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| 1. Star Trek - Deep Space Nine, Episode 103: Trials and Tribble-ations Director: Victor Lobl, David Carson, Gabrielle Beaumont, Robert Legato, Robert Scheerer, James L. Conway, Alexander Siddig, Avery Brooks, Jonathan Frakes, LeVar Burton, Michael Dorn, Allan Eastman, Jonathan West, Andrew Robinson, Reza Badiyi, Cliff Bole, Anson Williams, Tony Dow (II), Michael Vejar, Rene Auberjonois | |
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Amazon.com Reviews (29)
The cinematography is superb as clips from the original episode are seamlessly integrated into this episode. And by "seamlessly integrated" I mean 2 things: technically speaking, and from a plot perspective. This episode is at once nostalgic, original, filled with drama and humor (mostly Dax's comments, but comments by Sisko and others as well.) The fight scene is particularly well-done and stands as probably the best scene of the episode. Oh, it's so good to see Kirk and Spock again, but it is all fresh and new and exciting in the context of this extremely well-done DS9 episode. This is a must-buy for not only DS9 fans, but also Next Generation and Original Series fans. Outstanding, and as entertaining as even the full-length movies.
30 years later, the producers of Star Trek : Deep Space Nine (the best series of the modern Trek era) created this wonderful episode..."Trials And Tribble-ations". Using footage from the original episode, the crew of the Defiant go back in time to save Kirk from a vengeful Klingon. This episode has many fun moments. The best one is when Bashir, O'Brien and Odo don't recognize the human looking aliens as Klingons. "Those are Klingons?" A great episode and a fiting tribute to the original. Definitely better than Voyager's tribute episode with Captain Sulu.
Darvin turns out to be the same spy that was caught by Kirk poisoning the grain shipment. Darvin wants to change history by killing Kirk, so Sikso, Dax, Bashir, and O'Brien dress up in period uniforms and search the Enterprise for Darvin. Meanwhile Odo and Worf, check out the space station. Granted, the interaction between the two casts consists more of cuts than using computers to insert the DS9 gang into the original "Star Trek" episode, but that does not take away from the fun, and there is a lot of fun to be had in this episode. The best moment is when O'Brien and Bashir join Odo and Worf at the station bar when the Klingons show up and start baiting Scotty and the Enterprise men. The other three all stare at the Klingons, then at Worf with his all those ridges on the top of his head, and then back at the Klingons with their smooth brows. But to their questions about what happened, all Worf will say is that Klingons do not talk about it with outsiders. This may well be the funniest moment in "Star Trek" history (my second choice would be Captain Picard's Shakespearean monologue when he is trying to win Lwaxana Troi back from an amorous Ferengi). Dax mooning over Kirk is not half bad either. Clearly "Trials and Tribble-ations" is a unique crossover episode for the "Star Trek" universe, and fortunately there was no attempt to duplicate it with a similar project. Actually, since you can make the argument that not since "The Trouble With Tribbles" has there been a "Star Trek" episode that was so totally in the spirit of fun, that "Trials and Tribble-ations" is just the big cosmic wheel coming full circle.
