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Based on Thomas Harris's novel, this terrifying film by Jonathan Demme really only contains a couple of genuinely shocking moments (one involving an autopsy, the other a prison break). The rest of the film is a splatter-free visual and psychological descent into the hell of madness, redeemed astonishingly by an unlikely connection between a monster and a haunted young woman. Anthony Hopkins is extraordinary as the cannibalistic psychiatrist Dr. Hannibal Lecter, virtually entombed in a subterranean prison for the criminally insane. At the behest of the FBI, agent-in-training Clarice Starling (Jodie Foster) approaches Lecter, requesting his insights into the identity and methods of a serial killer named Buffalo Bill (Ted Levine). In exchange, Lecter demands the right to penetrate Starling's most painful memories, creating a bizarre but palpable intimacy that liberates them both under separate but equally horrific circumstances. Demme, a filmmaker with a uniquely populist vision (Melvin and Howard, Something Wild), also spent his early years making pulp for Roger Corman (Caged Heat), and he hasn't forgotten the significance of tone, atmosphere, and the unsettling nature of a crudely effective close-up. Much of the film, in fact, consists of actors staring straight into the camera (usually from Clarice's point of view), making every bridge between one set of eyes to another seem terribly dangerous. --Tom Keogh ... Read more

Reviews (362)

One of the best thrillers!
Absolutely as scary a movie as Hollywood could ever produce. The acting, writing, cinematography, and dramatic lighting effects are awesome. The story, based on my favorite book by Thomas Harris of the same title, is incredibly chilling. FBI trainee Clarice Starling (Jodie Foster) is assigned to an interview with "Hannibal The Cannibal" Lecter (Anthony Hopkins), who is, without a doubt, the completely immoral personification of evil. Hopefully, Lecter will aid in the capture of another grizzly murderer who skins his victims. The plot twists and turns as will your stomach. However the explict and grizzly visuals are sumptous rather than repulsive. However, this film still can not be recommended to the squeamish. Anthony Hopkins makes the most of his part and leaves you with an impression that will haunt you forever. If you like the movie, read the book alone in the dark, which will also send chills up your spine. Nightmares Gaurenteed!

The movie also won five accolodes from the Academy of Motion Picture Arts and Sciences. Including Anthony Hopkins only Oscar which he won for Best Actor, and Jodie Foster's for Best Actress. It even won Best Picture of the Year.

A classic, master-mind of a thriller
The Silence of the Lambs

Score: 96/100

When it won the 5 most important Oscar's (Picture, Actor, Actress, Director, Screenplay) in 1991, The Silence of the Lambs proved not only is it tear-jerking drama's that get so much attention, but the full-of-plot, intriguing thriller's are also an important part of film history.

Young FBI agent Clarice Starling (Jodie Foster) is assigned to help find a missing woman to save her from a psychopathic serial killer who skins his victims. Clarice attempts to gain a better insight into the twisted mind of the killer by talking to another psychopath Hannibal Lecter (Anthony Hopkins), who used to be a respected psychiatrist. FBI agent Jack Crawford (Scott Glenn) believes that Lecter who is also a very powerful and clever mind manipulator have the answers to their questions to help locate the killer. Clarice must first try and gain Lecter's confidence before he is to give away any information.

The Silence of the Lambs is a clever, chilling and brain-numbing movie which just keeps getting better and better. The performances are quite simply superb, the two leads, Jodie Foster and Anthony Hopkins both pull off uniquely amazing performances, and they have a great screen chemistry, while Scott Glenn and Ted Levine back them up nicely. Director Jonathan Demme pieces everything together awesomely with Ted Tally's extraordinary script, adapted from Thomas Harris' novel. On the subject of books and novels, this is one of the few films that has surpassed the high standards of its book, and The Silence of the Lambs deserved to be praised for that alone!

The Silence of the Lambs is a brilliant, immediate classic that everyone should've seen after 10 years of stunning the world.

Hannibal Lecter the best bad guy in a movie
The first one of the trilogy of Hannibal Lecter. Anthony Hopkins at his very best. A fantastic movie, don't miss any of the three.

The very best
Roger Ebert said, "I t has been a good long while since I have felt the presence of Evil so manifestly demonstrated as in the first appearance of Anthony Hopkins in "The Silence of the Lambs", and it is exactly that manifestation of evil caused The Silence of Lambs to leave such an indelible mark on moviegoers. Hopkins performance surely rates as one of the best performances, male or female, in Hollywood history.

Credit also goes, in enormous quantities, to Jonathan Demme and Jodie Foster. To Demme because he realized that the horror of this film was psychological, and to Foster because her perfectly played naiveté to Lecter's arrogant worldliness created the canvas on which the film resonates.

Too many thrillers and wanna-be thrillers fall into the least common denominator - trite scare tactics. Here, there was nothing trite. The images were clear, original, and gripping.

I've seen this film half a dozen times (there are very few films that I've watched more than twice), and every time my mind brings up the scene that Ebert is referring to - in Chilton's psychiatric ward - my mind's eye sees Lecter wearing orange. This is Demme's brilliance. He has done such a terrific job of creating Lecter as a devil, that when I think of him, I clothe him in colors of fire. In reality, he wears blue in that scene.

In a later scene, the scene that names the book and film, Lecter is imprisoned in a tall cage in the center of a wide open room, and Foster sneaks in to visit him, hoping to garner more clues to the murder she's investigating (it's easy to forget while watching this film that there is something going on other than the relationship between Lecter and Starling, like the other serial murderer in the film, the one that is actively killing people). This is where Demme (and Hopkins and Foster, for that matter) shines. Lecter, seated, asks Starling, "What does he do, this man you seek?" Starling answers, "He kills women." "No, that is incidental," Lecter replies. When Lecter speaks - and his diction is flawless, perfect, and amazing, capturing his contemptful personality - the camera is completely focused on his face, and the lighting and shadows that Demme employs evokes images of every devil or demon our imagination, or literature, has ever conjured.

This scene, and everything that follows (the second meal of raw meat, the killing of the guards), is a breathtaking piece of artistry.

This is, quite simply, the very best thriller Hollywood has ever produced.

Pretty good - I liked it
With excellent directing, writing, and acting...Jodie Foster plays a great role and should have won the academy award. ... Read more

Amazon.com

This layered film, a labor of love from director Jonathan Demme and star Oprah Winfrey, covers a lot of turf in its nearly three-hour running time. Part slavery fable, part mother-daughter tale, part ghost story, Beloved demands an audience's full attention from its dramatic, slightly bewildering opening, when a family dog comes down on the wrong side of some angry, unseen force. But Demme and his talented cast provide an unforgettable payoff for those who surrender.

The film traces the life of Sethe (played in her middle years by Winfrey), a former slave who has rebuilt what seems to be a peaceful, productive life in Ohio. Yet through chilling, sparing use of flashback, Demme slowly unveils, as does the Toni Morrison masterpiece on which the film is based, the horrors of Sethe's former life, and the terrible event that led to the haunting of Sethe's home.

