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| 1. The Adventures of Sherlock Holmes - The Final Problem Director: David Carson, Derek Marlowe, Ken Grieve, Paul Annett, John Bruce (II), Alan Grint | |
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Amazon.com Reviews (7)
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| 2. The Adventures of Sherlock Holmes - The Solitary Cyclist Director: David Carson, Derek Marlowe, Ken Grieve, Paul Annett, John Bruce (II), Alan Grint | |
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Amazon.com Reviews (7)
In the role of the detective himself, Jeremy Brett (who sadly passed away in the aftereffects of his manodepressiv illness, and barely managed to complete the last episodes) is THE most memorable Sherlock Holmes of all times, with his outbursts and brilliant face expressions. Sometimes he acts out like a madman, portraiting Holmes as quite an original character (but never disrespectful or exaggerated), sometimes working with very small means. Anyway, he never leaves you unaffected by his performance and practically steals the screen away from his fellow actors. The series are also well known for their creative portrait of Dr Watson, played by either David Burke (as he is in this story) or by the more grumpy, but equally marvellous Edward Hardwicke -- miles from the gasping fool as he is usually portaited. But even the other roles are casted with pain-staking care and of course brilliantly played. In this story, I will among others point out the very good performance of the lovely Barbara Wilshere as the pursued young, cycling woman and Michael Siberry's unforgettable portraying of the red-headed ruffian Woodley. The environments -- the exteriors as well as the interior Victorian details -- have never been made better than in the Granada Sherlock Holmes series, and this puzzling and very thrilling episode is no exception from the rule. I think it is one of the best, although almost every one of them are of high quality. I have all of them and couldn't live without them. Watch it and enjoy good acting, beautiful English panoramas and excellent movie craftmanship to the fullest!
As always, Granada and Jeremy Brett deliver. I adore Brett; no other actor has come close to portraying Sherlock Holmes nearly so faithfully or so fascinatingly as he has. Brett's Holmes is frequently not at /all/ a likeable person (a fact illustrated with particular clarity in this episode), any more than Doyle's original was. What he /is/ is brilliant, intriguingly dramatic, and endearingly eccentric, with occasional flashes of compassion and sensitivity. It's very difficult to steal a scene either from Brett or from Holmes himself, and no one pulls it off in The Solitary Cyclist. David Burke is a good, dependable Watson who can't help but be left in Holmes' intellectual dust, but is far from the phlegmatic simpleton that other actors have portrayed the character as (coughNigelBrucecough). Also notable are Barbara Wilshere as a confident and capable Violet Smith, John Castle playing Bob Carruthers with understated dignity, and Michael Siberry as the positively skin-crawlingly slimy Mr. Woodley. As I've come to expect from Granada, the episode is a faithful rendering of the original story, with a large amount of the dialogue nearly verbatim, and painstaking attention to period detail. Favorite moments: Holmes' pained response to his chemical experiment being interrupted, against the combined forces of the immovable Mrs. Hudson and the adamant Miss Smith. And Holmes' subsequent rather gentle handling of Miss Smith, particularly his examination (with only a passing request for permission) of her hand and authoritative displaying to Watson of "a certain spirituality in the face," and the soft delivery of the refrain, "I never guess." I love Jeremy Brett's voice. Holmes sniping at Watson over his "failure"--he's really horrible, and I can't help but love it. Especially towards the end of the discussion: "Did I really do remarkably badly?" "...Yes!" The impromptu boxing match with Woodley, and Holmes' gloating to Watson afterwards. ("It was absolutely delicious. A straight left against a slogging ruffian.") The falling action, in which Holmes lays out the entire plot to Watson and two of the erstwhile conspirators as though he'd known everything all along. And the last scene--the positively childish trick with the newspaper, and the sudden scramble to the window after the mishap with the chemical reaction.
