Reviews (11)

Love & Tragedy & All That Jazz. . .
This early vehicle for a young Catherine Zeta-Jones does justice to the complex Hardy novel despite the constraints of the television movie format. 'La Zeta' is perfectly cast as Eustacia Vye, a mysterious beauty with 'black hair and pagan eyes' who captivates the young men of the vicinity while the older country people regard her with suspicion as a witch who is not to be trusted. Eustacia has a reputation as a loose woman in the neighborhood--she dallies with another woman's fiance out of sheer boredom, even though she is tired of him. When dashing Clym Yeobright returns home after many years abroad in Paris, Eustacia sets her cap for him, with tragic results.

Fans who have followed Zeta-Jones' high-profile career in movies such as 'Entrapment', 'Traffic' & 'Chicago' will be interested to see her here, long before Michael Douglas and Oscar came calling, in her debut role outside of her native UK. She displays all the beauty and cool self-possession of the star she would later become. She's had her teeth capped since, and been otherwise glammed up, Hollywood-style, but all the fundamentals are there. The setting is breathtaking (shot on location in Northern England), and the simple yet vivid costumes Eustacia wears add to her characterization. Eustacia/Catherine is dressed simply but vividly in tones of scarlet, yellow and turquoise blue, setting her in sharp relief to the browns and grays of the landscape, and the dull clothes worn by the other characters.

The entire cast does a superb job, but this is really Zeta-Jones' show. Whether you're a Zeta fan, or a student of Thomas Hardy, this production should be on your shelf.

Attempt at Thomas Hardy almost reaches it.
Anyone who has read the novel will see that this movie is far truer to the storyline than average. Where the movie "almost" reaches success is in its portrayal of the characters. The egocentric nature of Eustachia is portrayed well until the death scene, when, from that point, she comes off as too much of the unforgiven, tragic, heroine. Wildeve's passion never quite attains to the pinnacle reached in the Hardy novel, Venn's homespun nobility isn't as evident, nor does Clym's "martyr complex" ever really emerge. The flick has much to recommend it however, especially in the first 2/3 of it. The setting is magnificent and appropriately stark, the subordinate characters (Grandfer Cantle, Susan Nunsuch, Mrs. Yeobright, etc.) are accurately displayed. This is one film in which I would recommend for the viewer to see the movie first before reading the novel. This would eliminate some of the sense of loss in the character displays and help one appreciate the "love-never-dies, beyond-the grave" finale.

Great
Ok i dont get the 007 thing but whatever. this movie was awesome!!! it was so sad!!!!! Catherine alone on that bridge will break your heart! i really felt bad 4 her throughout this movie, just because they "THOUGHT" she was a witch didnt mean they need to go and stab her in church! how mean! lol sry i love catherine zeta jones! lol well the movie was great, it was sad, and in the first minute a lil confusing but then you catch on after like 2 seconds.

Clive Owen could become the next "James Bond 007".
I saw this Hallmark television movie when it originally aired. I lost interest in the story because a character was said to be a witch. I just wasn't in the right frame of mind to watch this film. But Hallmark is a name the presents the best, quality films. Now, there is a reason to give this film a second look. Clive Owen who plays "Damon Wildeve" just might have a chance to be selected as the next James Bond 007 when Pierce Brosnan passes it on. Clive Owen might have to wait until the year 2008. The other reason is the female lead is Catherine Zeta-Jones is now a celebrity (she was unknown at the time) and became an Academy Award winner for Outstanding Supporting Actress in 2003. Joan Plowright as "Mrs. Yeobright" is also in this film. I like the opening line in the film: "Deliver my heart from this fearful, lonely place. Send me a great love from somewhere or else I shall die, truly I shall die".

great for catherine fans
i only liked this movie because of zeta-she is great in it and young-24 yrs old ... Read more

Reviews (9)

A REMORSEFUL ADAPTATION
There's been a murder here, but it's not the one you think. The adaptation of Colin Dexter's "The Remorseful Day" has left a stinking corpse of what was a masterful story, an exquisite exposition of the "Parsifal" like heart of Endeavour Morse. The culprits? Rebecca Eaton and her doltish cadre of American PBS writers who have distinguished themselves in missing the entire point of the book.
Mind you, if you have not read the book, you'll enjoy this video. All the great elements are there: John Thaw essays Morse brilliantly, Kevin Whately turns in a terrific performance as Lewis, although he is compelled to deliver a totally ridiculous and melodramatic "Morse is dead!" proclamation. He acquits himself and moves on. All the supporting players, the family intrigues, the score, the filmwork - all executed brilliantly. So, you'd have little reason to suspect something is awry.

But there is and it is as great a disservice to a book as I can ever remember. Now, that argument can be made about a lot of transfers from book to film, but in this case, and with this series, which has been so faithful to Dexter's works, it is just incomprehensible. I can only conclude that it is due to the American fascination with smoothing out any sense of nuance in order to champion the easily digestible. I should tell you where the crime lies, but that's not fair to anyone who really would enjoy what actually happened in the story. Suffice it to say that much of the story turns on the Parsifal legend, and how in fact the pure of heart are vindicated with vision of the grail, whatever form that grail may take. So, Endeavour Morse is vindicated in a coda that lingers with you long, long after you put the book down. Throughout the film, there are efforts made to quote not only Wagner's theme for "Parsifal", but Han Knappertsbusch's direction of it in the 1962 score. Why? Well, Morse makes reference to it in discussion with Lewis, and it fits with the T.S Elliott quote that includes the title of the story, plus Knappertsbusch was himself the most Morse like of conductors in every way imaginable, and in 1962 was well aware that he was dying. So with all of the main clues in tact, why on earth Eaton and her merry band of nitwits elected to miss the point is not only unimaginable but unforgiveable.

Certainly, enjoy this DVD for what it is. I assure you that if you read the book, you will want, as I want, to grab the murderous crutch and shove it where PBS don't broadcast. The most heinous murder in Oxford was committed in Boston. Shame on Eaton. Perhaps one day Dexter will insist on a reshoot, although Thaw is not well, and Whately may have no interest in any further casting as Lewis. Somehow, the record, as it is in the book, needs to be set straight.

Morse's End Predates John Thaw's by Only a Few Years
Sad to see that the great actor, John Thaw has passed away from esophageal cancer.

This episode is on par with all of the other great episodes of this outstanding series. Thaw's portrayal of an intellectual, world-weary British detective who confronts often complex and involved cases of murder and other crimes.

