Reviews (187)

Compelling and Chilling
"The Wicker Man" was always a bit of a disappointment to me because long before I got a chance to watch the movie, I accidentally learned how it ended. Therefore, the final devastating moments of this Christopher Lee/Edward Woodward horror-drama lacked the punch it probably has for most viewers who go into "The Wicker Man" totally unaware. Try to avoid learning a lot about this movie before you watch it because I assure you that you will be much happier with the results. Imagine a film about paganism and the philosophical implications of a modern day Christian encountering such a primitive religion, with all of its attendant rituals and colorful ceremonies, alive and well on a Scottish isle and you have the basic premise of this haunting movie. "The Wicker Man" is considered by many to be one of the greatest cult horror films ever made, and while I don't think this claim is necessarily true, I still found much to like here.

Police Sergeant Neil Howie arrives on a small island off the coast of Scotland on a mission to follow up an anonymous tip he received about a missing girl. We learn right from the start that the police sergeant is a devout, no nonsense Christian, but even he isn't prepared for the weirdness running rampant through the byways of this community. Right from the start, things on Summerisle seem downright weird. The locals drinking in the pub where Howie procures lodgings are extremely strange folk, as is Willow, the daughter of the inn owner. That very night the police sergeant has an erotic encounter with Willow that is sure to test the faith of the most ardent Christian. Further eeriness rears its head when Howie sees strange goings on at the local school, some of the bizarre customs practiced on the island, and finally meets with the wild haired eccentric Lord Summerisle. It turns out that most people don't seem all that concerned about the missing girl Howie is looking for. Howie rapidly goes from a state of perplexity to one of utter repugnance as he gradually learns the true secrets of the this island: the people here, led by the zealous Lord Summerisle, are practicing pagans who emphatically reject the Christianity so adored by Howie. But as much as the police sergeant thinks he knows, he is in for a very rude awakening as the movie twists and turns to its grim conclusion.

"The Wicker Man" is a very colorful movie, with plenty of dancing, singing, and great costumes. The music is quite unique, at least for me, and plays a big part throughout the picture. What I liked best about this film was the cast. Britt Ekland turns up in the small role of Willow, the pagan temptress who tries to seduce Howie with a rather sultry dance in the beginning of the film. Christopher Lee is a bit of a question mark here. In an interview included on the disc, he claims that "The Wicker Man" was the best role he ever had in a movie. Moreover, he loved the film so much that he personally called film critics in order to help get the film some much needed publicity. Most of what Lee says about his part in this production is a bit of surprise because his character really doesn't appear in many scenes of the film, and when he does show up, he doesn't really do much. Apparently, some missing footage contained several lengthy scenes of Lee as Lord Summerisle, so perhaps this helps explain his limited screen time. The real prize in the film is Edward Woodward in the role of Neil Howie. Like most people, the only exposure I have had with this actor was his stint in the American television series "The Equalizer" a few years ago. In "The Wicker Man," Woodward shines as the hard-nosed Howie, a dedicated cop who adequately conveys the sort of outrage concerning the shenanigans on Summerisle one would expect from a deeply religious man. Even though I knew how the film ended, Howie's reactions to his fate still chilled me to the bone. Woodward alone provides the biggest reason you should watch this movie. What a fine actor.

The DVD version of the film boasts an impressive array of extras, specifically interviews with principals Edward Woodward, Christopher Lee, and some background about director Robin Hardy and screenwriter Anthony Schaffer. You even get some information about the conditions endured by cast and crew alike as they filmed the project (poor, poor Edward Woodward and that scared goat!). The controversy surrounding the distribution of the film, which the studio cut and sloppily marketed, is discussed in some detail. Christopher Lee still looks mad over the missing footage, which he claims is probably in someone's basement or attic waiting to be found. The official explanation is that a mistake made while cleaning out a film vault resulted in parts of this film being thrown in the back of a dump truck. Even if this enigmatic footage never surfaces, the film I saw was still massively entertaining. I cannot say that this is the best picture I have ever seen, but its reputation requires all cinema fans to give it a watch. It's definitely unique enough to stand out in the old memory banks well after the closing credits fade to black. Any film that can accomplish that feat is worthy of a five star rating, wouldn't you say

Beautifully crafted film gets its well-deserved re-editing!
I can't remember the first time I saw this film, but the next day I started a search for a print of it.

