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Poor Joan Crawford just can't get a break. She hacks her husband to pieces and is sent away to a mental hospital; then after she comes back and tries to adjust to a normal life, there's more ax-swinging and more noggins rolling. Her pretty sculptress daughter (Diane Baker) just wants Mom to return to society and a happy, well-adjusted life... or does she?The plot is a little trite and predictable, the direction a bit staid, but it's all Joan's show anyway. Obviously director William Castle told her to play up her character's insanity, and Crawford turns the knob on the acting meter up to 10, then breaks it off and throws it away. She spectacularly mugs her way through the whole film, abruptly changing from severe schoolmarm to trampy vamp and back again several times. The scene where Mom meets her daughter's fiancée for the first time is particularly memorable; Mom guzzles half an iced-tea glass full of bourbon, then crawls all over the boyfriend while the viewer squirms uncomfortably. Back in '64, lucky moviegoers were given little cardboard axeswhen this feature made its run in the theaters. Sadly, the cardboard axes arelong gone, but this is still highly recommended for fans of Crawford, Castle,and high-powered thespianism in general. --Jerry Renshaw ... Read more

Reviews (47)

Whatever Happened to Mildred Pierce?
Joan Crawford plays Lucy Harbin, a woman who has been institutionalized for 20 years, after having hacked her unfaithful husband and his girlfriend to pieces with an axe. She is reunited with her estranged daughter, Carol (played by Diane Baker, who specialized in playing devious females at the time). Carol encourages her mother to dress like she did 20 years earlier,i.e. flower-printed dresses, jingly charm bracelets, and a black, 40s-style wig. Lucy does, and watch out! In what is my favorite scene in the film, Joan, looking like the world's oldest hooker, comes on to her daughter's handsome YOUNG fiance. It is almost obscene to watch this, but try and take your eyes off the screen! Mysterious axe-murders begin to take place. Joan's psychiatrist, (played by Mitchell Cox, Vice-President of Pepsi!)sleazy farmhand Leonard Kraus, played by George Kennedy, and then Carol's future father-in-law, played by Howard St. John. Naturally, we assume it's Joan, right? Wrong! I won't tell who the real murderer is, but I DID drop a clue earlier on. William Castle directed this Robert "Psycho" Bloch- scripted opus, and it is just what you'd expect from Castle-low-budget, full of cheap shocks, and just plain FUN. Miss Crawford is a hoot to watch, especially in her later films, such as this one. The film also has an entertaining cast, which includes Rochelle Hudson, Leif Ericson, and Edith Atwater, as Carol's bitchy future mother-in-law.

Mommy Dearest Loses her head, and so does everyone else!
This was Joan Crawford's big comeback film and she puts her all into this Camp Classic! If she doesn't get her way heads will roll. Written by Psycho creator Robert Bloch and directed by William Castle, Crawford gives an Academy Award performance in this B horror film. Her daughter played by Diane Baker takes her in after Lucy Harbin (Crawford) gets out of a mental ward after having chopped off the 6,000,000 dollar man's head (Lee Majors).
When her doctor (played by a non-actor Pepsi executive) comes to take her back to the asylum axes and heads again meet each other. We even get some good scenes with a young and non-fat George Kennedy as a lowlife who does his own take on Marie Antoinette.
The DVD version has some classic head-chopping outtakes as well as a "making of Straitjacket" short.
This was 1963 and though the plot and especially the "twist" ending is ridiculous its got some good surrealism that proved a harbinger of better films later in the decade. If you want to see one of the most hilarious Camp Classics this is the one. If you want to see Crawford in a great performance in a less than great role here it is.

Joan Crawford as Norman Bates
When William Castle (the director of the gimmick classics "The Tingler" and "13 Ghosts") saw Psycho, he liked it so much that he hired the writer (Robert Bloch) to create this gem. Unlike most of Castle's other famous movies, this one doesn't really have a cheesy gimmick, unless you count Joan Crawford decapitating people with an axe as a gimmick. Yes it has definite camp value, but it's a surprisingly well made horror movie that contains many genuinely suspenseful scenes. Joan Crawford's over-the-top performance in this movie is a great example of why she has such a strong cult following today.

The DVD is enhanced for widescreens and the print is in very good condition. Although the audio is only mono, it sounds very good. The DVD also contains a very good documentary on the making of this movie titled "Battle Axe".

MOTHER AND DAUGHTER
In watching this movie for the first time in almost 40 years, I found myself wondering why I liked it the first time around and again in re-watching. Joan Crawford was undoubtedly a "star" in the truest sense of the word; in the special features, William Castle and Diane Baker both confirm the many demands and conditions Ms. Crawford placed on the film. Her performance is definitely camp, but watching her play someone yearning for her youth, it hit home how Crawford's real life was shaping into the fall of a movie goddess.
But in the film, notice the strength Crawford and Baker give in their reunion. Without a word, the two actresses strongly display the range of emotions they are both feeling.
Diane Baker, who unlike one reviewer mentioned, had to this point played the innocent young ingenue, e.g. Best of Everything, Journey to the Center of the Earth, and in this one, she capitalizes on this innocence, so that when the venom comes, it's quite a transition. Seeing a young Lee Majors in his pre Big Valley days just reminds me how much time has elapsed!
Castle's films were gawdy, manipulative, but above all, they were entertaining.
Joan Crawford and Diane Baker are to be commended for rising above the inevitable and making this a classic camp film.

Fascinating, embarassing, and ultimately sad.
Strait-Jacket was one of my very first Joan Crawford movies. I had seen The Damned Don't Cry, Mildred Pierce, and Baby Jane by the time I was 11 and was absolutely in love with Joan Crawford from seeing her movies on AMC. To me she was the most beautiful, talented, and rather tragic of creatures. Of course, I expected Strait-Jacket to be of the same quality as Baby Jane. What a disappointment it was to me at that time, but now that I look back I see that this film introduced me to another side of Joan Crawford; the rather lonely, sad last years of her life.

The Crawford of Baby Jane is remarkably different than the Crawford of Strait-Jacket. Gone are the subtlety and the last remnants of a great beauty that were still apparent in Baby Jane. Gone is the masterful acting of Mildred Pierce, Humoresque, and even Queen Bee. What is left is a tired shell of Joan Crawford, clinging to the last remains of the glamour; the faded star. Of course, Joan's star has never faded, even 25 years after her death. Her fame was just too great to ever really die during her lifetime or generations after. But although Strait-Jacket appears to be nothing more than a cheap B-movie thriller, it is actually a striking look into the fateful last years of a legend. The movie will leave you thinking for a long, long time after you've seen it. The image of Crawford at the end of her career will burn in your mind. You'll be captivated and repelled at the same time, but what will remain is the fascination. Who was Joan Crawford really? Will we ever know? ... Read more

Reviews (13)