Now episode to this point really brought home to me how much I loved Inspector Morse. I was actually quite angry to see the great Inspector face such health problems (an understatement), but in light of John Thaw's actual illness, I guess it is to be expected.

My only regret is that there are not 100 more episodes hidden away somewhere. Inspector Morse and John Thaw will be sorely missed.

Relish the Well-done Remorseful Day
This is probably one of the best (if not *the* best) Inspector Morse television episode. I admit to alot of that bias *not* going toward it for being the final installment of the series, but more for it being such a WELL-DONE final installment of the series.

The obligatory murder plot/premise has to do with the re-opening of a case involving the death of a middle-aged temptress/nurse named Yvonne Harrison. Lewis and Morse tackle the case, with the latter acting particularly strange concerning many aspects of the matter. There are a plethora of suspects, one of whom is Morse's own doctor, which conveniently leads to scenes showing how the great Chief Inspector's health is deteriorating rapidly. The Harrison case, while definitely being worked-through carefully, isn't the real focus of the story.

Morse's plight is the prime meaning behind "The Remorseful Day". Never before has the character been rendered so human, and so pathetic. His lady-friend (appearing in recent TV adaptations) has apparently left him, and so Morse is utterly alone. There are poignant scenes between he and Lewis, of him making final preparations, and of him sitting alone in his home listening to profoundly sad classical music. John Thaw as Morse gives a veritable tour-de-force, in the most subtle and gracious way possible, of the great detective in his declining days.

Special note should be given to all involved in the television adaptation, for they have, in my opinion, surpassed the novel. Colin Dexter's book was fine, but it dealt more heavily with the actual murder case, and the illness of Morse was left for small parts, usually at the end of each day. Here, with the version made for the small screen, we have the situation of Morse's closing life brought to the forefront. It is done well, and an experience to watch.

The last scene is terribly moving. I always make it a point to realize that when I sit down to watch a movie or television show, NOT to get too emotional, because there are only actors upon the screen - nothing is real. I thought I would be able to hold forth with said beliefs while watching "The Remorseful Day". But the very last scene, involving just Lewis and Morse, brought tears to my eyes. The swelling music and the starkness of the scene was a wonderful way to end the series.

The impression left is one not easily forgotten.

Please Endeavour to Read this Review!
As a final good-bye to a wonderful series, I was disappointed in "The Remorseful Day." It is a sad and touching film where Chief Inspector Morse bids a fond farewell; however, the film is somewhat disjointed. Morse, more ill than ever -- due to his lack of caring for his health -- exits via a simple myocardial infarction! Couldn't it have been more dramatic or move moving than this?!!! One scene, however, prior to the last touching scene in the mortuary is excellent. It is the night before Morse's death (unbeknownst to him, of course) where he is sitting on his sofa. The look on his face is pathetic and tells the viewer everything. It is without doubt (to me) one of the best scenes in the film -- almost like the blind girl discovering that Chaplin was her benefactor in "City Lights." It is done without words -- only facial expressions.

Alas, our hero has to die and he exits rather pitifully telling Strange to "thank Lewis." I wanted something much more dramatic and much more moving; I suspect Mr. Dexter really does want to retire. The last scene -- when Lewis views Morse's body on a slab and leans over to kiss him -- is very moving and will bring a tear to the eyes of every Morse fan. Although he may have had a rich and rewarding life in his own way with his work, music, poetry and knowledge, I wanted him to go out differently, to have had a woman who really loved him, to have had something in life so very meaningful.... We will miss a very good fictional character and the actors who portrayed the detectives so well. However, thanks to the magic of the movies, we can enjoy the Inspector for years to come!

Goodbye old friend
The loss of "Chief Inspector Morse" hit me just as hard in this, Thaw's, last appearance as this fictional character as the real loss of Jeremy Bret ending the greatest rendition of Sherlock Holmes since the death of Basil Rathbone. Even watching the videos of all the other "cases" is bittersweet as the memory of Lewis kissing Morses' head goodbye in the closing scene now overshadows them all. The true sign of an actors actor making a written character live so vividly. A must see for any Morse fan- just be sure to have the hanky handy and see all the other Morses- first. ... Read more

Reviews (1)

Cold War Stalinism Drama
Robards and Jackson bring to life this true & riveting tale of the later years of Nobel Peace Laureate Andrei Sakharov, brilliant physicist and champion for human rights. Elena Bonner, his daring and dedicated partner, plays a crucial role in the complex story of Russian citizens struggling against Stalinist oppression. The Sakharovs fell from a position of privilege in the USSR to exile and ostracism by their colleagues. You will recall that he was forbidden to attend the Nobel ceremonies in Stockholm, & it was Dr. Bonner who delivered his acceptance speech. Iron Curtain secrecy hid from the Free World the family's mortal struggle. Theirs is a deeply moving love story as well as a political historic drama. Their final victory is a piece of history that affects us all. ... Read more

Reviews (39)

Has made-for-television feel but still makes an impact
Based on Richard Rashke's account of the only successful organised Jewish uprising against Nazis from within death-camp barbed wire, "Escape from Sobibor" is an admirable effort adapted for film. Despite its often melodramatic made-for-TV overtones (something cliche'd and rather inappropriate for such a weighty and sombering event in human history), the film captures the painful struggles, defiance against the ugliest of tyranny, and ultimate triumph of the Jewish prisoners over their oppressors. Unlike "Schindler's List," which unfortunately represented its Jewish characters in a one-dimensional and consistently passive light, this film presents us with strong, well-developed characters, from numerous backgrounds and levels of experience, who are justifiably angry and rebellious against the Nazis. The characters are well-acted, with all the passion, heart, spirit, and SOUL it undoubtedly must take to play such demanding and emotionally draining role! s. I recommend this movie fully; it will touch viewers with the spirit of sorrow amid triumph, and vice versa. END

The film of historic accurancy.
"Escape from Sobibor" is a grim turn inspirational film about the prisoners who, after careful planning, managed to escape from Sobibor. 300 died during the escape whereas the other 300 managed to live during and after the escape. The actors, especially Alan Arkin, Rutger Hauer, and Hartmut Becker, gave memorable & magnificant performances. Becker was telling & excellent in portraying one of the chief SS men in charge of the camp, sargeant Wagner. The actresses, especially Joanna Pacula, also played with upmost effectiveness & familiarity with the history behind Sobibor.

