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| 1. The Craft Director: Andrew Fleming | |
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Reviews (170)
Fairuza Balk as Nancy was awesome. She played and looked the part so well and I don't think anyone could have done a better job. The movie is based around three teenage girls classified as the misfits of the school. They come together to form a small coven and cast spells one themselves and other people. Sarah is the newcomer who is quickly accepted into their circle. As the movie progresses things get out of hand and Nancy ends up way in over her head and it's up to Sarah to use her powerful inheritated gift of magick to stop her. I suggest this movie for anyone who wants to be thrilled.
Sarah Baily (Robin Tunney) has always felt like an outsider all her life. So, when she and her Dad (Cliff De Young) move to a new town, she finds herself having to start fresh. As the new gal at St. Benedict's Academy, she immediately falls in with the high school's female misfits. But, this group of girls won't settle for being just powerless outcasts, that nobody wants to hang out with. Indeed, Nancy, (Fairuza Balk) Bonnie, (Neve Campbell), and Rochelle (Rachel True) have discovered just how much fun school can be if you have the skills to use "The Craft" and they plan to show Sarah the way. Director and co scripter Andrew Fleming plays things pretty safe throughout the film. The tried and true horror formula isn't tested that much. Young and trendy stars populate the cast, with moments of humor and a few jolts, thrown in for good measure. The breakout performance for me here is Balk's sassy Nancy. She is one tough witch you don't want to mess with. She helps make the film better than it would be otherwise. As with any film about the wicken way, there's also a certain female "bonding" subtext that has to play itself out, as well. The special edition DVD substitutes for the movie only edition from awhile back. The audio commentary from Fleming is a nice mix of the tecnical and on set trivia about the film. There are two making Of featurettes on the disc. The first,is a six minute EPK style prepublicity kind of thing, while the second is a 24 minute retrospective, produced for the DVD. Conjuring THE CRAFT features "new" interviews with Fleming, Robin Tunny, Rachel True among others, intermixed with on set comments from Balk and Campbell. This is well produced. Fleming provides commentary for the deleted footage that, doesn't really amount to much as far as the final version is concerned The entire film score from Greame Revell is preserved and given its due as an isolated music track. Talent files, as well as, theatrical trailers for The Craft, among other films top off the bonus material on the disc. Addtional production notes can be found inside the keep case. The Craft is worth a dabble, with a *** and a half star rating, as long as your expectations are kept in check.
The sleeper hit THE CRAFT (1996) could've easily been played for camp, but it is instead a story of modern urban witchcraft that is both literate and emotionally powerful. The success of the film is due to Peter Filardi and Andrew Fleming's tight, well-written script, excellent direction from Fleming, and outstanding acting from principals Tunney, Balk, Campbell, and True. The supernatural elements of the story are handled carefully and earnestly, and witchcraft or the belief in it is never ridiculed or treated derisively. This keeps the tone of the film somewhat dark and edgy, which in turn creates an uneasy, spooky atmosphere that cues the audience to the fact that this is a serious horror film. Fleming wisely keeps the special FX to a minimum until the story's climax on the final reel, and he instead emphasizes the relationships in this group of dysfunctional, angst-ridden girls, well knowing that the primary target audience--to wit, teenagers--will easily relate to these characters and their normal desires and fears. The Special Edition DVD from Columbia/Tri-Star offers THE CRAFT in anamorphic widescreen at its original aspect ratio of 1.85:1. The digital transfer is very good, with minimal filmic or digital artifacts. The disc also features an informative commentary with director Andrew Fleming, 2 featurettes, deleted scenes, and more. THE CRAFT is a cool horror film that most fans of the genre will enjoy, and the very reasonable price makes it easy for fans to add this DVD to their collections.
So maybe it was filled with holes. Maybe it's a tad unrealistic. Maybe it doesn't portray Wicca with fair accuracy (not that I care about that). So it's flawed. So what? That said, THE CRAFT is awfully entertaining and worth more than one watch - hence my umpteenth watch a few weekends ago. I especially appreciated Fairuza Balk's performance - just as much as gorgeous Robin Tunney's. It's a shame she's no Hollywood starlet today. A year or more ago I saw her in this dreadful movie called CHERISH, a truly tedious indie flick. Tunney plays Sarah, newcomer to the neighborhood. After being shunned by the popular girls, a circle of peculiar witches take her beneath their collective wings. Nancy, Bonnie, and Rochelle all have supernatural powers and the rumor mongers have always been spreading gossip about them. (They are played by Fairuza Balk, Neve Campbell, and Rachel True, respectively.) Now, it is time to get revenge on those who have wronged them - yes, revenge is the only remedy to their teenage angst and turmoil. Each girl has a different situation. Rumors have been churning through the mill that Sarah Bailey slept with popular jock Chris Hooker (played by Skeet Ulrich, who later appeared with Campbell in SCREAM). Not only that, but he claims she sucked in bed, according to Nancy. Sarah had really been into Chris during their first date and after one kiss on a rooftop, he'd tried to take her back home with him. She'd declined and Chris had seemed a little disappointed. Still, Sarah never guessed he'd begin spreading lies about her. Now, she will get Chris, who snubs her in the halls, to fall truly, madly, and deeply head-over-heels in love with her. In fact, with Sarah's powers, he develops humorous stalker-esque tendencies. Nancy Down's troubles mainly concern her homelife. Her father is a bum. She and her two parents live the stereotypical white trash lifestyle. Nancy uses her powers to give her father a heart attack (odd, yes...I know) and because of his death, she and Mrs. Down are left with a big 'ole sum of money. They move into a very nice apartment and are able to live quite comfortably. Bonnie was involved in a terrible accident that left her permanently scarred - much of the high school knows about the disfiguring scars. She has a beautiful face but her scars inable her to wear certain clothes and she's oh-so self-concious about it. She undergoes a painful hospital operation that may or may not improve her condition - it does, thanks to her supernatural powers. :) Because of the operation, her mother and the doctors aren't all that suspicious. They just assume it to be the goodness of medical technology. Rochelle's dilemma concerns racist Laura Lizzie (Christine Taylor), who is on the school's swim team with her. Laura makes it crystal clear that she can't stand Rochelle because she's black. Whenever Rochelle is at work perfecting her dives, Laura shouts out cruel remarks to distract her and she also calls her racial slurs in the locker room. Rochelle's spell causes Laura's hair to begin to fall out in huge clumps that leave bald patches all over her blonde head. Within days, she's totally bald. But what you do to others in your spells comes back to haunt you. Times three. So now, the girls will have to deal with the consequences of their actions. Sarah must also deal with the fact that her three friends are turning on her and she must face the harrowing battle all on her own. That is, if they don't kill her first. With good performances and an exciting plot, this movie may appeal to fans of HEATHERS, MEAN GIRLS, and other movies in which the theme of all-girl friendships are stressed. Many critics took an intense disliking to this film, but it has been rather popular with many audiences, doing mildly well in the box office and on video.
