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| 1. All Over the Guy Director: Julie Davis | |
![]() | list price: $9.98
our price: $9.98 (price subject to change: see help) Asin: B00005QAT8 Catlog: Video Sales Rank: 22175 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Description Reviews (90)
Tom (Richard Ruccolo) is a promiscuous, self-hating, recovering alcoholic, who fears commitment, especially when he likes a person-or worse-the person likes him. He goes back to Alcoholics Anonymous when he falls off the wagon; he claims the trigger as being "all over this guy." At AA, Tom vows to quit drinking-and guys-because he cannot be trusted with either. Tom was raised by uncaring, bickering, alcoholic parents, who fostered his fear of intimacy. When you meet his parents at their country club you understand why Tom is the way he is. Richard Ruccolo is irresistible as Tom. Jackie (Sasha Alexander) is Tom's best friend. She meets a guy named Brett (Adam Goldberg), who works at a furniture store, and immediately falls for him. She finds out Brett has a gay friend, Eli, and since she has a gay friend, Tom, she devises a way to get a date with Brett by fixing their two friends up. Jackie and Brett arrange for Eli and Tom to go on a blind date while they cement their own relationship. Eli and Tom's blind date was awkward and both men decide it was a disaster. Then, they run into one another at a flea market and feelings begin to stir. They have a quick fling, cheapened by Tom claiming it was a mistake. Eli didn't know what to make of it. Every time Eli thinks Tom is letting him in-Tom backs away because of fear. Tom tells another member of AA the story about his rocky relationship with Eli. The person turns out not to be his ally. Eli meets a receptionist at an STD Testing Clinic, Esther, played by the hilarious Doris Roberts (Everybody Loves Raymond), and tells her the whole story about Tom and him, while waiting to be tested for HIV. Doris Roberts does not disappoint as the yenta (busybody) who gets Eli to open up and share his feelings. Eli's parents (Andrea Martin and Tony Abatemarco), as liberal therapists, are hysterical. Dr. Wyckoff, Eli's mother, is the epitome of the smothering, meddling, Jewish mother who drives her son crazy. She gives him neurosis he probably wouldn't have had, had she not gotten her PhD in order to use her "expertise" on him. Lisa Kudrow plays a perfect airhead, Marie, in a cameo performance, as an actor trying, and barely succeeding, to make a radio commercial. Christina Ricci plays Eli's sister, Rayna, who is a nice addition to the ensemble. "All Over the Guy" is about the trials and tribulations of relationships and love. It is a funny, delightful, double date, which is positively yummy. The movie mixes comedy with drama. I have seen All Over the Guy several times and it cracks me up every time. It is such a feel good movie you want to feel good repeatedly. This movie includes an incredible cast, good music, likeable characters, an interesting story line, and a witty screenplay, written by Dan Bucatinsky. These fine elements all come together to make this an incredible movie.
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| 2. I Love You Don't Touch Me Director: Julie Davis | |
![]() | list price: $99.99
(price subject to change: see help) Asin: 0792899385 Catlog: Video Sales Rank: 7894 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (6)
The ending could have been better, however. She decides she loves someone (I won't give away who) for no apparent reason for this ephifany. She tells him, and that's pretty much the end- another twenty minutes of them together, and some real showing of her love for him would have been nice. Further, in a conversation with one of her friends she berats him for keeping his women friends seperate from his lovers. But, this is hypocritical- she's doing the exact same thing. This annoys me.
