Reviews (38)

THRILLING NOIR GETS ROYAL TREATMENT ON DVD
"Dark Passage" is the last time Bogart and Bacall were teamed together on screen. The resulting film noir was not a box office sensation when it originally hit theaters, perhaps in part due to the first person camera perspective employed during the first forty minutes of the narrative and then the additional absence of seeing Bogart's character, except behind a swath of bandages for most of the latter half of the film. However, like most great film noir, "Dark Passage" has outlived its initial disappointment to become a classic. Bogart is Vincent Parry, a man accused of murdering his wife and sent to prison for life. But he escapes San Quentin prison and is rescued by Irene Jansen (Bacall). Irene smuggles Parry past police, across the Golden Gate Bridge and to her San Francisco apartment. From there Parry procures a plastic surgeon to alter his facial features, but first takes off to visit his old friend, George Fellsinger (Rory Mallinson). However, when Parry returns to George's flat he finds that someone has murdered his best friend. Knowing that he will be considered the first choice of suspect in this crime, Parry retreats to Irene's apartment where she looks after him for the duration of his healing. With his new face looking like the spitting image of Humphrey Bogart, Parry heads over to his ex-wife's former friend, Madge Rapf (Agnes Moorehead). She is the one responsible for Parry's wife's murder and when Parry confronts Madge with his knowledge, she realizes who the stranger is, attempts to escape, but accidentally falls from the seventh story to her death. With no conceivable way of proving that Madge killed his wife and George, Parry contacts Irene with his next port of call. The finale is perhaps overly optimistic with Irene miraculously turning up at some café in a tropical port with Parry waiting at a table for two for her to arrive.

The DVD transfer is outstanding. Warner Brothers gives us a remastered picture that ranks among their very best transfers. It's amazing how much fine detail is maintained throughout the presentation. The gray scale is extremely well balanced. Blacks are - for the most part - black, although there is a couple of scenes in which 'blooming' does occur. There is also a trace element of pixelization. The audio is MONO but very nicely balanced. Extras include a featurette on the making of the film that, while short, manages to cover a lot of ground and contextualize some of the background surrounding its production shoot. You also get a Bugs Bunny cartoon and the film's theatrical trailer.

Is this "Lady In The Lake" or am I seeing things?
Lesser known and least acclaimed film of the Humphrey Bogart-Lauren Bacall teaming, and justifiably so. Utilizes many over-reaching and cliched plot devices throughout, and in the first half hour or so I thought I was watching a bad reincarnation of the mediocre "Lady In The Lake," what with the subjective camera angle where the audience sees everything through the eyes of the main character. Stars Bogart as Vince Parry, a man wrongfully sent to San Quentin for killing his ungrateful wife and makes his escape, only to encounter many a problem and no-good folks. Bacall plays Irene Janssen, a beautiful young woman that has, in one of the examples of over-reaching this film uses, followed Vince's case since it reminded her of her wrongfully jailed father's situation, and who is every fugitive's dreamgirl since she aids him with all an escaped convict would need or want--helps with his getaway, provides food and her nice apartment for him to stay in, money ($500-a lot back then), and of course romance--although that comes later. She even becomes his nursey when he changes his appearance with plastic surgery. In another ludicrous case of over-reaching, Vince meets up by chance with a cabbie who can "read" faces and who, despite recognizing him and knowing about his wife's murder, can tell Vince didn't do it and that his face is "good." Therefore, he puts Vince in contact with a friend of his who just happens to be a plastic surgeon, exactly what any fugitive would want--and on top of that, is willing to do it for only 200 bucks! (granted, that was a good amount back then, but for a masterful job which could get him into legal trouble, c'mon!). Along the way he meets up again with Madge Rapf (wonderfully played by a deliciously wicked Agnes Moorehead), a devious busybody-troublemaker from his past who is a murderer. Although Vince is never able to get his name cleared, all ends well when he settles elsewhere with a new identity and with Irene, but not before we are given a moralistic scene in the train station where Vince overhears a downtrodden, "Okie" married couple with kids lamenting about lack of human kindness and generosity. I suppose this was to be in contrast to the kindness and generosity Irene showed Vince--nevertheless, it's totally gratuitous. However, despite the flaws, this is a tense and entertaining noir which would have been downright laughable given lesser performers, but is truly gripping due to Bogie, Bacall, and Moorehead.

Dark Horse, But a Winner
The best of black-and-white films are such that the viewer forgets very quickly that there is no color. If truly good, it will impart a style and an atmosphere that color can't duplicate. By 1947, when this movie was made, there wasn't much that a major studio couldn't do superbly in B/W. All their talent has been transferred to this DVD.

The premise for this movie is indeed improbable, and the idea that someone would want to change into the Bogart time-worn face is laughable. However, the interplay between the Bogarts is electric, and she never looked any sexier. The San Francisco art deco buildings and scenery is an added bonus. Agnes Moorhead, certainly one of our most underrated radio and film actresses, was never better as the catty friend. As a variation of film noir, though, this is fun to watch and gets better with each viewing.

Bogie And Bacall Light Up The Screen In Stylish Film Noir
Often passed off as the least successful of the four screen teamings of legendary Hollywood couple Humphrey Bogart and Lauren Bacall, "Dark Passage", despite its often unlikely premise has much to recommend it. Bogie is always riverting to watch on screen even in his lesser films and his work in "Dark Passage", as an escaped convict undergoing plastic surgery to try to clear his name over the murder of his wife is first rate. While the film certainly lacks a degree of the unique verbal sparring that viewers have come to expect of Bogie and Bacall's work together, the personal chemistry is still there and just as magic between the two. It is these two performers aided greatly by the superb Agnes Moorehead in the type of vinegary characterisation that she made uniquely her own in the 1940's that really elevates this story and manages to make many of the incredible turn of events that bit more believable.