One by one, it goes through and shows each one of the girls problem. Bonnie was in a fire and left with horrible burn marks, Rochelle is the target of a racist clique, Nancy comes from a broken home, and Sarah is still haunted by memories of a suicide attempt. They all cast spells to improve their lives, and they work. Sarah makes a guy fall in love with her, Rochelle causes her harasser's hair to fall out, Bonnie overcomes her scars and Nancy ends up killing her jerk stepfather, resulting in her mother and her to inherit a bunch of money from him. As the girls get deeper and deeper into the craft, Sarah realizes that they are taking everything too far. Bonnie has turned into a total snob, Rochelle's tormentor goes completely bald, Sarah's love spell has turned into dangerous obsession, and Nancy has completely turned power hungry. When Sarah makes her desire to leave the circle known, they will not hear of it. Nancy ends up trying to kill Sarah, resulting in one of the best fight scenes EVER. Overall, some of the stuff referring to the craft in this movie is true. The quarter calls made by the group are actual Gardnarian Tradition quarter calls, and the threefold law is TRUE (I know from experience, lol) ... Read more | |
| 2. Threesome Director: Andrew Fleming | |
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Amazon.com Reviews (32)
Alex: If you're so hot on the idea, why don't you have sex with him? Eddie: If Alex and Stuart were genetically merged into one person, he or she would've been the love of my life.(who hasnt felt like that before) it also has a great soundtrack. Everything is fairly much on an equalibrium until Eddie goes to pee one day and finds in the shower next to him a believed anti social suite mate, Alex who is very much a girl. Due to a computer glitch she is registered as male and cant afford her way out of it. Time goes on as the boys (Eddie and his roommate Stuart) and Alex avoid eachother and Eddie and Stuart keep things that way by being the worst roommates they can find ways to be but soon they al find themselves connecting. well, Eddie and Alex anyway. Alex cant stand Stuart and sees him as a no neck ideot. then as alex describes it its incredibly funny. you should see it. its a movie that your gonna love wether your gay strait or bi. i dont care what you are just see it..
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| 3. Dick Director: Andrew Fleming | |
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Amazon.com Reviews (107)
I came to this movie for two reasons: I'm fond of political satire, and I'm a huge Kids In The Hall fan- alums Dave Foley and Bruce McCulloch are both in the cast, as Bob Haldeman and Carl Bernstein, respectively. I didn't really have high expectations for it, but was incredibly surprised at how clever and accessible the movie is. As other reviewers have mentioned, it's hard to know who "Dick" is marketed towards- wouldn't pre/early teen fans of Kirsten Dunst and Michelle Williams be put off at the constant barrage of '70's references? And would Watergate/political aficionados be caught dead watching something as seemingly silly as this? Well, I think anyone can enjoy this, although if you have no knowledge of Watergate, you might want to find out a few basic facts before watching- even so, "Dick" doesn't demand much from its audience. You don't even have to be a Nixon-hater to enjoy it, as I think Tricky Dick comes off as less of a monster and more the flawed human he was- one of the funniest situations in the movie is when Arlene (Michelle Williams) falls head over heels in love with Nixon, dreaming about them riding a horse along the beach! Dunst and Williams are great as 15-year olds Betsy and Arlene, and Dan Hedaya is perfect as Nixon. Other standouts include Jim Breuer as White House counsel John Dean (a glorified cameo really, but very memorable), and of course Will Ferrell as Bob Woodward- this is the best I've ever seen Ferrell in a film role. In short, a hilarious movie that can be enjoyed by anyone, regardless of age or political leanings.
Frankly, they're not actually requirements. I saw both of the other movies long after I had seen Dick many times, and we sort of ran out of time in high school history class in the 50's so we did 1955-1997 in about three days. So it's not REQUIRED that you be a scholar of the Nixon era to enjoy this movie: but it is worth it to see at least "All the President's Men" first. This is a brilliant, brilliant movie. Hugely underrated. The movie takes the events of Watergate and structures them around two dim-witted teenage girls ("I've known yams with more going on upstairs, sir") who accidentaly stuble onto the Watergate burglars as they sneak down to the parking garage (putting duct tape over the self-locking door latch so that they can get back in without waking up Arlene's mom) to mail a letter to "win a date with Bobby Sherman." Through the course of the movie, all of the Watergate mysteries are explained. Whatever happened to Checkers, whatever happened to the 18 1/2 minutes, whatever happened to stop nuclear war with the Russians, why Nixon was so paranoid, and why the famous source called himself "Deep Throat." It's all here. Well written and acted, Dan Heydaya is maybe the best Nixon ever to hit the screen. "You smell like cabbage!"
