Reviews (114)

A League Of Their Own (1992)
What an amazing movie! This has to be my favorite Madonna movie, other than Body Of Evidence. It features an all star cast: Tom Hanks, Geena Davis, Madonna, Lori Petty, Rosie O'Donnell, Jon Lovitz, Garry Marshall, and Bill Pullman.

Geena Davis stars as Dottie Hinson and Lori Petty stars as Kit Keller, two adult sisters who play baseball on a minor team in Oregon of 1943. Dottie is a married woman, whose husband, Bob Hinson (played by Bill Pullman) is overseas fighting in the war that was going on at the time. Dottie is an excellent ball player. Kit is a bitter person who is always being treated like crap. After a game, the two are in their barn milking cows, where a scout by the name of Ernie Capadino (played by Jon Lovitz) walks in and offers them a to try out for the All American Girls Professional Baseball League (A.A.G.P.B.L.). Dottie wants nothing to do with it, but Kit knows that this could be big chance for the both of them, so Kit talks Dottie into going. While on the way to Chicago for the try outs, they pick up Marla Hooch, who is an excellent batter. The three finally make it to Chicago. While getting ready to try out, they meet gal pals Doris Murphy (played by Rosie O'Donnell) and Mae Mordabito (played by Madonna). They all are chose to a team: The Rockford Peaches.

Tom Hanks is in the role of Jimmy Dugan, who is a washed up ball player, who is called by Walter Harvey (played by Garry Marshall) to coach the Rockford Peaches.

The Peaches become a smash, winning every game there ever is, all because of their most popular play, Dottie. Kit is angered at this and is traded to another team: The Racine Belles.

The Peaches finally make to the last game of the season. Their opponents: The Racine Belles. Dottie and Kit are up against each other for one final time. Who will win the championship? The Peaches? Or The Belles? Watch this amazing movie, based on the actual events of the A.A.G.P.B.L. This is a movie that is guaranteed to make you watch it over and over again.

My Absolute Favorite
This has alway been my all time favorite movie! I remember my mom and I were in Blockbuster Video store when I was nine, and she and I couldn't find anything. Then, she saw "A League of Their Own," she told me that I would love this movie. And boy was she right. I have seen this movie over 50 times, I know the entire dialogue, the songs, every moment, I can rehash line for line right now if I wanted to. I think this movie had the most well-rounded cast in over a decade. Geena Davis was amazing as Dottie Henson; a person who loved the game very much, although she tried to pull off that she didn't. Lorri Petty's best role to date, as Kit Keller, Dottie's younger sister, whom is always stuck in Dottie's shadow. The chemistry between Petty and Davis is amazing, they work so well together, they were extremely believable. Tom Hanks was fantastic as the alcoholic, ex-baseball star Jimmy Dugan, which of course, his classic urinating seen is a total laugh. Madonna and Rosie had made the laughs of the film, they were wise cracking and hilarious.

I can go on and on about this film, and the problem is, I can't quite articulate how much I love this film, and why I love it so much. I've cried many times, especially the scene with Betty "Spighetti" and at the end of the World Series. I love this film, Penny Marshall is a Goddess. She chose the perfect actors, and the perfect score, especially Madonna's "Playground" which still makes me cry at the ending sequences. This movie observes a part of history that is ignored. Many to this day, have no idea about the professional baseball league, grant it, this movie "idealized" what really happened, but it made you proud. I think this is still a must-see of a movie, it is still my all-time favorite movie, and it has been for 11 years.

Brilliant film!!
This is one of my favourite films, it made me want to watch it again and again. With an all star cast including Geena Davis, Lotti perri and Tom Hanks, who give brilliant and funny performances. This film is funny,tear jerking and an all round good film. The storyline is brilliant and what more can i say....its definately worth buying!

Good movie but......
Who in the world in Tom Hanks supposed to be. I know he wasnt a real baseball player b/c he said he hit 487 homeruns for Mr Harvys ball team, i have never heard of the guy. Was his name chaged or something? Oh yeah and Harvy Field????? Can u say Wrigley Field. But besides the little things that only people who love baseball would find it is over all a good movie.

I think this is a great movie!
Well I'm biased because my cusin is in this movie. He dances with madonna in the bar sceen.. But I still think that it's a good movie. ... Read more

Amazon.com

Sophomore jinx hit hard in this second film by Kevin Smith, whose debut Clerks transcended the limits of its setting and budget to become something memorably funny. (Smith followed Mallrats with the wonderful Chasing Amy, so Mallrats definitely had the old curse.) A ramshackle comedy set in a mall, the film follows several story lines involving lovers, enemies, friends, goofballs, and Smith's own "silent" character, who also appeared in Clerks and Chasing Amy. A heavy self-consciousness weighs on everything, as if Smith forgot how to make obscenity funny instead of tedious. Still, it's nice to see some of the director's film family on screen, among them Jason Lee and Joey Lauren Adams. --Tom Keogh ... Read more

Reviews (304)

Mallrats
This was Kevin Smith's funniest movie! Who ever thought that hanging out at the mall would be funny? Well somehow, Smith did it and he did it very well in this non stop rib breaking comedy.

MALLRATS is about 2 guys T.S. (Jeremy London) and Brodie (Jason Lee). After breaking up with his girlfriend because she agreed to go on her father's copycat version of the Dating Game, he goes over to his friend Brodie's house and finds out that his girl, Renee (Shannon Dougherty) broke up with him as well. Brodie, wanting to make his friend feel better, takes him to the mall. It's a non stop laugh riot from sailboats to stage trashing to the backseat of Volkswagon, MALLRATS will keep you laughing from beginning to end.

This was Jason Lee's first movie and he really made it count. Lee is hilarious in this movie and he steals every scene that he's in. Plus who could forget the comedy due of Jay and Silent Bob? Of course you can't because they're in this one as well. Plus this movie is just wrong. There are some really scandalous scenes (Ms Ivana's fortune telling and the game show). And a very special cameo by Stan Lee, creator of Marvel Comics, doesn't hurt.

There is a lot of swearing, some nudity and some drug references but other than that, all good here. You'll definitely want to add this to your collection. Plus I had to give it 5 stars because this movie was filmed in MN and the "Minneso-TAH accent" (like in FARGO and DROP DEAD GORGEOUS) was not used!! That alone scores serious points. In any case, enjoy MALLRATS and don't forget to pick up Smith's other great titles like CLERKS, CHASING AMY, DOGMA and JAY AND SILENT BOB STRIKE BACK

SILENT BOB IS BACK ON THE ESCALATOR
Mallrats did horribly at the box office. This fact is undisputable. However this movie has heart. It gets funnier the more you watch it. However if you don't like comics, sci fi movie references and dialogue about anything and everything this movie is not for you. The DVD collectors edition is a gem. There is over an hour of deleted scenes. In fact a whole subplot that got cut because it din't quite work. Commentary throughout the movie with Kevin Smith, Jason Mewes(Jay), Ben Affleck(Shannon) and Jason Lee(Brodie). Well worth it to hear them banter between themselves. You can tell they had a great time makin this movie. It shows in the film as well. This is definately a four star movie and with all the extras it goes straight to five stars. Hey at least Mallrats will make money on video since it bombed at theatres. Snoochie Boochies.

Halarious
I don't care who says this movie bad. I don't care how many peopel think it sucks. I think it's awesome. By far the best Jay and Silent movie. I like it cause it's funny and there isn't too much swearing or annoying stuff. Jay and Silent Bob Strikes Back is funny to but annoying cause Jay is the main character and as a result of that. There is way too much swearing. I like Jay and Bob but they make more better back up characters. Jason Less is great. Yeah some parts of this are dumb but I love it cause it's filmed in my home state. Minnesota. The land of the hot blondes. Anybody who is from Minnesota know what I"m talking about. If you want a funny movie that is original and has a good story. Buy this movie.

Fun Fun Fun
Title: Mallrats

Cast: Shannen Doherty ... Rene Mosier
Jeremy London ... T.S. Quint
Jason Lee ... Brodie Bruce
Claire Forlani ... Brandi Svenning
Ben Affleck ... Shannon Hamilton
Joey Lauren Adams ... Gwen Turner
Renée Humphrey ... Tricia Jones
Jason Mewes ... Jay
Ethan Suplee ... Willam Black
Stan Lee ... Himself
Kevin Smith ... Silent Bob

Director: Kevin Smith

Tagline: "They're not there to shop. They're not there to work. They're just there."

Plot Summary: Two best friends whose girlfriends dump them on the same day seek solace in wandering around the local mall. Once there, wild and whacky events ensue that give them a chance to set things right with their girlfriends before it's too late.