Edward Woodward stars as the almost unsympathetic, pious, and determined officer who matches wits with Christopher Lee, in a marvelous role of the smiling, ever-reasonable villianous island cult leader. The entire community seems to be hiding the truth behind the disappearance of a young girl, even to the degree of at first denying her existence. The very conservative Christian representative of the law has walked into the middle of a very Pagan circle; this conflict has to be resolved. Initially, the audience may not be too sure who is playing with whom or why. The climax of the suspense is a twist where the hunter becomes the sacrificial hunted.

Incredibly, the suspense of the plot does not wear off with repeated viewings, thanks to the production values (hats off to all those involved, shooting outdoor spring scenes in November on the coast of Scotland!) and outstanding performances of the cast.

I knew, when I saw it the first time, that the version I had seen of it had been cut down; however, even at the "sliced salami" level, it was an extraordinary experience - and experience is the word. The film puts you right there in the midst of the puzzle. Over the years I found various cuts of the film, eagerly awaiting what might be reconstructed. (The only other film I can recall searching for this diligently is a "more complete" cut of Fritz Lang's "Metropolis.")

This special edition of "The Wicker Man" might well be as good as it gets. Certainly, the inclusion of the backstory of the film ("The Enigma of The Wicker Man") added to both the theatrical and extended versions makes this particular release worth having.

If you haven't seen the film, make the chance. It's not exactly horror, it's not exactly mystery - it's both. And then some. It's one of a kind. It's "The Wicker Man."

SGT Howie is burned alive at the end of the movie
The movie begins with police SGT Howie arriving at the Scottish island of Summerisle to investigates the disappearance of a young girl. Guess what? It's really a trap! The report of the missing girl is really a hoax to get SGT Howie to the island so they can sacrifice him at the end of the movie, in a giant wicker man! The whole town is in on it, too. Pretty cool!

Truly a Great Film
Last week I had the chance to sit down and watch this truly excellent movie. The Wicker Man stars Edward Woodward, Christopher Lee and Britt Ekland. I was expecting a sort-of cheap gothic horror film (after all, Christopher Lee is in it) but I got something much better.

Edward Woodward plays a policeman from the Highland Police who has flown to the island of Summerisle to investigate a report of a missing girl. After discovering that just setting foot on the island is an adventure, Woodward is unable to find anyone who knows the girl who is missing. Even the girl's mother doesn't know who she is. A right puzzler. Forced to stay on the island, Woodward takes a room at the local tavern. Amidst the bawdy songs and lively music he begins to realize that the island folk are not quite what he is used to.

As his investigation takes him further along Woodward begins to suspect that the island is populated by sinners. By his definition he is right. The local population reverted back to their old religion during the early Victorian Era. They are now firmly entrenched in their old beliefs. To top it off it just happens to be May Day. Unable to drop the case, Woodward finds traces of the girl. He suspects that she is alive but captive and a soon-to-be sacrifice to restore the harvest. Woodward infiltrates the May Day celebration disguised as Punch. Then, at a crucial moment, he manages to grab the girl and flee. Then he learns the real truth.

From the opening credits showing the Scottish Isles and their sapphire waters and the accompanying Celtic music this movie is anything but a cheap horror film. Woodward plays the epitome of the Christian and the Authoritarian. Armored only with his belief in his god he must face a setting that, to him, is completely evil. Young girls being taught the significance of the maypole, naked women jumping through fire to help fertility, march hares in caskets and dozens of other examples. But it is Woodward who is the strange one. The people look at him as they would a simpleton. But Woodward, knowing that god and country are behind him, manages to keep going right to the conclusion of the film.

This classic confrontation of Christian against Pagan is so well done, framed by modern settings and Celtic music, that I can hardly say how good it is. Woodward's performance rivals his role in Breaker Morant and the young Christopher Lee's talent shows through so clearly that it is obvious why he was cast in so many roles. The story was written by the same man who brought us Hitchcock's Frenzy as well as the mystery Sleuth. If you have not seen this 1973 film, I urge you to do so.

one way ticket
visitng an island where people respond jovially to being brainwashed is quite a concept. the best example of a "mcguffin" ever. hedonists sacrifice an accomplished scottish police sgt. however the way his scottish colleagues spoke of him, they have still probably failed to realize he is missing. his attempt to instill any type of normalcy is quickly quelled in an orgy of obscurity.

if anyone knows the inn keeper's daughter's phone number, have her give me a ring.

a great dvd to reccommend at a party for sure, if you enjoy crookeye ... Read more

