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| 1. Twin Peaks: Pilot Director: Tim Hunter, Uli Edel, James Foley, Diane Keaton, Tina Rathborne, Mark Frost, A.J. Webb, Jonathan Sanger, David Lynch, Lesli Linka Glatter, Duwayne Dunham, Caleb Deschanel, Todd Holland, Stephen Gyllenhaal, Graeme Clifford | |
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Reviews (19)
I took a risk and I'd do it again because this show is one of the greatest achievements of all TV time. The pilot is a perfect intro to the show, establishing the characters and plots, the main one and various subplots, that it's addictive. WHO KILLED LAURA PALMER!? The mix of light and dark, quirky humor, heavy drama, fantastic production values, and so much more! If you haven't seen any of the show, stay clear of the last 15-20 minutes. I heard about the special ending and found out that the original pilot ends at Sarah Palmer's scream after her dream. End it there, watch the rest of the series, then go back and watch the ending. Other than that, sit back, relax, and ENJOY! And believe me, YOU WILL!
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| 2. Rasputin Director: Uli Edel | |
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Description Reviews (18)
Whether you're a history buff or Alan Rickman fan (or both), this is a must see! However, it is not for anyone under 18 because of the strong sexual content.
Alan Rickman won both The Emmy and The Golden Globe awards for his portrayal of Rasputin. When Rickman accepted the award he thanked the director for allowing him to be 'self-indulgent'. ( Note to directors: If you can get Alan in your film, let him be as self indulgent as he wants!) The script is intelligently written, it starts with a V.O. of the Czar's young son played over images of Hitler, Stalin and their wars. The Czarevich asks why we ushered in the most violent century in history? Why his good father and mother were hated and yet were replaced with monsters. . . This is a good start. We are not going to get corny here. On film, Rasputin, the so called "Mad Monk " ( he was neither ) has, like Cardinal Richelieu, become synonimous with hammy historical melodrama. There have been dozens of attempts to dramatize his story and, graded on their merits, let alone on a curve by comparison to this great film, they have been er...less than brilliant. Even including a 1932 version with John, Ethel and Lionel Barrymore ( The only film all 3 appeared in together ) to much hoakier renderings. And for those of us who DO know Russian history, yep. This time it's accurate. Ian McKellan heads the superb supporting cast. Everything comes together and plays wonderfully.
Rasputin convinces the Tzarina and later the Tzar of his abilities, so he has a place in court, although he is a very embarrassing man, uneducated, unpredictable and too fond of wine and gypsy prostitutes. Behind the scenes Russian people suffer, the First world war (predicted by Rasputin) is started and the last minutes of the Romanov family are at hand. Everything is told very economically, nothing too much and yet everything you need to know, with authentic film material cut into the story. I've recently looked up films of Alan Rickman, partly because some of them are hard to find, but mostly because his way of acting is simply addictive. I think I finally know, why. It's a kind of pornography - of human soul. (Which is an embarrassing discovery, porn really isn't my cup of tea...) His Rasputin isn't just a calculating monk, who sees an opportunity to get a comfortable life, wine and women and power over people, but a man, who lives from moment to moment, uneducated, without manners, sensual, in some ways stupid and in some ways clever. At times you see a strong, manipulative, hypnotic monk who makes you believe in God and Virgin Mary and seems to be able to look into your soul, at times there is child-like sincerity and vulnerability. He believes he has a mission, but it also gives him pain, he sees things but doesn't see, how his conduct affects the falling empire. "I didn't choose to be holy!" he says like a weak human being, who has been trusted with a burden, that is much too heavy. Strong, vulnerable, wise, fallable, loving, selfish... Is this the real Rasputin? Very possibly. Human beings are just as mixed and as capable of being both angelic and devilish as Rickman shows - in this and other movies. Oh yes, I felt great pity for Rasputin, though I wouldn't want him living in my house. And I'm glad I don't know Rickman in person, he seems to know too well, what we people are like. Who wants her mind to be x-rayed? Even by Rickman (who is, I admit, in his own way, enchanting)? Watch this movie, if you want to understand history, people or acting. Look at these actors and actresses, they don't act, they are the characters. Rickman is just the best example of how to become someone else than one really is, whether it is Rasputin, Mesmer or other things he's done. Watch this!
