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When this popular prison drama was released in 1994, some critics complained that the movie was too long (142 minutes) to sustain its story. Those complaints miss the point, because the passage of time is crucial to this story about patience, the squeaky wheels of justice, and the growth of a life-long friendship. Only when the film reaches its final, emotionally satisfying scene do you fully understand why writer-director Frank Darabont (adapting a novella by Stephen King) allows the story to unfold at its necessary pace, and the effect is dramatically rewarding. Tim Robbins plays a banker named Andy who's sent to Shawshank Prison on a murder charge, but as he gets to know a life-term prisoner named Red (Morgan Freeman), we realize there's reason to believe the banker's crime was justifiable. We also realize that Andy's calm, quiet exterior hides a great reserve of patience and fortitude, and Red comes to admire this mild-mannered man who first struck him as weak and unfit for prison life. So it is that The Shawshank Redemption builds considerable impact as a prison drama that defies the conventions of the genre (violence, brutality, riots) to illustrate its theme of faith, friendship, and survival. Nominated for seven Academy Awards including Best Picture, Actor, and Screenplay, it's a remarkable film that signaled the arrival of a promising new filmmaker--a film that many movie lovers count among their all-time favorites. --Jeff Shannon ... Read more

Reviews (692)

Triumphant celebration of the human spirit
First off, this reviewer regularly rates this movie as his personal favourite of all time. Why only four stars then? Because we are asked to rate the DVD, not the movie, and the criminal lack of DVD extras for one of the best films ever made is shameful. So, film five stars, DVD three - averaging out at 4. Maths lesson over, on with the review.

Based on the Stephen King novella ' Rita Hayworth and the Shawshank Redemption ' this really has become a modern day classic. Other films have grossed more, and may have a more immediate following, but Shawshank will endure for years, and become another 'Casablanca ' loved by generations to come.

The film tells the story of Andy Dufresne, sent to the maximum security prison of Shawshank for the murder of his wife and her lover. Played with an under-stated intelligence by Tim Robbins in a career defining turn, and supported by sterling performances from Morgan Freeman, Bob Gunton, William Sadler, Clancy Brown, and veteran James Whitmore. Morgan Freeman's work is particularly notable, not just for his performance ( let's face it, the man doesn't know how to give a bad one! ) but also for the fact that his is the voice of the film. His chocolate-rich tones were director Frank Darabont's choice for the voice-over of the film, as if his character Red is talking to us, and explaining the sub-text of the film. Voice overs often dont work ( Blade Runner being a prime example ) but this one does, perfectly.

Beginning at a slow pace, the film begins with the brutal de-humanising regime meted out to the 'Fresh Fish' as they begin their incarcaration in Shawshank. I remember suggesting my wife watch the film after I'd seen it, and she, being of a considerably more sensitive nature than me, found the early scenes difficult. If you too find the opening 45 minutes a tad heavy going, stick with it - the reward is worth it.

Eventually as we progress through the film, we see how Red's initial suspicion of Andy becomes a deep respect, and eventually a deep friendship, indeed it would be true to say that these two men love each other like brothers by the end. There are a few key scenes that really stick in the memory - the rooftop scene, the opera aria scene, the exam result scene - all of which enable us to begin to like these men, men we probably wouldn't have wanted in our homes before the film, but who we'd happily sit down to dinner with after.

The film's true emotional impact of course comes in the final third as we learn the truth about Andy's guilt or otherwise. True to many of King's works, there is a twist in the end which leaves us all stunned, and with a big stupid grin on our faces. The total and utter defeat of the dark forces in the film is accomplished with such applomb that you find yourself rooting for the bad guys - the prisoners, a bunch of murderers and misfits that two hours earlier you were deeply suspicious of. Indeed the last section of the film plays almost totally without our hero, and remains almost my favourite portion of it. By this time we are crying out for the final fulfilment of our hopes for the characters. It is to Frank Darabont's eternal credit that he accomplishes this in a scene without dialogue, and a sweeping panoramic withdrawl from the characters, leaving us with not a dry eye in the house, and a feel-good glow that lasts for days.

... while in [a local store] I noticed this man and wife trying to decide which DVD they would buy to view that evening. I pointed to Shawshank. "Ever seen this one?"
"No"
"Trust me" I said, "It's the best movie you've never seen." He bought it, and I like to think I made that man and wife cry, laugh and smile that evening.

To conclude, Warner Bros and Castle Rock - SHAME ON YOU! This movie deserves better. The Region 2 version rocks, so get busy, re-package, and give us fans the extras this classic deserves!

One true consensus !
To be honest, sometimes it seems odd that so much people write similar things about this magnificient film, but then again, everybody ,including myself ,wish to express and convey his thoughts and emotions in his/her special unique way.

Hence, I decided to take my time to write a few words . I hope you'll like them (The immediate reason for this is that I'm currently reading the novel,four years after seeing the movie for the first time).

Andy Dufresne. The name evokes nobel feelings in me whenever I hear it.Portrayed so wonderfully by Tim Robbins,it represents so much ; A man who had had everything,lost everthing and,finally, gained everything back.

His character is one of the most inspiring I've ever known. What a man ! An example of the strength of the human spirit, and one basic rule : diligence and patience with a little bit of luck and wisdom can get you anywhere . . . Even outside the walls of Shawshank state penitentiary...

If you've seen it once - see it again ! It never loses it's impact. Watch it whenever you're down and feeling like everything is going wrong .I bet it shall lift your spirit just a little bit higher ,and help you through the crisis .

Review of a review
Whoever wrote the following review, I've got to hand it to you for almost pulling my leg. This is funny stuff, I actually thought you were serious at first. I'm sure they're many ninnies who will put their DVD copy in now and think there's something wrong. Keep it up.

Anyhoo, The Shawshank Redemption is a great piece of work. Better on DVD than in the theaters (unless you get to take that special someone to the last row . Buy it if your internet connection just happens to be down. Of course that last statement was a joke.

---
My third submission on this, if you are doubtful, check for yourself. I own the VHS of Shawshank. I recently purchased a DVD player and Shawshank was one of my first disks. I set both the disk and the tape up to play simultaneously, and flipped back and forth to compare the superb quality improvement of DVD. I was in for a surprise. The picture DOES NOT get wider-AS IT SHOULD-and the top and bottom of the picture of the DVD version are ERASED and replaced by the black bars. The other movie I found with this flaw is Jackie Brown. Check out the point where Bridget Fonda "services" Robert DeNiro. On the VHS widescreen version , her "buns" disappear. They are fully visable on the fullscreen version! The top and bottom have been erased on the widescreen version and the picture does not get any wider. I suspect more movies have this flaw. Now that we know what to look for, let's look!
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Great story, wondrously told and acted
At the heart of this extraordinary movie is a brilliant and indelible performance by Morgan Freeman as Red, the man who knows how to get things, the "only" guilty man at Shawshank prison. He was nominated by the Academy for Best Actor in 1995 but didn't win. (Tom Hanks won for Forrest Gump.) What Freeman does so beautifully is to slightly underplay the part so that the eternal boredom and cynicism of the lifer comes through, and yet we can see how very much alive with the warmth of life the man is despite his confinement. Someday Morgan Freeman is going to win an Academy Award and it will be in belated recognition for this performance, which I think was a little too subtle for some Academy members to fully appreciate at the time.

But Freeman is not alone. Tim Robbins plays the hero of the story, banker Andy Dufresne, who has been falsely convicted of murdering his wife and her lover. Robbins has a unique quality as an actor in that he lends ever so slightly a bemused irony to the characters he plays. It is as though part of him is amused at what he is doing. I believe this is the best performance of his career, but it might be compared with his work in The Player (1992), another excellent movie, and in Mystic River (2003) for which he won an Oscar as Best Supporting Actor.

It is said that every good story needs a villain, and in the Bible-quoting, Bible-thumping, massively hypocritical, sadistic Warden Samuel Norton, played perfectly by Bob Gunton, we have a doozy. I want to tell you that Norton is so evil that fundamentalist Christians actually hate this movie because of how precisely his vile character is revealed. They also hate the movie because of its depiction of violent, predatory homosexual behavior (which is the reason the movie is rated R). On the wall of his office (hiding his safe with its ill-gotten contents and duplicitous accounts) is a framed plaque of the words "His judgment cometh and that right soon." The irony of these words as they apply to the men in the prison and ultimately to the warden himself is just perfect. You will take delight, I promise.

