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Warren Beatty's lengthy 1981 drama about American Communist John Reed and his relationships with both the Russian Revolution and a writer named Louise Bryant (Diane Keaton) is a compelling piece of little-known history told in a uniquely personal way. Beatty plays Reed as he did the title gangster in Bugsy and Senator in Bulworth, as a visionary likely to die before anyone fully recognizes the progressiveness of the vision, including those who are supposed to be on the same page. Jack Nicholson has an interesting part as fellow intellectual Eugene O'Neill, and the late author Jerzy Kosinski--himself a refugee from then-Soviet-controlled Poland--makes a strong impression as Reed's problematic Russian liaison. --Tom Keogh ... Read more

Reviews (35)

Amazing Epic
There have been tons of epics in Hollywood- from the biblical epics like The Ten Commandments, the David Lean epics like Dr. Zhivago or the recent self-bloated Hollywood [poor] epics like "We Were Soldiers", "Pearl Harbor" and "Saving Private Ryan". "Reds", which was directed by Warren Beatty, and stars him along with Diane Keaton, Jack Nicholson and Gene Hackman, is perhaps, along with the Lean epics, the greatest one ever made.

The story is of John Reed (Beatty), writer of "Ten Days that Shook the World", and the only American buried in the Kremlin. Even though I am against the "this is a true story" deal some movies pretentiously say, Beatty's film is so intelligently and almost objectively done, that I'll go ahead and ignore that "flaw". (espacially now that it is known that Reed was a massvely paid missionary of the USSR)

Yet one should look at the film itself. This is a beautiful and romantic film. While the movie remains closer to leftism, the film doesn't forget the injustices the Soviets did to Reed. The movie's main plot is the romance story between Beatty and Keaton- in that respect it is similar to Dr. Zhivago.

I don't think I have ever seen more beautiful cinematography in my life- Vittorio Storaro's snow scapes are some of the greatest squares ever filmed. It is real injustice to him that this film is only available in a [poor] pan-scan VHS version.

Yet the true power of the film is Beatty, both as Reed, the idealist who has to choose between love or idealism, and as the director. Despite its length, the film flows breathlessly, intercutting with various real interviews with people who actually knew Reed.

I wholeheartedly recommend this movie- it's one of the great moments of Hollywood. And one of the few.

A personal epic
Warren Beatty pulls off a difficult task in "Reds." He's got to juggle several epic stories, including the rise of the American left in the early 20th century, the Russian Revolution, and a personal story of two romantics in a relationship charged by passion both emotional and political.

Any of these story threads presents a difficult task for a filmmaker and Beatty weaves his multilayered tale together with skill. He pays close attention to detail, gives us a multitude of historical characters and events, and mixes his story telling with the words of real people. Beatty buttresses his scenes with deceptively simple "talking heads." These "witnesses" provide a real background to the John Reed/Louise Bryant story of "Reds," giving viewers a good grounding in the passions of the era. The attention to little details (Reed bringing Bryant lilies, the constant phrase "There's a taxi waiting," etc.) provide a rich portrait of two volatile human beings.

Beyond the personal, Beatty knows how to handle epic screen drama. The rousing montage that leads up to the overthrow of Russian government is sumptuous and envigorating. Don't be deceived thought; this is not a "pro-Bolshevik" film by any great stretch of the imagination. Reed's dissillusionment with the Soviet system is portrayed in agonizing detail. Emma Goldman's story, a really great history in and of itself, gives another point of view to the difficulty passionate people have when taking on governing authorities and social mores.

The performances are uniformally excellent. Beatty and Keaton are well matched and there's plenty of gems in the supporting roles. Standouts include Jack Nicholson as Eugene O'Neil, Maureen Stapelton as Emma Goldman, Edward Herrmann as Max Eastman, writer Jerzy Kosinski as Soviet bureaucrat Grigory Zinoviev and Paul Sorvino as Louis Fraina.

I love "Reds." It's one of my favorite films. Be forewarned, however, you could be lost and confused by the myrad of events in this film if you don't know much about political history of the radical left in early 20th Century America or the Bolshevik Revolution and its aftermath. On the other hand, if you're intrigued by the film you'll find yourself up to your eyeballs at the library reading about the true events and real people who inspired this film.

One Of The Great Films Of The 20th Century
This is a wonderful film that is really a love story. Yes, it is an epic history of the Russian Revolution but it is one of the best biographies of Jack Reed and other progressives of the early 20th century. My wife and I saw this film in the theater in 1981 and fell in love with it. We watch it at least once a year because of the terrific love story and amazing historic sweep of the film. I love the idealism found in this film. It shows that ideas are important and that each of us should attempt to live out what we really believe in. Someone should release this film on DVD it stands the test of time!

USEFUL IDIOTS
EXCERPTED FROM STEVEN TRAVERS' "GOD'S COUNTRY"

The 1920s were a strange time. John Reed's "Ten Days That Shook the World" reached a large audience in the United States and internationally. Many wanted to know why an entire planet could be thrust into war. In an attempt to address that issue, some decided that nationalism, governmental agendas, realpolitik, racism, class warfare, capitalism, Democracy, and corporations in bed with politicians and militarists were to blame.