...Did you ever see a dream walking?
"Together again!" blurted the ads for this William Castle thriller. The ads meant, of course,former husband and wife Robert Taylor and Barbara Stanwyck, who had a rather acrimonious divorce in the early 1950s. "Everyone probably thought we were going to beat each other up", said "Missy" Stanwyck, when asked about how their screen reunion went. Well, they didn't beat each other up, but gave good performances in this Robert "Psycho" Bloch-scripted film, one of William Castle's best. "The Night Walker" is the tale of attractive Irene Trent (Stanwyck), who is married to blind, jealous and abusive scientist Howard Trent, played by Hayden Rourke (He was "Captain Bellows" on TV's "I Dream of Jeannie"!). Marriage to Howard, in Irene's words, "Is like a nightmare!" In her frustration, she dreams of a young, handsome and attentive lover, and talks in her sleep. Howard accuses her of having an affair with their attorney, Barry Morland (Taylor). They quarrel,(Stanwyck's tirade is a masterpiece of vitriol!), she runs out of their gloomy old mansion, and Howard is incinerated in a mysterious explosion in his laboratory. Irene, feeling uncomfortable living in the house, moves into the small apartment behind the beauty parlor she owns. Her dreams of a dream lover continue, (Are they dreams? Are they real?) and then they become terrifying nightmares. She sees Howard, his face hideously burned, and her "dream lover" (Lloyd Bochner) marries her in a positively frightening ceremony in an abandoned chapel. Irene begins to doubt her own sanity...Surprisingly, "The Night Walker" was a box-office dud. It is a very entertaining film, with a great cast, which includes familiar old faces such as Rochelle Hudson, Marjorie Bennett, Jess Barker, and Tetsu Komai (he was one of the manimals in "Island of Lost Souls"). "Missy" Stanwyck looks great, though she possessed one of the most unmelodious screams ever heard on screen (it sounds like a foghorn!), but she gives, as always, a believable performance. She was great. Robert Taylor is good, though he was never one of my favorites, and his once-handsome face had not aged well, and his bad facelift did not help matters. The musical score is rather noteworthy. It was composed by Vic Mizzy, who has, to his credit, "The Addams Family", "Green Acres", "The Pruitts of Southhampton", and a quartet of Don Knotts comedies, including "The Ghost and Mr. Chicken". It is a very entertaining, catchy score, praised by Bernard Herrmann! The picture quality on this tape is excellent, and the original teaser trailer is loads of fun ("Do you dream of SEX?") So, for an enjoyable 85 minutes, curl up with a bowl of popcorn and "The Night Walker"! Pleasant dreams....

Yes, even Robert Bloch can write a bad movie script
The best part of "The Night Walker" is the opening sequence, which consists of an expressionistic montage all about dreams and nightmares. The story offers Barbara Stanwyck in her last theatrical role as Irene Trent, who blind husband (Hayden Roarke) is killed in an explosion. Irene starts to have lots and lots of nightmares haunted by both a mysterious handsome guy (Lloyd Bochner) and her husband, who appears to be alive. Of course, as the nightmares progress it becomes more difficult to tell the difference between the dreams and the real world (YOU THINK?). Next thing we know, Irene is screaming "I CAN'T WAKE UP! I CAN'T WAKE UP!"

Now, a movie starring Barbara Stanwyck and written by Robert Bloch ("Psycho") certainly seems promising enough, but then "The Night Walker" was directed by William Castle. As you can tell from the "revised" title of the film, when William Castle does a film there is nobody bigger involved in the production than William Castle. After all, this is the guy who brought us "The Tingler" and a host of other campy horror films. Every once in a while as director Castle tries some "arty" stuff involving angles as such, most of which do not work. The production values are pretty good for a Castle film, but that works against what is essentially his usual brand of camp. The dream sequences are the best part of the film, but Bloch's simply (and surprisingly) script falls apart at the end. Stanwyck's performance is okay, but in this film she utters some of the worst screams in movie history. Paul Frees is the distinctive voice providing the narration and the music by Vic Mizzy is above average. "The Night Walker" is going to lose most viewers before it gets to the end, which I do not think works, but it has some pretentions at evincing ambition which warrants a look.

The one and only William Castle
I absolutely love William Castle. The man was an original and made the most fun and unique films. So what if they weren't considered classics, they were the perfect late-night-slumber party movies: lots of cheap thrills, but nothing to damage your psyche. I just hope this gem, along with other great Castle films, like "Macabre" and Let's Kill Uncle," make it to DVD soon!!!

Howard, is that you?
I saw this movie when I was a kid and it scared the s*** out of me! This is a great horror classic. It's a shame it's not on DVD in widescreen format. The first ten minutes or so are a bit hokey but once the story kicks in the suspense builds. It's in black and white but it is great cause they utilize shadows and fog to create suspense; and the music totally fits the genre. I can hear the music in my head as I write this; da da da da dum. My nephew once bragged how he could watch any horror movie. I put Night Walker in for him to watch. By the end of the movie he was watching it with his baseball hat tilted over his head and his hands over his face. He couldnt sleep that night, he was so scared. We wound up spending the night playing Nitendo. Yeah, it's definitely a B-movie but one of the greatest B-movies I've ever seen. It's a tradition in our home to watch it at least once a year. I've seen the other Castle films but to me this one is the true classic.

Barbara Stanwyck's last theatrical release
"The Night Walker", following on the heels of her 1964 collaboration with Elvis Presley in "Roustabout" marked rather sadly the last cinema release in Barbara Stanwyck's long and very acclaimed film career. After this film she moved full time into television and scored herself a triumph (and an Emmy Award into the bargain),as the firm but fair lead in the classic western series "The Big Valley". It was a shame she didn't continue in leading film roles because here Barbara has never been better in her later years than as the widow tortured by recurring dreams so alarmingly vivid that that seem frighteningly real.

Produced by the infamous William Castle who's speciality was having skeletons fly across cinemas on wires during performances, it would seem at first glance that the material here which has a slightly incredible premise was not very promising. But in reality it is actually one of the better of the "shock cinema" offerings of the 1960's which found veteran actresses of the 1930's and 40's appearing as deranged or menaced mature women in low budget offerings that still drew audiences on their weight of their names. "The Night Walker", has an involved plot that finds Barbara Stanwyck playing Irene Trent who finds herself a widow after her insanely jealous husband (Hayden Rorke in a very non traditional role)is killed in an explosion in his lab. She finds herself tormented by frightening dreams where her husband is actually still alive and where she is also pursued by a mysterious handsome stranger who in a bizzare wedding ceremony in a mysterious chapel marries her and then disappears. Is Irene only dreaming or is she being driven out of her mind? These are the big questions left unanswered until the thrilling conclusion of this film which I wont reveal for the benefit of those who haven't seen this film yet. For once William Castle has an intelligent screenplay by the talented Robert Bloch to utilise and he is greatly aided through the convoluted story and the very surprising twist at the end by the seasoned performing of former husband and wife team Barbara Stanwyck and Robert Taylor. Much was made of their reteaming in this film at the time of the release of this film. They had worked together on two films in the 1930's "This Is My Affair", and "His Brother's Wife" and both bring their years of experience to their parts and make a fascinating pair on screen aside from the poignantcy of seeing them together again after all these years. While Robert Taylor's appearance in the film is a surprise (he was already suffering from the cancer that eventually killed him in 1969), he is wonderful playing Barry Moreland, Irene's husband's financial advisor who supposedly is helping Irene understand just who is tormenting her before revealing a nasty side to his character. Hayden Rorke still best remembered for his work in the hit series "I Dream of Jeannie", has the small but memorable role of Howard Trent the dead husband of Irene, or is he really dead? His insanely jealous character is certainly a dramatic departure for him and his scenes early in the film with Barbara Stanwyck really lay the ground for the tension created later in the story.