Review and Comments: Words cannot describe what happens in this movie, it's one of those "you had to be there" kind of things...that's why the plot summary won't do the story justice. And once you see it, you either buy into it and like what you see, or you're violently annoyed by the proceedings. I can fully understand both reactions, but I'm firmly on the side of enjoying this movie. Yes, it's absurd. A lot of the comedy is slapstick. Yes, it involves a slacker college-age guy taking his less-of-a-slacker college student friend to wander around the mall the day they both experience breakups. Yes, they get into a bunch of weird and quirky situations that are either funny or annoying, depending on your sense of humor. I laughed a lot.

The relationships are about as one-dimensional as you can get. I think there's too much weird humor going on here for me to get too involved with the characters. But I appreciate how much these guys love their girlfriends. I appreciate that Brodie (Jason Lee) can't admit how much he loves his ex girlfriend, even though everyone can see it. I appreciate that Brandi (Claire Forlani) can't admit how much she loves T.S. (Jeremy London) because she's too busy trying to be mad at him and justify her breakup to herself. It's sweet to watch at times, but not much more than that. If you want depth, look elsewhere.

The comedy is what saves this movie, which is why you have to find it funny, or the movie will just annoy the hell out of you. There are several gross-out jokes, including one that made me want to puke. The elevator sex scene and ensuing discussion between the characters was hilarious. There's a running joke about a game show that's filming on a stage in the mall that night, and how Jay and Silent Bob keep attempting to sabotage it. There are about a million more, but I won't spoil them. Suffice it to say that slapstick comedy pervades this movie, and if you don't like that, you won't enjoy the movie. The ending is corny and sweet, and the proceedings are largely painless. It's not my favorite Smith film, but it's nowhere near as bad as critics made it out to be.

The Bottom Line: Perfectly fitting my weird sense of humor.

Smith is bad for comics and film.....
In 1998, when Smith's DAREDEVIL run began, everyone was saying, read it, It's great. Oh boy was it not. Very bad writing that basically destroyed the charecter, The same's true with this piece of celliod garbage. There is no one to like in this movie, heck an episode of Beveryly Hills 902010 has more plot, better dialoge, and casting then this. It should become a tradition to avoid all Kevin Smith movies as you would avoid a trip to the IRS office. ... Read more

Reviews (75)

DESERVES A TEN!!!
My appreciation for this movie has sky-rocketed this last week. I recently watched the new Sabrina with Harrison Ford... it didn't even compare! This version is much much better! I've read the review for this movie... some think Bogart was too old for this movie or that the interplay between Hepburn and Bogart wasn't good. I definitely disagree! The chemistry between Audrey and Bogart is fantastic... the screen just sparks with it! I'm not sure of the behind the screens of this movie... some say that Bogart and Hepburn didn't work well together... all I know is that is produces something between them that is incomparable! Only couples like Cary Grant & Katharine Hepburn, Lauren Bacall & Bogart can produce this much chemistry on the screen!

I love the story of Sabrina...
Sabrina (Audrey Hepburn) is the plain looking daughter of a chauffer. She falls in love with the playboy son, David (William Holden), of the wealthy people her father serves. David doesn't notice her... Her father sends her off to a cooking school in Paris and there she becomes transformed into a dazzlingly gorgeous young lady. She comes home stunningly beautiful and catches the eye of the playboy son, David. Linus (Bogart) has worked out a merger with this company and rich family who owns sugarcane plantations. Part of the deal is that David is marrying their daughter. So Linus has to draw Sabrina away from David, because he's already engaged... and Sabrina falls in love with Linus... I won't give the end away... I'll just say it's worth the watch... It leaves you satisfied. Sometimes you watch a movie and at the end you are like... "So?" ... It didn't end well... Well this is not one of those movies! I love this movie to death! The best Actors, music, and chemistry! A definite watch!

Isn't It Romantic?
Audrey Hepburn simply sparkles as Sabrina Fairchild, the chauffeur's daughter in this enchanting romance classic. Bogart plays the eldest of two brothers (the other played by William Holden), a bookish industrialist who starts off competing for Sabrina's affections but winds up falling in love with her instead. Hepburn is magical as the lead, glittering like an angel atop a Christmas tree. Holden cuts a romantic, charismatic swath and figure as the devil-may-care playboy working himself up to marriage number three. Based on the play, Sabrina Fair, Billy Wilder directs with sardonic wit, charm and the ease of a true master of the cinema. This is a love story that remains timeless. Paramount hasn't restored the film, though there is nothing terribly wrong with the transfer as is. Fine details occasionally shimmer and once in a long while a scratch or chip in the camera negative can be detected by the naked eye. Over all though, this is a great looking DVD. Also included, a featurette that glosses over the making of the movie. Bottom line: Hepburn, Holden and Bogart prove themselves as not only stars, but American pop icons. Isn't it romantic? - Definitely!

Audrey's second film is my favourite
It almost begins like a fairy tale, how once upon a time, on the north shore of Long Island, some 30 miles from New York, there lived a small girl on a large estate. So goes the opening narration by Audrey Hepburn, which sets the story in motion and introduces the Larrabee estate and family, also goes on to describe an English chauffeur named Fairchild and his daughter, Sabrina, played of course by Hepburn, in this romantic comedy based on Samuel Taylor's play Sabrina Fair.

Sabrina's sent to a cooking school in Paris, which not only prepares her for a vocation, but to help her get over her crush over David Larrabee (William Holden), the dashing playboy who spent short periods at many colleges and even shorter periods with his three wives (consecutive, of course). Ironic, considering that Holden had a crush on Hepburn, which led to a brief affair, and for him, a torch he carried through the rest of his life. The advice she gets is "don't reach for the moon." The thing is, she's the last of the romantics, "l'amour toujours" as described by Linus Larrabee, the business brains behind the multimillion Larrabee holdings, which include land and water, copper, construction, and now, a new kind of plastic that's resilient and tastes sweet(!!)

After two years in Paris, she is a vision of beauty, chic, with a new haircut, and transformed, yet still the romantic, as she vows to be in the world and of the world, and "never ever run away from life, or from love either."

Linus plans to marry David off to Elizabeth Tyson, whose father owns the second largest sugar cane in Puerto Rico, the ceremonial part of a $20 million merger with Tyson. This is put in jeopardy with Sabrina's return, and David, who previously ignored her, is bedazzled. Yet Sabrina, who's reluctantly wooed by Linus to salvage the deal, finds out there's more to him than just the "cold businessman...with ice in his veins, ticker tape coming from his heart." She finds out he's nice and quite human.

"Remember, it's the 20th century" is a reminder that the Victorian days of knowing one's place is gone. Fairchild sees life as a limousine: "there's a front seat, there's a back seat, and a window inbetween." He later says "Nobody poor was called democratic for marrying someone rich." Mother and Father Larrabee believe that, as they are scandalized at David's affections towards Sabrina, and see her in terms of class status.

Other great scenes include the cooking school, but the party scene when Sabrina appears in her bare-shouldered white dress and becomes the belle of the ball dancing with David, shows her at her most radiant and resplendent.

Humphrey Bogart is great as Linus, scheduled, sensible, loyal, observant, honest, and yet with a softer side. John Williams is perfect as Tom Fairchild. And Jenny the maid is played by Nancy Kulp, best known as Ms. Hathaway in the Beverly Hillbillies TV series. But Francis X. Bushman as old Mr. Larrabee has some funny moments with a penchant for martinis and cigars (whenever his wife's not around). Hepburn would be reunited with director Billy Wilder in Love In The Afternoon.

However, Sabrina also sees birth of a long-time association between Audrey and a certain Hubert de Givenchy, who did her costumes for many of her films. No Oscar for Hepburn, though she was nominated, but this film got me on my Hepburn kick back in the 90's, and is especially wonderful for those living "la vie en rose" as Sabrina does. To conclude, forget the 1995 remake--watch the original instead.

Sabrina
Personally, I found this movie to be very boring and trite. In fact, I fell asleep through it twice. I am a big Audrey Hepburn fan, so I was very disapointed when I watched this and found it so incredibly dull. I did though very much enjoy the remake and have seen that several times.

