Reviews (7)

Man from uncle are great
The first one is a little more wild than i like but the second on is the best I have seen.They are great guys I like it that the good guys always win at the end.

George Sanders steals Vol 2 in great dichotomous style
Why 5 stars you may ask? This volume really shows us the dichotomy that existed between the First and Second Seasons of "The Man from U.N.C.L.E." television series. "The Man from U.N.C.L.E." was a great extension of the James Bond cinematic phenomena created in the 60s. "The Gazebo in the Maze Affair" and the follow-up "The Yukon Affair" couldn't be more different in tone. But that's what made this series so dynamic. George Sanders steals both episodes.

An UNCLE classic
The first show on this video is the sparkling Gazebo in the Maze affair, featuring the talented George Sanders as Squire G. Emory Partridge. This one is a classic example of how good this show was to begin with. The dialogue is crisp, and not to be missed are Jeanette Nolan's wacky Edith Partridge and Leo G. Carroll in biking attire! Written by Dean Hargrove, who should've done more episodes, this one has the kind of dialogue in it that made the show so popular. Illya is kidnapped by the Squire, who has a grudge against UNCLE, and it's Napoleon to the rescue (well, sort of, since he promptly gets captured as well). The classic line from this one is when they are escaping through the maze, while being chased by a gamekeeper and a very large, nasty looking wolf. When the gamekeeper accidentally is attacked by the wolf, Illya murmurs, "bon appetit!" Definitely a keeper!

The second title brings back the squire, minus his wife, for a less clever episode. It's okay, but it definitely lacks the sparkle of the first. However, Illya manages to kiss the cute little Eskimo, and both agents wind up in the hospital. Not as clever or as imaginative as the Gazebo affair, but not as silly as some of the third season episodes, either.

Gazebo in the Maze and Yukon Affair
Though "The Gazebo in the Maze Affair" and "The Yukon Affair" are something like a two part episode, "The Gazebo in the Maze Affair" appeared in UNCLE's first season while "The Yukon Affair" appeared in UNCLE's second season. If you read on you'll find out why I'm only giving this volume only 3 stars.

Episode 27 "The Gazebo in the Maze Affair": A long time ago, Napoleon and Illya stopped the plan of Squire G. Emory Partridge (George Sanders) to control a small country in South America. Now he wants revenge. He kidnaps Illya and lures Napoleon to his manor in Eastsnout. He captures Napoleon and wants to have Napoleon and Illya convince Mr. Waverly come to Eastsnout to try to bring UNCLE down. They refuse though and Partridge, together with his wife Edith (Jeanette Nolan), torture Napoleon and Illya. Peggy Durance (Bonnie Franklin) helps them escape fortunately. The only thing is, the dungeon is right in the center of a maze in which it is filled with all sorts of deadly traps.* Great episode with a great plot. In the second season of UNCLE, they made it so Partridge returned again, in The Yukon Affair. I definitely prefer this first one with Partridge though. The part when Napoleon, Illya, and Peggy are trying to get out of the maze is really exciting, especially with Partridge, his henchman, and a wolf looking for them.

Episode 43 "The Yukon Affair": Sqire G. Emory Partridge (George Sanders) has returned and has acquired in Alaska a large quantity of Quadrillenium X, a very heavy metal with high magnetic powers which THRUSH wants. Napoleon and Illya are sent there to try to stop him but are immediately captured by Eskimos, but are saved by the chief's daughter Murphy (Tianne Gabrielle). Partridge and his niece Victoria (Marion Thompson) again capture them though. Will Napoleon and Illya be able to escape and find the cache of Quadrillenium X? * Weak and stupid plot, not very high up in my list of favorite UNCLE episodes. The scene in the beginning where Illya and Napoleon are in UNCLE headquarters is the best part of the whole episode, the rest is just too silly.

George Sanders returns twice as G. Emory Partridge
Volume 2 in the "Man from U.N.C.L.E." video collection features George Sanders as that most urbane bad guy, G. Emory Partridge in a pair of episodes from 1965. First up is "The Gazebo in the Maze Affair" (Episode #27: April 5, 1965), where it turns out that Partridge has not really been dead these seven years since last the boys saw him. Partridge kidnaps Kuryakin as a trap for Solo, with the aid of his strange but deadly wife, marvelously played by Jeanette Nolan. Dean Hargrove and Antony Ellis wrote the script for this above average episode, based on a story by Ellis, while Alf Kjellin was the director. Partridge returns in "The Yukon Affair" (Episode 43: December 24, 1965), although I am sad to report Mrs. Partridge does not make an appearance this time around. Like most sequels it is somewhat disappointing, especially since Sanders and Nolan were such an interesting tag team. Anyhow, Partridge tries to kill Solo with a big rock and then Waverly sends the boys off to the Yukon to track him down. While this certainly gives a whole new meaning to the idea of the Cold War, this is an okay episode that is just not as good as "Gazebo." In both of them the cheif charm is the way Sanders proceeds to do his evil deeds with such charm and grace. Marc Siegel wrote the "Yukon" episode, which was also directed by Kjellin. ... Read more

Amazon.com

This surprisingly absorbing drama, based on Conrad Richter's novel, tells the tale of the re-assimilation of Johnny Butler, kidnapped as a child by Native Americans (in this 1958 film, of course, called Indians), into the "white man's world." Reluctant and unfamiliar with his biological parents (Jessica Tandy and Frank Ferguson), he's befriended by frontiersman Del Hardy (Fess Parker, basically looking handsome and playing his popular image), also raised by the Indians and now an Army man. Johnny also meets and fancies Shenandoe--his aunt and nasty uncle's indentured servant girl,(a positively luminescent Carol Lynley, 16, in her first role), whose family was massacred by another tribe. While this is an action film set in 1764, made in the still politically insensitive 1950s, it manages not to paint stereotypes. But Light in the Forest is, more than anything, a love story. Shenandoe, terrified of Johnny initially, grows to love him. Johnny, burdened by not feeling he belongs in either world, finds solace in Shenandoe's sweet friendship. (Ages 8 and older) --N.F. Mendoza ... Read more

Reviews (12)

Hm.
The film The Light in The forest was exactly what you would expect in a Disney film. No gore no real fighting, if your an action movie lover then this is the worng flick for you. After reading the novel by Conrad Richter, Diney literally trashed this book. Changed everything besides a few things. Also if you like movies true to the book, skip this one.

Nostalgic movie but not for today's kids...
If you were born in the 1960's or before, you might enjoy this sweet, simple Disney tale of young love and the wilderness. Today's youth, however, will find it a snooze. MacArthur and Lynley are beautiful and display great promise.

The Movie VS. The Book
The name of this movie as you can tell is "The Light in the Forest. Some of the things in the movie were the same as in the novel. One thing that was similar is most of the same characters were in both the movie and the novel. Another similarity that i liked was that they had most of the same settings. One thing that i disliked was the fact that True Son's white brother wasn't in the movie, instead he was replaced by the servant girl. I didn't enjoy the elements of the movie because it wasn't like the novel. There were many things that were different. One big difference is that Gordie (True Son's white brother) wasn't in the movie. Another big difference is that there was no name for the servant girl in the novel and that she wasn't really paid attention to in the novel. However in the movie she was as important as Gordie was in the novel. That is what i think of the movie and how it campares to the novel.