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| 3. The Adventures of Sherlock Holmes - The Blue Carbuncle Director: David Carson, Derek Marlowe, Ken Grieve, Paul Annett, John Bruce (II), Alan Grint | |
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Amazon.com Reviews (5)
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| 4. The Adventures of Sherlock Holmes - The Norwood Builder Director: David Carson, Derek Marlowe, Ken Grieve, Paul Annett, John Bruce (II), Alan Grint | |
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Amazon.com Reviews (4)
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| 5. The Adventures of Sherlock Holmes - The Crooked Man Director: David Carson, Derek Marlowe, Ken Grieve, Paul Annett, John Bruce (II), Alan Grint | |
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Amazon.com Reviews (3)
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| 6. The Adventures of Sherlock Holmes - A Scandal in Bohemia Director: David Carson, Derek Marlowe, Ken Grieve, Paul Annett, John Bruce (II), Alan Grint | |
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Amazon.com Reviews (11)
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| 7. Tales of the Unexpected Director: Paul Annett, Gordon Hessler, Norman Lloyd, Ray Danton | |
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(price subject to change: see help) Asin: 6303000835 Catlog: Video Sales Rank: 54162 US | Canada | United Kingdom | Germany | France | Japan |
| 8. The Adventures of Sherlock Holmes - The Red-Headed League Director: David Carson, Derek Marlowe, Ken Grieve, Paul Annett, John Bruce (II), Alan Grint | |
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Amazon.com Reviews (3)
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| 9. The Adventures of Sherlock Holmes - The Dancing Men Director: David Carson, Derek Marlowe, Ken Grieve, Paul Annett, John Bruce (II), Alan Grint | |
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Amazon.com Reviews (2)
My one negative reaction was to the American actors; the villain did not have anything resembling a Chicagoan accent and it was a little foolish having him ride up to the house in a 19th century cowpoke's outfit. Not exactly the typical outfit one would wear if one was a Chicago gangster, even if it was the 19th century... This is a rare lapse for the Granada series, usually so fine in its recreation of the costumes and manners of different nationalities of the time. It's a small problem, though, and THE DANCING MEN is a good production. Listen for Patrick Gowers' sly paraphrase of Debussy's NEW WORLD SYMPHONY on the soundtrack. ... Read more | |
| 10. The Adventures of Sherlock Holmes - The Resident Patient Director: David Carson, Derek Marlowe, Ken Grieve, Paul Annett, John Bruce (II), Alan Grint | |
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Amazon.com Reviews (8)
This story, The Resident Patient, is one of the most interesting of the Sherlock Holmes mysteries because of it's many subtleties, seemingly unrelated clues and occurences, and, of course, Holmes's astonishing revelations. Your mind races to keep up with his! That is why this film, like all of the Granada films, deserves 5 stars.
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| 11. The Adventures of Sherlock Holmes - The Copper Beeches Director: David Carson, Derek Marlowe, Ken Grieve, Paul Annett, John Bruce (II), Alan Grint | |
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Amazon.com Reviews (5)
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| 12. The Adventures of Sherlock Holmes - The Speckled Band Director: David Carson, Derek Marlowe, Ken Grieve, Paul Annett, John Bruce (II), Alan Grint | |
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Amazon.com Reviews (8)
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| 13. The Adventures of Sherlock Holmes - The Greek Interpreter Director: David Carson, Derek Marlowe, Ken Grieve, Paul Annett, John Bruce (II), Alan Grint | |
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Amazon.com Reviews (8)
Besides the title characters I will especially say hats off to George Costigan for his brilliant performance as the laughing villain, a man who comes close to the devil himself -- and plays him (with glasses and a splendid austrian accent) in a way that makes a chill run down your spine, as well as delivering somewhat of a comical satire on Peter Lorre. One of the best psycopaths I've ever seen on film! Don't miss it. In addition I can only say: see all of Granada's Sherlock Holmes series! You won't be dissapointed.
