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| 1. Dukes of Hazzard: One Armed Bandits Director: Hollingsworth Morse, Denver Pyle, Gy Waldron, Ron Satlof, Hy Averback, Bob Kelljan, Allen Baron, Harvey S. Laidman, George Bowers, Jack Starrett, Ralph Riskin, Bob Sweeney, Gabrielle Beaumont, Arthur Marks, John Schneider, Bob Claver, Dick Moder, Don McDougall, James Sheldon, Tom Wopat | |
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If you are a Dukes fan, YOU MUST buy this episode. If not only to see how it all begins, if not only to see this classic American tale, but because TNN does such a hatchet job in cutting this one up in re-runs, you can't follow the plot and many of the episodes', and series', great scenes! But you can here, and you learn of the story between Bo and Jill Rae Dotson (Tisch Raye) that TNN doesn't show and are essential to the plot, which is based on a real life tale of a slot machine racket writer Gy Waldron discovered doing research creating Dukes. Raye, who would later marry in to French royalty and retire from acting, two years later landed a guest spot on Charlie's Angels in an episode entitled, "Moonshinin' Angels". This role unquestionably helped her land that one. From the opening scene, where a Hazzard Co. Patrol Car and the General Lee jump over a hill on Covington, Georgia's Elm Street, to the final joke of Rudy (played by Jason Lively, the son of Ernie Davis Lively, who played Dobro in this ep and appeared in three other Dukes eps as two other characters. Jason himself would be the focal point of the sixth season episode, "The Boar's Nest Bears") squirting flies on the General's rear windshield, this show is captivating. There is action, four, count 'em, FOUR car chases! But there is also drama, mischief, and a tale that really leaves no gaps. So many people think of The Dukes of Hazzard as a slapstick show, but that dumbed down feel of the show is absent here. Watching this makes you wonder how good Dukes would have been if they had continued to shoot in Georgia and followed Waldron's vision, rather than move the show to California and adopt hack writers from Gilligans Island and McHales Navy to "Hollywoodize" it. If you love the Dukes of Hazzard, this is a must for your library. You cannot enjoy the show in its proper context without seeing the above missing scenes! And if you're a southerner looking for a feel of rural southern life in the 1970's, look no further. This is it. "One Armed Bandits" is such a quality piece of television die-hard Dukes fans have been known to memorize every line of dialoge to it and travel to Covington and Conyers to check out shooting locations! Let's just say I still remember vividly watching this episode for the first time on its very first airing on Jan. 26, 1979, and I was seven at the time. For a memory like that to be imprinted on such a young mind, this episode must really be something special. You will agree after viewing it. Five stars do not do it justice. It should receive an infinite amount of stars.
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| 2. The Rockford Files: The Big Ripoff Director: Hy Averback, Lawrence Doheny, Ivan Dixon, Harry Falk, Charles S. Dubin, Bruce Kessler, Bernard McEveety (II), Stuart Margolin, Lawrence Dobkin, Bernard L. Kowalski, Dana Elcar, William Wiard, Vincent McEveety, Alexander Grasshoff, Joseph Pevney, Russ Mayberry, Michael Schultz, James Coburn, Jerry London, Reza Badiyi | |
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For diehard fans of the series, however, there's a rather egregious cut made of a crucial scene that shows how Jim gets out of a scrape. Viewers who haven't seen the missing footage will find themselves wondering what happened. It seems that MCA Home Video used a syndication print, rather than an original master. In sum, then, five stars for the episode and the visual quality of the print -- but two stars must be subtracted from the overall rating given the editing. "Rockford," by the way, is a series that cries out for a comprehensive release in the Columbia House Video Library series. ... Read more | |
| 3. The Rockford Files: The Kirkoff Case Director: Hy Averback, Lawrence Doheny, Ivan Dixon, Harry Falk, Charles S. Dubin, Bruce Kessler, Bernard McEveety (II), Stuart Margolin, Lawrence Dobkin, Bernard L. Kowalski, Dana Elcar, William Wiard, Vincent McEveety, Alexander Grasshoff, Joseph Pevney, Russ Mayberry, Michael Schultz, James Coburn, Jerry London, Reza Badiyi | |
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Guest star James Woods is superb as Larry Kirkoff, particularly in those distracted-in-thought facial expressions he makes a few times while Rockford is talking to him. Regular Joe Santos is especially strong in his performance as Sgt. Dennis Becker. And guest Abe Vigoda is perfect in appearance, voice, and subtle hand movements in his brief role as "labor-union" (mob) boss Al Dancer. Recommended reading.