Here is some other information about the movie that may interest you. As most people know, it was adapted from a novella by Stephen King entitled "Rita Hayworth and the Shawshank Redemption." Rita Hayworth figures in the story because Red procures a poster of her for Andy that he pins up on the wall of his cell. The poster is a still from the film Gilda (1946) starring her and Glenn Ford. We see a clip from the black and white film as the prisoners watch, cheering and hollering when Rita Hayworth appears. If you haven't seen her, check out that old movie. She really is gorgeous and a forerunner of Marilyn Monroe, who next appears on Andy's wall in a still from The Seven Year Itch (1955). It's the famous shot of her in which her skirt is blown up to reveal her shapely legs. Following her on Andy's wall (and, by the way, these pinups figure prominently in the plot) is Rachel Welsh from One Million Years B.C. (1966). In a simple and effective device these pinups show us graphically how long Andy and Red have been pining away.

Frank Darabont's direction is full of similar devices that clearly and naturally tell the story. There is Brooks (James Whitmore) who gets out after fifty years but is so institutionalized that he can't cope with life on the outside and hangs himself. Playing off of this is Red's periodic appearance before the parole board where his parole is summarily REJECTED. Watch how this plays out at the end.

The cinematography by Roger Deakins is excellent. The editing superb: there's not a single dead spot in the whole movie. The difference between the good guys (Red, Andy, Brooks, etc.) and the bad guys (the warden, the guards, the "sisters," etc.) is perhaps too starkly drawn, and perhaps Andy is a bit too heroic and determined beyond what might be realistic, and perhaps the "redemption" is a bit too miraculous in how beautifully it works out. But never mind. We love it.

All in all this is a great story vividly told that will leave you with a true sense of redemption in your soul. It is not a chick flick, and that is an understatement. It is a male bonding movie about friendship and the strength of character, about going up against what is wrong and unfair and coming out on top through pure true grit and a little luck.

#2 RATED MOVIE ON THE IMDB (AND FOR A REASON !)
Great film with classic and quotable lines. The narration by Morgan Freeman is also superb. Many touching moments which is specially odd in a prsion movie.
Highly recommended. ... Read more

Reviews (552)

Terrible movie, more Stephen King Schlock
This endless movie was a reminder of why I hate Stephen King stories, 3 hours of my life wasted on this drivel.

The Green Mile represents death row in a Louisiana prison of the 1930's, when a huge black man, sentenced to death, reveals remarkable powers of precognition and hands-on healing. However, this story is mired in implausible situations and a lack of believeability.

We have the gratuitious scenes of Tom Hanks peeing for comic or shock value, the frequent graphic executions of death row inmates, the mumbling cajun accent of Michael Jeter, the remarkable coincidence of Sam Rockwell also landing on death row even though no one seems to make the connection that he also worked for the family whose daughter John Coffy is accused of murdering.

Mr Jingles is a mouse used as a plot device to tug at your heart strings, although it becomes tiresome after a short while.

The character of Purcey is useless and adds nothing to the story.

John Coffey spends this entire movie sweating and blubbering his way through his sentence. Even his miraculous healing of a woman with a terminal brain tumor isn't enough for Tom Hanks to somehow intervene and get this miracle worker off death row, but instead, he reluctantly executes him in the climax of the movie.

Should we also believe that John Coffey, via touch alone, bestowed practical immortality upon Tom Hanks and Mr Jingles? Give me a break. By the end of the movie we learn that Mr Jingles is now about 65 years old, which has to be about 25 times a normal mouse life span; Tom Hanks will also live 25 lifetimes? Does no one at the nursing home question his age of 108? Give me another break. Obviously Stephen King is filling some gaping plot holes with quickie and implausible explanations.

All the actors do a very fine job, but.....

This movie is terrible, don't waste your time. Rent Shawshank Redemption instead!

Powerful Movie!
This movie is outstanding, and anyone who gives it less than 5 stars does not do it justice. Tom Hanks, never a disappointment, stars as Paul Edgecomb, a guard who is the main person involved with "The Green Mile," or death row. He brings compassion, integrity, and honesty to the role of a man who is in charge of the inmates sentenced to die. David Morse, an actor who I also happen to love, stars as his friend. The chemistry between these two actors is incredible, and I hope they will star in future movies together as well. Their relationship gives a depth to the entire movie. Barry Pepper, from Saving Private Ryan, is also wonderful, and he will continue to have a great acting career for many years. Duncan shines as John Coffey ("like the drink, only spelled differently"), and really gives the movie a full circle of competent and award-worthy performances. His passion and child-like innocence gives Coffey the true meaning of the word spirit. This is a wonderful movie that can be both sad and touching at the same time. This is the type of movie that once you see it, you will think differently about life and about human beings in general. This movie touches the heart, and does it in a way that few movies have ever done. I hope that everyone who watches this movie will feel as I do, and this is definitely something that everyone should make a point to see!

Touching story, beautiful acting.
The other fantastic prison movie. (The first one being The Shawshank Redemption). This one is a little more magical and very touching. Do not miss it!

Not Good.
'The Green Mile' was long, tedious, absurd, and boring. Only for die-hard Stephen King or Tom Hanks fans.

The redemption subrreptitiously...
From all standpoits, this picture means a complex and deep sociological approach about the human behavior.
A prison represents the background ; the vehicle for developing a fine story filled with many narrative devices and secondary readings.
Lets start with the character of Percy. Obviously Percy represents the nazi spirit ; a characteristic smell in that age.But notice than much more than a political movement the nazism works out here as a living style. Watch the way he acts ; her cut hair and his manners ; he seems to be a hard beat man and behind of this invisible wall ; you feel a man with serious emotional and affective lacks. The proofs are very clear ; he is a man without a bit of humanity a beast would be a term appropiate if not that issue may offend the animal species.The punishment for him it's excellent ; he will live in his memory over and over the horror: the Shakespeare's memory . The sin hurts much more in the memory than in the flesh.
We have in the prison characters who trascend his personal values through the green mile . The silent agreement : "All what it happens in the green mile , it keeps in the green mile" will be a statement that won't be too long after the redemption caused for Coffey. The mouse gag is a very ingenious clue. A prisioner will experiment a twist of fate with this pet.
The main character John Coffey is framed to die in the electric chair ; acussed by a murder . Slowly the curtains will reveal the awful truth and you as viewer will be reflected in the moral jury who observes the execution.
Notice by moments the film reminds us to a great picture of the same age (1935) , casually titled "Fury" of Fritz Lang . In many ways it doesn't sound speculation to state the rendezvous for that shocking film. The extrordinary picture Top Hat in which we watch to Fred Astaire dancing with Ginger Rogers is a touch of genius device that let introduce us and links the last will of Coffey ; Heaven ; I'm in heaven. And you can not avoid thinking in Cinema Pardiso ending.
The script was a hit. Frank Dubont made a very well done work with the camera , art direction , photography, cast and enlightment.
When the film concludes you remain in your chair thinking the multiple lines around the story . The sense of revenge , vested as justice ; the ugliness who lives in the soul of that people will watch the last minutes of Coffey beats in your face, your solu and your heart.
The smart ending is filled with sweetness ; it's very clever and it works out as relief for the viewer , who may forget the real intention of the film . You may assume the most comfortable position and consider the film as a beautiful redemption story : good choice for you , but the bitter message goes far beyond ; the racism ; the intolerance and the pain for the narrator who should live thinking about his silent shame , and to make nothing for avoid it.
To know and not to do is still not knowing said once the japanese writer Mishima.
This film and the wisperer's horse were the finest achievements in 1998 ; good signals that reveal the awakening of new proposals and ideas for the american cinema.
A winner movie! ... Read more

Reviews (552)

Terrible movie, more Stephen King Schlock
This endless movie was a reminder of why I hate Stephen King stories, 3 hours of my life wasted on this drivel.