The rest of the cast is great as well, Ian Mckellen and the woman who played the Tsarina, she was very beautiful and touching, right down to James Frain whom I never grow tired of seeing pop up in historical films. I confess I'm not an expert on that time in Russian history, but as far as I know the events in the movie are pretty much accurate. I liked how the film showed his appetite for sex and alcohol but reserved judgement, as I don't believe a person is sinister or evil simply because they're a bit lusty... I like how the film doesn't make him out to be some villain wanting control of the Court, but reminds us that it was the nobles who came to *him* and brought him into political affairs instead of just leaving him to heal the boy. In the end, he was a martyr, and the movie has no overbearing message to leave you, just to show you an episode in history and enlist Alan Rickman to demonstrate, in all his mystical glory, why this man might have created the stir that he did. ... Read more | |
| 3. The Mists of Avalon Director: Uli Edel | |
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Reviews (175)
It's a tale full of the raw power of medieval England, where a belief in nature and natural spirits was vying with the approach of Christianity. It tells not only of women and men's different views of the world, but of love triangles, Christianity ousting the 'old ways', and a changing of culture. The TNT miniseries version stars Anjelica Huston, Julianna Margulies, and Joan Allen in the girl-power production. Huston is the magestic matriarch of Viviane, the Lady of the Lake, who in most stories is just the giver-of-the-sword to Arthur. Here she's the protector of Avalon, the center of the old power, one that is being replaced slowly by the bells of Christianity. They in fact share the same physical space, but only those with the power to believe can cross into Avalon. Margulies is Morgaine, Arthur's half-sister. They share a mother, but Arthur is born when Uther Pendragon lusts after Morgaine's mother Igraine and through deception beds her. Igraine and Viviane are sisters, but while Viviane defends the old ways, Igraine turns to the new (Christianity). The third sister, Morgause, is jealous of the other two and causes quite a bit of trouble. This was always a favorite book of mine, so I was very curious how they would bring it on screen. The locations were gorgeous - it was shot in Czechoslovakia and has the primitive wildness that medieval England would have had. The costumes were also gorgeous, and the actors and actresses were top notch. I really enjoyed the relationship Morgaine has later in her life. I do understand that certain of the themes are sensitive to a TV viewing audience. After all, Arthur and his half-sister Morgaine sleep together (not realizing they're related) when they're teenagers, and she bears a son from this union. Also, Arthur and Lancelot were attracted to each other in the book. These layers of sexuality added another dimension to the story, but they were a bit too risque for many viewers. The story was altered to change the way a lot of this was presented. Also, the scene where Morgaine and Gueneviere first meet was supposed to contrast the beautiful-blonde-Christian vs the small-dark-pagan - at least that's how Morgaine saw it. Because the book is told from Morgaine's point of view, it's not always the reality, of course, but her impression of it. But in the miniseries they stripped away a lot of the dialogue so you loose some of that sense. And then, near the end, it slips completely away, and where at the end of the book I'm thrilled to have gone on the journey, with the miniseries I wonder just exactly was the spot where they went wrong. I think the key is to watch it and think of it as a way to get people to read the book. It's really enjoyable as a good movie to watch, and if it gets more people to read the book, that's fine by me!
The movie was far better than any of the other Arthur films I have watched. It surpasses Merlin in terms of believability, Camelot in terms of maturity, and almost equals Excalibur. Julienna Marguiles portrays a very convincing Morgaine. The whole story is told from her point of view, and indeed it was a gorgeous retelling. For once, we are given the refreshing view that Morganne was humane, and good. We are given new explanations for the incest between Arthur and Morganne, as well as the blackness of Mordred's character, which is now blamed on Morganne's aunt, Morgause. What intrigued me about the movie was the portrayal of the Pagan and Christian society, and most interestingly, about how the Pagan goddess still lives on as the Virgin Mary (I still find that interesting, although I don't quite agree with it). Certain things, like having Excalibur return to the goddess and fading off into the silhoette of the Christian cross puzzles me a little to what the symbolic meaning behind it implies. This intermingling of both religions - the link established wasn't as clear as it should have been. Beautiful performances from Anjelica Huston (The Lady of the Lake), and Joan Allen (Morgause). I didn't really think that Samantha Mathis was suitable to play Guinevere (she didn't really look the part, nor act the part)... and Michael Vartan surprisingly pulled off the part of Lancelot well (Franco Nero is by far one of the most atrocious Lancelots ever). Hans Matheson (Mordred), a relatively new actor, does a better job here than what he did in Les Miserables. A good cast, and a good movie. I found it a little controversial, and at times slightly disturbing, but it keeps the mystery and intrigue surrounding Avalon as palpable as ever.