Nationalism was part of it. German unification and Balkan nationalism played a role. Governmental agendas and realpolitik always have played a role in conflict. Since Communism addressed the concept of "one world government" and a "world without borders," some concluded that Communism offered the answer to these problems.
Racism was never an original part of the war, but would emerge as an ugly by-product. The Turks unleashed an open can of worms resulting in "ethnic cleansing" and genocide pitting Christians against Muslims, Turks against Arabs, secular vs. religious. In Germany, an easy scapegoat began to emerge: The Jews. Lies began to spread that Jewish banking interests profited from the war. In the American South Jewish influence was an affront to their sensibilities. The Ku Klux Klan rose again after a period of dormancy. The KKK's "mandate" pitted them against a "worldwide Jewish conspiracy" somehow in league with Papal domination. They said Catholics pledge allegiance not to the U.S., but to the Vatican. But few Catholics and fewer Jews lived in the South. Many blacks did. They were becoming a more prominent segment of society. Blacks were emerging as professional athletes in the Negro baseball leagues, and as musicians in the jazz world. As they asserted themselves, this infuriated the white underclass.
But the most pernicious thing that emerged out of World War I were Westerners who believed that the war had occurred because of the failure of capitalism, Democracy, and corporations who were in bed with politicians and militarists. When Reed's book came out, a segment of society allowed themselves to believe that the new political system in Russia should be given a chance. Communism became "the answer" to society's many problems, including racism and poverty. The failure of Communism, already evident by 1920, was not exposed to the world. Reed either chose not to write about the thousands and thousands of famine victims, the secret police, the crackdowns and forced marches, the banishments, assassinations and disappearances, or he was controlled by the hierarchy, and not allowed to see it. He probably did not want to see it. He had found his story and he was going to stick to it. The great failure of the free press, of governments and political figures, of humanists and truth-seekers, was the failure to pin Russia - Lenin, Stalin, Trotsky, and the rest of them - down before they became too powerful. To expose them for what they were.

STEVEN TRAVERS
AUTHOR OF "BARRY BONDS: BASEBALL'S SUPERMAN"
...

Beatty's masterpiece
Warren Beatty's magnificent film, winner of many awards in many areas, deserves a DVD. Beatty, Keaton, Nicholson, Stapleton, etc., have never been better. Oscar winning cinematography deserves a good widescreen. Anyone else out there who thinks a DVD is long overdue? ... Read more

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A gung-ho and merciful angel (Buck Henry) pulls Joe Pendleton (Beatty), a football star, out of his body before his time, forcing the higher powers to come up with a substitute host. Joe settles on a vicious multimillionaire whose wife and partner are trying to kill him. Light, breezy, with not a mean bone in its body, Heaven is based on the 1941 film Here Comes Mr. Jordan. Beatty is wonderfully daft and innocent as Joe, Jack Warden is on top of his form as Joe's trainer Corky, and Julie Christie appears to be playing a diaphanous summer dress. Great comic relief is provided by Dyan Cannon, Charles Grodin, and the notion that the 1978 Los Angeles Rams could go to the Superbowl. --Keith Simanton ... Read more

Reviews (22)

Theologically Suspect...
Just kidding! I actually suspected I might find a killjoy review that might be along the very lines of my little "headline" above. There are always tut-tutters who'll utter, "God doesn't MAKE mistakes!" (I'm thinking of taking up hip-hop by the way).

But almost everyone seems to be in agreement that this is a charming fantasy with a lot of heart. And they're right. This is a sweet-natured movie, perhaps the lightest fare that Warren Beatty ever produced. And of course, GOD doesn't make mistakes, but bumbling newly promoted angels do, at least in fantasy land. In that, this movie pays homage to earlier classics like "It's A Wonderful Life" as well as its source film, "Here Comes Mr. Jordan."

Speaking of "Mr. Jordan," while many of the reviewers here duly praise Beatty, Julie Christie and comic villains, Dyan Cannon and Charles Grodin (perfect pairing), it also bears mentioning that James Mason is perfectly cast in what would have been the title role if they hadn't gone and changed the title. It's hardly a stretch for him, but like the rest of the cast he seems to be having a great time. In fact, that's one of the secondary pleasures of HEAVEN CAN WAIT. Sometimes, you slog through a particularly painful film, because it's a masterpiece(genuine or reputed), but you figure it had to be agony to make. HEAVEN CAN WAIT is not like that at all. They probably served angel food at the wrap party!

A heck of a lot of fun.
I really like this motion picture. The combo of Warren Beatty and Julie Christie has always pleased me (my absolute favorite of theirs--and one of my favorite films, period, is "McCabe & Mrs. Miller"). What I think is special about "Heaven Can Wait" is the great supporting cast. All are wonderful and wonderfully funny. Some of the dialogue between Diane Cannon and Charles Grodin is side-splitting. James Mason plays the sophisticated guide, Mr. Jordan, to a tee, while Buck Henry's dry wit hits with pin-point accuracy. Jack Warden is always solid and this film was certainly no exception.

The only thing negative I can comment on is Julie Christie's role. Many parts of the screenplay failed her miserably, especially the scene where she was confronting Beatty (when he became Farnsworth) for the first time. As the scene played out, it felt like someone was running a fingernail across a chalkboard. Actually, Christie's role turned out to be minor compared to the others, and this is a shame. She is one of the most beautiful and talented actresses ever to grace the screen, and I felt her talents were wasted for much of the film. I also agree with the reviewer who didn't like her hair. Oh, well....

However, everything else is so good, and the performances so rich, that I can't help giving this movie a very solid 8 out of 10. If you want to watch a film with some real belly-laughs, this one doesn't disappoint. I think the last time I laughed this hard was when I watched "What's Up Doc?" (my type of humor, I guess....)