While the horrors of slavery and the bloody event in Sethe's family leave undeniable impressions, the film's brilliance is also evidenced in smaller, equally satisfying ways. Rachel Portman's spiritual-influenced score is as uplifting as it is haunting, and the glimpses of the post-slavery African American world--as with a simple family outing to a local carnival, or a ladies' sewing-and-gospel circle--make this a treat for the intellect as well as the heart. The members of the cast, especially Kimberly Elise as Sethe's struggling daughter and Thandie Newton as the mysterious title character, are supremely affecting. --Anne Hurley ... Read more

Reviews (113)

Solid Acting
This movie is beautiful and painful to watch. It tries hard to live up to Toni Morrison's novel and succeeds in capturing many of the book's powerful images. The story's central characters are Sethe and Paul D., two ex-slaves from the "Sweet Home" plantation. Denver is Sethe's teenage daughter, the only of three (living) children who has not been driven away by the baby ghost in Sethe's house. Beloved is a strange young woman who comes to stay with the other three characters, stirring up memories of Sethe's horrible past. Acting awards go to Kimbery Elise as Denver and Thandie Newton as Beloved, who carry the movie with grace and strength. Denver is the movie's heart, and dares you not to look at her each time she crosses in front of the camera. Oprah Winfrey and Lisa Gay Hamilton do very well with the character of Sethe, portrayed at two different ages. Danny Glover is neither special nor offensive as Paul D. The story is easier to follow if you have already read the book, and might even then take more than one viewing to sufficiently grasp. The camera work is skillful, and the sets and costumes add very much to the film. Because of its style and three hour length, seeing this movie feels like watching a really good miniseries. It's an inspiring and artfully made film.

Loved Beloved
For those who did not understand or found it difficult to follow the story line of this hauntingly strange yet beautiful tale, I'm sorry for their loss. Had I closed my mind to this film after its first five minutes or because of the critics reviews, I too would have missed this powerful drama. Winfrey, Glover and the entire cast have my gratitude and respect for bringing Toni Morrison's story to film. Sethe, Paul Dee and Denver were wonderful strong characters. Beauty is indeed in the eye of the beholder. My eyes beheld Beloved and found it a beauiful well done work of art. Like many, I allowed the critics to discourage me from the theater and almost ignored it completely.

The shock of several scenes depicting the horrors and cruelity of slavery wained after my first several viewings, but I continued to find the story powerful, sad, joyous, strange and hauntingly beautiful. I can't seem to get enough and have returned again and again. My purchase of this movie will be a great addition to my most selective library of films.

This film has stayed with me. I though it should be given a chance and have asked several friends who also passed it up to view Beloved just for their opinion. It seems more people than not truly enjoy this film once they give themselves permission to view it with an opened mind and look pass the five second dog scene. It's a shame Winfrey, Glover and the entire cast were so overlooked for their contributions. This film should be given a second chance. What do you think?

Almost a masterpiece
It took me a long time to watch the movie Beloved due to the fact that it wasn't easily available in South Africa, I truelly enjoyed this movie and was really happy with the way it stayed true to the book which is one of my all time favourites, I've read the book so many times I even know most of the lines, I mostly was anxious to see the movie cos I wanted to see how they would manage to bring such a story to life, thankfully I wasn't dissapointed, the only problem I have with the movie was the casting of Danny Glover in the role of Paul Dee, I strongly feel that he spoiled the movie,they would have done better to cast another actor to the role, If you want to see poetry in motion(which I deeply believe the book is) then you have to watch this movie, Bravo to everyone(except Mr Glover but for whom I would have given this film 5 stars)who was involved in the making of this film. Well done for an outstanding protrayal of what I truely believe must have been the hardest novel ever to bring to life.

Didnt do the book justice
Oprah ruined the whole essence of the book with this movie. I was expected an oscar performance and got garbage. The book was poetic and explained the relationship between the family members, the relationship that blacks have with religion each other, slavery etc etc. The movie did not catch any of that. Most of the movie did not even make sense. I was sorely disappointed.

Love your heart!
I recommend you reading the book by Toni Morrison before watching this movie (which I did) because I can understand the flashbacks being confusing if you have not read the book by the Nobel winning author Toni Morrison. "Beloved" is about a woman named Sethe who was "married" to a man named Halle at the plantation "Sweet Home" during the times of slavery. Sethe escapes slavery and is beaten by some white men while she was pregnant with her daughter Denver, and the white men drank her milk from her breasts. The scar from the cowhide whipping still remains on her back after many years, and it looks like a cherryblossom tree. Her husband Halle saw the whole thing and went crazy because of the experience, and she never saw her husband again. She has her baby with the help of a white girl named Amy Denver who is going to Boston to get some velvet. Amy is the one who points out that her back looks like a tree, and Sethe names her baby "Denver" after the white girl. She goes back home to Halle's mom's house, Baby Suggs, where she has hidden her children. Baby Suggs is an inspirational Christ-like character who gives sermons on loving your hands, skin, and heart because no one else will love them. Her speech scenes are done beautifully. Paul D, a man from Sethe's "Sweet Home," comes into their lives. Sethe's baby "Beloved" is haunting the house.
Beloved comes back in the body she would have been in had she lived. Sethe finally finds out that it is her baby, and she reveals that long ago when the white men came to claim Sethe's babies as property, she killed all of her children except Denver so that they would not be brought into slavery.
It is a beautiful and touching movie, and if you have never seen Oprah act, you are missing something! Glover and Winfry are both beautiful actors in this movie. Don't miss it! ... Read more

Reviews (74)

Very Dramatic
This movie is indeed very touching. It really brings the AIDS crisis to life and raises many questions. Hopefully one day we will have some more answers. Tom Hanks and Denzel Washington are superb in their roles. It is very interesting to watch as Washington becomes more accepting of the lifestyle of homosexuals and the advent of the crisis of AIDS. What is also a nice in this film is the support Andrew Beckett(Tom Hanks) feels from his family regarding his discrimination battle. There needs to be more positive movies showing family support today.

The music of Bruce Springsteen and Neil Young fit in perfectly with the scenes of the film. People often overlook Neil Young's song and normally I do not like Mr. Young's music. However, this song is truly on a par with Springsteen Award Winning song as it amplifies the mood of Andrew Becket's fuenral perfectly.

Overall, this is one memorable movie from the 1990's and it can be appreciated by almost anyone.

Human Beings
The movie Philadelphia, by Johnathan Demme, displays the struggle a homosexual man infected with AIDS encounters in obtaining justice because he was unfairly fired from his job. Andy Beckett, played by Tom Hanks, seeks a lawyer to defend his case. Joe Miller, played by Denzel Washington, is the lawyer who defends Andy Beckett. Miller is a character who the viewers can relate to because he is homophobic and has a great fear about AIDS. The disease was not well known in the early nineties when the film was made, and Miller expressed the same fears of the public. Joe Miller learned how to put his personal feelings aside and defend the law. Although he does not agree with homosexuality and has a fear of the AIDS virus, Miller learned to look past those emotions and defend a homosexual man with AIDS to ensure that the law was upheld through justice. Philadelphia is an excellent movie because the viewers can relate to the characters and learn from their experiences with homosexuality and AIDS.