A Wonderful Movie but I also like The Remake!
I saw Sabrina on TCM and I liked it and I think it's a wonderful movie and I think Audrey Hepburn, Humphrey Bogart and William Holden were terrific and I recommend this movie and I'm planning on buying the DVD! I will probably get slammed for saying this but I also liked the remake that starred Julia Ormond, Harrison Ford and Greg Kinnear and I plan on buying that movie on DVD too! They are both charming, delightful movies that can be enjoyed on their ownrights and though I have seen remakes that were horrible the remake of this movie was fine but I suspose that since I saw the remake first that I was able to enjoy it because I wasn't comparing it to the original! ... Read more

Amazon.com essential video

Sydney Pollack's 1985 multiple-Oscar winner is a sumptuous and emotionally satisfying film about the life of Danish writer Karen Blixen (Meryl Streep), better known as Isak Dinesen, who travels to Kenya to be with her German husband (Klaus Maria Brandauer) but falls for an English adventurer (Robert Redford). The film is slow in developing the relationship, but it is rich in beautiful images of Africa and in the romantic tone surrounding Blixen's gradual discovery of her life and voice. One downside: while we may all love Redford, he is as convincingly British as Kevin Costner is in Robin Hood: Prince of Thieves. --Tom Keogh ... Read more

Reviews (74)

Beyond this place there be dragons
"Out of Africa" stands out as one of the most spectacular movies ever made. At the 1985 Academy Awards this movie won seven Oscars including Best Director, Best Cinematography and Best Picture. It deserved all seven!

It is filled with romance, scenery, real-life struggles and the inevitability of fate. It is a journey into Africa and into love. The escape is in the hand of fate. This movie presents Africa as a paradise. The natural environment is harsh, yet unspoiled in this movie.

This is based on the true story of Danish writer Isak Dinesen/Karen Blixen (Meryl Streep) who left Denmark to marry German Klaus Maria Brandauer/Baron Bror Blixen (Klaus Maria Brandauer) and start a dairy in Kenya.

Some women do enjoy the security of a man looking after them, however Karen is different. She seems to desire companionship and offers her fortune in exchange for marriage. Her husband changes his mind about the dairy and instead they use her money on a risky venture to grow coffee. This is not a marriage based on an intense romance, in fact, Karen is marrying her lover's brother.

Soon after they arrive in Africa, it becomes apparent this is not a satisfying marriage for Karen. Not only is her husband unfaithful to her, he gives her syphilis. Disease is not the only threat, she also has to fight floods and fire. There are lions which apparently try to attack Karen and Denys although I thought that was pretty unlikely in the situation.

I didn't like the "hunter" aspects or when the two lions are killed, but if you watch at the end, I think even the lions forgive the hunter. When I've seen lions during the day they were normally napping in the shade. Apparently they had trouble getting the lions to act aggressive and there is information on the DVD explaining these details.

Karen finds acceptance in big game hunter Denys Finch Hatton (Robert Redford) who loves her ability to tell stories. He starts the stories and she completes them. I think he is impressed by her confidence and creativity. He sees who she really is. Her husband is obviously blind to this beautiful goddess he has taken to Africa.

She in turn is delighted by this interest and slowly allows him into her world. While Denys and Karen are a perfect match and as close to soul mates as possible, Denys is unsure of commitment and explains how a piece of paper won't make him love her more. Meryl Streep and Robert Redford have chemistry, chemistry and more chemistry in this movie! They mostly share a few kisses, yet their relationship is on such a deep level, I think it could survive if they just told each other stories.

What Karen seems to truly desire is a man who will sacrifice to be with her. She wants to be of value. Denys tells Karen she has confused "want" and "need." This is an excellent portrayal of the gender differences. Man wants to be free to come and go and woman wants security, love and commitment. She wants to be treated with respect.

Denys "wants" Karen and Karen seems to "need" Denys. The question is not whether he will realize this in time before he loses her, but whether or not fate will turn their lives into a tragedy or allow them to form a true relationship. As Karen says:

"When the gods want to punish you, they answer your prayers."

Karen seems the surrender to her fate and is able to experience a brief moment of ecstasy in her life even though she is wounded from the experience.

When you view this movie, there are various elements which hint at the ending, yet I didn't recognize them until viewing this the second time. This is a movie I watch every few years because I too once lived on a farm in Africa. It was not quite this romantic because I was still a child. This movie makes me terribly homesick because once we left Africa, we never went back. Africa seems a moment in time, maybe everyone should live there once. When I watch this movie I need a big box of tissues!

The best moment in the movie is when Farah asks Karen to build a very big fire so he will know where to find her. It is a moment so beautiful and poetic, I've not seen anything like it in any other movie. I appreciated this movie more now that I'm in my 30s and married than before when I was single and had just returned from Africa myself. This movie is contemplative and deals with complex issues.

Spectacular Scenery and Emotionally Satisfying.

One Of The Best Romantic Movies Ever Made!
This is undoubtedly one of the finest movies made over the last twenty years or so. Both Meryl Streep and Robert Redford are absolutely terrific in playing star-crossed lovers who are also intellectual soul mates in what has to be one of the greatest and yet saddest of all movie love affairs. This is a dramatization culled from the memoirs written by Isak Dinesen about her fateful decision to leave her comfortable but boring life in Scandinavia behind in favor of a much more dangerous and adventurous try at a new life as a married woman in Africa. Blowing her inheritance trying to support her philandering new husband's ill-advised business ventures, she falls in love with the land, the people, and the times. Indeed, out of Africa comes the experience of a young lifetime.

In fact, the topography of Africa provides the perfect background and the most splendid of opportunities for her to live her life on her own terms, out of the long and suffocating shadow of family and social convention. And the journey taken by Karen Blixen is a long, joyous, and eventful one, a trip that literally takes her breath away with its rich, varied, and enriching experiences. Yet all this adventure has its cost in pain and suffering, and her growth into a woman of substance who eventually finds her way into a dreamy intellectual played so well by Redford also fates her to become a woman bereft of that that means most to her; her lover, her farm, and her place in Africa itself.

This is a lovely film, one that capitalizes by using the dramatic and primitive backdrop of wild Africa in painting a period piece that is unparalleled in its graphic portrayal of life on the very edges of civilization in an epochal time of Africa's evolution to modernity. The cinematography alone is worth the price of the DVD, for anyone who loves nature will recognize Redford's steady hand in influencing the way the fragile yet exquisite sub-Saharan environment is depicted. I have seen the movie a number of times, and each time come away with a renewed sense of how fragile and wondrous the ecology of this part of Africa is. This is a wonderful movie I can heartily recommend. Enjoy

Avoid unless you thirst for empty drivel.
This is the worst film ever to win the best picture Oscar.
All the beautiful cinematography is wasted on a trite plot and tepid performances. When you start to probe further into the rationale of the characters and look for any real themes, the search turns up dust. Out of Africa is as empty as a blind man's sockets. It seems to have something there, but it lies.

To see the same type of film, but with real characters, interesting thematic elements and powerful direction, watch The English Patient.

God, I want my 3 hours back! AHHHHHHH! Die Stupid Movie!!!!!

Out of Africa - Film review
If you're a Sydney Pollack fan you'll sure enjoy this film. Out of Africa, besides the excellent performances of Meryl Streep and Robert Redford, will certainly get your attention with the astonishing landscapes of Africa.
The story is about the life of Karen Blixen, who gets married for convenience and moves to Africa where she starts running a plantation. Things start to go wrong when her husband starts being absent often and cheating on her. Karen, eventually, falls for a hunter, Dennis, but she demands more of the relationship than he is ready to offer. For Dennis his freedom is essential and in the end you're faced with the unexpected.
You can also count on an extraordinary soundtrack and photography, so it is a film that is really worth seeing!

Somewhat overrated star vehicle --- I just don't get it
I assumed that any film that rampaged through the Oscars the way this one did would be rewarding on so many levels. I must be missing something. What I saw was a beautifully filmed but rather ponderous vehicle to two mega-stars who circle around each other like glittering birds that do not want to muss their magnificent plumages. Emotionally, I have rarely found a "romantic" film to be so totally bereft of passion or emotion.

I feel this is largely due to Robert Redford playing Robert Redford pretending to be Finch-Hatton. He just seems to so totally out of place in this film, and I really could care less about his accent. He just never seems to be anything other than Robert Redford. In any case, his character, supposedly a free thinker who is more in touch with the Higher Truths that Nature offers, comes off as as a self-absorbed character who never met an emotion he couldn't throw a wall around. The relationship between Finch-Hatton & Blixen comes off as being so frigid & lifeless that I simply could not relate to it on any level.

Meanwhile, the film lumbers along through the Great War (with the producers assuming that viewers are all well acquainted with WWI in East Africa), treating us to great scenic shots. Yes indeed, the cinematography is great in this film. All the Brits saddle up, presumably to do battle with von Lettow-Vorbeck, and off they go. Then they saddle up, and off they go to someplace else. They spend a great deal of time going off to some distant spot or another. Eventually some people die, as they are wont to do, and then some more people die. One of them ends up being Robert Redford, which proves most inconvenient for the story line, and so the movie lumbers towards its end shortly thereafter.