BEATTY'S BEST.
Joe Pendleton is one of the most delightful and endearing characters of the past 3 decades. It's Warren Beatty's best performance pre-BUGSY and his best directing efforts, surpassing his work on both BUGSY and REDS. HEAVEN CAN WAIT is better than the original HERE COMES MR. JORDAN: It's better cast, better told and extremely heart warming...you ache when Pendleton is taken from earth twice (but not in the order you think would elicit the pain). I hope James Mason is waiting to greet me at the way station.

Totally Enjoyable!!!
This has to be one of the nicest films which Warren Beatty has ever been in, and such a likable character, too. He plays the role of a football star who dies suddenly, and is later re-incarnated into another life. Of course his essential character is still the same, and he tries to continue on in his quest to win the Superbowl (a game which he failed to win because of his sudden demise).

There are so many wonderful parts of this film. Jack Warden is superb as the coach who has to be persuaded that it is, indeed, Warren Beatty, and he goes a long way "in faith" to accept it as true, especially in light of the fact that Beatty has entered into the body of a very wealthy man, and the team doesn't want to have some "rich guy" owning the team.

Then there are the "angels," James Mason and Buck Henry, and they are equally good as well, although I can't say I'd buy into seeing real angels look like them. But they are inspiring, in a quirky kind of way.

Last of all, the "love interest" with Julie Christie, and I have to admit that this a film which majors on romance, without the sex, language, and other deleterious side effects of modern day film making.

"Heaven Can Wait" is a great classic film, and you would do well to add it to your collection. A Marvelous soundtrack as well. Highly recommended!!!

'You put me in a closet!!'
Rarely has a story been this whimsical and fun. I own an old, OLD, VHS tape of this and am on the brink of replacing it with a DVD. I saw the original film a long time ago, and (not meaning to cast any negative opinions) remember nothing about it except that it felt heavier and more disjointed. This version is peerless- from the comic, slightly neurotic turn of angel (and co-writer) Buck Henry, to the extremely neurotic, over-the-top performance of socialite wife Dyan Cannon. Her scenes with Charles Grodin ("yes, Mr. Farnsworth") feebly trying to hide their affair are hysterical. The best moments are with the genteel, easygoing James Mason and trainer Jack Warden (a nice guy who I always felt got short-changed at the end of the film). There's also a certain magical quality felt when hearing the line (used several times throughout) "there's nothing to be afraid of." In fact, there isn't. ... Read more

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Jay Bulworth is your typical senator going through a nervous breakdown. The empty speeches, lies, money, and pressure have led him to plan his own assassination on a weekend trip home to California just before the election. However, a cord snaps in him and like Jim Carrey's rambling lawyer in Liar, Liar, Bulworth can only tell the truth. This new freedom turns Bulworth on and he spews the ugly truth about politics: he tells mass media they are as corrupt as insurance companies; lambastes a black church for not having leaders; and riles the Jewish power elite of Hollywood. He enters South Central running away from advisors (including a bemused Oliver Platt) and mixing it up with a potential new girlfriend (Halle Berry) and a local boss (Don Cheadle). He offends acrossthe board, even developing an inherent knack to rap his speeches. And the public loves it. The weekend becomes a clarifying point for Bulworth: he finds a reason to live.

Beatty's rude and relevant comedy is a one-joke movie, but the joke is pretty good. It's a courageous film that is always sharp even though it loses narrative focus. Beatty's hilarious raps are so inspired they deserve repeated viewings. As usual, Beatty surrounds himself with a great crew, Ennio Morricone's music and Vittorio Storaro's cinematography being especially noteworthy. Beatty and Storaro even have the audacity to imitate two very famous photographs in the film's final seconds. The script by Beatty and Jeremy Pikser won the L.A. Film Critics award and was nominated for an Oscar. --Doug Thomas ... Read more

Reviews (131)

A sincere movie with no target demographic.
A politician has nothing left to lose -- so why not speak the truth? Warren Beatty's Senator Jay Bulworth lays down the smack: the reason the working man (in this movie, the working class is cleverly disguised as hip-hop mavens) doesn't have a voice, is he doesn't have the sway or monetary bullocks to *buy* a voice. Words aren't worth a penny unless you're worth billions. And of course, from the first instant, this divine fool's failure is certain and imminent: Big Business, what with its grimy fingers perpetually immersed in the U.S. Government's proverbial tub of crunchy Jif, would never allow a politician like Bulworth to succeed, at the risk of the working class' newfound capacity to leech the power from the insurance companies and tire manufacturers.

But here's the best part: this poor movie didn't stand a chance of finding a target demographic, just as we know from the first instant Bulworth doesn't stand a chance, either. The movie's occasionally bawdy humor is poised to captivate, paradoxically, *my* demographic (19-year olds who appreciate taboos about racial tension), while its sad, sad message is better suited to working class families who "get it," rather than to, say, people who rent movies all the time, or play the stock market, or capitalize on apathy. In that respect, Bulworth is a sad story, indeed.

