Reviews (7)

Kept thinking about it
When I first watched this movie, I agree it seemed campy and rough. But, I kept watching it and it was engaging enough to keep me following it until the ending, and I liked the ending a lot. It brings up a lot of interesting ideas about alien life and what left-over artifacts might be found.
The really interesting part is that I've thought of this movie many, many times since I saw it. Its seems to stick in my mind. So, based on this, I've decided to write this review and give it 4 stars, in an attempt to raise the rating on the movie a little. Its really a lot better movie than most of these reviews say it is.

This movie is Fantastic
Well, it seems that some of you think that this movie is boring and
predictable, but this movie is extremely provocative, and extremly
creative. It is similar to the creative movie 2001: A Space Odyssey. Vincent Gallo is an artistic Genius, his style of Acting is so creative, that it blows my mind. Kudos to you, Vincent. Check out Vincent Gallo in the movie Buffalo '66; a movie Masterpiece, which i recommend anyone and everyone to watch. This movie deserves to be considered among the best of the independent industry: Requiem for a Dream, Kids, Lost in Translation, 21 Grams, etc.

For those of you who are lost in Hollywood babble !!!!Open your mind!!!!.

Good movie, bad DVD
I enjoyed this film very much... although it bears hardly any resemblance to the original film or book, it's very cleverly done. Plus, it doesn't hurt that the guys in this film are very good looking... wink wink.

The DVD however... total bomb. There is nothing in it except the 'scene selection' and 'play film' options. I would have loved to have seen deleted scenes, or making-of's. I would have loved to see more of Andrew Lee-Potts (Jacob) seeing as he was my favorite character... but since the film itself is so good, I give the DVD 4 stars.

Best Hallmark film
This would have to be my favorite Hallmark film ever (well ok... tied with Secret Garden). The movie is simply fantastic. The scenery, acting, and story are perfect. However, I couldn't give this DVD edition 5 stars because the Disc is practically empty. All it contains is the movie and a scene selection menu. In an age where we expect to see original trailers, filmographies, and "making of" featurettes, one cannot expect to be happy with a DVD this bare. The sound, although really nice, is a tad bit disappointing as well. With 5.1 as the norm, 2.0 doesn't quite please. I really wish that they had put a little more work into giving this wonderful film the release that it deserves. Still, this disc is the best way to see this masterpiece. If you love great stories, get it =)

Great Film!
This movie was absolutely captivating. From the very beginning my attention was caught and lasted throughout the entire film. The whole build-up of the Jacob storyline was what really moved me. The one thing that prevented me from giving it 5 stars was how the ending seemed a bit rushed. I feel they should have explored the feelings of all members of the family a bit more. I would love for them to make a sequel to this film about Sarah, Jacob, and Earnst going back into society. But all in all, it was a truely moving movie. ... Read more

Reviews (1)

Typical excellence - and one extra feature
A painter dies mysteriously, and various interests including his father, his erstwhile model and a mysterious rich man all seem to have something to do with it. Typically excellent fare from the Morse team, with the great John Thaw (a national resource, and his death from cancer was a dreadful loss) in typically grumpy and expressive form as Morse, and gorgeous, sunlit English landscapes - in Morse's England it practically never rains (not that I mind). But I hope you don't mind my saying that it is something else that makes this one episode absolutely unforgettable for me: the mysterious model - a single mother living a life of squalor in one of Morse's few genuine slum dwellings - is Nicola Cowper, a little-known English actress who is probably the most beautiful thing I have ever seen in my life. She simply burns on the screen like a flame. One does not wonder that one character is troubled by her almost to his death, and that another is willing to pay for her favours. But even if you do not share my taste for small, exquisite, intense women, you will still not regret buying this episode. ... Read more

Reviews (1)

perversion in high places
This story covers a multitude of sins, as it deals with sexual abuse of children, corporate greed, blackmail, and homosexuality among other things. The plot involves an intersection of issues related to possible environmental hazards, corporate efforts to suppress information regarding those hazards, and the attempts of those who have been victimized by sexual abuse to take revenge against the perpetrator. All these issues surface only after Morse investigates the death of a professor, a death which
ironically is attributed to natural causes (a heart attack). Morse once more demonstrates the "thinking man" approach to detection, reaching conclusions based upon analysis of clues (childhood photographs) which might be overlooked by less sagacious investigators. The performances are first rate, and the manner in which the story unfolds maintains interest throughout. ... Read more

Reviews (2)

Morse in misery
This is certainly a highly unusual entry in the series, given the fact that Morse is the chief suspect in a murder investigation. Morse is subjected to all sorts of trials and tribulations--- some of which are designed to create a trail of evidence framing Morse for more than one crime. One of the more amusing aspects of the mystery involves Morse's helplessness when confronted with computer technology and its bearing on the case. However, Sgt. Lewis, who never doubts Morse's innocence, comes to the rescue by utilizing his computer skills to help rescue Morse from his predicament. The role of Inspector Bottomley, who is assigned to investigate Morse, offers some amusement value as well. Bottomley, who belongs to a Masonic lodge, ends up looking rather foolish; moreover, he also seems to have been genuinely chagrined when Morse's innocence is finally established. In any event, this mystery represents an interesting and entertaining role reversal for Morse.