William Castle really plays up the visual images here and this is what gives "The Night Walker", it's eerie dramatic power. In Irene's dreams we see Howard supposedly rising from the dead with his face all burnt from the explosion we are led to "believe" that he survived. In another instance we witness the totally macabre wedding ceremony populated by frighteningly distorted dummy figures that seem to glare right through you and take on a life of their own. It's these scenes that make us share this slightly off centre panic that Barbara Stanwyck's character experiences . The gloomy mansion, the clocks all going off at once on the grand staircase and the play of shadows in the apartment at the boutique where Irene has retreated to supposedly find some peace also encourage that feeling of there being no rest from this unknown presence haunting Irene.

"The Night Walker", is a very engrossing pyschological thriller. Barbara Stanwyck insisted at the time of the picture's release that "The Night Walker" was not a horror movie in the Baby Jane model and while there are some familiar elements it is a story which stands on its own merits. It certainly is very watchable and indeed keeps you guessing right up to the surprise ending which willl really leave you gasping. Being a huge Barbara Stanwyck fan I was prepared to enjoy this film anyway but it displays a mature Stanwyck in full throttle delivering a grand performance as she did throughout her career. Her chemistry with Robert Taylor is great and both give this thought provoking story their all. If you like mystery thrillers with plenty of red herrings thrown in along the way to supposedly "put you off the scent" then you are guaranteed to enjoy William Castle's "The Night Walker" starring former husband and wife team Barbara Stanwyck and Robert Taylor. ... Read more

Reviews (26)

Director William Castle finally makes an actual thriller!
Once upon a time two teenage girls, Kit (Sarah Lane) and Libby (Andi Garrett), spent the evening making prank phone calls to random numbers. Then they called up Steve Marak (John Ireland) and told him "I saw what you did and I know who you are," but the two girls did not know that the man had just murdered his wife. Of course, the man wanted to find the two "witnesses" and kill them, but just to make things interesting, his neighbor Amy Nelson (played in predictable over-the-top fashion by Joan Crawford), really does know about the murder. However, she has other plans for her neighbor besides sending him to prison.

Actually, "I Saw What You Did" might be the best film ever directed by William Castle, king of the exploitation film ("House on Haunted Hill," "The Tingler"), even though it is atypical of his work. Of course Castle did set up "Shock Sections" for panicky audience members for this film, but the actual movie is a tense and entertaining thriller. Unfortunately the extras on this DVD are pretty sparse, although it does include Castle's promotional clip along with the theatrical trailer and a miniature reproduction of the poster.

The QUEEN of Camp!
Another clinker from the 1960's vault of Joan Crawford films. & of course, Joan being a true star really gives it her all in this truly bad low-budget film about 2 silly teenagers who make a prank call to the wrong guy (John Ireland).

Her brief appearance steals the show & as usual is a riot. The subplot involes Joan playing the desperate, manipulating, man-hungry middle aged next door neighbor who is obsessed w/ snagging John Ireland even after she finds out he's a killer! The scenes w/ her & John Ireland together where she can barely surpress her jealous rage over his dead ex-girlfriend had me chuckling to myself. Dressed in what looks like a cocktail dress & a mini-chandellier around her neck, she looks & sounds as if perhaps there really was alcohol in those drinks she was making.

The climax comes when she confronts one of the teen-aged girls grabbing her by the hair, calling her a "tramp" & ripping her to shreds screaming "GET OUTTA HERE!..." over & over again. I laughed my head off. The rest of the film has some suspenseful moments thanks to the menacing John Ireland, but the corny soundtrack music takes what little scariness this film had going for it away. At times it sounded like background music on an episode of "The Flintstones". I'm sure this may have been scary stuff for pre-teens in the 60's but today its just another hilariously campy Joan Crawford movie.

& i'm giving this film ***** simply because it completely fulfilled my need for camp--Joan Crawford style.

A Deliciously Over-The-Top Joan Crawford! A Good DVD, Too!
William Castle (the movie "gimmick-meister") brought to the screen in July of 1965 a film entitled "I Saw What You Did", starring an aging Joan Crawford (who was 61). This was one of Joan's last pictures, and she proves here she still had what it takes (albeit, in this film, in a somewhat humorous and over-the-top fashion).

The premise of this movie is a clever one -- two teenaged girls begin playing a telephone "game", where they call people at random out of the phone book and inform them "I saw what you did ... and I know who you are!"

This "game" takes a realistic twist when (as fate would have it) one of the "victims" of the girls' prank turns out to have committed a murder just minutes before the call. A dangerous game indeed.

The two young girls are played by Andi Garrett and Sarah Lane. They aren't exactly in Miss Crawford's class, acting-wise, but I liked both of them in this movie very much. They just seemed to have a "real" quality to them that came through on screen. Interestingly, this was Andi Garrett's *only* film appearance ever. And Sarah Lane appeared in just one other film besides this one (which was a made-for-TV movie).

Anchor Bay and Universal give us this black-and-white film on DVD in a good-looking Widescreen presentation (1.78:1), with a robust-enough Mono soundtrack. The transfer here is not "Anamorphic", but it looks like one nonetheless, displaying a very clear picture with little in the way of any video distractions.

Not many, but a few, Bonus Features occupy space on this one-disc DVD edition. There's the Original Trailer for the film, plus a "Teaser Trailer", which features Director William Castle's "World Premiere Announcement" for this little chiller/thriller.

Also on the disc are some text-only "Talent Bios" (for Crawford and Castle). The Bio section for Miss Crawford is very nice, too -- featuring a multitude of text screens covering her vast career. Many vintage photos of the actress are also included on the bio text screens.

A one-page (two-sided) insert comes in this Keepcased package. This is one of the nicer single-page DVD enclosures, being made from a thicker cardboard than most flimsier paper inserts. A listing of the movie's 20 "Chapters" is on one side; while a reproduction of an original lobby card (or poster) for the film is shown on the other side of the insert.

"I Saw What You Did" certainly isn't the best or scariest flick you'll ever see. But it has a certain atmospheric "charm" to it that definitely places it within the "worth a look" category.

Had some potential, but doesn't fufill it
I think this movie had potential to be a good little thriller, but the mood gets spoiled too often by the teeny-booper music. Yes, we get it, the movie's about misbehaving teenagers. You don't need to bust out the American Bandstand music every time they appear on screen.

That may seem like a minor quibble, but I found the inappropriate music did have an effect on the suspense, which got dialed up pretty high in certain scenes. Just when I thought things were coming to a close, there was another little twist, and danger reared its ugly head once again. The happy ending was kind of predictable, but the path to get there was often full of surprises.

I watched the movie first and foremost as a Joan Crawford fan, although I understood going into it that she had a small part and overacted it, at that. (I never saw anyone fall to the floor in such an elaborate fashion.) It's a shame that they'll release films like this on DVD, but not more of Crawford's earlier, better work. However, I ended up finding the film as a whole a somewhat enjoyable, B-grade suspense flick.

