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Missionaries travel to the Brazilian rain forest and make a mess of everything. What else is new? Actually, plenty in this dark but beautifully realized adaptation of Peter Matthiessen's well-regarded novel, directed by Hector Babenco. Aidan Quinn, Daryl Hannah, Kathy Bates, and John Lithgow play the Americans who travel to the Brazilian interior in an effort to do some good. But their definitions of good vary wildly; Bates and Lithgow are old-fashioned puritans who want to convert the heathens to Christianity and remove all traces of their own culture. Quinn and Hannah are more spiritually minded, hoping to make a connection and a cultural exchange with the Indians they encounter. In the end, they're all delusional, trapped in their own preconceptions. Downbeat but magical in its way, with sterling performances all around and amazing scenery, to say the least. --Marshall Fine ... Read more

Reviews (31)

Finally!! A Movie For Adults!!
I have probably watched this movie 10 times and each time I see something I missed before. In this age of comic-book character drek movies,here's a story with characters and plot that makes you think. A movie for ADULTS!

The story concerns a group of missionaries en route to the jungle to ram their religion down the throats of the poor indians (Lithgow, Hanna, Quinn and Bates). Tom Berenger is an American half Indian who is hired to bomb the people he discovers is of his own race. He decides instead to parachute himself into the tribe, thereby being considered their God.

From here everything goes downhill. Bates and Quinn's son dies of a fever, Bates goes mad; Berenger's character has a sexual fling with Hanna who is unknown to everyone, carrying a virus
which would not kill anyone in a first world, but is catastrophic to the Indians when Berenger returns to infect everyone.

The aerial photography at the beginning was some of the most beautiful you'll ever see in any movie. The South American topography looks like the Grand Canyon, only covered in green, green, GREEN!! The characters are very fleshed out and deep. This is a movie that leaves you wondering what happened to them after the movie ends. Too bad garbage like "X-men", "Spiderman, "Incredible Hulk", ad nauseum get all the big box office. I'm sorry this one did not do well either. But, then, considering the mentality of humanity these days, I'm not surprised.

Berenger and Quinn make this film worth viewing
Ofcourse, Tom Berenger and Aidan Quinn have the only two fully developed characters in this script and they both did a tremendous job. Darryl Hannah's performance was also good, but would have been better had her character been explored more deeply. I was not impressed with the performances of Bates and Lithgow, however, despite being a fan of their other work. There were moments when I laughed because the acting was so over the top.
What is so sad about this film overall is that it really could have been great. It's a great story that needs to be told, but even the best actors can only do so much with a poor script.
I've read comments from others about the nudity being an issue in the film. That's just ridiculous and I had to comment on it because when I finally viewed the film, I didn't even notice the nudity. Naked body? We've all got one under our clothes. Get over it.
Two of the three stars are for Berenger and Quinn for doing such a great job. Without those two performances, this is a one star film.

Good.
'At Play in the Fields of the Lord' is a excellent movie about a failed attempt to "civilize" a group of native americans living in the Amazon. Check it out.

Fantastic missionary movie
At Play in the Fields of the Lord is a movie to have in your personal collection. It has stayed in my memory since my first viewing many years ago, and remains to date one of the best missionary movies ever made. Based on the book by the same name by Peter Mathiessen, author of In the Spirit of Crazy Horse, the film masterfully weaves the clash between Native peoples and the well meaning Christians who aim to convert them. Featuring stunning scenery, filmed entirely on location in Amazonia, and with an all-star cast, I can't recommend it highly enough. I also recommend Black Robe if you enjoy this movie.

Culture clash...
Here's a big book reduced to a three-hour film. I don't have a problem with that. The parts left out could make a whole 'nother film. The resulting film is quite profound and fascinating; Babenco got a big budget after his success with "Kiss of the Spider Woman", and made an epic which is unusually intimate. I appreciated the acting, all of it. Kathy Bates in particular was solid in her relatively small role, and one of these days Daryl Hannah will be taken seriously. Berenger and Quinn have the moxy to carry this film well. The photography is exquisite, especially some of the aerial shots, but also crystal clear close-ups that show every bead of sweat, etc. Stunning! I've read most of the other reviews before making my comments. This film had me from the beginning, and I'm sorry for those who didn't "get it". Films about trying to change the beliefs of natives are interesting (and upsettingly frustrating) for me. Another riveting film (for me) was 1966's "Hawaii", based on Michener, which told a similar story. "Windwalker"? "Roots"? The religious thing, to me, is merely a matter of interpretation. Who's to say that these natives aren't praying to the same God? Idols? Well, the Christian churches have plenty of their own, patron saints to various things; St. Christopher medals, cricifixes... Those movies about Columbus, or the Pilgrims, also told of similar situations. Imagine the confusion of those innocent people, who only died of age until the "Christians" came along. Nudity? Who cares. It's what they did. How dare I criticize another's culture, when my own is so screwed up. Babenco used authentic Amazonians, and I applaud him for it. This film pretty much put the kabosh on Babenco's legitimacy in Hollywood; alas, the film was a failure. I eagerly await the emergence of a DVD version of this film, as well as "Hawaii". A wide letterbox could show off some breath-taking panoramas and brilliant photography. Sorry if you don't like my opinions. I'm still an American and believe in the First Amendment; I'm also a Christian who is never ashamed, often embarrassed. ... Read more