This is not a terrible film by any means. I find the performance of Michael Kitchen (a fine actor who deserves more notice) as Berkeley Cole to be most noteworthy. Also, the cinematography is quite breath-taking and goes a long ways towards redeeming the movie as a whole. I also derived great amusement (not intended by the producers) of watching the not exactly diminutive Michael Gough play the (in real life) itty-bitty Hugh Cholmondeley, Lord Delamere. I laughed every time Delamere was in a scene.

Is it a good film? I suppose so. Is it a great film? I don't see how one can really say that. Is it the most overrated film to win a slew of Oscars? Hardly --- let's not forget "Titanic" and "Around the World in 80 Days," just to name a few. It is an OK film. I guess I was just disappointed because I went into it with higher expectations. ... Read more

Amazon.com essential video

Mel Brooks's 1981, three-part comedy--set in the Stone Age, the Roman Empire, and the French Revolution--is pure guilty pleasure. Narrated by Orson Welles and featuring a lot of famous faces in guest appearances (beyond the official cast), the film opens well with Sid Caesar playing a caveman, then moves along to the unlikely but somehow hilarious juxtaposition of Caesar's soldiers (the other Caesar, not Sid) with pot humor, and ends on a dumb-funny note in the French bloodbath. This is a take-it-or-leave-it movie, and it works best if you're in a take-it-or-leave-it mood. --Tom Keogh ... Read more

Reviews (85)

It's Good to Be Mel Brooks
When this film first appeared more than 20 years ago, it temporarily threatened to replace world history courses in schools, colleges, and universities. Of course, that didn't happen. Probably just as well, given the fact that screenwriter, producer, and director Mel Brooks never wrote, produced, and directed Part II and its eagerly-awaited portrayals of "Jews in Space" and "Hitler on Ice." There are historians' homes in which Brooks is still not welcome. In any event, what we have in Part I is a combination of five extended sketches: The Dawn of Man, The Stone Age, The Spanish Inquisition, The Bible, and The Future. Inevitably there are some gaps.

Brooks appears in several different roles while (in fact) portraying himself: Moses, Comicus, Torquemada, and King Lou. Other members of the Brooks Ensemble Company include Madeline Kahn (Empress Nympho), Cloris Leachman (Madame de Farge), Harvey Korman (Count de Monet), Ron Carey (Swiftus), Andreas Voutsinas (Béarnaise), and Shecky Green (Marcus Vindictus). Brooks has assembled a cast of thousands. The production values are remarkably good. However, as in other Brooks films such as Blazing Saddles and High Anxiety, the quality of the humor varies from Brilliant & Inspired (e.g. King Lou professing love of "the little people" while shooting at airborn peasants who have been launched as targets: "Pull!") to Oh No (e.g. Moses reducing the number of Commandments to Ten by dropping/breaking one of three tablets while descending Mount Sinai, and, Jesus becoming confused by use of his name as an expletive). Brooks is an incurable gagster and punster. More often than not, the humor in this film works. But when it doesn't....

Several clever touches. For example, beginning the film with a parody of 2001: A Space Odyssey, with Orson Welles providing the voice-over. Also, it is fun to play the equivalent of "Where's Waldo" by trying to spot familiar actors in supporting roles such as Bea Arthur (Clerk), Charlie Callas (Soothsayer), Jack Carter (Rat Vendor), Sid Caesar (Chief Caveman), John Gavin (Marche), Ronny Graham (Oedipus), Nigel Hawthorne (Official), John Hillerman (Rich Man), Hugh Hefner (Entrepreneur), Barry Levinson (Column Salesman), Spike Milligan (Monsieur Rimbaud), Howard Morris (Court Spokesman), Jan Murray (Nothing Vendor), and Henny Youngman (Chemist). As I said, a cast of thousands...if not more.

Brooks' best films, those most effectively developed, are The Producers and Young Frankenstein, the latter being a remarkably respectful version of several earlier films. All comics are thieves. The best comics steal from the best sources. I thought about that when I saw this film again recently, wondering if Brooks' History of the World -- Part I was in any way influenced by The Story of Mankind (1957), a film based on Henrik Willem Van Loon's bestseller. For purposes of parody, The Story of Mankind would be an excellent target of opportunity. Those among its diverse cast of thousands (if not more) include Charles Coburn (Hippocrates), Ronald Colman (The Spirit of Man), Cedric Hardwicke (High Judge), Dennis Hopper (Napoleon), Hedy Lamarr (Joan of Arc), Peter Lorre (Nero), Virginia Mayo (Cleopatra), Chico Marx (Monk), Harpo Marx (Isaac Newton), Groucho Marx (Peter Minuit), Agnes Moorehead (Elizabeth I), Vincent Price (The Devil), and Cesar Romero (Spanish Envoy). Whenever a list of the Ten Most Pretentious Movies Ever Made is formulated, The Story of Mankind is frequently and deservedly given serious consideration.

Despite its several flaws, The History of the World -- Part I remains a generally entertaining, at times hilarious film. Whenever I see it again, I feel eager anticipation as I await its strongest scenes, willing to endure its weakest meanwhile. To me at least, the previews for Part II (which conclude Part I) suggest why Brooks resembles the Little Girl with The Curl: "When she's good, she's very very good but when she's bad...."

Mel Brooks at his Bawdy Best
Mel Brooks is at the top of his game with this hilarious spoof on world history beginning with the Stone Age and touching on subjects all the way through the French Revolution. While much of the humor is far from sophisticated, it doesn't diminish the fact that the film is just plain funny!

Lots of comedic actors, great and small, make side-splitting appearances in the film, including Sid Ceasar, Harvey Korman, Dom DeLuise, Bea Arthur, Madeline Kahn, Cloris Leachman, Jackie Mason, and Gregory Hines.

The beauty of Brooks' scathing spoofs of historical events and figures is that the humor is timeless, holding up just as well in 2004 as it did when the film was originally released in 1981. If you have never seen or heard of this film, rent or buy it now, as you have missed an iconic movie. I've even heard of European History professors using Brooks' wacky take on the Spanish Inquisition in their history classes.

When it comes to bawdy satire, Mel Brooks found it "good to be the King" in the 1970s and 80s!

written by David Laing, not Julia Laing
One of Mel Brook's finest movies, in this one, he sets out to parody history, from the Stone Age, to the French Revolution. The first time period is the Stone Age, where we see the first homosapien and homosexual marriage, and discover how music was invented. Next, in a very short bit, we see Moses coming down from a mountain with the 15 commandments, until he drops one slab, and it becomes the 10 commandments. The next era is the Roman Empire, where after Philatipis[or something like that] gets a gig to do comedy for Caescar, he offends, the emporer, so him and his new found friend must fight each other to the death, but instead stop fighting and try to escape from Rome. The 4th era is by far the funniest, and the most offensive, The Spanish Inquisition. So in a musical extravaganza, we see how the Catholics tried to convert the Jews to become Catholics, and in the last part, we behold the French Revolution, and one of the greatest lines in this movie. So, see this hilarious movie, but if you are easily offended, then do not see this. The only thing that aggravates me was that Brooks had a part 2 planned out, but it was never released. At the end of the movie, we get a preview of the unreleased History of The World part 2.

History has never been more hilarious.
I wasn't familiar with History of the World until someone recommended that I see it. I knew a little of who Mel Brooks was and had seen Young Frankenstein so I knew this might be good. Now I think it is one of the funniest movies ever, a genius spoof of world history troughout different period of time. You get to see prehistoric man invent art, and along with the first art came the first art critic. We see the real story behind Moses and the Ten Commandments. The best part to me was the part about the Roman times, when Comicus the stand up philosopher is introduced. I was laughing long and hard when Comicus gets a job as waiter at the Last Supper. Also spoofed are the Spanish Inquisition and the French Revolution.

History of the World is a great movie that features a terrific cast including Mel Brooks, Gregory Hines, Madeline Kahn, Harvey Korman and Sid Caesar. There are others, but together they give an entertaining perspective into some of history's most important events. There are also countless quotes from the movie that will stick with you for a long time after you hear them. This is something I recommend seeing, as even after 23 years it still seems as fresh as ever with the humor it provides.