Castle (kinda) Does It Again!
Having seen most of William Castle's films, the only few problems i had with "I Saw What You Did" mainly go to a few technicals. By 1965, you would think that Castle would have filmed this in color. That was one problem. Another, the soundtrack. I can understand that the beginning of some horror films can be rather up-beat with the premise of setting the audience up for a twist that ultimately takes us for a ride. The soundtrack for this film doesn't let up, and actually sounds like music for a "Beach Party" film. With that aside, everyone knows that Castle did his best with what he knew. The acting is at times corny, but it was intended that way for the sake of getting the best reaction from the audience when some scenes were 'off the cuff'. The shower scene at the beginning is where i have the most praise. Castle's ability to give us a small bloodbath (remember "Homicidal"?) MADE me buy the dvd for that one scene. Other than that, Joan Crawford's role was good, and Castle's re-use of some of the actor's from his previous films was ok. The extra's were a nice bonus, tho a doccumentary with some of the actor's would have been interesting to watch. ... Read more

Reviews (33)

WILLIAM CASTLE DID IT AGAIN!
You may recall his 1958 horror thriller "house on haunted hill". Here is another treat for those who loves his style for ghost stories. William Castle I guess just has a knack for directing ghost movies. Most all of his movies were superb, not one boring. The film deals with a family living in an old ramshackle mansion haunted by 13 ghosts. But here's the mystery, One of the ghosts isn't real. And whoever that person is ,that's trying to get the family out of the house, is the murderur of the mansion's owner. A great movie with a cast worth watching. Enjoy this movie, And remember to buy more of Castle's films, They're all worth watching!

Not as much fun without William Castle's "Ghost Viewer"
Once upon a time there was a poor paleontologist named Cyrus Zorba (Charles Herbert) who learns he is heir to a mansion from his uncle Plato. So Cyrus moves his family, wife Hilda (Jo Morrow), son Buck (Donald Woods) and daughter Medea (Rosemary DeCamp), into the new digs. The problem is that Uncle Plato was a student of the occult who invented a nifty little device that captures ghosts. All of this is explained by Elaine, the old housekeeper, who is played by Margaret Hamilton (remember her, my pretties?). But the important thing here is that "13 Ghosts" was produced and directed by the inventive William Castle, which means there has to be a gimmick to get you to watch the movie.

For "13 Ghosts" the gimmick was the "Ghost Viewer" which worked with "Illusion-o." This was actually one of Castle's best bits. The movie was shot in black-and-white, but the thirteen ghosts (duh) were tinted in red. The Ghost Viewer had strips of red and blue plastic: watch through the blue, you could see the ghosts really well. If you freaked, you could look through the red "ghost remover" and they would disppear. Of course, on the video tape you can forget about all this. You can always see the ghosts--bodies, body parts and even a lion--although not too clearly. Talk about killing the fun. But then there is the "Bed of Death," so it is not a total loss. I have to think that "13 Ghosts" is one of the few Castle films where they could duplicate the gimmick, so hopefully one day someone will revive Illusion-o and the Ghost Viewer. Until then, this tape is a poor substitute that does not quite make it to camp classic status.

The orginal.
As the case with many other old horror films most people see the new one and think the old one's bad too, well I can say this film is far better then it's re make, it has some good jumps, and the classic message of becareful what you wish for.

Beware
Movie is a lot of fun with the Illusion-O effect, provided you get the ghost viewer glasses. I ordered a copy from Amazon in May 2004 and it did not contain the ghost viewer glasses. I returned it and they sent me a new one that also didn't contain the glasses. I suggested that their whole batch was bad. They responded that the problem was larger than they thought and they would straighten it out, but couldn't provide me with a copy with the viewers at this time, and would refund my money. I ordered a copy from an outfit in Canada (Tampoo.com) and it contained the glasses. I discovered that the flyer inside contained a panel for ordering more glasses that expired in December, 2002 that was not attached to the flyer that came with the Amazon copies. It appears that Columbia Tristar ran out of the glasses and are knowingly releasing copies of the DVD without them.

The Original Is Better Then The Remake
This old black and white ghost story was great fun. It reminds me of a MUNSTERS episode lol. Ofcourse it is better if you use the "Ghost Viewer" but still fun even if you do not. The remake was awful, stick to this original William Castle version. ... Read more

Amazon.com

William Castle's gimmick-laden comic thriller is not so much a horror movie as a fairground funhouse come to life. Vincent Price stars as a deliciously silky millionaire married to a greedy gold digger (Carol Ohmart) who refuses to divorce him. When he turns his wife's idea for a haunted-house party into a contest--$10,000 to whoever will spend the night in "the only truly haunted house in the world"--it seems he may have found an alternative to divorce. Five strangers gather to test their stamina, Price hands each of them delightfully twisted party favors (loaded handguns, delivered in their own tiny coffins), and the spook show begins. Blood drips from the ceiling, zombielike apparitions float through rooms, severed heads and skeletons suddenly appear, and then a guest is found hanging in the stairwell. Full of screams and things that go bump in the night, House on Haunted Hill isn't particularly scary and often makes little sense, but, like a Halloween haunted house, the spectacle of spook-show clichés is quite entertaining, and Price makes a sardonic master of ceremonies. The original theatrical presentations featured a typically outrageous Castle-engineered gimmick: Emergo, which was nothing more than a skeleton that appeared to fly out of the screen and over the audience on a guide wire. --Sean Axmaker ... Read more

Reviews (75)

Price's Best
House on Haunted Hill is a classic movie about eccentric millionare named Frederick Lauren and his wife, Annabelle. They rent an old, creepy, gloomy house on a desolate hill and throw a party, "a haunted house party." The party only has has 7 guests, 4 men and 3 women (the same amout of people that have died in the house). If each guest stays all night in the house they each recieve $10,000, "or they're next of ki[n] just in case they don't survive." Vincent Price, Carol Ohmart and Elisha Cook star in this wonderful terrifying classic directed by William Castle. This movie is great because its origional, & they use props like fake heads in suitcases, and organs playing music with no player, instead of computers like the awful remake from 1999. See this movie you'll really enjoy it.

Scary, Campy, Old Horror Fun
HOUSE ON HAUNTED HILL is one of my favorite movies. It has everything. A haunted house, a dark and stormy night, ghosts, a bloodstain that won't wash out, severed heads, an acid vat, organ music...It's just so atmospheric. The plot: Millionaire Vincent Price and his scheming wife invite five strangers to the house on Haunted Hill. He'll pay them 10,000 dollars each if they spend the night there. One of them dies, and a murder mystery also evolves. This movie from William Castle and Robb White is so much fun, and the set and acting is fantastic. If you love this, check out 13 GHOSTS, which I have also reviewed.

E-mail me: jackmonsoon@hotmail.com

The classic that's fun and scary.
This movie is over all scary, the opening scene sets the stage for a film that was way ahead of it's time. It was fun moments, and moments that wil send you acrost the theater, The scene with the old house ceeper is one of the most effective jumps in all of horror, a must see for any horror fan, and beable for those who aren't that big of horror fans, see if you can solve the myster before the films done.