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| 4. Last Exit to Brooklyn Director: Uli Edel | |
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Reviews (11)
The acting, however, is top-notch. The entire cast is thoroughly believable - depressingly so in the case of Stephen Baldwin and his fellow thugs. Director Uli Edel is a master at creating atmosphere, and an operatic sense of doom permeates the entire movie, helped in no small measure by Mark Knopfler's beautiful but ominous score. As a movie I would give Last Exit to Brooklyn five stars for its execution, but just one star for its sense of life. Nihilists will love it for reinforcing their own bleak view of life, but romantics should definitely give it a miss.
Not so, said Hubert Selby, in his novel, LAST EXIT TO BROOKLYN. For a good deal of the working class, times were still tough. Preyed upon by crime, toyed with by factory owners and unions, and, ultimately, shackled by their own ignorance, the working class had their promise of a white picket fence and primrose garden vacated. In Brooklyn, particularly, things were acutely tough. Manufacturing jobs were on a rapid decline, as companies moved out of town or out of state (which was why those companies remaining in Brooklyn were able to mess with their employees: take it or leave it, was their attitude). At the same time, an influx of immigrants seeking jobs made the hunt for work even more competitive--another bonus for the remaining factory owners. Slums rapidly worsened, so much so that Dodger owner Walter Alston decided his team's future was in jeopardy. L.A. looked like a much safer place for a stadium. But neither Selby nor director Uli Edel portrayed this working class as merely innocent victims. Neither the book nor the film is a didactic rant about class warfare. The poor had their own vices of greed, brutality, and dissipation. Just about every other scene has someone going through someone else's wallets, union funds or pockets. If they aren't doing that, they're drinking, fighting, or whoring. It's a pretty dismal world. The natural response to this film might be: "Wait a minute. Not everyone working class Johnny-Punchclock guy was a criminal. Most people worked hard and honestly." Of course, this is true but it's not the film's concern. This is a study of those who were trapped in that world, and this study is compelling and horrifying. Uli Edel has perfectly captured this bleak world, either bathing everything in a garish light or obscuring it in heavy shadows. The performances are brilliant. There's no understating Jennifer Jason Leigh's gritty and powerful performance. Also keep an eye out for a cameo by Hubert Selby as the driver who hits Georgette. Not for the weak-stomached and definitely not for kids, LAST EXIT TO BROOKLYN is as cinematographically close to the innermost circle of urban hell as you can get.
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| 5. Twin Peaks: Pilot Director: Tim Hunter, Uli Edel, James Foley, Diane Keaton, Tina Rathborne, Mark Frost, A.J. Webb, Jonathan Sanger, David Lynch, Lesli Linka Glatter, Duwayne Dunham, Caleb Deschanel, Todd Holland, Stephen Gyllenhaal, Graeme Clifford | |
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Amazon.com Reviews (19)
I took a risk and I'd do it again because this show is one of the greatest achievements of all TV time. The pilot is a perfect intro to the show, establishing the characters and plots, the main one and various subplots, that it's addictive. WHO KILLED LAURA PALMER!? The mix of light and dark, quirky humor, heavy drama, fantastic production values, and so much more! If you haven't seen any of the show, stay clear of the last 15-20 minutes. I heard about the special ending and found out that the original pilot ends at Sarah Palmer's scream after her dream. End it there, watch the rest of the series, then go back and watch the ending. Other than that, sit back, relax, and ENJOY! And believe me, YOU WILL!
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| 6. Body of Evidence (Unrated Version) Director: Uli Edel | |
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Reviews (70)
Madonna is in the lead role of Rebecca Carlson, a beautiful woman charged 4 the murder of her much older, but wealthy boyfriend, with a bad heart condition. Willem DaFoe plays Frank DeLaney, the lawyer who must defend Rebecca. But Frank is suddenly drawn 2 Rebecca and after a steamy seduction, Frank becomes another one of Rebecca's dominated puppets. Other stars include Joe Montegna who plays Garrett, the Lawyer who is up against Rebecca. Anne Archer, who playes Joanne, the wealthy guy's secretary, and Julianne Moore who plays Sharon, Frank's attractive, but naive wife. Madonna may have been great in films like Desperatey Seeking Susan, Shanghai Surprise, Who's That Girl, The Bloodhounds Of Broadway, Dick Tracy, and A League Of Their Own but Madonna delivers N outstanding, steamy performance in this classic thriller. I urge all of U 2 buy this movie. U will all B deeply surprised.
