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| 1. Fight Club Director: David Fincher | |
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Reviews (1184)
Norton and Pitt are perfectly cast, and supported by a crew of fight club members that make for a well-acted show. Meatloaf, Ed Gil, Jared Leto, et. al. are great in support as the members/followers of the leads. Helena Bonham Carter has the only real female role in this film and is perfectly cast. But as much as the acting, this movie is made by the story. Unconventional, with a great twist at the end, the whole movie kept me on the edge of my seat. As with many great movies, it is hard to classify the genre (action, comedy, drama), as there is a sampling of all in this film. In the end, I would just classify this as a great film. Much was made of the violence of this movie when it first hit the theaters. Those critics overstated the case. There is blood and violence in the movie, but it is not excessive and it serves the plot well. If you missed this in the theater, see it now. If you saw it once, see it again. I will.
-- She just 5 months in prison and 5 months of home confinement. Isn't it wierd how much of this film has been almost prophetic?
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| 2. The Game Director: David Fincher | |
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Reviews (162)
In THE GAME, Douglas is Nicholas Van Orton; a man of great wealth and power and totally devoid of any human compassion (as evidenced by the cold and callous way in which he fires a longtime employee). If this sounds like Gordon Gekko to you, it's because Michael Douglas, at this stage in his career, plays cold callousness like no one else. Call it typecasting; I call it brilliant acting ability and being smart enough to stick with what works. However, Gordon Gekko in the legendary Oliver Stone-directed WALL STREET (1987) didn't have a younger brother; Nicholas Van Orton does. On Nick's 48th birthday (the same age at which his father died, hint hint), his black-sheep-of-the-family brother Conrad, as brilliantly played by Sean Penn, visits him in his sprawling, cherry-wood office and hands his older sibling his birthday present: a business card with the name Consumer Recreation Services (CRS) on it. "What is this," Nicholas cynically asks. The sly answer given by Penn is one of my favorite lines in the film, and one that tells us that his elder bro's life will never be the same, once he begins to play THE GAME. Along the way, Nicholas Van Orton encounters CRS and its primary spokesman (or so he thinks) Jim Feingold (played with disarming confidence by character actor James Rebhorn), a mouthy cocktail waitress (Deborah Kara Unger) who seems to hold the secret to THE GAME, and a spooky-looking full-size inanimate clown who appears to watch everything he does. Also along the way are near-brushes with death that culminate with Conrad Van Orton's tearful admission that he "didn't know what the $#@! he had gotten them into" when he had signed his brother up for THE GAME. But that's still just the beginning... Everyone is superbly cast in this film, including BABY DOLL (1956) herself, Carroll Baker, and the always-watchable Armin Mueller-Stahl. But the real star here is David Fincher; he is so adept at guiding us down a labyrinthic path of which only he knows the end, that all we can do is hang on and enjoy the rollercoaster ride on which he breathlessly takes us. He primarily relies on small, subtle signs of foreboding to generate suspense, as opposed to full-blown violence and gore. Although this is one of those films that relies on first-time viewers' lack of knowledge of what to expect, and thusly loses something on repeated viewings, it is still a very good film to re-visit on occasion, if only to experience Fincher's unique style (this film and A PERFECT MURDER are miles apart in this respect, believe me), Douglas and Penn's acting and the production values, which are first-rate. See and experience THE GAME for yourself. HIGHLY RECOMMENDED
Critique: Nerve-wracking, high wire act of a movie directed with guile precision by David Fincher ('Seven', 'Alien 3'). So far all of David Fincher's films have been good which is rare for someone who has been dubbed as a purely commercial director. The sort of tagline that is a deathnail for anyone seeking true legitimacy in Hollywood. Michael Douglas is good in the role of another heartless tycoon type character in the mold of Gordon Gekko from 'Wall Street'. Douglas gives the character just a slight insidious turn and taking him into Twilight Zone territory. It's also good seeing Sean Penn in a first rate mainstream movie for a change. Film is made in such a way that every detail has to be dissected in order to make a logical progression of events. Which otherwise would seem chaotic and purely coincidental. Towards the climax it all makes perfect sense and provides a most welcome escape ending. When the credits roll and you know it is truly over it is strangely satisfying and disappointing. QUOTES: Conrad: "What do you get for the man who has everything?"