If you love the memory of President Nixon, you might not like this movie as he is portrayed in a negative comical light. If you don't know much about the Watergate coverup, much of the movie won't make sense. If this is the case, you should watch "All The President's Men" first. In a very small nutshell, the girls surprise G. Gordon Liddy in a stairwell as he is talking the the Watergate "Plumbers". Later on a field trip to the White House, they see him again with a paper stuck to his shoe - the CREEP list with dollar amounts next to names - that they keep as a souvenir. Haldeman (Dave Foley) questions them, then the girls play with Checkers, Nixon's dog. Nixon (Dan Hedaya) offers to make them official dog walkers. Later, they decide to bake some "Hello Dolly" cookies for Nixon, and unknowingly use a special ingredient that Betsy's druggy brother had mixed in with the walnuts. In the back story, we find out that Arlene misses her father who died in an accident before she was born. The girls return to White House without an invitation and get hassled but finally get in with the help of Henry Kissinger (Saul Rubinek). They see Nixon, and give him cookies, and Nixon tapes their conversation. They take Checkers for a walk, and when the return, see document shredding and money. In school, Betsy and Arlen give speeches about White House visit. Arlene gets dreamy about the president and replaces Bobby Sherman's posters with Nixon on her bedroom wall. Back at the White House, Nixon meets with Brezhnev, and Nixon shares cookies with him. They end up singing "Hello Dolly". Arlene faling in love with Nixon. In a fantasy sequense, Nixon rides a horse on the beach, then "twirls" with Arlene, and they look at a White House sand castle. Arlene starts Nixon scrap book. The girls recognize Liddy on the TV news. Alene calls Nixon while he is watching "Love, American Style" when Arlene calls him to ask about "that Wategate thing". The girls return to walk Checkers, and discover the taping system in secretary Rosemary Woods desk. They tape a message for Nixon. Arlene confesses her love for him. They hear some tape of Nixon cursing, and yelling at Checkers, and they are disappointed. They confront Nixon about Watergate. Arlene removes his pictures and burns them. They talk to reporters Woodward and Bernstein on the phone then agree to meet them in person. Subsequently, they are harassed by a "Plumbers" van. They go to Haldeman's house to get tapes Haldeman took home. Arlene overhears an incriminating phone call between Haldeman and the White House. They steal a tape and give the transcript to Woodward and Bernstein. Nixon is drinking and listening to his tapes, and hears Arlene's singing "I Honestly Love You" and love confession. Nixon erases 18-1/2 minutes of the tape. Girls see Nixon on department store TVs as he resigns. They hold up a nasty banner and wave goodbye to him as he helicopters away. He gives them the finger. The DVD has a commentary by director/co-writers, a short "Making of" documentary, one deleted scene (an Arlene- and-Nixon beach nightmare), a blooper reel that is really funny, trailers to this and 2 other movies, text talent files, and an isolated score/soundtrack of really groovy 70's songs. If the cultural references (Kung Fu and Alka-Seltzer commercials, etc) don't get you, maybe the day-glow clothes will. ... Read more | |
| 4. The In-Laws Director: Andrew Fleming | |
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Description Reviews (41)
The Peyser and Tobias families are about to come together and celebrate the wedding of Mark (Ryan Reynolds)and Melissa (Lindsay Sloane). Little does the loving couple realize that their fathers are about to make their special day truly unforgettable. It seems that Mark's Dad Steve (Michael Douglas), is really an undercover CIA Agent, involved in a mission concerning illeagal weapons. Through a series of mishaps, the bride's father, Podiatrist Jerry (Albert Brooks) finds himself Steve's reluctant partner, helping him with the mission. Director Andrew Flemming has big shoes to fill. For the most part, things turn out fair at best. A big problem I think is that Douglas is obviously miscast in the Falk role. Thankfully, Brooks is up to taking over for Arkin, and makes things watchable. The rest of the cast has their moments, especially Candice Begen, as Douglas's ex wife. The script is very predictable and the vital chemistry between the two men is forced and all one sided. As good as Brooks is--Douglas seems like he is out of step--therefore they don't hold a candle to Falk and Arkin. The extras on the DVD are not really all that great. The only saving grace is the audio ommentary by Fleming. He, like Brooks is for the film is the one bright spot amid sub par material. The "hilarious" gag reel, "zany" additional scenes, and "riotous" sequences with Brooks don't really live up to any of those three adjectives. The theatrical trailers round out the laugh filled extras and the disc. If you are a fan of Brooks, then by all means rent this version. But if you want to see what started it all, the far superior original is a better way to go.
In the latest version of this action comedy, the plot follows this same line. Steve Tobias (Michael Douglas), an undercover CIA agent sometimes arms dealer, drags Jerry Peyser (Albert Brooks), a mild-mannered podiatrist who is obsessed with giving his daughter the "perfect" wedding, across the Atlantic to "broker a deal" with a French drug lord, Jean-Pierre Thibodoux (David Suchet). Tobias's entanglement with unsavory characters of the underworld and being constantly tailed by a flock of FBI agents combined with traditional wedding settings provides the audience with some hilarious situations. Douglas does an excellent job with his deadpan delivery, somewhat reminiscent of his performance in Romancing the Stone, while Brooks is a perfect foil for him as he peppers the film with his somewhat phobic antics. Angela (Robin Tunney), Tobias's sidekick in his world of espionage, often outwits a befuddled Jerry Peyser in these madcap adventures. Rounding out the cast is Candice Bergen, as ex-wife Judy, Lindsay Stone, as the bride-to-be, and fiancé Ryan Reynolds. The chemistry between Douglas and Brooks evolves over the course of the movie while Arkin and Falk clicked on all cylinders from the beginning. Even though this movie does not surpass its predecessor, it was entertaining none the less. Fleming did a good job of incorporating music to fit each scene. The In-Laws runs 95 minutes and it is a movie that provides pure entertainment without nudity and repetitive violence. Sit back and enjoy this film, even if it the "second time around."