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| 4. I Love You, Alice B. Toklas Director: Hy Averback | |
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Amazon.com Reviews (15)
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| 5. The Rockford Files: Lions, Tigers, Monkeys and Dogs Director: Hy Averback, Lawrence Doheny, Ivan Dixon, Harry Falk, Charles S. Dubin, Bruce Kessler, Bernard McEveety (II), Stuart Margolin, Lawrence Dobkin, Bernard L. Kowalski, Dana Elcar, William Wiard, Vincent McEveety, Alexander Grasshoff, Joseph Pevney, Russ Mayberry, Michael Schultz, James Coburn, Jerry London, Reza Badiyi | |
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| 6. Where Were You When the Lights Went Out? Director: Hy Averback | |
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Reviews (10)
Margaret (Doris Day) is a famous actoress on the Broadway Stage is famous for her roles as a virgin storms out on her Husband Peter (Patrick O'Neal) when she finds out he was fooling around with a nother women Roberta Lane (Lola Albright). And then she accidentally gets mischarged of having some relationship with Waldo Zane (Robert Morse) who went into her vacation house when she was in it and fell asleep right next to her. This movie takes place when the Lights Went Out notice the Title Of The Movie. I can see why this was never rated as one of Miss Days best movies it catches her in a bad role. This movie had some of the funniest people in Hollywood wich include. Terry-Thomas - Ladislau Walichek Great Cast Corny Movie.
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| 7. M*A*S*H - The TV Series, Season 3, Vol. 3 Director: E.W. Swackhamer, Hy Averback, Gabrielle Beaumont, Burt Metcalfe, Michael O'Herlihy, Stuart Millar, Charles S. Dubin, Tony Mordente, Bruce Bilson (II), Harry Morgan, Mike Farrell, Norman Tokar, Mel Damski, Terry Becker, James Sheldon, Gene Reynolds, Alan Alda, Jamie Farr, Lee Philips, Larry Gelbart | |
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(65) "The Consultant" (Writers: Larry Gelbart & Robert Klane) has Dr. Borelli (Robert Alda) showing up to operate on a soldier's leg in order to save it. However, being this close to the front again is too much for the visiting specialist to stand. Grade A-: The stunt of Alan Alda's father produces a solid episode that looks at the drinking on campus in a dramatic fashion. (66) "House Arrest" (Writers: Jim Fritzell & Everett Greenbaum; Aired: February 4, 1975) has Hawkeye decking Frank Burns (Larry Linville) during out of their stupid arguments and being held for court-martial. Grade B-: The idea of the entire camp (except for Hot Lips) supporting Hawkeye over Frank has some nice moments, but this show has a horrible moment when a visiting female colonel (Mary Wickes) is caught in a compromising position with Frank by Hot Lips. The colonel yells "rape" and Hawkeye quips "A movie and a rape all in one night." This was one of those offensive rape jokes during the early years on "M*A*S*H" and I am surprised no one objected before it got on the air. (67) "Aid Station" (Writers: Larry Gelbart & Simon Munter; Aired: February 11, 1975) has Hawkeye, Hot Lips (Loretta Swit) and Klinger (Jamie Farr) sent to the front to provide help at a Battalion Aid Station. Grade A: Being under fire forges new respect for one another among this odd trio. Another key step in the transformation of Hot Lips into Margaret. (68) "Love and Marriage" (Writer: Arthur Julian; Aired: February 18, 1975) has Trapper (Wayne Rogers) and Hawkeye helping in both directions as one soldier is trying to find his pregnant wife and another needing to be stopped from marrying a prostitute as part of a scam at Rosie's Bar. Grade C+: Realistic in terms of what relations were like between the American G.I.'s and the South Korean girls, but nothing special otherwise. (69) "Big Mac" (Writer: Laurence Marks; February 25, 1975) has the camp getting all excitted preparing for a visit from General Douglas MacArthur himself. Grade B+: The key thing here is everyone responds in character, and the climax, which offers the ultimate Klinger outfit, is a hoot. (70) "Payday" (Writers: John Regier & Gary Markowitz; Aired: March 4, 1975) starts with Hawkeye making the mistake of telling the army he had an extra $10 in his paycheck. The army sends him a check for $3,000, which the surgeon promptly gives to Father Mulcahy for the orphans. Then the army shows up and wants the $3,000 back. Grade B-: A nice little example of how military intelligence is an oxymoron. (71) "White Gold" (Writers: Larry Gelbart & Simon Munter; Aired: March 11, 1975) has the doctors suspicious when their penicillin supplies start disappearing. Then Colonel Flagg (Edward Winter) shows up and everything becomes clear as mud. Grade B-: Flagg is always fun. (72) "Abyssinia, Henry" (Writers: Everett Greenbaum & Jim Fritzell; Aired: March 18, 1975) is the order of the day when Colonel