Based on a David Goodis novel, director Delmer Daves also took over responsibility for the screenplay and weaved an engrossing if not always plausible story centred around Vincent Parry (Bogart) who we see in the first scene making his escape on the back of a truck from San Quentin Prison. Picked up a few minutes later by artist Irene Jansen (Bacall), who happened to be doing some painting in the surrounding hills as the prison siren went off, Vincent finds himself suddenly with a staunch ally in his quest to get to the bottom of his wife's murder. Irene takes Vincent back to her apartment in San Francisco where her attraction to him becomes immediately evident.She explains that her sudden determination to help him despite the personal risks to herself, is the result of her interest in his case and the firm belief that he was framed for his wife's murder. Seeing that a city wide manhunt is now underway Vincent takes the advice of a friendly cab driver (Tom D'Andrea), who guesses who he is and allows him to arrange to get some plastic surgery done to change his appearance. Hiding out at Irene's apartment while his face heals Vincent realises that he and Irene have a connection in the person of gossipy sharp tongued Madge Rapf (Agnes Moorehead),who is a constant thorn in Irene's side and actually testified against Vincent in his murder trial. Madge gets suspicious of the man she believes Irene is hiding in her apartment and begins to follow Vincent once his bandages are removed and he begins to track down the real killer of his wife. Putting two and two together Vincent realises that Madge is the guilty party and is a woman who when she can't get what she wants is the type to destroy what others love. In a powerful confrontation scene where Madge learns the identity of the man with the strangely familiar face it is revealed that she is the one who was also responsible for the death of his wife and only friend George. Unable to get Madge to confess to her crimes and thus clearing his name Vincent realises he has no chance of going free in particular when Madge falls to her death from her apartment window. He then decides to flee to South America where with not much persuasion he is joined by the romantically hooked Irene to hopefully start a new life together.

Totally implausible? Perhaps but as with alot of the well crafted film Noir's of the 40's it is done in an irresistable style. The sheer coincidence of most the characters being somehow connected with each other or automatically knowing someone who can help in Vincent's plight is indeed at times hard to accept but once again it is the performers and their total immersion in the characters that succeeds in pulling it off. "Dark Passage", is unique, and on the down side has been at times strongly criticised for, its shooting from the view of Humphrey Bogart's face so that we dont actually see him for the first half hour of the film. I personally believe that approach is highly effective and quite unique and it certainly keeps the interest up until Vincent's grand unveiling when he looks like of course Humphrey Bogart. The fact that Vincent does look different is also responsible for the very powerful last scene between Vincent and Madge when she slowly begins to realise, much to her terror, who this strange man is she has invited into her home. Bogart, Bacall and Moorehead rightly run away with the acting honours here but the supporting cast is a strong one with Houseley Stevenson as the plastic surgeon and Clifton Young as the black mailing Baker real standouts in their playing. The film like all noir efforts benefits greatly from the stark black and white photography by Sid Hickox with many of the exterior shots done in very early morning or late in the evening. Location work done in the downtown region of San Francisco also gives the film added interest with alot of action taking place around the Golden Gate Bridge which is well used in particular during the shoot out between Vincent and Baker.

"Dark Passage", may not be top draw Bogart akin to "Casablanca", or "The Maltese falcon", however it is a spirited tale in its own right and should be viewed as such. Its strong 1940's feel and stark photography aid in raising this story a number of notches above other similiar efforts of this period and even when he is not seen on camera for the first section of the story Bogart by using his distinctive voice manages to draw the audience into Vincent Parry's story. He and Lauren Bacall were one of Hollywood's greatest acting teams and even in a lesser effort such as this still provide first class entertainment. Enjoy.

Visually stunning, but too coincidental...
Vincent Parry (Humphrey Bogart) is convicted and sentenced for murder and has now escaped the San Quentin prison. By coincidence Irene Jansen (Lauren Bacall) is in the near by hills painting landscape portraits when Vincent escapes and she decides to help him. Irene is one of the few who believed that Vincent was innocent of the murder of his wife, and this motivates her to help him. However, Vincent wants to discover who the murderer was on his own, but realizes that his face is nationally known as it has been on the front page of all the newspapers. Through the help of a taxi driver Vincent finds a plastic surgeon that gives him a new face that will help him on his quest for the truth. Dark Passage begins with interesting cinematography as it conceals Vincent's face until after the plastic surgery, which enhances the cinematic experience. But it does not save the awkward coincidental moments that drive the story forward and hurts the overall cinematic experience leaving the audience with a viewable, but gawky story. ... Read more

Reviews (4)

Superb acting by non-actor Sinatra
Put ol' Blue Eyes in a vehicle where he never sang and usually you got a rather forgettable performance. In such cases, it was best to put him in a role where, as the old country song went, all he had to do was "ack natcher'ly". You'd never know that from this effort, though--where he played an Army officer competing for the love of a beautiful French girl (Natalie Wood) with his dreamboat sergeant (Tony Curtis). Curtis' looks and charm sweep the girl off her feet, but it's clear that Sinatra has more to offer her in what really matters. But the balloon really goes up when Wood's mother reveals to both men that her late husband was African-American, making their daughter a mulatto. This causes Sinatra to do some soul searching centered on the fact that his upbringing had a certain amount of racism in it that he'd never really questioned until now. As for Curtis' reaction, I don't want to give too much away. Except for the fact that this film shows Sinatra--a man whose main talents were in another branch of entertainment, holding his own with two of the American screen's best talents.

One of the finest movies ever!
I had been wanting to see this movie for a long time. I rented it the other day, and I'm so glad I did. This is Frank Sinatra at his best. He is wonderful as the loving, tender Sam. He's so sweet to the beautiful, yet fragile Monique, the girl he deeply loves. This movie is one of honor, character, integrity, and true love- traits all seen in Sam. This is also a very bold movie, especially for the 1950s. Sam's undying love for Monique is lovely, even after she tells him her father was a Negro. He ponders this, but his love for Monique stands strong. This has become one of my favorite movies. It's a touching story about true love, and I highly recommend it.

ONE TOUGH AND EXCELLENT MOVIE
I remember watching this movie when I was a only seven or eight and being totally ticked off that most of the film was set away from all the action I loved. "Hey, we're fighting the Germans. Forget this French chick!"

Now watching this film all these years later I am nearly overwhelmed with how mature and complex Kings Go Forth is. This could have easily sunk to the level of a simple minded morality play; but the interplay of likable and flawed human characters raise this film to be a story for thoughtful adults.

Racism is a theme; but it is only one of several. We have a rich kid/poor kid dynamic. We have sexual jeolousy. We have a central character who struggles to not only to do the right thing but to act with a nobility he knows is not natural for him. We have a irresponsible character who is sauve and socially graceful who knows exactly what he is even though he is a true hero in many ways. We have a French girl who is actually American--very much American in the sense that she is the product of a uniquely American melting pot. But she lives in exile because she is also ahead of her time. She so desparately wants to be worthy of her true homeland and is crushed when she finds out the hope she has set her heart on is false. She also knows that she failed to "dance with the one who brought her" for a golden boy whose promise was untrue.

On top of all this is the larger drama of loyalty and duty in war. How at the end Sinatra comforts and forgives the buddy he promised to kill as death seemingly was about to consume them both. Deaths both Sinatra and Curtis come to accept as a price of the mission.

