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| 81. Best of Saturday Night Live: Dan Aykroyd Director: Gary Weis, Bill D'Elia, Dave Wilson, Walter Williams (IV), James Signorelli, Tim Robbins, Beth McCarthy-Miller, Christopher Guest, Mike Judge, Robert Altman, Adam McKay, Eric Idle, Andy Warhol, Robert Marianetti, Claude Kerven, David Wachtenheim, Paul Miller, Albert Brooks, Paul Thomas Anderson, Robert Smigel | |
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| 82. Best of Saturday Night Live - Hosted by Candice Bergen Director: Gary Weis, Bill D'Elia, Dave Wilson, Walter Williams (IV), James Signorelli, Tim Robbins, Beth McCarthy-Miller, Christopher Guest, Mike Judge, Robert Altman, Adam McKay, Eric Idle, Andy Warhol, Robert Marianetti, Claude Kerven, David Wachtenheim, Paul Miller, Albert Brooks, Paul Thomas Anderson, Robert Smigel | |
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| 83. The Best of Saturday Night Live Hosted by Elliott Gould Director: Gary Weis, Bill D'Elia, Dave Wilson, Walter Williams (IV), James Signorelli, Tim Robbins, Beth McCarthy-Miller, Christopher Guest, Mike Judge, Robert Altman, Adam McKay, Eric Idle, Andy Warhol, Robert Marianetti, Claude Kerven, David Wachtenheim, Paul Miller, Albert Brooks, Paul Thomas Anderson, Robert Smigel | |
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| 84. Best of Saturday Night Live Director: Gary Weis, Bill D'Elia, Dave Wilson, Walter Williams (IV), James Signorelli, Tim Robbins, Beth McCarthy-Miller, Christopher Guest, Mike Judge, Robert Altman, Adam McKay, Eric Idle, Andy Warhol, Robert Marianetti, Claude Kerven, David Wachtenheim, Paul Miller, Albert Brooks, Paul Thomas Anderson, Robert Smigel | |
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| 85. Saturday Night Live: The Best of Chris Rock Director: Gary Weis, Bill D'Elia, Dave Wilson, Walter Williams (IV), James Signorelli, Tim Robbins, Beth McCarthy-Miller, Christopher Guest, Mike Judge, Robert Altman, Adam McKay, Eric Idle, Andy Warhol, Robert Marianetti, Claude Kerven, David Wachtenheim, Paul Miller, Albert Brooks, Paul Thomas Anderson, Robert Smigel | |
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Amazon.com Reviews (8)
A lot of this dvd's best sketches have Rock as a second and even third banana. For instnace, in the "Sinatra Group" sketch (this one's my favorite), his role as 2 Live Crew star is sadly limited, as Phil Hartman shines as Frank Sinatra (though to be fair, Sinatra is supposed to be the main focus). The other Luther Campbell sketch is funny, with Phil Hartman, Mike Myers and Jan Hooks, Dana Carvey and that "Twi Peaks" guy throwing song ideas at him left and right, much to his dismay. Another thing is that even when Rock is the main focus, another character outshines him. For instance, in "The Bensonhurts Dating Game", Rock's the main focus, but Joe Pesci gets the best lines. A sad waste of talent. The extras are better. There's another one of his hiarious "Weekend Update" commentaries, plus a better "Nat X" sketch that is from 1990, back when the show was in its prime. This is proabably the least enjoyable "SNL" dvd ever. Chris Rock is another player who deserves a volume 2.
There are about one or two things wrong with this dvd that do not make it live up to the superior retrospectives put together for Dana Carvey, Steve Martin, Eddie Murphy, Mike Myers, and Adam Sandler. First up, skits like "I'm Chillin'" and "Big Toe Song" are rather pointless (the latter disgusting) and forgettable. Second, some of the best skits feature Rock as a second banana rather than the main focus. These happen to include my two favorite sketches, "The Bensonhurst Dating Game" and "The Sinatra Group". In the former, he is bested by host Joe Pesci and fellow "SNL" heavyweights Adam Sandler and Dana Carvey. In the latter, he plays Luther Campbell of 2 Live Crew in a debate group led by Frank Sinatra, played by the superb Phil Hartman. Overall, not too bad a dvd, but it could've been so much more.