Reviews (13)

classic film making
well, i must say after seeing this movie several times, i am still in awe. the intertwining stories of both { the great raul julia, such a loss} and the wonderful hurt, truly puts you right into the journey each character endures. i read of the intense work mr hurt did to prepare for the role, and it shows brilliantly. showing through very difficult conditions, two totally opposite life spectrum's learning and understanding can be met. though not conceding completely they both walk away thoroughly different and changed people. the reality and fantasy were incredibly executed here, and even those of us who relish the idea of figuring it out will be tested. well deserving of the oscars and all awards nominated and won. i love a good story and especially when you walk away learning life long understanding, which is not allways acheived in the movie business. A+

A Fine, Thoughtful Movie
I remember liking this movie when it came out in 1985 but I had forgotten just how good this movie really is. William Hurt certainly deserved the Oscar he won for his portrayal of Molina, an effeminate sex offender-- he is always in character-- on the other hand, Raul Julia is wonderful as a political prisoner too. This film makes a thoughtful statement about both friendship and what being a man is really all about as well.

I can't remember when I have seen such a realistic film. You can almost smell and taste the awful prison food that these two men eat, for instance. The sex between the two men is handled with great delicacy. This is a really fine movie that troubled me long after I saw it again.

One of my personal favorites.
'Kiss of the Spider Woman' is one of my personal favorite movies. It is a great character study of two prisoners, an intellectual and homosexual, who pass their time by telling stories of their lives and recalling favorite films. William Hurt and Raul Julia give awesome performances, and by the end of the movie, I was feeling for both of them as though they were real people. An AWESOME AWESOME movie.

A "classic" in every sense of the word!
"Kiss Of The Spider Woman", although an emotionally draining film, is a true classic. Right from the first scene, you feel the frustration of Valentin and Molina, both outcasts of society, yet for very different reasons.The acting is nothing less than extraordinary. William Hurt as the lonely homosexual, Molina, the late Raul Julia, as the stern, but deeply caring political prisoner, Valentin, and Sonia Braga [who takes on three different roles, including the title role, and plays them all brilliantly], are what make this film so great. Although Hurt deservingly won the Oscar for Best Actor, the same consideration should have been given to Julia and Braga for their contribution, as they were both nothing short of incredible. Why this great film is not out on DVD is a mystery in itself. If you've seen it, see it again....if you haven't, I highly recommend you do.

An interesting movie that I surprisingly did not enjoy
I saw this at a Landmark Theatre in L.A., famous for their quality independent films. Kiss of the Spider Woman was originally released in 1985 and gained Academy Award winning recognition. It was re-released after 16 years, over the summer. It's very powerful, and should make you think. The acting is dazzling by the two leads, William Hurt and the sadly deceased, Raul Julia. But to tell you the truth, I didn't like the movie very much. The plot focuses on two prison inmates in Argentina, incarcerated and tortured by their own government. William Hurt is a sensitive drag queen, who is not as innocent or sensitive as he first appears. Raul Julia is an austere man filled with politically charged passion and anger, but also reveals a different side to him. The movie exhibits the contrast of the two eccentric, two very tragic characters, and sucks the audience into their story, but for some reason, I wasn't really absorbed into its story. Despite my lack of enthusiasm, the movie is considered an all-time great by most film-lovers, and so if you, too, love films, I would take their recommendation on this one, over mine ... Read more

Reviews (5)

This could be the most depressing movie ever made!
This could be the most depressing movie ever made! Don't watch it with a loaded gun in your hand.