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| 2. Beauty and the Beast: Above Below & Beyond Director: Beth Hillshafer, Bruce Malmuth, Victor Lobl, Gabrielle Beaumont, Peter Medak, Michael Switzer, Frank Beascoechea, Christopher Leitch, Jack Arnold, Alan Cooke, Thomas J. Wright, Daniel Attias, Gus Trikonis, Paul Lynch, Richard Franklin, Ron Perlman, Kenneth R. Koch | |
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| 3. Beauty and the Beast, Episode 1: Once Upon a Time in New York Director: Beth Hillshafer, Bruce Malmuth, Victor Lobl, Gabrielle Beaumont, Peter Medak, Michael Switzer, Frank Beascoechea, Christopher Leitch, Jack Arnold, Alan Cooke, Thomas J. Wright, Daniel Attias, Gus Trikonis, Paul Lynch, Richard Franklin, Ron Perlman, Kenneth R. Koch | |
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| 4. Star Trek - The Next Generation, Episode 102: Darmok Director: Larry Shaw, David Carson, Gabrielle Beaumont, Timothy Bond, Kim Manners, LeVar Burton, Richard Compton, Jonathan West, Marvin V. Rush, Michael Vejar, Robert Becker, Chip Chalmers, Peter Lauritson, Joseph L. Scanlan, Alexander Singer, Robert Iscove, Gates McFadden, Winrich Kolbe, Robert Wiemer, Robert Legato | |
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Amazon.com Don't be put off by the premise. "Darmok" is one of the best episodes of TNG. It's action-packed and holds its own next to "The Best of Both Worlds, Part I," "Time's Arrow," and "Descent." Thanks to Joe Menosky's brilliant teleplay and Paul Winfield's solid acting, this uphill battle in futility shows what probably would happen when two truly alien races attempt to communicate. There is genuine desperation in Dathon's (Winfield) eyes when he attempts to explain "Darmok and Jalad at Tenagra" for what seems like the millionth time. Watching Picard struggle to understand is downright painful, as is the inevitable confrontation that follows. The viewer comes to care what happens to the Tamarians. We want to know this alien race; but at the same time, we also know we'll probably never comprehend them. In series television, it's almost unheard of for a show to depart from canon. TNG takes a huge chance with "Darmok" and the end result is worth watching again and again. --Kayla Riggney Reviews (15)
Episode 102 presents a culture in which this sort of idiom is carried to the extreme. The words are getting through, but the meaning is not. The struggle of the two captains, the alien and Picard, to bridge the gap is brilliant and fascinating. This is my favorite Star Trek episode of all time, of all generations. Magnificent.
Highly recommended.
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| 5. Dukes of Hazzard: One Armed Bandits Director: Hollingsworth Morse, Denver Pyle, Gy Waldron, Ron Satlof, Hy Averback, Bob Kelljan, Allen Baron, Harvey S. Laidman, George Bowers, Jack Starrett, Ralph Riskin, Bob Sweeney, Gabrielle Beaumont, Arthur Marks, John Schneider, Bob Claver, Dick Moder, Don McDougall, James Sheldon, Tom Wopat | |
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If you are a Dukes fan, YOU MUST buy this episode. If not only to see how it all begins, if not only to see this classic American tale, but because TNN does such a hatchet job in cutting this one up in re-runs, you can't follow the plot and many of the episodes', and series', great scenes! But you can here, and you learn of the story between Bo and Jill Rae Dotson (Tisch Raye) that TNN doesn't show and are essential to the plot, which is based on a real life tale of a slot machine racket writer Gy Waldron discovered doing research creating Dukes. Raye, who would later marry in to French royalty and retire from acting, two years later landed a guest spot on Charlie's Angels in an episode entitled, "Moonshinin' Angels". This role unquestionably helped her land that one. From the opening scene, where a Hazzard Co. Patrol Car and the General Lee jump over a hill on Covington, Georgia's Elm Street, to the final joke of Rudy (played by Jason Lively, the son of Ernie Davis Lively, who played Dobro in this ep and appeared in three other Dukes eps as two other characters. Jason himself would be the focal point of the sixth season episode, "The Boar's Nest Bears") squirting flies on the General's rear windshield, this show is captivating. There is action, four, count 'em, FOUR car chases! But there is also drama, mischief, and a tale that really leaves no gaps. So many people think of The Dukes of Hazzard as a slapstick show, but that dumbed down feel of the show is absent here. Watching this makes you wonder how good Dukes would have been if they had continued to shoot in Georgia and followed Waldron's vision, rather than move the show to California and adopt hack writers from Gilligans Island and McHales Navy to "Hollywoodize" it. If you love the Dukes of Hazzard, this is a must for your library. You cannot enjoy the show in its proper context without seeing the above missing scenes! And if you're a southerner looking for a feel of rural southern life in the 1970's, look no further. This is it. "One Armed Bandits" is such a quality piece of television die-hard Dukes fans have been known to memorize every line of dialoge to it and travel to Covington and Conyers to check out shooting locations! Let's just say I still remember vividly watching this episode for the first time on its very first airing on Jan. 26, 1979, and I was seven at the time. For a memory like that to be imprinted on such a young mind, this episode must really be something special. You will agree after viewing it. Five stars do not do it justice. It should receive an infinite amount of stars.