The Light in the Forest review
Iv'e seen this movie called The Light in the Forest and it was wonderful. The original author was Conrad Richter, then they turned the book into a movie.The video was ful of adventure and excitement cast int he 1760's in america. I think the movie was cool but I don't like some parts of it,like when they left out and added some characters and scenes that were not in the novel. The again I like the part when Trueson got into a fight with his uncle Wilse and first got beat up but the beated his uncle up. I also liked that the video ended with a happy ending and everybody is okay, but in the novel Trueson was left hanging and doesn't know where to go. The video and the novel are somewhat the ame and different. The video focuses Trueson's problem is his uncle and the novel focuses himself getting home to his Indian home. The video is bases on a Disney movie and has a happy ending to it.I recomend you see the movie, I think people will enjoy it.

read the book forget the movie
The Light in the forest the movie was awful. I loved story line but it was made unprofeshinally and un real.It was like watching a kindergardners play (which I would enjoy much more.)The book was made with a spirit of passion by Conrad Richter but the movie toke that passion and obviously changed it into a heap of garbage.
The movie is about True Son a boy who has lived among the indians for many years and now must go back home to his real white family. The boy is lost between his two sided heart now he must make a decision.
If I were to compare this to a rollercoaster ride of your mind it would be a rollercoaster going no where. ... Read more

Reviews (2)

Not too hot
"The Gurnius Affair" guest-starred future "Laugh-In"
Sock It to Me gal Judy Carne, but it lacks the lustre which
boosted the popularity of this fad series. "The Master's Voice
Affair" is a typical third-year turkey which forecasted the way
for this show's eventual demise.

Judy Carne and the her master's voice affair
Judy Carne guest stars as professional photographer Terry Cook in the Year 4 offering "The Gurnious Affair" which features a takeover the world theme.Illya really let his hair grow in season 4 and is really trying to be ruthless as a military man impersonator.Judy carne's outfits in the episode really fit her style.
"The Her Master's Voice Affair" is a 3rd season offering in which Estelle Winwood plays Miss Partridge who tries to control her girl students at a private school through Brahms lullaby and it throws into a murderous state of mind.Illya is assigned to tutor and protect an Oriental man's daughter played by Victoria Young who develops a crush on Illya.Victoria Young falls from a rail in the house into Illya's arms kissing his face and he's ready to give her a spanking.Even while they watch a romantic movie she wishes Illya would kiss her like that.Talk about teenage girl crushes on adult men. ... Read more

Reviews (10)

U.N.C.L.E. family fun...
THE MAN from U.N.C.L.E. was one of the '60's most popular shows.
Robert Vaughn and David McCallum essayed the "We Spy" team of Napoleon Solo and Illa Kuryakin. Leo G. Carroll--formerly of TOPPER fame--was UN spy master who sent them off to weekly
adventures parodying 007 films which had captured imaginations of the cinema-watching world. Despite "cool head" humor of both Vaughn and McCallum, and appealing sang froid/savoir faire they brought to their characters, the material now strikes as dated in many instances. Not so VOLUME 1. THE STRIGAS AFFAIR,is U.N.C.L.E. at its witty best. Along with genuinely clever plot twists to ensnare war-mongering Werner Klemperer(Colonel Klink of HOGAN'S HEROES),there is a typical series gimmick of featuring classy guest stars. In this instance, William Shatner and Leonard Nimoy of STAR TREK fame.

Episode 2,THE NEVER-NEVER AFFAIR is also serious fun with Barbara Feldon (Agent 99)of GET SMART facing-off against THRUSH, U.N.C.L.E. series' SPECTRE clone led --this time--by Caesar Romero. Some think the best of the BOND spy parodies was OUR MAN FLINT. Some think it was--and remain--Peter Sellers' Jacques Clousea, PINK PANTHER adventures. It's a debate of weight to be sure. Nevertheless: if you were a series fan; thought you were one; or wanted to be part of the U.N.C.L.E. family; Volume I is...in my estimate...a blank-filled, but on target sure-shot.

a great review for a great show!
If you love action, twists, and humor all rolled into one, get this video!! The Man From U.N.C.L.E., Vol. 1 is a great example of how the 60s reinvented cool! In this volume, the episodes are "The Project Strigas Affair" and "The Never Never Affair".

In the "Project Strigas Affair" William Shatner and Leonard Nimoy delight us with their first great performance together.(even though they were only in a couple scenes together)The episode sorta has a "Mission Impossible" feel to it. It's full of twists and schemes. We also see Illya test out some of his disguises! A must see!

"The Never Never Affair" has to be my FAVORITE episode of the whole series! In this episode Barbara Feldon (Agent 99 on "Get Smart") guest stars as the innocent Many Stevenson who longs for the glamour and excitment of espionage. Mandy bugs Napoleon to his breaking point, but instead of a real mission he gives her a fake one with the "Evasion Pattern Eight".(You sorta feel sorry for the girl.)He gives her a humadore(spelling?) and tells her to ask a guy at the tobbaco store to open it. Of course, she misleads a scientest into thinking she is a real courier and is handed a microdot(which she cleverly hides). This episode shows how they used humor in the series. My favorite parts were 1.)When Illya and Napoleon go into the movie theater and shoot it out with THRUSH, a guy gets shot and stands in front of someone. The person goes, "Hey, Down in front!"(the dead guy falls into a seat), "Thanks!" 2.)When Mandy goes throughout the streets thinking she's a REAL spy.3.) When Cesar Romero questions her on what the humadore is: CR:"It looks like a hum. and even smells like a hum., what is it?" MS:"Um, ah..humadore?(laughs)" 4.) The Over- The-Shoulder shot!
To make this simple(too late) get this video! You won't be disappointed!

One Of The Best One
This Is the best that i have seen.
Soom of the others i would just like one on the videos but i love them all

The Project Strigas Affair and The Never Never Affair
"The Project Strigas Affair" and "The Never Never Affair" are what I think are the best episodes in all of UNCLE's episodes. You just have to watch these two episodes if you love "Man from UNCLE".

Episode 9 "The Project Strigas Affair": Though usually UNCLE doesn't get involved in politics, Mr. Waverly asks Napoleon and Illya to make some 'diabolical scheme' to bring down a certain Balkan intelligence chief Kurasov (Werner Klemperer), who is trying to enflame America and U.S.S.R. tensions. Kurasov's assistant is (Leonard Nimoy). Napoleon and Illya (him disguised as a KGB spy), with the help of bankrupt couple, (William Shatner and Peggy Ann Garner), make up a fictional gas to catch Kurasov's attention: the gas named Strigas. * This has one of the best plots of all the UNCLE episodes. There are plenty of twists and turns, humor when needed, yet serious at some places. This is another episode of many which shows Illya as the master of disguises. This is the first time for the secondary villain, Woodrow Parfey, to play in the Man from UNCLE show. He would be playing in many more episodes in the time to come. This is also the first time for Star Trek William Shatner and Leonard Nimoy to act together. One of my favorite parts in the show is when says, "But that's absolutely diabolical," to which Napoleon replies, smiling, "We try."

Episode 25 "The Never Never Affair": Mandy Stevenson (Barbara Feldon) is an UNCLE Portuguese translator who wants excitement. Napoleon Solo feels sorry for her so he send her out on a fake mission to get Waverly's tobacco and Mandy mistakenly takes an important microfilm that THRUSH is after. Napoleon and Illya search the streets looking for her before THRUSH gets to her. Eventually, Mandy and Napoleon are caught by THRUSH leader Victor Gervais (Cesar Romero). The only thing is, the microfilm is on a microdot and Mandy has hidden it so well that THRUSH can't find it!* I love, love, love this episode! Everyone's great in here; Robert Vaughn, David McCallum, and especially Barbara Feldon as Mandy Stevenson. She's great! The plot is good, everyone's acting is good, and it's so funny, yet serious where it's supposed to be. Here are a couple of my favorite parts. 1) When Mandy tries to convince Napoleon to give her a mission and Napoleon gives the fake mission and 'evasion pattern number 8', which is a fictional route. 2) When Napoleon tries to explain to Mr. Waverly and Illya about sending Mandy on a fake mission. Especially when Mr. Waverly asks what route she's going by and Napoleon says, "Evasion Pattern 6". The look on Mr. Waverly and Illya's faces are so funny! 3) In the beginning when Illya's trying to get away from THRUSH. 4) When Victor Gervais is trying to convince Mandy to tell him where the microdot is. She tells him, "Let me warn you. I don't crack under pressure." He says, "Not at all?" Mandy replies, "Not... noticeably, no." And basically the rest of the show is great.

