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| 21. Terminator 2: Judgment Day Director: James Cameron | |
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Having said that...Once I heard that writer/director James Cameron and co writer William Wisher had recorded a new audio commentary for the film. I have to hand it to Artisan..this was a shrewd move. One of the minor quibbles I had with the previous release of T2, was its audio commentary. As good as it was to have a lot of contributors, the last time out, I could tell that the track was just "pieced together" from different parts of the disc. Most of the info on the track was just "lifted" This was the only downer on the "ultimate edition" The "new" is very good and worth a listen. As for the film, the 2 disc "extreme edition", has both the special extended cut, and as an "Easter Egg", the theatrical cut as well. I have to admit, the look of the T-1000 (Robert Patrick) and his morphing looks pristine, as does the original Terminator (Arnold Schwarzenegger). But I would also caution that the High Definition Digital transfer will only look like a real improvment if you have the equipment to handle the technology. Luckily, for me, I have a friend with an updated system, but it's still not the top of the line As for the other extras in the set, they are just ok. There are 2 new retrospective documentaries. One one the film's ground breaking effects; The other, is a "life on the set" montage, while the film was still in production. You can also build your own Terminator and track its progress online, and rounding out the set's extras is a graphic fact track about all things Terminator. With this edition, be warned, you lose many of the extras found on the previous edition. But the Cameron/Wisher audio commentary is still quite a draw. Mega fans of T2 should have both, while others should think carefully, Ultimate wins for its extra content, while Extreme gets points for a great commentary--I have both for now...I still don't like multple special edition DVD's of the same film
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| 22. Terminator 2-Judgment Day Director: James Cameron | |
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Reviews (595)
Having said that...Once I heard that writer/director James Cameron and co writer William Wisher had recorded a new audio commentary for the film. I have to hand it to Artisan..this was a shrewd move. One of the minor quibbles I had with the previous release of T2, was its audio commentary. As good as it was to have a lot of contributors, the last time out, I could tell that the track was just "pieced together" from different parts of the disc. Most of the info on the track was just "lifted" This was the only downer on the "ultimate edition" The "new" is very good and worth a listen. As for the film, the 2 disc "extreme edition", has both the special extended cut, and as an "Easter Egg", the theatrical cut as well. I have to admit, the look of the T-1000 (Robert Patrick) and his morphing looks pristine, as does the original Terminator (Arnold Schwarzenegger). But I would also caution that the High Definition Digital transfer will only look like a real improvment if you have the equipment to handle the technology. Luckily, for me, I have a friend with an updated system, but it's still not the top of the line As for the other extras in the set, they are just ok. There are 2 new retrospective documentaries. One one the film's ground breaking effects; The other, is a "life on the set" montage, while the film was still in production. You can also build your own Terminator and track its progress online, and rounding out the set's extras is a graphic fact track about all things Terminator. With this edition, be warned, you lose many of the extras found on the previous edition. But the Cameron/Wisher audio commentary is still quite a draw. Mega fans of T2 should have both, while others should think carefully, Ultimate wins for its extra content, while Extreme gets points for a great commentary--I have both for now...I still don't like multple special edition DVD's of the same film
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| 23. Terminator Director: James Cameron | |
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Reviews (339)
James Cameron's first bona fide hit, this 1984 science fiction/action thriller revived the action movie genre and provided Arnold Schwarzenegger with not only an iconic movie role but a chance to prove that he had an actor's mind as well as a bodybuilder's physique. It not only showed that Ahhnold could handle a more challenging role than Conan the Barbarian, but that he was quite capable of taking career risks. Now that he is running for the governorship of California (and starred in many other films, including two sequels to The Terminator), it seems odd to think that Schwarzenegger was gambling his credibility (and his box office appeal) to take the role of the villain. After all, who better than this physically imposing fellow to portray the relentless cyborg sent from the future to rid the world of the woman who is destined to be the mother of humanity's future deliverer? 