The film is historically as accurate as it can be, with scenes so telling of the torture of the prisoners hated due to dangerous & distorted ideologies. The picture, not as masterful as "Schindler's List", is well done nevertheless with artistry & sophistication. The acting measures up to the acting in "Schindler's List."

My only hope is that this video recording is not abridged, for the complete film is two hours & thirty minutes. If the video has the complete version of the film, my recommendation exists very strongly. If the abridged version exist, hesitations should occupy your mind.

Ask questions.

Excellent made-for-TV WW2 true story
This is the best made-for-tv movie (broadcast network) that depicts true events I have ever seen. Rutger Hauer and Alan Arkin are excellent as a Russian POW and a Jewish concentration camp prisoner who lead an uprising in a German concentration camp. It left me feeling "at least SOMEONE in a concentration camp stuck it to the Nazis." It also made me wish more had been able to. It's surprisingly graphic for a made-for-tv movie (I think it was on CBS); it shows naked women lined up to enter the showers (gas chambers). Just a word of warning to parents.

Surprisingly good movie
I have bought this one a year ago and didn't watch it till now. It was a big surprise as I didn't expect souch a touching movie to come out. HIGHLY RECOMENDED

Amazing Portrayal of History
I have visited Nazi death camps in Poland. I found the information presented there to be dry and dull. But when I first saw Escape from Sobibor at a relatives house, I was intrigued, because I could actually see the information through the amazing acting of Alan Arkin. I was impressed how they were able to create a gripping story that appeals to all senses, yet still be able to follow the truth so closely. The emotions I felt while watching this movie was unbelievable, whereas the death camps I was bored and uninterested because I couldn't visualize the information. This movie is great for anyone, whether you are a history buff, like gory scenes, or anything. I would definitely reccomend this movie to anyone who asked me about it. ... Read more

Reviews (2)

Not one of the better films....
THE SETTLING OF THE SUN is not one of the better Morse films. The acting is stagy and overdone. The camera shots are bizarre and awkward. The hotch-potch use of elements from other more successful filmed versions of Colin Dexter's books, such as "Last Seen Wearing", "Last Bus to Woodstock" and "The Dead of Jericho" is insulting to the knowing fan.

I am not sure this film is based on a book. I don't remember reading a book with this title, nor did I find the plot familiar. (I thought I had read all of Colin Dexter's 'Morse' books.) If it is based on a book, the plot is certainly far inferior to those found other tales.

The tortured and unbelievable plot is overlaid with repetitious use of "Morse-isms" which are supposed to "wow" American audiences such as: Morse thinking over a pint in a friendly tavern; Morse driving his little red jaguar all over Oxford; Morse playing music and drinking at home; Morse unwilling to look at a body (three times with the same body). Morse's interest in the female "lead" is far from enthusiastic. It's almost as if he is going through the motions. Also, it's a bit hard to believe that this ditsy overwrought female has the least bit of attractiveness for Morse.

Don't get me wrong. I love the little "English" touches a much as the next Anglophile. I just hate being taken for a sucker. However,if you are devoted Morse fan you will probably want to buy it. Just can't get enough of the late John Thaw.

Possiby the Darkest of All the Inspector Morse Films
The undertones in "Setting of the Sun" deal with war and the moral repercussions thereof. Its direction is, along with "Service of All the Dead," among the most bleak and atmospheric of the Morse films. Another commonality which this film shares with the aforementioned film is its convoluted-yet-plausible plot, consisting of a rather intricate conspiracy theory. It may take a couple viewings for you to comprehend, it certainly did for me. Inspector Morse is asked to present a prize for a crossword competition at a summer school in Londsdale college for a group of overseas students. A murder conducted in a gruesome manner takes place while Morse is dining with the group. It turns out his presence was not incidental; he was meant to be a witness. Jane Robson's, Morse's love interest and the person who invited him to present the prize, feelings for Morse are not mutual in this episode. The uncertain long-term implications of war are beautifully presented at the end with the innocent view of Morse's love interest's daughter, when asked about her grandfather, whose suffering during the war was the impetus behind the conspiracy. ... Read more

Reviews (4)

"He admitted it, Morse. Why would he do that?!"
"Second Time Around" is quite possibly the best of the 33 "Inspector Morse" episodes. If you're a fan of the series and don't own it yet, then you should consider it a must-have. If you're new to the series - start here.

An old police detective is murdered while writing his memoirs. A suspect, Frederick Redpath, is brought-in for questioning. Morse and another chief inspector on the case, Dawson, recognize the man as a suspect from a child murder case from over a decade ago. Dawson becomes heavily involved in the new case, and Morse and his sergeant, Lewis, are trying to work at it from their own angle.

There is conflict, emotion, heartache, introspection, and mystery aplenty in "Second Time Around", and all of these factors come together to help make the episode a real treat. The direction is wonderful, and the acting is amazing. John Thaw, as usual, excels as Morse, and Kevin Whately does well as the ever-faithful Lewis. Oliver Ford Davies, an underrated gem of an actor, is convincing as the troubled Redpath, but the real star of this story is Kenneth Colley (famous from the first "Star Wars" trilogy) as Chief Inspector Dawson. Probably one of the best characters ever to grace the Morse series.

"Inspector Morse" is one of my all-time favorite television shows, and this episode is simply tremendous. It encompasses the best aspects of the series: an introspective Morse, a haunting murder case, great guest stars, and sorrowful music from Puccini ('Senza Mamma' from Suor Angelica). This is simply the best of "Morse". Don't pass it up.

Inspector Morse
Inspector Morse shines in this film, as always. It's one of the most fascinating Morses ever made. This film leaves you guessing until the end.

Memoirs of Inspector Morse
This episode of the Morse series provides the viewer with some insight into the development of Morse's character.

The death of senior police office shortly after his retirement celebration sets the scene of a murder investigation which departs from the immediate concern of his murder to become a much broader investigation which encompasses an 18 year old unresolved murder mystery which Morse was involved in.

In this rather unusual Morse there are some exemplarary performances notably from Pat Heywood (RootInto Europe) and Oliver Ford Davies (who would later co-star with Thaw in the sublime series, Kavanagh Q.C.). What distinguishes this particular Morse from the others is the degree of personal involvement shown by Morse. Despite his usual disspassionate, academic approach. Morse cannot resist responding to the friction from his old colleague who found success following his mentor, the Deputy Chief Police Commissioner to London. Also there is a heightened sensitivity shown by Morse to the case of the young girl, murdered many years earlier.