Napoleon Solo uses Captain Kirk & 99 to help save the world!
Whoever put together Volume 1 in the "Man From U.N.C.L.E." Collection apparently decided the classic spy spoof series of the Sixties could not be marketed on its own merits and offers a pair of episodes featuring future television icons William Shatner and Leonard Nimoy from "Star Trek" and Barbara Feldon from "Get Smart." However, that does not take away from the surprising discovery that these are two of the best episodes from the show's first season. "The Project Strigas Affair" (Episode #9: November 24, 1964), finds Shatner and Peggy Ann Garner as a couple who are recruited for Napoleon Solo's scheme to stop a diplomat, played by Werner Kemperer of "Hogan's Heroes" fame, who is trying to heat up the Cold War between the U.S. and the Soviet Union. Technically Shatner and Nimoy are in some scenes "together," but they do not really act together. Still, this is there first appearance on screen together. This episode was written by Henry Misrock and directed by Joseph Sargent.

In "The Never-Never Affair" (Episode #25: March 22, 1965), Feldon plays Mandy Stevenson, a translator at U.N.C.L.E. who wants excitement and gets more than she bargained for. Solo sends her out to get more pipe tobacco for Mr. Waverly, but tells her it is a secret mission. Of course she ends up with a microdot containing key information about THRUSH., which means bad guy Victor Gervais (Cesar Romero, the Joker on "Batman") is after poor Mandy. "The Never-Never Affair" is one of the best lighthearted episodes from the series, although Illya Kuryakin again gets little to do. Also directed by Sargent, this was writer Dean Hargrove's first "U.N.C.L.E." episode. Here we have one of the few times Volume 1 of a video collection of a television series actually has nothing but great episodes on it. ... Read more

Amazon.com

It's time to face one of the great questions of the television age: Is"The Trouble with Tribbles" really as good as everyone thinks it is? You bet.While the story might be a little slower than many of us remember, the episodeis deservedly beloved for writer David Gerrold's witty, mildly acerbic script,and the way the cast took to heightened comic possibilities against networkresistance. (Heavens! Comedy on a science fiction show?) Stanley Adams isdelightful as the huckster Cyrano Jones, who gives a trilling furball called atribble to Uhura (Nichelle Nichols), who brings it aboard the Enterpriseand watches it reproduce... and reproduce... and reproduce. Soon, hundreds oftribbles are in every part of the ship, making Captain Kirk (William Shatner),already grouchy about guarding a mere grain shipment from Klingons, evengrouchier. There's no question that Gerrold made a major contribution toTrek culture with this show, setting a tone that Star Trek hasvisited again and again, including the feature film Star Trek IV: The VoyageHome and sundry episodes of The Next Generation, Deep SpaceNine, and Voyager. --Tom Keogh ... Read more

Reviews (14)

The episode where Star Trek becomes a situation comedy!
"The Trouble With Tribbles" might not be the best Star Trek episode, but it is certainly the funniest. The Enterprise rushes to Deep Space Station K-7 only to find a pretentious bureaucrat named Nilz Baris who wants Kirk to protect tons of quadrotriticale, a hybrid grain that will be used to colonize Sherman's planet. Kirk is ticked off that Baris misused the Priority 1 Distress Call and only allots two guards to watch the "wheat". Meanwhile the rest of the ship gets shore leave and Uhura meets Cyrano Jones, a trader of curious items, including the amazing Tribble, the creature that is apparently born pregnant (one of Bones' best all-time diagnoses). While the little beasties threaten to overwhelm the ship, Kirk has to deal with some unhappy Klingons, reprimand Scotty for defending the ship's honor in a bar room brawl with the Klingons, and try to protect all that wheat, er, quadrotriticale. Watching a clearly peeved Kirk deal with all these headaches is a hoot, as is the classic moment when he has to endure a shower of Tribbles. Plus there is the sight of Spock petting a Tribble and Scotty ending the episode with the all-time greatest pun in Star Trek history. They must have had a total blast doing this one.

David Gerrold, who wrote this episode, also wrote one of the more interesting Star Trek non-fiction books detailing how he came to write the episode and how his script came to be filmed. An excellent behind-the-scenes book for aspiring Star Trek writers. If you love this episode, then you owe it to yourself to also check out not only Gerrold's book but the Deep Space 9 episode "Trials and Tribbulations," where Sisko, Worf, O'Brien and Bashir go back in time and re-live the original Star Trek episode to preserve the time-line. That episode is worth it just for the double-take everybody does when they see how different Worf looks like from the "original" Klingons. That episode was definitely my type of homage. Oh, and the "sequel" on "Star Trek: The Animated Series" was that the best episode of that short-lived cartoon series as well.

"No Tribble at All"
Even people who barely know what Star Trek is have seen or heard of this episode. "Tribble" has become a household word. This episode is hilariously funny, expecially if you know the characters. It is generally regarded as the funniest episode in the series. Although it is not my favorite, I love this episode, and highly recommend it. The Enterprise answers a distress call and travels to a space station, where the crew dicovers that there is no emergency. The space station has just recieved a shipment of a new, highly dvanced grain, and the powers-that-be want it guarded. Kirk is, needless to say, very annoyed. Add to that a Klingon ship requesting "shore-leave rights," and a trader selling cute little balls of fluff called Tribbles. Humans instictively like them, but Klingons do not. Once one Tribble is brought on board the Enterprise, it begins mulitplying so rapidly that it becomes a source of concern to Kirk and Spock. There is no better combination for a funny episode.

The Funniest episode of TOS.
William Shatner and the rest of the Star Trek cast get to laugh and have a good time in this light-hearted adventure when the Enterprise is assigned the task of protecting a space station full of grain for delivery to a developing planet under dispute between the Federation and the Klingon Empire, and they encounter a trader (Stanley Adams) who sells some of the crew a small animal called a "Tribble" which then reproduces into hundreds of "hungry little Tribbles" who hate Klingons, like both humans and Vulcans, and proceed to eat the grain. Which then exposes a Klingon plot to destroy the grain shipment. Lots of laughs abound in this episode including Jim being buried alive by a hundreds of tribbles that fall out of a hatch. Was followed by a sequal in the Star Trek animated series called "More Tribbles, More Troubles."Written by David Gerrold. Directed by Joseph Pevney. Music Composed and Conducted by Jerry Fielding.

Stanley Adams (Cerano) wrote an episode as well
The episode with those furry little creatures was the apex of humor on Star Trek. By this point in the show's run, characters were well enough developed for the actors and brain trust to feel comfortable stepping out a bit. And they certainly step out in this one. Thanks to writer Gerrold, the episode actually has a fairly solid dramatic foundation that includes Klingon intrigue, and threats to both the food supply and the Enterprise itself. One could be forgiven for not realizing this though, since the tribbles
completely steal the show. Actually the enterprise crew (and Adams as Cerano)for the most part prove quite adept in the comedic roles, and the officious Schallert is a perfect straight man under the circumstances. A Starfleet official is even correct in his desire to reign in Kirk, for once!