1984's The Terminator paints a dark vision of a machine-dominated world where hunter-killer robots and Terminators are waging a war of extinction against humanity. By 2029 A.D., however, the machines are on the verge of defeat at the hands of John Connor and his valiant troops. In a last ditch attempt to win, the Skynet computers send a single Cyberdine T-101 unit (Schwarzenegger) back to 1984 Los Angeles to dispose of John Connor's mother Sarah (Linda Hamilton). Before the time portal breaks down forever (or at least until T2), Connor manages to send Kyle Reese (Michael Biehn) back to 1984 to protect his mother-to-be. Although he is weakened by the time jump and definitely more vulnerable than his cyborg nemesis, he has an advantage that the Terminator and its masters don't; he knows what Sarah Connor looks like. This proves to be fatal for at least two other Sarah Connors in the L.A. phone book, as well as for Sarah's roommate and her boyfriend. The Terminator, only knowing the name Sarah Connors, dispatches these unlucky victims while Reese manages to reach the true target in the nick of time. The Terminator is well-written and, although its plot is not as mind bending as Schwarzenegger's later hit Total Recall, never insults the audience's intelligence. The pace of the movie is, like the villain, full of purpose and relentless. Critics and Ahhnold bashers might scoff at Schwarzenegger's android-like mannerisms, but his very expressionless glare and the way his head swivels to follow his eyes bring the cold efficiency of a shark to mind. (And if you were wondering, this was the first movie where Ahhnold utters his now famous phrase "I'll be back.") Brad Fiedel's effective musical score, Stan Winston's amazing make-up effects, and Cameron's directing helped make The Terminator a classic of the action/science fiction genre. The MGM Special Edition DVD presents the movie in a digitally mastered, hi-definition transfer widescreen version with both its original mono sound track and a new 5.1 Stereo Remix. It also includes audio tracks in French and Spanish, subtitles in English, French and Spanish, and for viewers with DVD-ROM drives on their home computers, script-to-screen features. The extra features (such as deleted scenes, making-of documentaries, and trailers and TV spots) are on the other side of this double-sided disc.
Ginger was constantly listening to music on her earphones (which prevented her from hearing The Terminator kill her boyfriend). Ginger had her headphones on, listening to wild rock music, even while she and her dude were in bed making love. I have to ask, how many WOMEN would tolerate such a circumstance, if a boyfriend came over and made love while listening to music on his headphones? If, like Ginger, some dude were rocking to the beat of some band on his headphones while engaging in intimate congress, how many women would feel genuine consideration from her lover at that point? How could this guy maintain any respect at all for Ginger, if she considers the headphone music equally important to his advances? (Yeah yeah yeah yeah, It's A Mistake etc etc.) The Terminator was a great movie. And, Ginger's boyfriend was a total CHUMP... Ginger listening to her radio and so forth, while he's doing the deed with her. Just try it sometime, listening to music on your headphones while being intimate with someone else. That doesn't really fly, in the real world.
In the second film he has the same rebellion look, he is still masculine, he looks less youthful and more middle aged, he is no longer seemingly super-strong, he is no longer seemingly indistructable, but worst of all he is no longer bad and his attitude has improved, he now has obstacles that stand in his way. His cool-factor is completely over powered by the T-1000. The third film looks even worse for Arnold, as he is over powered by an arguably less impressive Terminator or "Terminatrix" than the T-1000. Arnold's age really does show an older man that has had his age doubled since his characters first appearance. He once again admit's he is "out-dated" and that she or "it" is a more powerful and far more effective killing machine than himself. Once again HE must struggle to survive as he is decapitated and almost dismemebered, as also with the T-1000. This truly waves his original 'nothing stands in my way' factor in to extinction, or what should I say, Termination. You can see how they turned it around on poor Arnold, and you can see how the first original and as some would say, "the best" Terminator film puts Arnold in the ever so cool spotlight, that is taken away a couple of years later and then again over a decade later. Even with the so-called "upgraded" T-X, the T-1000 arguably proves to be the best Terminator of all time. ... Read more | |
| 24. Titanic Director: James Cameron | |
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Reviews (30)
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| 25. Aliens Director: James Cameron | |
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Aliens started that kind of picture and nothing has yet come close to even equaling the masterful direction and writing (by James Cameron), the masterful acting (lets go down the list and commend Academy Award Nominee, Sigourney Weaver, Carrie Henn, portraying the child who Ripley takes in as a daughter and tries to protect throughout most of the film, even, Paul Reiser for playing the most sleazy and back-stabbing man in space, Michael Biehn for being the very reserved hero, and even, Bill Paxton as the funny, sometimes annoying character, Hudson), and lets not forget the masters behind all the technical wizardry. Stan Winston and his wonderful puppets and makeup, and Alien suits comes to mind. You have to see this movie to understand how great, how intense and how new a film it really is.
