to announce it to their family. Added to this is the arrival of a Russian friend from Yee's past who is infatuated with her himself, showering her with great Western gifts such as the motion-picture camera. Throughout all of this turmoil, things become a bit more interesting as foreign interests decide to use the tournament as a backdrop to a political assassination plot... THE COOL STUFF: If you love martial arts action you've got a good portion of it here. The fight scenes are NUMEROUS as you'll be treated to tons of fighting set in 19th century China in tons of marketplace settings as well as vintage Chinese dwellings and buildings. The sets and costumes are just awesome, particularly all of the Lion dresses. The fight scenes between Wong and the rival martial artists are just awesome. In addition this film does incorporate some humorous moments into it. THE DVD FEATURES: The features of the DVD, while not extensive as most new DVDs are, are perfectly acceptable. Included on this DVD are the following: 1. Bonus Movie Trailers for the following: a. Once Upon a Time in China II b. Once Upon a Time in China Trilogy c. Crouching Tiger, Hidden Dragon d. Miracles by Jackie Chan 2. Filmographies for Director Tsui Hark, Jet Li and Rosamund Kwan. THE VERDICT: The most common criticism for most martial arts/action flicks are that the stories [stink]. The redeeming quality for them is, of course, the action. Like its predecessor, Once Upon a Time in China III overcomes these criticisms by delivering solid action and (lo and behold) a decent story. In addition, the film, besides having an awesome story and action sequences also incorporates just the right amount of humor to make it a nice package all around. While not quite as captivating in terms of action or story as its two predecessors, Once Upon a Time in China III still delivers an acceptable performance. Overall, besides oohing and aahing to cool fight scenes you'll also be treated to a great look at a crucial period in Chinese history. Recommended
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| 4. Knock Off Director: Hark Tsui | |
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Reviews (40)
still awaiting his return to theaters, go van-damme!!
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| 5. The Master Director: Hark Tsui | |
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Reviews (17)
It's set in the late eighties and in LA. Why should it have wire work? It would'nt fit. The fight scenes are filmed fairly well and look down to earth. The plot is fun and quite humourous. Especially Jet Li's American counterparts. Jet Li is his usually respectable self looking out for the under dogs. There's a skilled American villan, Jonny, with a signature late eighties hair cut. He does a good job of playing the over confident jerk. (similar to the cocky kid in the Karate Kid) There's several confrontations between Jet's crew and Jonny's student lackies until the finale at the end. In the end this film should be viewed as a fun down to earth Kung Fu flick. It was'nt meant to be the next kung fu master piece. If watched in the right light it should be a fun and familiar(if from the US and LA in particular) addition to your Jet Li collection.
First, though, to find the deeper story! So, to help the penny drop and to help find full appreciation of the consummate mastery of this Tsui Hark movie (especially its script), consider the possibility that the Master = Bruce Lee, the first internationally-recognized master of martial arts. On another level, to move closer to the story's higher purpose, consider the Master as the true spirit and/or reason for the practice of martial arts. Second, consider the possibility that the movie is an extremely respectful criticism of the post-Bruce-Lee commercialism of martial arts (and the resultant use of martial arts in street violence). Finally, consider the possibility that the martial arts people of the East saw a need to reinforce (via another master: Jet Li) the true spirit and/or reason of martial arts to the people of the West. This last point helps explain why the movie is set in modern-times and why it deliberately avoided the high-wire tricks; the movie is introducing to America the real martial arts mastery of Jet Li. In so doing, it is dealing with real social/cultural issues in a real way with a real and meaningful answer; for that answer watch the non-preaching and non-judgmental corrections to violence in this specific movie! Now, to match the above viewing suggestions to the