Hard to sit through
Jack Nicholson normally plays roles of blistering intensity, but in 'Ironweed', he plays an aging, burned out bum. Nothing wrong with that, but Nicholson didn't seem right for it. Maybe DeNiro would have been more convincing. Nonetheless, the story is about a bum who keeps having flashbacks of his younger days when he was fighting working man. Apparently he accidently killed three people in his lifetime. All the killings were show in chronological order as 'Ironweed' progressed. I wasn't able to see the last killing because I couldn't finish the film. Only for die-hard Nicholson and Streep fans.

Breathtakingly sad & beautiful
Where do you start with a movie like this? The cinematography & art direction are stunning. Every single shot, every frame, is a Hopperesque masterpiece: colors, lighting, composition. It grabs you way way deep inside. The writing is of a rare pureness: concentrated & intense & head-spining. The excellent writer William Kennedy wrote the screenplay from his Pulitzer prize-winning masterpiece of a novel. You can't get better than that. And then the acting. What acting! Where to start? Tom Waits who sings even when he acts. Jack Nicholson always reaching - out & deep inside - tremendous! Never better. And the exquisitely divine (sorry, can't help it) Meryl Streep: beautiful, heartwrenching, pathetic, laughable, lovable & real. The part of a lifetime, no not just a lifetime, the part of an entire movie-making era. Lastly the direction by the masterful Hector Babenco. Thank you Snr. Babenco. You belong in the pantheon with Von Stroheim, Renoir, Fellini. Thank you. So why has this film fallen into the void of video oblivion? I guess because it's an honest no melodramatics or histrionics depiction of bums - real people who represent the alternative lives that all of us could be leading but would really prefer never be reminded of.

To Comfort The Dead
In highschool I came across a poem called The Projectionist's Nightmare, I don't recall the name of the poet but the poem's message is still very much with me. It described a wayward bird inside a movie theatre, where an audience was watching two poeple "being nice to each other". The bird crashes into the screen, its blood slithering onto the image, the spell is broken, the fantasy dispelled and the audience screams. Hector Babenco had already made this poem in substance in 1985s Kiss Of A Spider Woman where his lead character, a prisoner, escaped his miserable surroundings through memories and fantasies of a propaganda film. Two years later Bebanco would make Ironweed, and his lead character Frances Phelan (Jack Nicholson) is well past the dreaming stage, the only fantasies he has are of ghosts from his past.

Ironweed is a film many people would find slow. Nothing much happens and the characters don't change. The stark grim atmosphere and the dead end conditions unrelenting. There is no hope in the story of Frances Phelan. He has abandoned his family 22 years ago after dropping his 13 year old baby to its death. The film starts with him visiting his dead baby's grave for the first time, and then follows him around as he joins his companion Helen Archer (Meryl Streep) and his friend of sorts Rudy (Tom Waits). All three of them are alcoholics, and we watch as they wade through the alleys of Albany 1938 looking for a place to sleep . They get robbed, they see a homeless prostitute from Alaska die of cold and they get into fights. But there is no emotional release in their anger or in their better moments. You'd expect there to be emancipated joy when Streep sings in a bar in front of a full house, or rage when a bunch of kids rob them of all their money. But Streep is quickly back to her depression, and Nicholson shrugs off the robbery. All the characters in Ironweed are infact dead, they live off their memories, do what they have to do to stay alive as they await their physical death. Meanwhile there are quietly affecting scenes of closure as Nicholson visits his abandoned family and Streep remember her "musical days". Nicholson's and Streep's Oscar nominated performance are among their best.

Babenco holds his camera on his characters for a long time, as if waiting for them to crack. They never do because Ironweed is not angry, it doesn't have an agenda, it is just mournful. As I watched it for the first time tonight I became aware that the episodic cyclic nature of the film develops in the end to a complete whole. When the end credits roll you feel like you were standing too close to a painting, and now for the first time you are far enough to see it for the sad beautiful image it is. The famed author John Fowles said that we are all poets but few of us can write it. From the rhetorical dialogue of these hobos, the ugly poverty they endure, the dark allyways they inhabit and the ghosts that haunt them, Ironweed emerges as a sad and deeply affecting poem.