Joe Miller is a public defense lawyer who takes pride in his work. He is up for any challenge and rarely refuses to defend a client. Andy Beckett walks into Miller's office one day, seeking a lawyer. Miller is startled by Beckett's appearance because he looks ill and has a few lesions on his face. They shake hands, but Miller is extremely cautious about everything Andy touches. Andy Beckett introduces himself and explains to Miller that his employer fired him because he lost a serious document. Beckett wants to sue the corporation because he believes that he was fired out of prejudice. Miller asks what the prejudice is, and Andy says that the prejudice was against AIDS. Miller is afraid of the AIDS virus and does not wish to defend Andy. Andy is disturbed by Miller's refusal, but kindly departs the office.

The doctor Miller saw directly after the meeting with Andy Beckett attempted to assure Miller that AIDS cannot be contracted through a hand shake or touch, it is only contracted through sexual encounters. Miller is still disturbed by the thought of AIDS, though, because he has a family to worry about. The fear of this disease, however, did not stop Miller from thinking about Andy. Miller is dedicated to the law and does not like to see unjust acts, but he did not know how to overcome his fear of Andy's virus. He tried to convince himself that he denied Andy because he did not agree with homosexuality, but the truth is that he could not face his fear. Many citizens of the United States had the same fear of AIDS in the late eighties and early nineties due to the rising number of outbreaks. Scientists and doctors could not figure out a cure for this and people panicked. The majority of outbreaks occurred in homosexual couples and people referred to the disease as the "gay plague" or "gay cancer". Thus, hatred formed against homosexual people. Miller displays this hatred in the movie.

One day Miller is in the library reviewing material. He sees Andy a few tables over. A clerk is asking Andy if he would like to go to a private room after he brings him novels about AIDS. Andy does not want to go to a private room and a small argument arises. Miller walks over to Andy and starts talking to him. The clerk leaves and a few people around him move to other tables. Miller could not let his fear hold him back any longer. He helps Andy research and decides to defend him in court. A man's legal rights are more important than his personal situation. Miller puts aside the fact that Andy is homosexual, and learns to focus on his rights rather than his AIDS.

As Miller grows close to Andy, he learns more about himself. Throughout the case Andy becomes more and more ill. Instead of being afraid of Andy as he was in the beginning, Miller is compassionate for him and the illness with which he struggles. Miller is not cautious about touching Andy or being around his homosexual friends. He learns to accept Andy for who he is and respect him as a human being. Miller sets an example for society to follow. The public needs to stop blaming homosexuals for the AIDS virus and learn about the disease. Homosexual people also need to be treated as every other human being and society needs to learn how to accept them. Miller proves that these acts can be accomplished in this movie.

Philadelphia is a strong movie because it demonstrates two serious issues that citizens of the United States face. Homosexuality and AIDS arose abruptly and many people panicked out of fear of the unknown. The easy way out was to hate homosexuals because they were believed to be the cause of this disease as Miller did in the movie. People merely needed to educate themselves on AIDS and get to know homosexuals. They would discover that homosexuals are human beings just like everyone else and that the AIDS virus cannot be contracted through touch. Joe Miller set an example for Americans to follow in the movie Philadelphia.

The Oscar Winning Philadelphia with Hanks
March was Oscar month, and TCM (Turner Classic Movies) who showcase great Oscar movied showed ''Philadelphia'' with Tom Hanks and Denzel Washington .

''Philadelphia'' is the powerful movie about a well educated and hardworking lawyer named Andy Beckette who contracts AIDS and is then illegally and prejudicely fired from his law firm when they find out he has AIDS.

The movie is nothing short of Excellent demonstrating not only the cold-blooded and hypocritical members of corporte society, but the indignities and prejudices that people living with AIDS have to go through.

The movie also brilliantly shows the courtroom tactics and lies that defendants and lawyers will use in order to win their case. The Defense (who represents the Law Firm who fired Andy Beckette) tries to make Andy Beckett's lifestyle
and often times varying performances at work
against him to try to bring down his reputation and his case.

From a law point of view, the movie is Excellent.
From a Film making point of view, the movie is Excellent.
From a societal message , point of view, ''Philadelphia'' is Excellent.

Jason Robards, plays Charles Wheeler, a sickening, prejudice man who resembles the most disgusting corporate boss there is: The corporate boss, who pretends to be friends with his coworkers or clients, only to stabbed them in the back later. He will do only anything to benefit himself.

At the beginning, Wheeler pretends to be Andy's friend, heck he even ask him for legal advice on a special antitrust case called ''Highlite vs. Sander Systems''. Andy Beckett's becomes fired, from the job, once they find out he has aids, but try to make it look he was fired for other reasons. The movie also greatly shows the prejudices, and misconception people have about aids.

However, Director Jonathan Demme does bring up some controversial areas for example Andy was a guy with many sexual partners, and so his diagnosis of the Aids Virus while dating Miguel Alvarez (Antonio Banderas) is not surprising
at all. In fact the defense uses Andy's personal history against him very well.

Denzel Washington plays Jospeh Miller, the lawyer Beckette eventually to try to bring his AIDS case to court.
Miller himself, at first, displays his own prejudices against people with AIDS. When Beckette, touches items in his office, his face becomes terrified, showing his fear and ignorance that perhaps he will catch AIDS from Beckette.

Another gritty scene that shows people ignorance and prejudice is the library scene in which Andy Beckette, is conducting researching for his AIDS case against the lawfirm that illegally fired him. The librarian in the library, first asks Andy Beckette, if he would be more comfortable in a study room, but then it becomes evident that the the ignorant librarian is telling not asking Andy Beckette to go to another room.
Andy being, a very proud man, refuses showing his true dignity even while having AIDS.

Joseph Miller (Washington) eventually agrees to become Andy's lawyer and this is where more powerful scenes are shown along with brilliant and well scripted performances.
''Justice is blind regardless of color, sex and religion.'' is the line that the Judge in the case uses to ensure the parties involved that this will be a fair case. ''Philadelphia'' gathered many Oscar Nominations including Best Picture, Best Actor, Best Supporting Actor leading to Denzel Washington winning for Best Actor.

''Philadelphia'' is not the only movie that deals with the issue of AIDS, but it is by far one of the best made.

I Highly Recommended this movie for both educational reasons (educate people about AIDS along with the ignorant misconception people have about it), and for Journalistic and Filmmaking reasons.

An Oscar worthy film that has to be seen.

There is a dvd available for ''Philadelphia'' but unfortunately no, special features are given but still a great film.

Hear Springsteen's and Neil Young's songs, then press STOP
"Philadelphia" is Hollywood's pathetic, hygienic attempt to deal with the maelstrom of controversy surrounding AIDS. It just doesn't want to offend anyone. (Even the Talking Heads's song "Heaven," heard in one scene, has its "heaven is a place where nothing ever happens" lyric rendered not so offensive.) The performances of Tom Hanks and Denzel Washington are noteworthy, but the film refuses to fully explore how AIDS can lay waste to a person's body, mind, and relationships. Does our main character's family and friends struggle with an admixture of hatred, disgust, pity, and sorrow for their infected son? Of course not! That would be too real for the suburban megaplex crowd and for the gay community. No, in "Philadelphia," the AIDS victim's family and friends are supportive until the end. Who's the bad guy? Well, it's our hero's employer, whose somewhat understandable fears of a ravaging syndrome (which was not fully understood in 1993) being introuduced in the workplace are portrayed as malicious. The subject of AIDS is a powderkeg, but in "Philadelphia," it seems about as controversial as cancer.