There are the usual twists and turns but in particular the scenes where the long suffering suspect of the child's death is finally completely cleared of any involvement. At that point the latest suspect is mentioned only for the first accused to fiercely criticise the police for their continued incompetence.

The conclusion to the story is a tragic scene wherein Morse confronts the killer with the evidence of his guilt. At that juncture the viwere is faced with sympathy with the killer's motive for the crime only to discover that the man who was killed was doing so protecting his child's life in just the same way that the murderer is revenging his.

Here the extent of Morse's involvement is revealed and one of the lasting impressions we have is the depth of tremendous sadness in his eyes.

This episode shows us the emotional side of Morse in many different ways. The storyline is supported in this regard by a stellar performance of Kevin Whately who gives vent to his frustrations with what he perceives to be Morse's attitude and verbally lashes him, only to discover later that he was wrong and very sheepishly apologises. Morse is magnanimous in his acceptance of the apology and moves on.

All around a very polished performance and an enthralling whodunit in the very best traditions of the genre. A+++

One of the Best
Not counting those adaptations based on actual Dexter novels, "Second Time Around" may well be the best single episode in an almost continuously excellent series. The strengths of the series are here in abundance: compelling plots, tight direction, interesting characters, and, unlike a few of the later episodes, a denouement that not only make senses and is unrushed but that has real emotional and psychological impact as well. Thaw and Whately are in top form, the best one-two punch in crime fiction since Holmes and Watson. This episode is also an excellent example of one of the thematic preoccupations of this series: middle-age melancholy and the toll it sometimes takes.

"Second Time Around" is yet another example of the superb work of John Thaw as Morse--even in those episodes which lack the usual tension and bite, Thaw's Morse is an astounding presence, irritable, acidic, vulnerable, funny, pompous, and compelling, by turns, and thoroughly, entertainingly, convincing. For those unfamiliar with the series, here is a good place to start. ... Read more

Reviews (1)

improbable plot
I have viewed and own numerous DVD entries in the Inspector Morse series. This particular mystery is not especially appealing, in that it revolves around a somewhat implausible combination of university/religious politics, eating disorders, and a weight loss organization which goes to extreme lengths to protect its reputation and profitability. Ultimately, even the death which represents the subject of the investigation turns out to be unconnected to blatant criminal activity. Compared to other entries in the series, FAT CHANCE is one of the less interesting stories.

M. Williams ... Read more

Reviews (6)

Rare and beautiful!
I do wonder why some great movies like this and other greats like "Madame Sousatzka" and "The Good Earth" are not being released on DVD while some inferior movies are being released like locusts in an attack run.

If the studio is worried about not having enough people to purchase the product, release it in limited quantity!I am sure those who treasure good movies like me wouldn't mind forking a few additional bucks to acquire it. As for me, being in Malaysia and with the weak local currency, I am more than willing to tightened my belt in order to save to buy it. Afterall, really good movies are hard to come by and it's worth every gastritis pain for it.

I do hope that whoever from the responsible studio which owns this movie is reading this would consider it to be released on DVD soon.

The most fantastic television drama ever
The is a beautifully acted and directed drama and should be accessible for everyone to see again and again. Is there anyway we can put more pressure on the studio to re-release it? I've been waiting for years.

ONE OF THE BEST
I keep checking here every week in hopes that it has been released. PLEASE release and make so many people happy.

Please re-release this extraordinary story!
Stones For Ibarra is a hidden treasure! Is there anyway it can be found for purchase!

A classic that I've looked for a number of years...
This has been on our list for years and it appears that there is no possibility of filling this item on the annual Christmas list.. Is there a secondary market besides combing the garage sale venues to put this on our shelf ... Read more

Reviews (7)

HEAVY! THOUGHTFUL!
The landscape of an island of Ireland, the music, and the subject of this movie prompts introspection in one's religious behavior, what is meaningful in such behavior, what is not.

Add to that the question of conflict of personal BELIEF with OBEDIENCE to church dogma and you have the makings of a heavy story, which the actors and director delivered in an "excellent" manner, and I rated it a "4" as a result.

There is an emotional and intellectual hangover produced by getting involved with the film, so beware. It is NOT just ENTERTAINMENT. It should make you THINK about your FAITH and the practice of it.

Bill Schaefer

Great Original Film, But Flawed Editing and Reproduction.
This made-for-TV movie from 1973 was shown full-length on U.S. public broadcasting stations in the 1970s. It is a visually and intellectually impressive film. The story line is very faithful to the 1972 book "Catholics" by Brian Moore, with only a couple of scenes sequenced differently, and in my opinion, rather more effectively than in the book. Unfortunately, later VHS versions have been shortened, with about the first ten minutes of the original film deleted. This DVD version shares the same significant defect.

The first few minutes of the original film were essential in setting the context for the conflict portrayed between the traditionalist Irish monks led by their Father Abbot (Trevor Howard), and the modernist representative (Martin Sheen) of their order's Vatican Father General. During these missing first few minutes, we would have seen Sheen meeting with the Father General (Raf Vallone) in Rome, and discussing the "problem" of the return of Latin Mass celebration by the monks of Howard's abbey and the growing world-wide popularity of that celebration. The first scene made it clear that the time period portrayed is hypothetical and futuristic. In this fabulous Roman Catholic Church, additional modifications and liberalization of doctrine are supposed to have taken place beyond those that have been in effect since Vatican II. Within the film, there are mentions of a "Vatican IV" and other hypothetical conventions. Missing the original initial scene, many may believe that the film has grossly erred in, or deliberately distorted, current Roman Catholic beliefs. This was not the motive of the movie as originally filmed, and it is a tremendous loss to the integrity of the original story that the vital first scene of the movie has been edited away. However, this does explain the crediting of Raf Vallone as Father General at the start and end of the film, when in fact Raf Vallone/Father General never appears in the VHS or DVD versions. It would be well worthwhile to read the first chapter of the book before seeing a shortened home video release, if at all possible.

The DVD video quality is disappointing. The color is washed out, and in several scenes it is strangely yellow-tinted. It is definitely inferior to my ten-year-old VHS copy issued by USA Home Video. The sound is occasionally clipped, with words lost in several places. Not so my VHS copy. The original film title was "Catholics, A Fable" but the cryptic title of "The Conflict" has been used for the DVD. The DVD also contains an idiotic special feature in the form of an interactive quiz about the movie content. One may entertain one's self with such challenging questions as "What was on the sign carried by the man in the brown suit?" or "What color was the priest's car?" The quiz even has incorrect answers!