Original, daring, and funny, one of the best movies ever.
Here is a movie that you will either love or hate but it certainly won't leave you indifferent.If you dislike Bulworth you most likely either can't stomach the film's left-wing political ideology or you find some aspect of the film offensive.But the willingness of the film to offend is the very thing that makes it so compelling to others.If you don't hate the movie for the above reasons you'll be able to appreciate the just how risky and original this movie is.As Bulworth campaigns,offending everyone and their mother while telling it like it is,you can't help but share in his giddy exhileration and you'll laugh your behind off at the same time.This is the essential theme of the movie and,just to keep things livly,Beatty introduces a variation as Bulworth begins to rap.On these scenes alone the film succeeds as a comedy though there are other very funny scenes(often involving Bulworth's campaign aids).Generaly I'm not a fan of rap but the film's music sets the tone nicely. The cast is universaly excellent,everyone seems to fit their part perfectly and Nina (Halle Berry) looks absolutely gorgeous.At one point, Bulworth is dancing with Nina in a Compton after hours club and,to roughly quote an internet reviewer,"this must be the most erotic scene involving two vertical people in all of cinima."What works in Bulworth works so well that the holes and improbableties inherent in the storyline seem beside the point.They certainly don't detract from the overall effect of the movie.I'm every bit as liberal a Warren Beatty and there is no doubt that your politics play a role in how you respond to the movie but I recomend this movie to everyone,you just might find it enligtening.

What were they thinking?
What were they thinking? Nevermind, it's actually pretty obvious.

Far from being the deft parody of modern civics that the producers obviously intended, this is an extremely silly movie that trivializes major problems, and frequently borders on being racist, classist, and anti-semitic.

One problem is that this was Warren Beatty's attempt at being "hip" and reaching out to a whole new generation. Well, I'm part of that generation and let me tell you that it just came out as being creepy and pathetic. Warren Beatty and Halley Berry? "Ew" on so many different levels. Warren Beatty being accepted as some sort of "brothah"? You've got to be kidding me. Warren Beatty rapping? Please, just kill me.

The other problem is that this movie attempts to address "problems" in a way that does nothing but rehash old stereotypes. This "inner city" was obviously dreamed up by an elderly woman from the midwest who has never actually met a black person, but has read books where she learned that some of them have hearts of gold and everyone else is a dangerous criminal intent on selling crack to five year olds.

There is a definate generation gap in who likes this movie and who does not. The young, socially aware people that I know think that this movie is paternalistic, insulting, and stupid: and that Warren Beatty should just deal with the fact that he is no longer Hollywood's #1 Heart-throb. My parents and their friends thought it was great and that Warren still has his old spark. Though even they admited that Warren and Halley was pretty "ew."

racist, socialist nonsense
This is one of the worst movies I've ever seen. Beatty, a wealthy playboy, tries to paint all whites as willingly racist and stepping on the poor, while at the same time demonstrating anti-semitism. Nice divisive garbage, Beatty. Not funny. Not relevant or at all honest.

Ghetto Senator
This movie is about a Senator who gets fed up with lying to the people. However it is a movie that is a matter of taste. If you are sensitive regarding racial issues this is certainly not the picture for you. If you like racially laced humor and politics you will probably like this movie, if not fall in love with it. Warren Beatty is excellent in his role as senator Bulworth and Oliver Platt is a riot as Bulworth's campaign manager. Halle Berry is still the most beautiful women in the world...showing that she can make even a totally straight laced senator turn ghetto. It's got it's ups and downs and craziness...some humor and even some surprises. I thought the ending was somewhat surprising. ... Read more

Reviews (64)

Calling "Dick Tracy!"
Oh yes! One of the best comic book movies ever! Dick Tracy (Warren Beatty) is the detective in the long, yellow coat who nobody messes with! Ugly little Kid (Charlie Korsmo) disrespects the man and tells him to 'go suck an egg'! Ouch, that really hurt punk! After the pig Lips Manlis (Paul Sorvino, "Not da bath, not da bath!") suddenly disappears and his club is taken over by "Big Boy" Caprice (Al Pacino), Tracy becomes suspicious of illegal gambling. Breathless Mahoney (Madonna) is the club singer and she really does get in the way and interferes in Tracy's romance with Tess (Glenne Headly). Betrayal! Since Tracy's been having problems, the city goes rampant and "Big Boy" ruins it. He talks too much, tries to sing and wants Tracy. Good costume design and watch for Dustin Hoffman, James Caan, and Dick Van Dyke, yes! I watched this when I was about six and I still love it. You know Breathless can't sing, but that's all right (only flaw in the film). "Big Boy did it," mumbled Mumbles, ha! Walnuts are bad for you, don't eat them. Don't play in cement. Be sure to give names to your children. Finally, how do you expect to see anything if your face is covered and you have no face? There's something to think about. Pretty much better than any 50's themed movie and almost a classic.

Comic strip Dick Tracy now on amazing WideScreen DVD!!
Warren Beatty Produced, Directed and played the leading role in "Dick Tracy". A milestone Oscar Winning movie adapted from Chester Goulds 1930's comic strip of the same name.

This remastered WideScreen DVD delivers the goods in this fictional comic strip world scattered with numerous Big Star cameo roles hidden behind the Oscar Winning make-up. Beatty shot this movie in vivid primary comic strip colors. All sets & art designs(Oscar winning) plus the costumes were all beautifully bold & lavish.

Summary: Tracy (Beatty) crime fighter goes up against a barrel full of comic strip Baddies. Well disguised Cameo roles by big stars; Al Pacino, Dustin Hoffman, Madonna, Dick Van Dyke, James Caan to name a few add to the genius of this film. The story is presented in a comic strip framed perspective beautifully shot with unbelievable camera angles. As all old Hollywood & Hero movies the good guys beat the bad guys & win the girl!! This is fun stuff!!!

This DVD is delight to watch. It is enhanced for the WideScreen HDTV Home Theatre with great 5.1 6 channel Dolby Sound. There are no extra features but the movie is outstanding, one of a kind delightful eyeful. This is a must DVD for the Home Theatre library. Enjoy

Almost Excellent
This film comes together much better than I expected. I think that Warren Beatty, an otherwise terrific actor, lacks something as Dick Tracy. He's too sober. I once read that someone thought Bruce Willis would have been perfect as Tracy. I think that that casting would have made this film a classic....a missed opportunity. I still recommend it as great fun.