FOR 10,000 DOLLARS WOULD YOU SPEND A NIGHT WITH VINCENTPRICE
I absolutley loved this movie. The script writting is wonderful,the acting is treamendous and the surprises you will see in this movie keep you at the end of your seat. This is trueley Vincent Price at his best. The ghost in the basement, the hanged body in the stairwell and the skeleton which appears at the end of the film. Also stars Carol O'Mart,Richard Long, Alan Marshall and Carolyn Craig. This film never has a dull part. So, If you you don't have this movie,you need to buy it.

a Vincent Price classic
what we seem to have is a battle between the unknown. this is classic horror, done in a melodramatic way, much like the Universal horror classics of the early '30s where all you needed was mystery, atmosphere, and an outrageous plot. now, sadly, everything apparently has to be realistic and not fantastic? that's a shame. This 1958 classic is about a man who allows several people the chance to compete against one another: the game is that the people have to survive a night's stay at the house and whoever does wins a fortune. Vincent is his suave best in this, appearing the way he would become stereotyped: tall, wearing a suit, having a thin mustache, and those beady eyes ready to pierce into someone's soul with that classic Vincent stare. William Castle directed this movie. It's campy, of course. 1958 horror, and nearly every horror film afterward was geared toward teenagers at drive-in's and this film is one of Price's best. His icy dialogue to his nagging, arrogant wife is great and she gets what she has coming to her...by way of a hilariously campy skeleton who's coming toward her with a gun. the senseless remake was un-called for. even though it brought some publicity for this 1958 original, the remake didn't have Vincent's heart and soul nor did it have much camp value. this 1958 version is the one you should look for...a must-have for ALL Vincent Price fans. ... Read more

Reviews (3)

ZOTZ! William Castle's Unkept Promise of Fun
"The Magic Word for Fun...ZOTZ!" Thus reads Columbia Pictures' withering one-line ad campaign for William Castle's "Zotz!" (starring Tom Poston, Jim Backus, Margaret Dumont and Cecil Kellaway), an alleged comedy that debuted to no particular acclaim in 1962. Obviously the marketing department was slap out of lipstick for this pig.What's regrettable is that "ZOTZ!" could have been a smart and even sexy flick if Castle had stuck to the premise of Admiral Walter Karig's novel of the same name. For those scratching their heads, Karig's 1947 story was a fanciful metaphor for the dilemma of the Age of Nuclear Weapons... What do we do with a weapon capable of annihilating any thing, any enemy, any country, and with as little effort as pointing a finger? What do we do? Well, for starters, we learn not to point fingers and threaten our neighbors, or we might very well destroy ourselves. A simplistic observation for those of us with nearly 60 years of Cold War hindsight; but it was a revelation to Walter Karig when he wrote "Zotz!" (just two years after the bombings of Hiroshima & Nagasaki). The plot of "Zotz!" was just as simple: Prof. Jonathan Jones (a professor of ancient Eastern languages) comes into possession of a cursed amulet; Jones deciphers the amulet's powers to cause pain, to retard motion, and to kill, and he immediately suffers the consequences of his discovery. This is where the book and the movie part company. Karig's story went on to explore some of the dire (and truly comical) consequences of absolute power, including sexual dysfunction-Prof. Jones realizes to his horror that when he points any part of his body at another living creature, it sends the victim into spasms of debilitating pain. This is a lousy realization for him to make during an intimate encounter with a beautiful woman... Now, this shows comedic promise: Here is a man of unlimited power who must vigilantly remain flaccid, lest he inflict intense physical agony on his love interest. That's the stuff of classic cinema! Ah, but does William Castle even attempt what could be one of the most awkwardly comic sexual encounters ever filmed? He does not. Well, in truth, he cannot...remember, it was 1962. Sex in mainstream entertainment was barely out of the box at the time. And William Castle wasn't a terribly clever film maker. Instead, Castle's movie offers up a series of dry, two-dimensional vignettes merely demonstrating the ZOTZ effect: Professor Jones kills a moth; Professor Jones kills a lizard; Professor Jones becomes drunk at a faculty dinner and utters the magic word ZOTZ...zany hyjinx ensue. Unlike Karig's book, the closest this film comes to making a political statement against weapons of mass destruction is when Professor Jones attempts to turn the terrible ZOTZ amulet over to the Department of Defense; but the Pentagon bigwigs are too dimwitted to hear him out. Granted, William Castle's "Zotz!" did employ some unusual special effects for its day, including a rooftop "slow bullet" sequence: Intoning the mystic word "ZOTZ," Prof. Jones freezes a .45 slug in mid-flight and steps easily out of its path; then Jones leaps from the rooftop and falls about twenty floors in slow motion, end-over-end, to the sidewalk, as normal-speed action continues in the background. I doubt that such a surreal sequence had been attempted in film before. It's in the final moments of the film, however, that Castle finally admits to his audience that he doesn't understand or doesn't give a damn about Walter Karig's intended message. Under Castle's ham-handed direction, Ray Russel's screenplay inexplicably finds us on the steps of the Lincoln Memorial with Tom Poston mouthing patriotic platitudes-then fade to the fluttering American flag with churchbells ringing liberty across all the land. And roll credits... What does it mean? Is this fun? It can't be serious; but it can't be humorous, either, because, hey, the flag, right? Almost as an afterthought, Castle attempts to turn Karig's thoughtful anti-nuke metaphor into a pathetic piece of flag-waving Cold War propaganda. And he fails even at that. How and why Walter Karig's much more whimsical ending was omitted from the film is one of the great mysteries of William Castle lore. As Walter Karig penned it, Professor Jones-after all his travails and his flirtation with godhood-chooses to chuck it all and seek a thoroughly anonymous role in society... That of a pest exterminator, whistling as he works, zapping roaches and rats one "ZOTZ" at a time. Alas, William Castle (in his questionable wisdom) chose not to end a comedy on a comedic note; even though Karig's ending would have been perfect for Tom Poston, and may have conceivably salvaged Castle's dismal, downward-spiraling romp.

Before the Peeper Tom Poston was Prof. John Jones
You may remember Tom Poston as the Peeper in "The Bob Newhart Show". Well ten years earlier he was Prof. John Jones.

Prof. Jones discovers an ancient coin in his back yard. There is an inscription on it, which gives the person who recites it the power to zap things and people. From here we have the standard clichés. He tries to tell the government. Naturally they do not believe him. The bad guys are smarter and want it. So he gets into all kinds of situations. Who shall prevail?
With both Tom Poston and Jim Backus (Horatio Kellgore) what could be a passing movie will keep you laughing.
At the film's original run they handed out plastic "Zotz" coins as souvenirs.
Be sure to read the novel by Walter Karig ASIN: B00005Y0HR also as it has more depth.

very good as a cult classic.
a somewhat funny movie,it's a totally diffrent movie, I really liked it. ... Read more

Reviews (25)

Scream For Your Lives!
William Castle was reknowned for his gimmicky films. For THE TINGLER he had "Percepto," and it was a lulu: randomly selected seats in the theatre were wired with a small motor, and at a peak moment in the film these motors came to life and literally gave your bottom a buzz! But unless you happen to have a really warped sense of humor plus some mechanical apptitude, you'll have to forego the "Percepto" effect and settle for one of the most weirdo stories to come down the street.