The Green Mile represents death row in a Louisiana prison of the 1930's, when a huge black man, sentenced to death, reveals remarkable powers of precognition and hands-on healing. However, this story is mired in implausible situations and a lack of believeability.

We have the gratuitious scenes of Tom Hanks peeing for comic or shock value, the frequent graphic executions of death row inmates, the mumbling cajun accent of Michael Jeter, the remarkable coincidence of Sam Rockwell also landing on death row even though no one seems to make the connection that he also worked for the family whose daughter John Coffy is accused of murdering.

Mr Jingles is a mouse used as a plot device to tug at your heart strings, although it becomes tiresome after a short while.

The character of Purcey is useless and adds nothing to the story.

John Coffey spends this entire movie sweating and blubbering his way through his sentence. Even his miraculous healing of a woman with a terminal brain tumor isn't enough for Tom Hanks to somehow intervene and get this miracle worker off death row, but instead, he reluctantly executes him in the climax of the movie.

Should we also believe that John Coffey, via touch alone, bestowed practical immortality upon Tom Hanks and Mr Jingles? Give me a break. By the end of the movie we learn that Mr Jingles is now about 65 years old, which has to be about 25 times a normal mouse life span; Tom Hanks will also live 25 lifetimes? Does no one at the nursing home question his age of 108? Give me another break. Obviously Stephen King is filling some gaping plot holes with quickie and implausible explanations.

All the actors do a very fine job, but.....

This movie is terrible, don't waste your time. Rent Shawshank Redemption instead!

Powerful Movie!
This movie is outstanding, and anyone who gives it less than 5 stars does not do it justice. Tom Hanks, never a disappointment, stars as Paul Edgecomb, a guard who is the main person involved with "The Green Mile," or death row. He brings compassion, integrity, and honesty to the role of a man who is in charge of the inmates sentenced to die. David Morse, an actor who I also happen to love, stars as his friend. The chemistry between these two actors is incredible, and I hope they will star in future movies together as well. Their relationship gives a depth to the entire movie. Barry Pepper, from Saving Private Ryan, is also wonderful, and he will continue to have a great acting career for many years. Duncan shines as John Coffey ("like the drink, only spelled differently"), and really gives the movie a full circle of competent and award-worthy performances. His passion and child-like innocence gives Coffey the true meaning of the word spirit. This is a wonderful movie that can be both sad and touching at the same time. This is the type of movie that once you see it, you will think differently about life and about human beings in general. This movie touches the heart, and does it in a way that few movies have ever done. I hope that everyone who watches this movie will feel as I do, and this is definitely something that everyone should make a point to see!

Touching story, beautiful acting.
The other fantastic prison movie. (The first one being The Shawshank Redemption). This one is a little more magical and very touching. Do not miss it!

Not Good.
'The Green Mile' was long, tedious, absurd, and boring. Only for die-hard Stephen King or Tom Hanks fans.

The redemption subrreptitiously...
From all standpoits, this picture means a complex and deep sociological approach about the human behavior.
A prison represents the background ; the vehicle for developing a fine story filled with many narrative devices and secondary readings.
Lets start with the character of Percy. Obviously Percy represents the nazi spirit ; a characteristic smell in that age.But notice than much more than a political movement the nazism works out here as a living style. Watch the way he acts ; her cut hair and his manners ; he seems to be a hard beat man and behind of this invisible wall ; you feel a man with serious emotional and affective lacks. The proofs are very clear ; he is a man without a bit of humanity a beast would be a term appropiate if not that issue may offend the animal species.The punishment for him it's excellent ; he will live in his memory over and over the horror: the Shakespeare's memory . The sin hurts much more in the memory than in the flesh.
We have in the prison characters who trascend his personal values through the green mile . The silent agreement : "All what it happens in the green mile , it keeps in the green mile" will be a statement that won't be too long after the redemption caused for Coffey. The mouse gag is a very ingenious clue. A prisioner will experiment a twist of fate with this pet.
The main character John Coffey is framed to die in the electric chair ; acussed by a murder . Slowly the curtains will reveal the awful truth and you as viewer will be reflected in the moral jury who observes the execution.
Notice by moments the film reminds us to a great picture of the same age (1935) , casually titled "Fury" of Fritz Lang . In many ways it doesn't sound speculation to state the rendezvous for that shocking film. The extrordinary picture Top Hat in which we watch to Fred Astaire dancing with Ginger Rogers is a touch of genius device that let introduce us and links the last will of Coffey ; Heaven ; I'm in heaven. And you can not avoid thinking in Cinema Pardiso ending.
The script was a hit. Frank Dubont made a very well done work with the camera , art direction , photography, cast and enlightment.
When the film concludes you remain in your chair thinking the multiple lines around the story . The sense of revenge , vested as justice ; the ugliness who lives in the soul of that people will watch the last minutes of Coffey beats in your face, your solu and your heart.
The smart ending is filled with sweetness ; it's very clever and it works out as relief for the viewer , who may forget the real intention of the film . You may assume the most comfortable position and consider the film as a beautiful redemption story : good choice for you , but the bitter message goes far beyond ; the racism ; the intolerance and the pain for the narrator who should live thinking about his silent shame , and to make nothing for avoid it.
To know and not to do is still not knowing said once the japanese writer Mishima.
This film and the wisperer's horse were the finest achievements in 1998 ; good signals that reveal the awakening of new proposals and ideas for the american cinema.
A winner movie! ... Read more

Reviews (156)

A Very Simplistic Understanding of the Hollywood Red Menace
The people responsible for this almost certain box office failure prefer to think of themselves as brave defenders of the Constitution. They realize the high likelihood of "The Majestic" being ignored by the general public, but are consoled by the respect and adulation their efforts will receive from the Hollywood political Left. Such films may even have a better chance of garnering Academy Award nominations. After all, I will readily concede that Jim Carrey is brilliant as the screen writer Peter Appleton wrongly suspected of Communist sympathies. Martin Landau also deserves a supporting actor nomination for his portrayal as the theater owner Harry Thimble who believes Appleton to be his long lost World War II veteran son. Unfortunately, though, the overall movie is diminished by the long scenes allowing Landau to display his formidable acting talent. They sometimes seemed out of place and considerably slowed down the pace of the movie.

Some people might recall Frank Capra while viewing "The Majestic," but I'm also reminded of Oliver Stone's questionable handling of American history. The story line revolves around the House Un-American Activities Committee legitimate attempt to eradicate the nefarious influences of the Communists in Hollywood. Legal strong arm tactics were employed, and sometimes the innocent suffered along with the guilty. Mistakes did indeed occur. Peter Appleton gets drunk one day, and has an automobile accident. This results in amnesia and Appleton ends up in a town that still mourns its young men lost in the war. Appleton is mistaken for their beloved Luke. The interactions between the town's citizens and the supposed Luke are both touching and awkward. We know the truth will be ultimately revealed, and can only hope that everyone finds the experience somehow redeeming.

Kenneth Lloyd Billingsley's historical work "Hollywood Party: How Communism Seduced The American Film Industry In The 1930s and 1940s" is highly recommended. This superb book will far more accurately explain the threat of the the Hollywood Communist members during that era. These Communists didn't have the slightest interest in advancing anybody's American First Amendment rights, and destroyed the careers of many who refused to obey the party line. Nevertheless, "The Majestic' has just enough going for it to justify a three star recommendation. If nothing else, the film captures the feel of the early 1950s and is visually beautiful.

The feel-good movie of the year.
Jim Carrey plays a 1950's Hollywood screenwriter, who, upon being named as a potential communist, has a few too many drinks and gets into a horrific car accident. He smashes his head, and wakes up in an idyllic little town with that old Hollywood classic....(say it with me...) AMNESIA. He's mistaken for the son of the local theater-owner (The Majestic, of course...), believed to have died in World War II. The townspeople all welcome him back, he loves his new life, and all is well.....but The House Committee is looking for him (by now they think him a commie mastermind), and what'll happen when/if he remembers his old life?

The Majestic reminded me of the type of films that Preston Sturges and Frank Capra used to make, It's a gentle fable about love, tolerance, human rights, and a reminder that sometimes we all need to stop and smell the roses.

