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| 61. Nancy Drew: Mystery of the Solid Gold Kicker Director: Richard Benedict, Alvin Ganzer, Fernando Lamas, Ivan Dixon, Don McDougall, Dennis Donnelly, Noel Black, Keith J. Atkinson, Ron Satlof, Vince Edwards, Jack Arnold, E.W. Swackhamer, Sidney Hayers, Stuart Margolin, Michael Pataki, Michael Caffey, John J. Dumas, Andy Sidaris, Daniel Haller, Edward M. Abroms | |
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| 62. Buck Rogers in the 25th Century: Happy Birthday, Buck Director: Leslie H. Martinson, Victor French, Dick Lowry, Jack Arnold, Bernard McEveety (II), David G. Phinney, Larry Stewart, Barry Crane, Michael Caffey, Daniel Haller, Philip Leacock, Harvey S. Laidman, Vincent McEveety, Sigmund Neufeld Jr., Guy Magar, Bob Bender, David Moessinger | |
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In this episode, Buck's been feeling a little depressed as his 534th birthday approaches. Everything's perfect, nothing ever changes in the future, and he really misses his past life. To get him out of his funk, Wilma and Dr. Huer (Tim O'Connor) decide to throw Buck a surprise party. The surprise is almost on them, however, when the psycho Col. Traeger arrives and attempts to kill Dr. Huer out of a warped sense of revenge.
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| 63. Nancy Drew: Mystery of the Fallen Angels Director: Richard Benedict, Alvin Ganzer, Fernando Lamas, Ivan Dixon, Don McDougall, Dennis Donnelly, Noel Black, Keith J. Atkinson, Ron Satlof, Vince Edwards, Jack Arnold, E.W. Swackhamer, Sidney Hayers, Stuart Margolin, Michael Pataki, Michael Caffey, John J. Dumas, Andy Sidaris, Daniel Haller, Edward M. Abroms | |
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| 64. Revenge of the Creature Director: Jack Arnold | |
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"Revenge Of The Creature" picks up the story roughly one year after the conclusion of the earlier film. It has an entirely different cast with the exception of the River Boat Captain who was responsible for ferrying the expeditions in both films up to the far reaches of the Amazon Basin in search of the mysterious Gill Man. This time around B horror movie veteran John Agar stars as Professor Clete Ferguson who is in charge of research at Ocean Harbour aquatic resort in Florida where the Gill Man is taken after being captured and where he is placed on display in an aquarium for the general public to see. As opposed to the first film the creature in this instance is very much the one who has the audience sympathy. He is subjected to quite horrific experiemts in the name of research at the Aquarium and develops a strange fascination for Helen (Lori Nelson)the assistant to Professor Ferguson who he spies on through the portholes at the aquarium. At the first opportunity he escapes from his captivity and goes on a killing spree in Florida before abducting Helen and attempting to find his way back to safety. While not a great story and while similiar themes have been explored elsewhere far more effectively "Revenge Of The Creature" does hold the interest. The scenes of the Gill Man underwater at the aquarium have that same stylish cinematography about them as the underwater sequences in the original film and the later sequences where the Gill Man escapes and causes havoc among the general public are quite exciting and well staged. The scene where he attacks two teenage boys by the water really has a very eerie quality to it and his attack does come as a bit of a surprise when it does occur. While John Agar might not be the best actor in the world he is quite believable here and despite the limited demands that the part calls for does a good job. "Revenge Of The Creature" is also famous for boasting the debut performance of later day superstar Clint Eastwood in the small role of a Lab technician in an early sequence of the film. Eastwood cut his teeth in 1950's horror tales and also had a tiny role in that other classic "Tarantula". The Gill Man will always remain a classic creature and the makeup/suit for this creature is far and away the best of its kind. The more sympathetic slant that this movie takes on the creature is a welcome change and the film is a logical flow from the first film. For an excursion back to wonderfully innocent 1950's Sci Fi "Revenge Of The Creature" is an enjoyable viewing experience and a worthy successor of sorts to its classic parent. ... Read more | |
| 65. Buck Rogers in the 25th Century: Return of the Fighting 69th Director: Leslie H. Martinson, Victor French, Dick Lowry, Jack Arnold, Bernard McEveety (II), David G. Phinney, Larry Stewart, Barry Crane, Michael Caffey, Daniel Haller, Philip Leacock, Harvey S. Laidman, Vincent McEveety, Sigmund Neufeld Jr., Guy Magar, Bob Bender, David Moessinger | |
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Reviews (5)