movie! The Master opens with the master as a doctor who is physically healing and attempting to mentally heal/warn/correct a macho streetfighter type. In fact, the movie actually links this doctor (via the Po Chi Lum herbal medicine shop) to Wong Fei-Hung. Wong Fei-Hung, you may recall, was the master from Once Upon A Time in China: an all-but-divine hero in Chinese martial arts history who was born in 1849 and who inherited a herbal medicine shop call Po Chi Lum, a shop where he also taught Kung Fu! The dimension and breadth of the movie should now start to tease sensibilities into a state of alertness! Jet Li, of course, had already starred as Wong Fei-Hung in earlier movies (and how!) but, because there is a higher purpose to this story than pure commerce-driven martial arts entertainment, Jet Li does not play the role he immortalized for cinema-goers. Instead, Jet Li plays one of this master's students! Why? Well, in brief, Jet Li is paying homage to the mastering spirits and legacy of martial arts. Why? Well, in brief, that's the lesson the West needs to re-learn; otherwise, the martial arts can be used for violence and destruction, not personal and community peace and safety. At this point, consider the role that Jet Li plays in this movie: like his master, he is a healer (i.e. of the policemen's ulcers, which also suggests the authorities have not quite learned how to correct and stomach street violence! So, the movie has a social critique at work too! Truly, this story gathers to a giddying greatness the more it is meditated upon! It's great! Then, of course, Jet Li is a man of peace despite, and because of, his great martial arts skills. This is why he won't teach the Latino gang the martial arts (because they will use such skills violently for personal ends, not to help ensure personal and public peace; later in the story, Jet Li teaches them enough to protect themselves. This is a very fine edge of difference; but a critical difference! Jet Li is also a worldly innocent (as beautifully and humorously demonstrated by the one-sided romance). Of course, all Jet Li's don't-call-me-master positive qualities are in sharp contrast to the call-me-master "bad" student's ego-driven mistakes (including the mistake of never having learned what the true purpose of martial arts actually is i.e. mastery over self and the resultant increasingly-perfected personal path to peace! So, as the bad student very capably shows, to challenge and/or kill a master = to lose directions to the true meaning of martial arts = to not be a master; regardless of physical prowess = to be killed by the self as a martial arts exponent). To become a true master (and, thus, find the invisible hands of non-terrestrial-power making you effortlessly invincible), this movie suggests, requires a full willingness to place martial arts in the service of humanity ....! Actually, enough ... it is time to stop! It will take a book or two to explain this movie ... it is great! There are problems for viewers, certainly, because both before and after this specific movie, Jet Li starred in some of the most sublime action/martial arts movies in the history of world cinema; nevertheless, The Master is also an awesome achievement once the deeper story starts to become visible! Be patient with this movie, it will reward ... a masterpiece is patiently and respectfully waiting to speak to you! Be warned: when the glory of the story starts to gather momentum, your eyes will widen and smiles will arrive like a thousand chuckling sunrises! A masterpiece of reverence for life and community spirit has been scripted here and, as is clear from the fact that he doesn't play Wong Fei-Hung (the master), Jet Li clearly demonstrates his accord with the spiritual values offered by the infinitely disciplined, fully loving immortal heart of martial arts! ... Read more | |
| 6. Once Upon a Time in China Part 2 Director: Hark Tsui | |
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Reviews (40)
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| 7. The Blade Director: Hark Tsui | |
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Amazon.com Reviews (17)
About feelings ,and what they can make us do ,or achive. Ofcourse ,there are fights ,the protagonist must avenge his father ,but it's more about the revenge itself ,the drive ,than about how it's done. A story of human beings in a time and place so extreme ,that they are driven to the extreme themselves. great tale ,shot with more sensativity (and brutality) than any other film I saw.