Jim Carrey is great as the Jimmy Stewart-esque lead, and Laurie Holden is luminous as his (supposed) ex-girlfriend. She is just beautiful! I couldn't take my eyes off her, and her quiet, dignified performance lends a lot to the movie. The film is a little too long, but I left with a smile on my face and a warm feeling in my heart, so I suggest you give The Majestic a try.

Plus, it has a cameo by Bruce (Evil Dead)Campbell!! What more could you want??

Nice thought, but no originality
Didn't anyone notice how derivative this movie is? The whole plot screams of Marin Guerre. And the scene in front of the HUAC was lifted straight from The Front (Woody Allen was a little more colorful). They even had the guy who went to a communist party meeting strictly to score with a girl. (It was Zero Mostel in the original movie.)

As for the ending... c'mon everybody sing! "Now the whole damn bus is cheering, and I can't believe I see... a hundred yellow ribbons round the old... oak... tree!"

Original plot
I liked this movie because it was such a unique idea (at least to me). Who would've thought of making a movie about a film writer in the 1950s who was accused of being a communist and who drives off one night and accidentally goes off a bridge, hits his head and wakes up on a beach with amnesia in a town where he happens to look exactly like a guy who's been missing in action for 9 and 1/2 years and who everyone is so happy to see, huh? The conflict being - will he ever remember who he is, and if so, will the government find him, and what will the whole town that he's fallen in love with think? It's such an interesting story. Kind of slow paced - but REALLY good if you like those sorts of movies that have a feel good ending with a hero who "finds himself" and leaves a special mark in the lives of some really kind people and ends up being the winner he never knew he truly was. I only gave it four stars because I wish the DVD had more special features like how they made the movie, but I loved the movie itself. Watch it! The acting is SUPERB.

Good settings, bad script
Funny that a movie about a scriptwriter has a very sweet but unimaginable scenario. From the moment on you have a pretty good idea about what is going to happen. Making the 2,5 hours a long sit.

Guy is wanted for communist sympathies - gets amnesia - ends up in a town where they think he is someone else - they find out - he goes back but understands that life is better there than in 1950s LA.

The end is even a little too moralizing: The Constitution is open for every belief, even communism!!

The acting is however fine, Jim Carrey shows again he is a lot more than the Mask and he almost reaches the standard he set for himself in the superb 'Truman Show', Martin Landau is sweet as his 'father'.

The settings of the movie are great, the feeling of the 1950 is perfectly shown. The warm cosiness of a small town glows from the screen and the setting of the movietheater is great.

Too bad it's so incredibly predictable. ... Read more

Reviews (156)

A Very Simplistic Understanding of the Hollywood Red Menace
The people responsible for this almost certain box office failure prefer to think of themselves as brave defenders of the Constitution. They realize the high likelihood of "The Majestic" being ignored by the general public, but are consoled by the respect and adulation their efforts will receive from the Hollywood political Left. Such films may even have a better chance of garnering Academy Award nominations. After all, I will readily concede that Jim Carrey is brilliant as the screen writer Peter Appleton wrongly suspected of Communist sympathies. Martin Landau also deserves a supporting actor nomination for his portrayal as the theater owner Harry Thimble who believes Appleton to be his long lost World War II veteran son. Unfortunately, though, the overall movie is diminished by the long scenes allowing Landau to display his formidable acting talent. They sometimes seemed out of place and considerably slowed down the pace of the movie.

Some people might recall Frank Capra while viewing "The Majestic," but I'm also reminded of Oliver Stone's questionable handling of American history. The story line revolves around the House Un-American Activities Committee legitimate attempt to eradicate the nefarious influences of the Communists in Hollywood. Legal strong arm tactics were employed, and sometimes the innocent suffered along with the guilty. Mistakes did indeed occur. Peter Appleton gets drunk one day, and has an automobile accident. This results in amnesia and Appleton ends up in a town that still mourns its young men lost in the war. Appleton is mistaken for their beloved Luke. The interactions between the town's citizens and the supposed Luke are both touching and awkward. We know the truth will be ultimately revealed, and can only hope that everyone finds the experience somehow redeeming.

Kenneth Lloyd Billingsley's historical work "Hollywood Party: How Communism Seduced The American Film Industry In The 1930s and 1940s" is highly recommended. This superb book will far more accurately explain the threat of the the Hollywood Communist members during that era. These Communists didn't have the slightest interest in advancing anybody's American First Amendment rights, and destroyed the careers of many who refused to obey the party line. Nevertheless, "The Majestic' has just enough going for it to justify a three star recommendation. If nothing else, the film captures the feel of the early 1950s and is visually beautiful.

The feel-good movie of the year.
Jim Carrey plays a 1950's Hollywood screenwriter, who, upon being named as a potential communist, has a few too many drinks and gets into a horrific car accident. He smashes his head, and wakes up in an idyllic little town with that old Hollywood classic....(say it with me...) AMNESIA. He's mistaken for the son of the local theater-owner (The Majestic, of course...), believed to have died in World War II. The townspeople all welcome him back, he loves his new life, and all is well.....but The House Committee is looking for him (by now they think him a commie mastermind), and what'll happen when/if he remembers his old life?

The Majestic reminded me of the type of films that Preston Sturges and Frank Capra used to make, It's a gentle fable about love, tolerance, human rights, and a reminder that sometimes we all need to stop and smell the roses.

Jim Carrey is great as the Jimmy Stewart-esque lead, and Laurie Holden is luminous as his (supposed) ex-girlfriend. She is just beautiful! I couldn't take my eyes off her, and her quiet, dignified performance lends a lot to the movie. The film is a little too long, but I left with a smile on my face and a warm feeling in my heart, so I suggest you give The Majestic a try.

Plus, it has a cameo by Bruce (Evil Dead)Campbell!! What more could you want??

Nice thought, but no originality
Didn't anyone notice how derivative this movie is? The whole plot screams of Marin Guerre. And the scene in front of the HUAC was lifted straight from The Front (Woody Allen was a little more colorful). They even had the guy who went to a communist party meeting strictly to score with a girl. (It was Zero Mostel in the original movie.)

As for the ending... c'mon everybody sing! "Now the whole damn bus is cheering, and I can't believe I see... a hundred yellow ribbons round the old... oak... tree!"

Original plot
I liked this movie because it was such a unique idea (at least to me). Who would've thought of making a movie about a film writer in the 1950s who was accused of being a communist and who drives off one night and accidentally goes off a bridge, hits his head and wakes up on a beach with amnesia in a town where he happens to look exactly like a guy who's been missing in action for 9 and 1/2 years and who everyone is so happy to see, huh? The conflict being - will he ever remember who he is, and if so, will the government find him, and what will the whole town that he's fallen in love with think? It's such an interesting story. Kind of slow paced - but REALLY good if you like those sorts of movies that have a feel good ending with a hero who "finds himself" and leaves a special mark in the lives of some really kind people and ends up being the winner he never knew he truly was. I only gave it four stars because I wish the DVD had more special features like how they made the movie, but I loved the movie itself. Watch it! The acting is SUPERB.

Good settings, bad script
Funny that a movie about a scriptwriter has a very sweet but unimaginable scenario. From the moment on you have a pretty good idea about what is going to happen. Making the 2,5 hours a long sit.

Guy is wanted for communist sympathies - gets amnesia - ends up in a town where they think he is someone else - they find out - he goes back but understands that life is better there than in 1950s LA.

The end is even a little too moralizing: The Constitution is open for every belief, even communism!!

The acting is however fine, Jim Carrey shows again he is a lot more than the Mask and he almost reaches the standard he set for himself in the superb 'Truman Show', Martin Landau is sweet as his 'father'.

The settings of the movie are great, the feeling of the 1950 is perfectly shown. The warm cosiness of a small town glows from the screen and the setting of the movietheater is great.

Too bad it's so incredibly predictable. ... Read more

Reviews (1)

Great B Movie
I really liked this movie. It was almost like a film noir type of story. I won't give away the ending,but the two things the wife wanted the most, she got and more.I really felt bad for the husband. He did things for her that some women would love and she was just a spoiled, selfish woman. The acting was good and the ending was great. ... Read more

Reviews (3)

Five stars for "The Woman in the Room" alone!
I have not seen The Boogeyman but I saw The Woman In the Room online and I can say it is worth buying just for that! Stephen king himself said that this was a wonderful accomplishment and that it is on his short list of favorite film adaptations.