Sinatra was rarely better than this. Wood breathes live into a role that is quite wooden on paper. While Curtis acts his butt off playing the cad we end up feeling sympathy for. (It has been Tony Curtis' great fortune and curse to be in films where he is overshadowed by actors who were not just good but great. We are dazzled by the performances of these great actors so much that Curtis' own contributions are obscured by the glow. But he also has to be ranked as one of Hollywood's most accomplished and skilled actors.)

Kings Go Forth is an excellent film. It is overlooked and deserves more. It is both complex and subtle. You will think about these characters for a long time.

Kings Go Forth
I have always loved this movie. It is a wonderful drama and the cast is over the top with talent. One other, very important reason I love this movie, is that my dad is in this movie. He plays a German officer. He helped authenticate the military uniforms warn by the actors. For helping do this, the director offered him a bit part....my dad is a decorated veteran of 2 campaigns. WWll, and Korea! So it has always been a family joke that dad defected during the war...
Sincerely,
D.L. ... Read more

Reviews (18)

A Neglected Masterpiece!
I first saw this film on the late show back in the 50's when I was a mere child. It scared the pants off me then, and pretty much does the same now. This is what I call staying power. Too bad more people aren't aware of this film. The sad thing about the presentation of this film (I have both the VHS & DVD) is that the sound recording needs definite restorative work. This would really be disturbing if the film itself wasn't so compelling. The production values as well as the production team are all A-List, from the fine direction of Delmer Daves to the outstanding mood-setting score of Max Steiner to the casting of pro stars like Edward G. Robinson & Judith Anderson sharing the screen with teen magazine heart-throbs Rory Calhoun and Julie London. Lon McCallister is fine in what is really the lead role, and a very fine performance by young Allene Roberts (whatever happened to her!). The DVD is pretty much of the bargain-bin variety, though there are a couple of little extras on it...most notably explaining that Robinson's career came to a standstill after this film because of the Hollywood blacklist. The suspense factor is among the highest I can recall (EVER!); the script is literate and clever; characters are well-defined; and the creepy mood is consistant. See this film and tell all your friends; you will NOT be disappointed.

Worth seeing for all kinds of reasons.
Ooh, fun! Like film noir? Don't miss this, if only because of Edward G., and just so you can say you saw it. If Disney couyld make a good film noir back in the 40's, this might have been it. And that's a compliment. Hitchcock wouldn't have done this:L it's too moody and down-home. It's different. Ma and Pa Kettle quit foolin' around, lose a few years, and go out to find a few corpses.

1. See if you can guess my favorite shot ( with Aileen Roberts, alone)

2. See Judith Anderson in something besides REBECCA: "Every living soul has their Oxhead Woods..."

3. See Edward G. in a lesser known film, and still doing an excellent job ("...it can still be you and me, Jeannie...")

4. See Julie London. Sassy and delinquent here: "A fine swimming date we had, I don't think!" "I'm not gonna give you any kisses...I want you to miss 'em..." Gorgeous and talented, you could also sense the Hollywood ambition exuding from her during this film...no?

5. Rory Calhoun. A good job. Not given TOO much to do here except drink, hunt, beat up Lon McAllister and grab Julie London, he does it well: "Because it'll be a prettier bond if you buy it for me..."

If this is a piece of American candy, it's still a good piece--and more complex than you'd expect. (Probably moreso than I am capable of revealing here.)

Don't just leave it for the kids. In fact, it may scare the hell out of them. Ultimately, I believe there are aspects of this film that are of more than average, 'happy-day' depth.

Buy it. A true noir fan, you'll watch it more than once.

Should be restored but...
This review refers to the Alpha Video (Gotham) DVD.

Overall Quality of DVD: ** /**** Sound: *1/2 /**** Plot: *** /**** Acting: ***/**** Cinematography: ***/**** Direction: **1/2 /****

This is not a great film but very eerie, strange, nearly on par with something like "Carnival Of Souls" or "Incubus".

Rory Calhoun and Lon McCallister are solid in their roles. Arlene Roberts is good but does not come close to the sexiness of Julie London. Edward G. Robinson creates the mystery and suspense while his sister (in the film), Judith Anderson (Mrs. Danvers in "REBECCA") enhances and intensifies Robinson's esoteric character.

Granted, the film transfer is quite soft and glowing and the sound hisses throughout, however, it is still quite interesting to view and, due to the digital transfer process, the sound is stabilized.

Until/if a restoration is ever available this is the best we'll see but, in my opinion, is worth the low asking price - if you are expecting the quality of a Criterion Collection DVD you will be disappointed.

Brilliant Offbeat Daves Film, Horrible Print for DVD
As with many of Delmer Daves' films, The Red House shows originality, flair, and an intense weaving of landscape, theme, and character (rare among American directors working in the studios). He consistently achieves moments of great subtlety. In addition, Lon McCallister and Allene Roberts deliver striking performances under Daves' sensitive direction. It's no surprise that Scorcese noted this film in his "Personal Journey Through American Movies". Unfortunately, the print of the film used for the DVD is HORRIBLE -- there have to be better prints out there of this film!

A Long Lost Classic!!
Edward G. Robinson is fantastic as the man with the dark secret, in this excellent thriller! I bought it expecting to be either bored or amused. Instead, I was pleasantly surprised! The Red House is actually pretty creepy. Robinson plays a farmer who is not what he appears to be. There's a red house in the woods where something terrible happened many years earlier. His daughter (Arlene Roberts), and his sister (the magnificent Judith "Mrs. Danvers" Anderson) live with him. A boy comes to help out on the farm and the web of mystery slowly unravels. I highly recommend this for anyone who loves thrillers, chillers, or just plain good movies... ... Read more

Reviews (18)

A Neglected Masterpiece!
I first saw this film on the late show back in the 50's when I was a mere child. It scared the pants off me then, and pretty much does the same now. This is what I call staying power. Too bad more people aren't aware of this film. The sad thing about the presentation of this film (I have both the VHS & DVD) is that the sound recording needs definite restorative work. This would really be disturbing if the film itself wasn't so compelling. The production values as well as the production team are all A-List, from the fine direction of Delmer Daves to the outstanding mood-setting score of Max Steiner to the casting of pro stars like Edward G. Robinson & Judith Anderson sharing the screen with teen magazine heart-throbs Rory Calhoun and Julie London. Lon McCallister is fine in what is really the lead role, and a very fine performance by young Allene Roberts (whatever happened to her!). The DVD is pretty much of the bargain-bin variety, though there are a couple of little extras on it...most notably explaining that Robinson's career came to a standstill after this film because of the Hollywood blacklist. The suspense factor is among the highest I can recall (EVER!); the script is literate and clever; characters are well-defined; and the creepy mood is consistant. See this film and tell all your friends; you will NOT be disappointed.