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| 8. Once Upon a Time in China 3 Director: Hark Tsui | |
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Reviews (21)
THE STORY: It is 19th century China and Western influence is growing. The Empress Dowager, in an attempt to showcase Chinese power to the foreigners, hosts a martial arts tournament, the Lion King competition, pitting the finest martial arts schools against one another. Wong's family's cultural society becomes caught in the middle of the martial arts wars. In the midst of staving off the attacks of their rivals, Wong is also caught in a personal dilemma as he and his secret-lover, his cousin (through marriage) Yee, decide to marry and try to find ways to announce it to their family. Added to this is the arrival of a Russian friend from Yee's past who is infatuated with her himself, showering her with great Western gifts such as the motion-picture camera. Throughout all of this turmoil, things become a bit more interesting as foreign interests decide to use the tournament as a backdrop to a political assassination plot... THE COOL STUFF: If you love martial arts action you've got a good portion of it here. The fight scenes are NUMEROUS as you'll be treated to tons of fighting set in 19th century China in tons of marketplace settings as well as vintage Chinese dwellings and buildings. The sets and costumes are just awesome, particularly all of the Lion dresses. The fight scenes between Wong and the rival martial artists are just awesome. In addition this film does incorporate some humorous moments into it. THE DVD FEATURES: The features of the DVD, while not extensive as most new DVDs are, are perfectly acceptable. Included on this DVD are the following: 1. Bonus Movie Trailers for the following: a. Once Upon a Time in China II b. Once Upon a Time in China Trilogy c. Crouching Tiger, Hidden Dragon d. Miracles by Jackie Chan 2. Filmographies for Director Tsui Hark, Jet Li and Rosamund Kwan. THE VERDICT: The most common criticism for most martial arts/action flicks are that the stories [stink]. The redeeming quality for them is, of course, the action. Like its predecessor, Once Upon a Time in China III overcomes these criticisms by delivering solid action and (lo and behold) a decent story. In addition, the film, besides having an awesome story and action sequences also incorporates just the right amount of humor to make it a nice package all around. While not quite as captivating in terms of action or story as its two predecessors, Once Upon a Time in China III still delivers an acceptable performance. Overall, besides oohing and aahing to cool fight scenes you'll also be treated to a great look at a crucial period in Chinese history. Recommended
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| 9. Once Upon a Time in China Director: Hark Tsui | |
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Amazon.com essential video Reviews (55)
At the time of this writing I've seen Once Upon a Time in China parts 1-5, and essentially my feelings on the series can be summed up as such: There's Once Upon a Time in China, and then, there are the sequels. This is not to say that I dislike the sequels; in fact, I have yet to be entirely let down by a Once Upon a Time in China picture. But the original is unquestionably the paramount of the series, a martial arts movie which breaks through and transcends the usual limits of the genre. The qualities of Once Upon a Time in China are manifold. Its story is sophisticated and densely layered for a martial arts film, its pace unrushed, its action satisfying, its length generous, and its climax genuinely gripping. Once Upon a Time in China is, indeed, the only movie in the series in which I actually felt genuine concern for the fate of any of the characters, or put another way, empathized any real sense of physical, emotional, or spiritual danger. Some will argue that the martial arts choreography of part 2 is superior, but for all their technical strength, part 2's action sequences lack the sense of harmony and resonance with the overall picture which can be readily found here. A strength of the series in general is that the action sequences rarely seem to be entirely arbitrary - but never in the many sequels are they fused this satisfyingly into the overall experience. Additionally, I've noticed that the Once Upon a Time in China series has gotten more "comic-booky" as its gone along. I have no overt problem with these "comic-booky" aspects in and of themselves: the mysterious cult-leaders and quasi-supervillains of parts 2 and 4, or the pirates and treasures and gunfights of part 5, or the introduction of the Clubfoot character in part 3, are all entertaining in their way. But I do appreciate the slightly more down-to-earth atmosphere of the original, as it seems to have been conducive to the development of more interesting characters. While there are other antagonists I've enjoyed in the series, none have come close to matching the thorough spiritual bankruptcy and cruelty of this film's Shaho gang leader. He has no special powers or tricks - in fact he doesn't even prove to be a particularly formidable fighter - but he's the only villain they ever bothered to develop enough so that you really come to despise him by the end. And what of Iron Robe Yim's nuanced part in the tale? Not quite a