Blake (McLean Stevenson) leaves the 4077th to go home. Grade A: Besides the stunning final scene in the O.R. in which the cast was given the script literally a minute before the scene was shot and where the raw emotion seen in the eyes of the cast is haunting, this episode had already reduced you to tears when Blake gives Radar a farewell hug. The shock of Henry Blake's death and the sudden departure of Wayne Rogers from the cast, ended up being blessings in disguise for "M*A*S*H". No television show in history had as big a turnover in its cast and actually managed to get better as this series did in its fourth season. But once Frank Burns was replaced with Charles Emerson Winchester, "M*A*S*H" would become sublime. But looking back over the episodes from the first three seasons, this particular videotape is, on balance, the best of the bunch. Stevenson and Rogers went out with the show they were leaving as good as it had ever been. ... Read more | |
| 8. Dukes of Hazzard: High Octane Director: Hollingsworth Morse, Denver Pyle, Gy Waldron, Ron Satlof, Hy Averback, Bob Kelljan, Allen Baron, Harvey S. Laidman, George Bowers, Jack Starrett, Ralph Riskin, Bob Sweeney, Gabrielle Beaumont, Arthur Marks, John Schneider, Bob Claver, Dick Moder, Don McDougall, James Sheldon, Tom Wopat | |
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The Dukes are applying the secret family recipe and distilling a kick-tail "gasoline" in order to solve the nation's energy crisis. Of course, that only brings trouble for the Dukes. A federal revenue agent (Carlene Watkins) is doing her best to catch the Duke boys breaking their word and making moonshine. And Boss Hogg (Sorrell Booke) figures he can collect royalties on the fuel if the Dukes are given a government-funded stay in an iron-bar hotel. With all the heat on can Jesse and the boys make it in time to win the $20000 prize money? Find out and buy this hilarious GAS of an episode!
The Dukes are applying the secret family recipe and distilling a kick-tail "gasoline" in order to solve the nation's energy crisis. Of course, that only brings trouble for the Dukes. A federal revenue agent (Carlene Watkins) is doing her best to catch the Duke boys breaking their word and making moonshine. And Boss Hogg (Sorrell Booke) figures he can collect royalties on the fuel if the Dukes are given a government-funded stay in an iron-bar hotel. With all the heat on can Jesse and the boys make it in time to win the $20000 prize money? Find out and buy this hilarious GAS of an episode!
This episode is famous for several reasons. First, it is the first time that Luke ever drives the General Lee. His jump over a semi to begin the show, as well as give the General Lee its first great shot of its famous CNH-320 license plates, not only begins the episode with a bang, but is the shot used on the General Lee model kits sold in toy stores in the 1980s. This is also the first episode directed by Don McDougal, the greatest Dukes director of them all, who directed Dukes episodes throughout the show's seven year run. And, of course, this is the last episode filmed in Georgia. This episode also features sexy character actress Carlene Watkins. Remember the blonde Alex Riger fell in love with when Latka and Simka set everyone up in "The Schlogel Episode" of Taxi? Remember the blonde after Fraiser Crane with a boyfriend in prison and a taste for intimacy in dangerous situtations in Frasier? This is her, young, BRUNETTE, and playing a REVENUER! As Cooter says- "She's a whole lot better looking than ol' Agent Roach"- so much so she even gets Enos' eyes to stray from Daisy and call JD Hogg "Boss" for the only time in the 145 episode run of the series (well- he looked at Vera too when he guest starred on that crossover episode of Alice)! The plot is great fun- a real cat and mouse game on the moonshine theme the series was based on but later shyed away from- and for the first time it reveals the fact Boss and Uncle Jesse ran shine back in the old days. Bit parts from two actors who appeared in the historic pilot "One Armed Bandits" are included- Champ Laidler as "Old Brodie" and Ralph Pace with such a new look to him in his new character you'd never recognize him from the first episode. It's the only episode Jesse ever breaks his word in as he makes some moonshine "for his country to help solve the energy crisis"- a 1979 history lesson from pop culture if there ever was one! And the General, for one brief shot, has its original checkered-Confederate flag pattern between its rear window and trunk lid! Remember Gasahol! Learn how we will have fuel for combustion engines even if someday we run out of oil! And buy this great episode! NOW! PULL OUT THE CREDIT CARD! LET THE KIDS GO ANOTHER WEEK WITHOUT NEW SHOES! PUT OFF THE NEW CAR AND DESTROY YOUR CREDIT RATING IF YOU MUST! IT'S THAT GOOD! If nothing else, you'll finally "get it" after the hatchet job of cutting scenes TNN does to it!