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| 3. Fight Club Director: David Fincher | |
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Reviews (1184)
Norton and Pitt are perfectly cast, and supported by a crew of fight club members that make for a well-acted show. Meatloaf, Ed Gil, Jared Leto, et. al. are great in support as the members/followers of the leads. Helena Bonham Carter has the only real female role in this film and is perfectly cast. But as much as the acting, this movie is made by the story. Unconventional, with a great twist at the end, the whole movie kept me on the edge of my seat. As with many great movies, it is hard to classify the genre (action, comedy, drama), as there is a sampling of all in this film. In the end, I would just classify this as a great film. Much was made of the violence of this movie when it first hit the theaters. Those critics overstated the case. There is blood and violence in the movie, but it is not excessive and it serves the plot well. If you missed this in the theater, see it now. If you saw it once, see it again. I will.
-- She just 5 months in prison and 5 months of home confinement. Isn't it wierd how much of this film has been almost prophetic?
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| 4. Alien 3 Director: David Fincher | |
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Amazon.com Reviews (254)
In a nutshell, ALIEN3 more or less negates everything Jim Cameron had established in ALIENS, and if you view this movie as a sequel you're gearing yourself up for disappointment. However, if you view this film as a science fiction piece with none-too-subtle religious undertones then you might be surprised to find yourself in for quite a ride. The look of the film, the trademarked beautiful Aliens grunge, in pulled off quite well. The characters (mostly bald White guys with Brit accents) are a little hard to decipher to the passive viewer, but are quite earnest in their acting. Charles Dance and Charles S. Dutton provide some pretty cool roles (if a little heavy-handed in the latter case). The religious undertones are there; and they may offend some ardent Bible-thumpers (I'm talking about the Christ-like death sequence)--but it's a nice change of pace for the ALIEN films. The first was horror. Second, war. Why not have the third be 'bout religion? I think it works; but, hey, different squids for different kids (thanks, Steve, for that phrase). All in all: great cinematography, passable performances with a few gems, laughable story, 'bout two hours of late night or Sunday afternoon stoner entertainment.
Ellen Ripley, who is now in cryogenic suspension on board the spaceship that she got on to escape the colonized planet after saving Newt from the alien that hitched a ride on board. Unaware of it though, the alien that she defeated was in fact a queen and laid a small egg in a hidden compartment onboard the ship. The alien on board causes an acid spill which causes an electrical fire and the resulting fire causes the escape pod where the survivors of the previous movie to be separated from the mother ship. After crashing into the ocean on a desolate planet, Ripley finds herself once again the only survivor on a totally unknown world. After being revived in a high-security prison called Fury 161, Ripley finds herself being the only woman in a prison with a religious cult comprised of convicted criminals. Now being imprisoned on the planet, she learns her greatest nightmare of all and how much of a big sacrifice must be made in order to destroy the aliens once and for all. However, Ripley has no idea that the alien isn't her only enemy anymore. While this is a great movie, this tends to suffer from some problems which likely has caused a lot of fans of the previous two to really shun this movie. While I can't blame them for killing off two important characters from the previous movie, my biggest problems are different. The greatest flaw with this movie is not it's storyline but it's excessive used of dropping F-Bombs right and left. Swearing doesn't bother me necessarily but the F-Bomb is WAY overused here and it really tends to detract from the films enjoyability. I also wasn't too thrilled at the whole prospect of the prisoners being nothing more than just 'live bait' for the alien to kill off one by one. The "Collector's Edition" is fantastic in many ways. The deeply flawed theatrical release is much better in its remastered form but the "Special Edition" is light years ahead of it's old counterpart. With the film being extended to two hours and thirty-five minutes, with some old footage replaced with previously unreleased footage, along with extended and previously unreleased scenes, "The Special Edition" of "Alien 