Tidbits: The fight scene was supposedly pinched en masse from a prior film. Recognize the Klingon? He was Trelane from The Squire of Gothos, played by William Campbell.

One Of The Finest Hours Of The Original Series
"The Trouble With Tribbles" is my personal favorite among the nearly 80 hours of the original "Star Trek" series. It is unquestionably the funniest, with David Gerrold's deft, wittty prose creating hilarious scenes and dialogue as precious as any I've seen on Jackie Gleason's "The Honeymooners". James Doohan's Scotty steals many of the scenes he's in, though highest honors for hilarity deservedly go to Stanley Adams as the trader Cyrano Jones responsible for the tribble infestation on the Federation space station. The fight between the Klingons and the Enterprise crew is certainly among the finest examples of "Star Trek" humor I've seen. Fans of slapstick comedy will not want to miss this terrific "Star Trek" episode.

This was David Gerrold's first professional sale as a writer and remains one of his finest episodes of science fiction television (However, his best probably is the Babylon 5 episode "Believers".). ... Read more

Reviews (3)

Doesn't have the greatest of plots, but still fun to watch!
Volume 5 has episodes "The Off-Broadway Affair" and "The Take Me To Your Leader Affair", both which appeared on Man from UNCLE's third season. The Man from UNCLE series is one of my favorite TV series ever to watch! But I must confess, these episodes do not have great plot (thus the 3 stars) but still I love the episodes! Lots of funny parts! The main characters are Napoleon Solo (Robert Vaughn, "Bullit" and "The Magnificent Seven") and favorite the enigmatic and quiet Russian, Illya Kuryakin played to perfection by actor David McCallum (another great movie with him is "The Great Escape").

Episode 69 "The Off-Broadway Affair": When an off-broadway actress is killed after trying to contact UNCLE, Napoleon Solo (Robert Vaughn) and Illya Kuryakin (David McCallum) are sent to investigate. They feel that the murdered actress had information about how THRUSH has recently been getting information through UNCLE's main computers. With the help of understudy, Janet Jarrod (Shari Lewis), they go up against THRUSH agents Machina (Leon Askin) and Linda (Joan Huntington) before anymore of UNCLE's valuable information is stolen. * A so-so episode with fun Shari Lewis, who I'm sure everyone knows her from her TV show, "Lamb Chops". We get to see her sing "All God's Children Have Rhythm" and watch her perform the song "Stand Up and March". And what a surprise, we get to see David McCallum perform his own show "A Man is a Horn" while he is working undercover! Lots of funny lines throughout the whole show, my favorite is in the beginning where Illya says, "I seems a trifle unfair Napoleon. You get to dally around with a lush, young actress while I go prowling around in a dirty basement." But the reason this episode is so-so is because of some parts in the plot which were pretty stupid.

Episode 75 "The Take Me to Your Leader Affair": Napoleon Solo and Illya Kuryakin are sent to scientist Adrian Cool's (Woodrow Parfrey) whose instruments are pointing out that a UFO is approaching the earth! When his daughter, Coco (Nancy Sinatra, the great Frank Sinatra's daughter), is kidnapped along with Illya by power-mad millionaire Simon Sparrow (Paul Lambert), it's up to Napoleon Solo to learn why. With the help of Corinne (Whitney Blake), Napoleon learns that Sparrow is going had faked the approaching UFO to secure power for himself. * Another episode which lacks plot, I still love it for some really great parts. UNCLE regular Woodrow Parfey this time gets to play the good guy. I really like all the parts with Illya and Coco. Coco flirts a lot and gets to kiss him! And for David McCallum fans, I'm sure you'll be interested to find that he gets to play the guitar, plus perform a duet with Sinatra the song which he wrote himself! And, of course, not only does Illya get the girl, Napoleon gets his own girl, the very pretty Whitney Blake.

Horrific stuff!
Both episodes were horrible, pure examples why the show went down the drain. Forget the guest stars. They don't save the episodes' silly quality. Save your cash.

The Off-Broadway and Take Me To Your Leader Affairs
In "The Off-Broadway Affair", UNCLE's arch-enemy, THRUSH, has found a way to infiltrate their top secret computer files and wreak havoc with the information they have discovered. Can a musical performance by Illya and help from an aspiring actress (Shari Lewis) save the day or is UNCLE doomed?

In "The Take Me To Your Leader Affair", a unappreciated astronomer discovers an asteroid hurling towards the earth. Napoleon and Illya are deployed to deal with the situation, but Illya is captured while trying to save the scientist's kidnapped daughter (Nancy Sinatra). Features a great singing duet. ... Read more

Reviews (5)

Terrific first season episodes!
Volume 17 has episodes "The Quadripartite Affair" and "The Giuoco Piano Affair", both which appeared on Man from UNCLE's first season and are one of the first episodes. The Man from UNCLE series is one of my favorite TV series ever to watch! The main characters are Napoleon Solo (Robert Vaughn, "Bullit" and "The Magnificent Seven") and my favorite the enigmatic and quiet Russian, Illya Kuryakin played to perfection by actor David McCallum (another great movie with him is "The Great Escape").

EPISODE 3 "THE QUADRIPARTITE AFFAIR": In Yugoslavia, Marion Raven's (Jill Ireland) father is killed because of his discovery of a plot to overthrow governments with the use of a fear gas. Gervaise Ravel (Anne Francis) and Harold Buffington (John Van Dreelen) are behind the plot and have Marion to be watched. Also working for them is Colonel Adam Pattner, (Richard Anderson, from "The Six Million Dollar Man" and "The Bionic Woman" series). Solo and Illya are assigned to find out where the fear gas is being made and to destroy it along with the help of Marion and native Yugoslavian Millan Horth (Roger C. Carmel).

Great episode and this is the first Man from UNCLE tape that I bought. Illya Kuryakin fans will most definitely love this episode since he gets to do a lot, plus he gets a love interest. The thing is that Marion, Jill Ireland, is in real life David McCallum's wife (though unfortunately she doesn't seem to act or do very well in this episode). Besides this episode, she will later on play in also "The Tiger Are Coming Affair" and "The Five Daughters Affair". And since this affair was supposed to be a two-parter with "The Giuoco Piano Affair" but was made into two separate episodes, she will return in her role as Marion Raven along with the same villains Ravel and Bufferton. We also get to see May Featherly as the beautiful UNCLE agent Heather McNabb, who occasionally appeared on UNCLE's first season episodes, one example "The Neptune Affair".

EPISODE 7, "THE GIUOCO PIANO AFFAIR": Gervaise Ravel (Anne Francis) and Harold Buffington (John Van Dreelen) are back again and on the run. UNCLE wants to get them once and for all. Napoleon concocts a plan to use Marion Raven (Jill Ireland) as bait for them. At first Marion is dead set against it but with a little persuasion from Illya (she really does like him!), agrees to help. According to plan, Marion is kidnapped by Ravel and Buffington to be used as a bait to get the UNCLE agents. Of course Napoleon and Illya are ready to catch the crooks and save Marion.

In my opinion, I like this episode better then The Quadripartite Affair. The title of this episode comes from the chess move called the Giuoco Piano where the players force the Queen to make her move (but of coures the White Knight, Illya, comes to the rescue!!!).Jill Ireland does a much better job in this episode, acts her parts just right and says her lines to perfection. She plays a little stronger role, especially in the beginning where she argues with Illya. Throughout the whole episode you can tell she's trying very hard to get Illya's attention! The humor is great and some of the best scenes are both the beginning and end party scenes at Marion's apartment. Some of the guests you can tell are Richard Donner (UNCLE director as a drunk), Norman Felton (UNCLE creator as a chess player), Sam Rolfe (UNCLE pilot scriptwriter as a Texan) and associate producer Joseph Calvelli (UNCLE writer as a writer). When asked how it felt to direct himself, Richard Donner said with a tongue-in-cheek answer, "I was the most versatile actor I've ever worked with" (trivia from "The man from UNCLE book" by John Heitland).