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| 14. The Beast Must Die Director: Paul Annett | |
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Description Reviews (11)
This flick first caught my attention one dark, lonely night when I was five or six years old and suffering from my seasonal allergies and asthma attack. This movie both entertained me and scared me to death. It has been twenty-three years since I last saw it and, to my surprise, I still think it's a really good movie, though for very different reasons. Sure they put a fur coat on a black dog and expect us to buy it as a wolf. Sure the soundtrack seems better suited to "Shaft in Merry Ol' England" as opposed to a modern gothic horror film. Sure the acting is heavily stylized and, at times, just plain goofy. Sure the "Werewolf Break" in which the audience is given thirty seconds in which to dissect a fairly uncomplicated mystery is way out in Goofyville, but who cares?! Anyone who finds fault with the above is, quite obviously, someone who should not be watching this film in the first place. Like many films made in the long ago and far away, you have to accept a certain level of culture shock. Like many horror films you have to be willing to suspend your disbelief nigh on to the breaking point. Like many British films you have to put up with acting that seems more suited to Stratford on Avon than Dogma 95. Accept these as simple facts of life or don't rent it, folks. It's just that simple. I've read several negative reviews for this particular film which stress the above elements over and over again. Surprisingly, many of these are written by avowed horror hounds who would probably love the movie if it had nudity and/or more gore. I'm certainly no prude and would turn away from neither should a "Director's Cut" of "The Beast Must Die" ever surface. Then again, sometimes it really is nice to see a horror film like this or any of the Amicus vignette films of the sixties and seventies ("Tales From the Crypt," "The Vault of Horror," "Asylum," et. al.) They have an innocense and a joviality that you just don't find often enough. Though some recent horror fare (most notably the "House on Haunted Hill" remake and any episode of HBO's "Tales From the Crypt") attempt to emulate the feel of a picture like this, they always seem to miss the mark. Perhaps its because they are much more willing to let fly with the gore and nudity. The resulting product hence becoming muddled somewhere between childishness and exploitativeness. (For a further discussion of this see the write-up of Stephen King's "Maximum Overdrive" penned by the good people at Jabootu.com). In closing, if you like seventies kitsch or Brit horror of the period or if you just find yourself in the mood for a watchable mystery, you could do a hell of a lot worse. I mean, "Murder, She Wrote" could still be on the air.
You don't see movies like this anymore, probably because they don't use self-conscious ironic detachment. The (over)acting must be good enough that the players actually inhabit their roles. Play it straight and it's unwatchable. The effects aren't so special, so it's just as well that the action is implicit rather than graphic. Everything about the film is dated--there's no mistaking the costumes or the music for any era other than the mid 70's. For that matter, the voiceover, the ticking clock and the freeze-frame shots of the characters probably looked dated even when the movie was new. But that's not necessarily a bad thing. Later the horror film evolved into the mindless slasher film in the late-70's-early 80's, where the killer was only a setpiece, and then into the 90's, where the ironic, self-aware Scream type picture cannibalized the former genre. So hungry were moviegoers for subtle, sincere horror that they drooled over Blair Witch. It was a valiant effort, the spookfest had all been done better, when films relied on pacing, acting and camera angle to scare the audience instead of gore. It's surprising enough that this film merited a DVD release at all and I was so thankful to find it that I didn't even care about the lack of outtakes and extra comments. The next rainy Saturday afternoon I'm watching this again. ... Read more | |
| 15. The Adventures of Sherlock Holmes - The Naval Treaty Director: David Carson, Derek Marlowe, Ken Grieve, Paul Annett, John Bruce (II), Alan Grint | |
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Amazon.com Reviews (3)
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| 16. Best of Sherlock Holmes Director: David Carson, Derek Marlowe, Ken Grieve, Paul Annett, John Bruce (II), Alan Grint | |
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Amazon.com Reviews (1)
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| 17. Witching of Ben Wagner Director: Paul Annett | |
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Reviews (2)
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| 18. Beast Must Die Director: Paul Annett | |
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