3" really helps to mend a lot of the problems that plagued the original version and the result is a movie that is almost as great as the first two movies. The only problem I had was the ending which where the ending of the climax scene looked a lot more fake than it did in the original version. Despite this minor quibble, the "Special Edition" of this movie is light years better than the original and the result is a flawed movie that really is lifted much higher in rankings to rank up there with the 1979 original. It'll never top "Aliens" for me but "Alien 3" really benefits from it's revamping. To all of the people who strongly detested this movie to begin with, I would strongly recommend that if you have the time, watch the "Special Edition" because it really helps to correct a lot of the mistakes of the original and it makes the characters a lot more three-dimensional. I have come to appreciate this movie a lot more since seeing it on it's newest form. The second disc is a real treat. The extras on disc two are really good and along with the first disc, warrant purchasing "Alien 3". I at first found that this was a movie that was not easy to digest especially due to its troubling loss of two of the main characters from the previous movie "Aliens" from 1986. However I have since over time have come to really enjoy this movie and have felt more sorry for the crew after seeing a deep insight into how troubled the movies making really was. You can also see the mixed reactions towards the finished film from the crew members who were involved in it's production. Perhaps the most memorable thing I learned even if it's not from the DVD itself was how much agony David Fincher went through when directing this movie. He was pushed into this movie's directing late into it's production and the result was enormous tension between him and other producers which resulted in agonizing almost non-stop work in directing this movie. Perhaps it's why he hasn't embraced it since it's release but I have to credit him that his work on this is fantastic and the result was worth it to me. To me while it isn't the best of the series by any means, "Alien 3" is a really excellent and satisfying conclusion to the storyline of Ellen Ripley and her war against the predatory alien creatures. Like someone else said about it, I strongly agree that "Alien Resurrection" felt more like some wacky spin-off that had almost nothing to do with the previous three movies and I agree. While I'm not saying that it was terrible, it wouldn't have been a bad idea of they had simply closed the series on the third one.
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| 5. Seven Director: David Fincher | |
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Amazon.com essential video Reviews (453)
As if Se7en wasn't awesome enough, the DVD is simply loaded!! This is one of those rare cases when a movie DESERVES to be stocked full of extras! Obviously, this movie is not for the squeamish or weak of heart, but anyone who can handle this kind of a movie will discover one of the best films of the 90's.
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| 6. Panic Room Director: David Fincher | |
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Reviews (351)
Meg (Foster), divorced from her husband, and her daughter Sarah (Kristen Stewart) Altman move into a spacious three floor on the West side of New York. The house is too good to be true - huge rooms, an elevator, and a room that is hidden, a panic room. A panic room has a huge steel door which is inpenetrable and is sensored, an entire security camera system to view, seperate phone line, and steel and concrete surrounding the entire area. This looks like a dream come true for the Altman's - until the first night. Three robbers enter: the family man Burnham (Forest Whitaker), the "boss" and talker Junior (Jared Leto) and the stranger Raoul (Dwight Yoakam). They come looking for one thing: money. Money that the previous owner had kept away. Junior says that they're each going to get a million dollars. The one thing the trio does not expect is that there are actual people in the house. Here's where the suspense begins. Howard Shore's score kicks into full effect as Foster and Stewart run to the panic room. This movie is too good to reveal what happens, but it all revolves around the money being in the panic room itself. With such plot twists as Sarah (Stewart) being diabetic and Meg (Foster) being claustraphobic, along with many others, this one kept me at the edge of my seat. David Fincher is one of the most under-rated directors of the period, and Jodie Foster completely pulls out the role as mother/fighter/schemer to a T, and does us all in. A must see and a definate buy on DVD!