I very much highly recommend this Man from UNCLE Volume 17. For other good first season episodes, I also recommend Volume 1 which includes "The Project Strigas Affair" and "The Never Never Affair". Volume 3 has also two very good second season episode's included, "The Deadly Toys Affair" and "The Minus X Affair". But I should say that all of UNCLE's episodes are good!

Illya and Napoleon try to stop Harold and Gervaise
Volume 17 of the "Man from U.N.C.L.E." videotape series contains a pair of first-rate episodes from the first season, both directed by Richard Donner. Actually, it is a two-part story, but the two parts did not come in consecutive episode, which is certainly a nice touch. "The Quadripartite Affair" (#3, October 6, 1964), is the first episode where Illya Kuryakin (David McCallum) takes the lead. Four conspirators are trying to seize power in an Eastern European country. Gervaise Ravel (Anne Francis) and Harold Buffington (John Van Dreelen) are the couple running the plan, while McCallum's then wife, Jill Ireland, plays Marion Raven, the innocent young woman caught up in the whole thing. Illya has to over come a fear-inducing gas and while he does derail the plot, the evil couple escapes. The fight continues in "The Giuoco Piano Affair" (#7, November 10, 1964), and is actually the better of the two episodes. Certainly it is the funnier of the pair, especially since Marion gets to have an adventure with Napoleon Solo (Robert Vaughn), while still being sweet on Illya, as his partner tries to finish off the villainous love birds. Meanwhile, Harold and Gervaise are having their own problems since he thinks she does not love him as much as he loves her, even though he finances all her evil plans. You have to love master criminals with marital problems. This is also my favorite title in the series; it refers to the gambit in chess where you force an opponent to move out their Queen. Of course, it describes the plot perfectly, but it is also just a very neat idea. In these episodes everything just clicks.

The Quadripartite Affair and The Giuco Piano Affair
These two episodes were at first going to be made into a two parter but was changed to two different episodes. The two episodes has lots of Illya and his former wife, Jill Ireland. Their both great, and so is Napoleon. I love the party scenes at Marion Raven's (played by Jill Ireland) house in the Giuco Piano Affair!

These episodes for any Illya fan!
The Quadripartite Affair and the Giuoco Piano Affair is a must see! For those who love Illya will enjoy them. Jill Ireland is very funny in the Giuodo Piano affair. I love the party scenes! You'll laugh at the funny parts!

not the best but better than average
These two episodes were filmed and telecast as separate episodes but fit easily into one two-hour show as they were filmed to be released as a two-hour theatrical film. While they don't represent the best efforts of the first season, which was clearly the show's best, they are nevertheless superior to anything in the second and third seasons and much of the fourth. The best scene is Solo's attempt to track Ann Francis on a yacht during a party. ... Read more

Amazon.com

This smart, funny episode finds the Enterprise visiting the planet Iotia, where the starship Horizon accidentally left behind Earth materials a century before. During that time, as Captain Kirk (William Shatner) discovers, the Iotians have made much of one of those items, a book called Chicago Mobs of the Twenties. The planet's population has divided into rival gangs who dress, speak, and do violence like the spiritual descendants of Al Capone, plunging Kirk, Spock (Leonard Nimoy), and McCoy (DeForest Kelley) into a facsimile of Earth's colorful and dangerous past.

The episode is played for comedy: Kirk and Spock keep getting kidnapped by the warring hoods, each of whom wants the Federation team to use their technology to defeat the other side. The big payoff, however, is a summit meeting of bosses, where Kirk employs plenty of gangster-movie jargon to get matters settled. --Tom Keogh ... Read more

Reviews (6)

Except on Tuesday
This gangster episode, and Tribbles, were the two Trek comedies that really worked. While I wouldn't exactly call the humor here subtle, it is intertwined in a fairly traditional action plot. We are able to enjoy Kirk and Spock's thuggishness for its own sake while simultaneously staying focused on the plot, for the simple reason that their behavior is called for by the story, rather than being a gimmick. The idea of a highly impressionable alien race who's cultural evolution could depend so thoroughly on a random event (the leaving behind of the book) is an interesting one as well. This episode is also helped by strong guest acting, most notably from Tayback.

The funniest of the original series
This is without question the funniest episode of the original Star Trek series. There is no funnier deadpan scene anywhere in television than the one where Kirk is "explaining" the fizzbin card game and asks Spock what the odds are against getting a royal fizzbin. His deadpan, yet truthful answer is, "I have never computed them." I laughed out loud the first time I saw that and still smile when I see it, even though I have seen it over fifty times.
The main premise is that a Federation vessel visited a planet before the Prime Directive was imposed and members of the crew interacted with the planet's inhabitants and contaminated them. Therefore, the primary task of the Enterprise is to repair the damage. The earlier Federation vessel left a book that described the Chicago gangs of the prohibition era and the inhabitants have modeled their entire culture after the book. Their clothing, buildings, speech and social structure are all modeled from the gangster movie cliches.
After many trials and errors, including Kirk trying to drive a car, there is a climactic scene where Kirk takes charge and unifies the government under one of the gang bosses. His pacing on a pool table while brandishing a machine gun and speaking one gangland cliché after another is one of the best scenes in the entire original series. His solution, where the Federation is described as an interplanetary gang, is funny and original. I have always wondered what the reaction of Star Fleet command was to his report of how he solved the contamination problem.
Funny, and essentially a spoof of a movie genre, this is one of the best Star Trek episodes ever, original series and beyond.

"A Piece of the Action," the 2nd funniest Star Trek episode
"A Piece of the Action" has the Enterprise visiting Sigma Iotia II, where a hundred years early the USS Horizon visited. Apparently this was before the Prime Directive, because one of the Horizon crew left behind a book: "Chicago Mobs of the Twenties." Now, once you get past the fact that (a) someone was toting a book into Deep Space and (b) it happened to be that particular book, you can really enjoy this one. Bela Oxymy wants the Federation to supply his gangsters with weapons so he can take over the planet, taking down Krako and the other bosses. My favorite part is when Kirk makes up a very complicated card game to play with the gangsters holding him hostage and Spock has to admit having never calculated the odds on the rarest of possible hands. Then there is also the bit where they try to drive an automobile. In the end, Kirk decides if you cannot fight them, join them. "A Piece of the Action" may well be the second funniest Star Trek episode, after "The Trouble With Tribbles," of course.

Excellence
In my opinion, A Piece Of The Action is in the top 3 episode category along with Mirror Mirror and the Corbomite Manuever. The whole episode is very deep and never uneventful. The action never stops. It employs humor in the form of "slang talk" which people like Spock and McCoy dont understand. I cant explain it all here, but I will tell you it is a very good episode.

One of the funniest and best Star Trek episodes
"A Piece of The Action" is one of my five favorite episodes of Star Trek. In "A Piece of The Action," Captain Kirk, Spock, and Dr. McCoy beam down to a planet whose landscape is similar to that of earth. The boss of a bunch of gangsters demands that the trio from the Enterprise make a deal with him which would help him ward off some of his enemies. To put it short, the Enterprise crew has been tricked. There must be a way for Captain Kirk, Spock, and Dr. McCoy to escape the planet alive, but they have a little bit of fun first.