A doctor (Vincent Price) is studying the effects of fear. In the process, he finds that fear causes a nasty, worm-like creature to grow inside the human body along the spine. Release your fear by screaming, and the creature is destroyed; if for some reason you cannot scream, however, the creature merely grows larger and larger and kills you by crushing your spine. What the good doctor really wants, of course, is to lay his hands on one of these critters--and when a man murders his deaf-mute wife by scaring her to death, Dr. Vince gets his chance. Eventually "The Tingler" escapes into a movie theatre, and the seat-buzzing begins!

Price and company give it their all, and the film is as enjoyable as only schlock horror can be. Fans of the genre will hoot over the murder, Vincent Price's LSD trip, the scenes where the tingler escapes into the theatre--not to mention at the monster itself, which looks like a cross between an overweight centipede and a lobster. And yes, you really can see the wires! The DVD edition also includes lots of fun extras, including a short documentary on the film. Castle fans will get a kick out of it, but all others are warned away!

"SCREAM!....SCREAM FOR YOUR LIVES!"
Another "gimmick" film from producer/director William Castle. He made this movie great fun to watch in the theatre in 1959; a process called "Percepto" caused certain seats in the theatre to give mild shocks to the people sitting in them! But in to the story....

Vincent Price (always fun!) is a doctor who discovers that when a person is terrified, as large insect=like creature grows on their spinal cords. It pinches their nerves and kills them if they don't kill it first. The movie is famous for Price letting one of the "Tinglers" loose in a movie theatre....He tells everyone to scream or they will die!
There are some wild scenes in this movie like a deaf-mute woman being scared to death when she sees a zombie and a bathtub of blood with a hand in it....and there's a great scene of Price tripping after doing aaa hallucingenic drug...Great fun and the classic 50s science fiction movie. Too bad "Percepto" is no longer used...

The Tingler
Wonderful example of the best of early "spooky films". DVD reproduction was great-appreciated the extra features with background on film. Service and product above expectations. Grap the popcorn and get ready to "scream"!

DVD is fantastic
The DVD version of _The Tingler_ is the way to go for horror buffs. It includes priceless footage of the legendary William Castle promoting the film, as well as interesting comments by co-star Darryl Hickman. Hickman seems somewhat apologetic for his role in the film. I was thinking, "Are you kidding? This turned out to be one of the biggest cult classics of all time."
Also hilarious is the drive-in scream sequence, which dealt with the problem of the tingler being loose in a drive-in rather than a theater.
Great film, Castle's campy best. Vincent Price is memorable--he goes on the first LSD trip ever on film--in 1959! Judith Evelyn is remarkable as Ollie's deaf-mute wife. The famous bathroom sequence is as good as it gets.
Sharpen up your suspension of disbelief and enjoy!

This movies is a scream...in more ways than one.
I admit it! I am a sucker for old Black and White horror films. They are quite tame by today's buckets of bloody special effect big budgets ones, but they hold a fun all their own. Especially when the ringmaster is the oh so talented Vincent Price. He was always the odd mix of silky mannered menace, with that sprinkle of humour that set him apart from so many actors. It was that devilish twinkle in his eye that always told you he enjoyed what he was doing.

The Tingler is another of the Castle low budget treats. Price plays a mild mannered doctor/research scientist married to a rich wife who is a floozy. She runs around on Price, cares little that he knows it, controls her younger sister's life, but Price is not a man you push too far. Obsessed with discovered the results fear has on the body, he finds out there is a critter that increases in our bodies when we are frightened, the more fear the bigger and stronger it grows and the only thing that can destroy it is screaming. Feed up with his wife's wicked ways, he convinces her he is going to kill her so he can X-ray her trying to prove the existence of the Tingler.

Price gets mixed up with Olly, a husband of a theatre owner who is a deaf-mute. She goes bonkers and passes out when she sees blood. Price wonders what would happen in her, if the Tingler is unleashed, but she cannot scream. Later, someone deliberately scares her to death, and Price operates and removed the Tingler. But then, wife tries to use the Tingler to strangle Price...all in good loving fun, mind you. The pesky beastie dashes off and heads to the theatre to menace everyone there.

One note, though the film was shot in Black and White, the sequence where Olly's wife is driven to death was shot in colour emphasize the red of the blood scaring her.

Great fun and it's a bit of a walk down memory lane! A must for any fan of Castle or Price. ... Read more

Reviews (75)

Price's Best
House on Haunted Hill is a classic movie about eccentric millionare named Frederick Lauren and his wife, Annabelle. They rent an old, creepy, gloomy house on a desolate hill and throw a party, "a haunted house party." The party only has has 7 guests, 4 men and 3 women (the same amout of people that have died in the house). If each guest stays all night in the house they each recieve $10,000, "or they're next of ki[n] just in case they don't survive." Vincent Price, Carol Ohmart and Elisha Cook star in this wonderful terrifying classic directed by William Castle. This movie is great because its origional, & they use props like fake heads in suitcases, and organs playing music with no player, instead of computers like the awful remake from 1999. See this movie you'll really enjoy it.

Scary, Campy, Old Horror Fun
HOUSE ON HAUNTED HILL is one of my favorite movies. It has everything. A haunted house, a dark and stormy night, ghosts, a bloodstain that won't wash out, severed heads, an acid vat, organ music...It's just so atmospheric. The plot: Millionaire Vincent Price and his scheming wife invite five strangers to the house on Haunted Hill. He'll pay them 10,000 dollars each if they spend the night there. One of them dies, and a murder mystery also evolves. This movie from William Castle and Robb White is so much fun, and the set and acting is fantastic. If you love this, check out 13 GHOSTS, which I have also reviewed.

E-mail me: jackmonsoon@hotmail.com

The classic that's fun and scary.
This movie is over all scary, the opening scene sets the stage for a film that was way ahead of it's time. It was fun moments, and moments that wil send you acrost the theater, The scene with the old house ceeper is one of the most effective jumps in all of horror, a must see for any horror fan, and beable for those who aren't that big of horror fans, see if you can solve the myster before the films done.

FOR 10,000 DOLLARS WOULD YOU SPEND A NIGHT WITH VINCENTPRICE
I absolutley loved this movie. The script writting is wonderful,the acting is treamendous and the surprises you will see in this movie keep you at the end of your seat. This is trueley Vincent Price at his best. The ghost in the basement, the hanged body in the stairwell and the skeleton which appears at the end of the film. Also stars Carol O'Mart,Richard Long, Alan Marshall and Carolyn Craig. This film never has a dull part. So, If you you don't have this movie,you need to buy it.

a Vincent Price classic
what we seem to have is a battle between the unknown. this is classic horror, done in a melodramatic way, much like the Universal horror classics of the early '30s where all you needed was mystery, atmosphere, and an outrageous plot. now, sadly, everything apparently has to be realistic and not fantastic? that's a shame. This 1958 classic is about a man who allows several people the chance to compete against one another: the game is that the people have to survive a night's stay at the house and whoever does wins a fortune. Vincent is his suave best in this, appearing the way he would become stereotyped: tall, wearing a suit, having a thin mustache, and those beady eyes ready to pierce into someone's soul with that classic Vincent stare. William Castle directed this movie. It's campy, of course. 1958 horror, and nearly every horror film afterward was geared toward teenagers at drive-in's and this film is one of Price's best. His icy dialogue to his nagging, arrogant wife is great and she gets what she has coming to her...by way of a hilariously campy skeleton who's coming toward her with a gun. the senseless remake was un-called for. even though it brought some publicity for this 1958 original, the remake didn't have Vincent's heart and soul nor did it have much camp value. this 1958 version is the one you should look for...a must-have for ALL Vincent Price fans. ... Read more