Newt, and Paul Reiser surprises you with what kind of character | |
| 26. The Terminator Director: James Cameron | |
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Amazon.com essential video Reviews (339)
James Cameron's first bona fide hit, this 1984 science fiction/action thriller revived the action movie genre and provided Arnold Schwarzenegger with not only an iconic movie role but a chance to prove that he had an actor's mind as well as a bodybuilder's physique. It not only showed that Ahhnold could handle a more challenging role than Conan the Barbarian, but that he was quite capable of taking career risks. Now that he is running for the governorship of California (and starred in many other films, including two sequels to The Terminator), it seems odd to think that Schwarzenegger was gambling his credibility (and his box office appeal) to take the role of the villain. After all, who better than this physically imposing fellow to portray the relentless cyborg sent from the future to rid the world of the woman who is destined to be the mother of humanity's future deliverer? 1984's The Terminator paints a dark vision of a machine-dominated world where hunter-killer robots and Terminators are waging a war of extinction against humanity. By 2029 A.D., however, the machines are on the verge of defeat at the hands of John Connor and his valiant troops. In a last ditch attempt to win, the Skynet computers send a single Cyberdine T-101 unit (Schwarzenegger) back to 1984 Los Angeles to dispose of John Connor's mother Sarah (Linda Hamilton). Before the time portal breaks down forever (or at least until T2), Connor manages to send Kyle Reese (Michael Biehn) back to 1984 to protect his mother-to-be. Although he is weakened by the time jump and definitely more vulnerable than his cyborg nemesis, he has an advantage that the Terminator and its masters don't; he knows what Sarah Connor looks like. This proves to be fatal for at least two other Sarah Connors in the L.A. phone book, as well as for Sarah's roommate and her boyfriend. The Terminator, only knowing the name Sarah Connors, dispatches these unlucky victims while Reese manages to reach the true target in the nick of time. The Terminator is well-written and, although its plot is not as mind bending as Schwarzenegger's later hit Total Recall, never insults the audience's intelligence. The pace of the movie is, like the villain, full of purpose and relentless. Critics and Ahhnold bashers might scoff at Schwarzenegger's android-like mannerisms, but his very expressionless glare and the way his head swivels to follow his eyes bring the cold efficiency of a shark to mind. (And if you were wondering, this was the first movie where Ahhnold utters his now famous phrase "I'll be back.") Brad Fiedel's effective musical score, Stan Winston's amazing make-up effects, and Cameron's directing helped make The Terminator a classic of the action/science fiction genre. The MGM Special Edition DVD presents the movie in a digitally mastered, hi-definition transfer widescreen version with both its original mono sound track and a new 5.1 Stereo Remix. It also includes audio tracks in French and Spanish, subtitles in English, French and Spanish, and for viewers with DVD-ROM drives on their home computers, script-to-screen features. The extra features (such as deleted scenes, making-of documentaries, and trailers and TV spots) are on the other side of this double-sided disc.