"A Piece of The Action" is a great episode of the original series of Star Trek. It is well written and some parts of it are hilarious, especially the part when Captain Kirk drives a car for the first time. It's also amusing the way that Kirk talks in slang and has to repeat himself for the others to understand him.

William Shatner and Leonard Nimoy both give one of their best performances to make this one of the unforgettable episodes of Star Trek. I recommend "A Piece of The Action" to anybody. ... Read more

Reviews (2)

7 wonders--terrible directing
The director of the fourth UNCLE season wanted the show to return to a serious vein after the much-too-silly third season. He went too far in the other direction, however, and ruined it completely. There is no banter between the stars whatsoever. The camera angles are absolutely ridiculous. The scenes are agonizingly drawn out to fill the two hours. UNCLE was pure gold in the beginning, and hugely popular. The network should have known that if it ain't broke, don't fix it.

The Last Episode: "The Seven Wonders Of The World Affair"
In one of history's great letdowns, "The Man From UNCLE" series ended with this two-part depressant. It seemed as though the entire crew and cast of UNCLE simply gave up before this episode was even filmed.

First, the plot is ridiculous: a former UNCLE agent decides to create a cultish sect, headquarter it in the Himalayas, and, together with six other intellectual "wonders of the world", blanket the planet with a docility gas, through which these seven can control the actions of everyone. Why did UNCLE even bother getting involved? Because the villain slips through the plot holes, thereby coming very close to pulling off his dastardly plan.

Horrible acting abounds, especially from the auxiliary cast. There isn't enough material in the story to justify a two-part episode. The teaser to "Part I" is enough to drive one into the bathroom. Through nauseating use of the wide-angle lens, the wife of the wayward UNCLE agent rescues a THRUSH agent hopelessly trapped in the upper level of a mansion. Not only do the wife and THRUSH agent escape, but Solo and Kuryakin's car is destroyed by a remote-controlled, window-mounted missile launcher in the mansion. Please.

Because this is the final UNCLE episode, "Seven Wonders" falls into the fourth season of the series, during which drastic facelifts were applied to the series. In the hands of Season Four producer Anthony Spinner, UNCLE, which had previously enjoyed wacky antics akin to "Get Smart". Spinner wanted no part of this, and threw UNCLE in the cold storage room to harden it up for the fourth and suicidally-final season. Humor was basically excommunicated for the season, and it kicks off right away with "The Summit-Five Affair" (a man's brain is destroyed during the teaser). By the time "Seven Wonders" rolled around, this formula was well-absorbed into the UNCLE schema. Plot and dialogue, therefore, really don't matter in these episodes. The morbid music, combined with desolate scenes of a weary, bombed-out Solo staggering through the Himalayas, only to be apprehended by THRUSH and sentenced to death; and the final scene, during which (here come the spoilers....oops, too late) the coffin of the wayward UNCLE agent is loaded onto a plane, thus ending the episode, and, sadly, the series.

"Seven Wonders" is an important UNCLE episode, if for no other reason than because it is the last one, but it leaves a sour, depressed, disheartened taste in the mouth. Buy at your own risk. ... Read more

Amazon.com

"A Taste of Armageddon" is one of classic Trek's occasional, obvious metaphors for the absurdity of the then-cold war between East and West. Gene Lyons stars as a Federation ambassador named Fox, who boards the Enterprise to reach the planet Eminiar VII, where he hopes to negotiate a peace treaty with the inhabitants. Instead the crew of the Enterprise gets caught in the middle of an interplanetary war between Eminiar and neighboring planet Vendikar. The twist is that the war is being fought on computers, and compliant residents of those "destroyed" areas obediently report to disintegration chambers, where their "virtual" death is made literal. When the Enterprise is "hit" in one of these simulations, both the warlords of Eminiar VII and Ambassador Fox fully expect Capt. Kirk and crew to report to the disintegration center. The feisty Kirk has other plans, of course. And while the madness of this controlled Armageddon makes a suitably surreal satire of the arms race in the 1960s, the story also evoked the endless, daily reports of body counts during the Vietnam War, with no resolution in sight. Aside from its parable aspect, however, the episode gave Kirk one of his earliest and most compelling scenes of Kirkian preachiness in a bold monologue about peace, reportedly written and rewritten numerous times by series producer and indispensable creative hand Gene L. Coon. --Tom Keogh ... Read more

Reviews (9)

Don't miss this one
This thoughtful episode concerns a planet that has sanitized war. The episode explores important themes such as 1) the sacrifice of the individual good for the societal, and 2) the drawbacks of all types of war. The latter issue in particular remains a timely one as science continues to pursue technologies that may (at times unwittingly lead to more efficient and sanitized killing. This is one episode where Kirk offers a convincing and fresh argument against a society's folly. Another plus of the episode is that it admits shades of gray rather than oversimplifying the issues. Add in a plot twist that brings the Enterprise and crew more directly into the action, and you've got a winning show. Strong guest acting, from Opatoshu, Babcock, and Lyons also boost this episode.

Tidbit: Barbara Babcock would reappear in Plato's Stepchildren during season three.

Just step into this booth for the war effort........
The old war by computer theme is played out here. Instead of fighting a war with weapons; this planet has it's citizens stepping in booths for execution. The machine decides who lives and who dies. Kirk of course ends it all with one of his talks with the Vedikarians. With one sweep of his phaser the natives have to fight the old fashioned way.... with futuristic weapons of mass destruction. The Federation again paves the way for peaceful resolutions to conflict. Only this war will last a few hundred years before they actually become citizens of the Federation.

Kirk proves there is no such thing as a clean war
One of the fun things about science fiction is that you can take things to their logical albeit extreme conclusions. That is what the Enterprise encounters on Eminiar VII in "A Taste of Armageddon," a planet that has been at war for five centuries but which fails to show the usual signs of destruction. This is because they have been fighting the war with computers; after such an attack Anan 7, leader of the High Council announces that half a million people were "killed," and now have to report to disintegration chambers. Unfortunately the Enterprise, which was warned not to approach the planet, has also been destroyed and Kirk's crew needs to beam down for disintegration. Of course, Kirk takes exception to this request and decides to remind these people of the true face of war. As far fetched as this idea might be, you have to remember the idea of the Neutron Bomb, which would kill the people but leave the buildings, a weapon that was ironically considered by some to be more "humane" than your traditional nuclear device. Kirk's efforts to restore sanity are hampered by the presence of Federation Ambassador Fox, who wants to stick to the traditional diplomatic approaches despite the fact nobody on the planet is impressed at all by such delicacies. "A Taste of Armageddon" is another, albeit minor example, of Captain Kirk versus the Super Computer plotline that was so prominent in Star Trek's first season.

Good Episode on the Nature of War
What if war were fought with computers and the casualties reported to disintegration chambers? This episode covers this question and does a pretty good job.

There is a fair amount of action and the suspense is well done. The conflict between Scotty and the none-too-bright diplomat is especially well handled. This is one of Scotty's best command assignments. He runs the Enterprise with intelligence and restraint.

Kirk's solution to the episode's problem is very suspect in light of the prime directive that he's supposed to be following, but over-all, this is a very good episode.