The TV show, "Buck Rogers in the 25th Century", based on the old movie serial, has the saving grace of being over 20 years old, which means that, by definition, it can't be as bad as the pap that the networks circulate today. It's as dumb and as formulaic as any other show, but at least, it's clean and fairly harmless. And it has one other redeeming feature, which is the only reason why I bought this video. And that, of course, would be Erin Grey (as Colonel Wilma Deering) exhibiting her cute blondness in tight space outfits. And even THAT redeeming feature was diminished during the second season when she unaccountably became a brunette. "Return of the Fighting 69th" is a first season episode, however, and interestingly enough, the scene which requires Erin to disguise herself in a unisex patrol outfit, with helmet, doesn't defuse her sensuality nearly as much as dark hair would later. She provides considerably more thrills than the story does. As for the "plot" and the actors/characters in this episode, they have been adequately described by others and there's no need for me to dwell on them. No 12 year old devotee of Saturday morning cartoons could fail to appreciate them, and Gil Gerard, in the title role, has all the dramatic presence of Venusian cloud cover, sort of a space-wrecked Robert Urich. Actually, that's unfair to Urich. Compared to Gerard, Urich appears to have as much flair and color as Cesar Romero playing the Joker. The bad guys, played by Robert Quarry and Elizabeth Allen, are a lot more passionate, a lot more real, and a lot more genuinely motivated than the good guys, and if you're actually paying attention to the plot, you should be rooting for them - for all the good it will do. Peter Graves plays the head of the "Fighting 69th" who comes out of retirement to do battle with the bad guys, and he, Gerard, Grey, and the other supporting cast members naturally assume that flat pompous virtue that the heroes in these productions always have - the self-conscious virtue that always finds a way to say, "Aren't we good?" The most noxious example of this is the hero's welcome that Gerard receives from his conspirators in virtue after he returns from the arduous task of - locating the deaf girl's parents by searching some futuristic Hall of Records for them. Good old Buck Rogers - not only can he save the universe through expert navigation, crack-shooting, and rapid-fire fist-fighting, but he can brave carpal tunnel syndrome and download a file with the best of any $6.50/hour (or whatever the prevailing 25th century wage is) file clerk. Bleah! After fast-forwarding to all of the enticing Erin Grey poses, put this cassette away and read a book.
A Directorate container ship has been hijacked and is flying toward Necrosis, an asteroid belt of unusual (and admittedly unrealistic) density. Wilma and Buck, on a training run with two cadets, are hastily sent to stop the container ship, but when four oblong-shaped Scorpian fighters (this is the only episode which identifies these bizarre-shaped fightercraft) attack, two are shot down, but the two Directorate cadets plunge into the Necrosis belt and are pulverized. Buck furiously demands to know why the stolen ship was worth the lives of the two cadets, and Dr. Huer provides video inventory as explanation - a stash of nerve gas bombs dug out of a bunker near the old Washington DC. And since the ship was flown to the Necrosis belt, the thieves are clearly Corliss and Roxanne Trent, two gunrunners who have vowed revenge on Wilma because of severe injuries (Corliss' face is seriously scarred, Roxanne Trent sports metallic hands after hers were burned to a shrivel) incurred in a space pursuit years earlier. The only pilots who can possibly navigate the treacherous belt are the surviving members of the Space Marine 69th Squadron - led by Noah Cooper (Peter Graves), who has known Wilma since she was knee-high and earned the nickname Dizzy Deering aka Dizzy D. But all five members of the Fighting 69th were forced into retirement a year earlier, despite still-sharp combat skills. Wilma wants no part of having them return to duty, espeically when they propose using decades-old cargo-sled bombers to launch even older surface-penetrating incendiary explosives into Corliss and Roxanne's asteroid base. When Wilma angrilly protests after an unimpressive live-fire exercise, Buck caustically calls her on the fact she is simply worried sick for Noah, rather than using rational analysis. When the three sled bombers penetrate the belt, they are jumped by a squadron of Scorpians - three are shot down but Buck and Wilma are captured, and meet Corliss and Roxanne up close. Buck also meets Roxanne's youthful slave servant, Alicia, who is deaf and can only speak via sign language - a fact Buck can use to get himself, Wilma, and Alicia to freedom when Noah leads the attack on the asteroid. Elizabeth Allen plays Roxanne Trent and imbues the character with such effective monstrosity that the audience can feel genuine hatred welling up as she smashes a memory globe belonging to Alicia.