How interesting...Meg is right. Behind a secret wall lies the infamous "Panic Room", designed it seems, to withstand (and I am partially joking here) an atomic bomb explosion. The Room is entirely self-sufficient, able to operate and sustain life independently from the outside world. Everything needed to survive is packaged neatly behind the heavy steel doors (think War Games). In fact, the presence of the panic room is so omnious and claustrophobic, it becomes an acting character itself. How lucky then, are Sarah and mother Meg when a group of burglers, headed by Burnham, (Whitaker)...break into the home in search of a cache of money supposedly hidden in the panic room. And how unlucky are the two women when it comes to our realisation that Burnham used to be a designer and architect of "panic rooms" himself. He is confident that he can break into the room, using his knowledge of a panic room's inherent design. The real game becomes a slow evolution from -Can they escape?- and -Will they get in?-, cat and mouse style, to who is most strategic. Burnham may seem to have the upper hand, but Meg is quick-witted and familiar with her own home. She plays her cards well and it is exciting to see her instinctual skills come to life. As the trailers of "The Panic Room" now entice you with more and more scenes, take them seriously with their new motto: bring a friend with you to see "The Panic Room", because you will need to hold on to someone. Great advice. I saw this movie alone and "The Panic Room" nearly gave me a panic attack! Five stars for edge-of-your-seat action, suspense, fantasic performances, and the last minute additon of Jodie Foster to play Meg. I really don't think Nicole Kidman has the muscle or strength to pull of the physical requirements of a movie like this (She had to bow out due to an injury). Bravo Jodie on surfacing to the limelight again to make another spectacular film! I believe this is her first film since "The King and I". She proves even a Hollywood Mommy can kick [behind] in a physically demanding role. I am already impatient waiting for her next move in the film world. This movie is fabulous and could be a great date flick...especially since you will feel it necessary to grab hold of someone during the intense scenes. Enjoy. I have no doubt you will.
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| 7. Aerosmith: Big Ones You Can Look at Director: Marty Callner, David Fincher | |
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Reviews (127)
Aerosmith aren't just the greatest band in America - they are the greatest band in the WORLD - still going strong today despite that some of today's acts in music aim for the youth culture. Aerosmith have the potential to rock our worlds for as long as they can handle. I would recommend this VHS to anyone who even just remotely likes them. You can see the videos of "Eat The Rich", "Livin' On The Edge", "Ragdoll", "Dude (Looks Like A Lady", "Angel" "The Other Side" "Janie's Got A Gun" and the MTV classics "Cryin'", "Amazing" and "Crazy" which feature the absolutely stunning Alicia Silverstone who oozes with sex appeal in all three of these videos. Between each video you get the chance to witness behind the scenes, interviewing the Bad boys from Boston about going on tour, the making of the videos etc. A delightful package which charts the success of this legendary band. Keep a look out for Edward Furlong (of Terminator 2 fame) who stars in the video to the timeless classic "Livin' On The Edge". Anyone who likes rock's greatest band should purchase this. A true gem. I can only hope their record company decide to release a live DVD soon of one of Aerosmith's gigs because that is the only thing I can imagine that would be better than this fantastic video!! GO ON AEROSMITH - KEEP ROCKING MY WORLD!!
Aerosmith is the best American rock band, period. It wasn't until the mid eighties that the really caught up with the rest of the world. The hits started cranking out on their "Permanent Vacation" album with cool rock like "Dude (Looks Like A Lady)", a very cleaver smack at make up laced heavy metals stars. I also can't forget the sensitive, sweet sounds of "Angel" (talk about your AC Top 40 stuff) and the unforgettable "Rag Doll" (Joe and Brad at his best guitar work not to mention a great drum part on behalf of Joey and thumping bass by Tom). The "Pump" tracks also rock hard. You got everything from the catchy horns of "The Other Side" to the painfully great love county type song "What It Takes". The ultimate "Pump" songs are Aerosmith's generally best ever from the mesmerizing story of "Janie's Got A Gun" to the party fest of "Love In An Elevator". Then comes the mixed bag of everything that is "Get A Grip". Everything from the breakup standards like "Cryin'" to the driving "Eat The Rich". Don't forget the new tracks "Walk On Water (sounds like old experimental Aero) and the hard rock wisdom of "Blind Man". The extra "Deuces Are Wild" is a big could have been hit from the group off of "The Beavis And Butthead Experience". The band really has it together here. Great party music with that's fun and with nice writing. It's not as big as some of their old Columbia stuff and not as gritty either. It's just the band playing their best and Steven singing his heart out. I think I like the "Pump" tracks the most and the "Grip" tracks are the least awesome (still really good though, just not as exciting to me). If you love hard rock, this set is really for you. The album is full of the best of the decade and is a lot better-played then hair band stuff.