Worth seeing for all kinds of reasons.
Ooh, fun! Like film noir? Don't miss this, if only because of Edward G., and just so you can say you saw it. If Disney couyld make a good film noir back in the 40's, this might have been it. And that's a compliment. Hitchcock wouldn't have done this:L it's too moody and down-home. It's different. Ma and Pa Kettle quit foolin' around, lose a few years, and go out to find a few corpses.

1. See if you can guess my favorite shot ( with Aileen Roberts, alone)

2. See Judith Anderson in something besides REBECCA: "Every living soul has their Oxhead Woods..."

3. See Edward G. in a lesser known film, and still doing an excellent job ("...it can still be you and me, Jeannie...")

4. See Julie London. Sassy and delinquent here: "A fine swimming date we had, I don't think!" "I'm not gonna give you any kisses...I want you to miss 'em..." Gorgeous and talented, you could also sense the Hollywood ambition exuding from her during this film...no?

5. Rory Calhoun. A good job. Not given TOO much to do here except drink, hunt, beat up Lon McAllister and grab Julie London, he does it well: "Because it'll be a prettier bond if you buy it for me..."

If this is a piece of American candy, it's still a good piece--and more complex than you'd expect. (Probably moreso than I am capable of revealing here.)

Don't just leave it for the kids. In fact, it may scare the hell out of them. Ultimately, I believe there are aspects of this film that are of more than average, 'happy-day' depth.

Buy it. A true noir fan, you'll watch it more than once.

Should be restored but...
This review refers to the Alpha Video (Gotham) DVD.

Overall Quality of DVD: ** /**** Sound: *1/2 /**** Plot: *** /**** Acting: ***/**** Cinematography: ***/**** Direction: **1/2 /****

This is not a great film but very eerie, strange, nearly on par with something like "Carnival Of Souls" or "Incubus".

Rory Calhoun and Lon McCallister are solid in their roles. Arlene Roberts is good but does not come close to the sexiness of Julie London. Edward G. Robinson creates the mystery and suspense while his sister (in the film), Judith Anderson (Mrs. Danvers in "REBECCA") enhances and intensifies Robinson's esoteric character.

Granted, the film transfer is quite soft and glowing and the sound hisses throughout, however, it is still quite interesting to view and, due to the digital transfer process, the sound is stabilized.

Until/if a restoration is ever available this is the best we'll see but, in my opinion, is worth the low asking price - if you are expecting the quality of a Criterion Collection DVD you will be disappointed.

Brilliant Offbeat Daves Film, Horrible Print for DVD
As with many of Delmer Daves' films, The Red House shows originality, flair, and an intense weaving of landscape, theme, and character (rare among American directors working in the studios). He consistently achieves moments of great subtlety. In addition, Lon McCallister and Allene Roberts deliver striking performances under Daves' sensitive direction. It's no surprise that Scorcese noted this film in his "Personal Journey Through American Movies". Unfortunately, the print of the film used for the DVD is HORRIBLE -- there have to be better prints out there of this film!

A Long Lost Classic!!
Edward G. Robinson is fantastic as the man with the dark secret, in this excellent thriller! I bought it expecting to be either bored or amused. Instead, I was pleasantly surprised! The Red House is actually pretty creepy. Robinson plays a farmer who is not what he appears to be. There's a red house in the woods where something terrible happened many years earlier. His daughter (Arlene Roberts), and his sister (the magnificent Judith "Mrs. Danvers" Anderson) live with him. A boy comes to help out on the farm and the web of mystery slowly unravels. I highly recommend this for anyone who loves thrillers, chillers, or just plain good movies... ... Read more

Reviews (18)

A Neglected Masterpiece!
I first saw this film on the late show back in the 50's when I was a mere child. It scared the pants off me then, and pretty much does the same now. This is what I call staying power. Too bad more people aren't aware of this film. The sad thing about the presentation of this film (I have both the VHS & DVD) is that the sound recording needs definite restorative work. This would really be disturbing if the film itself wasn't so compelling. The production values as well as the production team are all A-List, from the fine direction of Delmer Daves to the outstanding mood-setting score of Max Steiner to the casting of pro stars like Edward G. Robinson & Judith Anderson sharing the screen with teen magazine heart-throbs Rory Calhoun and Julie London. Lon McCallister is fine in what is really the lead role, and a very fine performance by young Allene Roberts (whatever happened to her!). The DVD is pretty much of the bargain-bin variety, though there are a couple of little extras on it...most notably explaining that Robinson's career came to a standstill after this film because of the Hollywood blacklist. The suspense factor is among the highest I can recall (EVER!); the script is literate and clever; characters are well-defined; and the creepy mood is consistant. See this film and tell all your friends; you will NOT be disappointed.

Worth seeing for all kinds of reasons.
Ooh, fun! Like film noir? Don't miss this, if only because of Edward G., and just so you can say you saw it. If Disney couyld make a good film noir back in the 40's, this might have been it. And that's a compliment. Hitchcock wouldn't have done this:L it's too moody and down-home. It's different. Ma and Pa Kettle quit foolin' around, lose a few years, and go out to find a few corpses.

1. See if you can guess my favorite shot ( with Aileen Roberts, alone)

2. See Judith Anderson in something besides REBECCA: "Every living soul has their Oxhead Woods..."

3. See Edward G. in a lesser known film, and still doing an excellent job ("...it can still be you and me, Jeannie...")

4. See Julie London. Sassy and delinquent here: "A fine swimming date we had, I don't think!" "I'm not gonna give you any kisses...I want you to miss 'em..." Gorgeous and talented, you could also sense the Hollywood ambition exuding from her during this film...no?

5. Rory Calhoun. A good job. Not given TOO much to do here except drink, hunt, beat up Lon McAllister and grab Julie London, he does it well: "Because it'll be a prettier bond if you buy it for me..."

If this is a piece of American candy, it's still a good piece--and more complex than you'd expect. (Probably moreso than I am capable of revealing here.)

Don't just leave it for the kids. In fact, it may scare the hell out of them. Ultimately, I believe there are aspects of this film that are of more than average, 'happy-day' depth.

Buy it. A true noir fan, you'll watch it more than once.

Should be restored but...
This review refers to the Alpha Video (Gotham) DVD.