Good movie, too preachy in areas
I finally got around to renting a copy of "Philadelphia". Honestly, I was bored and nothing seemed interesting in the video store at the time. I paid my money, took it home, popped it in, and watched for two hours. The plot is inherently well-known so I won't rehash it here. However, I do find the film to take their viewpoint in treating homosexuals as regular people to almost bashing you over the head extreme. I'm no longer a subscriber to any faith. I'm skeptical of all religions, but I still maintain a study to better understand people and show respect where I can. I respect the fact that one's personal preference in bedroom activites should not be included in workplace policy, or any other public discourse, unless mutually agreed upon. I tend to keep it behind the bedroom door. Whatever two consenting adults do is none of my business. However, if a religion states in it's holy book that the deity who inspired said holy book isn't pleased with same-sex relations, that is their belief and I respect it. Does that mean that religious people should be blindly labeled as "Homophobes"? No, only if they engage in the typical intolerance and prejudice shown to various ethnic groups the world over and apply that to actions consenting adults engage in, in the privacy of their bedroom. I've known and have worked with homosexuals in various jobs and also studied with in course during my college days, and I actually found a few to be more enjoyable and a breath of fresh air compared to some heterosexual people. I don't consider myself to be "Enlightened" (I have no time for people who claim to be anyways), but I eventually came to my current outlook in life long before I saw Philadelphia. I enjoyed the film for it's themes in removing intolerance, but the film just was a tad too preachy at times. Do I recommend it, yes, but I do know some won't change in their views no matter how foolish. ... Read more

Reviews (11)

Outstanding!!!! Literature comes to life!!
This is a great movie. Christopher Walken and Susan Sarandon are wonderful. Great acting, great direction. A must-see!

A Gem of a Film!
This is a great little movie. Originally made for PBS' AMERICAN PLAYHOUSE SERIES, it is a charming adaptation of the Vonnegut short story. Perhaps the best, and certainly the most likeable work that Christopher Walken has ever done.

Excellent Acting and teaching tool
I use this video in conjunction with a Shakespeare writing assignment I do in my English classroom. The students always mark this video as one of their favorites. They love the characters and it really helps them with their own performances--in acting and writing.

Bring this out on DVD!
A great, funny movie with some actors who went on to have amazing careers. I can't wait for the DVD. This is one of my favorite movies.

When Will It Be on DVD?
Someone once said that a good poem would "take off the top of your head." This little flick did that to me, when I was a young and impressionable student who stumbled across a PBS film festival, and I'd love to have the same experience again -- preferably with a DVD version of "Who Am I This Time?" Twenty years ago, I had no idea who Christopher Walken or Susan Sarandon were, but their understated yet passionate -- pulsating! -- acting left a big impression. Sit back, take a sip of a warm, fruity wine, and enjoy this little gem. ... Read more

Reviews (3)

This is Elektra, and all I have on is my ears
Another rumination on the importance of and difficulties in communicating with the people who are closest to you. For which CB radio was the perfect medium in the 1970s. Paul Lemat is earnest to the point of being irritating. Candy Clark is pile of confusion and lust. You have to love them.

Reminiscent of the Good old days of C.B.
A little over exaggeration, but people really tore down the offenders Antennas! The 70's had Sex Drugs, and Rock n' Roll, all a microcosm of the Life on C.B. Many Marriages were broken, and some sprang from C.B.! A good Movie for any age.

The only accurate movie of the CB craze of the 70's
Although the characters of the movie are "amplified" somewhat, the movie gives a pretty good idea of how CB had taken hold of the average citizen in "bubbaville" USA. I found it nostalgic, and my only complaint is that all the radios used for the movie were supplied by Radio Shack (I was hoping to see some old favorites). END ... Read more

Reviews (2)

PREVIEW OF GREATNESS TO COME
This was the prologue to Jonathan Demme's directorial greatness, with MELVIN AND HOWARD, SILENCE OF THE LAMBS, STOP MAKING SENSE...LAST EMBRACE is a tight little thriller that sadly never found an audience. There are some great moments here: Christopher Walken as the snary head of the nameless intel-agency; Roy Scheider's wardrobe; Janet Margolin in the bathtub (and shower). Great homage to all classic suspense films. Where's the DVD?

what Hitchcock could have done with this!
This exercise in neo-Hitchcockian psychological thriller is proof positive that no one can beat the Master at his own game, even when the director is as talented as Jonathon Demme. The start is deliciously promising with titles that move around and an irrestistibly lush score by Miklos Rozsa, but soon Demme gets bogged down - there is a recap of the opening scene that reads as totally superfluous - and in spite of having an unusually well-written and witty script to play with, Demme falls back on campy direction. One can practically tick off the allusions to Spellbound, Vertigo, North by Northwest and Psycho when they come. The lighting of this film is generally uninspired, and there is a particulaly badly handled set-piece in a belltower. Even the climactic chase at Niagara Falls (a location Hitchcock never got to), is disappointing. You know Demme is lost when he can't even present the falls well. As the man on the run from an Aramaic death threat for being the descendent of a white slave "whoremaster", Roy Scheider is dressed in a white suit so that we get that he is wired. Scheider is too neurotic to be a romantic lead. When he suggests that Janet Margolin has unfinished business with him as a come on, we're surprised she doesn't head for the door. Margolin does well as the repressed anthropologist (Scheider amusingly describes her as "aggressively unattractive") but she can't make the leap to femme fatale, and she looks very silly when she runs. The idea of hard boiled Scheider amongst egghead intellectuals is one idea that is never explored, and regrettably he scores an unneccessary sidekick instead. Demme always casts his supporting players well and though they have practically nothing to do, it's fun to see Christopher Walken and John Glover. We also see Jacqueline Brooks, David Margulies, Max Wright and a fleshy Mandy Patinkin. ... Read more

Reviews (362)

One of the best thrillers!
Absolutely as scary a movie as Hollywood could ever produce. The acting, writing, cinematography, and dramatic lighting effects are awesome. The story, based on my favorite book by Thomas Harris of the same title, is incredibly chilling. FBI trainee Clarice Starling (Jodie Foster) is assigned to an interview with "Hannibal The Cannibal" Lecter (Anthony Hopkins), who is, without a doubt, the completely immoral personification of evil. Hopefully, Lecter will aid in the capture of another grizzly murderer who skins his victims. The plot twists and turns as will your stomach. However the explict and grizzly visuals are sumptous rather than repulsive. However, this film still can not be recommended to the squeamish. Anthony Hopkins makes the most of his part and leaves you with an impression that will haunt you forever. If you like the movie, read the book alone in the dark, which will also send chills up your spine. Nightmares Gaurenteed!

The movie also won five accolodes from the Academy of Motion Picture Arts and Sciences. Including Anthony Hopkins only Oscar which he won for Best Actor, and Jodie Foster's for Best Actress. It even won Best Picture of the Year.

A classic, master-mind of a thriller
The Silence of the Lambs

Score: 96/100

When it won the 5 most important Oscar's (Picture, Actor, Actress, Director, Screenplay) in 1991, The Silence of the Lambs proved not only is it tear-jerking drama's that get so much attention, but the full-of-plot, intriguing thriller's are also an important part of film history.