Dr. Jerome Peyser is a mild-mannered podiatrist with a well-organized daily routine designed to eliminate all possible sources of stress. In his functional (if unfashionable) fanny pack he keeps a sanitary drinking cup in case he needs a sip of water away from home, a couple of Lorna Doones in case his blood sugar slumps a few points between meals, and a personal security alarm -- just in case.Meanwhile, daredevil CIA operative Steve Tobias moves through life like a heat-seeking missile. His average day consists of dodging bullets, stealing private jets and negotiating with international arms smugglers. Steve's unpredictable lifestyle has already driven ex-wife Judy (CANDICE BERGEN) to an ashram for some peace and has strained his relationship with son Mark (RYAN REYNOLDS) -- possibly beyond repair. Now he's giving potential father-of-the-bride Jerry a serious case of pre-nuptial jitters.Steve's dramatic entrances and exits, his cryptic references to a Russian runaway named Olga and his fight with a gunman in a restaurant washroom causes Jerry to see a vision of his daughter's (LINDSAY SLOANE) perfectly planned wedding blowing up in his face. As far as Jerry's concerned, letting Steve into his family takes "til death do us part" way too literally.Before he can say the wedding is off, Jerry suddenly finds himself embroiled in the chaos that follows in Steve's wake as he is dragged kicking and screaming into a series of perilous adventures that take the mismatched in-laws-to-be halfway around the world. Adding insult to injury is Steve's partner Angela (ROBIN TUNNEY), a dedicated agent who doesn't hide her hostility toward the uncooperative doctor who is -- for better or worse -- along for the ride.But when their children are in danger, Jerry and Steve will discover they can truly be an effective team -- as jet pack meets fanny pack in this riotous remake of the 1979 comedy The In-Laws. -- © Warner Bros. "Watching The In-Laws is like listening to a drawn-out, gruesomely inappropriate toast made at a posh wedding reception by a dissolute best man."
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| 5. Bad Dreams Director: Andrew Fleming | |
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Reviews (11)
Yet "Bad Dreams" is a cut above for many reasons. The first being that the film is filled with surrealistic arresting images-in particular, the house where the mass suicide took place is an intriguing looking building, tragically beautiful. Secondly, "Bad Dreams" encompasses a fascinating character in the African American female mental patient who frequently says mysterious and pseudo religious things and seems to be the only one who knows whats going on. Thirdly, the acting by all involved is really superior to what you find in most horror films. Rubin is especially good at emoting and I am mystified why I never heard of her before I rented this film. Lastly, I think most viewers miss an interesting touch in the film, at one point, Cynthia is sitting in the grass turned around in the exact same pose as the painting by Andrew Wyeth "Christina's World"! It was a really awesome touch that I think may go unappreciated by those not farmiliar with this painting. In short, "Bad Dreams" is a must see, with a great twist ending also. A must for any horror fan or suspense lover.
This movie is, indeed, a cut above the rest as it doesn't explain everything to the letter as other movies do. For me, that's what ruins the mystery and the chances of me watching it again. What drew me the most to this movie was the soundtrack. Nothing like hearing The Chambers Brothers "Time Has Come Today" (during the initial suicide scene and when Cynthia revisited the horror awake and alseep) as well as "I Had Too Much to Dream Last Night" by The Electric Prunes (played as the ambulance took Cynthia away from the scene at the very beginning of the movie). This movie is definitely worth watching many times.
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| 6. Dick Director: Andrew Fleming | |
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Reviews (107)
I came to this movie for two reasons: I'm fond of political satire, and I'm a huge Kids In The Hall fan- alums Dave Foley and Bruce McCulloch are both in the cast, as Bob Haldeman and Carl Bernstein, respectively. I didn't really have high expectations for it, but was incredibly surprised at how clever and accessible the movie is. As other reviewers have mentioned, it's hard to know who "Dick" is marketed towards- wouldn't pre/early teen fans of Kirsten Dunst and Michelle Williams be put off at the constant barrage of '70's references? And would Watergate/political aficionados be caught dead watching something as seemingly silly as this? Well, I think anyone can enjoy this, although if you have no knowledge of Watergate, you might want to find out a few basic facts before watching- even so, "Dick" doesn't demand much from its audience. You don't even have to be a Nixon-hater to enjoy it, as I think Tricky Dick comes off as less of a monster and more the flawed human he was- one of the funniest situations in the movie is when Arlene (Michelle Williams) falls head over heels in love with Nixon, dreaming about them riding a horse along the beach! Dunst and Williams are great as 15-year olds Betsy and Arlene, and Dan Hedaya is perfect as Nixon. Other standouts include Jim Breuer as White House counsel John Dean (a glorified cameo really, but very memorable), and of course Will Ferrell as Bob Woodward- this is the best I've ever seen Ferrell in a film role. In short, a hilarious movie that can be enjoyed by anyone, regardless of age or political leanings.
Frankly, they're not actually requirements. I saw both of the other movies long after I had seen Dick many times, and we sort of ran out of time in high school history class in the 50's so we did 1955-1997 in about three days. So it's not REQUIRED that you be a scholar of the Nixon era to enjoy this movie: but it is worth it to see at least "All the President's Men" first. This is a brilliant, brilliant movie. Hugely underrated. The movie takes the events of Watergate and structures them around two dim-witted teenage girls ("I've known yams with more going on upstairs, sir") who accidentaly stuble onto the Watergate burglars as they sneak down to the parking garage (putting duct tape over the self-locking door latch so that they can get back in without waking up Arlene's mom) to mail a letter to "win a date with Bobby Sherman." Through the course of the movie, all of the Watergate mysteries are explained. Whatever happened to Checkers, whatever happened to the 18 1/2 minutes, whatever happened to stop nuclear war with the Russians, why Nixon was so paranoid, and why the famous source called himself "Deep Throat." It's all here. Well written and acted, Dan Heydaya is maybe the best Nixon ever to hit the screen. "You smell like cabbage!"