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| 9. Pearl (The Miniseries) Director: Hy Averback | |
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Description Reviews (6)
The names just leap out at you; Robert Wagner, Dennis Weaver, Angie Dickinson, Lesley Ann Warren, Brian Dennehy, Richard Anderson, Adam Arkin, Marion Ross, and others. You'd think with a cast like that, the project would be a real winner. Apparently, that's what the producers thought as well, which is why the entire enterprise is practically on auto-pilot, left to direct itself. Large chunks of footage from the classic film "Tora! Tora! Tora!" are inserted ham-fistedly in a precursor to the near-criminal lifting of an entire action segment of "Clear and Present Danger" in an episode of "JAG". Even worse, the producers were too lazy to add subtitles for the Japanese sequences, opting instead to use some very weak voice-over translations. The effect adds even more to the cheap feel of the production. Other glaring errors pop up again and again. For example, we see the same shot of an ambulance pulling up in front of the hospital, and a man in a white suit exit his car and run over to the ambulance... three times, all in the space of twenty minutes. Angie Dickinson's character spends the entire second half of the film wandering around Pearl Harbor in a daze, visiting Hickam Field, and winding up in a final confrontation with her husband that strains credibility well past the breaking point, and wastes time for everyone; character, actor, and viewer alike. Sadly, there are some good moments here, but they are so buried beneath the tripe of melodrama and soap opera antics that they can't salvage the project. The big names do their best, of course. Robert Wagner is the main hero, and Dennis Weaver plays the uptight, bureaucratic, bigoted and power-hungry Colonel who Wagner works for. Both are great. A young Adam Arkin is just fine in his role, and when she isn't being a soap opera diva and spouting such tripe as (in answer to the question of what's going to happen when she confronts her husband the Colonel), "Pearl Harbor... MY version!" The final resolution for Lesley Ann Warren's Dr. Carol Lang will also make you want to cringe, as it is equally poorly written. The real tragedy is not that this miniseries is melodrama, or that there are one or two weak performances, or even that we must endure a wealth poorly-written dialog. The tragedy here is that the producers thought they could take one of the major historical events of the Twentieth Century and of American History, turn it into a soap opera, and get by with splicing in action scenes from a classic war film. Even worse, they made little or no effort to make the project actually work.
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| 10. M*A*S*H - The TV Series, Season 4, Vol. 3 Director: E.W. Swackhamer, Hy Averback, Gabrielle Beaumont, Burt Metcalfe, Michael O'Herlihy, Stuart Millar, Charles S. Dubin, Tony Mordente, Bruce Bilson (II), Harry Morgan, Mike Farrell, Norman Tokar, Mel Damski, Terry Becker, James Sheldon, Gene Reynolds, Alan Alda, Jamie Farr, Lee Philips, Larry Gelbart | |
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Episode 17, "Dear Ma" (Written by Everett Greenbaum & Jim Fritzel, Aired December 23, 1975) finds it is Radar's turn to write home in the third "letter" episode from Season 4 and offers a familiar hodge podge of what is happening at the 4077th. 4 Stars. Episode 18, "Der Tag" (Written by Everett Greenbaum & Jim Fritzel, Aired January 6, 1976) has Colonel Potter (Harry Morgan) ordering Hawkeye (Alda) and B.J. (Mike Farrell) to be nice to Frank Burns (Larry Linville). That can only last so long and after putting on a toe tag that declares Frank to be "Emotionally Exhausted and Morally Bankrupt," the inebriated Major Burns ends up at a battalion aid station. Less than pleased, Potter orders the two doctors to the front to retrieve Frank. A nice example of the Swampmates going too far. 4 Stars. Episode 19, "Hawkeye" (Written by Larry Gelbart & Simon Munter, Aired January 13, 1976) is a chance for Alan Alda to shine as a actor. Hawkeye overturns his jeep trying to avoiding hitting some children and sustains a concussion. Knowing that if he loses consciousness he might never wake up, Hawkeye babbles continuously to the mystified Korean family into whose home he has stumbled. Ambitious if not completely satisfactory and certainly something completely different. 