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| 6. Star Trek - The Next Generation, Episode 177: All Good Things...The Final Episode ('94-'95) Director: Larry Shaw, David Carson, Gabrielle Beaumont, Timothy Bond, Kim Manners, LeVar Burton, Richard Compton, Jonathan West, Marvin V. Rush, Michael Vejar, Robert Becker, Chip Chalmers, Peter Lauritson, Joseph L. Scanlan, Alexander Singer, Robert Iscove, Gates McFadden, Winrich Kolbe, Robert Wiemer, Robert Legato | |
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Amazon.com Reviews (31)
With a stellar performance by Patrick Stewart as Jean-Luc Picard, the adventure travels the gamut of three separate periods in time ... the future, the present, and the past ... juggle a series of events that might, in fact, forecast the end of all mankind (not just the series, that's how much was at stake here). While I never REALLY liked Q (played by John de Lancie), his role came full circle in this science fiction twist with shades of A CHRISTMAS CAROL. In this two-hour episode, Q rose above being a mere plot device and showed that, as a character, he had worth that the viewers couldn't have possibly imagined. So ... where's the Q movie?
All Good Things..., the swan song episode for TNG, is possibly the best of Star Trek, period, focusing on mind-boggling concepts while retaining the character development and human interest that made the show so appealing. It's the seventh year that the crew of the Starhip Enterprise have been together, but Captain Jean-Luc Picard (Patrick Stewart) is experiencing odd timeshifts. He's constantly switching between three different time periods; to the past, right before the Farpoint mission, the present, and the future, where the crew has long since split up, Picard is retired and is diagnosed with a debilitating mental illness. Naturally, the rest of the crew is skeptical (be it in any time period), but when Picard discovers the true nature of his constant shifting, he realizes it is both the means and cause with which the existence of mankind could be erased. I hesitate to give too much away, though I doubt anyone with a passing interest in Star Trek hasn't already seen this episode. But it plays as an interesting comparison and contrast to the series' first episode, Encounter at Farpoint, which it directly ties in to with Picard's timeshifting to the past. There's been a notable improvement in the quality of the sets and the visual effects, and also the acting, the pacing, and the plot development. All Good Things... has all the solid acting one expects from the cast, and a human touch that was missing from the latest film, Nemesis. It's interesting to note that this episode (meaning the whole series, as well) ends with the door open for all sorts of possibilites; at this time, this clearly implied the much-hyped transition to the big screen. Unfortunately, some of the more open-ended questions this episode focused on were never even touched on. Sure, the Worf/Troi/Riker triangle was resolved, but one of my favorite ongoing side stories, the burgeoning romance between Picard and Dr. Crusher, was completely ignored in the movies. And the final scenes lead one to believe that the movies would take us to "places" never explored, even though the most recent film was merely a plotless action movie that didn't even have enough action to warrant the movie's existence. Stewart is the true highlight of this episode, displaying the great acting chops he's been known for. The fact that we care for him and the rest of the crew as well, adds a sense of urgency and involvement in the proceedings that the otherwise quite frantic pace alone might not have been able to develop. The plot twists are pure Trek, each mysterious element giving away to some big revelation that only leads to more questions. The story is engrossing, the dialogue is strong, and the performances and characterizations are spot-on. There are a few problems with All Good Things. The timeshifting obviously means we're going to see past and future versions of the cast, but everyone's aged to the extent where they can't quite pass for their more youthful selves, and the old-age makeup is never entirely convincing (Old Riker's first appearance gave me a good laugh). That said, I would like to make mention of what full-blown hotties Marina Sirtis and especially Gates McFadden became (McFadden is easily the most attractive post 50-year old actress I've ever seen). The continuing movie series actually began quite well; Generations and First Contact were enjoyable adventures, but everything seemed to fall apart with Insurrection. Funny, All Good Things... is a title that turned out more prophetic than anyone would have guessed.