Overall Quality of DVD: ** /**** Sound: *1/2 /**** Plot: *** /**** Acting: ***/**** Cinematography: ***/**** Direction: **1/2 /****

This is not a great film but very eerie, strange, nearly on par with something like "Carnival Of Souls" or "Incubus".

Rory Calhoun and Lon McCallister are solid in their roles. Arlene Roberts is good but does not come close to the sexiness of Julie London. Edward G. Robinson creates the mystery and suspense while his sister (in the film), Judith Anderson (Mrs. Danvers in "REBECCA") enhances and intensifies Robinson's esoteric character.

Granted, the film transfer is quite soft and glowing and the sound hisses throughout, however, it is still quite interesting to view and, due to the digital transfer process, the sound is stabilized.

Until/if a restoration is ever available this is the best we'll see but, in my opinion, is worth the low asking price - if you are expecting the quality of a Criterion Collection DVD you will be disappointed.

Brilliant Offbeat Daves Film, Horrible Print for DVD
As with many of Delmer Daves' films, The Red House shows originality, flair, and an intense weaving of landscape, theme, and character (rare among American directors working in the studios). He consistently achieves moments of great subtlety. In addition, Lon McCallister and Allene Roberts deliver striking performances under Daves' sensitive direction. It's no surprise that Scorcese noted this film in his "Personal Journey Through American Movies". Unfortunately, the print of the film used for the DVD is HORRIBLE -- there have to be better prints out there of this film!

A Long Lost Classic!!
Edward G. Robinson is fantastic as the man with the dark secret, in this excellent thriller! I bought it expecting to be either bored or amused. Instead, I was pleasantly surprised! The Red House is actually pretty creepy. Robinson plays a farmer who is not what he appears to be. There's a red house in the woods where something terrible happened many years earlier. His daughter (Arlene Roberts), and his sister (the magnificent Judith "Mrs. Danvers" Anderson) live with him. A boy comes to help out on the farm and the web of mystery slowly unravels. I highly recommend this for anyone who loves thrillers, chillers, or just plain good movies... ... Read more

Reviews (2)

not ALAN LADD
I PURCHASED THIS MOVIE THINKING IT WAS A ALAN lADD MOVIE BECAUSE IT WAS GIVING AS A ALAN LADD MOVIE BY AMAZON BUT THE JOKE WAS ON ME IT IS NOT THE ALAN LADD BADLANDERS SO NOW I AM STUCK WITH THIS CRAPPY MOVIE AND HAVE TO STILL BUY BADLANDERS WITH ALAN LADD SO ALL I CAN SAY IS AMAZON SUCKS

the badlanders
good movie but not great movie. Western version of "The Asphalt Jungle" Ladd and Borgnine are stiffed by local villan Kent Smith, in unconnected incidents. when released from klink team up to rob gold mine. Granted it's not Shane, but it's a good flick. ... Read more

Reviews (18)

A Neglected Masterpiece!
I first saw this film on the late show back in the 50's when I was a mere child. It scared the pants off me then, and pretty much does the same now. This is what I call staying power. Too bad more people aren't aware of this film. The sad thing about the presentation of this film (I have both the VHS & DVD) is that the sound recording needs definite restorative work. This would really be disturbing if the film itself wasn't so compelling. The production values as well as the production team are all A-List, from the fine direction of Delmer Daves to the outstanding mood-setting score of Max Steiner to the casting of pro stars like Edward G. Robinson & Judith Anderson sharing the screen with teen magazine heart-throbs Rory Calhoun and Julie London. Lon McCallister is fine in what is really the lead role, and a very fine performance by young Allene Roberts (whatever happened to her!). The DVD is pretty much of the bargain-bin variety, though there are a couple of little extras on it...most notably explaining that Robinson's career came to a standstill after this film because of the Hollywood blacklist. The suspense factor is among the highest I can recall (EVER!); the script is literate and clever; characters are well-defined; and the creepy mood is consistant. See this film and tell all your friends; you will NOT be disappointed.

Worth seeing for all kinds of reasons.
Ooh, fun! Like film noir? Don't miss this, if only because of Edward G., and just so you can say you saw it. If Disney couyld make a good film noir back in the 40's, this might have been it. And that's a compliment. Hitchcock wouldn't have done this:L it's too moody and down-home. It's different. Ma and Pa Kettle quit foolin' around, lose a few years, and go out to find a few corpses.

1. See if you can guess my favorite shot ( with Aileen Roberts, alone)

2. See Judith Anderson in something besides REBECCA: "Every living soul has their Oxhead Woods..."

3. See Edward G. in a lesser known film, and still doing an excellent job ("...it can still be you and me, Jeannie...")

4. See Julie London. Sassy and delinquent here: "A fine swimming date we had, I don't think!" "I'm not gonna give you any kisses...I want you to miss 'em..." Gorgeous and talented, you could also sense the Hollywood ambition exuding from her during this film...no?

5. Rory Calhoun. A good job. Not given TOO much to do here except drink, hunt, beat up Lon McAllister and grab Julie London, he does it well: "Because it'll be a prettier bond if you buy it for me..."

If this is a piece of American candy, it's still a good piece--and more complex than you'd expect. (Probably moreso than I am capable of revealing here.)

Don't just leave it for the kids. In fact, it may scare the hell out of them. Ultimately, I believe there are aspects of this film that are of more than average, 'happy-day' depth.

Buy it. A true noir fan, you'll watch it more than once.

Should be restored but...
This review refers to the Alpha Video (Gotham) DVD.

Overall Quality of DVD: ** /**** Sound: *1/2 /**** Plot: *** /**** Acting: ***/**** Cinematography: ***/**** Direction: **1/2 /****

This is not a great film but very eerie, strange, nearly on par with something like "Carnival Of Souls" or "Incubus".

Rory Calhoun and Lon McCallister are solid in their roles. Arlene Roberts is good but does not come close to the sexiness of Julie London. Edward G. Robinson creates the mystery and suspense while his sister (in the film), Judith Anderson (Mrs. Danvers in "REBECCA") enhances and intensifies Robinson's esoteric character.

Granted, the film transfer is quite soft and glowing and the sound hisses throughout, however, it is still quite interesting to view and, due to the digital transfer process, the sound is stabilized.

Until/if a restoration is ever available this is the best we'll see but, in my opinion, is worth the low asking price - if you are expecting the quality of a Criterion Collection DVD you will be disappointed.