Nobody Expects the (Musical) Spanish Inquisition
Probably the success of MONTY PYTHON'S LIFE OF BRIAN two years earlier was the inspiration for Mel Brooks' HISTORY OF THE WORLD - PART I (A year earlier Python/'Brian' probably also inspired the also lesser ripoff WHOLLY MOSES). One reason are many of the biblical spoofs in this episodic movie. A lot of this is pretty lame especially during the Dom Deluise as Nero sequence that seems to go on forever. The only funny thing to come out of this is the classic line "When you die at the Palace..you really die!". Included is a scene outside of the actual Las Vegas casino Ceasar's Palace with Roman citizens going into it as if it is actually in ancient Rome. The rest of this particular sequence seems to come right out of Richard Lester's/Zero Mostel's A FUNNY THING HAPPENED TO ME ON THE WAY TO THE FORUM only it is not very funny. There are a couple inspired gags (i.e. The Spanish Inquisition- the musical,Moses receiving the 15..er, 10 Commandments, and a tribute to Esther Williams/MGM musical aqua dancing extravaganzas featuring bathing beauty nuns) in the rest of the film, but they are not very memorable. Whereas Monty Python's 'BRIAN' was deemed sacrilegious (at least in 1979) and brilliantly irreverent, 'HISTORY' is just plain dumb. Brooks' seemed to lose his touch starting with this film and would continue with SPACEBALLS,ROBIN HOOD MEN IN TIGHTS and DRACULA DEAD AND LOVING IT etc. Overall, a general waste of celluloid,talent, and time. ... Read more

Amazon.com

Director Blake Edwards, fresh from the success of the first two Pink Panther movies, indulged his love of classic slapstick comedy with this long free-for-all, which throws in everything but Laurel and Hardy's kitchen sink. The film reunites Some Like It Hot stars Tony Curtis and Jack Lemmon, ably aided by a spunky Natalie Wood. The subject is a New-York-to-Paris auto race in the early years of the 20th century, pitting the Great Leslie (Curtis), a goody-goody dressed all in white--even his teeth sparkle--against the malevolent Professor Fate (Lemmon), whose coal-black heart is reflected in his handlebar mustache. He looks like a bill collector from a silent- movie melodrama. Lemmon does double duty, also playing the pampered, drunken king of a small European country, whose laugh sounds like the wail of a cat in heat. The film may be too long for its own good, and you really have to love Jack Lemmon to put up with his over-the-top performance, but it's side-splitting in spots. It's one of those movies, if seen in childhood, that stays in your mind for years afterward. Some of the bigger routines, such as a pie fight of epic proportions, don't work as well as the simple chemistry between the perpetually exasperated Professor Fate and his much-abused assistant, Max (a terrific Peter Falk). Push the button, Max. --Robert Horton ... Read more

Reviews (97)

Nostalgic Comfort Viewing Perfect for a Family Night
THE GREAT RACE may not be a masterpiece--but it is a perfect choice for a cold and rainy night: stylish, frothy, and often flatly hilarious, it makes for "comfort viewing" at its best.

One of the movie's several charms is that it draws heavily from Victorian cliches that still linger in the public mind, gives them a gentle comic spin, and then drops them into the tale of an early 1900s auto race from New York to Paris by way of Siberia. Add to this a heap of favorite character actors, a big budget, flamboyant period costumes, and the biggest pie fight ever filmed, and you have a movie where there is always something to enjoy on the screen.

The great thing about THE GREAT RACE are the performances, which are very broad but endowed with a sly humor. The comedy accolades here go to Jack Lemmon and Peter Falk as the notorious Dr. Fate and his bumbling sidekick Max--wonderful bits of acting that will have you hooting with laughter in every scene--and Dorothy Provine scores memorably in a cameo as Lily Olay, the bombshell singer who presides over the most rootin'-tootin' saloon this side of the Pecos.

But every one, from Tony Curtis and the lovely Natalie Wood down to such cameo performers as Vivian Vance, get in plenty of comic chops as the film drifts from one outrageous episode to another: suffergettes crowding a newspaper, the biggest western brawl imaginable, polar bears, explosions, daredevil antics, and a subplot lifted from THE PRISONER OF ZENDA agreeably crowd in upon each other. True, the film does seem over-long and may drag a bit in spots, but it never drags for very long, and it's all in good fun--and the production values and memorable score easily tide over the bare spots.

The DVD bonuses aren't anything to write home about, and the film has not been restored per se--the color seems a bit faded here and there--but the print is remarkably clean and the widescreen format is an essential. This would be an excellent selection for a family movie night--or for any evening when you're alone and feeling a bit blue. Break out the popcorn, curl up on you sofa, and... as Dr. Fate would say... "Push the button, Max!"

GFT, Amazon Reviewer

Great Race DVD -It's about time!!!
I have been waiting for this movie to come out on DVD. I've even written to Blake Edwards asking, "What is the hold up?"
Get ready, citizens of Boracho! Finally it's coming out!
Every time I saw Jack Lemmon in interviews I was always curious and disappointed that 'The Great Race' was never mentioned among his favorite films. Of course he made many other wonderful classic movies and I enjoyed his performance in all of them...but 'The Great Race' has been my favorite comedy for a long time. I practically can recite it along with the characters. I enjoyed some of the other reviewer's (here) favorite lines from the movie. They are my favorites too.
If you haven't seen this movie or if you haven't seen it in a long time...do yourself a favor and grab it. The laughs never stop. The casting is perfect...Tony Curtis with Keenan Wynn as his sidekick...Jack Lemmon with Peter Falk as his...Natalie Wood...Ross Martin...Vivian Vance...Larry Storch ("Now will you give me some fightin' room?!")...and many others. It doesn't get any better or funnier than this.
Hurray for the DVD. Believe me, you'll enjoy it.

A Big Ole Moose Butt
A classically structured old time villian vs the good guy film, with the obligatory sidekicks and the beautiful love interest, who will eventually succumb to the charms of The hero. More about that later. OK, the stereotypes are there, but that's what the movie was about. Charging from the gate with the player piano, boos and hiss when the cast boards are shown, the movie brings the viewer up to speed very fast with humor and great slapstick. Following a PR auto race in the early days of the 20th century, the film follows the main characters through the landscape of the US and Europe. Sight gags abound and the scenery is often breathtaking. The plot is easy to floow and it's good fun. For the movie fan who doesn't want to disect a movies' every nuance, this is especially fun and worth seeing time and again. The characters will keep you laughing long after the soundtrack has ended,. I would comment more on the plot, but nearly 100 people already handled that - look, just take a chance on it. It's great fun.

A lot of fun, but not what it should have been.
Epics were in vogue in the Sixties, and even the early Seventies(although I can't really see a hippie watching any of them), and it was only natural that comedies would get the "big" bug. IT'S A MAD, MAD, MAD, MAD WORLD and THE HALLELUJAH TRAIL make up two of the big three. The other is THE GREAT RACE, Blake Edward's 159 minute slapstick excursion, restored on DVD in complete roadshow fashion, with overture, intermission, entr'acte, and exit music. And yet, for a film of this type, it is less about the race than about the rivalry between Professor Fate (Jack Lemmon) and the Great Leslie (Tony Curtis). There is precious little racing, and though the film is far from boring and has much going for it (the finale to Part One is brilliant) one can't help but wonder what it would have been like if the other entries in the race regrouped after being snuffed out and made their mad dashes for the forefront. That would make it THE GREAT RACE. Also, the lack of other challenge leaves a depressing side effect; the film seems mildly unfinished and undernourished, like 2 hours and 40 minutes of a 3 plus hour movie. And yet, the film has so much going for it that to ignore it is rather unfair. What there is (I should note that due to the previously noted flaws, the chapters on the disc make it a more pleasing experience) is very well made, and one can appreciate what they put into it.

If only they put more.

Jamie Teller

DVD version is fullscreen not widescreen
The movie is spectacular. This DVD version is a bomb. Shame on Warner Brothers for their greediness and lack of effort to bring widescreen versions to the masses including updated soundtracks and clean film reels! ... Read more

Reviews (108)

Grant, 2 Old Ladies & Elderberry wine=hilarity now on DVD!!
Frank Capra delivers a great film adaptation of Joseph Kesselring's Broadway hit, "Arsenic and Old Lace". Originally filmed in 1941 just prior to WWII, but not released until 1944 because of the contract agreement to allow the play to complete its Broadway run. (The play ran for 1,444 performances.)

Cary Grant in the leading role as nephew, Mortimer Brewster is at his comedic best in this black comedy of wine, family & insanity. His 2 fabulous Aunts played by Josephine Hull & Jean Adair were encored to the screen and are perfect in their roles. Boris Karloff's obligations prevented him from doing the movie and was replaced by Raymond Massey in the movie version as Grant madcap brother. The great ensemble cast also included Peter Lorre, Edward Everett Horton, Priscilla Lane & John Alexander as a delightful zany crazy, thinking he is President "Teddy Roosevelt".

Summary: It is Halloween, Mortimers wedding day & his life is about to change forever. Visiting his 2 Aunts (Hull & Adair) with his wife (Lane - Ministers daughter!) on their way to their honeymoon to Niagara Falls discovers a body in the window seat. Thinking his crazy cousin, (Alexander) has committed the crime approaches his Aunts. They not only know about the body, but they know who he was & how he died. Their elderberry wine laced with a mixture of arsenic. Oh by the way, he is the 12th to be buried in the cellar. What is Mortimer to do & is his entire family insane? We began a very entertaining & hilarious journey to answering these & many more questions.