The only possible explanation for a woman of this kind of background (educated, well-to-do, liberal Jewish upbringing, moderately attractive, thin) being a virgin would be extreme religious beliefs, physical deformity, gross obesity OR she's been in a coma for 8 years. There is no believable explanation for the character's lack of sexual drive or experience, except that she wants to meet "the perfect" man (with a big penis AND big wallet...how crude) and get married. Katie (Marla Schaffel) is a grating, shrill charicture of an overbearing "Jewish Princess" stereotype so flat and one dimensional that it would border on anti-semitism if I didn't strongly suspect that writer-director Julie Davis is Jewish herself -- the self-hating kind. Who would WANT a miserable, shrewish, interfering, clinging witch like Katie? You can easily imagine this character in some trite sitcom, set 30 years in the future, in which she is an equally stereotyped "nagging Jewish Mother". Add to this a deary, cliche-ridden script which is painfully unfunny and unrealistic (unemployed Katie lives in a fancy, decorated apartment in expensive LA, as do her friends). She smashes her car into a FERARRI, and the driver is a famous composer (fortunately, as Katie is an aspiring singer) who instantly falls for her and isn't put off by her virginity. The tiniest saving grace here is that Marla Schaffel (who has never acted in films before and it shows) happens to be a Broadway Tony-nominated singer and she has a wonderful voice. I wouldn't have minded listening to her sing for 90 minutes, but watching her act is agonizing. She doesn't look young enough or innocent enough for the utterly unworldly Katie. Everyone else is incredibly flat, lifeless, trite and corny. This whole things plays like a failed pilot for a sitcom. The bad language, references to sex, body parts etc. seem like dropped-in crudeness in a lame effort to sound trendy. Also the ending is very abrupt, as if they literally ran out of script or money and just stopped filming. There isn't a realistic or believable moment on the screen. Detailing the bad dialogue and terrible writing would just take forever. Trust me that every second of this (except for a couple of the songs) is jut unendurable. An insult to women, and an insult to Jewish women in particular. Yecch.
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| 3. All Over The Guy Director: Julie Davis | |
![]() | list price: $9.98
(price subject to change: see help) Asin: B00005QATA Catlog: Video Sales Rank: 89294 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
|
Description Reviews (90)
Tom (Richard Ruccolo) is a promiscuous, self-hating, recovering alcoholic, who fears commitment, especially when he likes a person-or worse-the person likes him. He goes back to Alcoholics Anonymous when he falls off the wagon; he claims the trigger as being "all over this guy." At AA, Tom vows to quit drinking-and guys-because he cannot be trusted with either. Tom was raised by uncaring, bickering, alcoholic parents, who fostered his fear of intimacy. When you meet his parents at their country club you understand why Tom is the way he is. Richard Ruccolo is irresistible as Tom. Jackie (Sasha Alexander) is Tom's best friend. She meets a guy named Brett (Adam Goldberg), who works at a furniture store, and immediately falls for him. She finds out Brett has a gay friend, Eli, and since she has a gay friend, Tom, she devises a way to get a date with Brett by fixing their two friends up. Jackie and Brett arrange for Eli and Tom to go on a blind date while they cement their own relationship. Eli and Tom's blind date was awkward and both men decide it was a disaster. Then, they run into one another at a flea market and feelings begin to stir. They have a quick fling, cheapened by Tom claiming it was a mistake. Eli didn't know what to make of it. Every time Eli thinks Tom is letting him in-Tom backs away because of fear. Tom tells another member of AA the story about his rocky relationship with Eli. The person turns out not to be his ally. Eli meets a receptionist at an STD Testing Clinic, Esther, played by the hilarious Doris Roberts (Everybody Loves Raymond), and tells her the whole story about Tom and him, while waiting to be tested for HIV. Doris Roberts does not disappoint as the yenta (busybody) who gets Eli to open up and share his feelings. Eli's parents (Andrea Martin and Tony Abatemarco), as liberal therapists, are hysterical. Dr. Wyckoff, Eli's mother, is the epitome of the smothering, meddling, Jewish mother who drives her son crazy. She gives him neurosis he probably wouldn't have had, had she not gotten her PhD in order to use her "expertise" on him. Lisa Kudrow plays a perfect airhead, Marie, in a cameo performance, as an actor trying, and barely succeeding, to make a radio commercial. Christina Ricci plays Eli's sister, Rayna, who is a nice addition to the ensemble. "All Over the Guy" is about the trials and tribulations of relationships and love. It is a funny, delightful, double date, which is positively yummy. The movie mixes comedy with drama. I have seen All Over the Guy several times and it cracks me up every time. It is such a feel good movie you want to feel good repeatedly. This movie includes an incredible cast, good music, likeable characters, an interesting story line, and a witty screenplay, written by Dan Bucatinsky. These fine elements all come together to make this an incredible movie.