In spite of these problems, I state without reservation that this DVD is well worth owning. Since Vatican II there has existed a Roman Catholic traditionalist movement that today seems to have more Vatican-sanctioned success than would ever have been thought possible at the time this film was made. Some have tried to relate the events portrayed in this film to that movement. But by movie's end, this film actually depicts far more important issues of religious belief, and its loss. This is a film, like the book, that will be of interest to anyone, of whatever faith or none, for whom philosophy of religion is of interest.

The acting by Trevor Howard is absolutely flawless and authentic. It is art and it is masterful and it is heartfelt and it is beautiful. Almost equally so is that of Cyril Cusack, who plays the role of Father Manus, a monk. Sheen's role is important, but not nearly as much as Howard's, and not remotely as well-crafted.

This is as intelligent and entertaining a film today as it was when it was made 30 years ago. Let us hope someone in the near future will gather an old PBS copy of the complete film, digitally re-master it, and finally give us a proper and fitting version of this film. I know of no other film that deserves it so much.

Very Inacurate Statements - terrible Video Transfer
There are two things extremely wrong with this DVD. First and most important are statements made by Martin Sheen as a representative of Rome stating that during Mass, the miracle that the bread and wine become the body and blood of Christ does not happen. This is one of the basic tenants of Catholic belief and a representative from Rome would NEVER state that this miracle does not happen. No wonder the monks revolt!

The transfer to DVD is HORRIBLE! The color continually fluctuates, skin tones go from almost black and white to flech tones to green tints all in the same scenes. The picture is very grainy in some scenes. One of the worst transfers I have seen.

The original title of this film was "Catholics" and, while "Conflict" is a better indication of the content of the story, it should have been released under the original title.

All things considered, in spite of strong performances, this DVD is a mess and a definite affront to Catholics.

as good as the original book
"Catholics" is a faithful adaptation of Brian Moore's novella of the same name. Trevor Howard plays the abbot who is the crux of the plot; Martin Sheen (who is one of the rare people who is just as physically gorgeous today, in his fifties, as he was when this movie was made in 1973) plays the aggressive young inquisitor from Rome. This film is only superficially about the conflict between modern and traditional strains in the Church -- the real story is about the abbot, who after a lifetime in religion has lost his faith and is afraid to try to find it again. Howard, a superlative actor, could convey more with a twitch of an eyebrow than some present-day stars can with any amount of "Method" acting. His subtle portrayal of spiritual anguish blows all the other actors, Sheen included, right off the screen. His only serious competition comes from the scenery -- the film was shot on location on the Irish coast, one of the most heartbreakingly beautiful places on earth.

A nostalgic film for Baby Boomer Papists
If you're an early Baby Boomer born and raised a Roman Catholic, then you'll likely appreciate the 1973 film CATHOLICS. If you're of any other faith, or a Catholic born later than, say, 1960, then the movie may be of only academic interest. Indeed, if you're a young Catholic today, then the issues around which the plot pivots may not be comprehensible at all.

A youthful Martin Sheen plays a priest sent by Rome to an Irish monastery located on an isolated, windswept island. His mission, to demand that the monks cease and desist celebrating the Mass in Latin. The Vatican hierarchy is attempting to modernize the Mass worldwide, i.e. have it celebrated in the vernacular, as well as promote the new policy that the Transubstantiation of the bread and wine into the body and blood of Christ is symbolic, not real. Trouble is, the monastery's priests have been celebrating the Mass on the mainland in the traditional manner. More to the point, the ceremony has been televised, and is causing a pious, revivalist stir among the faithful. The pencil pushing prelates back in Rome are not pleased with this political incorrectness.

The marvelous actor Trevor Howard plays the crusty, wise, spiritually troubled, monastery abbot, who must find a way to obey the dictate of the enforcer sent down from the Big House, while avoiding a rebellion among the monks, who consider the emissary's message an abomination, and he himself disconcertingly trendy. (Faith and begorrah, he doesn't even wear the traditional, Roman clerical collar!)

Are you still with me on this, or have I lost you? If I haven't, God bless ya, darlin'. In any case, all of the acting performances are wonderful, especially Howard's. The character actors portraying the abbot's cowled flock were chosen with pure genius. And the wild Irish coastal scenery ... ah, 'tis St. Patrick's own, surely.

As I said up front, you had to be born a Papist prior to 1960, as I was, to understand what the fuss was all about. I well remember the horror with which my mother regarded the vernacular Mass. To this day, she'll seek out the Latin Mass in those rare places - sort of a doctrinal Underground - where it's still celebrated. Mom, this review is dedicated to you. ... Read more

Reviews (1)

The Last Enemy
This one has more humor than any of the others I think.Morse is really going for women in these one. He has a toothache and its pretty funny. So I suggest you get a sotch and enjoy this epiosde. ... Read more

Reviews (1)

GREAT
Its a great movie if you like suspense and action. I love it when the guys head catches on fire! ... Read more

Reviews (3)

Morse is actually quite funny throughout this film
Extremely well written, this mystery has Morse and Lewis on the trail of a murderer when all the evidence points to death by natural causes. In the course of the story Morse must deal with all sorts of wealthy American tourists, and one wonders whether this film had any impact on the screenwriters of GOSFORD PARK. Whether it did or not, and whether the actors are really Yanks or not, the cultural clashes are more overtly funny than this series usually gets, Morse is very nearly Basil Fawlty in several scenes.
By this time in the series, Whatley and Thaw were really hitting their stride and their natural ease with each other made these films entirely believeable. Dexter set out to write these stories because he thought he could do a better job than what he had read in the genre, and he did just that. Morse and Lewis are every bit the match for Holmes and Watson.
Anyway, this is a great story, brilliantly written for the screen, and one in which Morse's caustic humour is let run rampant over each and every person with whom he collides. Oh yeah, a jewel is stolen and a woman is dead. Who done it..... that would be telling.