Fantastic film!!
This film is one of the greatest of all time. Dick Tracy (Beatty) faces off against an onslaught of demented characters, including Flattop and Big Boy. A great tribute to the old serials of the 30's and films of the 40's, flawless casting, and an edgy plot make this film stand out. Great costuming and set design, unbelievable action. Get this one today!

haha hoffman
dustin hoffman played a retarded person in rain man and this movie. people must not think too highly of him. ... Read more

Reviews (131)

A sincere movie with no target demographic.
A politician has nothing left to lose -- so why not speak the truth? Warren Beatty's Senator Jay Bulworth lays down the smack: the reason the working man (in this movie, the working class is cleverly disguised as hip-hop mavens) doesn't have a voice, is he doesn't have the sway or monetary bullocks to *buy* a voice. Words aren't worth a penny unless you're worth billions. And of course, from the first instant, this divine fool's failure is certain and imminent: Big Business, what with its grimy fingers perpetually immersed in the U.S. Government's proverbial tub of crunchy Jif, would never allow a politician like Bulworth to succeed, at the risk of the working class' newfound capacity to leech the power from the insurance companies and tire manufacturers.

But here's the best part: this poor movie didn't stand a chance of finding a target demographic, just as we know from the first instant Bulworth doesn't stand a chance, either. The movie's occasionally bawdy humor is poised to captivate, paradoxically, *my* demographic (19-year olds who appreciate taboos about racial tension), while its sad, sad message is better suited to working class families who "get it," rather than to, say, people who rent movies all the time, or play the stock market, or capitalize on apathy. In that respect, Bulworth is a sad story, indeed.

Original, daring, and funny, one of the best movies ever.
Here is a movie that you will either love or hate but it certainly won't leave you indifferent.If you dislike Bulworth you most likely either can't stomach the film's left-wing political ideology or you find some aspect of the film offensive.But the willingness of the film to offend is the very thing that makes it so compelling to others.If you don't hate the movie for the above reasons you'll be able to appreciate the just how risky and original this movie is.As Bulworth campaigns,offending everyone and their mother while telling it like it is,you can't help but share in his giddy exhileration and you'll laugh your behind off at the same time.This is the essential theme of the movie and,just to keep things livly,Beatty introduces a variation as Bulworth begins to rap.On these scenes alone the film succeeds as a comedy though there are other very funny scenes(often involving Bulworth's campaign aids).Generaly I'm not a fan of rap but the film's music sets the tone nicely. The cast is universaly excellent,everyone seems to fit their part perfectly and Nina (Halle Berry) looks absolutely gorgeous.At one point, Bulworth is dancing with Nina in a Compton after hours club and,to roughly quote an internet reviewer,"this must be the most erotic scene involving two vertical people in all of cinima."What works in Bulworth works so well that the holes and improbableties inherent in the storyline seem beside the point.They certainly don't detract from the overall effect of the movie.I'm every bit as liberal a Warren Beatty and there is no doubt that your politics play a role in how you respond to the movie but I recomend this movie to everyone,you just might find it enligtening.

What were they thinking?
What were they thinking? Nevermind, it's actually pretty obvious.

Far from being the deft parody of modern civics that the producers obviously intended, this is an extremely silly movie that trivializes major problems, and frequently borders on being racist, classist, and anti-semitic.

One problem is that this was Warren Beatty's attempt at being "hip" and reaching out to a whole new generation. Well, I'm part of that generation and let me tell you that it just came out as being creepy and pathetic. Warren Beatty and Halley Berry? "Ew" on so many different levels. Warren Beatty being accepted as some sort of "brothah"? You've got to be kidding me. Warren Beatty rapping? Please, just kill me.

The other problem is that this movie attempts to address "problems" in a way that does nothing but rehash old stereotypes. This "inner city" was obviously dreamed up by an elderly woman from the midwest who has never actually met a black person, but has read books where she learned that some of them have hearts of gold and everyone else is a dangerous criminal intent on selling crack to five year olds.

There is a definate generation gap in who likes this movie and who does not. The young, socially aware people that I know think that this movie is paternalistic, insulting, and stupid: and that Warren Beatty should just deal with the fact that he is no longer Hollywood's #1 Heart-throb. My parents and their friends thought it was great and that Warren still has his old spark. Though even they admited that Warren and Halley was pretty "ew."

racist, socialist nonsense
This is one of the worst movies I've ever seen. Beatty, a wealthy playboy, tries to paint all whites as willingly racist and stepping on the poor, while at the same time demonstrating anti-semitism. Nice divisive garbage, Beatty. Not funny. Not relevant or at all honest.