Young FBI agent Clarice Starling (Jodie Foster) is assigned to help find a missing woman to save her from a psychopathic serial killer who skins his victims. Clarice attempts to gain a better insight into the twisted mind of the killer by talking to another psychopath Hannibal Lecter (Anthony Hopkins), who used to be a respected psychiatrist. FBI agent Jack Crawford (Scott Glenn) believes that Lecter who is also a very powerful and clever mind manipulator have the answers to their questions to help locate the killer. Clarice must first try and gain Lecter's confidence before he is to give away any information.

The Silence of the Lambs is a clever, chilling and brain-numbing movie which just keeps getting better and better. The performances are quite simply superb, the two leads, Jodie Foster and Anthony Hopkins both pull off uniquely amazing performances, and they have a great screen chemistry, while Scott Glenn and Ted Levine back them up nicely. Director Jonathan Demme pieces everything together awesomely with Ted Tally's extraordinary script, adapted from Thomas Harris' novel. On the subject of books and novels, this is one of the few films that has surpassed the high standards of its book, and The Silence of the Lambs deserved to be praised for that alone!

The Silence of the Lambs is a brilliant, immediate classic that everyone should've seen after 10 years of stunning the world.

Hannibal Lecter the best bad guy in a movie
The first one of the trilogy of Hannibal Lecter. Anthony Hopkins at his very best. A fantastic movie, don't miss any of the three.

The very best
Roger Ebert said, "I t has been a good long while since I have felt the presence of Evil so manifestly demonstrated as in the first appearance of Anthony Hopkins in "The Silence of the Lambs", and it is exactly that manifestation of evil caused The Silence of Lambs to leave such an indelible mark on moviegoers. Hopkins performance surely rates as one of the best performances, male or female, in Hollywood history.

Credit also goes, in enormous quantities, to Jonathan Demme and Jodie Foster. To Demme because he realized that the horror of this film was psychological, and to Foster because her perfectly played naiveté to Lecter's arrogant worldliness created the canvas on which the film resonates.

Too many thrillers and wanna-be thrillers fall into the least common denominator - trite scare tactics. Here, there was nothing trite. The images were clear, original, and gripping.

I've seen this film half a dozen times (there are very few films that I've watched more than twice), and every time my mind brings up the scene that Ebert is referring to - in Chilton's psychiatric ward - my mind's eye sees Lecter wearing orange. This is Demme's brilliance. He has done such a terrific job of creating Lecter as a devil, that when I think of him, I clothe him in colors of fire. In reality, he wears blue in that scene.

In a later scene, the scene that names the book and film, Lecter is imprisoned in a tall cage in the center of a wide open room, and Foster sneaks in to visit him, hoping to garner more clues to the murder she's investigating (it's easy to forget while watching this film that there is something going on other than the relationship between Lecter and Starling, like the other serial murderer in the film, the one that is actively killing people). This is where Demme (and Hopkins and Foster, for that matter) shines. Lecter, seated, asks Starling, "What does he do, this man you seek?" Starling answers, "He kills women." "No, that is incidental," Lecter replies. When Lecter speaks - and his diction is flawless, perfect, and amazing, capturing his contemptful personality - the camera is completely focused on his face, and the lighting and shadows that Demme employs evokes images of every devil or demon our imagination, or literature, has ever conjured.

This scene, and everything that follows (the second meal of raw meat, the killing of the guards), is a breathtaking piece of artistry.

This is, quite simply, the very best thriller Hollywood has ever produced.

Pretty good - I liked it
With excellent directing, writing, and acting...Jodie Foster plays a great role and should have won the academy award. ... Read more

Description

'Subway Stories' ' captures the laughter, the fear, the sexiness and the strangeness of riding the New York subways. ... Read more

Reviews (7)

Very , Very Pleased
I saw this movie on HBO a couple of years ago, and I have been trying to find it on DVD for a couple of months now, I finally found it on VHS and bought it anyway, cause I just had to have it. The story with Taral Hicks is my favorite, she is trying to reach her mother who is dying in the hospital. She gets stuck and eventually she ends up having to call her from the subway station. When she gets a hold of her mother she sings here favorite song to her over the phone, the song is Troubles of the World. That girl sings the mess out of that song, it will bring tears to your eyes. If you have not seen this movie, you really should.

A Wonderful Collection of Stories!
The first time I saw "Subway Stories" on HBO, it totally blew me away. The whole concept behind the film was to compile the winning short stories from a contest (all of the stories had to be connected to the subways of New York). While the stories are diverse in their plots and themes, I couldn't help but be glued to the TV anticipating the next story. There is something there for everyone. I was particularly fond of John Guare's segment about the war vet pan-handling on the train, although all of the stories were much better than average.

My only problem with this movie is that it is not yet available on DVD. IF you haven't seen this and are a fan of short stories, you will love this movie.

Waiting for the DVD
Please please please release "Subway Stories" on DVD! Its a great movie, but I'm waiting for the DVD (perhaps with some extras)!

John Rocker can't ride the subway, but i will
when i lived in maine, i was only 6 hours from NYC, and i made a habit to go to the big city whenever i could. I always rode the subway. some people may think it's crazy, but i have always been fascinated by them.the last time i was there, i rode one from greenwich village to queens at 130 in the morning and became dazzled by the wonder of gotham. This movie will leave you dazzled by the the variety of the themes presented her., from a snooty rich woman who gets locked in the subway and has to stay there over night, ending up acting like a homeless person. to the old man on the train who gives stock tips to a young trade, these stories tell people more about new york city than any travel giude could. my favorite is the one featuring rosie perez who flirts with a married man on the train

5 Star Presentation
I watched most of this while in a motel. This movie is incredible. It's very interesting and entertaining. It's one of those movies that makes you think and makes you laugh and the music by Mecca Bodega is spectacular. If you don't already own this I wouldn't hesitate to purchase it. ... Read more

Reviews (14)

One of the most important films of our time
Swimning to Cambodia is unquestionably one of the most important films of our time. It will shake you out of the duldrums of hyped up action / dude films and the inanity of chic flicks, and actually make you open your brain (no spoon feeding here). If you choose to close down after the film is over, that is your choice, but if you pay attention to the film and let it take you where it inevitably will, you will be forever changed. This is not a film that will require thought to watch; it is a film that will you require you to think when it has finished. Spalding Gray's insight into the human prospect and what "the killing fields" (read Vietnam) did to the world is compelling, and maybe for some, hits too close to home. Don't expect Saplding Gray to pull his punches here...don't expect the humor inherent in Monster In A Box; it is not there. Swimning To Cambodia is raw, intelligent and not for even one second does it hold back. It will probably never get the recognition it deserves, but make no mistake about it this is one of the most important films of all time, and missing it becasue there are a few swear words, or the content bothers you, is simply weakness and an inability to face the ugliness of the American Dream, and the consequences, and responsibilities that come along with it.