When Life Imitates Art...
First thing to do is to ignore the "Part 1" above in the item title; you're getting the full-length (100 mins, approx.) episode of "Masonic Mysteries." In terms of the world of Inspector Morse, this is probably the Inspector Morse episode even people who wouldn't otherwise care for the series can enjoy (immensely, in most cases), as it's considerably different to any of the other 32 films in the series. Morse is "the hunted, instead of the hunter" for once, as he is being constantly framed (literally & figuratively) by someone whom he put away years ago and is trying to get his own back. The trials Morse is put through parallel the trials by fire & water in the Mozart opera, "The Magic Flute," which he is in rehearsals for at the beginning with his lady friend (played by Kevin Whately's real-life wife), who is subsequently found dead, before a dumbfounded Morse, knife-in-hand and covered in her blood. It's not based on a Colin Dexter novel and was written by Julian Mitchell, who has written/adapted more Morse screenplays than any other. Morse's close relationship with Lewis is manifested in this episode more than possibly any other. A great deal of humor is to be found in "Masonic Mysteries" (at the Masons' expense), especially from the brief exchanges between Chief Inspector Bottomley, who, working with Lewis, is put in charge of the case. Morse is uncharacteristically upbeat throughout most of the duration of the film, particularly especially given the circumstances he is put in. John Thaw regards this as among his three favorite Morse films (and cites its differing from the others as a factor in that), along with "The Dead of Jericho" ("for sentimental reasons") and "Promised Land". This is the first of two Morse films to be directed by Danny Boyle, the director of such cult hits as "Trainspotting" and "Shallow Grave". The incomparable Ian McDiarmid (who played "The Emperor" in the Star Wars films) stars as the evil-genius nemesis. The Inspector Morse series is widely regarded as the peak in televisual entertainment, and this is a prime example. ... Read more

Reviews (2)

Excellent episode....
DECEIVED BY FLIGHT, made in 1989, is one of the better Morse dramas. Morse (John Thaw) is more light hearted in this film than some of the later episodes and it is a joy to see him interact with the other actors including his Sgt.'s child. He actually engages in a bit of prank-playing with Robbie (Kevin Whately) who, forced to go 'undercover' as a porter at one of the local colleges at Oxford, finds himself "watching" Morse's parked car as part of his duties.

The gist of the story is that an old boys club called 'The Clarets XI' is in town for an annual cricket match. One of the members, as well as the team coach are former classmates of Morse. The player-friend approaches Morse for a get-together lunch which turns out to be fish and chips on a park bench near the Thames. Morse senses that his former flatmate has something important to share but he can't quite bring himself to the point of telling Morse what it is. As they part, the friend mentions a Zen saying that involves the sound of one hand clapping and a dead student. Later, the friend turns up dead as a result of suicide. Or was it suicide. Soon Morse believes the man was murdered and he is on the trail of the killer. Was the killer his beautiful wife who could have been having an affair with one of the other cricket players? Was it one of the other cricket players? And what about the couple named Foster who behave suspiciously by asking Robbie the porter for a key to the dead man's room.

This episode has it all-great scenes of Oxford and its environs; Morse and Robbie struggling over the cricket match versus classical music on the various office, car, and other radios at hand; Robbie showing he can play cricket as well as any upper class ponce; a really interesting cricket match (I finally realized the pitcher is trying to hit the little poles behind the batter); Morse sleeping through the cricket match; and Morse falling for the wrong woman. The cast includes some familiar faces such as Daniel Massey, Amanda Hillwood, Sharon Maughan, and a very young Nathaniel Parker.

A complicated mystery for amateur sleuths to solve.
Deceived by Flight is one of author Colin Dexter's favorite televised Morse mysteries. Having seen at least twenty or so of these fine programs, I agree with his judgement.

The performances are uniformly excellent; not just Morse, played reliably and well by the fine actor, John Thaw, but also the supporting cast, particularly Kevin Whately as his able assistant, Sergeant Lewis, and Sharon Maughan as Kate Donn, television hostess and wife of slain barrister Anthony Donn. The plot is complicated and the clues are difficult for even Morse to decipher. Apparently Anthony Donn has committed suicide on the eve of his participation in a cricket match at Oxford. Morse doubts that his old friend deliberately killed himself and begins questioning suspects. As we soon find out, much more is at stake in this mystery than the death of an aging cricket player.

Cricket is part of the fun of this mystery. Much time is spent discussing the sport (Morse would prefer to listen to his music) and we also get to see it played. Sergeant Lewis goes undercover as a porter and expert batsman. At the matches another murder takes place and now Morse must try to determine if there are connections between the two deaths.

I think most viewers who watch the Morse series of films like to put their detective caps on and follow the clues carefully to see if they can arrive at the answers before Morse. Deceived by Flight will keep even the best armchair detectives struggling with clues until the satisfying conclusion of this fine program. ... Read more

Reviews (1)

This was a very funny Morse!
It was very fuuny and sad. Poor Morse he had to learn the hard way . And I love the music and where the flimed it! ... Read more

Reviews (9)

A REMORSEFUL ADAPTATION
There's been a murder here, but it's not the one you think. The adaptation of Colin Dexter's "The Remorseful Day" has left a stinking corpse of what was a masterful story, an exquisite exposition of the "Parsifal" like heart of Endeavour Morse. The culprits? Rebecca Eaton and her doltish cadre of American PBS writers who have distinguished themselves in missing the entire point of the book.
Mind you, if you have not read the book, you'll enjoy this video. All the great elements are there: John Thaw essays Morse brilliantly, Kevin Whately turns in a terrific performance as Lewis, although he is compelled to deliver a totally ridiculous and melodramatic "Morse is dead!" proclamation. He acquits himself and moves on. All the supporting players, the family intrigues, the score, the filmwork - all executed brilliantly. So, you'd have little reason to suspect something is awry.