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| 86. Best Of-Schiller's Reel Director: Gary Weis, Bill D'Elia, Dave Wilson, Walter Williams (IV), James Signorelli, Tim Robbins, Beth McCarthy-Miller, Christopher Guest, Mike Judge, Robert Altman, Adam McKay, Eric Idle, Andy Warhol, Robert Marianetti, Claude Kerven, David Wachtenheim, Paul Miller, Albert Brooks, Paul Thomas Anderson, Robert Smigel | |
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| 87. The Best of Saturday Night Live Hosted by Eddie Murphy Director: Gary Weis, Bill D'Elia, Dave Wilson, Walter Williams (IV), James Signorelli, Tim Robbins, Beth McCarthy-Miller, Christopher Guest, Mike Judge, Robert Altman, Adam McKay, Eric Idle, Andy Warhol, Robert Marianetti, Claude Kerven, David Wachtenheim, Paul Miller, Albert Brooks, Paul Thomas Anderson, Robert Smigel | |
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| 88. Best of Saturday Night Live, Vol. 5 Director: Gary Weis, Bill D'Elia, Dave Wilson, Walter Williams (IV), James Signorelli, Tim Robbins, Beth McCarthy-Miller, Christopher Guest, Mike Judge, Robert Altman, Adam McKay, Eric Idle, Andy Warhol, Robert Marianetti, Claude Kerven, David Wachtenheim, Paul Miller, Albert Brooks, Paul Thomas Anderson, Robert Smigel | |
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| 89. Best of Saturday Night Live, Vol. 4 Director: Gary Weis, Bill D'Elia, Dave Wilson, Walter Williams (IV), James Signorelli, Tim Robbins, Beth McCarthy-Miller, Christopher Guest, Mike Judge, Robert Altman, Adam McKay, Eric Idle, Andy Warhol, Robert Marianetti, Claude Kerven, David Wachtenheim, Paul Miller, Albert Brooks, Paul Thomas Anderson, Robert Smigel | |
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| 90. Saturday Night Live: The Best of Dana Carvey Director: Gary Weis, Bill D'Elia, Dave Wilson, Walter Williams (IV), James Signorelli, Tim Robbins, Beth McCarthy-Miller, Christopher Guest, Mike Judge, Robert Altman, Adam McKay, Eric Idle, Andy Warhol, Robert Marianetti, Claude Kerven, David Wachtenheim, Paul Miller, Albert Brooks, Paul Thomas Anderson, Robert Smigel | |
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| 91. Snl Presidential Bash Director: Gary Weis, Bill D'Elia, Dave Wilson, Walter Williams (IV), James Signorelli, Tim Robbins, Beth McCarthy-Miller, Christopher Guest, Mike Judge, Robert Altman, Adam McKay, Eric Idle, Andy Warhol, Robert Marianetti, Claude Kerven, David Wachtenheim, Paul Miller, Albert Brooks, Paul Thomas Anderson, Robert Smigel | |
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| 92. Best of Snl:1992 Director: Gary Weis, Bill D'Elia, Dave Wilson, Walter Williams (IV), James Signorelli, Tim Robbins, Beth McCarthy-Miller, Christopher Guest, Mike Judge, Robert Altman, Adam McKay, Eric Idle, Andy Warhol, Robert Marianetti, Claude Kerven, David Wachtenheim, Paul Miller, Albert Brooks, Paul Thomas Anderson, Robert Smigel | |
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| 93. Saturday Night Live: The Best of Adam Sandler Director: Gary Weis, Bill D'Elia, Dave Wilson, Walter Williams (IV), James Signorelli, Tim Robbins, Beth McCarthy-Miller, Christopher Guest, Mike Judge, Robert Altman, Adam McKay, Eric Idle, Andy Warhol, Robert Marianetti, Claude Kerven, David Wachtenheim, Paul Miller, Albert Brooks, Paul Thomas Anderson, Robert Smigel | |
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| 94. The Best of Saturday Night Live 1985 Director: Gary Weis, Bill D'Elia, Dave Wilson, Walter Williams (IV), James Signorelli, Tim Robbins, Beth McCarthy-Miller, Christopher Guest, Mike Judge, Robert Altman, Adam McKay, Eric Idle, Andy Warhol, Robert Marianetti, Claude Kerven, David Wachtenheim, Paul Miller, Albert Brooks, Paul Thomas Anderson, Robert Smigel | |
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| 95. Punch-Drunk Love Director: Paul Thomas Anderson | |
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Punch-Drunk Love finally offers Sandler a worthy medium for his talent. It's a story of Barry Egan, a socially inept businessman who, by virtue of his loneliness and an ad in the paper, finds himself being extorted by a phone sex operator. As if this were not difficult enough, Barry also has seven controlling, verbally abusive sisters to contend with. Yet even while he struggles (at times violently) against the shackles of his existence, Barry manages to find love. Or rather, love finds him--and it won't take no for an answer. It's difficult to categorize Sandler's character in this movie. Barry is a wonderfully three-dimensional character, a man so repressed by his circumstances that when he does explode it with with all the intensity of a nuclear bomb. He is awkward, painfully shy, depressed and at times physically violent. The floridly colored inserts between certain scenes in the film make you wonder if Barry isn't suffering from some more severe mental illness. Yet despite all his flaws Barry is a very likeable character. You find yourself aching at his lonliness, experiencing his rage, rooting for his ultimate victory over adversity...even if your initial instinct says this probably won't happen. A lot of people say that the love story between Barry and Lena (played by Emma Watson) is unrealistic. It's true that Barry and Lena seem to be polar opposites, yet those kinds of relationships are very often the best kind. And they do have some things in common (the unusual nature of their pillow talk, for one). Also, one must remember than Lena chose Barry--she saw a picture of him on his sister's desk and she wanted to meet him. Perhaps she saw what a vulnerable, damaged person he was from the picture alone and therefore was not surprised by what she found. Or, having discovered his flaws, perhaps she wanted to help him. It's called Florence Nightingale Syndrome and it isn't all that uncommon. And as for Barry loving her... She was the first woman who ever treated him with affection and respect; he was a lonely man. Of course he fell in love with her. And P.T. Anderson never tried to convince us their relationship was a flawless fairytale. He never implied it would last. He just made us want it to...all I can say is it takes a special type of person to watch this kind of fare. If you are a fan of 'The Royal Tenenbaums', 'Magnolia', or anything Hitchcock, you will most likely love it. If, however, your tastes run to the more obvious, shallow kind of neat little love story save your time. Take your money and rent 'A Walk to Remember' instead.