Frank Darabont has directed three Stephen King movies ("Woman", The Shawshank Redemption and The Green Mile) and all three are marvelous. Both THe Shawshank Redemption won Oscar Nominations for Best Picture and had many other nominations [They should have got them]. The Woman in the Room was one he made as a student director, King selling his rights for a dollar, and this has to be the best of the "dollar babies." Darabont understands King's works and is able to keep the integrity, mood and style of the works. He sees that these stories are rooted in raw, human emotion and makes sure anything he does as a director doesn't mess with that. Even though The Woman in the Room was made with basically no budget, he uses the soft errie music to enhance the characters and story. We see the talent that would eventually make Shawshank Redemption and The Green Mile. Truely, The Woman IN the Room is a diamond in the rough.

Great Student Films.
It's not really common knowledge, but Stephen King lets student film makers and independent film makers looking for a break make movies based on his short stories for $1. Besides the buck, the only hitch is that you send King a copy of the script before he authorizes the production and once filming is completed you send him a tape of the final product. It seems hard to believe, but it's true. Just ask Frank Darabont. That's how the Academy Award nominated director got his film made, THE WOMAN IN THE ROOM.

That was Darabont's student film when he was in film school and the movie he made impressed King so much, it supposedly brought him to tears. It was on the strength of that film that nine years later King gave Darabont the okay to make THE SHAWSHANK REDEMPTION. THE WOMAN IN THE ROOM isn't a supernatural or even scary story. Instead, it is a serious story that deals with euthanasia--mercy killing. The film had no (or a very low) budget, but to be honest, you really can't tell; in many way it looks like an expensive independent picture.

The other movie on this tape is THE BOOGEYMAN. This story does deal with the supernatural and I found it intriguing how the filmmakers dealt with the supernatural without any special effects. The movie is kind of frightening, especially for a low budget short and even more so if you watch it alone.

Overall, this is a great video for any fan of Darabont, any King fan, or a student/independent filmmaker looking for some inspiration.

Great for King Fans...and that's about it.
Ok, this movie scared the daylights out of me as a kid. However, when re-watching it, I realized just how dated this movie is. The first section, The Woman in the Room, is pretty eerie, although extremely simple and short. The directing was really good, however we are talking really low budget here. The second movie was...borderline terrible. The plot and the characters both are undevloped. I felt like I was watching some kid's video production project. The only reason I gave this movie three stars was I felt the directing and the acting in The Woman in the Room was really good. It's no action-packed, fast paced story by any means, but I was emotionally affected. So if you are big into studying film, or just a big Stephen King fan, check this out. But don't go breaking your neck to see it. ... Read more

Reviews (692)

Triumphant celebration of the human spirit
First off, this reviewer regularly rates this movie as his personal favourite of all time. Why only four stars then? Because we are asked to rate the DVD, not the movie, and the criminal lack of DVD extras for one of the best films ever made is shameful. So, film five stars, DVD three - averaging out at 4. Maths lesson over, on with the review.

Based on the Stephen King novella ' Rita Hayworth and the Shawshank Redemption ' this really has become a modern day classic. Other films have grossed more, and may have a more immediate following, but Shawshank will endure for years, and become another 'Casablanca ' loved by generations to come.

The film tells the story of Andy Dufresne, sent to the maximum security prison of Shawshank for the murder of his wife and her lover. Played with an under-stated intelligence by Tim Robbins in a career defining turn, and supported by sterling performances from Morgan Freeman, Bob Gunton, William Sadler, Clancy Brown, and veteran James Whitmore. Morgan Freeman's work is particularly notable, not just for his performance ( let's face it, the man doesn't know how to give a bad one! ) but also for the fact that his is the voice of the film. His chocolate-rich tones were director Frank Darabont's choice for the voice-over of the film, as if his character Red is talking to us, and explaining the sub-text of the film. Voice overs often dont work ( Blade Runner being a prime example ) but this one does, perfectly.

Beginning at a slow pace, the film begins with the brutal de-humanising regime meted out to the 'Fresh Fish' as they begin their incarcaration in Shawshank. I remember suggesting my wife watch the film after I'd seen it, and she, being of a considerably more sensitive nature than me, found the early scenes difficult. If you too find the opening 45 minutes a tad heavy going, stick with it - the reward is worth it.

Eventually as we progress through the film, we see how Red's initial suspicion of Andy becomes a deep respect, and eventually a deep friendship, indeed it would be true to say that these two men love each other like brothers by the end. There are a few key scenes that really stick in the memory - the rooftop scene, the opera aria scene, the exam result scene - all of which enable us to begin to like these men, men we probably wouldn't have wanted in our homes before the film, but who we'd happily sit down to dinner with after.

The film's true emotional impact of course comes in the final third as we learn the truth about Andy's guilt or otherwise. True to many of King's works, there is a twist in the end which leaves us all stunned, and with a big stupid grin on our faces. The total and utter defeat of the dark forces in the film is accomplished with such applomb that you find yourself rooting for the bad guys - the prisoners, a bunch of murderers and misfits that two hours earlier you were deeply suspicious of. Indeed the last section of the film plays almost totally without our hero, and remains almost my favourite portion of it. By this time we are crying out for the final fulfilment of our hopes for the characters. It is to Frank Darabont's eternal credit that he accomplishes this in a scene without dialogue, and a sweeping panoramic withdrawl from the characters, leaving us with not a dry eye in the house, and a feel-good glow that lasts for days.

... while in [a local store] I noticed this man and wife trying to decide which DVD they would buy to view that evening. I pointed to Shawshank. "Ever seen this one?"
"No"
"Trust me" I said, "It's the best movie you've never seen." He bought it, and I like to think I made that man and wife cry, laugh and smile that evening.

To conclude, Warner Bros and Castle Rock - SHAME ON YOU! This movie deserves better. The Region 2 version rocks, so get busy, re-package, and give us fans the extras this classic deserves!

One true consensus !
To be honest, sometimes it seems odd that so much people write similar things about this magnificient film, but then again, everybody ,including myself ,wish to express and convey his thoughts and emotions in his/her special unique way.

Hence, I decided to take my time to write a few words . I hope you'll like them (The immediate reason for this is that I'm currently reading the novel,four years after seeing the movie for the first time).

Andy Dufresne. The name evokes nobel feelings in me whenever I hear it.Portrayed so wonderfully by Tim Robbins,it represents so much ; A man who had had everything,lost everthing and,finally, gained everything back.

His character is one of the most inspiring I've ever known. What a man ! An example of the strength of the human spirit, and one basic rule : diligence and patience with a little bit of luck and wisdom can get you anywhere . . . Even outside the walls of Shawshank state penitentiary...

If you've seen it once - see it again ! It never loses it's impact. Watch it whenever you're down and feeling like everything is going wrong .I bet it shall lift your spirit just a little bit higher ,and help you through the crisis .

Review of a review
Whoever wrote the following review, I've got to hand it to you for almost pulling my leg. This is funny stuff, I actually thought you were serious at first. I'm sure they're many ninnies who will put their DVD copy in now and think there's something wrong. Keep it up.

Anyhoo, The Shawshank Redemption is a great piece of work. Better on DVD than in the theaters (unless you get to take that special someone to the last row . Buy it if your internet connection just happens to be down. Of course that last statement was a joke.