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| 7. The Little Vampire Director: Uli Edel | |
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Reviews (36)
Warner Home Video, presents an inoffensive kiddie movie ~ has enough special effects, magic and cheeky humor to keep the "Big Kids" (Mom/Dad/Grandparents/Aunts/Uncles) from squirming too much in their seats. The soundtrack ~ "The Little Vampire: Music From & Inspired by (2000 Film)" ~ inclusive are 12 tracks of fun-filled-non-stop music, sure to satisfy the most finicky blood-sucker for all the evening festivities...check out my music review ~ see "Amazon.Com/Music" and look for me ~ both reviews will give you something to sink your teeth into! Special Features: Cast/Crew Bios ~ DVD/ROM Features ~ Filmographies ~ Theatrical Trailer ~ Interactive Games/Menus ~ Scene Access ~ Web Access Total Time: 94 Minutes...New Line Cinema...(2000)
The Thompson family (mom, dad and son, Tony) is living in Scotland while dad designs a golf course for Lord McAshton. Tony is having a hard time fitting in and making new friends and begins having really vivid bad dreams about vampires. Then one night, the dreams turn to reality when a small vampire invades Tony's room, trying to hide from a Vampire hunter, intent on ridding the countryside of all it's 'undead' inhabitants. Fortunately, these 'undead' are not really interested in munching on the human population all that much. They are all members of the clan of Sackville-Bagg who have found that there is a way in which they can become human, if they can only locate and recover a lost medallion by the time of the full moon. With lots of help from Tony, they try to stay one step ahead of the Vampire hunter and complete the quest for freedom from vampirism. Without doubt, Jonathan Lipnicki is one of the most charming and natural actors around. I have loved every role of his that I have seen and "Tony" is no exception. Whether he is 'vamping it up' with fake vampire fangs and a cape or joyfully flying through the air with his new friend Rudolph, he is a treat to watch. The younger actors, Rollo Weeks, Anna Popplewell and Dean Cook as a rebellous teenager are also excellent and likable as the vampire kids. Other favorite characters are Richard E Grant and Alice Krige as loving parents to their little brood of vampirettes and the scene when they meet Tony's parents and charm them into a trip to the bluff is hilarious. This is a really good, wholesome family movie that will entertain all the members of the family from the youngsters all the way up to Grandma. It's not saccharin sweet and has a little bit of an edge but is gentle enough that it won't give even the little kids nightmares. I've viewed this movie several times and still enjoy it every time! This one is a 'keeper' and earns five stars from me.
I was expecting a light hearted children's film and instead what I got was a mean-spirited adventure in Christian bashing with scenes that have no place whatsoever in a film aimed at a young audience. The producer's bigotry against Christians is evident right from the start in its depiction of the so-called "vampire hunter". He is easily the most disturbing character in the film. For starters his oversized crucifix looks like it was produced at a Las Vegas neon sign factory and his vehicle is a nightmarish cross between a mac truck and a steel mill. If this was meant to be funny, believe me, it wasn't. The worst scene that I saw is when the boy at the center of the film gets trapped in a crypt and a rather large black rat begins crawling towards him. I am flabbergasted that someone would think of this as legitimate children's entertainment. Graves and rats! Are you kidding me?! Absolutely despicable. Throw in more nightmarish images of flying cows and children being given dead mice as gifts and you've got yourself one horrendously bad/disturbing movie that doesn't belong anywhere near impressionable youngsters. I took my little brother and walked out of the theater rather than subject to him to any more of this garbage. Shame on the people who made this.
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| 8. Purgatory Director: Uli Edel | |
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Description Reviews (45)
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| 9. Body of Evidence Director: Uli Edel | |
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Reviews (70)
Madonna is in the lead role of Rebecca Carlson, a beautiful woman charged 4 the murder of her much older, but wealthy boyfriend, with a bad heart condition. Willem DaFoe plays Frank DeLaney, the lawyer who must defend Rebecca. But Frank is suddenly drawn 2 Rebecca and after a steamy seduction, Frank becomes another one of Rebecca's dominated puppets. Other stars include Joe Montegna who plays Garrett, the Lawyer who is up against Rebecca. Anne Archer, who playes Joanne, the wealthy guy's secretary, and Julianne Moore who plays Sharon, Frank's attractive, but naive wife. Madonna may have been great in films like Desperatey Seeking Susan, Shanghai Surprise, Who's That Girl, The Bloodhounds Of Broadway, Dick Tracy, and A League Of Their Own but Madonna delivers N outstanding, steamy performance in this classic thriller. I urge all of U 2 buy this movie. U will all B deeply surprised.