If you love the memory of President Nixon, you might not like this movie as he is portrayed in a negative comical light. If you don't know much about the Watergate coverup, much of the movie won't make sense. If this is the case, you should watch "All The President's Men" first. In a very small nutshell, the girls surprise G. Gordon Liddy in a stairwell as he is talking the the Watergate "Plumbers". Later on a field trip to the White House, they see him again with a paper stuck to his shoe - the CREEP list with dollar amounts next to names - that they keep as a souvenir. Haldeman (Dave Foley) questions them, then the girls play with Checkers, Nixon's dog. Nixon (Dan Hedaya) offers to make them official dog walkers. Later, they decide to bake some "Hello Dolly" cookies for Nixon, and unknowingly use a special ingredient that Betsy's druggy brother had mixed in with the walnuts. In the back story, we find out that Arlene misses her father who died in an accident before she was born. The girls return to White House without an invitation and get hassled but finally get in with the help of Henry Kissinger (Saul Rubinek). They see Nixon, and give him cookies, and Nixon tapes their conversation. They take Checkers for a walk, and when the return, see document shredding and money. In school, Betsy and Arlen give speeches about White House visit. Arlene gets dreamy about the president and replaces Bobby Sherman's posters with Nixon on her bedroom wall. Back at the White House, Nixon meets with Brezhnev, and Nixon shares cookies with him. They end up singing "Hello Dolly". Arlene faling in love with Nixon. In a fantasy sequense, Nixon rides a horse on the beach, then "twirls" with Arlene, and they look at a White House sand castle. Arlene starts Nixon scrap book. The girls recognize Liddy on the TV news. Alene calls Nixon while he is watching "Love, American Style" when Arlene calls him to ask about "that Wategate thing". The girls return to walk Checkers, and discover the taping system in secretary Rosemary Woods desk. They tape a message for Nixon. Arlene confesses her love for him. They hear some tape of Nixon cursing, and yelling at Checkers, and they are disappointed. They confront Nixon about Watergate. Arlene removes his pictures and burns them. They talk to reporters Woodward and Bernstein on the phone then agree to meet them in person. Subsequently, they are harassed by a "Plumbers" van. They go to Haldeman's house to get tapes Haldeman took home. Arlene overhears an incriminating phone call between Haldeman and the White House. They steal a tape and give the transcript to Woodward and Bernstein. Nixon is drinking and listening to his tapes, and hears Arlene's singing "I Honestly Love You" and love confession. Nixon erases 18-1/2 minutes of the tape. Girls see Nixon on department store TVs as he resigns. They hold up a nasty banner and wave goodbye to him as he helicopters away. He gives them the finger. The DVD has a commentary by director/co-writers, a short "Making of" documentary, one deleted scene (an Arlene- and-Nixon beach nightmare), a blooper reel that is really funny, trailers to this and 2 other movies, text talent files, and an isolated score/soundtrack of really groovy 70's songs. If the cultural references (Kung Fu and Alka-Seltzer commercials, etc) don't get you, maybe the day-glow clothes will. ... Read more | |
| 7. The In-Laws Director: Andrew Fleming | |
![]() | list price: $6.93
our price: $6.93 (price subject to change: see help) Asin: B0000BWVAA Catlog: Video Sales Rank: 82690 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Description Reviews (41)
The Peyser and Tobias families are about to come together and celebrate the wedding of Mark (Ryan Reynolds)and Melissa (Lindsay Sloane). Little does the loving couple realize that their fathers are about to make their special day truly unforgettable. It seems that Mark's Dad Steve (Michael Douglas), is really an undercover CIA Agent, involved in a mission concerning illeagal weapons. Through a series of mishaps, the bride's father, Podiatrist Jerry (Albert Brooks) finds himself Steve's reluctant partner, helping him with the mission. Director Andrew Flemming has big shoes to fill. For the most part, things turn out fair at best. A big problem I think is that Douglas is obviously miscast in the Falk role. Thankfully, Brooks is up to taking over for Arkin, and makes things watchable. The rest of the cast has their moments, especially Candice Begen, as Douglas's ex wife. The script is very predictable and the vital chemistry between the two men is forced and all one sided. As good as Brooks is--Douglas seems like he is out of step--therefore they don't hold a candle to Falk and Arkin. The extras on the DVD are not really all that great. The only saving grace is the audio ommentary by Fleming. He, like Brooks is for the film is the one bright spot amid sub par material. The "hilarious" gag reel, "zany" additional scenes, and "riotous" sequences with Brooks don't really live up to any of those three adjectives. The theatrical trailers round out the laugh filled extras and the disc. If you are a fan of Brooks, then by all means rent this version. But if you want to see what started it all, the far superior original is a better way to go.
In the latest version of this action comedy, the plot follows this same line. Steve Tobias (Michael Douglas), an undercover CIA agent sometimes arms dealer, drags Jerry Peyser (Albert Brooks), a mild-mannered podiatrist who is obsessed with giving his daughter the "perfect" wedding, across the Atlantic to "broker a deal" with a French drug lord, Jean-Pierre Thibodoux (David Suchet). Tobias's entanglement with unsavory characters of the underworld and being constantly tailed by a flock of FBI agents combined with traditional wedding settings provides the audience with some hilarious situations. Douglas does an excellent job with his deadpan delivery, somewhat reminiscent of his performance in Romancing the Stone, while Brooks is a perfect foil for him as he peppers the film with his somewhat phobic antics. Angela (Robin Tunney), Tobias's sidekick in his world of espionage, often outwits a befuddled Jerry Peyser in these madcap adventures. Rounding out the cast is Candice Bergen, as ex-wife Judy, Lindsay Stone, as the bride-to-be, and fiancé Ryan Reynolds. The chemistry between Douglas and Brooks evolves over the course of the movie while Arkin and Falk clicked on all cylinders from the beginning. Even though this movie does not surpass its predecessor, it was entertaining none the less. Fleming did a good job of incorporating music to fit each scene. The In-Laws runs 95 minutes and it is a movie that provides pure entertainment without nudity and repetitive violence. Sit back and enjoy this film, even if it the "second time around."