4.5 Stars. Episode 20, "Some 38th Parallels" (Written by John Regler & Gary Markowitz, Aired January 20, 1976) has Frank's bright idea of having the South Korean locals bid on the 4077th garbage merging with Hawkeye's disdain for Colonel T.K. Coner, who insists on losing more men sending them to retrieve the bodies of their dead. An average example of the type of episode where the doctors bump heads with gung-ho Army types. 4 Stars. Episode 21, "The Novocaine Mutiny" (Written by Burt Prelutsky, Aired January 27, 1976) provides a "Rashomon" like look at an incident for which Frank wants Hawkeye court-martialed. The chief attraction here is Frank's idealized vision of himself as a medical deity. Even if it is only in his own mind, this is one of Frank's finest moments. 4.5 Stars. Episode 22, "Smilin' Jack" (Written by Larry Gelbart & Simon Mutner, Aired February 3, 1976) is the nickname of Jack Mitchell, a M*A*S*H chopper pilot who has flown 839 soldiers to M*A*S*H units and is shooting for the record of 842 help by Dangerous Dan Murphy. The only problem is Smilin' Jack has diabetes and has to be grounded. On the one hand taking a look at the chopper pilots is a nice change of pace, but the ending of this one is pretty foreseeable if not forced. 4 Stars. Episode 23, "The More I See You" (Written by Larry Gelbart & Gene Reynolds, Aired February 10, 1976) finds Hawkeye confronted with Carlye Breslin (Blythe Danner), who is not just any old flame but the one that dumped him in medicine school because it was clear he would always be a doctor first. A pivotal episode that pokes some major holes in the persona of Hawkeye Pierce. 4.5 Stars. Episode 24, "The Interview" (Written by Larry Gelbart, Aired February 24, 1976) takes the simple idea of having reporter Clete Roberts interviews the staff of the 4077th. Partly scripted, mostly ad libbed, this is a riveting episode in which the most memorable comment comes from Father Mulcahy talking about surgeons warming themselves over open wounds when it is cold. This episode more than any other signals that "M*A*S*H" is now a dramedy and not a situation comedy. 5 Stars. One of the problems with rating the "M*A*S*H" episodes on this videotape is that if "The Interview" is a 5, then nothing else here can be. But half the episodes here at only half-step below that classical black & white season finale. The show will keep getting better, but clearly Season 4 of "M*A*S*H" was the best to date. ... Read more | |
| 11. Dukes of Hazzard: To Catch a Duke Director: Hollingsworth Morse, Denver Pyle, Gy Waldron, Ron Satlof, Hy Averback, Bob Kelljan, Allen Baron, Harvey S. Laidman, George Bowers, Jack Starrett, Ralph Riskin, Bob Sweeney, Gabrielle Beaumont, Arthur Marks, John Schneider, Bob Claver, Dick Moder, Don McDougall, James Sheldon, Tom Wopat | |
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Description Reviews (6)
Is there a possibility to order video's from the eighties tv series like the Dukes of Hazzard, Dynasty, Dallas, etc to use in an European videorecorder? bascappendijk@hedon-zwolle.nl
In this classic episode, Hogg'sinjustice is just the sort of thing to get the Dukes all riled up and the General Lee all revved up. But when Bo (John Schneider) and Luke (Tom Wopat) ride into town to pay a fine, they run into a freewheeling adventure involving a fortune in stolen jewels. The alleged accomplices in the theft: Bo and Luke. Bo andLuke better act fast before Boss makes a law against an innocent person's name. But can Bo and Luke do it? Order it and find out.