Ghetto Senator
This movie is about a Senator who gets fed up with lying to the people. However it is a movie that is a matter of taste. If you are sensitive regarding racial issues this is certainly not the picture for you. If you like racially laced humor and politics you will probably like this movie, if not fall in love with it. Warren Beatty is excellent in his role as senator Bulworth and Oliver Platt is a riot as Bulworth's campaign manager. Halle Berry is still the most beautiful women in the world...showing that she can make even a totally straight laced senator turn ghetto. It's got it's ups and downs and craziness...some humor and even some surprises. I thought the ending was somewhat surprising. ... Read more

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A flawed but stylish adaptation of the Chester Gould comic strip by director Warren Beatty, who also stars in the title role. The minimalist plot involves a battalion of baddies who confront the intrepid detective in a series of strung-together vignettes. Al Pacino is a comedic if overblown standout as Big Boy Caprice, and Madonna simply smolders as aggressive blonde bombshell Breathless Mahoney. It matters not that the plot is Spartan, as this dazzling eye candy is much enhanced by Stephen Sondheim's songs, including the Academy Award-winning ditty, "Sooner or Later (I Always Get My Man)." Beatty took his cue from the source material and concentrated on the relationships between these people, whether strained, romantic, or hateful. The performances are subtle and more amusing than you would expect from such a visually bold picture. Shot in bright, primary colors, this also won Oscars for Best Art/Set Direction and Makeup (for those inventively hideous criminals). Watch for well-known names, such as Dustin Hoffman and Dick Van Dyke, in cameo appearances and supporting roles. --Rochelle O'Gorman ... Read more

Reviews (64)

Calling "Dick Tracy!"
Oh yes! One of the best comic book movies ever! Dick Tracy (Warren Beatty) is the detective in the long, yellow coat who nobody messes with! Ugly little Kid (Charlie Korsmo) disrespects the man and tells him to 'go suck an egg'! Ouch, that really hurt punk! After the pig Lips Manlis (Paul Sorvino, "Not da bath, not da bath!") suddenly disappears and his club is taken over by "Big Boy" Caprice (Al Pacino), Tracy becomes suspicious of illegal gambling. Breathless Mahoney (Madonna) is the club singer and she really does get in the way and interferes in Tracy's romance with Tess (Glenne Headly). Betrayal! Since Tracy's been having problems, the city goes rampant and "Big Boy" ruins it. He talks too much, tries to sing and wants Tracy. Good costume design and watch for Dustin Hoffman, James Caan, and Dick Van Dyke, yes! I watched this when I was about six and I still love it. You know Breathless can't sing, but that's all right (only flaw in the film). "Big Boy did it," mumbled Mumbles, ha! Walnuts are bad for you, don't eat them. Don't play in cement. Be sure to give names to your children. Finally, how do you expect to see anything if your face is covered and you have no face? There's something to think about. Pretty much better than any 50's themed movie and almost a classic.

Comic strip Dick Tracy now on amazing WideScreen DVD!!
Warren Beatty Produced, Directed and played the leading role in "Dick Tracy". A milestone Oscar Winning movie adapted from Chester Goulds 1930's comic strip of the same name.

This remastered WideScreen DVD delivers the goods in this fictional comic strip world scattered with numerous Big Star cameo roles hidden behind the Oscar Winning make-up. Beatty shot this movie in vivid primary comic strip colors. All sets & art designs(Oscar winning) plus the costumes were all beautifully bold & lavish.

Summary: Tracy (Beatty) crime fighter goes up against a barrel full of comic strip Baddies. Well disguised Cameo roles by big stars; Al Pacino, Dustin Hoffman, Madonna, Dick Van Dyke, James Caan to name a few add to the genius of this film. The story is presented in a comic strip framed perspective beautifully shot with unbelievable camera angles. As all old Hollywood & Hero movies the good guys beat the bad guys & win the girl!! This is fun stuff!!!

This DVD is delight to watch. It is enhanced for the WideScreen HDTV Home Theatre with great 5.1 6 channel Dolby Sound. There are no extra features but the movie is outstanding, one of a kind delightful eyeful. This is a must DVD for the Home Theatre library. Enjoy

Almost Excellent
This film comes together much better than I expected. I think that Warren Beatty, an otherwise terrific actor, lacks something as Dick Tracy. He's too sober. I once read that someone thought Bruce Willis would have been perfect as Tracy. I think that that casting would have made this film a classic....a missed opportunity. I still recommend it as great fun.

Fantastic film!!
This film is one of the greatest of all time. Dick Tracy (Beatty) faces off against an onslaught of demented characters, including Flattop and Big Boy. A great tribute to the old serials of the 30's and films of the 40's, flawless casting, and an edgy plot make this film stand out. Great costuming and set design, unbelievable action. Get this one today!

haha hoffman
dustin hoffman played a retarded person in rain man and this movie. people must not think too highly of him. ... Read more

Amazon.com essential video

Jay Bulworth is your typical senator going through a nervous breakdown. The empty speeches, lies, money, and pressure have led him to plan his own assassination on a weekend trip home to California just before the election. However, a cord snaps in him and like Jim Carrey's rambling lawyer in Liar, Liar, Bulworth can only tell the truth. This new freedom turns Bulworth on and he spews the ugly truth about politics: he tells mass media they are as corrupt as insurance companies; lambastes a black church for not having leaders; and riles the Jewish power elite of Hollywood. He enters South Central running away from advisors (including a bemused Oliver Platt) and mixing it up with a potential new girlfriend (Halle Berry) and a local boss (Don Cheadle). He offends acrossthe board, even developing an inherent knack to rap his speeches. And the public loves it. The weekend becomes a clarifying point for Bulworth: he finds a reason to live.