---
My third submission on this, if you are doubtful, check for yourself. I own the VHS of Shawshank. I recently purchased a DVD player and Shawshank was one of my first disks. I set both the disk and the tape up to play simultaneously, and flipped back and forth to compare the superb quality improvement of DVD. I was in for a surprise. The picture DOES NOT get wider-AS IT SHOULD-and the top and bottom of the picture of the DVD version are ERASED and replaced by the black bars. The other movie I found with this flaw is Jackie Brown. Check out the point where Bridget Fonda "services" Robert DeNiro. On the VHS widescreen version , her "buns" disappear. They are fully visable on the fullscreen version! The top and bottom have been erased on the widescreen version and the picture does not get any wider. I suspect more movies have this flaw. Now that we know what to look for, let's look!
---

Great story, wondrously told and acted
At the heart of this extraordinary movie is a brilliant and indelible performance by Morgan Freeman as Red, the man who knows how to get things, the "only" guilty man at Shawshank prison. He was nominated by the Academy for Best Actor in 1995 but didn't win. (Tom Hanks won for Forrest Gump.) What Freeman does so beautifully is to slightly underplay the part so that the eternal boredom and cynicism of the lifer comes through, and yet we can see how very much alive with the warmth of life the man is despite his confinement. Someday Morgan Freeman is going to win an Academy Award and it will be in belated recognition for this performance, which I think was a little too subtle for some Academy members to fully appreciate at the time.

But Freeman is not alone. Tim Robbins plays the hero of the story, banker Andy Dufresne, who has been falsely convicted of murdering his wife and her lover. Robbins has a unique quality as an actor in that he lends ever so slightly a bemused irony to the characters he plays. It is as though part of him is amused at what he is doing. I believe this is the best performance of his career, but it might be compared with his work in The Player (1992), another excellent movie, and in Mystic River (2003) for which he won an Oscar as Best Supporting Actor.

It is said that every good story needs a villain, and in the Bible-quoting, Bible-thumping, massively hypocritical, sadistic Warden Samuel Norton, played perfectly by Bob Gunton, we have a doozy. I want to tell you that Norton is so evil that fundamentalist Christians actually hate this movie because of how precisely his vile character is revealed. They also hate the movie because of its depiction of violent, predatory homosexual behavior (which is the reason the movie is rated R). On the wall of his office (hiding his safe with its ill-gotten contents and duplicitous accounts) is a framed plaque of the words "His judgment cometh and that right soon." The irony of these words as they apply to the men in the prison and ultimately to the warden himself is just perfect. You will take delight, I promise.

Here is some other information about the movie that may interest you. As most people know, it was adapted from a novella by Stephen King entitled "Rita Hayworth and the Shawshank Redemption." Rita Hayworth figures in the story because Red procures a poster of her for Andy that he pins up on the wall of his cell. The poster is a still from the film Gilda (1946) starring her and Glenn Ford. We see a clip from the black and white film as the prisoners watch, cheering and hollering when Rita Hayworth appears. If you haven't seen her, check out that old movie. She really is gorgeous and a forerunner of Marilyn Monroe, who next appears on Andy's wall in a still from The Seven Year Itch (1955). It's the famous shot of her in which her skirt is blown up to reveal her shapely legs. Following her on Andy's wall (and, by the way, these pinups figure prominently in the plot) is Rachel Welsh from One Million Years B.C. (1966). In a simple and effective device these pinups show us graphically how long Andy and Red have been pining away.

Frank Darabont's direction is full of similar devices that clearly and naturally tell the story. There is Brooks (James Whitmore) who gets out after fifty years but is so institutionalized that he can't cope with life on the outside and hangs himself. Playing off of this is Red's periodic appearance before the parole board where his parole is summarily REJECTED. Watch how this plays out at the end.

The cinematography by Roger Deakins is excellent. The editing superb: there's not a single dead spot in the whole movie. The difference between the good guys (Red, Andy, Brooks, etc.) and the bad guys (the warden, the guards, the "sisters," etc.) is perhaps too starkly drawn, and perhaps Andy is a bit too heroic and determined beyond what might be realistic, and perhaps the "redemption" is a bit too miraculous in how beautifully it works out. But never mind. We love it.

All in all this is a great story vividly told that will leave you with a true sense of redemption in your soul. It is not a chick flick, and that is an understatement. It is a male bonding movie about friendship and the strength of character, about going up against what is wrong and unfair and coming out on top through pure true grit and a little luck.

#2 RATED MOVIE ON THE IMDB (AND FOR A REASON !)
Great film with classic and quotable lines. The narration by Morgan Freeman is also superb. Many touching moments which is specially odd in a prsion movie.
Highly recommended. ... Read more

Reviews (692)

Triumphant celebration of the human spirit
First off, this reviewer regularly rates this movie as his personal favourite of all time. Why only four stars then? Because we are asked to rate the DVD, not the movie, and the criminal lack of DVD extras for one of the best films ever made is shameful. So, film five stars, DVD three - averaging out at 4. Maths lesson over, on with the review.

Based on the Stephen King novella ' Rita Hayworth and the Shawshank Redemption ' this really has become a modern day classic. Other films have grossed more, and may have a more immediate following, but Shawshank will endure for years, and become another 'Casablanca ' loved by generations to come.

The film tells the story of Andy Dufresne, sent to the maximum security prison of Shawshank for the murder of his wife and her lover. Played with an under-stated intelligence by Tim Robbins in a career defining turn, and supported by sterling performances from Morgan Freeman, Bob Gunton, William Sadler, Clancy Brown, and veteran James Whitmore. Morgan Freeman's work is particularly notable, not just for his performance ( let's face it, the man doesn't know how to give a bad one! ) but also for the fact that his is the voice of the film. His chocolate-rich tones were director Frank Darabont's choice for the voice-over of the film, as if his character Red is talking to us, and explaining the sub-text of the film. Voice overs often dont work ( Blade Runner being a prime example ) but this one does, perfectly.

Beginning at a slow pace, the film begins with the brutal de-humanising regime meted out to the 'Fresh Fish' as they begin their incarcaration in Shawshank. I remember suggesting my wife watch the film after I'd seen it, and she, being of a considerably more sensitive nature than me, found the early scenes difficult. If you too find the opening 45 minutes a tad heavy going, stick with it - the reward is worth it.

Eventually as we progress through the film, we see how Red's initial suspicion of Andy becomes a deep respect, and eventually a deep friendship, indeed it would be true to say that these two men love each other like brothers by the end. There are a few key scenes that really stick in the memory - the rooftop scene, the opera aria scene, the exam result scene - all of which enable us to begin to like these men, men we probably wouldn't have wanted in our homes before the film, but who we'd happily sit down to dinner with after.

The film's true emotional impact of course comes in the final third as we learn the truth about Andy's guilt or otherwise. True to many of King's works, there is a twist in the end which leaves us all stunned, and with a big stupid grin on our faces. The total and utter defeat of the dark forces in the film is accomplished with such applomb that you find yourself rooting for the bad guys - the prisoners, a bunch of murderers and misfits that two hours earlier you were deeply suspicious of. Indeed the last section of the film plays almost totally without our hero, and remains almost my favourite portion of it. By this time we are crying out for the final fulfilment of our hopes for the characters. It is to Frank Darabont's eternal credit that he accomplishes this in a scene without dialogue, and a sweeping panoramic withdrawl from the characters, leaving us with not a dry eye in the house, and a feel-good glow that lasts for days.

... while in [a local store] I noticed this man and wife trying to decide which DVD they would buy to view that evening. I pointed to Shawshank. "Ever seen this one?"
"No"
"Trust me" I said, "It's the best movie you've never seen." He bought it, and I like to think I made that man and wife cry, laugh and smile that evening.

To conclude, Warner Bros and Castle Rock - SHAME ON YOU! This movie deserves better. The Region 2 version rocks, so get busy, re-package, and give us fans the extras this classic deserves!

One true consensus !
To be honest, sometimes it seems odd that so much people write similar things about this magnificient film, but then again, everybody ,including myself ,wish to express and convey his thoughts and emotions in his/her special unique way.

Hence, I decided to take my time to write a few words . I hope you'll like them (The immediate reason for this is that I'm currently reading the novel,four years after seeing the movie for the first time).

Andy Dufresne. The name evokes nobel feelings in me whenever I hear it.Portrayed so wonderfully by Tim Robbins,it represents so much ; A man who had had everything,lost everthing and,finally, gained everything back.

His character is one of the most inspiring I've ever known. What a man ! An example of the strength of the human spirit, and one basic rule : diligence and patience with a little bit of luck and wisdom can get you anywhere . . . Even outside the walls of Shawshank state penitentiary...