Ginger was constantly listening to music on her earphones (which prevented her from hearing The Terminator kill her boyfriend). Ginger had her headphones on, listening to wild rock music, even while she and her dude were in bed making love. I have to ask, how many WOMEN would tolerate such a circumstance, if a boyfriend came over and made love while listening to music on his headphones? If, like Ginger, some dude were rocking to the beat of some band on his headphones while engaging in intimate congress, how many women would feel genuine consideration from her lover at that point? How could this guy maintain any respect at all for Ginger, if she considers the headphone music equally important to his advances? (Yeah yeah yeah yeah, It's A Mistake etc etc.) The Terminator was a great movie. And, Ginger's boyfriend was a total CHUMP... Ginger listening to her radio and so forth, while he's doing the deed with her. Just try it sometime, listening to music on your headphones while being intimate with someone else. That doesn't really fly, in the real world.
In the second film he has the same rebellion look, he is still masculine, he looks less youthful and more middle aged, he is no longer seemingly super-strong, he is no longer seemingly indistructable, but worst of all he is no longer bad and his attitude has improved, he now has obstacles that stand in his way. His cool-factor is completely over powered by the T-1000. The third film looks even worse for Arnold, as he is over powered by an arguably less impressive Terminator or "Terminatrix" than the T-1000. Arnold's age really does show an older man that has had his age doubled since his characters first appearance. He once again admit's he is "out-dated" and that she or "it" is a more powerful and far more effective killing machine than himself. Once again HE must struggle to survive as he is decapitated and almost dismemebered, as also with the T-1000. This truly waves his original 'nothing stands in my way' factor in to extinction, or what should I say, Termination. You can see how they turned it around on poor Arnold, and you can see how the first original and as some would say, "the best" Terminator film puts Arnold in the ever so cool spotlight, that is taken away a couple of years later and then again over a decade later. Even with the so-called "upgraded" T-X, the T-1000 arguably proves to be the best Terminator of all time. ... Read more | |
| 27. Aliens: Special Edition (Widescreen Edition) Director: James Cameron | |
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Reviews (493)
Aliens started that kind of picture and nothing has yet come close to even equaling the masterful direction and writing (by James Cameron), the masterful acting (lets go down the list and commend Academy Award Nominee, Sigourney Weaver, Carrie Henn, portraying the child who Ripley takes in as a daughter and tries to protect throughout most of the film, even, Paul Reiser for playing the most sleazy and back-stabbing man in space, Michael Biehn for being the very reserved hero, and even, Bill Paxton as the funny, sometimes annoying character, Hudson), and lets not forget the masters behind all the technical wizardry. Stan Winston and his wonderful puppets and makeup, and Alien suits comes to mind. You have to see this movie to understand how great, how intense and how new a film it really is.
Newt, and Paul Reiser surprises you with what kind of character | |
| 28. True Lies Director: James Cameron | |
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Reviews (1)
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| 29. True Lies Director: James Cameron | |
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Reviews (163)
However, I have one major concern. In the first third of the movie, when Arnold Schwarzenegger's character thinks his wife, played by Jamie Lee Curtis, is having an affair with a car salesman who pretends to be an international spy to attract women, his response is pretty sadistic. He uses his resources, as the international spy that Arnold's character actually is, to have his wife's phone tapped, have her followed, have her captured, have her interrogated, and have her coerced into becoming a spy. He's already gone too far, but he goes even further by having her first assignment be to pose as a prostitute in order to plant a miniature microphone in the hotel room of a sleazy stranger (played by Schwarzenegger, hiding in the dark, and using someone's tape-recorded voice). I find that entire sequence very distasteful and uncomfortable to watch. My recommendation: watch the movie, but fast-forward through that entire sequence described above. It's cheap, sleazy, and distasteful.