Content good, DVD quality poor
The Inspector Morse series is one of the great British TV mystery programs of all time. "The Wolvercote Tongue" is a decent adaptation of Colin Dexter's "The Jewel That Was Ours," although the book is better. The stereotypical American characters are grating, but this episode is still worth watching for the wonderful performances of --and chemistry between-- actors John Thaw and Kevin Whately. My real complaint about this DVD, however, is with the overall presentation. While I'm grateful to BFS Video (an apparently low-budget operation in Canada) for finally bringing the Morse series to DVD in the US, they've done an incredibly poor job on the DVD transfer and with the packaging of the handful of Morse DVDs that they've released to date. Among other things, the video quality is poor. It looks something you'd get when you put your VCR to the lowest recording grade possible. Second, the unbelievably cheesy BFS Video logo and theme song that assaults the eyes and ears at the start of each DVD is an embarrassment. BFS can't seem to even get the cover photo of their products right. On some of their other Morse DVDs, they use photos that have nothing to do with the particular episode and/or are printed backwards. For this early Morse program, however, they go one further and use a photo that was not only taken many years later, it's from a DIFFERENT SHOW ENTIRELY, namely John Thaw's barrister series from the 1990s, Kavanagh QC. BFS- if you're reading this, kindly fire your products marketing people, as they clearly don't know anything about Morse. There are dozens --if not hundreds or thousands-- of fans out there like me who will gladly help you do things properly, and for no charge! There's no excuse for such shoddy work. Morse fans deserve better.

Rage, rage against the dying of the light.....
The WOLVERCOTE TONGUE is a pin that fits into a buckle-an elaborate and beautiful Anglo-Saxon buckle of the sort excavated at Sutton Hoo. The bejeweled tongue is the most beautiful part of the buckle that once clasped the waist of a mighty lord. The matching buckle is on exhibit in the fabled Oxford University Ashmolean--the oldest museum in England.

The tongue, long ago separated from the buckle, is owned by a rich American woman who has traveled with a group of tourists to Oxford, where she plans to present the pin to the Ashmolean. The afternoon of the presentation, after too much touring about the city has tired her, the woman goes to her hotel room to take a nap from which she will never awake. Her husband discovers her body and that the Wolvercote tongue has gone missing. Never fear, Endeavor Morse, Detective Chief Inspector of the Thames Valley Police and his trusty sidekick Sgt. Lewis are soon on the case.

This is a lovely film, and a vicarious thrill for Anglophiles who have spent hours and hours in Oxford or wish they had. The colleges, the shops, walking along behind Merton, the Botanical garden, punters on the Thames, the Ashmolean-it wouldn't matter to me if the plot made sense or not (it does), or whether the characters were fully developed or not (they are). Oxford's gleaming spires in the dying light of the afternoon sun and John Thaw-who could ask for anything more. ... Read more

Reviews (1)

As usual, John Thaw played His role as Morse brilliantly.
The story line is believeable,the acting is great, the city is beautiful. What more can I say? ... Read more

Reviews (5)

Inspector Morse : "Last Seen Wearing"
If you own this episode on VHS there is no reason to purchase the DVD version. I am a big Inspector Morse fan and find this to be one of the better episodes but the DVD itself is horrible.
I cannot believe how a show as popular as Inspector Morse can be turned into such a shoddy DVD. The DVD contains no extras (although some newer episodes do contain laughable text trivia, ha!) The transfer is mediocre at best, and lastly the packaging is cheap. I recently purchased "Brideshead Revisited" on DVD, wonderful transfer, wonferful packaging, many extras including a booklet. Is it really too much to ask that the series be treated with a little respect, how about some extras behind the scenes footage? a director or author voice over? maybe an interview with some of the surviving cast? Its just dreadful in every respect. I can only hope the series is issued again by a company with more taste.

Another horrible transfer!
I am sure that many of the Ispector's fans waited impatiently for the series to be released on DVD. I made a fatal mistake of selling my VHS collection.
Beware! This transfer is a disaster!
Conclusion: Stick to your VHS for now!
Note: same thing with Brother Cadfael DVDs. Is it the London fog or what?

The first Morse I remember seeing, a good one
This is the first Morse story that I can actually remember seeing and as with all of the others it is a good story well worth watching. I would say that even a person who doesn't think they'd like an English murder mystery should try it. I would never have recognized Elizabeth Hurley in an early role as a school girl, Julia Sawalha(also present) was more appealing to me.

Elizabeth Hurley as a schoolgirl......
with a funky complexion, thick eyebrows, & thicker ankles! This your usual Inspector Morse mystery. He's grumpy, and always ready to have a good pint of Real Ale, and ready to have his sergeant pay for that pint. The real surprise here was seeing Hurley. She probably doesn't want this seen, but hey, a cygnet becomes a swan, right?

Excellent plot line and fine acting....
LAST SEEN WEARING was one of the first dramatizations of the BBC/PBS series of 33 episodes based on the character of Endeavor Morse, Detective Chief Inspector of the Thames Valley Police Department--serving the city of Oxford in England. LSW is actually based on one of the 13 books Dexter wrote, and contains a clever and complex plot. I think I'm fairly intelligent, and I read many mysteries, but I will say, I was baffled by this story. I read the book first, and recommend you do too.

The storyline is this--a young girl who is a day student at a private girl's school fails to come home one day. The police are called in to find the girl. Six months later, the girl is still missing and Morse is put on the case. He tells Sargeant Lewis, "She's dead." "Why do you say that Sir?" says Lewis. Morse replies, "Because I'm the three-file man. They bring me in when there are three files, and when there are three files, someone's gone missing too long." So the first mystery is this, is the girl alive as Lewis says, or is she dead as Morse insists??

If she is dead, who killed her? The headmaster of the school has been behaving suspiciously. His wife thinks his actions are odd. The assistant head mistress seems to have some knowledge she is keeping under wraps. And then there's the father who has access to all sorts of earth-moving equipment--and he's her stepfather after all and a wealthy one at that. On the other hand, one of the male instructors quit quite recently, around the time when the young girl disappeared. He moved onto a lower paying job in another school. Why would he do that?

For regular fans of BBC/PBS drama and comedy, the cast is filled with many familiar faces. Julia Sawhalia ("Absolutely Fabulous" and "Pride and Prejudice") and Hugh Grant's old girl friend (Estee Lauder model) play students. "As Time Goes By" fans will recognize the actor who plays Alistair. In LSW he plays the young male teacher who recently vacated his job at the private school where the female student disappeared.

The DVD is excellent. The shots of the English countryside are wonderful. The crisp clear photography reveals the black circles under Morse's eyes (he has a little alcohol problem) as well as the 20 layers of dirty green paint on the long corridor in the old police headquarters building. This is vintage stuff. ... Read more

Reviews (1)

Morse in God's Own Country?
Promised land begins, rather unpromisingly, with Morse and Strange observing a funeral and identifying in the grand tradition of detective movies the villains. A nod to the old Thaw series, the Sweeney, the show continues in this vein for a while as the boundaries are established, of getting the final villains, the possibility of a gang's release.