Gripping and Intensive
Yes, it is a documentary and, yes, it is a monologue. Yes, he discusses the sex trade in Cambodia which is extemely explicit. But this is about Cambodia. This is about the Killing Fields. This is about our involvement in that history. There is nothing gratuitous. Gray is captivating as he sits on a darkened stage with his words and topics accented with strategic lighting, maps, sounds and video clips. You will leave this film with a new understanding of what happened from Cambodia to Kent State. He also has a unique insight into mankind. In this, his "Talking Cure", you will be compelled to try to answer the question that he wrestles with - 'Is morality a moving feast?'. This is an important film.

Spalding, where are you??
The recent disappearance of Spalding Gray has made me realize what I don't like about this film: its narcissism. It's Gray's defining characteristic. After a while, despite Jonathan Demme's fabulous direction (he makes the best of a limited repertoire) it just gets boring.

Another masterpice decimated by 'full screen'.
One of the most innovative, exciting movies of a generation, and NOT AVAILABLE in widescreen.

Demi is a cinamatograhic master and his work has been butchered by VHS full screen format. ('Full' of what, one wonders.)

Watch this tape and see half the movie as created. DEMAND your DVD release now.

I am sure this is very funny live onstage...
I have read a few of Spalding Gray's books, and I found them hysterically funny. So a while back I decided to work my way through all of his books. All his books have been bought and are on my shelf, so I hope this one is just one of those bad apples..

Don't get me wrong, Spalding is a very, very funny guy. And the other books I have read ("Sex and death to the Age 14" and "Morning, Noon and Night") are just fantastic books. They made me laugh out loud over and over and over again.

This one however.. Not quite... It is more a "transcript" of his stage performances. You can tell that this would be hysterically funny onstage, but reading it on an overcrowded tube on my way to work was maybe not the best setting, and probably didn't give this material justice.

Anyway, I think these stories are better left for live performances. ... Read more

Amazon.com essential video

Goldie Hawn and Kurt Russell got together on Swing Shift--and ifthat's the main reason people know about this movie, it only has itself toblame. The film has a marvelous subject (women's changing status on the homefront during World War II), a hugely attractive cast, and a sympatheticdirector, Jonathan Demme, whose previous film, Melvin and Howard, hadbeen a splendid piece of Americana. Yet despite this, it feels disjointed.Goldie goes to work at a factory when her husband (Ed Harris) goes off to war;Russell works there too, and they find each other, well, riveting. With themovie wavering between romance and feminist consciousness-raising, the field isopen for Oscar®-nominated Christine Lahti, who sparkles as Goldie's lanky,wisecracking best friend. Demme's original version of the movie was obscured byreshoots, which might explain the missed opportunity; this could have been aclassic. --Robert Horton ... Read more

Reviews (6)

Some minor flaws but a good story
I was riveted to this film the first time I saw it. I loved the period piece and the authenticity of the time they were capturing. My dad and mom both agreed it kept with the time. I especially loved the Rosie the Riveter aspect, as that character always intrigued me and Goldie does an excellent job in filling that role. This type of setting and story probably happened hundreds of times across the US during the Pearl Harbor days. Maybe others feel it wraps up too pat (like a typical Hollywood ending) but I felt it was true to what probably happened in those days. I love this film for all the marvelous acting and pairing Goldie with Kurt was great casting. They do it again in Overboard, another often overlooked Goldie film. I would recommend this film for anyone who likes historical fiction and who enjoys Goldie & Kurt.

Not great, but has several strengths
This is the story of a woman, played by Goldie Hawn, whose husband goes off to fight in World War II, and she goes to work in a factory. There she meets Kurt Russell, and sparks fly. The romance story is interwoven with the theme of women entering the U.S. work-force in large numbers.

The strengths of the film lie in the acting of Goldie Hawn, Kurt Russell, and especially Christine Lahti, who played Hawn's best friend. Another strength is the atmosphere created. My father was born in 1924 and served in WWII. He and several of his Army buddies have seen this film, separately, and all made the same comment: the clothes, the cars, the language, the buildings, the everything is very, very authentic, and the feel of WWII was very accurately recreated.

The film's weakness is its disjointed script, which I understand underwent several rewrites. That's a shame, as all the ingredients were here for a great movie. It's still a good movie, though.

Good (not great) WWII story with good performances
You may have heard how the original cut of this film was considered great until Goldie Hawn demanded re-shooting to further elevate her character's story. Regardless, it still is a fun movie to watch.

Jonathan Demme re-creates a very believable 1940's Santa Monica, CA and the lives of the women who worked in the war factories. Everyone in this film delivers the goods - including Hawn, but Christine Lahti literally steals the show (despite Goldie's re-takes) as the dance hall singer turned riveter. I loved all the scenes inside the airplane factory where they work. Not only do we have Hawn, Lahti and Kurt Russell, but a great supporting cast including Holly Hunter, Ed Harris, Sudie Bond and Fred Ward.

great WWII movie
I love this movie. If you like movies set in wwII you will love this. It gives the point of view from a woman(Goldie Hawn) what it's like when her husband goes off to war. She gets a job building airplanes and makes some new friends while her husbands away at war. I hope I helped.

WW II Melodrama
The movie is a take-off on the WWII legendary "Rosie the Riveter".It begins with the broadcast of the attack on Pearl Harbor.An ordinary working Joe returns to his home somewhere in Southern California to his loving wife(Goldie Hawn).He then tells his tearful spouse that it was his duty to fight the Japanese. She swears eternal devotion and faithfulness until his return. After all young men have gone to join the fight an aircraft plant needs riveters and pleads for women to come to work.Goldie Hawn and it seems all women go to work at the plant. Hawn is is then romantically persued by a young supervisor,resists on moral grounds but eventually out of bordoom and loneliness falls in love with him.Predictably there are recriminations and accusations the morning after.Subsequently the husband comes home on leave,finds out,is crushed and goes back to fight the war. The lover has then an affair with Goldie Hawn's best friend and it is now her turn to fall to pieces.Eventually the war is over, the husband returns,the wife confesses her shame and begs to be forgiven.He relents and forgives,the wife forgives her best friend,the lover goes away to New York and everything is hanky- dory. The screeplay is a heap of stale devices and familiar screen constructions.Sentimental:The farewell scene of husband and wife and the notification of the death of a Marine husband to a fellow riveter.Bravura:Narrow escape and the saving of life of her best friend by Goldie Hawn.Technical:Boring instruction on riveting,endles fly- overs of planes,real or made to look real excerpts of newsreels. The plot is faithful to the working-class identity of the forties and the characters and the story do not hide it.This maybe inten- ded and makes the movie appear to be realistic but ultimately boring. The film may be interesting to people who have not lived in that span of time or to those who have for nostalgic reasons. ... Read more

Reviews (6)

Some minor flaws but a good story
I was riveted to this film the first time I saw it. I loved the period piece and the authenticity of the time they were capturing. My dad and mom both agreed it kept with the time. I especially loved the Rosie the Riveter aspect, as that character always intrigued me and Goldie does an excellent job in filling that role. This type of setting and story probably happened hundreds of times across the US during the Pearl Harbor days. Maybe others feel it wraps up too pat (like a typical Hollywood ending) but I felt it was true to what probably happened in those days. I love this film for all the marvelous acting and pairing Goldie with Kurt was great casting. They do it again in Overboard, another often overlooked Goldie film. I would recommend this film for anyone who likes historical fiction and who enjoys Goldie & Kurt.