Brilliant Offbeat Daves Film, Horrible Print for DVD
As with many of Delmer Daves' films, The Red House shows originality, flair, and an intense weaving of landscape, theme, and character (rare among American directors working in the studios). He consistently achieves moments of great subtlety. In addition, Lon McCallister and Allene Roberts deliver striking performances under Daves' sensitive direction. It's no surprise that Scorcese noted this film in his "Personal Journey Through American Movies". Unfortunately, the print of the film used for the DVD is HORRIBLE -- there have to be better prints out there of this film!

A Long Lost Classic!!
Edward G. Robinson is fantastic as the man with the dark secret, in this excellent thriller! I bought it expecting to be either bored or amused. Instead, I was pleasantly surprised! The Red House is actually pretty creepy. Robinson plays a farmer who is not what he appears to be. There's a red house in the woods where something terrible happened many years earlier. His daughter (Arlene Roberts), and his sister (the magnificent Judith "Mrs. Danvers" Anderson) live with him. A boy comes to help out on the farm and the web of mystery slowly unravels. I highly recommend this for anyone who loves thrillers, chillers, or just plain good movies... ... Read more

Reviews (18)

A Neglected Masterpiece!
I first saw this film on the late show back in the 50's when I was a mere child. It scared the pants off me then, and pretty much does the same now. This is what I call staying power. Too bad more people aren't aware of this film. The sad thing about the presentation of this film (I have both the VHS & DVD) is that the sound recording needs definite restorative work. This would really be disturbing if the film itself wasn't so compelling. The production values as well as the production team are all A-List, from the fine direction of Delmer Daves to the outstanding mood-setting score of Max Steiner to the casting of pro stars like Edward G. Robinson & Judith Anderson sharing the screen with teen magazine heart-throbs Rory Calhoun and Julie London. Lon McCallister is fine in what is really the lead role, and a very fine performance by young Allene Roberts (whatever happened to her!). The DVD is pretty much of the bargain-bin variety, though there are a couple of little extras on it...most notably explaining that Robinson's career came to a standstill after this film because of the Hollywood blacklist. The suspense factor is among the highest I can recall (EVER!); the script is literate and clever; characters are well-defined; and the creepy mood is consistant. See this film and tell all your friends; you will NOT be disappointed.

Worth seeing for all kinds of reasons.
Ooh, fun! Like film noir? Don't miss this, if only because of Edward G., and just so you can say you saw it. If Disney couyld make a good film noir back in the 40's, this might have been it. And that's a compliment. Hitchcock wouldn't have done this:L it's too moody and down-home. It's different. Ma and Pa Kettle quit foolin' around, lose a few years, and go out to find a few corpses.

1. See if you can guess my favorite shot ( with Aileen Roberts, alone)

2. See Judith Anderson in something besides REBECCA: "Every living soul has their Oxhead Woods..."

3. See Edward G. in a lesser known film, and still doing an excellent job ("...it can still be you and me, Jeannie...")

4. See Julie London. Sassy and delinquent here: "A fine swimming date we had, I don't think!" "I'm not gonna give you any kisses...I want you to miss 'em..." Gorgeous and talented, you could also sense the Hollywood ambition exuding from her during this film...no?

5. Rory Calhoun. A good job. Not given TOO much to do here except drink, hunt, beat up Lon McAllister and grab Julie London, he does it well: "Because it'll be a prettier bond if you buy it for me..."

If this is a piece of American candy, it's still a good piece--and more complex than you'd expect. (Probably moreso than I am capable of revealing here.)

Don't just leave it for the kids. In fact, it may scare the hell out of them. Ultimately, I believe there are aspects of this film that are of more than average, 'happy-day' depth.

Buy it. A true noir fan, you'll watch it more than once.

Should be restored but...
This review refers to the Alpha Video (Gotham) DVD.

Overall Quality of DVD: ** /**** Sound: *1/2 /**** Plot: *** /**** Acting: ***/**** Cinematography: ***/**** Direction: **1/2 /****

This is not a great film but very eerie, strange, nearly on par with something like "Carnival Of Souls" or "Incubus".

Rory Calhoun and Lon McCallister are solid in their roles. Arlene Roberts is good but does not come close to the sexiness of Julie London. Edward G. Robinson creates the mystery and suspense while his sister (in the film), Judith Anderson (Mrs. Danvers in "REBECCA") enhances and intensifies Robinson's esoteric character.

Granted, the film transfer is quite soft and glowing and the sound hisses throughout, however, it is still quite interesting to view and, due to the digital transfer process, the sound is stabilized.

Until/if a restoration is ever available this is the best we'll see but, in my opinion, is worth the low asking price - if you are expecting the quality of a Criterion Collection DVD you will be disappointed.

Brilliant Offbeat Daves Film, Horrible Print for DVD
As with many of Delmer Daves' films, The Red House shows originality, flair, and an intense weaving of landscape, theme, and character (rare among American directors working in the studios). He consistently achieves moments of great subtlety. In addition, Lon McCallister and Allene Roberts deliver striking performances under Daves' sensitive direction. It's no surprise that Scorcese noted this film in his "Personal Journey Through American Movies". Unfortunately, the print of the film used for the DVD is HORRIBLE -- there have to be better prints out there of this film!

A Long Lost Classic!!
Edward G. Robinson is fantastic as the man with the dark secret, in this excellent thriller! I bought it expecting to be either bored or amused. Instead, I was pleasantly surprised! The Red House is actually pretty creepy. Robinson plays a farmer who is not what he appears to be. There's a red house in the woods where something terrible happened many years earlier. His daughter (Arlene Roberts), and his sister (the magnificent Judith "Mrs. Danvers" Anderson) live with him. A boy comes to help out on the farm and the web of mystery slowly unravels. I highly recommend this for anyone who loves thrillers, chillers, or just plain good movies... ... Read more

Reviews (2)

not ALAN LADD
I PURCHASED THIS MOVIE THINKING IT WAS A ALAN lADD MOVIE BECAUSE IT WAS GIVING AS A ALAN LADD MOVIE BY AMAZON BUT THE JOKE WAS ON ME IT IS NOT THE ALAN LADD BADLANDERS SO NOW I AM STUCK WITH THIS CRAPPY MOVIE AND HAVE TO STILL BUY BADLANDERS WITH ALAN LADD SO ALL I CAN SAY IS AMAZON SUCKS

the badlanders
good movie but not great movie. Western version of "The Asphalt Jungle" Ladd and Borgnine are stiffed by local villan Kent Smith, in unconnected incidents. when released from klink team up to rob gold mine. Granted it's not Shane, but it's a good flick. ... Read more

Reviews (18)

A Neglected Masterpiece!
I first saw this film on the late show back in the 50's when I was a mere child. It scared the pants off me then, and pretty much does the same now. This is what I call staying power. Too bad more people aren't aware of this film. The sad thing about the presentation of this film (I have both the VHS & DVD) is that the sound recording needs definite restorative work. This would really be disturbing if the film itself wasn't so compelling. The production values as well as the production team are all A-List, from the fine direction of Delmer Daves to the outstanding mood-setting score of Max Steiner to the casting of pro stars like Edward G. Robinson & Judith Anderson sharing the screen with teen magazine heart-throbs Rory Calhoun and Julie London. Lon McCallister is fine in what is really the lead role, and a very fine performance by young Allene Roberts (whatever happened to her!). The DVD is pretty much of the bargain-bin variety, though there are a couple of little extras on it...most notably explaining that Robinson's career came to a standstill after this film because of the Hollywood blacklist. The suspense factor is among the highest I can recall (EVER!); the script is literate and clever; characters are well-defined; and the creepy mood is consistant. See this film and tell all your friends; you will NOT be disappointed.