By far, this is Jack Nicholson's best performace
This film never received the attention it deserved. Jack Nicholson and Meryl Streep both have fine performances, but Nicholson's stands out as he demonstrates a range of emotion and pathos not seen in his other work. The cinemaphotography and lighting as he drifts from the dreary reality of life on the streets to his inner world of neurotic fears, joys, and memories is fantastic. You will not forget this movie. ... Read more

Amazon.com

Kiss of the Spider Woman starts out simply enough,hemmed in by the narrow walls of a Latin American prison cell. Molina (William Hurt)is telling his new cellmate, Valentin (Raul Julia), his favorite story.Molina is a delicate homosexual imprisoned for seducing a minor; Valentin is a bearded revolutionary still bleeding from his interrogation. If theirfilm unfolded into the typical prison buddy plot, it'd still be a goodmovie.But this is a great movie. There are stories twisting within stories,each drawing a new, surprising level of difference between the two heroes: escapism versus realism, romance versus politics, gay versus straight,hero versus coward. As their unstable friendship grows more real, theirstories become more vivid--whether Molina's fondly remembered Nazi propaganda noir, Valentin's tortured romantic history, or a tropical island fable told merely to pass the time. (Each substory stars Sonia Braga, a neat bitof casting that further blurs the line between fantasy and reality.) Bythe end, each man has changed just enough to taste the other's tragedy--a transformation that gives each the strength to define freedom on hisown terms, despite the brutality of the prison and the bleak world beyondits walls. --Grant Balfour ... Read more

Reviews (13)

classic film making
well, i must say after seeing this movie several times, i am still in awe. the intertwining stories of both { the great raul julia, such a loss} and the wonderful hurt, truly puts you right into the journey each character endures. i read of the intense work mr hurt did to prepare for the role, and it shows brilliantly. showing through very difficult conditions, two totally opposite life spectrum's learning and understanding can be met. though not conceding completely they both walk away thoroughly different and changed people. the reality and fantasy were incredibly executed here, and even those of us who relish the idea of figuring it out will be tested. well deserving of the oscars and all awards nominated and won. i love a good story and especially when you walk away learning life long understanding, which is not allways acheived in the movie business. A+

A Fine, Thoughtful Movie
I remember liking this movie when it came out in 1985 but I had forgotten just how good this movie really is. William Hurt certainly deserved the Oscar he won for his portrayal of Molina, an effeminate sex offender-- he is always in character-- on the other hand, Raul Julia is wonderful as a political prisoner too. This film makes a thoughtful statement about both friendship and what being a man is really all about as well.

I can't remember when I have seen such a realistic film. You can almost smell and taste the awful prison food that these two men eat, for instance. The sex between the two men is handled with great delicacy. This is a really fine movie that troubled me long after I saw it again.

One of my personal favorites.
'Kiss of the Spider Woman' is one of my personal favorite movies. It is a great character study of two prisoners, an intellectual and homosexual, who pass their time by telling stories of their lives and recalling favorite films. William Hurt and Raul Julia give awesome performances, and by the end of the movie, I was feeling for both of them as though they were real people. An AWESOME AWESOME movie.

A "classic" in every sense of the word!
"Kiss Of The Spider Woman", although an emotionally draining film, is a true classic. Right from the first scene, you feel the frustration of Valentin and Molina, both outcasts of society, yet for very different reasons.The acting is nothing less than extraordinary. William Hurt as the lonely homosexual, Molina, the late Raul Julia, as the stern, but deeply caring political prisoner, Valentin, and Sonia Braga [who takes on three different roles, including the title role, and plays them all brilliantly], are what make this film so great. Although Hurt deservingly won the Oscar for Best Actor, the same consideration should have been given to Julia and Braga for their contribution, as they were both nothing short of incredible. Why this great film is not out on DVD is a mystery in itself. If you've seen it, see it again....if you haven't, I highly recommend you do.

An interesting movie that I surprisingly did not enjoy
I saw this at a Landmark Theatre in L.A., famous for their quality independent films. Kiss of the Spider Woman was originally released in 1985 and gained Academy Award winning recognition. It was re-released after 16 years, over the summer. It's very powerful, and should make you think. The acting is dazzling by the two leads, William Hurt and the sadly deceased, Raul Julia. But to tell you the truth, I didn't like the movie very much. The plot focuses on two prison inmates in Argentina, incarcerated and tortured by their own government. William Hurt is a sensitive drag queen, who is not as innocent or sensitive as he first appears. Raul Julia is an austere man filled with politically charged passion and anger, but also reveals a different side to him. The movie exhibits the contrast of the two eccentric, two very tragic characters, and sucks the audience into their story, but for some reason, I wasn't really absorbed into its story. Despite my lack of enthusiasm, the movie is considered an all-time great by most film-lovers, and so if you, too, love films, I would take their recommendation on this one, over mine ... Read more