But there is and it is as great a disservice to a book as I can ever remember. Now, that argument can be made about a lot of transfers from book to film, but in this case, and with this series, which has been so faithful to Dexter's works, it is just incomprehensible. I can only conclude that it is due to the American fascination with smoothing out any sense of nuance in order to champion the easily digestible. I should tell you where the crime lies, but that's not fair to anyone who really would enjoy what actually happened in the story. Suffice it to say that much of the story turns on the Parsifal legend, and how in fact the pure of heart are vindicated with vision of the grail, whatever form that grail may take. So, Endeavour Morse is vindicated in a coda that lingers with you long, long after you put the book down. Throughout the film, there are efforts made to quote not only Wagner's theme for "Parsifal", but Han Knappertsbusch's direction of it in the 1962 score. Why? Well, Morse makes reference to it in discussion with Lewis, and it fits with the T.S Elliott quote that includes the title of the story, plus Knappertsbusch was himself the most Morse like of conductors in every way imaginable, and in 1962 was well aware that he was dying. So with all of the main clues in tact, why on earth Eaton and her merry band of nitwits elected to miss the point is not only unimaginable but unforgiveable.

Certainly, enjoy this DVD for what it is. I assure you that if you read the book, you will want, as I want, to grab the murderous crutch and shove it where PBS don't broadcast. The most heinous murder in Oxford was committed in Boston. Shame on Eaton. Perhaps one day Dexter will insist on a reshoot, although Thaw is not well, and Whately may have no interest in any further casting as Lewis. Somehow, the record, as it is in the book, needs to be set straight.

Morse's End Predates John Thaw's by Only a Few Years
Sad to see that the great actor, John Thaw has passed away from esophageal cancer.

This episode is on par with all of the other great episodes of this outstanding series. Thaw's portrayal of an intellectual, world-weary British detective who confronts often complex and involved cases of murder and other crimes.

Now episode to this point really brought home to me how much I loved Inspector Morse. I was actually quite angry to see the great Inspector face such health problems (an understatement), but in light of John Thaw's actual illness, I guess it is to be expected.

My only regret is that there are not 100 more episodes hidden away somewhere. Inspector Morse and John Thaw will be sorely missed.

Relish the Well-done Remorseful Day
This is probably one of the best (if not *the* best) Inspector Morse television episode. I admit to alot of that bias *not* going toward it for being the final installment of the series, but more for it being such a WELL-DONE final installment of the series.

The obligatory murder plot/premise has to do with the re-opening of a case involving the death of a middle-aged temptress/nurse named Yvonne Harrison. Lewis and Morse tackle the case, with the latter acting particularly strange concerning many aspects of the matter. There are a plethora of suspects, one of whom is Morse's own doctor, which conveniently leads to scenes showing how the great Chief Inspector's health is deteriorating rapidly. The Harrison case, while definitely being worked-through carefully, isn't the real focus of the story.

Morse's plight is the prime meaning behind "The Remorseful Day". Never before has the character been rendered so human, and so pathetic. His lady-friend (appearing in recent TV adaptations) has apparently left him, and so Morse is utterly alone. There are poignant scenes between he and Lewis, of him making final preparations, and of him sitting alone in his home listening to profoundly sad classical music. John Thaw as Morse gives a veritable tour-de-force, in the most subtle and gracious way possible, of the great detective in his declining days.

Special note should be given to all involved in the television adaptation, for they have, in my opinion, surpassed the novel. Colin Dexter's book was fine, but it dealt more heavily with the actual murder case, and the illness of Morse was left for small parts, usually at the end of each day. Here, with the version made for the small screen, we have the situation of Morse's closing life brought to the forefront. It is done well, and an experience to watch.

The last scene is terribly moving. I always make it a point to realize that when I sit down to watch a movie or television show, NOT to get too emotional, because there are only actors upon the screen - nothing is real. I thought I would be able to hold forth with said beliefs while watching "The Remorseful Day". But the very last scene, involving just Lewis and Morse, brought tears to my eyes. The swelling music and the starkness of the scene was a wonderful way to end the series.

The impression left is one not easily forgotten.

Please Endeavour to Read this Review!
As a final good-bye to a wonderful series, I was disappointed in "The Remorseful Day." It is a sad and touching film where Chief Inspector Morse bids a fond farewell; however, the film is somewhat disjointed. Morse, more ill than ever -- due to his lack of caring for his health -- exits via a simple myocardial infarction! Couldn't it have been more dramatic or move moving than this?!!! One scene, however, prior to the last touching scene in the mortuary is excellent. It is the night before Morse's death (unbeknownst to him, of course) where he is sitting on his sofa. The look on his face is pathetic and tells the viewer everything. It is without doubt (to me) one of the best scenes in the film -- almost like the blind girl discovering that Chaplin was her benefactor in "City Lights." It is done without words -- only facial expressions.

Alas, our hero has to die and he exits rather pitifully telling Strange to "thank Lewis." I wanted something much more dramatic and much more moving; I suspect Mr. Dexter really does want to retire. The last scene -- when Lewis views Morse's body on a slab and leans over to kiss him -- is very moving and will bring a tear to the eyes of every Morse fan. Although he may have had a rich and rewarding life in his own way with his work, music, poetry and knowledge, I wanted him to go out differently, to have had a woman who really loved him, to have had something in life so very meaningful.... We will miss a very good fictional character and the actors who portrayed the detectives so well. However, thanks to the magic of the movies, we can enjoy the Inspector for years to come!