Adam Sandler plays Barry Egan, a single man with his own business who for years has been unable to fall in love and show affection for another. Part of this is due to his upbringing, with seven sisters who dehumanized him in childhood to fear and more or less hate women as an adult. Despite this, he is still a lonely person who never has anyone to talk to when he needs help. One day, he calls a phone sex company just for conversation and finds himself caught up in a credit card scam ran by the repulsive Dean Trumbell (PT Anderson regular Philip Seymour Hoffman). Things get even more complex when Barry meets one of his sisters' coworkers, a timid young woman called Lena, played by Emily Watson. After one date and a few chance meetings in between, they immediately fall in love with each other. To make things even stranger, Barry realizes that if you buy enough Healthy's Choice pudding packages, you could wind up with enough frequent flyer miles to last you your entire life. Though labeled as a romantic comedy, you should expect anything when you see this film. Not to mention that there's more to this film than what I've told you. The biggest surprise of all is Adam Sandler's terrific performance, proving that he can play both a lovable fool and a truly psychologically damaged human being at the same time. Furthermore, Punch-Drunk Love is filled with excellent moments of wry humor, some gorgeous painting-like images, and some unforgettable performances. A real achievement in independent film.
Sandler plays Barry Egan, a quiet, lonely guy who is experiencing a degree of emotional angst about life. He's trying to make his business prosper, dealing with seven nagging sisters (all of whom badger him relentlessly about life, love, etc...), and yet finds himself swinging from sobbing uncontrollably to abject rage from time to time, with no apparent reason. In a lonely moment, he indulges in a phone-sex scam with unfortunate consequences. He's also buying up lots of groceries in an attempt to gain a million free air miles and meanwhile, a romance is blossoming with Lena (Emily Watson), a friend of one of his sisters. With me so far? The real beauty of this film is in its imagery and simplicity. Barry and Lena are imperfect people trying to connect in an imperfect world. Anderson gives an amazing amount of trust to the actors to portray these people honestly, and it works wonderfully. They are able to convey a universe of emotion with very few words, and the connection seems so real, so tangible, that just watching them is almost like falling in love. The use of music, always excellent in Anderson's films, is just as perfect here and I have to say, the scene in which Barry and Lena walk down a hotel hallway in Hawaii with the song Maui Chimes playing quietly in the background, as he takes her hand and the camera irises in on their hands as they round a corner is quite possibly the sweetest love scene I've never seen. An earlier scene in which the two meet in the same hotel is done all in silhouette, and the effect is brilliant and beautiful. I'm getting all teary-eyed just thinking about it. Luis Guzman and Phillip Seymour Hoffman, two of Anderson's stock cast of actors, as usual, turn in great performances and it makes me happy to see that Anderson appreciates the quality of these actors as much as many of us do. And though it appears that Sandler has returned to his more familiar genre of movies, he shows us that he really does have the chops to play serious, character-driven roles and with luck, we'll see more performances of this caliber from him in the future.