That out of the way, this was (in 1994, at least) the best way to get all their "new" era hits in one place. Even though the guys now probably have more hits collections than some bands have albums, this is the best place IMHO for a new fan of their 1987-1994 to start. Starting with 87's PERMANENT VACATION, we have the hilarious, pop/metal classic tale of "Dude Looks Like A Lady"; the sweet but still rocking 80's power ballad "Angel"; and the somewhat old style bluesy hard rocker "Rag Doll." 1989's PUMP gets four songs. The funny office fantasy arena metal "Love in an Elevator"; the serious and edgy yet melodic "Janie's Got a Gun"; and the more stripped down power ballad "What it Takes"; and the somewhat Rolling Stones sounding rocker "The Other Side." 1993's GET A GRIP gets the biggest representation with five (!) songs. The cannibalism in-jokes of the underrated minor hard rock hit "Eat the Rich"; the mid tempo and more serious classic rocker "Living on the Edge"; and the three soundalike longer rock ballads "Cryin," "Amazing," and the emotional huge hit "Crazy" (with the Alicia Silverstone video). There's also three songs that were recorded new for this collection. The hard rock swagger of the slightly 70's yet modern "Walk on Water," the more serious, also older sounding "Blind Man" and the poppy semi ballad "Deuces Are Wild." There's several smaller hits and popular album tracks missing. PV's title track and "Hangman Jury"; PUMP's hard rockers "Young Lust" and "Monkey on My Back"; GRIP's "Line Up," as well as the Run DMC version of "Walk This Way." I'd recommend anyone a step up from a casual Aero' fan of this era to pick up all three of these albums represented here, but, as I said, this is a good starting place to see which songs you prefer. All those albums have a slightly different sound. PV was the pop/hair metal sounding one - like Bon Jovi and Def Leppard meet classic rock. PUMP was the gritty hard rock one with some 80's thrown in. GRIP was the part retro, part modern mellower classic rock one.
Being smart and knowing when to strike when the iron is hot, Aerosmith came back with Permanent Vacation in 1987 on Geffen (their first Geffen album, Done With Mirrors, was extremely underrated, check it out). Dude (Looks Like A Lady) was the first single and went to #14, becoming their biggest hit in a decade. However, this comeback single was not a fluke, it became the first of 11 straight singles (every single one collected on here) to make the top 30 (Eat The Rich and Deuces Are Wild were both smash hits on rock radio, and Blind Man and Walk On Water were the new tracks, Blind Man peaked in the 40's and Walk On Water barely got noticed when released in early 1995). Aerosmith were not only hot during 1987-1994, but they were actually hotter than they were in the 1970's! Only 2 tracks (Rag Doll and Walk On Water) of the 15 recreate the gritty bluesy classic rock sound that Aerosmith perfected in the 1970's, so many fans of classic 70's Aerosmith aren't so fond of this "poppier" sound. However, for many of us who grew up in the 80's and early 90's, this is the Aerosmith we knew first. I hope one day that there will be a comprehensive 1973-1982 collection (instead of a ten track) of the Columbia years, but when it comes to the Geffen years of Aerosmith, this is as good as it gets. The 2-disc "Young Lust" collection includes way too much from just 4 albums that it'd be cheaper to just go and buy the 4 albums seperately. BIG ONES is a Greatest Hits collection that delivers, every track on the album was a hit in some form or another, and there's nothing from 87-93 that's missing.