Goodbye old friend
The loss of "Chief Inspector Morse" hit me just as hard in this, Thaw's, last appearance as this fictional character as the real loss of Jeremy Bret ending the greatest rendition of Sherlock Holmes since the death of Basil Rathbone. Even watching the videos of all the other "cases" is bittersweet as the memory of Lewis kissing Morses' head goodbye in the closing scene now overshadows them all. The true sign of an actors actor making a written character live so vividly. A must see for any Morse fan- just be sure to have the hanky handy and see all the other Morses- first. ... Read more

Reviews (2)

Not one of the better films....
THE SETTLING OF THE SUN is not one of the better Morse films. The acting is stagy and overdone. The camera shots are bizarre and awkward. The hotch-potch use of elements from other more successful filmed versions of Colin Dexter's books, such as "Last Seen Wearing", "Last Bus to Woodstock" and "The Dead of Jericho" is insulting to the knowing fan.

I am not sure this film is based on a book. I don't remember reading a book with this title, nor did I find the plot familiar. (I thought I had read all of Colin Dexter's 'Morse' books.) If it is based on a book, the plot is certainly far inferior to those found other tales.

The tortured and unbelievable plot is overlaid with repetitious use of "Morse-isms" which are supposed to "wow" American audiences such as: Morse thinking over a pint in a friendly tavern; Morse driving his little red jaguar all over Oxford; Morse playing music and drinking at home; Morse unwilling to look at a body (three times with the same body). Morse's interest in the female "lead" is far from enthusiastic. It's almost as if he is going through the motions. Also, it's a bit hard to believe that this ditsy overwrought female has the least bit of attractiveness for Morse.

Don't get me wrong. I love the little "English" touches a much as the next Anglophile. I just hate being taken for a sucker. However,if you are devoted Morse fan you will probably want to buy it. Just can't get enough of the late John Thaw.

Possiby the Darkest of All the Inspector Morse Films
The undertones in "Setting of the Sun" deal with war and the moral repercussions thereof. Its direction is, along with "Service of All the Dead," among the most bleak and atmospheric of the Morse films. Another commonality which this film shares with the aforementioned film is its convoluted-yet-plausible plot, consisting of a rather intricate conspiracy theory. It may take a couple viewings for you to comprehend, it certainly did for me. Inspector Morse is asked to present a prize for a crossword competition at a summer school in Londsdale college for a group of overseas students. A murder conducted in a gruesome manner takes place while Morse is dining with the group. It turns out his presence was not incidental; he was meant to be a witness. Jane Robson's, Morse's love interest and the person who invited him to present the prize, feelings for Morse are not mutual in this episode. The uncertain long-term implications of war are beautifully presented at the end with the innocent view of Morse's love interest's daughter, when asked about her grandfather, whose suffering during the war was the impetus behind the conspiracy. ... Read more

Reviews (4)

"He admitted it, Morse. Why would he do that?!"
"Second Time Around" is quite possibly the best of the 33 "Inspector Morse" episodes. If you're a fan of the series and don't own it yet, then you should consider it a must-have. If you're new to the series - start here.

An old police detective is murdered while writing his memoirs. A suspect, Frederick Redpath, is brought-in for questioning. Morse and another chief inspector on the case, Dawson, recognize the man as a suspect from a child murder case from over a decade ago. Dawson becomes heavily involved in the new case, and Morse and his sergeant, Lewis, are trying to work at it from their own angle.

There is conflict, emotion, heartache, introspection, and mystery aplenty in "Second Time Around", and all of these factors come together to help make the episode a real treat. The direction is wonderful, and the acting is amazing. John Thaw, as usual, excels as Morse, and Kevin Whately does well as the ever-faithful Lewis. Oliver Ford Davies, an underrated gem of an actor, is convincing as the troubled Redpath, but the real star of this story is Kenneth Colley (famous from the first "Star Wars" trilogy) as Chief Inspector Dawson. Probably one of the best characters ever to grace the Morse series.

"Inspector Morse" is one of my all-time favorite television shows, and this episode is simply tremendous. It encompasses the best aspects of the series: an introspective Morse, a haunting murder case, great guest stars, and sorrowful music from Puccini ('Senza Mamma' from Suor Angelica). This is simply the best of "Morse". Don't pass it up.

Inspector Morse
Inspector Morse shines in this film, as always. It's one of the most fascinating Morses ever made. This film leaves you guessing until the end.

Memoirs of Inspector Morse
This episode of the Morse series provides the viewer with some insight into the development of Morse's character.

The death of senior police office shortly after his retirement celebration sets the scene of a murder investigation which departs from the immediate concern of his murder to become a much broader investigation which encompasses an 18 year old unresolved murder mystery which Morse was involved in.

In this rather unusual Morse there are some exemplarary performances notably from Pat Heywood (RootInto Europe) and Oliver Ford Davies (who would later co-star with Thaw in the sublime series, Kavanagh Q.C.). What distinguishes this particular Morse from the others is the degree of personal involvement shown by Morse. Despite his usual disspassionate, academic approach. Morse cannot resist responding to the friction from his old colleague who found success following his mentor, the Deputy Chief Police Commissioner to London. Also there is a heightened sensitivity shown by Morse to the case of the young girl, murdered many years earlier.

There are the usual twists and turns but in particular the scenes where the long suffering suspect of the child's death is finally completely cleared of any involvement. At that point the latest suspect is mentioned only for the first accused to fiercely criticise the police for their continued incompetence.

The conclusion to the story is a tragic scene wherein Morse confronts the killer with the evidence of his guilt. At that juncture the viwere is faced with sympathy with the killer's motive for the crime only to discover that the man who was killed was doing so protecting his child's life in just the same way that the murderer is revenging his.