If you've seen it once - see it again ! It never loses it's impact. Watch it whenever you're down and feeling like everything is going wrong .I bet it shall lift your spirit just a little bit higher ,and help you through the crisis .

Review of a review
Whoever wrote the following review, I've got to hand it to you for almost pulling my leg. This is funny stuff, I actually thought you were serious at first. I'm sure they're many ninnies who will put their DVD copy in now and think there's something wrong. Keep it up.

Anyhoo, The Shawshank Redemption is a great piece of work. Better on DVD than in the theaters (unless you get to take that special someone to the last row . Buy it if your internet connection just happens to be down. Of course that last statement was a joke.

---
My third submission on this, if you are doubtful, check for yourself. I own the VHS of Shawshank. I recently purchased a DVD player and Shawshank was one of my first disks. I set both the disk and the tape up to play simultaneously, and flipped back and forth to compare the superb quality improvement of DVD. I was in for a surprise. The picture DOES NOT get wider-AS IT SHOULD-and the top and bottom of the picture of the DVD version are ERASED and replaced by the black bars. The other movie I found with this flaw is Jackie Brown. Check out the point where Bridget Fonda "services" Robert DeNiro. On the VHS widescreen version , her "buns" disappear. They are fully visable on the fullscreen version! The top and bottom have been erased on the widescreen version and the picture does not get any wider. I suspect more movies have this flaw. Now that we know what to look for, let's look!
---

Great story, wondrously told and acted
At the heart of this extraordinary movie is a brilliant and indelible performance by Morgan Freeman as Red, the man who knows how to get things, the "only" guilty man at Shawshank prison. He was nominated by the Academy for Best Actor in 1995 but didn't win. (Tom Hanks won for Forrest Gump.) What Freeman does so beautifully is to slightly underplay the part so that the eternal boredom and cynicism of the lifer comes through, and yet we can see how very much alive with the warmth of life the man is despite his confinement. Someday Morgan Freeman is going to win an Academy Award and it will be in belated recognition for this performance, which I think was a little too subtle for some Academy members to fully appreciate at the time.

But Freeman is not alone. Tim Robbins plays the hero of the story, banker Andy Dufresne, who has been falsely convicted of murdering his wife and her lover. Robbins has a unique quality as an actor in that he lends ever so slightly a bemused irony to the characters he plays. It is as though part of him is amused at what he is doing. I believe this is the best performance of his career, but it might be compared with his work in The Player (1992), another excellent movie, and in Mystic River (2003) for which he won an Oscar as Best Supporting Actor.

It is said that every good story needs a villain, and in the Bible-quoting, Bible-thumping, massively hypocritical, sadistic Warden Samuel Norton, played perfectly by Bob Gunton, we have a doozy. I want to tell you that Norton is so evil that fundamentalist Christians actually hate this movie because of how precisely his vile character is revealed. They also hate the movie because of its depiction of violent, predatory homosexual behavior (which is the reason the movie is rated R). On the wall of his office (hiding his safe with its ill-gotten contents and duplicitous accounts) is a framed plaque of the words "His judgment cometh and that right soon." The irony of these words as they apply to the men in the prison and ultimately to the warden himself is just perfect. You will take delight, I promise.

Here is some other information about the movie that may interest you. As most people know, it was adapted from a novella by Stephen King entitled "Rita Hayworth and the Shawshank Redemption." Rita Hayworth figures in the story because Red procures a poster of her for Andy that he pins up on the wall of his cell. The poster is a still from the film Gilda (1946) starring her and Glenn Ford. We see a clip from the black and white film as the prisoners watch, cheering and hollering when Rita Hayworth appears. If you haven't seen her, check out that old movie. She really is gorgeous and a forerunner of Marilyn Monroe, who next appears on Andy's wall in a still from The Seven Year Itch (1955). It's the famous shot of her in which her skirt is blown up to reveal her shapely legs. Following her on Andy's wall (and, by the way, these pinups figure prominently in the plot) is Rachel Welsh from One Million Years B.C. (1966). In a simple and effective device these pinups show us graphically how long Andy and Red have been pining away.

Frank Darabont's direction is full of similar devices that clearly and naturally tell the story. There is Brooks (James Whitmore) who gets out after fifty years but is so institutionalized that he can't cope with life on the outside and hangs himself. Playing off of this is Red's periodic appearance before the parole board where his parole is summarily REJECTED. Watch how this plays out at the end.

The cinematography by Roger Deakins is excellent. The editing superb: there's not a single dead spot in the whole movie. The difference between the good guys (Red, Andy, Brooks, etc.) and the bad guys (the warden, the guards, the "sisters," etc.) is perhaps too starkly drawn, and perhaps Andy is a bit too heroic and determined beyond what might be realistic, and perhaps the "redemption" is a bit too miraculous in how beautifully it works out. But never mind. We love it.

All in all this is a great story vividly told that will leave you with a true sense of redemption in your soul. It is not a chick flick, and that is an understatement. It is a male bonding movie about friendship and the strength of character, about going up against what is wrong and unfair and coming out on top through pure true grit and a little luck.

#2 RATED MOVIE ON THE IMDB (AND FOR A REASON !)
Great film with classic and quotable lines. The narration by Morgan Freeman is also superb. Many touching moments which is specially odd in a prsion movie.
Highly recommended. ... Read more

Reviews (552)

Terrible movie, more Stephen King Schlock
This endless movie was a reminder of why I hate Stephen King stories, 3 hours of my life wasted on this drivel.

The Green Mile represents death row in a Louisiana prison of the 1930's, when a huge black man, sentenced to death, reveals remarkable powers of precognition and hands-on healing. However, this story is mired in implausible situations and a lack of believeability.

We have the gratuitious scenes of Tom Hanks peeing for comic or shock value, the frequent graphic executions of death row inmates, the mumbling cajun accent of Michael Jeter, the remarkable coincidence of Sam Rockwell also landing on death row even though no one seems to make the connection that he also worked for the family whose daughter John Coffy is accused of murdering.

Mr Jingles is a mouse used as a plot device to tug at your heart strings, although it becomes tiresome after a short while.

The character of Purcey is useless and adds nothing to the story.

John Coffey spends this entire movie sweating and blubbering his way through his sentence. Even his miraculous healing of a woman with a terminal brain tumor isn't enough for Tom Hanks to somehow intervene and get this miracle worker off death row, but instead, he reluctantly executes him in the climax of the movie.

Should we also believe that John Coffey, via touch alone, bestowed practical immortality upon Tom Hanks and Mr Jingles? Give me a break. By the end of the movie we learn that Mr Jingles is now about 65 years old, which has to be about 25 times a normal mouse life span; Tom Hanks will also live 25 lifetimes? Does no one at the nursing home question his age of 108? Give me another break. Obviously Stephen King is filling some gaping plot holes with quickie and implausible explanations.

All the actors do a very fine job, but.....

This movie is terrible, don't waste your time. Rent Shawshank Redemption instead!

Powerful Movie!
This movie is outstanding, and anyone who gives it less than 5 stars does not do it justice. Tom Hanks, never a disappointment, stars as Paul Edgecomb, a guard who is the main person involved with "The Green Mile," or death row. He brings compassion, integrity, and honesty to the role of a man who is in charge of the inmates sentenced to die. David Morse, an actor who I also happen to love, stars as his friend. The chemistry between these two actors is incredible, and I hope they will star in future movies together as well. Their relationship gives a depth to the entire movie. Barry Pepper, from Saving Private Ryan, is also wonderful, and he will continue to have a great acting career for many years. Duncan shines as John Coffey ("like the drink, only spelled differently"), and really gives the movie a full circle of competent and award-worthy performances. His passion and child-like innocence gives Coffey the true meaning of the word spirit. This is a wonderful movie that can be both sad and touching at the same time. This is the type of movie that once you see it, you will think differently about life and about human beings in general. This movie touches the heart, and does it in a way that few movies have ever done. I hope that everyone who watches this movie will feel as I do, and this is definitely something that everyone should make a point to see!

Touching story, beautiful acting.
The other fantastic prison movie. (The first one being The Shawshank Redemption). This one is a little more magical and very touching. Do not miss it!

Not Good.
'The Green Mile' was long, tedious, absurd, and boring. Only for die-hard Stephen King or Tom Hanks fans.