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| 8. Fight Club (D-VHS) Director: David Fincher | |
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Description Reviews (1184)
Norton and Pitt are perfectly cast, and supported by a crew of fight club members that make for a well-acted show. Meatloaf, Ed Gil, Jared Leto, et. al. are great in support as the members/followers of the leads. Helena Bonham Carter has the only real female role in this film and is perfectly cast. But as much as the acting, this movie is made by the story. Unconventional, with a great twist at the end, the whole movie kept me on the edge of my seat. As with many great movies, it is hard to classify the genre (action, comedy, drama), as there is a sampling of all in this film. In the end, I would just classify this as a great film. Much was made of the violence of this movie when it first hit the theaters. Those critics overstated the case. There is blood and violence in the movie, but it is not excessive and it serves the plot well. If you missed this in the theater, see it now. If you saw it once, see it again. I will.
-- She just 5 months in prison and 5 months of home confinement. Isn't it wierd how much of this film has been almost prophetic?
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| 9. Alien 3 Director: David Fincher | |
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Reviews (254)
In a nutshell, ALIEN3 more or less negates everything Jim Cameron had established in ALIENS, and if you view this movie as a sequel you're gearing yourself up for disappointment. However, if you view this film as a science fiction piece with none-too-subtle religious undertones then you might be surprised to find yourself in for quite a ride. The look of the film, the trademarked beautiful Aliens grunge, in pulled off quite well. The characters (mostly bald White guys with Brit accents) are a little hard to decipher to the passive viewer, but are quite earnest in their acting. Charles Dance and Charles S. Dutton provide some pretty cool roles (if a little heavy-handed in the latter case). The religious undertones are there; and they may offend some ardent Bible-thumpers (I'm talking about the Christ-like death sequence)--but it's a nice change of pace for the ALIEN films. The first was horror. Second, war. Why not have the third be 'bout religion? I think it works; but, hey, different squids for different kids (thanks, Steve, for that phrase). All in all: great cinematography, passable performances with a few gems, laughable story, 'bout two hours of late night or Sunday afternoon stoner entertainment.
Ellen Ripley, who is now in cryogenic suspension on board the spaceship that she got on to escape the colonized planet after saving Newt from the alien that hitched a ride on board. Unaware of it though, the alien that she defeated was in fact a queen and laid a small egg in a hidden compartment onboard the ship. The alien on board causes an acid spill which causes an electrical fire and the resulting fire causes the escape pod where the survivors of the previous movie to be separated from the mother ship. After crashing into the ocean on a desolate planet, Ripley finds herself once again the only survivor on a totally unknown world. After being revived in a high-security prison called Fury 161, Ripley finds herself being the only woman in a prison with a religious cult comprised of convicted criminals. Now being imprisoned on the planet, she learns her greatest nightmare of all and how much of a big sacrifice must be made in order to destroy the aliens once and for all. However, Ripley has no idea that the alien isn't her only enemy anymore. While this is a great movie, this tends to suffer from some problems which likely has caused a lot of fans of the previous two to really shun this movie. While I can't blame them for killing off two important characters from the previous movie, my biggest problems are different. The greatest flaw with this movie is not it's storyline but it's excessive used of dropping F-Bombs right and left. Swearing doesn't bother me necessarily but the F-Bomb is WAY overused here and it really tends to detract from the films enjoyability. I also wasn't too thrilled at the whole prospect of the prisoners being nothing more than just 'live bait' for the alien to kill off one by one. The "Collector's Edition" is fantastic in many ways. The deeply flawed theatrical release is much better in its remastered form but the "Special Edition" is light years ahead of it's old counterpart. With the film being extended to two hours and thirty-five minutes, with some old footage replaced with previously unreleased footage, along with extended and previously unreleased scenes, "The Special Edition" of "Alien 3" really helps to mend a lot of the problems that plagued the original version and the result is a movie that is almost as great as the first two movies. The only problem I had was the ending which where the ending of the climax scene looked a lot more fake than it did in the original version. Despite this minor quibble, the "Special Edition" of this movie is light years better than the original and the result is a flawed movie that really is lifted much higher in rankings to rank up there with the 1979 original. It'll never top "Aliens" for me but "Alien 3" really benefits from it's revamping. To all of the people who strongly detested this movie to begin with, I would strongly recommend that if you have the time, watch the "Special Edition" because it really helps to correct a lot of the mistakes of the original and