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| 10. Twin Peaks - Episodes 25-29 Director: Tim Hunter, Uli Edel, James Foley, Diane Keaton, Tina Rathborne, Mark Frost, A.J. Webb, Jonathan Sanger, David Lynch, Lesli Linka Glatter, Duwayne Dunham, Caleb Deschanel, Todd Holland, Stephen Gyllenhaal, Graeme Clifford | |
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Unfortunatly it's very obvious that the last episode was intended to be a cliff-hanger and that they expected to make more. Be warned that while it is very interesting, many questions are left un-ansered(and never will be), many new questions are asked, and the audience never knows what the fate of several of the characters is. Of course, if you are reading this I assume you have seen the other episodes already and you're probably going to see these regardless of what I say. Enjoy...
The other plotlines are also strong. Especially intriguing is the Andrew Packard character, as he (along with Catherine and Pete) deals with the mysterious black box. Dan O'Herlihy has a great stage presence as Packard; I wish he could have been featured more in the series. The build up to Episode 29 is nicely done -- Lynch's direction of the final episode has that first season feel to it (though a little darker). It would have been a great season-ending cliffhanger (I would have been interested to see if Major Briggs went to the rescue at the Black Lodge), but remains an odd end to the series. For these espisodes, the only major complaint is that they deserve to be on DVD. For the future, I would love to see some sort of continuation of the story nearly ten years later. It would be fun to have a Lynch/Frost/Chris Carter collaboration on a movie combining "Twin Peaks" with the "X-Files." It probably won't happen, but this series deserves more.
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| 11. Christiane F Director: Uli Edel | |
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This film takes you to the horrifying depths of heroin addiction, as excruciatingly experienced by a German teenager and her "friends". Based on a true story from the 1970's Berlin drug scene, the title character is from a dysfuntional family who eventually falls into the grips of heroin addiction and prostitution by age 14. Great soundtrack, with Bowie (I especially liked the version of Heroes that is sung partly in German), great depiction of the 70's club scene in Berlin, which was rampant with drug use. Even though in color, has the gritty feel of a noir. The film also captures dead-on the desperation of addiction, and how the addicts life becomes all about the next shot. The film also does a great job of conveying the depravity and desolation of the Berlin Zoo train station, a haven for prostitues and addicts at the time. Based on a book of the same name (unfortunately, last I checked, the book was out of print), the movie of course does not go into as much detail (what movie based on a book does?) but nonetheless, this is a brutal, accurate portrait of the ravages of drug use. Two things, if you can find the book, buy it. The book was riveting and goes into much greater depth of the girls family background, and her early drug use pre-heroin addiction. Also the movie condenses her many "cold turkey" episodes into one or two instances, and the true horror of her withdrawals are much more graphic and real in the book. Secondly, I would have given this 5 stars if the movie were subtitled instead of dubbed. It takes a lot away from the film, and I would recommend waiting until it is released (hopefully) in German with subtitles. I was fortunate enough to have seen the film in the theatre in German with subtitles, and it made a big difference. A classic movie of this genre, a must see, even with the dubbing!
About as searingly graphic, if not more, as "Requiem for a Dream", another excellent movie that should convince anyone who watches it to avoid the scourge that is drugs. Another movie you wouldn't want to watch too frequently, due to its gruesome honesty and the fact that the images are burned into your brain. Excellent soundtrack from David Bowie, including live concert footage. Most of the songs are from his "Heroes" album, which was written and recorded in West Berlin, and conveys the feelings that living in West Berlin evoked in Bowie. Ideal soundtrack then for Christiane F, being set in West Berlin.