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| 66. Buck Rogers in the 25th Century: Vegas in Space Director: Leslie H. Martinson, Victor French, Dick Lowry, Jack Arnold, Bernard McEveety (II), David G. Phinney, Larry Stewart, Barry Crane, Michael Caffey, Daniel Haller, Philip Leacock, Harvey S. Laidman, Vincent McEveety, Sigmund Neufeld Jr., Guy Magar, Bob Bender, David Moessinger | |
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| 67. Buck Rogers in the 25th Century: A Blast for Buck Director: Leslie H. Martinson, Victor French, Dick Lowry, Jack Arnold, Bernard McEveety (II), David G. Phinney, Larry Stewart, Barry Crane, Michael Caffey, Daniel Haller, Philip Leacock, Harvey S. Laidman, Vincent McEveety, Sigmund Neufeld Jr., Guy Magar, Bob Bender, David Moessinger | |
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Reviews (3)
The plot generally surrounds a mysterious group of items which are beamed through the Earth's defense shield. Each item is accompanied by a lymeric (riddle). To solve the mystery, Buck, Wilma (Erin Gray) and even Tweekie are hooked to a machine to retrieve memories of people who might have a grudge against Earth and wish to destroy the Earth. (These memories are the past episodes mentioned above). Of course, they do not solve the mystery until the hour has struck and the "Blast" is set off. Good show, as are all the Buck Rogers shows. But this episode is definitely for those die-hard fans who remember the show from when we were kids.
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| 68. Black Eye Director: Jack Arnold | |
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| 69. Gilligan's Island (Waiting for Watubi/Angel on the Island) Director: Ida Lupino, Gary Nelson, Hal Cooper, Richard Donner, John Rich, Rodney Amateau, Tom Montgomery, Abner Biberman, Jerry Hopper, Leslie Goodwins, Anton Leader, Stanley Z. Cherry, Jack Arnold, George Cahan, David Orrick McDearmon | |
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Then in Episode 11, "Angel on the Island," Ginger (Tina Louise) is depressed because she has lost a leading role in a Broadway play because she is, well, shipwrecked on the island. Mr. Howell (Jim Backus) promises he will back the play when they are rescued and the Castaways start rehearsing the play. The only problem is that Lovey (Natalie Schaeffer) insists on taking the starring role of Cleopatra, which is not exactly making Ginger happier, which was supposedly the point of the rehearsal. Once again, it is Gilligan who comes to the rescue by having a chat with Mrs. Howell. Like the previous episode, there is a sense of community if not family behind the story, and not just a descent into sitcom shtick. Ironically, this makes "Waiting for Watubi" and "Angel on the Island" atypical episodes of the classic "idiot" situation comedy, but above average episodes as well.