Dr. Jerome Peyser is a mild-mannered podiatrist with a well-organized daily routine designed to eliminate all possible sources of stress. In his functional (if unfashionable) fanny pack he keeps a sanitary drinking cup in case he needs a sip of water away from home, a couple of Lorna Doones in case his blood sugar slumps a few points between meals, and a personal security alarm -- just in case.Meanwhile, daredevil CIA operative Steve Tobias moves through life like a heat-seeking missile. His average day consists of dodging bullets, stealing private jets and negotiating with international arms smugglers. Steve's unpredictable lifestyle has already driven ex-wife Judy (CANDICE BERGEN) to an ashram for some peace and has strained his relationship with son Mark (RYAN REYNOLDS) -- possibly beyond repair. Now he's giving potential father-of-the-bride Jerry a serious case of pre-nuptial jitters.Steve's dramatic entrances and exits, his cryptic references to a Russian runaway named Olga and his fight with a gunman in a restaurant washroom causes Jerry to see a vision of his daughter's (LINDSAY SLOANE) perfectly planned wedding blowing up in his face. As far as Jerry's concerned, letting Steve into his family takes "til death do us part" way too literally.Before he can say the wedding is off, Jerry suddenly finds himself embroiled in the chaos that follows in Steve's wake as he is dragged kicking and screaming into a series of perilous adventures that take the mismatched in-laws-to-be halfway around the world. Adding insult to injury is Steve's partner Angela (ROBIN TUNNEY), a dedicated agent who doesn't hide her hostility toward the uncooperative doctor who is -- for better or worse -- along for the ride.But when their children are in danger, Jerry and Steve will discover they can truly be an effective team -- as jet pack meets fanny pack in this riotous remake of the 1979 comedy The In-Laws. -- © Warner Bros. "Watching The In-Laws is like listening to a drawn-out, gruesomely inappropriate toast made at a posh wedding reception by a dissolute best man."
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| 8. The Craft Director: Andrew Fleming | |
![]() | list price: $9.95
(price subject to change: see help) Asin: 0767805496 Catlog: Video Sales Rank: 37477 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (170)
Fairuza Balk as Nancy was awesome. She played and looked the part so well and I don't think anyone could have done a better job. The movie is based around three teenage girls classified as the misfits of the school. They come together to form a small coven and cast spells one themselves and other people. Sarah is the newcomer who is quickly accepted into their circle. As the movie progresses things get out of hand and Nancy ends up way in over her head and it's up to Sarah to use her powerful inheritated gift of magick to stop her. I suggest this movie for anyone who wants to be thrilled.
Sarah Baily (Robin Tunney) has always felt like an outsider all her life. So, when she and her Dad (Cliff De Young) move to a new town, she finds herself having to start fresh. As the new gal at St. Benedict's Academy, she immediately falls in with the high school's female misfits. But, this group of girls won't settle for being just powerless outcasts, that nobody wants to hang out with. Indeed, Nancy, (Fairuza Balk) Bonnie, (Neve Campbell), and Rochelle (Rachel True) have discovered just how much fun school can be if you have the skills to use "The Craft" and they plan to show Sarah the way. Director and co scripter Andrew Fleming plays things pretty safe throughout the film. The tried and true horror formula isn't tested that much. Young and trendy stars populate the cast, with moments of humor and a few jolts, thrown in for good measure. The breakout performance for me here is Balk's sassy Nancy. She is one tough witch you don't want to mess with. She helps make the film better than it would be otherwise. As with any film about the wicken way, there's also a certain female "bonding" subtext that has to play itself out, as well. The special edition DVD substitutes for the movie only edition from awhile back. The audio commentary from Fleming is a nice mix of the tecnical and on set trivia about the film. There are two making Of featurettes on the disc. The first,is a six minute EPK style prepublicity kind of thing, while the second is a 24 minute retrospective, produced for the DVD. Conjuring THE CRAFT features "new" interviews with Fleming, Robin Tunny, Rachel True among others, intermixed with on set comments from Balk and Campbell. This is well produced. Fleming provides commentary for the deleted footage that, doesn't really amount to much as far as the final version is concerned The entire film score from Greame Revell is preserved and given its due as an isolated music track. Talent files, as well as, theatrical trailers for The Craft, among other films top off the bonus material on the disc. Addtional production notes can be found inside the keep case. The Craft is worth a dabble, with a *** and a half star rating, as long as your expectations are kept in check.
The sleeper hit THE CRAFT (1996) could've easily been played for camp, but it is instead a story of modern urban witchcraft that is both literate and emotionally powerful. The success of the film is due to Peter Filardi and Andrew Fleming's tight, well-written script, excellent direction from Fleming, and outstanding acting from principals Tunney, Balk, Campbell, and True. The supernatural elements of the story are handled carefully and earnestly, and witchcraft or the belief in it is never ridiculed or treated derisively. This keeps the tone of the film somewhat dark and edgy, which in turn creates an uneasy, spooky atmosphere that cues the audience to the fact that this is a serious horror film. Fleming wisely keeps the special FX to a minimum until the story's climax on the final reel, and he instead emphasizes the relationships in this group of dysfunctional, angst-ridden girls, well knowing that the primary target audience--to wit, teenagers--will easily relate to these characters and their normal desires and fears. The Special Edition DVD from Columbia/Tri-Star offers THE CRAFT in anamorphic widescreen at its original aspect ratio of 1.85:1. The digital transfer is very good, with minimal filmic or digital artifacts. The disc also features an informative commentary with director Andrew Fleming, 2 featurettes, deleted scenes, and more. THE CRAFT is a cool horror film that most fans of the genre will enjoy, and the very reasonable price makes it easy for fans to add this DVD to their collections.