Worth seeing for all kinds of reasons.
Ooh, fun! Like film noir? Don't miss this, if only because of Edward G., and just so you can say you saw it. If Disney couyld make a good film noir back in the 40's, this might have been it. And that's a compliment. Hitchcock wouldn't have done this:L it's too moody and down-home. It's different. Ma and Pa Kettle quit foolin' around, lose a few years, and go out to find a few corpses.

1. See if you can guess my favorite shot ( with Aileen Roberts, alone)

2. See Judith Anderson in something besides REBECCA: "Every living soul has their Oxhead Woods..."

3. See Edward G. in a lesser known film, and still doing an excellent job ("...it can still be you and me, Jeannie...")

4. See Julie London. Sassy and delinquent here: "A fine swimming date we had, I don't think!" "I'm not gonna give you any kisses...I want you to miss 'em..." Gorgeous and talented, you could also sense the Hollywood ambition exuding from her during this film...no?

5. Rory Calhoun. A good job. Not given TOO much to do here except drink, hunt, beat up Lon McAllister and grab Julie London, he does it well: "Because it'll be a prettier bond if you buy it for me..."

If this is a piece of American candy, it's still a good piece--and more complex than you'd expect. (Probably moreso than I am capable of revealing here.)

Don't just leave it for the kids. In fact, it may scare the hell out of them. Ultimately, I believe there are aspects of this film that are of more than average, 'happy-day' depth.

Buy it. A true noir fan, you'll watch it more than once.

Should be restored but...
This review refers to the Alpha Video (Gotham) DVD.

Overall Quality of DVD: ** /**** Sound: *1/2 /**** Plot: *** /**** Acting: ***/**** Cinematography: ***/**** Direction: **1/2 /****

This is not a great film but very eerie, strange, nearly on par with something like "Carnival Of Souls" or "Incubus".

Rory Calhoun and Lon McCallister are solid in their roles. Arlene Roberts is good but does not come close to the sexiness of Julie London. Edward G. Robinson creates the mystery and suspense while his sister (in the film), Judith Anderson (Mrs. Danvers in "REBECCA") enhances and intensifies Robinson's esoteric character.

Granted, the film transfer is quite soft and glowing and the sound hisses throughout, however, it is still quite interesting to view and, due to the digital transfer process, the sound is stabilized.

Until/if a restoration is ever available this is the best we'll see but, in my opinion, is worth the low asking price - if you are expecting the quality of a Criterion Collection DVD you will be disappointed.

Brilliant Offbeat Daves Film, Horrible Print for DVD
As with many of Delmer Daves' films, The Red House shows originality, flair, and an intense weaving of landscape, theme, and character (rare among American directors working in the studios). He consistently achieves moments of great subtlety. In addition, Lon McCallister and Allene Roberts deliver striking performances under Daves' sensitive direction. It's no surprise that Scorcese noted this film in his "Personal Journey Through American Movies". Unfortunately, the print of the film used for the DVD is HORRIBLE -- there have to be better prints out there of this film!

A Long Lost Classic!!
Edward G. Robinson is fantastic as the man with the dark secret, in this excellent thriller! I bought it expecting to be either bored or amused. Instead, I was pleasantly surprised! The Red House is actually pretty creepy. Robinson plays a farmer who is not what he appears to be. There's a red house in the woods where something terrible happened many years earlier. His daughter (Arlene Roberts), and his sister (the magnificent Judith "Mrs. Danvers" Anderson) live with him. A boy comes to help out on the farm and the web of mystery slowly unravels. I highly recommend this for anyone who loves thrillers, chillers, or just plain good movies... ... Read more

Reviews (5)

Good Adaptation of the Hamner Novel With One Exception
Before THE WALTONS, Earl Hamner Jr. wrote a novel called
SPENCER'S MOUNTAIN, a fictionalized version of his childhood
in the Blue Ridge Mountains of Virginia. The film version of
his novel is in general excellent--Henry Fonda is a standout
as tough-but-loving Clay Spencer--but I always thought
James MacArthur was too old to be playing Clay-Boy, and he's
certainly NOT the charming but gawky red-headed kid described
in the novel! Richard Thomas was also older than the John-Boy

character he portrayed on the television series, but he
was made to look like a gawky teenager where MacArthur never
does. (Incidentally, the family on TV is known as the Waltons
rather than the Spencers because after the movie was made
the studio owned the rights to the name "Spencer" so Hamner
had to change it for TV.)

My big quibble with this movie, and the reason I won't rate
it higher, is the character of Claris. In the novel she's a
bold, precocious, but ultimately nice girl--in the movie she
just comes off as a slut. The actress slithers and oozes like
some sort of Lolita-clone.

INSPIRED "THE WALTON'S"
Fonda plays the larger-than-life patriarch of 9 (with O'Hara as his wife) who's inherited the Wyoming mountain land claimed by his father. Fonda's dream is to build a new house large enough to contain his brood, but something always gets in his way. Sentimental family fare based on a novel by Earl Hamner, Jr.

Classic Delmer Daves production
"Spencer's Mountain" , written by Earl Hamner, Jr. of "The Walton's" wrote this script in the 1950s and it shows. Like many of the Delmer Daves movies of this era, this film combines a Max Steiner score, great cinematography and a heart-tugging story from a more innocent America. This is a great movie to get lost in, enjoy, and have a good cry. I sit back and re-live this film at least once a year.

A great family video
I loved this movie--Henry Fonda is wonderful as the hard-working, loving, commonsense father of nine children. Maureen O'Hara plays his wife and does a great job as a woman of faith who is constantly being challenged by the struggles of raising a large family with little income. It gives a beautiful portrait of a close-knit family whose members sacrifice freely for one another. A great family movie.