Beatty's rude and relevant comedy is a one-joke movie, but the joke is pretty good. It's a courageous film that is always sharp even though it loses narrative focus. Beatty's hilarious raps are so inspired they deserve repeated viewings. As usual, Beatty surrounds himself with a great crew, Ennio Morricone's music and Vittorio Storaro's cinematography being especially noteworthy. Beatty and Storaro even have the audacity to imitate two very famous photographs in the film's final seconds. The script by Beatty and Jeremy Pikser won the L.A. Film Critics award and was nominated for an Oscar. --Doug Thomas ... Read more

Reviews (131)

A sincere movie with no target demographic.
A politician has nothing left to lose -- so why not speak the truth? Warren Beatty's Senator Jay Bulworth lays down the smack: the reason the working man (in this movie, the working class is cleverly disguised as hip-hop mavens) doesn't have a voice, is he doesn't have the sway or monetary bullocks to *buy* a voice. Words aren't worth a penny unless you're worth billions. And of course, from the first instant, this divine fool's failure is certain and imminent: Big Business, what with its grimy fingers perpetually immersed in the U.S. Government's proverbial tub of crunchy Jif, would never allow a politician like Bulworth to succeed, at the risk of the working class' newfound capacity to leech the power from the insurance companies and tire manufacturers.

But here's the best part: this poor movie didn't stand a chance of finding a target demographic, just as we know from the first instant Bulworth doesn't stand a chance, either. The movie's occasionally bawdy humor is poised to captivate, paradoxically, *my* demographic (19-year olds who appreciate taboos about racial tension), while its sad, sad message is better suited to working class families who "get it," rather than to, say, people who rent movies all the time, or play the stock market, or capitalize on apathy. In that respect, Bulworth is a sad story, indeed.

Original, daring, and funny, one of the best movies ever.
Here is a movie that you will either love or hate but it certainly won't leave you indifferent.If you dislike Bulworth you most likely either can't stomach the film's left-wing political ideology or you find some aspect of the film offensive.But the willingness of the film to offend is the very thing that makes it so compelling to others.If you don't hate the movie for the above reasons you'll be able to appreciate the just how risky and original this movie is.As Bulworth campaigns,offending everyone and their mother while telling it like it is,you can't help but share in his giddy exhileration and you'll laugh your behind off at the same time.This is the essential theme of the movie and,just to keep things livly,Beatty introduces a variation as Bulworth begins to rap.On these scenes alone the film succeeds as a comedy though there are other very funny scenes(often involving Bulworth's campaign aids).Generaly I'm not a fan of rap but the film's music sets the tone nicely. The cast is universaly excellent,everyone seems to fit their part perfectly and Nina (Halle Berry) looks absolutely gorgeous.At one point, Bulworth is dancing with Nina in a Compton after hours club and,to roughly quote an internet reviewer,"this must be the most erotic scene involving two vertical people in all of cinima."What works in Bulworth works so well that the holes and improbableties inherent in the storyline seem beside the point.They certainly don't detract from the overall effect of the movie.I'm every bit as liberal a Warren Beatty and there is no doubt that your politics play a role in how you respond to the movie but I recomend this movie to everyone,you just might find it enligtening.

What were they thinking?
What were they thinking? Nevermind, it's actually pretty obvious.

Far from being the deft parody of modern civics that the producers obviously intended, this is an extremely silly movie that trivializes major problems, and frequently borders on being racist, classist, and anti-semitic.

One problem is that this was Warren Beatty's attempt at being "hip" and reaching out to a whole new generation. Well, I'm part of that generation and let me tell you that it just came out as being creepy and pathetic. Warren Beatty and Halley Berry? "Ew" on so many different levels. Warren Beatty being accepted as some sort of "brothah"? You've got to be kidding me. Warren Beatty rapping? Please, just kill me.

The other problem is that this movie attempts to address "problems" in a way that does nothing but rehash old stereotypes. This "inner city" was obviously dreamed up by an elderly woman from the midwest who has never actually met a black person, but has read books where she learned that some of them have hearts of gold and everyone else is a dangerous criminal intent on selling crack to five year olds.

There is a definate generation gap in who likes this movie and who does not. The young, socially aware people that I know think that this movie is paternalistic, insulting, and stupid: and that Warren Beatty should just deal with the fact that he is no longer Hollywood's #1 Heart-throb. My parents and their friends thought it was great and that Warren still has his old spark. Though even they admited that Warren and Halley was pretty "ew."

racist, socialist nonsense
This is one of the worst movies I've ever seen. Beatty, a wealthy playboy, tries to paint all whites as willingly racist and stepping on the poor, while at the same time demonstrating anti-semitism. Nice divisive garbage, Beatty. Not funny. Not relevant or at all honest.

Ghetto Senator
This movie is about a Senator who gets fed up with lying to the people. However it is a movie that is a matter of taste. If you are sensitive regarding racial issues this is certainly not the picture for you. If you like racially laced humor and politics you will probably like this movie, if not fall in love with it. Warren Beatty is excellent in his role as senator Bulworth and Oliver Platt is a riot as Bulworth's campaign manager. Halle Berry is still the most beautiful women in the world...showing that she can make even a totally straight laced senator turn ghetto. It's got it's ups and downs and craziness...some humor and even some surprises. I thought the ending was somewhat surprising. ... Read more

Amazon.com essential video

Jay Bulworth is your typical senator going through a nervous breakdown. The empty speeches, lies, money, and pressure have led him to plan his own assassination on a weekend trip home to California just before the election. However, a cord snaps in him and like Jim Carrey's rambling lawyer in Liar, Liar, Bulworth can only tell the truth. This new freedom turns Bulworth on and he spews the ugly truth about politics: he tells mass media they are as corrupt as insurance companies; lambastes a black church for not having leaders; and riles the Jewish power elite of Hollywood. He enters South Central running away from advisors (including a bemused Oliver Platt) and mixing it up with a potential new girlfriend (Halle Berry) and a local boss (Don Cheadle). He offends acrossthe board, even developing an inherent knack to rap his speeches. And the public loves it. The weekend becomes a clarifying point for Bulworth: he finds a reason to live.