Human life vs war and Computer control.
Captain Kirk, Mr. Spock, and a landing party discover two worlds that wage war with computers and haul the people designated to die into energy chambers to die. When the Enterprise is declared a "war casuliy", Kirk, Spock, and the Federation use all their skills to destroy the computers and show them that real war ia a thing to be avoided at all costs. A strong statement on how human life is more important then being declared "dead" by numbers on a computer. A Star Trek must have for any fan of the original series.Teleplay by Robert Hammer and Gene L. Coon. Story by Robert Hammer. Directed by Joseph Pevney. Music Composed and Conducted by Alexander Courage. ... Read more

Amazon.com

"The Tholian Web" was conceived when writer Judy Burns went looking for a new angle on ghost stories. A physics student suggested she somehow use the theory of infinite dimensions, and out of that came Burns's script, which finds Captain Kirk (William Shatner) trapped between different kinds of space, floating in and out of view of the Enterprise crew. Adding to the dilemma are time constraints (Kirk's oxygen supply is running low), an effort by the arachnid-like Tholians to trap the Enterprise in a gigantic web, sub-space dementia affecting the crew, and rising hostilities between Spock (Leonard Nimoy) and Dr. McCoy (DeForest Kelley), the latter none too happy with the way the Vulcan is running the ship in Kirk's absence. Burns's original conception was to make Spock the spectral Starfleet officer locked in interspace, but the show is quite effective in the way various characters mourn the presumed death of their leader and figurehead. The Tholians don't make another appearance in Trek lore until The Next Generation, but this particular episode won the original series its first Emmy for special effects. --Tom Keogh ... Read more

Reviews (11)

Spock and McCoy get to run the ship when Kirk disappears
"The Tholian Web" basically removes Kirk from the equation and gives us the Star Trek episode that most focuses on interactions between Spock and McCoy. The Enterprise has found the USS Defiant with all of its crew dead, apparently having killed themselves. But this area of space is unstable and before Kirk can be beamed back, he becomes trapped in a parallel universe/dimension. While Spock waits for the next opportunity to rescue the captain, the Tholians show up and demand an explanation. Spock explains, but the presence of the Tholian ship throws off his equations. When Kirk does not reappear the Tholains cripple the Enterprise and begin to spin a web of tractor field filaments. To make things even more interesting, the unstable space is beginning to after the sanity of the Enterprise crew. The best scenes of "The Tholian Web" are clearly between Spock and McCoy, who get to hear the taped message Kirk has left for them in the event of his death. Their interaction is at the heart of this episode, because the idea of taking several hours to make a giant web around a damaged starship is pretty far out there. I mean, come on, with all the energy they are expending they could surely finish the Enterprise off, or at least they could make a SMALLER web. But if you always enjoyed the bickering between Spock and McCoy, then this is a truly enjoyable episode.

The first third of Season Three was actually quite good
This episode, in which Kirk disappears and a web is built around the Enterprise, in many ways belongs in another season. It has a lot of action and a straightforward plot. However, it also has some signatures of the third season, such as the trippyness of a winking-out Kirk floating through space, as well as a subtle pitting of illusion vs. reality. Plus it's always nice to meet new aliens--the Tholians even have a visible ship

Tholians and the earliest U.S.S. Defiant.
The U.S.S. Enterprise arrives in an uncharted area of space to answer a distress call from the U.S.S. Defiant, NCC-1764. The starship is visible on their viewscreen, but sensors on board the U.S.S. Enterprise say it's not.

Kirk, Spock, McCoy and Chekov beam aboard and spread out to investigate. Everyone aboard is dead ... apparently killed in a bizarre mutiny, although there are no life readings aboard. McCoy, in the ship's sickbay, tells Kirk that he can find no clue as to why the crew died, but has taken readings to study. Then, as his hand passes through a body and exam table, McCoy realizes the U.S.S. Defiant is dissolving.

Quickly Kirk orders them beamed back to the U.S.S. Enterprise, but Scotty explains that due to the poor stability of the space around them, he can only beam three aboard. After the usual debate, Kirk stays behind while the others beam back. When Scotty tries to bring Kirk aboard, his image wavers, and disappears. Interphase, Spock calculates, will occur in a little over two hours. In the meantime, they must wait. If the captain is still alive, they should be able to retrieve him then.

Complications arise when Chekov goes crazy and attacks Spock on the bridge. Slowly, more members of the crew fall prey to the "illness," attacking their crewmates. McCoy and his staff work round the clock to find a cure. When the doctor suggests Spock "put some distance" between the Enterprise and the Defiant, Spock explains that any movement in the weakened space could disturb both ship's positions and jeopardize Kirk's rescue.

At a little over an hour before interphase, a Tholian ship appears, telling Spock that the U.S.S. Enterprise has violated Tholian space. The Vulcan explains that they were answering a distress call from the nearby U.S.S. Defiant and are waiting until they can retrieve Kirk. The Tholians agree to wait until the appointed time before taking action.

Unfortunately, when the interphase occurs, Kirk is not where he should be. Spock suspects that the Tholian's entrance into the area of space disrupted the U.S.S. Defiant's position. A funeral service is held for Captain Kirk, following which McCoy insists they view the Captain's last orders. Spock reluctantly agrees and the two men go to their friend's quarters and listen to Kirk's touching advice.

Uhura is the first to see Kirk's image floating before her, and for a time, McCoy thinks she's contracted the disease. But when he and Spock see the Kirk on the bridge, they realize that he is, in fact, still alive.

The Tholians decide that Spock has, lied to them and opens fire. Making a decision, Spock orders the phasers fired at the ship. The Tholian ship is disabled, but soon another ship joins it and they begin "building" a sort of web made of shining filaments. Spock analyses the web and announces that if they don't bring Kirk aboard and leave before the web is completed, they "won't see home again." At the last minute, Spock orders full power against the web and the U.S.S. Enterprise is thrown outside the Tholian's trap, several parsecs from their previous position. The hope is that Kirk, caught in the U.S.S. Enterprise tractor beam when they changed position, was brought with them.

Tensely McCoy waits with a hypo of tri-ox for Kirk, whose air is running out as he's successfully beamed on board the U.S.S. Enterprise, alive and unharmed. In a humorous tag, McCoy and Spock convince Kirk that there had been no time to view his final orders and Kirk, somewhat disappointed that his wisdom had gone unheard, says that he hopes there isn't a similar circumstance where the two men will view the tape.

As close to a 'ghost story' as the original series would get
When it was originally written this episode had placed Spock in the dilemma that Kirk would eventually find himself in. Changing it to Kirk benefits the entire show as it allows for some of the best Spock and Dr. McCoy clashes of will that the series would offer up. Another change involved adding the environmental suits that were substituted for a belt device worn around the waist that provided a force field for the wearer and provided a supply of oxygen also. Both of these alterations to "The Tholian Web" help significantly, resulting in one of the strongest entries in the uneven third and final season.

The Enterprise finds the USS Defiant a floating derelict but the Enterprise cannot detect anything with the starship scanners. Further complicating things is the state of flux the Defiant is in due to a spatial interface in the unstable area of space. Kirk boards the Defiant with Spock, Dr. McCoy and Chekov to investigate why there is no response and they discover that the crew had killed each other in a fit of frenzy. Within a few moments McCoy reports that the area he is investigating is becoming transparent and he believes the rest of the ship will also. Attempting to beam back Scotty explains that the transporters can only handle three at a time so Kirk remains while the others return. The Defiant then disappears completely taking Kirk with it. Spock finds evidence that the same spatial interface will occur in a short while and that they will make an effort to beam Kirk back aboard then. The Tholians then encounter them, which disrupts the plans made by the Enterprise and compounds the situation with a ship to ship attack. Meanwhile McCoy makes an uncomfortable discovery - if they remain in this area of space they will experience the same calamity as the Defiant unless he finds a cure. Soon afterward crewmembers report sightings of a ghostly image of Captain Kirk appearing to them.