Not great, but has several strengths
This is the story of a woman, played by Goldie Hawn, whose husband goes off to fight in World War II, and she goes to work in a factory. There she meets Kurt Russell, and sparks fly. The romance story is interwoven with the theme of women entering the U.S. work-force in large numbers.

The strengths of the film lie in the acting of Goldie Hawn, Kurt Russell, and especially Christine Lahti, who played Hawn's best friend. Another strength is the atmosphere created. My father was born in 1924 and served in WWII. He and several of his Army buddies have seen this film, separately, and all made the same comment: the clothes, the cars, the language, the buildings, the everything is very, very authentic, and the feel of WWII was very accurately recreated.

The film's weakness is its disjointed script, which I understand underwent several rewrites. That's a shame, as all the ingredients were here for a great movie. It's still a good movie, though.

Good (not great) WWII story with good performances
You may have heard how the original cut of this film was considered great until Goldie Hawn demanded re-shooting to further elevate her character's story. Regardless, it still is a fun movie to watch.

Jonathan Demme re-creates a very believable 1940's Santa Monica, CA and the lives of the women who worked in the war factories. Everyone in this film delivers the goods - including Hawn, but Christine Lahti literally steals the show (despite Goldie's re-takes) as the dance hall singer turned riveter. I loved all the scenes inside the airplane factory where they work. Not only do we have Hawn, Lahti and Kurt Russell, but a great supporting cast including Holly Hunter, Ed Harris, Sudie Bond and Fred Ward.

great WWII movie
I love this movie. If you like movies set in wwII you will love this. It gives the point of view from a woman(Goldie Hawn) what it's like when her husband goes off to war. She gets a job building airplanes and makes some new friends while her husbands away at war. I hope I helped.

WW II Melodrama
The movie is a take-off on the WWII legendary "Rosie the Riveter".It begins with the broadcast of the attack on Pearl Harbor.An ordinary working Joe returns to his home somewhere in Southern California to his loving wife(Goldie Hawn).He then tells his tearful spouse that it was his duty to fight the Japanese. She swears eternal devotion and faithfulness until his return. After all young men have gone to join the fight an aircraft plant needs riveters and pleads for women to come to work.Goldie Hawn and it seems all women go to work at the plant. Hawn is is then romantically persued by a young supervisor,resists on moral grounds but eventually out of bordoom and loneliness falls in love with him.Predictably there are recriminations and accusations the morning after.Subsequently the husband comes home on leave,finds out,is crushed and goes back to fight the war. The lover has then an affair with Goldie Hawn's best friend and it is now her turn to fall to pieces.Eventually the war is over, the husband returns,the wife confesses her shame and begs to be forgiven.He relents and forgives,the wife forgives her best friend,the lover goes away to New York and everything is hanky- dory. The screeplay is a heap of stale devices and familiar screen constructions.Sentimental:The farewell scene of husband and wife and the notification of the death of a Marine husband to a fellow riveter.Bravura:Narrow escape and the saving of life of her best friend by Goldie Hawn.Technical:Boring instruction on riveting,endles fly- overs of planes,real or made to look real excerpts of newsreels. The plot is faithful to the working-class identity of the forties and the characters and the story do not hide it.This maybe inten- ded and makes the movie appear to be realistic but ultimately boring. The film may be interesting to people who have not lived in that span of time or to those who have for nostalgic reasons. ... Read more

Reviews (6)

Best of the series anyway.
Let's go easy and be fair: "Caged Heat" deserved its rank as the best of the women-in-prison series that marked the glory days of drive-in movies. Although Jonathan Demme's directorial debut was not a real success, it gave us a chance to enjoy the glamour of so many beautiful girls while showing their skin off and on did try their best to act as well: Erica Gavin (the famous vixen in "Vixen!"), Roberta Collins (Pam Grier's co-star in such previous WIP flicks as "Women In Cages", "The Big Bird Cage", "The Big Doll House"), Rainbeaux Smith (aka Cheryl Smith in "Slumber Party '57"), Juanita Brown (Pam Grier's co-star in "Foxy Brown") etc... What else can we ask for??? I'm glad to watch "Caged Heat" again, now on DVD so I can go to any "hot" chapter any time. Too bad "Vixen!" hasn't been released on DVD yet, but if you like this one I would recommend all the above mentioned WIP hits of the '70s. They aren't as good as "Caged Heat" but still worth checking out for their own flavors.

Caged Heat is Dead Beat
This movie was a big dissapointment. Lame acting, lame script and 70's chicks with bad acting skills. Not a very good "Women In Prison" film....there are better one like "Reform School Girls"....the band Caged Heat is way better than the movie...pass it up and get a life!

Good to the last drop
Do you like women's prison movies? Do you like shower scenes of women's prison movies? This is your movie. Also, do you like completely nude solitary confinement scenes in women's prison movies? Then this has two scenes. Plot, women in prison, psycho prison doctor, women escape during farm labor, they break back in to release their friends, shower scenes... all natural torpedos.

wow
I was delighted to see more than one shower scene. All natural. Different body types. You will not be disappointed.

AWESOME
This film is a classic. There are a lot of women in prison films out there, but this one takes the cake. Most films of this type do not contain any real substance aside from violence and nudity. However, not only does this movie have violence and nudity (lots of nudity)but it has real meaning. The story is about the power of friendship. All of the women in prison have done horrible things to get there, but now that they're in a situation where they are faced with extreme punishment they have to stick together in order to survive. It's a masterpiece! Own it....and if you really like it be sure to check out THE BIG BIRD CAGE. ... Read more

Reviews (2)

I'm finally proud to be a fan!
I've been a fan for years and years, but I have learned that my friends just don't see the brilliance in Robyn that I do - mainly because it takes a little effort on the part of the listener to look beyond the cheese, flesh, and tomato references to find the humor and genius. I saw Storefront Hitchcock this weekend, and the film is so well-made: the store-window concept, the camera work, and the songs that were chosen - all excellent. If you're this kind of fan, buy this video!

SEEING IS BELIEVING
just like HOCKEY...it seems to get Robyn Hitchcock you need to see him LIVE...and I can't imagine a better simulation than this wonderful little film. THE ONLY drawback is it is WAY too short! with DVD I have become expectant of bonus material and a few extra songs wouldn't hurt ..but hey that just tells you how good this is..YOU DO NOT WANT IT TO END. I wasn't a big fan before I saw this movie and now I understand why his fans (or cult) are so passionate..lyrics which are challenging (to say the least) great vocals (lennonesque) and a pretty stunning guitarist to boot...BUY this DVD...you will be charmed and enthralled. ... Read more

Amazon.com essential video

Few actors invoking the title of their film as a line of dialogue havehad quite the shatteringeffect that Christopher Walken does in this 1982, hour-long film by Jonathan Demme. Asthe painfully, painfully shy small-town fellow who comes to vivid life as theperpetual lead in community-theater productions, Walken's character breaks one's heartwhen he is asked to give his all yet again in another thespian triumph. This time, however,things are different: he meets his female counterpart in Susan Sarandon's equally retiringamateur actress. The two fall in love, a love most passionately expressed in the freedom oftheir stage lives, and Demme's film achieves a populist grace that fills out Kurt Vonnegut'soriginal short story into street-level Lubitsch. One of Demme's most irresistible works,Who Am I This Time? is pure joy. --Tom Keogh ... Read more

Reviews (11)

Outstanding!!!! Literature comes to life!!
This is a great movie. Christopher Walken and Susan Sarandon are wonderful. Great acting, great direction. A must-see!