Beatty's rude and relevant comedy is a one-joke movie, but the joke is pretty good. It's a courageous film that is always sharp even though it loses narrative focus. Beatty's hilarious raps are so inspired they deserve repeated viewings. As usual, Beatty surrounds himself with a great crew, Ennio Morricone's music and Vittorio Storaro's cinematography being especially noteworthy. Beatty and Storaro even have the audacity to imitate two very famous photographs in the film's final seconds. The script by Beatty and Jeremy Pikser won the L.A. Film Critics award and was nominated for an Oscar. --Doug Thomas ... Read more

Reviews (131)

A sincere movie with no target demographic.
A politician has nothing left to lose -- so why not speak the truth? Warren Beatty's Senator Jay Bulworth lays down the smack: the reason the working man (in this movie, the working class is cleverly disguised as hip-hop mavens) doesn't have a voice, is he doesn't have the sway or monetary bullocks to *buy* a voice. Words aren't worth a penny unless you're worth billions. And of course, from the first instant, this divine fool's failure is certain and imminent: Big Business, what with its grimy fingers perpetually immersed in the U.S. Government's proverbial tub of crunchy Jif, would never allow a politician like Bulworth to succeed, at the risk of the working class' newfound capacity to leech the power from the insurance companies and tire manufacturers.

But here's the best part: this poor movie didn't stand a chance of finding a target demographic, just as we know from the first instant Bulworth doesn't stand a chance, either. The movie's occasionally bawdy humor is poised to captivate, paradoxically, *my* demographic (19-year olds who appreciate taboos about racial tension), while its sad, sad message is better suited to working class families who "get it," rather than to, say, people who rent movies all the time, or play the stock market, or capitalize on apathy. In that respect, Bulworth is a sad story, indeed.

Original, daring, and funny, one of the best movies ever.
Here is a movie that you will either love or hate but it certainly won't leave you indifferent.If you dislike Bulworth you most likely either can't stomach the film's left-wing political ideology or you find some aspect of the film offensive.But the willingness of the film to offend is the very thing that makes it so compelling to others.If you don't hate the movie for the above reasons you'll be able to appreciate the just how risky and original this movie is.As Bulworth campaigns,offending everyone and their mother while telling it like it is,you can't help but share in his giddy exhileration and you'll laugh your behind off at the same time.This is the essential theme of the movie and,just to keep things livly,Beatty introduces a variation as Bulworth begins to rap.On these scenes alone the film succeeds as a comedy though there are other very funny scenes(often involving Bulworth's campaign aids).Generaly I'm not a fan of rap but the film's music sets the tone nicely. The cast is universaly excellent,everyone seems to fit their part perfectly and Nina (Halle Berry) looks absolutely gorgeous.At one point, Bulworth is dancing with Nina in a Compton after hours club and,to roughly quote an internet reviewer,"this must be the most erotic scene involving two vertical people in all of cinima."What works in Bulworth works so well that the holes and improbableties inherent in the storyline seem beside the point.They certainly don't detract from the overall effect of the movie.I'm every bit as liberal a Warren Beatty and there is no doubt that your politics play a role in how you respond to the movie but I recomend this movie to everyone,you just might find it enligtening.

What were they thinking?
What were they thinking? Nevermind, it's actually pretty obvious.

Far from being the deft parody of modern civics that the producers obviously intended, this is an extremely silly movie that trivializes major problems, and frequently borders on being racist, classist, and anti-semitic.

One problem is that this was Warren Beatty's attempt at being "hip" and reaching out to a whole new generation. Well, I'm part of that generation and let me tell you that it just came out as being creepy and pathetic. Warren Beatty and Halley Berry? "Ew" on so many different levels. Warren Beatty being accepted as some sort of "brothah"? You've got to be kidding me. Warren Beatty rapping? Please, just kill me.

The other problem is that this movie attempts to address "problems" in a way that does nothing but rehash old stereotypes. This "inner city" was obviously dreamed up by an elderly woman from the midwest who has never actually met a black person, but has read books where she learned that some of them have hearts of gold and everyone else is a dangerous criminal intent on selling crack to five year olds.

There is a definate generation gap in who likes this movie and who does not. The young, socially aware people that I know think that this movie is paternalistic, insulting, and stupid: and that Warren Beatty should just deal with the fact that he is no longer Hollywood's #1 Heart-throb. My parents and their friends thought it was great and that Warren still has his old spark. Though even they admited that Warren and Halley was pretty "ew."

racist, socialist nonsense
This is one of the worst movies I've ever seen. Beatty, a wealthy playboy, tries to paint all whites as willingly racist and stepping on the poor, while at the same time demonstrating anti-semitism. Nice divisive garbage, Beatty. Not funny. Not relevant or at all honest.

Ghetto Senator
This movie is about a Senator who gets fed up with lying to the people. However it is a movie that is a matter of taste. If you are sensitive regarding racial issues this is certainly not the picture for you. If you like racially laced humor and politics you will probably like this movie, if not fall in love with it. Warren Beatty is excellent in his role as senator Bulworth and Oliver Platt is a riot as Bulworth's campaign manager. Halle Berry is still the most beautiful women in the world...showing that she can make even a totally straight laced senator turn ghetto. It's got it's ups and downs and craziness...some humor and even some surprises. I thought the ending was somewhat surprising. ... Read more