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| 96. Saturday Night Live - The Best of Tim Meadows Director: Gary Weis, Bill D'Elia, Dave Wilson, Walter Williams (IV), James Signorelli, Tim Robbins, Beth McCarthy-Miller, Christopher Guest, Mike Judge, Robert Altman, Adam McKay, Eric Idle, Andy Warhol, Robert Marianetti, Claude Kerven, David Wachtenheim, Paul Miller, Albert Brooks, Paul Thomas Anderson, Robert Smigel | |
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(price subject to change: see help) Asin: B000050ILY Catlog: Video Sales Rank: 10674 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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The funnier skits are great. One particularly good one is 'Perspectives,' a very early Sunday morning talk show hosted by Lionel Osborne, a clueless, aloof talk show host who thinks everything is fantastic. There are two Perspectives skits that are quite funny. One of them is an out-take with Chris Rock as the guest as a member of the Million Man March. It's quite humorous to see them both start to loose it laughing due to the content of the material. There are also several skits of Meadows doing O.J., where he accentuated O.J.'s guilt in all instances. Some other great clips include him doing Sammy Davis Jr., Ike Turner on Weekend Update, and of course some Ladies Man skits. The downside of this tape is that it does leave out some great characters that Meadows has played, while including some that could have been left out. For instance, there is Jingleheimer Joe, a skit where he is a census taker, and others that are quite funny, but don't showcase Tim's true talent. The fact that there are no skits of him doing Oprah is a travesty. He did Oprah better than Oprah did Oprah, yet there is only a two second glimpse of this in the closing credits. One would think that perhaps one of these could have made it on to the tape in lieu of three Ladies Man skits. Other great characters he's done that didn't make it on include Bernard Shaw of CNN, Michael Jackson, and Don King, just to name a few. There's also another skit with 'Captain Jim and Pedro,' played by Meadows and Adam Sandler. While this is a very funny skit, it is Adam Sandler who clearly steals it, while Tim's character is sort of just along for the ride. That said, I would recommend this tape to any and all SNL fans, particularly anyone who has had any appreciation for Tim's work over the years.
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| 97. Boogie Nights Director: Paul Thomas Anderson | |
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(price subject to change: see help) Asin: 0780624548 Catlog: Video Sales Rank: 75189 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (248)
The film is centered around the rise and fall of adult film star Dirk Diggler (played by Mark Wahlberg). Diggler starts out as a polite, bright-eyed kid but is slowly corrupted by life in the fast lane. Wahlberg gives a great performance as the dopey Diggler, whose words aren't necessarily meant to be funny yet often come off as hilarious. The supporting cast also does an excellent job in this film. John C. Reilly plays Diggler pal and fellow adult film star Reed Rothchild to perfection. Reilly is funny throughout the movie, but stands out particularly in a scene where he is being interviewed about the impact of movie violence on viewers. Burt Reynolds, Julianne Moore, Don Cheadle, William H. Macy, and Philip Seymour Hoffman also deliver very strong supporting performances. It's hard to explain what makes Boogie Nights such an entertaining movie. The humor in the dialogue is often quite subtle, but is nevertheless very effective. The characters are colorful and really seem believable despite their sometimes odd behavior and personalities. Director/writer Paul Thomas Anderson did a great job with this film. Viewers are sure to feel empathetic towards the characters as they struggle and yet will likely find themselves laughing at just how bad and weird things get at times. The scene that best sums up Boogie Nights as a whole occurs when Diggler, Rothchild, and friend Todd Parker find themselves in the home of an oddball drug addict trying to sell him some bad dope. The use of music and camerawork in this scene really creates a feeling of tension, yet viewers will probably be tempted to laugh at some of the various events of the scene. I won't say exactly what happens, but the entire sequence shows how Boogie Nights is a dichotomy of the laughable and the tragic. In short, Boogie Nights is a very entertaining and memorable film. Wahlberg's portrayal of Dirk Diggler is top notch and the other actors also do excellent work in the film. Boogie Nights seems to get better with each subsequent viewing and I highly recommend the movie to fans of subtle and slightly dark humor.
Although this film does have its moments and is worth watching overall, it is not a legendary cinematic achievement.
I am pleased to say I was wrong!! In a very elite cast, I thought Mark Wahlberg, as "Dirk Diggler" aka John Holmes, the well-endowed porn king who winds up a hapless coke addict "stole the show". Growing up in this "era", it was very nostalgic to see Hi-Fi's, 70's hair, and the soundtrack brought back the whole era, along with a story of people who extended themselves past their most essential limit- that of self-control. I rated it a "5 of 5"; to all who enjoy it, "54" is a must-see, also!!
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| 98. Saturday Night Live: The Best of Chris Farley Director: Gary Weis, Bill D'Elia, Dave Wilson, Walter Williams (IV), James Signorelli, Tim Robbins, Beth McCarthy-Miller, Christopher Guest, Mike Judge, Robert Altman, Adam McKay, Eric Idle, Andy Warhol, Robert Marianetti, Claude Kerven, David Wachtenheim, Paul Miller, Albert Brooks, Paul Thomas Anderson, Robert Smigel | |
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| 81-98 of 98 Back 1 2 3 4 5 |