A Gem of a Film!
This is a great little movie. Originally made for PBS' AMERICAN PLAYHOUSE SERIES, it is a charming adaptation of the Vonnegut short story. Perhaps the best, and certainly the most likeable work that Christopher Walken has ever done.

Excellent Acting and teaching tool
I use this video in conjunction with a Shakespeare writing assignment I do in my English classroom. The students always mark this video as one of their favorites. They love the characters and it really helps them with their own performances--in acting and writing.

Bring this out on DVD!
A great, funny movie with some actors who went on to have amazing careers. I can't wait for the DVD. This is one of my favorite movies.

When Will It Be on DVD?
Someone once said that a good poem would "take off the top of your head." This little flick did that to me, when I was a young and impressionable student who stumbled across a PBS film festival, and I'd love to have the same experience again -- preferably with a DVD version of "Who Am I This Time?" Twenty years ago, I had no idea who Christopher Walken or Susan Sarandon were, but their understated yet passionate -- pulsating! -- acting left a big impression. Sit back, take a sip of a warm, fruity wine, and enjoy this little gem. ... Read more

Description

Oprah Winfrey (THE COLOR PURPLE) and Danny Glover (LETHAL WEAPON IV) play the unforgettable lead roles in a powerful, widely acclaimed cinematic triumph from Jonathan Demme -- the Academy Award(R)-winning director of THE SILENCE OF THE LAMBS! On a difficult journey to find freedom, Sethe (Winfrey) is constantly confronted by the secrets that have haunted her for years. Then, an old friend from out of her past (Glover) unexpectedly reenters her life. With his help, Sethe may finally be able to rediscover who she is and regain her lost sense of hope. Also featuring outstanding performances from Thandie Newton (GRIDLOCK'D) and Lisa Gay Hamilton (TV's THE PRACTICE) -- you'll agree with critics everywhere who've hailed this landmark adaptation of Toni Morrison's Pulitzer Prize-winning novel as one of the year's finest films! ... Read more

Reviews (113)

Solid Acting
This movie is beautiful and painful to watch. It tries hard to live up to Toni Morrison's novel and succeeds in capturing many of the book's powerful images. The story's central characters are Sethe and Paul D., two ex-slaves from the "Sweet Home" plantation. Denver is Sethe's teenage daughter, the only of three (living) children who has not been driven away by the baby ghost in Sethe's house. Beloved is a strange young woman who comes to stay with the other three characters, stirring up memories of Sethe's horrible past. Acting awards go to Kimbery Elise as Denver and Thandie Newton as Beloved, who carry the movie with grace and strength. Denver is the movie's heart, and dares you not to look at her each time she crosses in front of the camera. Oprah Winfrey and Lisa Gay Hamilton do very well with the character of Sethe, portrayed at two different ages. Danny Glover is neither special nor offensive as Paul D. The story is easier to follow if you have already read the book, and might even then take more than one viewing to sufficiently grasp. The camera work is skillful, and the sets and costumes add very much to the film. Because of its style and three hour length, seeing this movie feels like watching a really good miniseries. It's an inspiring and artfully made film.

Loved Beloved
For those who did not understand or found it difficult to follow the story line of this hauntingly strange yet beautiful tale, I'm sorry for their loss. Had I closed my mind to this film after its first five minutes or because of the critics reviews, I too would have missed this powerful drama. Winfrey, Glover and the entire cast have my gratitude and respect for bringing Toni Morrison's story to film. Sethe, Paul Dee and Denver were wonderful strong characters. Beauty is indeed in the eye of the beholder. My eyes beheld Beloved and found it a beauiful well done work of art. Like many, I allowed the critics to discourage me from the theater and almost ignored it completely.

The shock of several scenes depicting the horrors and cruelity of slavery wained after my first several viewings, but I continued to find the story powerful, sad, joyous, strange and hauntingly beautiful. I can't seem to get enough and have returned again and again. My purchase of this movie will be a great addition to my most selective library of films.

This film has stayed with me. I though it should be given a chance and have asked several friends who also passed it up to view Beloved just for their opinion. It seems more people than not truly enjoy this film once they give themselves permission to view it with an opened mind and look pass the five second dog scene. It's a shame Winfrey, Glover and the entire cast were so overlooked for their contributions. This film should be given a second chance. What do you think?

Almost a masterpiece
It took me a long time to watch the movie Beloved due to the fact that it wasn't easily available in South Africa, I truelly enjoyed this movie and was really happy with the way it stayed true to the book which is one of my all time favourites, I've read the book so many times I even know most of the lines, I mostly was anxious to see the movie cos I wanted to see how they would manage to bring such a story to life, thankfully I wasn't dissapointed, the only problem I have with the movie was the casting of Danny Glover in the role of Paul Dee, I strongly feel that he spoiled the movie,they would have done better to cast another actor to the role, If you want to see poetry in motion(which I deeply believe the book is) then you have to watch this movie, Bravo to everyone(except Mr Glover but for whom I would have given this film 5 stars)who was involved in the making of this film. Well done for an outstanding protrayal of what I truely believe must have been the hardest novel ever to bring to life.

Didnt do the book justice
Oprah ruined the whole essence of the book with this movie. I was expected an oscar performance and got garbage. The book was poetic and explained the relationship between the family members, the relationship that blacks have with religion each other, slavery etc etc. The movie did not catch any of that. Most of the movie did not even make sense. I was sorely disappointed.

Love your heart!
I recommend you reading the book by Toni Morrison before watching this movie (which I did) because I can understand the flashbacks being confusing if you have not read the book by the Nobel winning author Toni Morrison. "Beloved" is about a woman named Sethe who was "married" to a man named Halle at the plantation "Sweet Home" during the times of slavery. Sethe escapes slavery and is beaten by some white men while she was pregnant with her daughter Denver, and the white men drank her milk from her breasts. The scar from the cowhide whipping still remains on her back after many years, and it looks like a cherryblossom tree. Her husband Halle saw the whole thing and went crazy because of the experience, and she never saw her husband again. She has her baby with the help of a white girl named Amy Denver who is going to Boston to get some velvet. Amy is the one who points out that her back looks like a tree, and Sethe names her baby "Denver" after the white girl. She goes back home to Halle's mom's house, Baby Suggs, where she has hidden her children. Baby Suggs is an inspirational Christ-like character who gives sermons on loving your hands, skin, and heart because no one else will love them. Her speech scenes are done beautifully. Paul D, a man from Sethe's "Sweet Home," comes into their lives. Sethe's baby "Beloved" is haunting the house.
Beloved comes back in the body she would have been in had she lived. Sethe finally finds out that it is her baby, and she reveals that long ago when the white men came to claim Sethe's babies as property, she killed all of her children except Denver so that they would not be brought into slavery.
It is a beautiful and touching movie, and if you have never seen Oprah act, you are missing something! Glover and Winfry are both beautiful actors in this movie. Don't miss it! ... Read more