Here the extent of Morse's involvement is revealed and one of the lasting impressions we have is the depth of tremendous sadness in his eyes.

This episode shows us the emotional side of Morse in many different ways. The storyline is supported in this regard by a stellar performance of Kevin Whately who gives vent to his frustrations with what he perceives to be Morse's attitude and verbally lashes him, only to discover later that he was wrong and very sheepishly apologises. Morse is magnanimous in his acceptance of the apology and moves on.

All around a very polished performance and an enthralling whodunit in the very best traditions of the genre. A+++

One of the Best
Not counting those adaptations based on actual Dexter novels, "Second Time Around" may well be the best single episode in an almost continuously excellent series. The strengths of the series are here in abundance: compelling plots, tight direction, interesting characters, and, unlike a few of the later episodes, a denouement that not only make senses and is unrushed but that has real emotional and psychological impact as well. Thaw and Whately are in top form, the best one-two punch in crime fiction since Holmes and Watson. This episode is also an excellent example of one of the thematic preoccupations of this series: middle-age melancholy and the toll it sometimes takes.

"Second Time Around" is yet another example of the superb work of John Thaw as Morse--even in those episodes which lack the usual tension and bite, Thaw's Morse is an astounding presence, irritable, acidic, vulnerable, funny, pompous, and compelling, by turns, and thoroughly, entertainingly, convincing. For those unfamiliar with the series, here is a good place to start. ... Read more

Reviews (1)

improbable plot
I have viewed and own numerous DVD entries in the Inspector Morse series. This particular mystery is not especially appealing, in that it revolves around a somewhat implausible combination of university/religious politics, eating disorders, and a weight loss organization which goes to extreme lengths to protect its reputation and profitability. Ultimately, even the death which represents the subject of the investigation turns out to be unconnected to blatant criminal activity. Compared to other entries in the series, FAT CHANCE is one of the less interesting stories.

M. Williams ... Read more

Book Description

Jean Marsh (Upstairs Downstairs) stars in this chilling tale of voodoo, extortion, murder and romance from Agatha Christie's bestselling novel.

Drama, approx.mins. ... Read more

Reviews (23)

British Films
Many British films deal with characterization and personal reasoning and thought. Pale Horse falls under this umbrella.
If you are looking for alot of action, like in American movies, you won't find it here. But it is unfair to call this movie boring just because the viewer is not familiar with the British way of expression. This is not the best dramatization of an Agatha Christie book, but it does deserve viewing.

Most Americans should not review British productions
It is very unfortunate that fully 70% of the reviews for 'The Pale Horse' are negative as it is an excellent few hours of viewing. It is also a perfect example of why most Americans should not review British productions. They just don't see the subtle nature of the British approach to television production, mystery-suspense writing, or for that matter, life in general. Put bluntly, they just don't get it. We share a basic language with them, but unfortunately, not much else. Americans tend to be Brits on steroids and expect their TV and movies to be the same way. No surprise most simply don't like or appreciate programs like 'The Pale Horse'. It isn't what they want from their viewing experiences.

Most reviewers called this a "movie". It isn't. It's a made for British television mystery-drama. In the US, this would be seen on PBS Masterpiece Theater, A&E, or The Mystery Channel, not FOX, HBO, or other major networks. To compare it to programming of that nature is absurd.

Brit TV is not blessed with the huge, unlimited production budgets of American studios. The fact that their production values are often superior to American TV is remarkable when viewed in that light. They use what the have. Actors often wear their own clothes in current day programs. They don't build many fake, costly sets. Most drama is actual location work. Their idea of 'action' is not computer generated special effects, endless physical and verbal aggression, pointless violence, or a blur of mind numbing, rapid fire scene changes. If that is what your looking for, look elsewhere.

British mystery-suspense TV like that featured in 'The Pale Horse' is quiet, subtle, mentally challenging, and has infinetly more depth than equivalent American programs. It is, like the British themselves, charming, slower, and mellower. They don't hit you over the head so often that it no longer hurts. Things that go 'bang' on American programs, go 'bump' on British ones. They love character development, something we have no use for since our characters are either weakly written on purpose to be the butt of someone elses sharp tongue or are killed off by a violent car crash, a series of impossible explosions, a rash of random gunfire, or some other such 'fast action' violence before the opening credits are over and you've finished the second slice of pizza.

In short, either you love British TV or you don't. If you do, this is a very solid bit of British mystery-drama. If you don't, why are you reading this?

Quiet and spooky
I am disappointed but not at all surprised that nearly all the customer reviews for The Pale Horse are poor. I am not astonished that many found this movie dull, because they are Americans and Americans are used to fast pace action movies and when they think mystery movie they of course think action, violence, etc. Some people were surprised that an Agatha Christie story would be this spooky and set in the 60s, although as they should know Christie wrote mysteries until her death in the 70s. Like Miss Marple, Christie was a people watcher, she studied not only people but the times they lived in and the crimes those times were likely to contain. And in the 60s Christie's stories did become darker and spookier.
Some reviewers complained of useless characters and misleading/useless dialog and confusing hard to follow scenes, well if they dislike that than they shouldn't complain only about this movie, because that is precisely the way Christie writes, she uses all of those elements to conceal the truth of the mystery until the very end. Christie also uses many one dimensional characters; this makes many think it is the fault of the actor/director/script writer that characters appear unusual/one sided and unbelievable.
I think this is a very good movie and perfect for someone who likes a quiet interesting mystery. I also recommend watching it multiple times, ten to on e you will notice something that you didn't the first time. This movie is somewhat special because it does not contain any of Christie's famous detectives.
For people that want superior character development and better explained motives, but still want a good mystery. I recommend Ross Macdonald's mystery novels.