Reviews (187)

Compelling and Chilling
"The Wicker Man" was always a bit of a disappointment to me because long before I got a chance to watch the movie, I accidentally learned how it ended. Therefore, the final devastating moments of this Christopher Lee/Edward Woodward horror-drama lacked the punch it probably has for most viewers who go into "The Wicker Man" totally unaware. Try to avoid learning a lot about this movie before you watch it because I assure you that you will be much happier with the results. Imagine a film about paganism and the philosophical implications of a modern day Christian encountering such a primitive religion, with all of its attendant rituals and colorful ceremonies, alive and well on a Scottish isle and you have the basic premise of this haunting movie. "The Wicker Man" is considered by many to be one of the greatest cult horror films ever made, and while I don't think this claim is necessarily true, I still found much to like here.

Police Sergeant Neil Howie arrives on a small island off the coast of Scotland on a mission to follow up an anonymous tip he received about a missing girl. We learn right from the start that the police sergeant is a devout, no nonsense Christian, but even he isn't prepared for the weirdness running rampant through the byways of this community. Right from the start, things on Summerisle seem downright weird. The locals drinking in the pub where Howie procures lodgings are extremely strange folk, as is Willow, the daughter of the inn owner. That very night the police sergeant has an erotic encounter with Willow that is sure to test the faith of the most ardent Christian. Further eeriness rears its head when Howie sees strange goings on at the local school, some of the bizarre customs practiced on the island, and finally meets with the wild haired eccentric Lord Summerisle. It turns out that most people don't seem all that concerned about the missing girl Howie is looking for. Howie rapidly goes from a state of perplexity to one of utter repugnance as he gradually learns the true secrets of the this island: the people here, led by the zealous Lord Summerisle, are practicing pagans who emphatically reject the Christianity so adored by Howie. But as much as the police sergeant thinks he knows, he is in for a very rude awakening as the movie twists and turns to its grim conclusion.

"The Wicker Man" is a very colorful movie, with plenty of dancing, singing, and great costumes. The music is quite unique, at least for me, and plays a big part throughout the picture. What I liked best about this film was the cast. Britt Ekland turns up in the small role of Willow, the pagan temptress who tries to seduce Howie with a rather sultry dance in the beginning of the film. Christopher Lee is a bit of a question mark here. In an interview included on the disc, he claims that "The Wicker Man" was the best role he ever had in a movie. Moreover, he loved the film so much that he personally called film critics in order to help get the film some much needed publicity. Most of what Lee says about his part in this production is a bit of surprise because his character really doesn't appear in many scenes of the film, and when he does show up, he doesn't really do much. Apparently, some missing footage contained several lengthy scenes of Lee as Lord Summerisle, so perhaps this helps explain his limited screen time. The real prize in the film is Edward Woodward in the role of Neil Howie. Like most people, the only exposure I have had with this actor was his stint in the American television series "The Equalizer" a few years ago. In "The Wicker Man," Woodward shines as the hard-nosed Howie, a dedicated cop who adequately conveys the sort of outrage concerning the shenanigans on Summerisle one would expect from a deeply religious man. Even though I knew how the film ended, Howie's reactions to his fate still chilled me to the bone. Woodward alone provides the biggest reason you should watch this movie. What a fine actor.

The DVD version of the film boasts an impressive array of extras, specifically interviews with principals Edward Woodward, Christopher Lee, and some background about director Robin Hardy and screenwriter Anthony Schaffer. You even get some information about the conditions endured by cast and crew alike as they filmed the project (poor, poor Edward Woodward and that scared goat!). The controversy surrounding the distribution of the film, which the studio cut and sloppily marketed, is discussed in some detail. Christopher Lee still looks mad over the missing footage, which he claims is probably in someone's basement or attic waiting to be found. The official explanation is that a mistake made while cleaning out a film vault resulted in parts of this film being thrown in the back of a dump truck. Even if this enigmatic footage never surfaces, the film I saw was still massively entertaining. I cannot say that this is the best picture I have ever seen, but its reputation requires all cinema fans to give it a watch. It's definitely unique enough to stand out in the old memory banks well after the closing credits fade to black. Any film that can accomplish that feat is worthy of a five star rating, wouldn't you say

Beautifully crafted film gets its well-deserved re-editing!
I can't remember the first time I saw this film, but the next day I started a search for a print of it.