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| 4. Amy's O Director: Julie Davis | |
![]() | list price: $14.99
our price: $14.99 (price subject to change: see help) Asin: B00006LPJK Catlog: Video Sales Rank: 16081 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (12)
Then Amy's agent arranges a live-on-the-air interview with radio talk-show host, Matthew Starr (played by Nick Chunlund). Now Starr could probably teach Howard Stern a thing or two about offending women--Starr is lecherous, very, very blunt, and he's probably had more women than I've had hot dinners. This is a very fresh, funny, and engaging film--however, it is is also quite frank when it comes to the frequent discussion of sex--definitely not for children, and I would hesitate to recommend it as a "date" film--as your date MAY be very offended--there's plenty to offend almost everyone in this film. So be prepared. "Amy's O" is not your average "boy meets girl" film--it's much more than that--it blends modern relationships with modern attitudes (with a very heavy emphasis on female sexuality) mixes it all up, and shows what a confusing mess it can be.
The Amy character is just your average confused, biological clock-ticking sweetie, that's all. And Julie Davis turned in a fine first effort as director AND star. Try doing that Chaplin bit yourself and you'll see it's like carrying a 100 pound backpack while running for the bus every morning! The tortured "cross-purposes" priest was funny, the DJ guy was funny, and all of the Amy character's little friends were funny. What more could be asked of a low-budget project? And since the lead character doesn't just talk all the time to other chicks, it's not even a generic chick flick. Excellent! Plus Julie herself emerged as a very attractive lady in many ways, being a classic neurotic (and erotic) Jewish gem, who is a frequent masturbator and has a perfect posterior (which she wrongly thinks is too big). As a sidenote, I wonder if our gal - Florida's own Julie Davis - is tired of being constantly mistaken for Australia's Judy Davis? Maybe Julie should just change her name to Amy. That's who we all think of her as now, anyway. Looking forward to your next project (in front of the camera again) Julie!
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| 5. I Love You Don't Touch Me Director: Julie Davis | |
![]() | list price: $99.99
(price subject to change: see help) Asin: 0792899377 Catlog: Video Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (6)
The ending could have been better, however. She decides she loves someone (I won't give away who) for no apparent reason for this ephifany. She tells him, and that's pretty much the end- another twenty minutes of them together, and some real showing of her love for him would have been nice. Further, in a conversation with one of her friends she berats him for keeping his women friends seperate from his lovers. But, this is hypocritical- she's doing the exact same thing. This annoys me.
The only possible explanation for a woman of this kind of background (educated, well-to-do, liberal Jewish upbringing, moderately attractive, thin) being a virgin would be extreme religious beliefs, physical deformity, gross obesity OR she's been in a coma for 8 years. There is no believable explanation for the character's lack of sexual drive or experience, except that she wants to meet "the perfect" man (with a big penis AND big wallet...how crude) and get married. Katie (Marla Schaffel) is a grating, shrill charicture of an overbearing "Jewish Princess" stereotype so flat and one dimensional that it would border on anti-semitism if I didn't strongly suspect that writer-director Julie Davis is Jewish herself -- the self-hating kind. Who would WANT a miserable, shrewish, interfering, clinging witch like Katie? You can easily imagine this character in some trite sitcom, set 30 years in the future, in which she is an equally stereotyped "nagging Jewish Mother". Add to this a deary, cliche-ridden script which is painfully unfunny and unrealistic (unemployed Katie lives in a fancy, decorated apartment in expensive LA, as do her friends). She smashes her car into a FERARRI, and the driver is a famous composer (fortunately, as Katie is an aspiring singer) who instantly falls for her and isn't put off by her virginity. The tiniest saving grace here is that Marla Schaffel (who has never acted in films before and it shows) happens to be a Broadway Tony-nominated singer and she has a wonderful voice. I wouldn't have minded listening to her sing for 90 minutes, but watching her act is agonizing. She doesn't look young enough or innocent enough for the utterly unworldly Katie. Everyone else is incredibly flat, lifeless, trite and corny. This whole things plays like a failed pilot for a sitcom. The bad language, references to sex, body parts etc. seem like dropped-in crudeness in a lame effort to sound trendy. Also the ending is very abrupt, as if they literally ran out of script or money and just stopped filming. There isn't a realistic or believable moment on the screen. Detailing the bad dialogue and terrible writing would just take forever. Trust me that every second of this (except for a couple of the songs) is jut unendurable. An insult to women, and an insult to Jewish women in particular. Yecch.
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| 1-5 of 5 1 |