The Pale Horse
I didn't like the movie The Pale Horse. I couldn't follow the storyline and I had trouble distinguishing the motive of the killer. I didn't like how the police automatically accused Mark Easterbrook of killing the priest after he turned the list of names into the police. It seemed as if they didn't investigate, they jumped right to conclusions. I didn't like how they made it seem that the witches were the murders; it seemed kind of cheesy to me. Why witches? And where did the wheel chair man come from? It seemed as if he came from nowhere and killed these people on this list that Mark Easterbrook gave to the police. However, it seems as if it's always the unsuspectable that are the killers. Generally, I was very disappointed.
I give this movie only one star because I did not like it and because it did not hold my attention. This movie was not suspensful and not in the least bit interesting. I found the plot boring and the charaters not interesting. I did not like how the characters were not affectionate to each other. I thought that the movie was cheap and not thought through. I found the movie hard to follow and confusing. I really didn't find any good aspects of this movie. My opinion would be not to waste your time watching this movie.

It sucked
The Pale horse

A talkative movie. The movie has a very bad plot also. It is very boring. I have to give it a 2.
Back in 1996 an author by the name Agatha Christie made this movie out of her book. The book was not that bad, but the movie was very boring.
First the plot was kind of a drag along scene. i'd rather sit and watch paint dry, well that is what to expect in watching this movie. The story line was not the greatest, and the characters was not filling up the parts too good either.

The movie was about a murder-suspense movie but to me it had no suspense. I did not jump out of my seat at all. The actors was not that good, again they could have done better for the characters. I could not relate to their characters.
Honestly I fell asleep during this movie.

... ... Read more

Description

From Paula Milne, the multi-award winning writer of The Politician's Wife, comes this taut psychological thriller starring Clive Owen (Croupier, Closer) and Claire Skinner (Inspector Morse).Ross Tanner (Owen) is a hotshot police detective who lives for the thrill of the chase—while desperate to conceal a terrifying secret: he's losing his vision. Competitive graduate officer D.I. Catherine Tully (Skinner) is drafted into Tanner's crime unit to help investigate an apparently motiveless murder of a nineteen-year-old college student. Soon enough Catherine realized the nature of Tanner's dreadful secret and an uneasy alliance is formed between them. She will be his eyes, on certain conditions—terms which will enhance her career prospects.As Tanner's relationship with the world becomes increasingly fragile he learns that there is more to murder than meets the eye. Insight prevails over eyesight as he discovers that success and survival will depend on the use of all his senses. ... Read more

Reviews (11)

SPELLBINDING HERO MAKES SERIES CRACKLE.
Fans of the art house cult hit CROUPIER will delight in this first entry in yet another first-rate British mystery series. Clive Owen, who made Jack Manfred a classic antihero in CROUPIER, fleshes out a fascinating character in DCI Ross Tanner as the SECOND SIGHT series begins with this two-tape set. Tanner is a divorced (aren't they always?) workaholic with an ambitious ex-wife and an adoring young son who seems to double as Tanner's only real friend. In this go-round, Tanner is beginning to lose his eyesight to a rare disease for which there stands no present cure. Hiding his condition and his terror is not going to be easy, however. The fadeouts are unpredictable and often frightening and his new partner, Catherine Tully, is on to him. Equally ambitious, and out to correct an old wrong, Tully offers to be Tanner's eyes if he will give her a crack at their new case--the death of a young university student in his own backyard while no one in the family seemed to notice.

Claire Skinner is, as always, expert and enjoyable to watch but its Clive Owen's show all the way. His unconventional good looks and rugged exterior share space with a tender, devoted father and a fair-minded, ingenious detective but Owen also gives Ross Tanner something else, that rarest of things in movie characters--the suggestion of an inner life which is every bit as fascinating as his day-to-day crime solving. Great production values and fine supporting performances (especially from Stuart Wilson and Phoebe Nicholls) make SECOND SIGHT a must for any British mystery video library.

Thank God for the BBC!
This two-part episode is the first of four engrossing mysteries with stoic, sexy DCI Ross Tanner (Clive Owen) leading a detective unit investigating really gruesome murders. Brilliant but star-crossed Tanner is strickened with a rare virus that is destroying his eyesight so he must conceal his ailment to keep on working, which leaves him vunerable for the first time in his life. Forced to use his other senses to compensate, he methodically sets out to solve the cases anyhow. The visuals are just great as the viewer experiences things from his perspective: hallucinations, blurred images, great flashes of light and vertigo. In his personal life, he goes from rollerblading, bar-hopping and neglecting his parential duties to having his bitter ex-wife eat crow, having his young son pity him and having an affair with a co-worker who is willing to assist him to further her own career. Try to watch the 4 well-written episodes in order so you can observe his subtle character arc which seems very genuine as he heroically struggles against a major disability and works through deep denial. The supporting cast is very good and their characters seem very genuine. His apartment is very cool. Yeah, BBC! This refers to VHS, I don't think the first part is available in DVD. Just one more reason to not ditch the VHS player just yet.

Clive Owen is Hot
It's a predictable mystery but it's well packaged and, as I said, Clive Owen is hot! There's some intensely erotic moments in this series that make it worth watching even though the average mystery fan will have the plot all figured out way before the climax.

Yes, I've admitted elsewhere that I am incredibly shallow at times, and this is one of them.