it makes the characters a lot more three-dimensional. I have come to appreciate this movie a lot more since seeing it on it's newest form. The second disc is a real treat. The extras on disc two are really good and along with the first disc, warrant purchasing "Alien 3". I at first found that this was a movie that was not easy to digest especially due to its troubling loss of two of the main characters from the previous movie "Aliens" from 1986. However I have since over time have come to really enjoy this movie and have felt more sorry for the crew after seeing a deep insight into how troubled the movies making really was. You can also see the mixed reactions towards the finished film from the crew members who were involved in it's production. Perhaps the most memorable thing I learned even if it's not from the DVD itself was how much agony David Fincher went through when directing this movie. He was pushed into this movie's directing late into it's production and the result was enormous tension between him and other producers which resulted in agonizing almost non-stop work in directing this movie. Perhaps it's why he hasn't embraced it since it's release but I have to credit him that his work on this is fantastic and the result was worth it to me. To me while it isn't the best of the series by any means, "Alien 3" is a really excellent and satisfying conclusion to the storyline of Ellen Ripley and her war against the predatory alien creatures. Like someone else said about it, I strongly agree that "Alien Resurrection" felt more like some wacky spin-off that had almost nothing to do with the previous three movies and I agree. While I'm not saying that it was terrible, it wouldn't have been a bad idea of they had simply closed the series on the third one.
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| 10. Madonna: Video Collection 1993-99 Director: Chris Cunningham (II), David Fincher, Johan Renck, Jonas Ã…kerlund, Brett Ratner, Jean-Baptiste Mondino, Melodie McDaniel, Michael Haussman, Stephane Sednaoui, Walter Stern, Mark Romanek | |
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Description Individual songs include: 1. Bad Girl Reviews (137)
Bad Girl- I love this video! It is so beautiful! 5/5 | |
| 11. Madonna - The Immaculate Collection Director: Jean-Baptiste Mondino, Herb Ritts, Arthur Pierson (III), David Fincher, James Foley, Mary Lambert | |
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Reviews (44)
The DVD contains a video selection feature so you can jump right to your favorite video. Unfortunately, several videos were missing off of this collection. They were: Burning Up, Everybody, Dress You Up, Crazy For You, The Gambler, Into The Groove, Live To Tell, True Blue, Who's That Girl and Causing A Commotion. I guess we will have to wait until Madonna releases a full video archive to obtain the complete collection.
"Lucky Star" is a cute video. Madonna likes lovely and the dancing is superb. It was her first classic video. I love the black and white intro when Madonna pulls down the sunglasses. "Borderline" is a very cute video. Madonna plays a fashion model. I love the transistion between black and white and color. And once again, Madonna looks gorgeous. Also, in this video, Madonna vaguely resembles D.J. from "Full House". "Like A Virgin" was without a doubt the video tha cemented her. I love the scenes in Venice when she's dancing in the gondolla. Never cared for that lion man at the end, though. "Material Girl" was the one that started the comparisons to Marilyn Monroe, maybe because Madonna wore the same dress that Monroe wore in "Gentlemen Prefer Blondes" in 1953. It is an excellent video, and the one whose set she met future husband and recent Oscar winner Sean Penn on. "Papa Don't Preach" I didn't like that much. I don't know if it's because of the way Madonna wore her hair in the video or I'm just not a big Danny Aiello fan, but there's something about this video that I don't like. Great song, though. "Open Your Heart" gets right back on track. The idea of Madonna as a stripper wooing a young boy into a peep show was perfect. And Madonna's hair is beautiful. "La Isla Bonita" is my least favorite video. I just don't like the way she looks in the video. I never thought she looked all that good as a brunette, and here is no exception (the "Like A Prayer" video is, but I'll get to that later). Killer dress though, and a good song. "Like A Prayer" caused a ton of controversy when it was released. And why wouldn't it, what with its burning crosses, interracial love affair nd its depiction of Jesus being black? But when you look past all this, it's really a great video. And Madonna looks so beautiful. And about her being a brunette, she looks good with it in this video. In fact, I think the blackhair was required for the video. "Express Yourself" is a very sensuous video, especially the scene with Madonna naked and chained to the bed. The ending where Madonna grabs her crotch is really pretty funny. "Cherish" is a very charming video. Shot in black and white (at least I think it is), Madonna stands on the beach, getting soaked by water and yet singing about the sweet love she owns. A nice change of pace from the racier videos on the dvd. "Oh Father" I really don't remember, so I'll skip it. I remember it was pretty boring, though. And I hated the song. "Vogue" is such a great video. It's too beautiful to describe in words. All I can say is that Madonna looks gorgeous. The live performance of "Vogue" is really good. I reccommend this dvd to all Madonna fans who don't already own it.