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| 12. The Real McCoys - Vol. 1 Director: Hy Averback, Richard Crenna, Sidney Miller, David Alexander | |
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| 13. M*A*S*H - The TV Series, Season 2, Vol. 2 Director: E.W. Swackhamer, Hy Averback, Gabrielle Beaumont, Burt Metcalfe, Michael O'Herlihy, Stuart Millar, Charles S. Dubin, Tony Mordente, Bruce Bilson (II), Harry Morgan, Mike Farrell, Norman Tokar, Mel Damski, Terry Becker, James Sheldon, Gene Reynolds, Alan Alda, Jamie Farr, Lee Philips, Larry Gelbart | |
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(33) "Dear Dad...Three" (Writers: Larry Gelbart & Laurence Marks; Aired: November 10, 1973) sees Hawkeye (Alan Alda) relating more of the daily happenings at the 4077th, such as removing a live grenade from the chest of a wounded soldier. Grade A-: This format has worked successfully before, but what elevates this one is the scene in which Henry (McLean Stevenson) shows some home movies. (34) "The Sniper" (Writer: Richard M. Powell; Aired: November 17, 1973) has everybody ducking for cover when a single sniper starts taking shots at everyone and everything. Grade B-: The idea is still played for laughs. Look quick when the towel Radar (Gary Burghoff) is wearing slips off. (35) "Carry On, Hawkeye" (Writers: Bernard Dilbert, Larry Gelbart, and Laurence Marks; Aired: November 24, 1973) finds the 4077th devastated by a flu epidemic. The only ones left standing are Hawkeye and Hot Lips, and when he starts coming down with symptoms it is Margaret who has to perform some surgery. Grade A-: An important episode because it establishes a connection between Hawkeye and Margaret that would be built upon quite memorably in the future. (36) "The Incubator" (Writers: Larry Gelbart & Laurence Marks; Aired: December 1, 1973) is the grail at the end of the quest for Hawkeye and Trapper (Wayne Rogers), who have to get through miles of red tape. Grade B-: A decent military comedy episode, although the idea the military would not want its hospitals equipped properly is not a happy thought. (37) "Deal Me Out" (Writers: Larry Gelbart & Laurence Marks; Aired: December 8, 1973) centers around the interruptions for the weekly poker game that includes Sidney Freeman (Allan Arbus). Pat Morita is also in on the game and John Ritter is holding a gun on Frank in the shower. Edward Winter shows up, not as Colonel Flagg, but as a sort of ancestor. Grade A-: Despite all the dire happenings in the camp, the game must go on, with the best one-liners coming from the guest stars. (38) "Hot Lips and Empty Arms" (Writers: Linda Bloodworth & Mary Kay Place; Aired: December 15, 1973) is a pivotal episode where Houlihan demands a transfer to another unit when she starts questioning everything in her life, from her hopeless affair with Frank to the way the army has become her life. Grade A: Bloodworth (who created "Designing Women") and Place (actress on "Mary Hartman, Mary Hartman) interviewed Swit for hours to write this superb character study. "Hot Lips" would never be the same. (39) "Officers Only" (Writer: Ed Jurist; Aired: December 22, 1973) begins with the good news that the 4077th has an Officer's Club. The bad news is that apparently only officers can go in the place, which means Trapper and Hawkeye have to do something about it. Grade C+: Seems a long way to go to have a new set. (40) "Henry in Love" (Writers: Larry Gelbart & Laurence Marks; Aired: January 5, 1974) has Henry back from Tokyo and head over heels in love with a cheerleader (Katherine Baumann) half his age. Grade C-: Sorry, but this one just always bugged me. I understand the idea of a mid-life crisis and everything, but unlike B.J.'s later fall from grace I just could not buy this one. So, with two significant episodes focusing on Margaret, they certainly put the wrong major on the cover of this one. Not surprisingly the novice writers Bloodworth and Place would write several more scripts for "M*A*S*H," however, they were not "Margaret" episodes. Go figure. ... Read more | |
| 14. M*A*S*H - The TV Series, Season 2, Vol. 3 Director: E.W. Swackhamer, Hy Averback, Gabrielle Beaumont, Burt Metcalfe, Michael O'Herlihy, Stuart Millar, Charles S. Dubin, Tony Mordente, Bruce Bilson (II), Harry Morgan, Mike Farrell, Norman Tokar, Mel Damski, Terry Becker, James Sheldon, Gene Reynolds, Alan Alda, Jamie Farr, Lee Philips, Larry Gelbart | |