Touching and Creative - not your typical detective show!
I found this show on at 1 am one night, and was caught. I didn't know what day it played, or at first what channel it was on, so I found myself staying up, flipping channels to find it. After that I realized it might be better to use the TV Guide. This is a wonderful show. It's star is arresting, both vulnerable and strong at the same time. I try to avoid watching anything that doesn't catch my creative eye, and this did, completely. Such a show you would normally assume to be firmly within the usual "detective show" genre. It wasn't. It was wonderful. Creative, imaginative, touching and appealing. Beginning to end it was awesome.

Amazing! I loved it.
I highly recommend Second Sight and its sequel.
I think I have a new favorite actor... Clive. I hope I can find him in other features. He was just superb. A very compelling actor. I hope to see him in some big feature films in the US. He is an actor to watch. There's a lot of meat there in his acting ability. ... Read more

Reviews (1)

The Last Enemy
This one has more humor than any of the others I think.Morse is really going for women in these one. He has a toothache and its pretty funny. So I suggest you get a sotch and enjoy this epiosde. ... Read more

Reviews (1)

GREAT
Its a great movie if you like suspense and action. I love it when the guys head catches on fire! ... Read more

Reviews (1)

As usual, John Thaw played His role as Morse brilliantly.
The story line is believeable,the acting is great, the city is beautiful. What more can I say? ... Read more

Reviews (3)

Morse is actually quite funny throughout this film
Extremely well written, this mystery has Morse and Lewis on the trail of a murderer when all the evidence points to death by natural causes. In the course of the story Morse must deal with all sorts of wealthy American tourists, and one wonders whether this film had any impact on the screenwriters of GOSFORD PARK. Whether it did or not, and whether the actors are really Yanks or not, the cultural clashes are more overtly funny than this series usually gets, Morse is very nearly Basil Fawlty in several scenes.
By this time in the series, Whatley and Thaw were really hitting their stride and their natural ease with each other made these films entirely believeable. Dexter set out to write these stories because he thought he could do a better job than what he had read in the genre, and he did just that. Morse and Lewis are every bit the match for Holmes and Watson.
Anyway, this is a great story, brilliantly written for the screen, and one in which Morse's caustic humour is let run rampant over each and every person with whom he collides. Oh yeah, a jewel is stolen and a woman is dead. Who done it..... that would be telling.

Content good, DVD quality poor
The Inspector Morse series is one of the great British TV mystery programs of all time. "The Wolvercote Tongue" is a decent adaptation of Colin Dexter's "The Jewel That Was Ours," although the book is better. The stereotypical American characters are grating, but this episode is still worth watching for the wonderful performances of --and chemistry between-- actors John Thaw and Kevin Whately. My real complaint about this DVD, however, is with the overall presentation. While I'm grateful to BFS Video (an apparently low-budget operation in Canada) for finally bringing the Morse series to DVD in the US, they've done an incredibly poor job on the DVD transfer and with the packaging of the handful of Morse DVDs that they've released to date. Among other things, the video quality is poor. It looks something you'd get when you put your VCR to the lowest recording grade possible. Second, the unbelievably cheesy BFS Video logo and theme song that assaults the eyes and ears at the start of each DVD is an embarrassment. BFS can't seem to even get the cover photo of their products right. On some of their other Morse DVDs, they use photos that have nothing to do with the particular episode and/or are printed backwards. For this early Morse program, however, they go one further and use a photo that was not only taken many years later, it's from a DIFFERENT SHOW ENTIRELY, namely John Thaw's barrister series from the 1990s, Kavanagh QC. BFS- if you're reading this, kindly fire your products marketing people, as they clearly don't know anything about Morse. There are dozens --if not hundreds or thousands-- of fans out there like me who will gladly help you do things properly, and for no charge! There's no excuse for such shoddy work. Morse fans deserve better.

Rage, rage against the dying of the light.....
The WOLVERCOTE TONGUE is a pin that fits into a buckle-an elaborate and beautiful Anglo-Saxon buckle of the sort excavated at Sutton Hoo. The bejeweled tongue is the most beautiful part of the buckle that once clasped the waist of a mighty lord. The matching buckle is on exhibit in the fabled Oxford University Ashmolean--the oldest museum in England.

The tongue, long ago separated from the buckle, is owned by a rich American woman who has traveled with a group of tourists to Oxford, where she plans to present the pin to the Ashmolean. The afternoon of the presentation, after too much touring about the city has tired her, the woman goes to her hotel room to take a nap from which she will never awake. Her husband discovers her body and that the Wolvercote tongue has gone missing. Never fear, Endeavor Morse, Detective Chief Inspector of the Thames Valley Police and his trusty sidekick Sgt. Lewis are soon on the case.

This is a lovely film, and a vicarious thrill for Anglophiles who have spent hours and hours in Oxford or wish they had. The colleges, the shops, walking along behind Merton, the Botanical garden, punters on the Thames, the Ashmolean-it wouldn't matter to me if the plot made sense or not (it does), or whether the characters were fully developed or not (they are). Oxford's gleaming spires in the dying light of the afternoon sun and John Thaw-who could ask for anything more. ... Read more

Reviews (5)

Inspector Morse : "Last Seen Wearing"
If you own this episode on VHS there is no reason to purchase the DVD version. I am a big Inspector Morse fan and find this to be one of the better episodes but the DVD itself is horrible.
I cannot believe how a show as popular as Inspector Morse can be turned into such a shoddy DVD. The DVD contains no extras (although some newer episodes do contain laughable text trivia, ha!) The transfer is mediocre at best, and lastly the packaging is cheap. I recently purchased "Brideshead Revisited" on DVD, wonderful transfer, wonferful packaging, many extras including a booklet. Is it really too much to ask that the series be treated with a little respect, how about some extras behind the scenes footage? a director or author voice over? maybe an interview with some of the surviving cast? Its just dreadful in every respect. I can only hope the series is issued again by a company with more taste.