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| 12. The Game Director: David Fincher | |
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(price subject to change: see help) Asin: B000069I3Q Catlog: Video Sales Rank: 50660 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (162)
In THE GAME, Douglas is Nicholas Van Orton; a man of great wealth and power and totally devoid of any human compassion (as evidenced by the cold and callous way in which he fires a longtime employee). If this sounds like Gordon Gekko to you, it's because Michael Douglas, at this stage in his career, plays cold callousness like no one else. Call it typecasting; I call it brilliant acting ability and being smart enough to stick with what works. However, Gordon Gekko in the legendary Oliver Stone-directed WALL STREET (1987) didn't have a younger brother; Nicholas Van Orton does. On Nick's 48th birthday (the same age at which his father died, hint hint), his black-sheep-of-the-family brother Conrad, as brilliantly played by Sean Penn, visits him in his sprawling, cherry-wood office and hands his older sibling his birthday present: a business card with the name Consumer Recreation Services (CRS) on it. "What is this," Nicholas cynically asks. The sly answer given by Penn is one of my favorite lines in the film, and one that tells us that his elder bro's life will never be the same, once he begins to play THE GAME. Along the way, Nicholas Van Orton encounters CRS and its primary spokesman (or so he thinks) Jim Feingold (played with disarming confidence by character actor James Rebhorn), a mouthy cocktail waitress (Deborah Kara Unger) who seems to hold the secret to THE GAME, and a spooky-looking full-size inanimate clown who appears to watch everything he does. Also along the way are near-brushes with death that culminate with Conrad Van Orton's tearful admission that he "didn't know what the $#@! he had gotten them into" when he had signed his brother up for THE GAME. But that's still just the beginning... Everyone is superbly cast in this film, including BABY DOLL (1956) herself, Carroll Baker, and the always-watchable Armin Mueller-Stahl. But the real star here is David Fincher; he is so adept at guiding us down a labyrinthic path of which only he knows the end, that all we can do is hang on and enjoy the rollercoaster ride on which he breathlessly takes us. He primarily relies on small, subtle signs of foreboding to generate suspense, as opposed to full-blown violence and gore. Although this is one of those films that relies on first-time viewers' lack of knowledge of what to expect, and thusly loses something on repeated viewings, it is still a very good film to re-visit on occasion, if only to experience Fincher's unique style (this film and A PERFECT MURDER are miles apart in this respect, believe me), Douglas and Penn's acting and the production values, which are first-rate. See and experience THE GAME for yourself. HIGHLY RECOMMENDED
Critique: Nerve-wracking, high wire act of a movie directed with guile precision by David Fincher ('Seven', 'Alien 3'). So far all of David Fincher's films have been good which is rare for someone who has been dubbed as a purely commercial director. The sort of tagline that is a deathnail for anyone seeking true legitimacy in Hollywood. Michael Douglas is good in the role of another heartless tycoon type character in the mold of Gordon Gekko from 'Wall Street'. Douglas gives the character just a slight insidious turn and taking him into Twilight Zone territory. It's also good seeing Sean Penn in a first rate mainstream movie for a change. Film is made in such a way that every detail has to be dissected in order to make a logical progression of events. Which otherwise would seem chaotic and purely coincidental. Towards the climax it all makes perfect sense and provides a most welcome escape ending. When the credits roll and you know it is truly over it is strangely satisfying and disappointing. QUOTES: Conrad: "What do you get for the man who has everything?"
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