Morse is ordered to revisit a supergrass to try to uncover evidence which would resolve both the issues. The snitch has begun a new life in the equivalent of the witness protection scheme so everything appears to be straightforward.

On the eve of their departure, Lewis is more than a little miffed at having to forego his vacation, a burglary occurs at the local freesheet newspaper and in the grand Holmesian tradition, nothing is stolen.

Off our intrepid heroes set for Lewis to discover that the person they are visiting was transplanted to Australia.

There are some spectacular shots of the countryside which dwarf the car that they are driving and which serves to give a sense of perspective on the vastness of the country. In a vignette Morse discovers that he has not brought his beloved opera tape with him to play on the long drive. Lewis, searching for an alternative discovers country music, Australian style, on the radio. This again underscores the notion of Australia as a new country shaking off her connections to Britain.

On arriving at their destination the sterotypical portrayal of Australian men as boorish, gambling, womenisers is presented in a scene where Morse and Lewis venture into the local bar. In a very funny moment, Lewis orders a beer while Morse contents himself with an orange juice - a reversal of the usual position - which moves on to a condemnation by Morse of non-real ale and a perception by the locals that Morse is possibly homosexual.

The plot develops with a mysterious stranger driving a camper, the stoolie's wife is both hostile and yet welcoming. Her husband has disappeared, nothing new in that, and Morse and Lewis expend considerable energies in the search.

As the programme develops the stereotypical views of the country and it's people are challenged and they are shown to be warm, sociable, and open minded.

In the conclusion, in front of the Sydney Opera House, Lewis has resolved his issues by remaining in Australia to be joined by his wife. Morse is left in solitude with his ticket to the opera, a tragic figure who is unable to articulate his feelings.

This Morse does not have the usual twists and turns and in many ways is one of the most approachable of the shows. Regardless it is still terrific entertainment and well worth the five stars. ... Read more

Reviews (39)

Has made-for-television feel but still makes an impact
Based on Richard Rashke's account of the only successful organised Jewish uprising against Nazis from within death-camp barbed wire, "Escape from Sobibor" is an admirable effort adapted for film. Despite its often melodramatic made-for-TV overtones (something cliche'd and rather inappropriate for such a weighty and sombering event in human history), the film captures the painful struggles, defiance against the ugliest of tyranny, and ultimate triumph of the Jewish prisoners over their oppressors. Unlike "Schindler's List," which unfortunately represented its Jewish characters in a one-dimensional and consistently passive light, this film presents us with strong, well-developed characters, from numerous backgrounds and levels of experience, who are justifiably angry and rebellious against the Nazis. The characters are well-acted, with all the passion, heart, spirit, and SOUL it undoubtedly must take to play such demanding and emotionally draining role! s. I recommend this movie fully; it will touch viewers with the spirit of sorrow amid triumph, and vice versa. END

The film of historic accurancy.
"Escape from Sobibor" is a grim turn inspirational film about the prisoners who, after careful planning, managed to escape from Sobibor. 300 died during the escape whereas the other 300 managed to live during and after the escape. The actors, especially Alan Arkin, Rutger Hauer, and Hartmut Becker, gave memorable & magnificant performances. Becker was telling & excellent in portraying one of the chief SS men in charge of the camp, sargeant Wagner. The actresses, especially Joanna Pacula, also played with upmost effectiveness & familiarity with the history behind Sobibor.

The film is historically as accurate as it can be, with scenes so telling of the torture of the prisoners hated due to dangerous & distorted ideologies. The picture, not as masterful as "Schindler's List", is well done nevertheless with artistry & sophistication. The acting measures up to the acting in "Schindler's List."

My only hope is that this video recording is not abridged, for the complete film is two hours & thirty minutes. If the video has the complete version of the film, my recommendation exists very strongly. If the abridged version exist, hesitations should occupy your mind.

Ask questions.

Excellent made-for-TV WW2 true story
This is the best made-for-tv movie (broadcast network) that depicts true events I have ever seen. Rutger Hauer and Alan Arkin are excellent as a Russian POW and a Jewish concentration camp prisoner who lead an uprising in a German concentration camp. It left me feeling "at least SOMEONE in a concentration camp stuck it to the Nazis." It also made me wish more had been able to. It's surprisingly graphic for a made-for-tv movie (I think it was on CBS); it shows naked women lined up to enter the showers (gas chambers). Just a word of warning to parents.

Surprisingly good movie
I have bought this one a year ago and didn't watch it till now. It was a big surprise as I didn't expect souch a touching movie to come out. HIGHLY RECOMENDED

Amazing Portrayal of History
I have visited Nazi death camps in Poland. I found the information presented there to be dry and dull. But when I first saw Escape from Sobibor at a relatives house, I was intrigued, because I could actually see the information through the amazing acting of Alan Arkin. I was impressed how they were able to create a gripping story that appeals to all senses, yet still be able to follow the truth so closely. The emotions I felt while watching this movie was unbelievable, whereas the death camps I was bored and uninterested because I couldn't visualize the information. This movie is great for anyone, whether you are a history buff, like gory scenes, or anything. I would definitely reccomend this movie to anyone who asked me about it. ... Read more

Reviews (7)

HEAVY! THOUGHTFUL!
The landscape of an island of Ireland, the music, and the subject of this movie prompts introspection in one's religious behavior, what is meaningful in such behavior, what is not.

Add to that the question of conflict of personal BELIEF with OBEDIENCE to church dogma and you have the makings of a heavy story, which the actors and director delivered in an "excellent" manner, and I rated it a "4" as a result.

There is an emotional and intellectual hangover produced by getting involved with the film, so beware. It is NOT just ENTERTAINMENT. It should make you THINK about your FAITH and the practice of it.

Bill Schaefer

Great Original Film, But Flawed Editing and Reproduction.
This made-for-TV movie from 1973 was shown full-length on U.S. public broadcasting stations in the 1970s. It is a visually and intellectually impressive film. The story line is very faithful to the 1972 book "Catholics" by Brian Moore, with only a couple of scenes sequenced differently, and in my opinion, rather more effectively than in the book. Unfortunately, later VHS versions have been shortened, with about the first ten minutes of the original film deleted. This DVD version shares the same significant defect.