My sons and I actually saw Patrick Stuart in the flesh in Leeds on my sisters birthday (I should really have gone there instead, but there you go), watching his signposted one man performance about Shylock - Shakespeares alien. It was quite famous over here, and very well attended. I wish I could relate this to you, but I would go WAY over the 1000 word limit and not even begin to scratch the surface. Sufficient to say, that Stuart's vocabulary as an actor is enormous, and he brought so much intelligence to bear on this very rich and complex play (the merchant of Venice) and interwove it most perspicaciously with recent events - terrorism, racism, and his own fascinating recollections of performances, character interpretations, and so many other things. It was like being on board a ship in a gale, exhilarating and wonderful, and no-one wanted it to end. It's a fact that when we had the opportunity to ask questions, and also at other times during the show, Patrick mentioned his relationship with Paramount in several ways. I don't want to quote these comments, but sufficient to say that all the cast members felt that things were not always on an even keel. In fact, there was evidence of a really complicated and not always simple state of play at many times. Fortunately, during the last season, there was relatively little in the way of compromise, largely due to the continuous diplomacy of Spiner and Stewart. The result of this diplomacy in the case of this episode pair is just about as good as it gets, and is a truly magnificent way to conclude the series. Picard, in this episode, has to deal with the final and inevitable onset of the final enemy - age, and mortality. In this he plays beautifuly an far older man than the younger commander seen at Farpoint, though the story is ingeniously composed in such a way that this ending episode is wrapped in an inescable embrace with this very first episode. I doubt whether this could ever have been pulled off by anyone else so well. But what is so well done is to (within the confines of the show format) to produce a strange sense of the timeless and the memorable. This is an astonishing effect. The whole thing seems... haunted by a strange atmosphere which would have been impossible to script in if you were aiming for it intentionally. I think there is a remote chance that this may just happened anyway, by accident. Perhaps, this is may have been due to the time paradoxes and folding in of the plot. But this atmosphere is surely due in greater part to the unconscious realisation by all participants that this was, in fact, the last time that all the cast would be gathered together in precisely that time and place and circumstance, a sort of breaking of the fellowship. After the gymnastics of a complicated plot, which gradually reaches a rather dramatic climax, the final stroke of genius is that the ending is positioned somewhere and sometime, but where exactly... Who knows? I suspect in a future which is that strange ambiguity that we know as happily ever after - no irony intended - in fact, you can truly imagine that the ending never actually happens at all,at least not one witnessed, but trails off into memory forever, into the furthest of distance. And it is there that we bid good bye. Of course, it's not really over, but here the story TELLING naturally ends, and most satisfyingly so. My gosh, what a way to go...