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| 15. M*A*S*H - The TV Series, Season 1, Vol. 3 Director: E.W. Swackhamer, Hy Averback, Gabrielle Beaumont, Burt Metcalfe, Michael O'Herlihy, Stuart Millar, Charles S. Dubin, Tony Mordente, Bruce Bilson (II), Harry Morgan, Mike Farrell, Norman Tokar, Mel Damski, Terry Becker, James Sheldon, Gene Reynolds, Alan Alda, Jamie Farr, Lee Philips, Larry Gelbart | |
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(17) "Sometimes You Hear the Bullet" (Writer: Carl Kleinschmitt; Aired: January 28, 1973). Hawkeye gets a visit from Tommy (James Callahan), an old friend who is planning to write a book about the war. Meanwhile, the camp also has an underage Marine (Ronny Howard) with appendicitis. The turning point for "M*A*S*H" comes when suddenly Hawkeye finds Tommy on the O.R. table in front of him and can do nothing to save his friend's life. Grade A+: This was the show that allowed "M*A*S*H" to have it both ways. As Henry Blake (McLean Stevenson) explains it to Hawkeye, "In war Rule #1 is that young men die. And Rule #2 is that doctors cannot change rule #1." A devastatingly emotional episode that redefined the show. (18) "Dear Dad...Again" (Writers: Sheldon Keller & Larry Gelbart; Aired: February 4, 1973) has Hawkeye writing home to his dad again to talk about how he is keeping himself sane amidst the insanity of war. Grade B: Another solid character study on the characters at the 4077th. (19) "The Long-john Flap (Writer: Alan Alda; Aired: February 18, 1973) has everybody in camp trying to trade or otherwise coerce someone to get Hawkeye's long-johns during a bitter cold snap. Grade B-: Another military comedy situation, but Alda the writer shows a sense of understanding the characters at the 4077th. (20) "The Army-Navy Game" (Writer: Sid Dorfman, based on a Story by McLean Stevenson; Aired: February 25, 1973) finds the gang's enjoyment of the Army-Navy game on Armed Forces Radio interrupted when an unexploded bomb lands in the middle of the camp. Grade C+: Another average military comedy episode, with an okay punch line. (21) "Sticky Wicket" (Writers: Laurence Marks & Larry Gelbart; Aired: March 4, 1973) starts with Hawkeye accusing Frank of botching a surgery only to see one of his own patients going sour big time. Grade B: An interesting episode because the pacifist Hawkeye ends up physically assaulting Frank, while the obnoxious Major Burns is the one who has the moment of objectivity in the end. (22) "Major Fred C. Dobbs" (Writer: Sid Dorfman; Aired: March 11, 1973) reveals that Frank Burns is going home. This would seem like a good thing but Frank will not be replaced so the boys have to figure out a way to trick Frank into staying. So they learn from Radar that thar is gold in them Korean hills. Grade C-: I do not hate this one as much as Gelbart, but it is strange for Hawkeye and Trapper to go out of their way to keep Frank around. (23) "Ceasefire" (Writers: Laurence Marks & Larry Gelbart; Aired: March 18, 1973) has everyone at the 4077th reading to pack up and go home when there are rumors of a ceasefire. The wars ends and everybody goes in a tearful finale. No, wait, wrong season. Grade B: This episode, which aired the same week the U.S. began bringing troops home from Vietnam, offers another nice little character study of the group. (24) "Showtime" (Writers: Robert Klane & Larry Gelbart; Aired: March 25, 1973) is more of an epilogue to the season ("Ceasefire" works better as a season finale). The show essentially contrasts a USO comedy show visiting the camp with the drama in the operating room. Grade B-: A subtle episode, but one that reflects the hard lessons learned during Season 1. This tape is the key one from Season 1 and it rates 5 stars simply because it includes "Sometimes You Hear the Bullet." Very rarely has an episode other than a pilot transformed a television series so much for the better (cliffhangers like "Who Shot J.R.?" do not count). That episode becomes the template for the best episodes of "M*A*S*H" in the season to come. The show was going to be able to make us cry as well as laugh, and in the end it was going to be the poignant moments that mattered more. You watch this episode and you realize that 'M*A*S*H' just became 'M*A*S*H.' ... Read more | |
| 16. Dukes of Hazzard: Officer Daisy Duke Director: Hollingsworth Morse, Denver Pyle, Gy Waldron, Ron Satlof, Hy Averback, Bob Kelljan, Allen Baron, Harvey S. Laidman, George Bowers, Jack Starrett, Ralph Riskin, Bob Sweeney, Gabrielle Beaumont, Arthur Marks, John Schneider, Bob Claver, Dick Moder, Don McDougall, James Sheldon, Tom Wopat | |