Amazon.com

Hector Babenco, who went on to direct the acclaimed Kiss of the Spiderwoman, made an international splash with this gritty portrait of juvenile poverty and street crime in Brazil. Pixote (Portuguese slang for "Peewee") is the name of a chubby-cheeked 10-year-old runaway played by real-life slum kid Fernando Ramos da Silva. He's a natural, creating a childlike and vulnerable character left emotionally hardened and morally adrift by his brutal experiences. In an overcrowded São Paulo "reform school," a cross between a prison and an army barracks, he learns the hard facts of survival as he watches gangs prey on weaker kids, and the cops and guards abuse, beat, and even murder their charges. Pixote escapes and turns to street crime in Rio with a small gang, but his dreams of big money and a good life are dashed as they play at crime in a violent kill-or-be-killed world. Equal parts exposé and social drama,Pixote dramatizes the plight of millions of children who live on thestreets or get ground up in the system that breeds hardened criminals fromjuvenile delinquents. Like Luis Buñuel's Los Olvidados, one of Babenco's inspirations, this occasionally melodramatic portrait of poverty is shocking and affecting, but no more so than da Silva's own life story. After completing the film he sank back into poverty and crime, and died on the streets. His life became the subject of the 1996 film Who Killed Pixote?, which showed that despite the outcry created by Pixote, Brazil has done little to alleviate these conditions. --Sean Axmaker ... Read more

Reviews (20)

No way out
Pixote is an excellent dramatic review of the children stuck in the poor social class of Brazil. Some scenes are very graphic but are important portrayals of what street dwelling kids in the Sau Paulo area experience. The use of ordinary teenagers to demonstrate this cruel situation is important for viewers to make an honest attempt to imagine this life. Many people are not aware of the awful conditions and the directors do an excellent job shining light on the pains of poor children. Upon the completion of this film, it is especially difficult to contemplate the extreme differences among social classes when considering the trajic ending of Fernando Ramos de Canby who played the role of Pixote. In the movie, Pixote has long given up hope of a stable life and joins the brotherhood of similar souls at the reformitory. He is crying for help however society has already given up and only chose to further punish these throw-away kids. There is no escaping to a happy ending but instead only fate itself will rule their distressing destiny. I truely recommend this film to anyone who is interested in experiencing a cinematic view of the violence, corruption, abuse, and poverty faced by the many unfortunate souls who participate in this lifestyle daily. Keep in mind the age of the viewer. Some scenes definitely are not for small children's eyes.

Hauntingly Infective
I saw this film in the theater as a first release movie and still remember its disturbing images to this day. While most movies show the innocent dream world we like to think children live in, Pixote slithers and crawls through a dark and surreal world unknown to most of us -- yet it is a world with recondite beauty because Pixote knows no other. We see things happen that would be totally unacceptable in the antiseptic world of civilization but our little protagonists does not seem to see his world as anything but normal. With the self-survival morals of any jungle animal, he goes about his day-to-day life. And this juxtaposing of morals leads to a little bit of an internal conflict with the viewer before the end of the movie. I highly recommend this film to anyone but would warn you that if the "Pollyanna" world of children is what you think exists and want to see, this film with keep you awake for quiet a few nights.

too strong for words
Although I am a person who is usually never at a loss for words, all I can say right now is that you MUST see this film. It is too good, too heartwrenching, and too powerful for me to even remotely try to do it justice. This is what real filmmaking is about. Hector Babenco is a genius!

Powerful insight!!
This is perhaps one of the most accurate depictions of life on the streets for millions of homeless, and parentless, children around the world. Vivid. Hard-hitting. Certainly not for the weak of stomach. Pixote tells the straight story of a young child's search for "familia", security and the realization of every child's dream for opportunity...... and of the sex, drugs, loneliness, violence and brutality that he finds instead in the streets. A great learning tool for students, social workers, law enforcement and those in the ministry: you will NEVER view street children the same after watching this. (...)

excellent film
I would recommend this film to anyone who interested in the topic of street children. This film bodly represents the struggles of a young boy trying to find a place in a society that does not want him. There is much graphic nudity but I feel it is needed to capture the viewers attention and suck them into the world of the street child. ... Read more

Reviews (5)

This could be the most depressing movie ever made!
This could be the most depressing movie ever made! Don't watch it with a loaded gun in your hand.