Edward Woodward stars as the almost unsympathetic, pious, and determined officer who matches wits with Christopher Lee, in a marvelous role of the smiling, ever-reasonable villianous island cult leader. The entire community seems to be hiding the truth behind the disappearance of a young girl, even to the degree of at first denying her existence. The very conservative Christian representative of the law has walked into the middle of a very Pagan circle; this conflict has to be resolved. Initially, the audience may not be too sure who is playing with whom or why. The climax of the suspense is a twist where the hunter becomes the sacrificial hunted.

Incredibly, the suspense of the plot does not wear off with repeated viewings, thanks to the production values (hats off to all those involved, shooting outdoor spring scenes in November on the coast of Scotland!) and outstanding performances of the cast.

I knew, when I saw it the first time, that the version I had seen of it had been cut down; however, even at the "sliced salami" level, it was an extraordinary experience - and experience is the word. The film puts you right there in the midst of the puzzle. Over the years I found various cuts of the film, eagerly awaiting what might be reconstructed. (The only other film I can recall searching for this diligently is a "more complete" cut of Fritz Lang's "Metropolis.")

This special edition of "The Wicker Man" might well be as good as it gets. Certainly, the inclusion of the backstory of the film ("The Enigma of The Wicker Man") added to both the theatrical and extended versions makes this particular release worth having.

If you haven't seen the film, make the chance. It's not exactly horror, it's not exactly mystery - it's both. And then some. It's one of a kind. It's "The Wicker Man."

SGT Howie is burned alive at the end of the movie
The movie begins with police SGT Howie arriving at the Scottish island of Summerisle to investigates the disappearance of a young girl. Guess what? It's really a trap! The report of the missing girl is really a hoax to get SGT Howie to the island so they can sacrifice him at the end of the movie, in a giant wicker man! The whole town is in on it, too. Pretty cool!

Truly a Great Film
Last week I had the chance to sit down and watch this truly excellent movie. The Wicker Man stars Edward Woodward, Christopher Lee and Britt Ekland. I was expecting a sort-of cheap gothic horror film (after all, Christopher Lee is in it) but I got something much better.

Edward Woodward plays a policeman from the Highland Police who has flown to the island of Summerisle to investigate a report of a missing girl. After discovering that just setting foot on the island is an adventure, Woodward is unable to find anyone who knows the girl who is missing. Even the girl's mother doesn't know who she is. A right puzzler. Forced to stay on the island, Woodward takes a room at the local tavern. Amidst the bawdy songs and lively music he begins to realize that the island folk are not quite what he is used to.

As his investigation takes him further along Woodward begins to suspect that the island is populated by sinners. By his definition he is right. The local population reverted back to their old religion during the early Victorian Era. They are now firmly entrenched in their old beliefs. To top it off it just happens to be May Day. Unable to drop the case, Woodward finds traces of the girl. He suspects that she is alive but captive and a soon-to-be sacrifice to restore the harvest. Woodward infiltrates the May Day celebration disguised as Punch. Then, at a crucial moment, he manages to grab the girl and flee. Then he learns the real truth.

From the opening credits showing the Scottish Isles and their sapphire waters and the accompanying Celtic music this movie is anything but a cheap horror film. Woodward plays the epitome of the Christian and the Authoritarian. Armored only with his belief in his god he must face a setting that, to him, is completely evil. Young girls being taught the significance of the maypole, naked women jumping through fire to help fertility, march hares in caskets and dozens of other examples. But it is Woodward who is the strange one. The people look at him as they would a simpleton. But Woodward, knowing that god and country are behind him, manages to keep going right to the conclusion of the film.

This classic confrontation of Christian against Pagan is so well done, framed by modern settings and Celtic music, that I can hardly say how good it is. Woodward's performance rivals his role in Breaker Morant and the young Christopher Lee's talent shows through so clearly that it is obvious why he was cast in so many roles. The story was written by the same man who brought us Hitchcock's Frenzy as well as the mystery Sleuth. If you have not seen this 1973 film, I urge you to do so.

one way ticket
visitng an island where people respond jovially to being brainwashed is quite a concept. the best example of a "mcguffin" ever. hedonists sacrifice an accomplished scottish police sgt. however the way his scottish colleagues spoke of him, they have still probably failed to realize he is missing. his attempt to instill any type of normalcy is quickly quelled in an orgy of obscurity.

if anyone knows the inn keeper's daughter's phone number, have her give me a ring.

a great dvd to reccommend at a party for sure, if you enjoy crookeye ... Read more