The few moments when Kirk appears as a 'ghost' are quite effective and thankfully not overplayed, each one happening at perfect intervals. Instead of having Kirk wander through the starship in ghostly form, attempting to communicate, he appears infrequently precipitating the spatial interface the Enterprise is waiting for. All of the story elements are balanced well here: the encounter with the Tholians, the disappearance and recovery of Kirk, the expected volatile dialogues between Spock and Dr. McCoy, the effects the crew experiences in the unstable area of space. Placing Kirk in an environmental suit works better than the previously suggested use of a force field type belt. The introduction of such a device would have caused extreme complications in later episodes yet to be produced. His ghostly appearances in the suit have an unsettling horror feel to them as well, emphasizing the idea that he is stranded.

The only trifle I have with this episode is the way in which Kirk is recovered. At the moment Kirk appears onscreen on the bridge Spock has full power restored to the starship and this sudden effect throws the Enterprise completely free of the Tholians energy field and Kirk as well as soon discover because he was caught in Enterprise's transporter beam. Hold it! Back up a minute...just before full power is restored Spock says "Ready to transport on my order," but he never gives the order or at least we never hear it. However, we do know that Scotty had locked a transporter beam on the coordinates provided him; perhaps he didn't want to risk losing the captain one more time! Also notable: McCoy ruins a perfectly good (and I assume quite costly) environmental suit - as soon as Kirk is beamed aboard the doctor gives him a shot with a needle directly through the material of the suit.

Captain Kirk gets trapped in outer space ---- literally
"The Tholian Web" is one of the most original episodes of Star Trek - The Original Series. The Enterprise ship runs up on a mysterious ship in space that is supposedly not even there, but they can see it. Soon they all find out that they are in a part of space where matter disintegrates. Before the Enterprise crew knows it, Captain Kirk vanishes in space and Spock has to take command. Will Captain Kirk vanish just like the mysterious ship or is there a possible way to find Kirk and beam him back onboard the ship?

"The Tholian Webb" is slow going, but it's not boring. It has some of the best special effects of any of the episodes. The alien enemies that make the energy-draining webb and the idea of Captain Kirk being trapped in outer space is intriguing.

If you like original episodes of Star Trek that are interesting and have great special effects for their time, I recommend getting "The Tholian Webb." ... Read more

Reviews (1)

US only!
The movie-length episodes on this one are great, so much so I had one imported to my house in England (cause you can't get U.N.C.L.E stuff over here). Watch out though, one of the episodes was turned into a TV movie and is often shown on TNT... ... Read more

Reviews (10)

A beautiful woman starts killing off Kirk's landing party
"That Which Survives" finds the Enterprise checking out the surface of an unknown planet when a beautiful woman (Meriwether) shows up and kills one of the crew. Meanwhile, the Enterprise is thrown 990 light-years away from the planet. After the woman, Losira, comes back and kills another of the crew and then returns announcing she has "come for" Sulu, Kirk figures out she is "programmed" just to kill one particular person at a time. Kirk and the others discover an underground entrance and find another one of those pesky computers protecting the dead planet by creating deadly Losiras to take care of the unwanted visitors. Of course, if this computer is powerful enough to send the Enterprise across the galaxy I think it might come up with a better defense mechanism than a person specific assassin. But then if these computers did not have some sort of Achilles heel the Enterprise would be commanded by the second in command on the night shift in Engineering. Despite the nice title, "That Which Survives" is an average Trek episode at best.

Not as bad as Spock's Brain, but.....
As already noted, this one is a forgettable Trek, to be sure. But somehow, Trek, even when it is bad, is still pretty good.

Outside of a few good moments, such as Sulu firing his phaser at Losira's feet (pretty good explosion FX), and the nifty way the holograms disappear, this one blows pretty badly. Still, it's better than the latest reality drama, or any episode of "Lost in Space."

Watch this one instead of the next "WWF Smackdown" -and save your brain.

The collapse begins abruptly with (IMO) the worst episode
Only the Sulu fan club (he features prominently here) could disagree that the best thing about this episode is Lee Merriweather-and she plays an automaton! A lot of the old tricks are here, like Kirk outsmarting a computer (come to think of it, even the computer console looks familiar!).
Basically, this should have been a half-hour show (actually it shouldn't even have been a show). Senseless dialogue is contrived, both on the planet and on the Enterprise, just to pass the time until the next commercial. Hard to find a worse episode, in my opinion.
Tidbit: For the remainder of the show, the final credits would
feature the 2nd season theme music. While this is a very minor detail in itself, it seems symbolic of other changes. The episodes become more formulaic as the parties concerned begin to see the writing on the wall for the show. The absence of new music, as budgets draw tight, also contributes an increasingly stale and defeatist feel to the late episodes.

Neglected
As all fans know, this is a third/last season episode. Trrue Trekkies have little good to say about this episode and I agree it is far from perfect but it has some of the nicest visual effects of the series.

The acting is Monday-morning-terrible and the whole production is uneven but this is far from the worst episode. There is an effort and an interesting story, though it seems crammed in a 45 minute network show.

This story might have been better utilized and expanded in a feature film but who will ever know.

For Trek fans only. It deserves a second viewing.

Beauty survives?
In this, the 69th episode of classic Trek, Kirk and crew are exploring ruins found on a class-M planet that seems to have developed a livable climate in only a few thousand years.

The Enterprise landing party is attacked by Losira, a woman who kills a crewman with just a touch of her hand. Meanwhile, the Enterprise is thrown almost a thousand light years away by the planet's hidden defense system.

More landing party members are attacked by Losira, until it is discovered that she can only attack the party member that she calls by name. The remaining party then keep her from attacking the named crewmember. Meanwhile, Scotty repairs some sabotage to the engines that Losira had accomplished before throwing the Enterprise out of orbit, and then hurries back to Losira's world.

Kirk discovers a hidden room with a highly advanced computer, and the defense mechanism there creates three Losiras - which keep them from protecting each other as they had previously. The cavalry, in the form of Spock and a landing party, arrive just in time to deactivate the computer.

The previously taped message reveals that the planet had been artificially enhanced by colonists, who were affected by a disease that killed them all off. The disease then followed the colonists back to their homeworld, supposedly wiping out the entire civilization. Nothing but the computer program, which defends the planet from anyone who is not of Losira's race, remains. The colonist's relief ship never arrived.

Kirk says beauty survives, because the computer continues to project an image of Losira even after delivering the message about the colonist's destruction.

My score - 5 out of a possible 10. ... Read more

Amazon.com

After destroying 4 billion people in the Malurian star system, a 21st- century NASA probe called Nomad--carrying friendly greetings to whateverunknown, extraterrestrial race might find it--has a violent encounter with theEnterprise, nearly blowing the starship out of space. Hoping to sidestepanother attack, Captain Kirk (William Shatner) and Mr. Spock (Leonard Nimoy)invite the diminutive, computer-driven, impossibly powerful spacecraft aboard tolearn how its peaceful mission was supplanted by a program to destroy life.Written by John Meredyth Lucas, who was intrigued by the idea of a sentient,almost godlike machine that turns against its creator, "The Changeling"transcends, fortunately, Star Trek's cash-strapped special effectsdepartment to become a compelling drama. (Let's just say that Nomad lookslike a cross between the Tin Woodman and a 1960s beach radio.) Particularlymemorable is Spock's mind-melding scene with Nomad, in which the Vulcanis shaken by the probe's chaotic memories of being captured by a machine planetand given destructive impulses. Frequent Trek director Marc Daniels wasparticularly proud of the way his crew made Nomad appear capable ofindependent movement: There was one model for hanging from a wire, a second forstanding on a floor, and a third for riding on a dolly (to get a sinister,point-of-view traveling shot). If "The Changeling" sounds