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| 7. Dr. Quinn Medicine Woman: For Better Or Worse Director: Alan J. Levi, Bobby Roth, Harry Harris, Roy Campanella II, Gwen Arner, Victor Lobl, Reza Badiyi, Lorraine Senna, Terrence O'Hara, Michele Lee, Steve Dubin, James Keach, Jerry London, Carl Binder, Gabrielle Beaumont, Rachel Feldman, Daniel Attias, Chuck Bowman, Richard T. Heffron, Jerry Jameson | |
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Amazon.com Reviews (5)
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| 8. Beauty and the Beast: Though Lovers Be Lost Director: Beth Hillshafer, Bruce Malmuth, Victor Lobl, Gabrielle Beaumont, Peter Medak, Michael Switzer, Frank Beascoechea, Christopher Leitch, Jack Arnold, Alan Cooke, Thomas J. Wright, Daniel Attias, Gus Trikonis, Paul Lynch, Richard Franklin, Ron Perlman, Kenneth R. Koch | |
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| 9. Beauty and the Beast, Episode 22: Happy Life Director: Beth Hillshafer, Bruce Malmuth, Victor Lobl, Gabrielle Beaumont, Peter Medak, Michael Switzer, Frank Beascoechea, Christopher Leitch, Jack Arnold, Alan Cooke, Thomas J. Wright, Daniel Attias, Gus Trikonis, Paul Lynch, Richard Franklin, Ron Perlman, Kenneth R. Koch | |
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Linda Hamilton is so good here that she gives us an empathic connection to Catherine that is stronger than Vincent's. "A Happy Life" is a thing of stunning beauty and power, and I don't think there is a significant misstep in it. This episode and the magnificent "Orphans" are by far the highest pinnacles of achievement for this series. In 1998 I conducted a poll among Beauty and the Beast fans asking them to rate the 44 episodes of the first two seasons on a 1-to-10 scale. 31 fans participated. "A Happy Life" finished 1st out of the 44 episodes. I placed "A Happy Life" 1st in my own personal 1-through-44 rank-ordering of the episodes.
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| 10. Beauty and the Beast, Episode 1: Once Upon a Time in New York Director: Beth Hillshafer, Bruce Malmuth, Victor Lobl, Gabrielle Beaumont, Peter Medak, Michael Switzer, Frank Beascoechea, Christopher Leitch, Jack Arnold, Alan Cooke, Thomas J. Wright, Daniel Attias, Gus Trikonis, Paul Lynch, Richard Franklin, Ron Perlman, Kenneth R. Koch | |
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| 11. Beauty and the Beast, Episode 3: Siege Director: Beth Hillshafer, Bruce Malmuth, Victor Lobl, Gabrielle Beaumont, Peter Medak, Michael Switzer, Frank Beascoechea, Christopher Leitch, Jack Arnold, Alan Cooke, Thomas J. Wright, Daniel Attias, Gus Trikonis, Paul Lynch, Richard Franklin, Ron Perlman, Kenneth R. Koch | |
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In 1998 I conducted a poll among Beauty and the Beast fans asking them to rate the 44 episodes of the first two seasons on a 1-to-10 scale. 31 fans participated. "Siege" finished 15th out of the 44 episodes. I placed "Siege" 18th in my own personal 1-through-44 rank-ordering of the episodes. ... Read more | |
| 12. Beverly Hills 90210: The Graduation Director: Victor Lobl, James Whitmore Jr., David Carson, Gabrielle Beaumont, Jon Paré, John McPherson, Luke Perry, Charles Correll, Christopher Hibler, Jeffrey Melman, Allison Liddi, Sjhorn Sjghovitson, Bill D'Elia, Charles Braverman, Bethany Rooney, Joel J. Feigenbaum, Gilbert M. Shilton, Jason Priestley, Anson Williams, Michael Toshiyuki Uno | |
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| 13. Beauty and the Beast, Episode 5: Masques Director: Beth Hillshafer, Bruce Malmuth, Victor Lobl, Gabrielle Beaumont, Peter Medak, Michael Switzer, Frank Beascoechea, Christopher Leitch, Jack Arnold, Alan Cooke, Thomas J. Wright, Daniel Attias, Gus Trikonis, Paul Lynch, Richard Franklin, Ron Perlman, Kenneth R. Koch | |
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In 1998 I conducted a poll among Beauty and the Beast fans asking them to rate the 44 episodes of the first two seasons on a 1-to-10 scale. 31 fans participated. "Masques" finished 5th out of the 44 episodes. I placed "Masques" 6th in my own personal 1-through-44 rank-ordering of the episodes.