This DVD is an excellent Black & White Full Screen (before WideScreen) transfer. Extras include Production notes.

"Arsenic and Old Lace" film adaptation is very close to the actual Broadway play & is a great classic to have in your DVD library. Enjoy.

Arsenic & Old Lace
Plot: Mortimer, a drama critic, has just got married and is about to go on his honeymoon when he discovers insanity runs in his family. His sweet maiden aunts poison lonely old men and have a number of corpses buried in the cellar.....

A film adaptation of the popular stage play, Arsenic and Old Lace is a hilarious movie perfect for people of all ages. The story of Mortimer Brewster (Cary Grant), the youngest of three brothers who were raised by two dear, but eccentric, spinster aunts, who have a nasty little habit of "putting poor souls" out of their misery with a little arsenic-laced elderberry wine.

It is delightful to watch Mortimer go from a nice, normal, newlywed to a nervous, neurotic mess as he tries to figure a way out of the predicament his well-meaning aunts have placed them all in. Throw in one brother who thinks he's Teddy Roosevelt, another who is a psychopathic killer fashioned after Boris Karloff, and Peter Lorre as Dr. Einstein, a slightly intoxicated make-shift plastic surgeon, and you'll be laughing the entire way through.

All of the performances were wonderful, but Cary Grant's facial expressions, double takes, and hilarious body language are a joy to watch. A truly classic, funny movie.

"No, I'm not drunk, madame.......but you've given me an idea!" - Mortimer, seething in frustration as he tries to get past the operator, so that he can get his family committed into the HappyDale Sanitarium.

"Insanity runs in my family. It practically gallops!" - Mortimer, trying to explain to his new bride why it would be best for her to leave him and never look back.

A fun Halloween story
I have seen this movie dozens of times on TV. The problem is they always cut out a lot of the little nuances that make the movie fun; sometimes it is curtail to the story. Now you can see the whole story in its entirety. Lots of sight gags and relies on many expressions to convey what they are thinking. If this looks like a play, that is because it is a play. It was written by Joseph Kesserling and opened in New York City 10 JAN 41. It ran for 1,444 performances. Boris Karloff was an investor and the star attraction so he could not be released for the movie.

The story takes place all on Halloween night in Brooklyn. Mortimer Brewster (Cary Grant) a critic, that wrote a scathing book about the negatives of marriage, gets married. He soon finds out about his families past and where the bodies are buried. Soon he is to be visited by his estranged or just strange brother (Raymond Massey). Seems that his brother and his brother's friend, Dr. Einstein (Peter Lorre), has some secrets of their own. Keep your eye on the elderberry wine.

Capra's Classic Black Comedy.
"Arsenic and Old Lace", starring Cary Grant and directed by Frank Capra, is taken from the stage comedy of the same name. Although the film was released in 1944, it was actually filmed in 1941, due to the stage show was still going at the time. The film also stars Priscilla Lane, along with Josephine Hull and Jean Adair, reprising their original Broadway roles as the two aunts.

Mortimer and Elaine (Cary Grant and Priscilla Lane) play newlyweds, who are about to go on their honeymoon. Mortimer first arrives back at his aunts' house, who he had grown up living with, where he finds out that the two old ladies have been bringing lonely, elderly men into their house, and killing them by putting poison into wine, and then having them buried down in the cellar. More trouble comes when Mortimer's psychopathic murdering brother, Jonathan (Raymond Massey), and his partner, Dr. Einstein (Peter Lorre) come about to make even more trouble, when they need to get rid of their own murdered victim, having escaped from jail. Jonathan comes back looking like Boris Karloff, after his partner's attempts at trying to remodel his face, as one of his many disguises. Then there's the poor new wife, who is continually being avoided by her new husband, while trying not to let her know what's going on.

The film has one of the funniest scripts, and some of the most amusing, and odd characters one could find. Ranging from the aunts who think they are doing the right thing, to the mentally insane nephew, who believes he's Teddy Roosevelt. The lines in the movie are somewhat unforgettable, and it's a great movie for many repeated viewings. Actually, I find myself liking it the more I watch it.

As for the DVD presentation from Warner Brothers, there is a serious lack of extras. Apart from the odd trailer, which you find on most DVDs, that's basically it. What can be noted though, is the very nice looking, clean print used for this decent transfer. The mono sound is very clear also, which helps when you have a film with so many jokes to be heard, on a very regular basis. So apart from the disappointing extras, this is a recommended buy, which every fan of classic movies should add to their collection.

first cary movie i saw
This is the first cary grant movie i saw. For the first one i saw i think this is a outstanding film. One of the things i thought it would not be was funny. But that changed my views from the beginning.
I can not say much else but a outstanding film. ... Read more

Amazon.com

Bill Murray does warmth in his most consistently effective post-Stripes comedy, a romantic fantasy about a wacky weatherman forced to relive one strange day over and over again, until he gets it right. Snowed in during a road-trip expedition to watch the famous groundhog encounter his shadow, Murray falls into a time warp that is never explained but pays off so richly that it doesn't need to be. The elaborate loop-the-loop plot structure cooked up by screenwriter Danny Rubin is crystal-clear every step of the way, but it's Murray's world-class reactive timing that makes the jokes explode, and we end up looking forward to each new variation. He squeezes all the available juice out of every scene. Without forcing the issue, he makes us understand why this fly-away personality responds so intensely to the radiant sanity of the TV producer played by Andie MacDowell. The blissfully clueless Chris Elliott (Cabin Boy) is Murray's nudnik cameraman. --David Chute ... Read more

Reviews (239)

it's going to last you the rest of your life!
Groundhog Day is the funniest movie of the 90's. Brilliant performance by Bill Murray who plays a cocky weatherman Phil Connors who covers Groundhog day every year in the small town of Punxatawnee that he hates. The day end with him being stuck there because of a blizzard that he didn't predict...and what more, he relives groundhog day over and over again...taking advantage of it, taking his own life, making a move on his producer Andie Macdowell which turns out to be his first lesson in reviewing his inner cruelty and becoming a better person, and a local hero!

This movie is straight out funny...it will make you crack up with every viewing. Watch out for Stephen Tobolowski in his bizarre role as Ned Ryerson, and a cameo appearance by the film's director (and Murray's costar in Ghostbusters) Harold Ramis.

The features are well worth the money too.

A tale of love, hope, and redemption
This is a terrific movie - hilarious, uplifting, and deeply romantic and heartwarming.

Bill Murray and Andie McDowell are perfect in this film, Murray as the cynical, infinitely self-centered TV weather newscaster, and Andie McDowell as his radiant and relentlessly uplifting TV producer and love interest. The plot has been rehashed many times by others, so I won't repeat it again.

The thing that makes this movie so memorable, and makes it stand out from all others is not the comedy, which is enjoyable, but the deeper themes behind it.

What are these themes? In reading the other 226 reviews, people have mentioned everything from Buddhist karma and reincarnation, Nietzsche and existentialism, Kubler Ross, the Seven Sins, and Gurdjieff -Ouspensky and the Fourth Way. Comparisons have been made to themes from the Twilight Zone, and Frank Capra movies like "It's a Wonderful Life".

Yes, I suppose all of these themes are present, and people will interpret this movie in the religious or philosophical context with which they are most familiar. Which is why it's a bit surprising that so far nobody has mentioned the main theme that stood out immediately for me in this movie.

Above all the existentialism and New Age themes that might be found in this movie is a very old fashioned one - at its core, this movie is a moral tale of love, hope, and redemption.

Bill Murray's character is stuck in time, stuck in purgatory, stuck in a perpetual rut of endless reincarnation and immortality, whatever you want to call it. His character, Phil Connors asks, "What would you do if you were stuck in one place and every day was exactly the same, and nothing that you did mattered?"

Connors first uses his recursive immortality to dive even deeper into the Seven Sins, and then sinks into despair, hopelessness, and attempted suicide. But gradually, he awakens to the possibility that his choices of action do matter, and discovers that through caring for the other people in this town, he is able to regain hope in his own life again. It is this genuine turn in becoming a better person that wins the heart of Andie McDowell's character and earns him redemption from this purgatory.

Another reviewer had mentioned a link to the theme of making hard choices in the "Lord of the Rings". Thanks to "Groundhog Day", I came to understand one question from LOTR that had always bothered me - why would any immortal being (i.e., elves like Arwen and Haldir in LOTR) ever give up their immortality? The answer: maybe immortality becomes tiresome and meaningless if one cannot make a difference in this world, maybe leaving immortality to gain the love of another is truly more worthwhile.