Hard to sit through
Jack Nicholson normally plays roles of blistering intensity, but in 'Ironweed', he plays an aging, burned out bum. Nothing wrong with that, but Nicholson didn't seem right for it. Maybe DeNiro would have been more convincing. Nonetheless, the story is about a bum who keeps having flashbacks of his younger days when he was fighting working man. Apparently he accidently killed three people in his lifetime. All the killings were show in chronological order as 'Ironweed' progressed. I wasn't able to see the last killing because I couldn't finish the film. Only for die-hard Nicholson and Streep fans.

Breathtakingly sad & beautiful
Where do you start with a movie like this? The cinematography & art direction are stunning. Every single shot, every frame, is a Hopperesque masterpiece: colors, lighting, composition. It grabs you way way deep inside. The writing is of a rare pureness: concentrated & intense & head-spining. The excellent writer William Kennedy wrote the screenplay from his Pulitzer prize-winning masterpiece of a novel. You can't get better than that. And then the acting. What acting! Where to start? Tom Waits who sings even when he acts. Jack Nicholson always reaching - out & deep inside - tremendous! Never better. And the exquisitely divine (sorry, can't help it) Meryl Streep: beautiful, heartwrenching, pathetic, laughable, lovable & real. The part of a lifetime, no not just a lifetime, the part of an entire movie-making era. Lastly the direction by the masterful Hector Babenco. Thank you Snr. Babenco. You belong in the pantheon with Von Stroheim, Renoir, Fellini. Thank you. So why has this film fallen into the void of video oblivion? I guess because it's an honest no melodramatics or histrionics depiction of bums - real people who represent the alternative lives that all of us could be leading but would really prefer never be reminded of.

To Comfort The Dead
In highschool I came across a poem called The Projectionist's Nightmare, I don't recall the name of the poet but the poem's message is still very much with me. It described a wayward bird inside a movie theatre, where an audience was watching two poeple "being nice to each other". The bird crashes into the screen, its blood slithering onto the image, the spell is broken, the fantasy dispelled and the audience screams. Hector Babenco had already made this poem in substance in 1985s Kiss Of A Spider Woman where his lead character, a prisoner, escaped his miserable surroundings through memories and fantasies of a propaganda film. Two years later Bebanco would make Ironweed, and his lead character Frances Phelan (Jack Nicholson) is well past the dreaming stage, the only fantasies he has are of ghosts from his past.

Ironweed is a film many people would find slow. Nothing much happens and the characters don't change. The stark grim atmosphere and the dead end conditions unrelenting. There is no hope in the story of Frances Phelan. He has abandoned his family 22 years ago after dropping his 13 year old baby to its death. The film starts with him visiting his dead baby's grave for the first time, and then follows him around as he joins his companion Helen Archer (Meryl Streep) and his friend of sorts Rudy (Tom Waits). All three of them are alcoholics, and we watch as they wade through the alleys of Albany 1938 looking for a place to sleep . They get robbed, they see a homeless prostitute from Alaska die of cold and they get into fights. But there is no emotional release in their anger or in their better moments. You'd expect there to be emancipated joy when Streep sings in a bar in front of a full house, or rage when a bunch of kids rob them of all their money. But Streep is quickly back to her depression, and Nicholson shrugs off the robbery. All the characters in Ironweed are infact dead, they live off their memories, do what they have to do to stay alive as they await their physical death. Meanwhile there are quietly affecting scenes of closure as Nicholson visits his abandoned family and Streep remember her "musical days". Nicholson's and Streep's Oscar nominated performance are among their best.

Babenco holds his camera on his characters for a long time, as if waiting for them to crack. They never do because Ironweed is not angry, it doesn't have an agenda, it is just mournful. As I watched it for the first time tonight I became aware that the episodic cyclic nature of the film develops in the end to a complete whole. When the end credits roll you feel like you were standing too close to a painting, and now for the first time you are far enough to see it for the sad beautiful image it is. The famed author John Fowles said that we are all poets but few of us can write it. From the rhetorical dialogue of these hobos, the ugly poverty they endure, the dark allyways they inhabit and the ghosts that haunt them, Ironweed emerges as a sad and deeply affecting poem.

By far, this is Jack Nicholson's best performace
This film never received the attention it deserved. Jack Nicholson and Meryl Streep both have fine performances, but Nicholson's stands out as he demonstrates a range of emotion and pathos not seen in his other work. The cinemaphotography and lighting as he drifts from the dreary reality of life on the streets to his inner world of neurotic fears, joys, and memories is fantastic. You will not forget this movie. ... Read more