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| 14. Beauty and the Beast, Episode 13: China Moon Director: Beth Hillshafer, Bruce Malmuth, Victor Lobl, Gabrielle Beaumont, Peter Medak, Michael Switzer, Frank Beascoechea, Christopher Leitch, Jack Arnold, Alan Cooke, Thomas J. Wright, Daniel Attias, Gus Trikonis, Paul Lynch, Richard Franklin, Ron Perlman, Kenneth R. Koch | |
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In 1998 I conducted a poll among Beauty and the Beast fans asking them to rate the 44 episodes of the first two seasons on a 1-to-10 scale. 31 fans participated. "China Moon" finished 32nd out of the 44 episodes. I placed "China Moon" 22nd in my own personal 1-through-44 rank-ordering of the episodes.
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| 15. Star Trek - Voyager, Episode 35: Investigations Director: Victor Lobl, Terrence O'Hara, Gabrielle Beaumont, Cliff Bole, Terry Windell, Tim Russ, James L. Conway, Jonathan Frakes, Robert Duncan McNeill, Roxann Dawson, LeVar Burton, Allison Liddi, Andrew Robinson, John Bruno, Marvin V. Rush, Anson Williams, Nancy Malone, Michael Vejar, Peter Lauritson, Les Landau | |
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Amazon.com Reviews (4)
Of course Paris cannot possibly be the traitor, which means there is more for Neelix to investigate and plans within plans within plans. "Investigations" is a pivotal "Voyager" episode in that it provides a resolution to several sub-plots that Janeway and the crew have been dealing with for most of this second season. Making Neelix the focal point of the episode is basically a diversionary tactic, because he is on the outside of everybody else's machinations. Unfortunately, this means that Neelix has to be front and center during the episode's climax. I understand the impulse to use Neelix in this regard, but it does end up keeping this from being a really great episode. "Investigations" also opens up some new sub-plots, especially when the new rift between Janeway and Chaoktay as "Voyager" continues to make its way across the Delta Quadrant.
However, I held back on 5 stars for a couple of reasons. Number one...I kinda thought that the whole "Briefing with Neelix" thing was kinda cheesy. But I'll let it go because after all, the Voyager crew *is* far from home in a stressful situation, so there must be some relaxation of the formal atmosphere! But the other reason I didn't give this episode 5 stars is because the writers seemed to just drop the issue of Janeway and Tuvok's manipulation of Chakotay. Given Chakotay's character and his sensitivity to being "duped", I think that the writers should have written Chakotay as much angrier at this manipulation than he actually appeared to be in the episode. Oh...one other thing! Note that this episode should be viewed after episode #36 "Lifesigns". Episodes are numbered in order of their production dates...not the order in which they were shown during the actual run of the series! In many cases, it doesn't matter, but in this case, it does!
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| 16. The Waltons: The Triangle Director: Ivan Dixon, Gabrielle Beaumont, Philip Leacock, Ralph Waite, Lawrence Dobkin, Walt Gilmore, Harvey S. Laidman, Nell Cox, Bernard McEveety (II), Richard Chaffee, Gwen Arner, David F. Wheeler, Robert Butler, Harry Harris, Nicholas Webster, Herbert Hirschman, Ralph Senensky, Jack Shea (III), Anthony Brand, Fielder Cook | |
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| 17. The Waltons: The Hunt Director: Ivan Dixon, Gabrielle Beaumont, Philip Leacock, Ralph Waite, Lawrence Dobkin, Walt Gilmore, Harvey S. Laidman, Nell Cox, Bernard McEveety (II), Richard Chaffee, Gwen Arner, David F. Wheeler, Robert Butler, Harry Harris, Nicholas Webster, Herbert Hirschman, Ralph Senensky, Jack Shea (III), Anthony Brand, Fielder Cook | |
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| 18. Beastmaster III: The Eye of Braxus Director: Gabrielle Beaumont | |
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