There was just one other aspect of this idea that came to mind - what if whoever or whatever had kept Phil Connors stuck in time had continued to keep him there even after his transformation? We like to think that love and hope always leads to redemption. What if it doesn't? That's one real-life possibility which is not explored in this movie, but nevertheless, it is still a terrific movie.

Renaissance Man Extraordinaire - Carpe Diem
There are so many messages behind this great movie with Bill Murray and Andie MacDowell. He is head over heals for MacDowell from the start, but as an arrogant weatherman, he seems to just tick her off from the start as well.

Imagine waking up every morning and it is the same day over and over again? Well, Murray has this happen to him. Every time he does his day becomes one disaster after another until he finally gives in and figures out he can use each day to improve himself and his life a little at a time.

The message here is clear. We all have a life that is made up of the same day everyday, what we choose to do with that day is really up to us. Do we want to improve our lot in life or just go along with being ourselves in a boring unfulfilled endless life that is a cycle of recurring themes?

This movie shows anyone, even though it is a comedy, that each day we have a choice to make the day what it can be. Murray plays Phil Connors, on Ground Hog Day when the ground hog's name is also Phil...go figure. Connors is as arrogant as they come and he just keeps trying so hard to impress people.

He goes from egotisical and self serving to seeing himself to get the girl of his dreams, Rita. It would be nice to know how many days of Ground Hog Days he spent there. You can see him go from this to a renaissance man who really cares about people, loves life and takes each day and uses it to improve himself.

Rita, although the same person and not being influenced or affected by being in Ground Hog day, comes to really like Phil. This movie makes us laugh at ourselves and our humanity. And by the end of the movie, he shows that he can have a positive effect on everyone he comes in contact with.

So when you hear the song, "I've Got You Babe," and the announcers saying, "It's Ground Hog Day....." remember to use the day to its fullest.

Perfect
G.D really is nearly perfect. I never tire of it. At the same time I think most people miss the point. (By the way, I've NOT seen the Special Edition.)

I'm facinated each time watching the totally self centered Bill Murray caught in this marvelous time paradox, living the same day over and over. He goes through differing stages: fear and confusion; euphoria, when he realizes he can do ANYTHING without consequence; despair, when he realizes that life is meaningless if one pursues selfish pleasures without goals; and finally a peaceful self actualization when he dedicates himself toward self improvement and the humanitarian goals his situation gives him the opportunity to pursue.

It gives one pause to consider what each of US would do in a similar circumstance.

Oh, it's really funny, too.

Groundhog Day a classic
In 1993 , director Harold Ramis genius of dark comedies like ''Analyze This'' casted Bill Murray as Phil Connors in this dark but mostly enjoyable movie named GroundHog Day.

Bill Murray plays Phil Connors a weatherman, who covers everything from weather to Ground Day. Phil isn't happy with his life, in fact he realizes that he is repeating the same routine over and over again. From work in the morning,to
talking to the annoying Ned Ryanser( Stephen Tobolowsky), while listening to Sonny and Cher in the morning to covering the stupid GroundHog Day, Phil is repeating the same day over and over again. Of course the irony here as done by the plot, is that he is the only that knows it. It's like an episode the ''Twilight Zone'' (which I reviewed too on other sites). Eventually Phil has a mental breakdown in which he plans to do whatever he wants. He comes completely unglued when realizing how wasted his life had become, and thus wants to change it.

I use the term breakdown because well Phil isn't exactly a nice guy, he's arrogant and obnoxious. We hardly sympathize with this guy, much less that he is miserable.
However, the point the movie makes is the guy realizes he has been wasting his life away and wants to change it, although Phil's change doesn't go ahead smoothly.

He drives reckless around the train tracks, gets arrested, steals a bagfull of money from a couple of dumb cops, charms his way into sleeping with a beautiful young girl and yet finds out that he still isn't happy. Until he puts the moves on Rita (Andy McDowell), his producer. McDowell is the few actresses that I know that has limited acting potential but her beautiful presence can convey some emotions making her sympathetic.

However, in order to get close to Rita, Phil has to get info on her likes and dislikes from her friends. This angle in the movie, really made me a little sick, because even we are suppose to sympathize with Phil, he hasn't really changed all that much. Rita, eventually finds out Phil's motives and slaps him in the face, and telling him to get lost. LOL No surprise there, in fact Rita's action sums up my argument that Phil hasn't really changed all that much despite his aim to not repeat the same day, he is still repeating his same behavioral patterns.

Phil though in order to impress her and to change himself, starts doing bizarre, yet unreal things that get him attention and he does start to become nicer. This is where the movie gets ridiculous, because even though this is a comedy, I found the rest of the movie to be predictable, superficial, yet enjoyable
Phil becomes a gifted ice sculpter (who knows where he learned this) as one scene, where his cutting a sculpture of an ice angel is shown. Then Phil saves a guy from choking to death, a kid from a falling tree and a host of other surprises. LOL

Yes Harold Ramis does go a bit over the top with this Phil guy, obviously a lot of the stuff he pulls of is almost impossible giving Phil's background, but Ramis is again trying to show the point (although laughingly bad) that Phil is changing. He now has a heart and will do anything to be with this nice woman and of course by Phil doing this he has filled that empty void that he had when he was repeating the same unfulling routine of covering that stupid Groundhog Day in Pennsylvania.

Ramis is actually a buddy of Murray going back to the old days of their ''SCTV'' days, and ''Ghostbusters'' days, so these two talented comedian can pull the hijinks in the film with some realism.

Still though Ramis does do a good job of making us think about the movie and Phil itself and gives us that scary thought that we perhaps might end up like Phil, a shriveled, ugly man who has been repeating the same stupid routine yet doesn't have the capacity to see that this misery is at his own doing.

LOL ... Read more

Amazon.com essential video

Tom Hanks was a relatively unknown TV actor with a sitcom as his biggest credit when relatively unknown director Ron Howard (best known for his own sitcom acting) cast him in this surprise hit. It made stars of Hanks, Daryl Hannah, and John Candy and an A-list director out of Howard. Hannah is a mermaid who comes to Manhattan in search of Hanks, the guy she has twice saved from drowning. Hanks runs a business with his lovable blowhard brother (Candy), whose goal in life is to have a letter published in Penthouse. When this perfect woman shows up, Hanks can't believe his luck and plunges into a dizzyingly romantic relationship, unaware of her sea-water secret. But the mermaid needs to soak and unfurl her tail from time to time, which leads to complications, including her capture by the government for scientific study (what else?). Hanks is winningly charming and Hannah is a perfect match in this enjoyably high-spirited comedy, though the biggest laughs belong to Candy. --Marshall Fine ... Read more

Reviews (36)

A movie that made a big splash
"Splash" was a big hit when it first hit the screens back in the 80's and it's still fairly popular today. A man (Tom Hanks) that has been waiting to find the right woman for a long time finally finds her. But there's one problem that he doesn't understand until he really gets to know her, she's a mermaid (Daryl Hannah). How will a man and a mermaid work it out and stay together?

"Splash" is a real entertaining movie and it's not all drama. It tells a story of true love and it does have a lot of drama in it, but it also has a little bit of comedy to it in some parts, and most of that is credit to one of the best comedy actors ever, John Candy, who plays as Tom Hanks's brother. If you like good movies, I definitely recommend getting "Splash." It's bound to make a big splash while you watch it.

One Of My All Time Favourite Comedys!
I will never forget the first time I saw the movie "Splash". It was in California 6 years ago and I watched the tape with my cousin. I thought it was so creative and the acting was so good. It was also a very humorous and did have a few sad parts in it, but all in all, I still liked it and watched it as many times as I could on TV because it was on alot. I then ended up buying my own copy. Ok, enough about me, let me tell you a bit about the storyline

Tom Hanks plays Allen Bauer, a single bachelor who is looking for a love. After a boating accident, he is rescued by a mermaid (Daryl Hannah) and falls in love with her and names her Madison. For he thinks she is a normal, everyday American woman, he has no clue he is dating a mermaid who has 6 days to have legs and not fins!!! Of course this film has lots and lots of surprises, it never tires me out when I watch it!

What a film! No wonder why it is a classic! Rated PG for Language.

SWEET, FUNNY, ROMANTIC, ORIGINAL, WHAT ELSE CAN YOU ASK FOR?
Usually when I hear "an 80's comedy" I really hear "a silly, gross, stupid comedy"...but not this time my friends, because "Splash" is one of the funniest films of the 1980s. You see, it really has it all: funny jokes, tender moments, romance, an intelligent script, and a very charismatic cast.