So maybe it was filled with holes. Maybe it's a tad unrealistic. Maybe it doesn't portray Wicca with fair accuracy (not that I care about that). So it's flawed. So what? That said, THE CRAFT is awfully entertaining and worth more than one watch - hence my umpteenth watch a few weekends ago. I especially appreciated Fairuza Balk's performance - just as much as gorgeous Robin Tunney's. It's a shame she's no Hollywood starlet today. A year or more ago I saw her in this dreadful movie called CHERISH, a truly tedious indie flick. Tunney plays Sarah, newcomer to the neighborhood. After being shunned by the popular girls, a circle of peculiar witches take her beneath their collective wings. Nancy, Bonnie, and Rochelle all have supernatural powers and the rumor mongers have always been spreading gossip about them. (They are played by Fairuza Balk, Neve Campbell, and Rachel True, respectively.) Now, it is time to get revenge on those who have wronged them - yes, revenge is the only remedy to their teenage angst and turmoil. Each girl has a different situation. Rumors have been churning through the mill that Sarah Bailey slept with popular jock Chris Hooker (played by Skeet Ulrich, who later appeared with Campbell in SCREAM). Not only that, but he claims she sucked in bed, according to Nancy. Sarah had really been into Chris during their first date and after one kiss on a rooftop, he'd tried to take her back home with him. She'd declined and Chris had seemed a little disappointed. Still, Sarah never guessed he'd begin spreading lies about her. Now, she will get Chris, who snubs her in the halls, to fall truly, madly, and deeply head-over-heels in love with her. In fact, with Sarah's powers, he develops humorous stalker-esque tendencies. Nancy Down's troubles mainly concern her homelife. Her father is a bum. She and her two parents live the stereotypical white trash lifestyle. Nancy uses her powers to give her father a heart attack (odd, yes...I know) and because of his death, she and Mrs. Down are left with a big 'ole sum of money. They move into a very nice apartment and are able to live quite comfortably. Bonnie was involved in a terrible accident that left her permanently scarred - much of the high school knows about the disfiguring scars. She has a beautiful face but her scars inable her to wear certain clothes and she's oh-so self-concious about it. She undergoes a painful hospital operation that may or may not improve her condition - it does, thanks to her supernatural powers. :) Because of the operation, her mother and the doctors aren't all that suspicious. They just assume it to be the goodness of medical technology. Rochelle's dilemma concerns racist Laura Lizzie (Christine Taylor), who is on the school's swim team with her. Laura makes it crystal clear that she can't stand Rochelle because she's black. Whenever Rochelle is at work perfecting her dives, Laura shouts out cruel remarks to distract her and she also calls her racial slurs in the locker room. Rochelle's spell causes Laura's hair to begin to fall out in huge clumps that leave bald patches all over her blonde head. Within days, she's totally bald. But what you do to others in your spells comes back to haunt you. Times three. So now, the girls will have to deal with the consequences of their actions. Sarah must also deal with the fact that her three friends are turning on her and she must face the harrowing battle all on her own. That is, if they don't kill her first. With good performances and an exciting plot, this movie may appeal to fans of HEATHERS, MEAN GIRLS, and other movies in which the theme of all-girl friendships are stressed. Many critics took an intense disliking to this film, but it has been rather popular with many audiences, doing mildly well in the box office and on video.
One by one, it goes through and shows each one of the girls problem. Bonnie was in a fire and left with horrible burn marks, Rochelle is the target of a racist clique, Nancy comes from a broken home, and Sarah is still haunted by memories of a suicide attempt. They all cast spells to improve their lives, and they work. Sarah makes a guy fall in love with her, Rochelle causes her harasser's hair to fall out, Bonnie overcomes her scars and Nancy ends up killing her jerk stepfather, resulting in her mother and her to inherit a bunch of money from him. As the girls get deeper and deeper into the craft, Sarah realizes that they are taking everything too far. Bonnie has turned into a total snob, Rochelle's tormentor goes completely bald, Sarah's love spell has turned into dangerous obsession, and Nancy has completely turned power hungry. When Sarah makes her desire to leave the circle known, they will not hear of it. Nancy ends up trying to kill Sarah, resulting in one of the best fight scenes EVER. Overall, some of the stuff referring to the craft in this movie is true. The quarter calls made by the group are actual Gardnarian Tradition quarter calls, and the threefold law is TRUE (I know from experience, lol) ... Read more | |
| 9. The Craft Director: Andrew Fleming | |
![]() | list price: $9.98
(price subject to change: see help) Asin: 6304181698 Catlog: Video Sales Rank: 120182 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (170)
Fairuza Balk as Nancy was awesome. She played and looked the part so well and I don't think anyone could have done a better job. The movie is based around three teenage girls classified as the misfits of the school. They come together to form a small coven and cast spells one themselves and other people. Sarah is the newcomer who is quickly accepted into their circle. As the movie progresses things get out of hand and Nancy ends up way in over her head and it's up to Sarah to use her powerful inheritated gift of magick to stop her. I suggest this movie for anyone who wants to be thrilled.
Sarah Baily (Robin Tunney) has always felt like an outsider all her life. So, when she and her Dad (Cliff De Young) move to a new town, she finds herself having to start fresh. As the new gal at St. Benedict's Academy, she immediately falls in with the high school's female misfits. But, this group of girls won't settle for being just powerless outcasts, that nobody wants to hang out with. Indeed, Nancy, (Fairuza Balk) Bonnie, (Neve Campbell), and Rochelle (Rachel True) have discovered just how much fun school can be if you have the skills to use "The Craft" and they plan to show Sarah the way. Director and co scripter Andrew Fleming plays things pretty safe throughout the film. The tried and true horror formula isn't tested that much. Young and trendy stars populate the cast, with moments of humor and a few jolts, thrown in for good measure. The breakout performance for me here is Balk's sassy Nancy. She is one tough witch you don't want to mess with. She helps make the film better than it would be otherwise. As with any film about the wicken way, there's also a certain female "bonding" subtext that has to play itself out, as well. The special edition DVD substitutes for the movie only edition from awhile back. The audio commentary from Fleming is a nice mix of the tecnical and on set trivia about the film. There are two making Of featurettes on the disc. The first,is a six minute EPK style prepublicity kind of thing, while the second is a 24 minute retrospective, produced for the DVD. Conjuring THE CRAFT features "new" interviews with Fleming, Robin Tunny, Rachel True among others, intermixed with on set comments from Balk and Campbell. This is well produced. Fleming provides commentary for the deleted footage that, doesn't really amount to much as far as the final version is concerned The entire film score from Greame Revell is preserved and given its due as an isolated music track. Talent files, as well as, theatrical trailers for The Craft, among other films top off the bonus material on the disc. Addtional production notes can be found inside the keep case. The Craft is worth a dabble, with a *** and a half star rating, as long as your expectations are kept in check.