Another horrible transfer!
I am sure that many of the Ispector's fans waited impatiently for the series to be released on DVD. I made a fatal mistake of selling my VHS collection.
Beware! This transfer is a disaster!
Conclusion: Stick to your VHS for now!
Note: same thing with Brother Cadfael DVDs. Is it the London fog or what?

The first Morse I remember seeing, a good one
This is the first Morse story that I can actually remember seeing and as with all of the others it is a good story well worth watching. I would say that even a person who doesn't think they'd like an English murder mystery should try it. I would never have recognized Elizabeth Hurley in an early role as a school girl, Julia Sawalha(also present) was more appealing to me.

Elizabeth Hurley as a schoolgirl......
with a funky complexion, thick eyebrows, & thicker ankles! This your usual Inspector Morse mystery. He's grumpy, and always ready to have a good pint of Real Ale, and ready to have his sergeant pay for that pint. The real surprise here was seeing Hurley. She probably doesn't want this seen, but hey, a cygnet becomes a swan, right?

Excellent plot line and fine acting....
LAST SEEN WEARING was one of the first dramatizations of the BBC/PBS series of 33 episodes based on the character of Endeavor Morse, Detective Chief Inspector of the Thames Valley Police Department--serving the city of Oxford in England. LSW is actually based on one of the 13 books Dexter wrote, and contains a clever and complex plot. I think I'm fairly intelligent, and I read many mysteries, but I will say, I was baffled by this story. I read the book first, and recommend you do too.

The storyline is this--a young girl who is a day student at a private girl's school fails to come home one day. The police are called in to find the girl. Six months later, the girl is still missing and Morse is put on the case. He tells Sargeant Lewis, "She's dead." "Why do you say that Sir?" says Lewis. Morse replies, "Because I'm the three-file man. They bring me in when there are three files, and when there are three files, someone's gone missing too long." So the first mystery is this, is the girl alive as Lewis says, or is she dead as Morse insists??

If she is dead, who killed her? The headmaster of the school has been behaving suspiciously. His wife thinks his actions are odd. The assistant head mistress seems to have some knowledge she is keeping under wraps. And then there's the father who has access to all sorts of earth-moving equipment--and he's her stepfather after all and a wealthy one at that. On the other hand, one of the male instructors quit quite recently, around the time when the young girl disappeared. He moved onto a lower paying job in another school. Why would he do that?

For regular fans of BBC/PBS drama and comedy, the cast is filled with many familiar faces. Julia Sawhalia ("Absolutely Fabulous" and "Pride and Prejudice") and Hugh Grant's old girl friend (Estee Lauder model) play students. "As Time Goes By" fans will recognize the actor who plays Alistair. In LSW he plays the young male teacher who recently vacated his job at the private school where the female student disappeared.

The DVD is excellent. The shots of the English countryside are wonderful. The crisp clear photography reveals the black circles under Morse's eyes (he has a little alcohol problem) as well as the 20 layers of dirty green paint on the long corridor in the old police headquarters building. This is vintage stuff. ... Read more

Reviews (1)

Morse in God's Own Country?
Promised land begins, rather unpromisingly, with Morse and Strange observing a funeral and identifying in the grand tradition of detective movies the villains. A nod to the old Thaw series, the Sweeney, the show continues in this vein for a while as the boundaries are established, of getting the final villains, the possibility of a gang's release.

Morse is ordered to revisit a supergrass to try to uncover evidence which would resolve both the issues. The snitch has begun a new life in the equivalent of the witness protection scheme so everything appears to be straightforward.

On the eve of their departure, Lewis is more than a little miffed at having to forego his vacation, a burglary occurs at the local freesheet newspaper and in the grand Holmesian tradition, nothing is stolen.

Off our intrepid heroes set for Lewis to discover that the person they are visiting was transplanted to Australia.

There are some spectacular shots of the countryside which dwarf the car that they are driving and which serves to give a sense of perspective on the vastness of the country. In a vignette Morse discovers that he has not brought his beloved opera tape with him to play on the long drive. Lewis, searching for an alternative discovers country music, Australian style, on the radio. This again underscores the notion of Australia as a new country shaking off her connections to Britain.

On arriving at their destination the sterotypical portrayal of Australian men as boorish, gambling, womenisers is presented in a scene where Morse and Lewis venture into the local bar. In a very funny moment, Lewis orders a beer while Morse contents himself with an orange juice - a reversal of the usual position - which moves on to a condemnation by Morse of non-real ale and a perception by the locals that Morse is possibly homosexual.

The plot develops with a mysterious stranger driving a camper, the stoolie's wife is both hostile and yet welcoming. Her husband has disappeared, nothing new in that, and Morse and Lewis expend considerable energies in the search.

As the programme develops the stereotypical views of the country and it's people are challenged and they are shown to be warm, sociable, and open minded.

In the conclusion, in front of the Sydney Opera House, Lewis has resolved his issues by remaining in Australia to be joined by his wife. Morse is left in solitude with his ticket to the opera, a tragic figure who is unable to articulate his feelings.

This Morse does not have the usual twists and turns and in many ways is one of the most approachable of the shows. Regardless it is still terrific entertainment and well worth the five stars. ... Read more