The first few minutes of the original film were essential in setting the context for the conflict portrayed between the traditionalist Irish monks led by their Father Abbot (Trevor Howard), and the modernist representative (Martin Sheen) of their order's Vatican Father General. During these missing first few minutes, we would have seen Sheen meeting with the Father General (Raf Vallone) in Rome, and discussing the "problem" of the return of Latin Mass celebration by the monks of Howard's abbey and the growing world-wide popularity of that celebration. The first scene made it clear that the time period portrayed is hypothetical and futuristic. In this fabulous Roman Catholic Church, additional modifications and liberalization of doctrine are supposed to have taken place beyond those that have been in effect since Vatican II. Within the film, there are mentions of a "Vatican IV" and other hypothetical conventions. Missing the original initial scene, many may believe that the film has grossly erred in, or deliberately distorted, current Roman Catholic beliefs. This was not the motive of the movie as originally filmed, and it is a tremendous loss to the integrity of the original story that the vital first scene of the movie has been edited away. However, this does explain the crediting of Raf Vallone as Father General at the start and end of the film, when in fact Raf Vallone/Father General never appears in the VHS or DVD versions. It would be well worthwhile to read the first chapter of the book before seeing a shortened home video release, if at all possible.

The DVD video quality is disappointing. The color is washed out, and in several scenes it is strangely yellow-tinted. It is definitely inferior to my ten-year-old VHS copy issued by USA Home Video. The sound is occasionally clipped, with words lost in several places. Not so my VHS copy. The original film title was "Catholics, A Fable" but the cryptic title of "The Conflict" has been used for the DVD. The DVD also contains an idiotic special feature in the form of an interactive quiz about the movie content. One may entertain one's self with such challenging questions as "What was on the sign carried by the man in the brown suit?" or "What color was the priest's car?" The quiz even has incorrect answers!

In spite of these problems, I state without reservation that this DVD is well worth owning. Since Vatican II there has existed a Roman Catholic traditionalist movement that today seems to have more Vatican-sanctioned success than would ever have been thought possible at the time this film was made. Some have tried to relate the events portrayed in this film to that movement. But by movie's end, this film actually depicts far more important issues of religious belief, and its loss. This is a film, like the book, that will be of interest to anyone, of whatever faith or none, for whom philosophy of religion is of interest.

The acting by Trevor Howard is absolutely flawless and authentic. It is art and it is masterful and it is heartfelt and it is beautiful. Almost equally so is that of Cyril Cusack, who plays the role of Father Manus, a monk. Sheen's role is important, but not nearly as much as Howard's, and not remotely as well-crafted.

This is as intelligent and entertaining a film today as it was when it was made 30 years ago. Let us hope someone in the near future will gather an old PBS copy of the complete film, digitally re-master it, and finally give us a proper and fitting version of this film. I know of no other film that deserves it so much.

Very Inacurate Statements - terrible Video Transfer
There are two things extremely wrong with this DVD. First and most important are statements made by Martin Sheen as a representative of Rome stating that during Mass, the miracle that the bread and wine become the body and blood of Christ does not happen. This is one of the basic tenants of Catholic belief and a representative from Rome would NEVER state that this miracle does not happen. No wonder the monks revolt!

The transfer to DVD is HORRIBLE! The color continually fluctuates, skin tones go from almost black and white to flech tones to green tints all in the same scenes. The picture is very grainy in some scenes. One of the worst transfers I have seen.

The original title of this film was "Catholics" and, while "Conflict" is a better indication of the content of the story, it should have been released under the original title.

All things considered, in spite of strong performances, this DVD is a mess and a definite affront to Catholics.

as good as the original book
"Catholics" is a faithful adaptation of Brian Moore's novella of the same name. Trevor Howard plays the abbot who is the crux of the plot; Martin Sheen (who is one of the rare people who is just as physically gorgeous today, in his fifties, as he was when this movie was made in 1973) plays the aggressive young inquisitor from Rome. This film is only superficially about the conflict between modern and traditional strains in the Church -- the real story is about the abbot, who after a lifetime in religion has lost his faith and is afraid to try to find it again. Howard, a superlative actor, could convey more with a twitch of an eyebrow than some present-day stars can with any amount of "Method" acting. His subtle portrayal of spiritual anguish blows all the other actors, Sheen included, right off the screen. His only serious competition comes from the scenery -- the film was shot on location on the Irish coast, one of the most heartbreakingly beautiful places on earth.

A nostalgic film for Baby Boomer Papists
If you're an early Baby Boomer born and raised a Roman Catholic, then you'll likely appreciate the 1973 film CATHOLICS. If you're of any other faith, or a Catholic born later than, say, 1960, then the movie may be of only academic interest. Indeed, if you're a young Catholic today, then the issues around which the plot pivots may not be comprehensible at all.

A youthful Martin Sheen plays a priest sent by Rome to an Irish monastery located on an isolated, windswept island. His mission, to demand that the monks cease and desist celebrating the Mass in Latin. The Vatican hierarchy is attempting to modernize the Mass worldwide, i.e. have it celebrated in the vernacular, as well as promote the new policy that the Transubstantiation of the bread and wine into the body and blood of Christ is symbolic, not real. Trouble is, the monastery's priests have been celebrating the Mass on the mainland in the traditional manner. More to the point, the ceremony has been televised, and is causing a pious, revivalist stir among the faithful. The pencil pushing prelates back in Rome are not pleased with this political incorrectness.

The marvelous actor Trevor Howard plays the crusty, wise, spiritually troubled, monastery abbot, who must find a way to obey the dictate of the enforcer sent down from the Big House, while avoiding a rebellion among the monks, who consider the emissary's message an abomination, and he himself disconcertingly trendy. (Faith and begorrah, he doesn't even wear the traditional, Roman clerical collar!)

Are you still with me on this, or have I lost you? If I haven't, God bless ya, darlin'. In any case, all of the acting performances are wonderful, especially Howard's. The character actors portraying the abbot's cowled flock were chosen with pure genius. And the wild Irish coastal scenery ... ah, 'tis St. Patrick's own, surely.

As I said up front, you had to be born a Papist prior to 1960, as I was, to understand what the fuss was all about. I well remember the horror with which my mother regarded the vernacular Mass. To this day, she'll seek out the Latin Mass in those rare places - sort of a doctrinal Underground - where it's still celebrated. Mom, this review is dedicated to you. ... Read more