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| 70. Peter Gunn Director: Robert Altman, Blake Edwards, Walter Grauman, Alan Crosland Jr., Jack Arnold, David Orrick McDearmon, Paul Stewart, Boris Sagal, Lamont Johnson, Robert Ellis Miller | |
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| 71. Wackiest Wagon Train in the We Director: Leslie H. Martinson, Jack Arnold, Bruce Bilson (II) | |
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| 72. Nancy Drew: A Haunting We Will Go Director: Richard Benedict, Alvin Ganzer, Fernando Lamas, Ivan Dixon, Don McDougall, Dennis Donnelly, Noel Black, Keith J. Atkinson, Ron Satlof, Vince Edwards, Jack Arnold, E.W. Swackhamer, Sidney Hayers, Stuart Margolin, Michael Pataki, Michael Caffey, John J. Dumas, Andy Sidaris, Daniel Haller, Edward M. Abroms | |
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A wonderful, rapidly-paced episode. Leaving you with new questions at every turn, it scintillates with ingenious characterization, plot development, and phantoms that are more than what they seem. A killer! ... Read more | |
| 73. Black Eye Director: Jack Arnold | |
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| 74. Buck Rogers in the 25th Century: Space Rockers Director: Leslie H. Martinson, Victor French, Dick Lowry, Jack Arnold, Bernard McEveety (II), David G. Phinney, Larry Stewart, Barry Crane, Michael Caffey, Daniel Haller, Philip Leacock, Harvey S. Laidman, Vincent McEveety, Sigmund Neufeld Jr., Guy Magar, Bob Bender, David Moessinger | |
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| 75. The Hardy Boys: The Secret of the Jade Kwan Yin/ Nancy Drew: The Mystery of the Solid Gold Kicker Director: Richard Benedict, Alvin Ganzer, Fernando Lamas, Ivan Dixon, Don McDougall, Dennis Donnelly, Noel Black, Keith J. Atkinson, Ron Satlof, Vince Edwards, Jack Arnold, E.W. Swackhamer, Sidney Hayers, Stuart Margolin, Michael Pataki, Michael Caffey, John J. Dumas, Andy Sidaris, Daniel Haller, Edward M. Abroms | |
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| 76. Buck Rogers in the 25th Century: Unchained Woman Director: Leslie H. Martinson, Victor French, Dick Lowry, Jack Arnold, Bernard McEveety (II), David G. Phinney, Larry Stewart, Barry Crane, Michael Caffey, Daniel Haller, Philip Leacock, Harvey S. Laidman, Vincent McEveety, Sigmund Neufeld Jr., Guy Magar, Bob Bender, David Moessinger | |
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In this episode, Buck goes undercover as a convict in order to find wrongly convicted prisoner Jen (Jamie Lee Curtis). They need to get ahold of her to get information that will help them stop her boyfriend from breaking the law. Buck needs to break out of prison with Jen, meet up with Wilma, and stop the boyfriend, while being chased by a prison guard android who just keeps on coming.
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| 77. Gilligan's Island: Wrongway Feldman/President Gil Director: Ida Lupino, Gary Nelson, Hal Cooper, Richard Donner, John Rich, Rodney Amateau, Tom Montgomery, Abner Biberman, Jerry Hopper, Leslie Goodwins, Anton Leader, Stanley Z. Cherry, Jack Arnold, George Cahan, David Orrick McDearmon | |
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Then in Episode #6, "President Gilligan," both the Skipper (Alan Hale, Jr.) and Mr. Howell (Jim Backus) want to be in charge. When the Castaways agree to hold an election for President the pair have alienated the others with the campaign hijinks and it is Gilligan who ends up winning the election. Suddenly, the First Mate of the S.S. "Minnow" is being flattered by everyone else (because they want good jobs in his administration). I keep thinking that there is some sort of social commetary going on in this episode, making it a political satire of some sort. But when I watched this episode again it became clear that "President Gilligan" is incapable of bearing such lofty weight. This is clearly the lesser episode of the two on this particular tape.
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| 78. Tarantula Director: Jack Arnold | |
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Amazon.com Reviews (29)
It's a very re-watchable film, with some pretty good acting and well-drawn characters. Plus a plot that's not totally off-the-wall. Well, yeah, it's out in left field (somewhat), but not so much as to be considered completely ludicrous in every sense. Leo G. Carroll does a fine job as the bio-chemist whose experiments with a new "growth formula" on animals (including our menacing friend, Mister "Tarantula") go terribly wrong when the multi-legged beast escapes Carroll's laboratory. I truly enjoy watching this movie -- no matter how many screenings I give it.The atmosphere, characters, and storyline have me "locked in" from the very start. And the special effects don't look too bad either -- considering it's from 1955 and well before "CGI" type beasts & explosions. I even kind of like the rather corny (and, I assume, not realistic) "hissing"/"rattling" noises that emanate from the super-sized spider during the film. LOL! Also on the humorous side of things -- I've always thought it was mighty cooperative of our giant-sized, venom-spewing beast to "follow the road into town" at the end of the film, thereby making the townspeople's job of setting up the dynamite a great deal easier. (Since when do spiders follow the 'rules of the road'? Oh, well, I guess we'll just assume that our Tarantula here owns a '55 Chevy, and is familiar with the desert highways that surround him. LOL!) This whole movie is great fun from start to finish.Plus -- There's a fun "Theatrical Trailer" for the film included on this VHS version. If you like really big hairy spiders, then look no further than 1955's "Tarantula". ... Read more | |
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