This is a funny, heartwrenching movie
This is such a beautifully made film. It made me laugh (really hard), then had me on the verge of tears. This is a true look at rual America in the 40's (or was it the 30's). And for a movie made 40 years ago, it has some pretty smart dialogue. Spencer's son has this "loose" girlfreind who's always getting the poor guy in trouble. "Wannna get the dictionary and look up all the dirty words?" she asks the son while she tries (unsuccessfully) to seduce him in the town library. Don't get me wrong there is nothing vulgar about this film. It really is a family classic. Hnery Fonda is in peak form here. A REAL look at family life. ... Read more

Reviews (5)

Five stars for historical accuracy of detail

This is one of the better historical films made about the war in the Pacific. and the 'thirties and 'forties aviation navy.

I was in naval aviation near the time this was written about, and know the aircraft depicted. The depictions are accurate; one of the rare movies not to throw in the wrong airplane in a battle scene. Like many other similar films about that period (Midway, Pearl Harbor, Tora, Tora, Tora, etc.) using U.S. Navy film footage from the color documentary, filmed aboard the U.S.S. Enterprise, The Fightin Lady, the footage shown was appropriate for the type of aircraft shown, including my favorite naval fighter of all time, the F6F "Hellcat" Grumman fighter which is credited with shooting down nearly eighty percent of all Japanese aircraft shot down in combat in the Pacific in whole war, closely followed by its little brother the F4F "Wildcat," which was declared obsolescent at the war's beginning--and outclassed by the A6M2 Mitsubishi "Zero."

Although many other airplanes are more famous. I will never forget the bellow of those Pratt & Whitney 2,800 cubic inch double row radials belching fire as they strained at their brakes and chocks at full throttle, waiting for the salute signalling take-off.

Or the sight of the SBD Douglas "Dauntless" dive-bombers dipping from sight below the bow and then struggling back up with their bomb loads as they left the deck. Great aircraft, and far more graceful than the SB2C Curtis "Helldiver" which replaced them (no relation to the biplane "Helldiver" depicted flying off the Langley in the early part of the film)

This is a good story, following a fictional aviator's career (Jonathan Scott), from the early days aboard the CV-1 (Langley) fighting for recognition of the role aviation was to play against the old battle ship admirals who almost scuttled our aviation program, with the assistance of a no-nothing Congress, through the war from its beginning to end. (The carrier depicted at the end of the movie was the U.S.S. Franklin, CV-13, an Essex class carrier. She was badly mauled at Okinawa and lucky to survive the Kamikazes. Now a museum ship in New York City.)

This is a fictional story about a real navy, and historically quite accurate, although not as much so as Midway in the names used and the actual battle. It is much closer, however, in many details. It does not show, as do most of such films, for example, the venerated SBD Douglas "Dauntless" dive bombers mis-cast as Japanese dive bombers attacking Pearl Harbor. Each time I see that footage, it makes me cringe. These guys have researchers and advisors. Why don't they use them?

Much of the film is black and white, but it ends in technicolor, as the flashback of Scott's career ends. Cooper is good in his part as he progresses from a junior officer through captain and of course the veteran actor Walter Brennan plays his part as the admiral flawlessly.

Joseph (Joe) Pierre, USN (Ret)

author of Handguns and Freedom...their care and maintenance
and other books

Gary Cooper fights WWII from a series of aircraft carriers
Gary Cooper plays Admiral Jonathan L. Scott in this 1949 film directed by Delmer Daves, that proved to be one of the most popular films of the late 1940s. About to retire, Scott recalls how he and other Navy Men had argued the importance of aircraft carriers. During one such argument Scott insults a Japanese diplomat and is sent to a desk job in Panama. But a year later he is aboard a new carrier, the U.S.S. Saratoga and after Pearl Harbor he is the Operations Officer on the Yorktown at the Battle of Midway, and ends up commanding his own flattop. At the Battle of Okinawa, his ship is badly damaged by a kamikaze attack, but refuses to abandon his ship. Jane Wyatt plays Mary Morgan, the widow of one of Scott's flying buddies, while Walter Brennan is Pete Richard, Scott's friend and later his commander. The stars of "Task Force" are Cooper and the Technicolor combat footage of World War II included in the film, which gave it an authenticity beyond most war films. The first part of the film drags while we endure Cooper trying to be romantic with Wyatt and wait for the war to start. But the battle sequences are quite compelling. Too bad "Task Force" does not have a title that better reflects that this film is about the flattops in WWII.

Highly Entertaining and Underrated
This is a well-made and highly entertaining story staring Gary Cooper as a Naval officer who devotes his career to the development of the aircraft carrier as the vanguard of future Naval superiority. This is an extremely entertaining film directed by Delmer Daves a meticulous craftsman who enhances his stories by bringing out the depth of his characters as is the case here. The film also featured Jane Wyatt, Walter Brennan, Julie London, Kenneth Tobey and Wayne Morris. The excellent photography was supplied by Robert Burks (Alfred Hitchcock's Cinematographer) and Wilfrid M. Cline. Franz Waxman (MISTER ROBERTS, STALAG 17, THE SPIRIT OF ST. LOUIS and OBJECTIVE, BURMA!) composed the score. The recognition of this great film is long overdue.

nice tale of naval aviation from biplane to jet
Gary Cooper stars in this movie that follows the rise of naval aviation from the biplane era to the jet age. Along for the ride are "old reliable" Walter Brennan, as Coop's friend and superior officer, and Jane Wyatt, who adds the feminine touch to an otherwise "guy flick". Actual footage of early carrier mishaps, and WWII combat make this a real action packed film. I had trouble with the transition from black and white to color late in the movie, but credit this to some sort of attempt to show the evolution of naval aviation in the step from piston to jet aircraft. Worth having.

Task Force
Task Force is only for Gary Cooper fans. It tells the story in semi-documentary style of the birth of naval aviation. Gary Cooper is the person who grows with the naval arm and its ups and downs. It has exciting war scences and the way it was edited it looks like Gary Cooper and the cast were really there at the battle of Midway and the battle for Okinawa. Half way through the movie it turns from black and white to color. I guess it is suppose to acknowledge a new age in naval aviation. Jane Wyatt who later would play Spock's mother in the Star Trek TV series and in the movies is just around for window dressing. Walter Brennan who plays Coop's superior officer is always a joy to watch.The movie is slow in the beginning, but as I said, it picks up with WWII begins. Only Coop's fans and WWII buffs will enjoy this movie. ... Read more