The sleeper hit THE CRAFT (1996) could've easily been played for camp, but it is instead a story of modern urban witchcraft that is both literate and emotionally powerful. The success of the film is due to Peter Filardi and Andrew Fleming's tight, well-written script, excellent direction from Fleming, and outstanding acting from principals Tunney, Balk, Campbell, and True. The supernatural elements of the story are handled carefully and earnestly, and witchcraft or the belief in it is never ridiculed or treated derisively. This keeps the tone of the film somewhat dark and edgy, which in turn creates an uneasy, spooky atmosphere that cues the audience to the fact that this is a serious horror film. Fleming wisely keeps the special FX to a minimum until the story's climax on the final reel, and he instead emphasizes the relationships in this group of dysfunctional, angst-ridden girls, well knowing that the primary target audience--to wit, teenagers--will easily relate to these characters and their normal desires and fears. The Special Edition DVD from Columbia/Tri-Star offers THE CRAFT in anamorphic widescreen at its original aspect ratio of 1.85:1. The digital transfer is very good, with minimal filmic or digital artifacts. The disc also features an informative commentary with director Andrew Fleming, 2 featurettes, deleted scenes, and more. THE CRAFT is a cool horror film that most fans of the genre will enjoy, and the very reasonable price makes it easy for fans to add this DVD to their collections.
So maybe it was filled with holes. Maybe it's a tad unrealistic. Maybe it doesn't portray Wicca with fair accuracy (not that I care about that). So it's flawed. So what? That said, THE CRAFT is awfully entertaining and worth more than one watch - hence my umpteenth watch a few weekends ago. I especially appreciated Fairuza Balk's performance - just as much as gorgeous Robin Tunney's. It's a shame she's no Hollywood starlet today. A year or more ago I saw her in this dreadful movie called CHERISH, a truly tedious indie flick. Tunney plays Sarah, newcomer to the neighborhood. After being shunned by the popular girls, a circle of peculiar witches take her beneath their collective wings. Nancy, Bonnie, and Rochelle all have supernatural powers and the rumor mongers have always been spreading gossip about them. (They are played by Fairuza Balk, Neve Campbell, and Rachel True, respectively.) Now, it is time to get revenge on those who have wronged them - yes, revenge is the only remedy to their teenage angst and turmoil. Each girl has a different situation. Rumors have been churning through the mill that Sarah Bailey slept with popular jock Chris Hooker (played by Skeet Ulrich, who later appeared with Campbell in SCREAM). Not only that, but he claims she sucked in bed, according to Nancy. Sarah had really been into Chris during their first date and after one kiss on a rooftop, he'd tried to take her back home with him. She'd declined and Chris had seemed a little disappointed. Still, Sarah never guessed he'd begin spreading lies about her. Now, she will get Chris, who snubs her in the halls, to fall truly, madly, and deeply head-over-heels in love with her. In fact, with Sarah's powers, he develops humorous stalker-esque tendencies. Nancy Down's troubles mainly concern her homelife. Her father is a bum. She and her two parents live the stereotypical white trash lifestyle. Nancy uses her powers to give her father a heart attack (odd, yes...I know) and because of his death, she and Mrs. Down are left with a big 'ole sum of money. They move into a very nice apartment and are able to live quite comfortably. Bonnie was involved in a terrible accident that left her permanently scarred - much of the high school knows about the disfiguring scars. She has a beautiful face but her scars inable her to wear certain clothes and she's oh-so self-concious about it. She undergoes a painful hospital operation that may or may not improve her condition - it does, thanks to her supernatural powers. :) Because of the operation, her mother and the doctors aren't all that suspicious. They just assume it to be the goodness of medical technology. Rochelle's dilemma concerns racist Laura Lizzie (Christine Taylor), who is on the school's swim team with her. Laura makes it crystal clear that she can't stand Rochelle because she's black. Whenever Rochelle is at work perfecting her dives, Laura shouts out cruel remarks to distract her and she also calls her racial slurs in the locker room. Rochelle's spell causes Laura's hair to begin to fall out in huge clumps that leave bald patches all over her blonde head. Within days, she's totally bald. But what you do to others in your spells comes back to haunt you. Times three. So now, the girls will have to deal with the consequences of their actions. Sarah must also deal with the fact that her three friends are turning on her and she must face the harrowing battle all on her own. That is, if they don't kill her first. With good performances and an exciting plot, this movie may appeal to fans of HEATHERS, MEAN GIRLS, and other movies in which the theme of all-girl friendships are stressed. Many critics took an intense disliking to this film, but it has been rather popular with many audiences, doing mildly well in the box office and on video.
One by one, it goes through and shows each one of the girls problem. Bonnie was in a fire and left with horrible burn marks, Rochelle is the target of a racist clique, Nancy comes from a broken home, and Sarah is still haunted by memories of a suicide attempt. They all cast spells to improve their lives, and they work. Sarah makes a guy fall in love with her, Rochelle causes her harasser's hair to fall out, Bonnie overcomes her scars and Nancy ends up killing her jerk stepfather, resulting in her mother and her to inherit a bunch of money from him. As the girls get deeper and deeper into the craft, Sarah realizes that they are taking everything too far. Bonnie has turned into a total snob, Rochelle's tormentor goes completely bald, Sarah's love spell has turned into dangerous obsession, and Nancy has completely turned power hungry. When Sarah makes her desire to leave the circle known, they will not hear of it. Nancy ends up trying to kill Sarah, resulting in one of the best fight scenes EVER. Overall, some of the stuff referring to the craft in this movie is true. The quarter calls made by the group are actual Gardnarian Tradition quarter calls, and the threefold law is TRUE (I know from experience, lol) ... Read more | |
| 10. The Craft Director: Andrew Fleming | |
![]() | list price: $14.95
(price subject to change: see help) Asin: B00004RF0L Catlog: Video Sales Rank: 114571 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (1)
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