Reviews (75)

Price's Best
House on Haunted Hill is a classic movie about eccentric millionare named Frederick Lauren and his wife, Annabelle. They rent an old, creepy, gloomy house on a desolate hill and throw a party, "a haunted house party." The party only has has 7 guests, 4 men and 3 women (the same amout of people that have died in the house). If each guest stays all night in the house they each recieve $10,000, "or they're next of ki[n] just in case they don't survive." Vincent Price, Carol Ohmart and Elisha Cook star in this wonderful terrifying classic directed by William Castle. This movie is great because its origional, & they use props like fake heads in suitcases, and organs playing music with no player, instead of computers like the awful remake from 1999. See this movie you'll really enjoy it.

Scary, Campy, Old Horror Fun
HOUSE ON HAUNTED HILL is one of my favorite movies. It has everything. A haunted house, a dark and stormy night, ghosts, a bloodstain that won't wash out, severed heads, an acid vat, organ music...It's just so atmospheric. The plot: Millionaire Vincent Price and his scheming wife invite five strangers to the house on Haunted Hill. He'll pay them 10,000 dollars each if they spend the night there. One of them dies, and a murder mystery also evolves. This movie from William Castle and Robb White is so much fun, and the set and acting is fantastic. If you love this, check out 13 GHOSTS, which I have also reviewed.

E-mail me: jackmonsoon@hotmail.com

The classic that's fun and scary.
This movie is over all scary, the opening scene sets the stage for a film that was way ahead of it's time. It was fun moments, and moments that wil send you acrost the theater, The scene with the old house ceeper is one of the most effective jumps in all of horror, a must see for any horror fan, and beable for those who aren't that big of horror fans, see if you can solve the myster before the films done.

FOR 10,000 DOLLARS WOULD YOU SPEND A NIGHT WITH VINCENTPRICE
I absolutley loved this movie. The script writting is wonderful,the acting is treamendous and the surprises you will see in this movie keep you at the end of your seat. This is trueley Vincent Price at his best. The ghost in the basement, the hanged body in the stairwell and the skeleton which appears at the end of the film. Also stars Carol O'Mart,Richard Long, Alan Marshall and Carolyn Craig. This film never has a dull part. So, If you you don't have this movie,you need to buy it.

a Vincent Price classic
what we seem to have is a battle between the unknown. this is classic horror, done in a melodramatic way, much like the Universal horror classics of the early '30s where all you needed was mystery, atmosphere, and an outrageous plot. now, sadly, everything apparently has to be realistic and not fantastic? that's a shame. This 1958 classic is about a man who allows several people the chance to compete against one another: the game is that the people have to survive a night's stay at the house and whoever does wins a fortune. Vincent is his suave best in this, appearing the way he would become stereotyped: tall, wearing a suit, having a thin mustache, and those beady eyes ready to pierce into someone's soul with that classic Vincent stare. William Castle directed this movie. It's campy, of course. 1958 horror, and nearly every horror film afterward was geared toward teenagers at drive-in's and this film is one of Price's best. His icy dialogue to his nagging, arrogant wife is great and she gets what she has coming to her...by way of a hilariously campy skeleton who's coming toward her with a gun. the senseless remake was un-called for. even though it brought some publicity for this 1958 original, the remake didn't have Vincent's heart and soul nor did it have much camp value. this 1958 version is the one you should look for...a must-have for ALL Vincent Price fans. ... Read more

Reviews (75)

Price's Best
House on Haunted Hill is a classic movie about eccentric millionare named Frederick Lauren and his wife, Annabelle. They rent an old, creepy, gloomy house on a desolate hill and throw a party, "a haunted house party." The party only has has 7 guests, 4 men and 3 women (the same amout of people that have died in the house). If each guest stays all night in the house they each recieve $10,000, "or they're next of ki[n] just in case they don't survive." Vincent Price, Carol Ohmart and Elisha Cook star in this wonderful terrifying classic directed by William Castle. This movie is great because its origional, & they use props like fake heads in suitcases, and organs playing music with no player, instead of computers like the awful remake from 1999. See this movie you'll really enjoy it.

Scary, Campy, Old Horror Fun
HOUSE ON HAUNTED HILL is one of my favorite movies. It has everything. A haunted house, a dark and stormy night, ghosts, a bloodstain that won't wash out, severed heads, an acid vat, organ music...It's just so atmospheric. The plot: Millionaire Vincent Price and his scheming wife invite five strangers to the house on Haunted Hill. He'll pay them 10,000 dollars each if they spend the night there. One of them dies, and a murder mystery also evolves. This movie from William Castle and Robb White is so much fun, and the set and acting is fantastic. If you love this, check out 13 GHOSTS, which I have also reviewed.

E-mail me: jackmonsoon@hotmail.com

The classic that's fun and scary.
This movie is over all scary, the opening scene sets the stage for a film that was way ahead of it's time. It was fun moments, and moments that wil send you acrost the theater, The scene with the old house ceeper is one of the most effective jumps in all of horror, a must see for any horror fan, and beable for those who aren't that big of horror fans, see if you can solve the myster before the films done.

FOR 10,000 DOLLARS WOULD YOU SPEND A NIGHT WITH VINCENTPRICE
I absolutley loved this movie. The script writting is wonderful,the acting is treamendous and the surprises you will see in this movie keep you at the end of your seat. This is trueley Vincent Price at his best. The ghost in the basement, the hanged body in the stairwell and the skeleton which appears at the end of the film. Also stars Carol O'Mart,Richard Long, Alan Marshall and Carolyn Craig. This film never has a dull part. So, If you you don't have this movie,you need to buy it.

a Vincent Price classic
what we seem to have is a battle between the unknown. this is classic horror, done in a melodramatic way, much like the Universal horror classics of the early '30s where all you needed was mystery, atmosphere, and an outrageous plot. now, sadly, everything apparently has to be realistic and not fantastic? that's a shame. This 1958 classic is about a man who allows several people the chance to compete against one another: the game is that the people have to survive a night's stay at the house and whoever does wins a fortune. Vincent is his suave best in this, appearing the way he would become stereotyped: tall, wearing a suit, having a thin mustache, and those beady eyes ready to pierce into someone's soul with that classic Vincent stare. William Castle directed this movie. It's campy, of course. 1958 horror, and nearly every horror film afterward was geared toward teenagers at drive-in's and this film is one of Price's best. His icy dialogue to his nagging, arrogant wife is great and she gets what she has coming to her...by way of a hilariously campy skeleton who's coming toward her with a gun. the senseless remake was un-called for. even though it brought some publicity for this 1958 original, the remake didn't have Vincent's heart and soul nor did it have much camp value. this 1958 version is the one you should look for...a must-have for ALL Vincent Price fans. ... Read more

Reviews (75)

Price's Best
House on Haunted Hill is a classic movie about eccentric millionare named Frederick Lauren and his wife, Annabelle. They rent an old, creepy, gloomy house on a desolate hill and throw a party, "a haunted house party." The party only has has 7 guests, 4 men and 3 women (the same amout of people that have died in the house). If each guest stays all night in the house they each recieve $10,000, "or they're next of ki[n] just in case they don't survive." Vincent Price, Carol Ohmart and Elisha Cook star in this wonderful terrifying classic directed by William Castle. This movie is great because its origional, & they use props like fake heads in suitcases, and organs playing music with no player, instead of computers like the awful remake from 1999. See this movie you'll really enjoy it.