villain proper, more a tragic figure - but an interesting tragic figure, and one successfully interjected (in place of the Shaho boss) as a formidable martial arts antagonist, thus allowing for the film's classic final battle. Above and beyond this he is also nicely interwoven into the greater fabric of the tale's many moral quandaries by his temporary relationship as mentor to Foon. (Incidentally, the mentor/student relationship between these two characters would have been well served by just a bit more development, but when everything comes to a head in that last half-hour, it still manages to pull itself off nicely.) Yim occupies an interesting space as a character in this story, a space unfilled in subsequent Once Upon a Time in China chapters: he is a character who we feel could have been great, could even have been a friend or brother to Wong Fei Hung and his coterie, but who sadly crumbles (under the pressure of poverty) to his darker, greedier side, and pays the price in a bloody and undignified demise - (a scene which proves powerful on several levels.) Without getting into each in detail, I appreciate this film's well-rounded cast of characters, several of whom disappear and/or are replaced by different actors in subsequent Once Upon a Time in China films. With the exception of the unused Kai, every major character is given his moment(s) in this movie. Even Buck Tooth So - a character I initially found too annoying and zany - manages a convincing emotional and moral complexity by the end (relative to what you'd expect of such a character, at any rate.) Last but not least, I should probably reaffirm that Jet Li himself is indeed excellent in Once Upon a Time in China. He brings a poise, dignity, style, and romantic vulnerability to the character of Wong Fei Hung which I doubt I'll ever see matched, and his focused and perfectly executed martial arts are a thing to behold. So when all is said and done, I feel I must insist that Once Upon a Time in China has far more going for it than any of its sequels, and manages not only to juggle everything successfully - action, romance, politics, religion, national identity, melodrama, and brotherhood - but also to bring it together into a climax far more satisfying than anything I've seen from the series since. It boasts competent, artful direction, good production values, a fully realized 19th century environment, and everything in the film radiates with a glow which even the best of the sequels never quite match. DVD REVIEW: The Columbia TriStar release of Once Upon a Time in China is, to my mind, the most adequate of their three OUATIC releases. Picture and sound are both reasonably good, format is original widescreen, and the subtitles are clear, well-placed, and well-paced. The Cantonese and Mandarin audio tracks are both included. The English dubbed version is included as a special feature. Other special features include an interesting audio commentary (albeit it from a somewhat annoying and occasionally sarcastic commentator) and a few trailers. Nothing exceptionally mind-blowing, but a worthwhile purchase for sure. See Amazon info for more technical details. ... Read more | |
| 10. Time and Tide Director: Hark Tsui | |
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Reviews (44)
Don't get me wrong, I love movies like this, I loved such brilliant movies as Eat Drink Man Woman, Bangkok Dangerous (2000), The Road Home to name a few. I'm a sucker for asian/foreign films. If I was choosing a movie just based on how beautiful everyone was, then yeah the only reason I'd chose this film, that is all it has to offer anyone. Disapointed. Just seemed a lot of things were cut out and should have been explained so to keep people hooked and wanting to find out what happens. Just this didn't do it for me and is one I wouldn't recomend to anyone. Looking for a better movie? Check out Bangkok Dangerous (2000), the guys are hot, the plot is great and the action is sizzling. I'm still looking for films that will woo me, this one just didn't do it. In final thoughts, I would have given this movie 1 star, but I gave this film an extra star for its effort in trying to be good.
How the mightly have fallen... NOT RECOMMENDED. Classic run-of-the-mill drama-action junk. Forgettable in every way possible. If you like Tsui, check him out in "Police Assassins/Yes Madam". ... Read more | |
| 11. Aces Go Places 3 - Our Man From Bond Street Director: Hark Tsui | |
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Amazon.com Reviews (2)
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| 12. A Better Tomorrow III Director: Hark Tsui | |
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Amazon.com Reviews (10)
However, this one was the worst out of the series. unique storylines.....but actions were so weak, it's like chow yun fat's old movies has more actions and better storylines... but stil...u gota respect better tomorrow series...they are true classics
Tsui Hark is the Steven Spielberg of Hong Kong (equally famous in Asia as a producer, director, and writer -- and quite varied in genre) and this film ranks among his best work. ... Read more | |
| 13. Double Team Director: Hark Tsui | |
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Reviews (39)
1997. RCA. 93 MINS. Rated R for Nonstop Action Violence.
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