In "Splash" we can see a very young Tom Hanks (in his comedic period), a promising Darryl Hannah (she didn't quite reach stardom, but in this movie she is great), a hilarious John Candy (in one of his finest and funniest performances), and Eugene Levy, he plays a wacky and clueless scientist.

"Splash" is a movie that effectively combines comedy with romance and fantasy, perhaps the movie succeeded so well because the people involved in the film were youthful and energetic, and they put their hearts in the making of "Splash". This movie is highly recommendable.

Hilarious romantic comedy
I just watched Splash over the weekend on video, for the umpteenth time and I have to say is one of my all time favourite comedies. It still has me laughing out loud and makes me want to weep over the romantic scenes.

A young Tom Hanks plays Allen Bauer, a fruit wholesaler who has just been dumped by his girlfriend. He goes off to Cape Cod one evening after getting drunk and is rescued by a naked beautiful girl (Daryl Hannah) when he falls into the sea. The naked beautiful girl later arrives in New York at the Statue of Liberty in search of Allen whom she also saved from drowning many years ago when they were children. Allen immediately falls for her and spends the happiest days of his life steaming up his appartment and seeing the sights of New York. The only problem is the naked beautiful girl (now named Madison) is in fact a mermaid but Allen doesn't know this.

She has six whole days to stay with Allen and then she must return to the sea. Allen thinks that Madison is an illegal immigrant and offers to marry her so that she can stay with him. She refuses at first and then accepts his offer but before she can tell him her big secret she is exposed to the whole world by a scientist (Eugene Levy) that she is a mermaid. Allen is shocked and backs away from Madison but later realises his mistake and with his brother (John Candy) and the help of Eugene Levy they save her from imprisonment by the scientists.

John Candy who plays Allen's playboy brother is absolutely hilarious. His character is literally larger than life. The comic timing between Tom Hanks and John Candy is spot on. Daryl Hannah is also great as the mermaid who learns to be human in literally a few days. There are some brilliant laugh out loud scenes such as when Daryl Hannah is at Bloomingdales watching television for 6 hours to educate herself in the English language and when she's in a restaurant eating lobster including the shell. There are some great lines aswell such as when Allen mentions about getting married and having children and Madison innocently asks what kind.

Splash is a timeless comedy and is highly recommended to all those who love a bit of romance along with a good laugh.

Lealing

A "Slash" of a Romantic Comedy!
Here's a true piece of Hollywood Candy, a sweet as they come! An 8-year old boy falls off of a tour boat at Cape Cod and is saved from drowning by what appears to be a little girl mermaid. The boy never forgets about what happened that day, although everyone insists he was hallucinating.

Years later, now a man (and played by Tom Hanks), another trip to Cape Cod brings a dejavu: Hanks falls off of a tour boat and is rescued by an all grown mermaid (played by Daryl Hannah). Could it be the same mermaid that saved him when he was a boy? -- The mermaid has normal legs when kept dry, but once douced with water, the legs turn into fish finns. Hannah is able to conseal her true identity, until a "bad guy" exposes her. There are complications, but eventually everything comes up roses.

One great scene is where the grown up mermaid spends 6 hours in the electronics department of a store, and learns the English language fluently by watching tv non-stop. Cute! -- This film is very entertaining and helps us feel compassion for anyone who is somehow different from what society considers the norm. The somewhat predictable ending is beautiful! Highly recommended, especially to the hopelessly romantic cinema enthusiasts out there!***** ... Read more

Reviews (14)

Funny, cute, sweet and lightly witty
I had heard and heard about what a great film Something About Mary is, but never saw it. It is now clear to my why all those who praised it never really explained why it was so good. This is a guilty pleasure movie. Cameron Diaz is beautiful and plays her sweet, innocent, charming character flawlessly. The humor is in-your-face funny. Within 10 minutes you will either eject the video or sit back for a fun ride. I especially liked the twist with the heavily accented architecture character.

Bottom-line: This is a light-hearted, funny and fun film. It's not high art, strong social commentary, nor stirring dramatic fare. However, it is often witty, and always cute.

P.S. I also thought the dog scenes were hilarious slap-stick comedy. Maybe he--rather than Cameron--should get Most Valuable Player Award?

OK
The cameo appearance by Brett Farve is the best part of the film. The rest is so low brow...7th grade humor..that it is a bore. Young teens and gawkers will like this. Maybe a sports director I used to work with would like this too. HA.

To adults this is mindless garbage.

Doesn't this airline supply paper bags on its flights?
There should be stars with negative integers situated to the left of the y-axis intersection on the horizontal x-axis number line to rate this film. Watching this movie gave me the same physiological results as a good swig of ipecac. Everything from its lousy script and acting to its tasteless, sordid brand of humor (especially that "have you seen my baseball" ridicule of the mentally-challenged) made me regret even renting the video. To begin with, that offkey troubadour who must have been gonged by Jamie Farr, Jaye P. Morgan, and the Unknown Comic was painful to listen to. Cameron Diaz is currently a box office magnet with her charming looks; but she appears incongruous with her unsuitable role in this flick. Equally wasted is the appearance of Ben Stiller who is bound to find funnier and more suitable roles in his future films. Anyone who thinks any part of this film is funny has to have about enough intelligence to half-fill a shotglass. Now that the global Human Genome Project is completed, the gene responsible for bad taste can be theoretically altered and any future productions of films similar to this one can be obviated.

Looks good, not what i expected. 16th april 2004.
I watched it and it was nothing like what i had got in mind. I never expected it to be like this, it is quite boring to watch. It may look good by the box, its watchable but not brilliant.

Extremely Hilarious!
I saw There's Something About Mary when it first came out in the theaters and I even had the video but I gave the video away because when I get around to it I'm going to buy the widescreen DVD. I liked this movie and didn't have a problem with the low brow humor. Some people get offended by this type of humor but I didn't have a problem with it and I think this movie is hilarious and I think Cameron Diaz and Ben Stiller were both terrific and the supporting actors were pretty good too and I even enjoyed the cameo by Brett Farve from The Green Bay Packers and I highly recommend this movie but only to people who don't have a problem with crude humor. ... Read more

Amazon.com essential video

No film better utilizes Audrey Hepburn's flighty charm and svelte beauty than this romantic adaptation of Truman Capote's novella. Hepburn's urban sophisticate Holly Golightly, an enchanting neurotic living off the gifts of gentlemen, is a bewitching figure in designer dresses and costume jewelry. George Peppard is her upstairs neighbor, a struggling writer and "kept" man financed by a steely older woman (Patricia Neal). His growing friendship with the lonely Holly soon turns to love and threatens the delicate balance of both of their compromised lives. Taking liberties with Capote's bittersweet story, director Blake Edwards and screenwriter George Axelrod turn New York into a city of lovers and create a poignant portrait of Holly, a frustrated romantic with a secret past and a hidden vulnerability. Composer Henry Mancini earned Oscars for the hit song "Moon River" and his tastefully romantic score. The only sour note in the whole film is Mickey Rooney's demeaning performance as the apartment's Japanese manager, an offensively overdone stereotype even in 1961. The rest of the film has weathered the decades well. Edwards's elegant yet light touch, Axelrod's generous screenplay, and Hepburn's mix of knowing experience and naiveté combine to create one of the great screen romances and a refined slice of high society bohemian chic. --Sean Axmaker ... Read more

Reviews (156)

Fascinating ......they're after the same rainbow end
I love this film.From the first scene when the yellow cab stopped with Holly alighting,having her breakfast in front of Tiffany's to the very last scene when Holly & Paul reconciled and kissed in the rain...

Simply marvellous piece of work. With the flawless performance from Audrey Hepburn and George Peppard. The unique mood of the movie.And my fave song "Moon River". Who can forget the part when Holly sitting by her window plucking the guitar strings and singing...."Moooonnn River...." Great adaption from Truman Cropte's book with many magical touches and refinements. It's about a free-spirit girl Holly's struggle in Life,her fear of Love and commitment, she didn't even think she own her nameless 'cat'. Paul is a struggling writer who actually a 'kept-man' by a rich lady. Fate brought them together,first as neighbours to friends and eventually lovers. They were soul mates who needed each other and are made of each other....they are after the same rainbow end.

The idea was refreshing....esp.doing things that each have never done:- Strolling down New York street in the morning, stealing, visiting the Library and of course Tiffany's. Simply amazing, fantastic and romantic .

The best part about it was both Holly and Paul were practical people with dark secrets and not really perfect human beings and it make the story more realistic but not losing the romantic fairy tale feel.

This film is one of the best in movie history. It touches my heart my soul with scenes with the perfect combo of laughter,sadness,ironic,truth,secrets