Reviews (187)

Compelling and Chilling
"The Wicker Man" was always a bit of a disappointment to me because long before I got a chance to watch the movie, I accidentally learned how it ended. Therefore, the final devastating moments of this Christopher Lee/Edward Woodward horror-drama lacked the punch it probably has for most viewers who go into "The Wicker Man" totally unaware. Try to avoid learning a lot about this movie before you watch it because I assure you that you will be much happier with the results. Imagine a film about paganism and the philosophical implications of a modern day Christian encountering such a primitive religion, with all of its attendant rituals and colorful ceremonies, alive and well on a Scottish isle and you have the basic premise of this haunting movie. "The Wicker Man" is considered by many to be one of the greatest cult horror films ever made, and while I don't think this claim is necessarily true, I still found much to like here.

Police Sergeant Neil Howie arrives on a small island off the coast of Scotland on a mission to follow up an anonymous tip he received about a missing girl. We learn right from the start that the police sergeant is a devout, no nonsense Christian, but even he isn't prepared for the weirdness running rampant through the byways of this community. Right from the start, things on Summerisle seem downright weird. The locals drinking in the pub where Howie procures lodgings are extremely strange folk, as is Willow, the daughter of the inn owner. That very night the police sergeant has an erotic encounter with Willow that is sure to test the faith of the most ardent Christian. Further eeriness rears its head when Howie sees strange goings on at the local school, some of the bizarre customs practiced on the island, and finally meets with the wild haired eccentric Lord Summerisle. It turns out that most people don't seem all that concerned about the missing girl Howie is looking for. Howie rapidly goes from a state of perplexity to one of utter repugnance as he gradually learns the true secrets of the this island: the people here, led by the zealous Lord Summerisle, are practicing pagans who emphatically reject the Christianity so adored by Howie. But as much as the police sergeant thinks he knows, he is in for a very rude awakening as the movie twists and turns to its grim conclusion.

"The Wicker Man" is a very colorful movie, with plenty of dancing, singing, and great costumes. The music is quite unique, at least for me, and plays a big part throughout the picture. What I liked best about this film was the cast. Britt Ekland turns up in the small role of Willow, the pagan temptress who tries to seduce Howie with a rather sultry dance in the beginning of the film. Christopher Lee is a bit of a question mark here. In an interview included on the disc, he claims that "The Wicker Man" was the best role he ever had in a movie. Moreover, he loved the film so much that he personally called film critics in order to help get the film some much needed publicity. Most of what Lee says about his part in this production is a bit of surprise because his character really doesn't appear in many scenes of the film, and when he does show up, he doesn't really do much. Apparently, some missing footage contained several lengthy scenes of Lee as Lord Summerisle, so perhaps this helps explain his limited screen time. The real prize in the film is Edward Woodward in the role of Neil Howie. Like most people, the only exposure I have had with this actor was his stint in the American television series "The Equalizer" a few years ago. In "The Wicker Man," Woodward shines as the hard-nosed Howie, a dedicated cop who adequately conveys the sort of outrage concerning the shenanigans on Summerisle one would expect from a deeply religious man. Even though I knew how the film ended, Howie's reactions to his fate still chilled me to the bone. Woodward alone provides the biggest reason you should watch this movie. What a fine actor.

The DVD version of the film boasts an impressive array of extras, specifically interviews with principals Edward Woodward, Christopher Lee, and some background about director Robin Hardy and screenwriter Anthony Schaffer. You even get some information about the conditions endured by cast and crew alike as they filmed the project (poor, poor Edward Woodward and that scared goat!). The controversy surrounding the distribution of the film, which the studio cut and sloppily marketed, is discussed in some detail. Christopher Lee still looks mad over the missing footage, which he claims is probably in someone's basement or attic waiting to be found. The official explanation is that a mistake made while cleaning out a film vault resulted in parts of this film being thrown in the back of a dump truck. Even if this enigmatic footage never surfaces, the film I saw was still massively entertaining. I cannot say that this is the best picture I have ever seen, but its reputation requires all cinema fans to give it a watch. It's definitely unique enough to stand out in the old memory banks well after the closing credits fade to black. Any film that can accomplish that feat is worthy of a five star rating, wouldn't you say

Beautifully crafted film gets its well-deserved re-editing!
I can't remember the first time I saw this film, but the next day I started a search for a print of it.