Performance wise, Arnold Schwarzenegger, Jamie Lee Curtis, Tom Arnold, Bill Paxton, Tia Carrere and Art Malik all deserve great honors and the accolades they received for their respective parts in this film. "True Lies" was probably Arnold Schwarzenegger's best overall performance both in the action and the dramatic sense. Jamie Lee Curtis couldn't have been any better in this role and I can honestly say that I was impressed with Tom Arnold's performance in this movie whereas any other film or show I've seen him in I was not impressed. I believe the only other movie I've seen that Art Malik was in was "The Living Daylights" and in both that movie and this one his work has been exceptional. Say what you may like about director James Cameron but you would definitely have to admit that prior to the current but most likely "temporary" culmination of his career as a director with the movie "Titanic" and heading off to run the "Dark Angel" television series, few directors could come close to matching his accomplishments. "True Lies" was James Cameron's fifth highly successful hit in a row and with this movie and "Titanic" one could definitely say that during this run of box office hits, he had the pulse of the fans as he wrote screenplays and directed these extraordinary films. The Premise: Harry Tasker (Arnold Schwarzenegger) is a high speed "spook" working for a highly secretive government agency that is a watch dog/operator spook agency that identifies and handles terrorist threats to the United States. Along with his handler Albert Gibson (Tom Arnold), they uncover a major terrorist operation which is bent on using nuclear warheads against the US to accomplish its goals. As Harry, Albert and their organization are working to uncover the terrorists plot; his family becomes heavily involved in the story which is where Helen Tasker (Jamie Lee Curtis) comes in to play and some extremely hilarious scenes involving Simon (Bill Paxton). What follows from there is one of the most hilarious and exciting action/drama films to have come out of the nineties. I highly recommend this film to any and all who are interested in seeing a great, fast paced, highly intriguing and hilarious action/drama movie and aren't interested in reading too much into the plot or the characters in the plot that are used as plot devices. {ssintrepid} Special Features: -Original Theatrical Trailer
Harry has a secret life as a spy for a super secret government organization. His partner is Albert (Tom Arnold in his best role / performance anywhere) and they are closer to each other than to anyone else in their lives as they travel the world saving us all from the bad guys. The terrorism they are battling could have been ripped from today's headlines. However, I doubt such a film could be made today because of political sensitivities. I was surprised how much of it held up. But this film is about fun more than drama. The action is exciting, but preposterous and the scale of the action crescendos toward the final ridiculous aspect of Harry flying a Harrier jet while saving his daughter, fighting the big bad guy and fending off an attacking helicopter all at the same time. Another problem, a small one for this kind of action film, is the endless weapons fire focused at the heroes to no effect, while Helen can simply drop a machine pistol down the stairs and wipe out a platoon. It is a delightful seen, however. If you can suspend disbelief for this, the movie can be a lot of fun. Many have called the film misogynistic, and I suppose you can see some of that in the film. But Bill Paxton's wonderful performance as the sleazebag Simon is easily the most despised person in the film and he is a male. There are other find performances in the film. Faisal, played wonderfully by Grant Heslov (we should see more of him), is a terrific character who holds a lot of the story line together even though his role isn't that large. And Tia Carrere as the mercenary art dealer Juno is simply one of the best things in the movie. Art Malik is great as the villain Salim Abu Aziz. Mr. Malik provides the right kind of energy for such an over the top film. He provides the kind of passionate megalomania that makes all the fighting seem appropriate. With all the sub-plots weaving in and out, the humor, and the fine performances, I think this is one of Arnold Schwartzenegger's best films. And I thought his pairing with Tom Arnold was great. Too bad we never saw them together again.
This is just a plain fun movie. Bad guys, stuff blowing up, hero dad saves the day. Great for a Saturday evening to get a few laughs and relax.
Tom Arnold was also perfect for his role as the patient buddy spy who is the perfect cover. Tia Carrere was also perfect as the evil villaness with a flair for the upscale. Whoever did the casting deserves a medal. Dialogue, action, plot - I loved it all! ... Read more | |
| 30. Titanic (Collector's Edition) Director: James Cameron | |
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Amazon.com essential video Reviews (30)
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| 31. The Abyss - Special Edition Director: James Cameron | |
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The morale of the movie is bad. Americans and Russians are screwing up the world so the aliens try to prevent it. 'Can't we all just get along!?' is what they want for us, then things will turn to better. Industrial Light and magic did a great job again in this 1989 movie, it's worth seeing for SF fans.
Buyer beware. ... Read more | |
| 32. Titanic (Widescreen Collector's Edition) Director: James Cameron | |
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