Scary, Campy, Old Horror Fun
HOUSE ON HAUNTED HILL is one of my favorite movies. It has everything. A haunted house, a dark and stormy night, ghosts, a bloodstain that won't wash out, severed heads, an acid vat, organ music...It's just so atmospheric. The plot: Millionaire Vincent Price and his scheming wife invite five strangers to the house on Haunted Hill. He'll pay them 10,000 dollars each if they spend the night there. One of them dies, and a murder mystery also evolves. This movie from William Castle and Robb White is so much fun, and the set and acting is fantastic. If you love this, check out 13 GHOSTS, which I have also reviewed.

E-mail me: jackmonsoon@hotmail.com

The classic that's fun and scary.
This movie is over all scary, the opening scene sets the stage for a film that was way ahead of it's time. It was fun moments, and moments that wil send you acrost the theater, The scene with the old house ceeper is one of the most effective jumps in all of horror, a must see for any horror fan, and beable for those who aren't that big of horror fans, see if you can solve the myster before the films done.

FOR 10,000 DOLLARS WOULD YOU SPEND A NIGHT WITH VINCENTPRICE
I absolutley loved this movie. The script writting is wonderful,the acting is treamendous and the surprises you will see in this movie keep you at the end of your seat. This is trueley Vincent Price at his best. The ghost in the basement, the hanged body in the stairwell and the skeleton which appears at the end of the film. Also stars Carol O'Mart,Richard Long, Alan Marshall and Carolyn Craig. This film never has a dull part. So, If you you don't have this movie,you need to buy it.

a Vincent Price classic
what we seem to have is a battle between the unknown. this is classic horror, done in a melodramatic way, much like the Universal horror classics of the early '30s where all you needed was mystery, atmosphere, and an outrageous plot. now, sadly, everything apparently has to be realistic and not fantastic? that's a shame. This 1958 classic is about a man who allows several people the chance to compete against one another: the game is that the people have to survive a night's stay at the house and whoever does wins a fortune. Vincent is his suave best in this, appearing the way he would become stereotyped: tall, wearing a suit, having a thin mustache, and those beady eyes ready to pierce into someone's soul with that classic Vincent stare. William Castle directed this movie. It's campy, of course. 1958 horror, and nearly every horror film afterward was geared toward teenagers at drive-in's and this film is one of Price's best. His icy dialogue to his nagging, arrogant wife is great and she gets what she has coming to her...by way of a hilariously campy skeleton who's coming toward her with a gun. the senseless remake was un-called for. even though it brought some publicity for this 1958 original, the remake didn't have Vincent's heart and soul nor did it have much camp value. this 1958 version is the one you should look for...a must-have for ALL Vincent Price fans. ... Read more

Reviews (75)

Price's Best
House on Haunted Hill is a classic movie about eccentric millionare named Frederick Lauren and his wife, Annabelle. They rent an old, creepy, gloomy house on a desolate hill and throw a party, "a haunted house party." The party only has has 7 guests, 4 men and 3 women (the same amout of people that have died in the house). If each guest stays all night in the house they each recieve $10,000, "or they're next of ki[n] just in case they don't survive." Vincent Price, Carol Ohmart and Elisha Cook star in this wonderful terrifying classic directed by William Castle. This movie is great because its origional, & they use props like fake heads in suitcases, and organs playing music with no player, instead of computers like the awful remake from 1999. See this movie you'll really enjoy it.

Scary, Campy, Old Horror Fun
HOUSE ON HAUNTED HILL is one of my favorite movies. It has everything. A haunted house, a dark and stormy night, ghosts, a bloodstain that won't wash out, severed heads, an acid vat, organ music...It's just so atmospheric. The plot: Millionaire Vincent Price and his scheming wife invite five strangers to the house on Haunted Hill. He'll pay them 10,000 dollars each if they spend the night there. One of them dies, and a murder mystery also evolves. This movie from William Castle and Robb White is so much fun, and the set and acting is fantastic. If you love this, check out 13 GHOSTS, which I have also reviewed.

E-mail me: jackmonsoon@hotmail.com

The classic that's fun and scary.
This movie is over all scary, the opening scene sets the stage for a film that was way ahead of it's time. It was fun moments, and moments that wil send you acrost the theater, The scene with the old house ceeper is one of the most effective jumps in all of horror, a must see for any horror fan, and beable for those who aren't that big of horror fans, see if you can solve the myster before the films done.

FOR 10,000 DOLLARS WOULD YOU SPEND A NIGHT WITH VINCENTPRICE
I absolutley loved this movie. The script writting is wonderful,the acting is treamendous and the surprises you will see in this movie keep you at the end of your seat. This is trueley Vincent Price at his best. The ghost in the basement, the hanged body in the stairwell and the skeleton which appears at the end of the film. Also stars Carol O'Mart,Richard Long, Alan Marshall and Carolyn Craig. This film never has a dull part. So, If you you don't have this movie,you need to buy it.

a Vincent Price classic
what we seem to have is a battle between the unknown. this is classic horror, done in a melodramatic way, much like the Universal horror classics of the early '30s where all you needed was mystery, atmosphere, and an outrageous plot. now, sadly, everything apparently has to be realistic and not fantastic? that's a shame. This 1958 classic is about a man who allows several people the chance to compete against one another: the game is that the people have to survive a night's stay at the house and whoever does wins a fortune. Vincent is his suave best in this, appearing the way he would become stereotyped: tall, wearing a suit, having a thin mustache, and those beady eyes ready to pierce into someone's soul with that classic Vincent stare. William Castle directed this movie. It's campy, of course. 1958 horror, and nearly every horror film afterward was geared toward teenagers at drive-in's and this film is one of Price's best. His icy dialogue to his nagging, arrogant wife is great and she gets what she has coming to her...by way of a hilariously campy skeleton who's coming toward her with a gun. the senseless remake was un-called for. even though it brought some publicity for this 1958 original, the remake didn't have Vincent's heart and soul nor did it have much camp value. this 1958 version is the one you should look for...a must-have for ALL Vincent Price fans. ... Read more

Reviews (1)

Quiet hero scores again
Glenn Ford does his patented understated hero again, this time as a Texas cowboy delivering prize Brahma bulls in Brazil where he runs afoul of bad guy Frank Lovejoy. But it is Cesar Romero, an actor who once played the Cisco Kid, who steals the show as an aging and comical bandit -- much as we might believe the real Cisco would have become in his later years. Cult director William Castle, of all people, helmed this RKO film and did an OK job. ... Read more