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| 17. The Dukes of Hazzard: The Big Heist Director: Hollingsworth Morse, Denver Pyle, Gy Waldron, Ron Satlof, Hy Averback, Bob Kelljan, Allen Baron, Harvey S. Laidman, George Bowers, Jack Starrett, Ralph Riskin, Bob Sweeney, Gabrielle Beaumont, Arthur Marks, John Schneider, Bob Claver, Dick Moder, Don McDougall, James Sheldon, Tom Wopat | |
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| 18. M*A*S*H - The TV Series, Season 3, Vol. 1 Director: E.W. Swackhamer, Hy Averback, Gabrielle Beaumont, Burt Metcalfe, Michael O'Herlihy, Stuart Millar, Charles S. Dubin, Tony Mordente, Bruce Bilson (II), Harry Morgan, Mike Farrell, Norman Tokar, Mel Damski, Terry Becker, James Sheldon, Gene Reynolds, Alan Alda, Jamie Farr, Lee Philips, Larry Gelbart | |
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(49) "The General Flipped at Dawn" (Writer: Jim Fritzell & Everett Greenbaum; Aired: September 10, 1974) has a new spit-and-polish general (Harry Morgan) showing up and deciding that moving the 4077th right onto the battlefield would be a good thing. Grade B: On the one hand the idea of a general being this nuts is unrealistic, but the general is played by Harry Morgan who, ironically, would be back one year later as Sherman Potter. (50) "Rainbow Bridge" (Writers: Larry Gelbart & Laurence Marks; Aired: September 17, 1974) has Trapper (Wayne Rogers) and Hawkeye (Alan Alda) giving up a furlough to go after a group of wounded soldiers in enemy territory. Grade B-: Clearly inspired by the interviews conducted in Korea, but a bit much of a transition after the season premier episode. Singer Loudon Wainwright III, who would offer some musical accompaniment from time to time during the third season, makes his first appearance. (51) "Officer of the Day" (Writer: Laurence Marks; Aired: September 24, 1974) has Henry on R&R in Seoul and Hawkeye forced to act as O.D. If that was not enough trouble, Colonel Flagg (Edward Winter) is back at the 4077th wanting to execute a wounded North Korean prisoner as a spy. Grade B+: One of the first times that Hawkeye has to act like a real soldier. (52) "Iron Guts Kelly" (Writers: Larry Gelbart & Sid Dorman; Aired: October 1, 1974) has the famous genral (James Gregory) dying in the bed of Hot Lips (Margaret Swit). However, that is not heroic enough of a death for the general's aide (Keene Curtis). Grade A-: "M*A*S*H" was becoming more realistic and more of a dramedy than a situation comedy, but black comedy was also one of their strengths as this episode proves. (53) "O.R." (Writers: Larry Gelbart & Laurence Marks; Aired: October 8, 1974) is set entirely in the operating room and is played without a laugh track. The casualties never stop coming and even Sidney Freedman (Allan Arbus) has to help. Grade A+: The stark realism of "M*A*S*H" was never more evident than on this stellar episode. (54) "Springtime" (Writers: Linda Bloodworth & Mary Kay Place; Aired: October 15, 1974) has both Radar (Gary Burghoff) and Klinger (Jamie Farr) falling in love. Meanwhile, a grateful G.I. (Alex Karras) looks out for Hawkeye. Grade C+: Standard military sitcom episode, suffers from following "O.R." (55) "Checkup" (Writer: Laurence Marks; Aired: October 22, 1974) finds Trapper suffering from a ulcer which turns out to be his ticket home. This requires a big party to say goodbye during which Hot Lips confesses a few things to Trapper. Grade B: Worth it for the look on Margaret's face when she realizes Trapper will be staying. (56) "Life With Father" (Writers: Everett Greenbaum & Jim Fritzell; Aired: October 29, 1974) has Father Mulcahy (William Christopher) officiating at an infant's circumcision while Henry Blake (McLean Stevenson) is convinced his wife is having an affair back home with a doctor who drives a Jaguar. Grade C+: Nice to see Henry get a case of the doubts, but an average episode redeemd by the camp's priest getting something better to do than administer last rites. This first videotape offers up two classic episodes, which is pretty good. Unfortunately, some of the other episodes are pretty average and keep Volume 1 of Season 3 from earning 5 stars. Historically these episodes set up Season 4 when Harry Morgan would join the cast and Wayne Rogers would leave, both of which remind us that the best of "M*A*S*H" is yet to come. ... Read more | |
| 19. The Real McCoys - Vol. 2 Director: Hy Averback, Richard Crenna, Sidney Miller, David Alexander | |
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| 20. The Real McCoys (Vol. 3) Director: Hy Averback, Richard Crenna, Sidney Miller, David Alexander | |
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