The redemption subrreptitiously...
From all standpoits, this picture means a complex and deep sociological approach about the human behavior.
A prison represents the background ; the vehicle for developing a fine story filled with many narrative devices and secondary readings.
Lets start with the character of Percy. Obviously Percy represents the nazi spirit ; a characteristic smell in that age.But notice than much more than a political movement the nazism works out here as a living style. Watch the way he acts ; her cut hair and his manners ; he seems to be a hard beat man and behind of this invisible wall ; you feel a man with serious emotional and affective lacks. The proofs are very clear ; he is a man without a bit of humanity a beast would be a term appropiate if not that issue may offend the animal species.The punishment for him it's excellent ; he will live in his memory over and over the horror: the Shakespeare's memory . The sin hurts much more in the memory than in the flesh.
We have in the prison characters who trascend his personal values through the green mile . The silent agreement : "All what it happens in the green mile , it keeps in the green mile" will be a statement that won't be too long after the redemption caused for Coffey. The mouse gag is a very ingenious clue. A prisioner will experiment a twist of fate with this pet.
The main character John Coffey is framed to die in the electric chair ; acussed by a murder . Slowly the curtains will reveal the awful truth and you as viewer will be reflected in the moral jury who observes the execution.
Notice by moments the film reminds us to a great picture of the same age (1935) , casually titled "Fury" of Fritz Lang . In many ways it doesn't sound speculation to state the rendezvous for that shocking film. The extrordinary picture Top Hat in which we watch to Fred Astaire dancing with Ginger Rogers is a touch of genius device that let introduce us and links the last will of Coffey ; Heaven ; I'm in heaven. And you can not avoid thinking in Cinema Pardiso ending.
The script was a hit. Frank Dubont made a very well done work with the camera , art direction , photography, cast and enlightment.
When the film concludes you remain in your chair thinking the multiple lines around the story . The sense of revenge , vested as justice ; the ugliness who lives in the soul of that people will watch the last minutes of Coffey beats in your face, your solu and your heart.
The smart ending is filled with sweetness ; it's very clever and it works out as relief for the viewer , who may forget the real intention of the film . You may assume the most comfortable position and consider the film as a beautiful redemption story : good choice for you , but the bitter message goes far beyond ; the racism ; the intolerance and the pain for the narrator who should live thinking about his silent shame , and to make nothing for avoid it.
To know and not to do is still not knowing said once the japanese writer Mishima.
This film and the wisperer's horse were the finest achievements in 1998 ; good signals that reveal the awakening of new proposals and ideas for the american cinema.
A winner movie! ... Read more

Reviews (552)

Terrible movie, more Stephen King Schlock
This endless movie was a reminder of why I hate Stephen King stories, 3 hours of my life wasted on this drivel.

The Green Mile represents death row in a Louisiana prison of the 1930's, when a huge black man, sentenced to death, reveals remarkable powers of precognition and hands-on healing. However, this story is mired in implausible situations and a lack of believeability.

We have the gratuitious scenes of Tom Hanks peeing for comic or shock value, the frequent graphic executions of death row inmates, the mumbling cajun accent of Michael Jeter, the remarkable coincidence of Sam Rockwell also landing on death row even though no one seems to make the connection that he also worked for the family whose daughter John Coffy is accused of murdering.

Mr Jingles is a mouse used as a plot device to tug at your heart strings, although it becomes tiresome after a short while.

The character of Purcey is useless and adds nothing to the story.

John Coffey spends this entire movie sweating and blubbering his way through his sentence. Even his miraculous healing of a woman with a terminal brain tumor isn't enough for Tom Hanks to somehow intervene and get this miracle worker off death row, but instead, he reluctantly executes him in the climax of the movie.

Should we also believe that John Coffey, via touch alone, bestowed practical immortality upon Tom Hanks and Mr Jingles? Give me a break. By the end of the movie we learn that Mr Jingles is now about 65 years old, which has to be about 25 times a normal mouse life span; Tom Hanks will also live 25 lifetimes? Does no one at the nursing home question his age of 108? Give me another break. Obviously Stephen King is filling some gaping plot holes with quickie and implausible explanations.

All the actors do a very fine job, but.....

This movie is terrible, don't waste your time. Rent Shawshank Redemption instead!

Powerful Movie!
This movie is outstanding, and anyone who gives it less than 5 stars does not do it justice. Tom Hanks, never a disappointment, stars as Paul Edgecomb, a guard who is the main person involved with "The Green Mile," or death row. He brings compassion, integrity, and honesty to the role of a man who is in charge of the inmates sentenced to die. David Morse, an actor who I also happen to love, stars as his friend. The chemistry between these two actors is incredible, and I hope they will star in future movies together as well. Their relationship gives a depth to the entire movie. Barry Pepper, from Saving Private Ryan, is also wonderful, and he will continue to have a great acting career for many years. Duncan shines as John Coffey ("like the drink, only spelled differently"), and really gives the movie a full circle of competent and award-worthy performances. His passion and child-like innocence gives Coffey the true meaning of the word spirit. This is a wonderful movie that can be both sad and touching at the same time. This is the type of movie that once you see it, you will think differently about life and about human beings in general. This movie touches the heart, and does it in a way that few movies have ever done. I hope that everyone who watches this movie will feel as I do, and this is definitely something that everyone should make a point to see!

Touching story, beautiful acting.
The other fantastic prison movie. (The first one being The Shawshank Redemption). This one is a little more magical and very touching. Do not miss it!

Not Good.
'The Green Mile' was long, tedious, absurd, and boring. Only for die-hard Stephen King or Tom Hanks fans.

The redemption subrreptitiously...
From all standpoits, this picture means a complex and deep sociological approach about the human behavior.
A prison represents the background ; the vehicle for developing a fine story filled with many narrative devices and secondary readings.
Lets start with the character of Percy. Obviously Percy represents the nazi spirit ; a characteristic smell in that age.But notice than much more than a political movement the nazism works out here as a living style. Watch the way he acts ; her cut hair and his manners ; he seems to be a hard beat man and behind of this invisible wall ; you feel a man with serious emotional and affective lacks. The proofs are very clear ; he is a man without a bit of humanity a beast would be a term appropiate if not that issue may offend the animal species.The punishment for him it's excellent ; he will live in his memory over and over the horror: the Shakespeare's memory . The sin hurts much more in the memory than in the flesh.
We have in the prison characters who trascend his personal values through the green mile . The silent agreement : "All what it happens in the green mile , it keeps in the green mile" will be a statement that won't be too long after the redemption caused for Coffey. The mouse gag is a very ingenious clue. A prisioner will experiment a twist of fate with this pet.
The main character John Coffey is framed to die in the electric chair ; acussed by a murder . Slowly the curtains will reveal the awful truth and you as viewer will be reflected in the moral jury who observes the execution.
Notice by moments the film reminds us to a great picture of the same age (1935) , casually titled "Fury" of Fritz Lang . In many ways it doesn't sound speculation to state the rendezvous for that shocking film. The extrordinary picture Top Hat in which we watch to Fred Astaire dancing with Ginger Rogers is a touch of genius device that let introduce us and links the last will of Coffey ; Heaven ; I'm in heaven. And you can not avoid thinking in Cinema Pardiso ending.
The script was a hit. Frank Dubont made a very well done work with the camera , art direction , photography, cast and enlightment.
When the film concludes you remain in your chair thinking the multiple lines around the story . The sense of revenge , vested as justice ; the ugliness who lives in the soul of that people will watch the last minutes of Coffey beats in your face, your solu and your heart.
The smart ending is filled with sweetness ; it's very clever and it works out as relief for the viewer , who may forget the real intention of the film . You may assume the most comfortable position and consider the film as a beautiful redemption story : good choice for you , but the bitter message goes far beyond ; the racism ; the intolerance and the pain for the narrator who should live thinking about his silent shame , and to make nothing for avoid it.
To know and not to do is still not knowing said once the japanese writer Mishima.
This film and the wisperer's horse were the finest achievements in 1998 ; good signals that reveal the awakening of new proposals and ideas for the american cinema.
A winner movie! ... Read more