More specifically, the movie works because it shows a variety of human emotions: Christiane's anger at her mother; her boredom in the grey concrete world of West-Berlin; her tender love for Detlef and pure desperation in the end. We really get a glimpse of her world and why she gets into drugs, even though everybody warns her about it. It's not simple peer pressure, but her own desparate need to belong and her compassion with Detlef that drives Christiane. Despite its length (130 min.) and the limited number of locations, the movie keeps you glued to the screen because it relies on competent, subtle acting rather than beating the viewer over the head with fake "dramatic" scenes. In contrast to most movies today, music is used rather sporadically, yet all the more effectively. My favorite scene is in the beginning when the youth gang runs through an empty mall, while we hear David Bowie's "Heroes" in full blast. I couldn't convey more effectively the sheer enthusiasm of being young and alive. Director Uli Edel (whose oevre includes other highs such as Last Exit to Brooklyn and lows as Body of Evidence; he also directed one Twin Peaks episode) effectively switches between fast and slow motion, dialog and image driven scenes. This is the perfect example of a well-paced movie. Even to those English speakers whose Highschool German has become rusty, this is well-worth the effort of finding it. Once you got the gist of the story in the dubbed version, listen to the sheer emotion in the original voices. Christiane F. is one of those rare movies that haunt you long after watching it.
This is a depressing movie, although ultimately it has a good ending, at least for Christiane. I read the 5-star book years and years ago, and after buying the DVD a few months back, I wanted to re-read the book as it has much more detail, and more cycles of getting clean and relapsing than shown in the movie. The book is out of print (natch!), but it is worth checking out used-book stores for it. The DVD has no extras at all, and as noted by others, no subtitles - you get it in original German, or second-rate dubbed English. I watch it both ways - German for the emotion, English for understanding. Still, highly recommended for a change from the Hollywood usual. Much David Bowie in the soundtrack. ... Read more | |
| 12. Twin Peaks - Episodes 20-24 Director: Tim Hunter, Uli Edel, James Foley, Diane Keaton, Tina Rathborne, Mark Frost, A.J. Webb, Jonathan Sanger, David Lynch, Lesli Linka Glatter, Duwayne Dunham, Caleb Deschanel, Todd Holland, Stephen Gyllenhaal, Graeme Clifford | |
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One subplot, with James Hurley helping a hot blond woman fix her car, plays like a overwrought fifth season "Twilight Zone." Another embarrasing plot deals with Ben Horne and the Civil War. And Kenneth Welsh goes over the top playing Cooper's former partner, Windom Earle. There are good parts even in these five episodes, including a wonderful performance by David Duchovny in episode 20 and continued strong acting from Kyle MacLachlan, Michael Ontkean and many others. Episode 24 is vastly improved over the previous three and the plots become stronger as the season (and series) wound down, but I suspect the poor quality turned many viewers off. The writers didn't seem to be ready to fill the gap once Laura Palmer's murder was solved, and that probably doomed the series.
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| 13. Twin Peaks - Episodes 15-19 Director: Tim Hunter, Uli Edel, James Foley, Diane Keaton, Tina Rathborne, Mark Frost, A.J. Webb, Jonathan Sanger, David Lynch, Lesli Linka Glatter, Duwayne Dunham, Caleb Deschanel, Todd Holland, Stephen Gyllenhaal, Graeme Clifford | |
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Buy this item, and enter the universe of David Lynch. Welcome to Twin Peaks - welcome to the 90's! ... Read more | |
| 14. Tyson Director: Uli Edel | |
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Description | |
| 15. Twin Peaks: Episode 04 Director: Tim Hunter, Uli Edel, James Foley, Diane Keaton, Tina Rathborne, Mark Frost, A.J. Webb, Jonathan Sanger, David Lynch, Lesli Linka Glatter, Duwayne Dunham, Caleb Deschanel, Todd Holland, Stephen Gyllenhaal, Graeme Clifford | |
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Also lots of other special guests like billy zane add a little variety to an already fabulous cast. I recommend this to anyone, twin peaks is quite unusual.... ... Read more | |
| 16. Twin Peaks: Episode 03 Director: Tim Hunter, Uli Edel, James Foley, Diane Keaton, Tina Rathborne, Mark Frost, A.J. Webb, Jonathan Sanger, David Lynch, Lesli Linka Glatter, Duwayne Dunham, Caleb Deschanel, Todd Holland, Stephen Gyllenhaal, Graeme Clifford | |
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| 17. Twin Peaks - Episodes 6-9 Director: Tim Hunter, Uli Edel, James Foley, Diane Keaton, Tina Rathborne, Mark Frost, A.J. Webb, Jonathan Sanger, David Lynch, Lesli Linka Glatter, Duwayne Dunham, Caleb Deschanel, Todd Holland, Stephen Gyllenhaal, Graeme Clifford | |
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