Edward Woodward stars as the almost unsympathetic, pious, and determined officer who matches wits with Christopher Lee, in a marvelous role of the smiling, ever-reasonable villianous island cult leader. The entire community seems to be hiding the truth behind the disappearance of a young girl, even to the degree of at first denying her existence. The very conservative Christian representative of the law has walked into the middle of a very Pagan circle; this conflict has to be resolved. Initially, the audience may not be too sure who is playing with whom or why. The climax of the suspense is a twist where the hunter becomes the sacrificial hunted.

Incredibly, the suspense of the plot does not wear off with repeated viewings, thanks to the production values (hats off to all those involved, shooting outdoor spring scenes in November on the coast of Scotland!) and outstanding performances of the cast.

I knew, when I saw it the first time, that the version I had seen of it had been cut down; however, even at the "sliced salami" level, it was an extraordinary experience - and experience is the word. The film puts you right there in the midst of the puzzle. Over the years I found various cuts of the film, eagerly awaiting what might be reconstructed. (The only other film I can recall searching for this diligently is a "more complete" cut of Fritz Lang's "Metropolis.")

This special edition of "The Wicker Man" might well be as good as it gets. Certainly, the inclusion of the backstory of the film ("The Enigma of The Wicker Man") added to both the theatrical and extended versions makes this particular release worth having.

If you haven't seen the film, make the chance. It's not exactly horror, it's not exactly mystery - it's both. And then some. It's one of a kind. It's "The Wicker Man."

SGT Howie is burned alive at the end of the movie
The movie begins with police SGT Howie arriving at the Scottish island of Summerisle to investigates the disappearance of a young girl. Guess what? It's really a trap! The report of the missing girl is really a hoax to get SGT Howie to the island so they can sacrifice him at the end of the movie, in a giant wicker man! The whole town is in on it, too. Pretty cool!

Truly a Great Film
Last week I had the chance to sit down and watch this truly excellent movie. The Wicker Man stars Edward Woodward, Christopher Lee and Britt Ekland. I was expecting a sort-of cheap gothic horror film (after all, Christopher Lee is in it) but I got something much better.

Edward Woodward plays a policeman from the Highland Police who has flown to the island of Summerisle to investigate a report of a missing girl. After discovering that just setting foot on the island is an adventure, Woodward is unable to find anyone who knows the girl who is missing. Even the girl's mother doesn't know who she is. A right puzzler. Forced to stay on the island, Woodward takes a room at the local tavern. Amidst the bawdy songs and lively music he begins to realize that the island folk are not quite what he is used to.

As his investigation takes him further along Woodward begins to suspect that the island is populated by sinners. By his definition he is right. The local population reverted back to their old religion during the early Victorian Era. They are now firmly entrenched in their old beliefs. To top it off it just happens to be May Day. Unable to drop the case, Woodward finds traces of the girl. He suspects that she is alive but captive and a soon-to-be sacrifice to restore the harvest. Woodward infiltrates the May Day celebration disguised as Punch. Then, at a crucial moment, he manages to grab the girl and flee. Then he learns the real truth.

From the opening credits showing the Scottish Isles and their sapphire waters and the accompanying Celtic music this movie is anything but a cheap horror film. Woodward plays the epitome of the Christian and the Authoritarian. Armored only with his belief in his god he must face a setting that, to him, is completely evil. Young girls being taught the significance of the maypole, naked women jumping through fire to help fertility, march hares in caskets and dozens of other examples. But it is Woodward who is the strange one. The people look at him as they would a simpleton. But Woodward, knowing that god and country are behind him, manages to keep going right to the conclusion of the film.

This classic confrontation of Christian against Pagan is so well done, framed by modern settings and Celtic music, that I can hardly say how good it is. Woodward's performance rivals his role in Breaker Morant and the young Christopher Lee's talent shows through so clearly that it is obvious why he was cast in so many roles. The story was written by the same man who brought us Hitchcock's Frenzy as well as the mystery Sleuth. If you have not seen this 1973 film, I urge you to do so.

one way ticket
visitng an island where people respond jovially to being brainwashed is quite a concept. the best example of a "mcguffin" ever. hedonists sacrifice an accomplished scottish police sgt. however the way his scottish colleagues spoke of him, they have still probably failed to realize he is missing. his attempt to instill any type of normalcy is quickly quelled in an orgy of obscurity.

if anyone knows the inn keeper's daughter's phone number, have her give me a ring.

a great dvd to reccommend at a party for sure, if you enjoy crookeye ... Read more